Podcasts about indian poetry

Basudhara and I finished our conversation at 10 pm. One hour forty-three minutes. And my heart was full. We'd started off thinking we should aim for a thirty to forty five minutes talk. I'm just glad it wasn't to be.There is something reassuring about Basudhara. Because she speaks with conviction, of being completely honest to the moment. Thoughts, images, opinions, all, take shape like a building which is linear, with stark lines, but a place you know is warm and welcoming. Her latest book 'A Blur of a Woman' is the one I will be gifting the most this year, and possibly beyond. The poems are tender and hard, heartbreaking and life-affirming, as she bleeds her heart to open our souls.In this fabulous conversation, which I wished hadn't ended, she talks, amongst a million other things, of her provincial life, of how poetry improves on marination, how a poem can be obstinate to change, how illnesses define trajectories, and how Keki Daruwalla showed her why greatness is nothing but grace in ordinary things. Basudhara says writing is "a struggle to keep affirming life's movement, its open-endedness, its journey of becoming as well as its right and necessity to become". Basudhara teaches English at Karim City College in Jamshedpur. Creatively and academically drawn to themes of gender, mythology and ecology, her five published books include a monograph and three collections of poems - Moon in My Teacup, Stitching a Home and Inhabiting. Her work has featured widely in anthologies and magazines, including Chandrabhaga, The Punch MAgazine, Yearbook of Indian Poetry in English, Helter Skelter Anthology of New Writing, The Dhaka Tribune, EPW, and Madras Courier, among others. Co-editor of two poetry anthologies and a firm believer in the therapeutic power of verse, she writes, reviews, and sporadically curates adn translates poetry from Jamshedpur, Jharkhand, India.Catch her muse, reflect, recite in this first episode of the second season of 'Uncut Poetry presents Red River Sessions'.In Red River Sessions, we talk to published poets about their poetry, their craft, and what haunts them. It is brought to you by Red River, which is the premier independent publisher of poetry and curated prose, and Uncut Poetry, which is a much-loved weekly podcast of original poetry. Buy Basudhara's books and those of other fabulous poets at redriverpress.in

Indian Jazz band, Shakti Spirit, led by Nadhamuni Gayatri Bharat and Sandy Evans, celebrated female creativity and spirituality through a blend of jazz and Indian mystic poetry at the Sydney International Women's Jazz Festival. Featuring verses from saints Andal and Venibai, the performance captivated audiences through vocals, dynamic percussion and a vibrant fusion of guitar and veena, creating a rich, cross-cultural musical dialogue.

Read by Terry Casburn Production and Sound Design by Kevin Seaman

This is the second part of the conversation with Sophia Naz. Sophia Naz is a bilingual poet, artist, author, editor and translator. She has been nominated twice for the Pushcart Prize; in 2016 for creative nonfiction and in 2018 for poetry. Her work features in numerous literary journals and anthologies, including The Penguin Book of Modern Indian Poets, The Night Heron Barks, Singing in the Dark: A Global Anthology of Poetry Under Lockdown, Berfrois, The Bombay Literary Magazine, Rattle, The Punch Magazine, Poetry At Sangam, Poetry International Rotterdam, The Adirondack Review,  The Wire, Chicago Quarterly Review, Blaze Vox, Scroll, The Daily O, Cafe Dissensus, RAIOT, Ideas And Futures, Chapati Mystery, Guftugu, Pratik, Gallerie International, Coldnoon, VAYAVYA, The Bangalore Review, Papercuts, Madras Courier, The Yearbook of Indian Poetry and many others. She has authored the poetry collections — Peripheries (Cyberhex, 2015), Pointillism (Copper Coin, 2017) Date Palms (City Press, 2017) Open Zero (Yoda Press, 2021), and Shehnaz, a biography (Penguin Random House, 2019). Bark Archipelago is her fifth collection of poetry.  This is a peerless episode from Red River Sessions presented to you by Uncut Poetry. In Red River Sessions, we talk to published poets about their poetry, their craft, and what haunts them. It is brought to you by Red River, which is the premier independent publisher of poetry books and curated prose, and Uncut Poetry, a much-loved poetry podcast.

He is a writer, an actor, a poet, a storyteller, an anti-storyteller -- and he cares about both the world outside and the one inside. Danish Husain joins Amit Varma in episode 359 of The Seen and the Unseen to talk about his life and learnings. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Danish Husain on Twitter, Instagram, Facebook, Wikipedia and IMDb. 2. TheHoshrubaRepertory, Qissebaazi and Poetrification. 3. Danish Husain interviewed by Irfan for Jashn-e-Rekhta. 4. The art of storytelling -- Danish Husain interviewed by Purva Naresh. 5. 'Becoming the story when performing it' -- Danish Husain interviewed by Roanna Gonsalves. 6. The 27 Club. 7. Self-Portrait — AK Ramanujan. 8. The Mysterious Arrival of an Unusual Letter -- Mark Strand. 9. Collected Poems — Mark Strand. 10. Man's Search For Meaning -- Viktor E Frankl. 11. The Importance of Satya — Episode 241 of The Seen and the Unseen (w Uday Bhatia). 12. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 13. Aadha Gaon — Rahi Masoom Raza. 14. Out of Place: A Memoir -- Edward Said. 15. The Incredible Insights of Timur Kuran — Episode 349 of The Seen and the Unseen. 16. Private Truths, Public Lies — Timur Kuran. 17. Varun Grover Is in the House — Episode 292 of The Seen and the Unseen. 18. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 19. Gita Press and the Making of Hindu India — Akshaya Mukul. 20. Where Have All The Leaders Gone? — Amit Varma. 21. Santosh Desai is Watching You -- Episode 356 of The Seen and the Unseen. 22. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 23. Bombay--London--New York -- Amitava Kumar. 24. Fighting Fake News — Episode 133 of The Seen and the Unseen (w Pratik Sinha). 25. Sample SSR conspiracy theory: He's alive! 26. Life is Elsewhere -- Milan Kundera. 27. The Four Quadrants of Conformism — Paul Graham. 28. Ignaz Semmelweis on Britannica and Wikipedia. 29. India's Tryst With Pandemics -- Episode 205 of The Seen and the Unseen (w Chinmay Tumbe). 30. Age of Pandemics — Chinmay Tumbe. 31. Kashi Ka Assi — Kashinath Singh. 32. A Meditation on Form — Amit Varma. 33. Scene: 75 -- Rahi Masoom Raza (translated by Poonam Saxena). 34. Folktales From India — Edited by AK Ramanujan. 35. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 36. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 37. Stage.in. 38. The Age of Average -- Alex Murrell. 39. Nothing is Indian! Everything is Indian! -- Episode 12 of Everything is Everything. 40. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 41. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 42. Early Indians — Tony Joseph. 43. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 44. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 45. ‘Indian languages carry the legacy of caste' — Chandra Bhan Prasad interviewed by Sheela Bhatt. 46. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 47. Premchand, Hardy Boys, Nancy Drew and Agatha Christie on Amazon. 48. Milan Kundera, Gabriel Garcia Marquez, Saul Bellow, Henry Miller and Octavio Paz on Amazon.. 49. Midnight's Children -- Salman Rushdie. 50. Selected Poems -- Dom Moraes. 51. Theatres of Independence -- Aparna Bhargava Dharwadker. 52. Saadat Hasan Manto and Ismat Chugtai on Amazon. 53. Toba Tek Singh -- Saadat Hasan Manto. 55. How Music Works -- David Byrne. 56. Danish Husain's anecdote about Mahatma Gandhi and Bade Ghulam Ali Khan. 57. Poems -- Louise Glück. 58. Harmony in the Boudoir -- Mark Strand. 59. And Then One Day: A Memoir -- Naseeruddin Shah. 60. Kohrra -- Created by Sudip Sharma and directed by Randeep Jha.. 61. If You Are a Creator, This Is Your Time -- Amit Varma. 62. Make Me a Canteen for My Soul — Episode 304 of The Seen and the Unseen (w Sameer Seth and Yash Bhanage). 63.  The Aaron Levie tweet on the market for cars. 64. 'A feeble no may mean yes': Indian court overturns rape conviction -- Michael Safi. 65. Grace is Poetry -- Danish Husain.  66. Train-Track Figure -- Kay Ryan. 67. अंधा कबाड़ी -- नून मीम राशिद. 68. The Conjurer of Meaning -- Danish Husain. 69. Converse: Contemporary English Poetry by Indians -- Edited by Sudeep Sen. 67. Yearbook of Indian Poetry in English: 2022 -- Edited by Sukrita Paul Kumar & Vinita Agrawal. 68. मत बुरा उस को कहो गरचे वो अच्छा भी नहीं -- कलीम आजिज़. 69. शम्-ए-तन्हा की तरह सुब्ह के तारे जैसे -- इरफ़ान सिद्दीक़ी.. 70. हुस्न-ए-मह गरचे ब-हंगाम-ए-कमाल अच्छा है -- मिर्ज़ा ग़ालिब. 71. हिरास -- साहिर लुधियानवी. 72. Separation -- WS Merwin 73. वो जो इक शर्त थी वहशत की उठा दी गई क्या -- इरफ़ान सिद्दीक़ी. 74. तुम्हें डर है. -- गोरख पाण्डेय. 75. शायद कि ये ज़माना उन्हें पूजने लगे -- अब्दुल वहाब सुख़न. 76. Kya sitam hai waqt ka -- Madan Mohan Danish. 77. फ़राज़ अब कोई सौदा कोई जुनूँ भी नहीं -- फ़राज़. 78. कौन-सी बात कहाँ , कैसे कही जाती है -- वसीम बरेलवी. 79. A Plain Landscape -- Danish Husain. 80. इतिहास की कगार -- दानिश हुसैन. 81. Jawaab -- Kumar Ambuj (translated by Danish Husain). 82. Your Touch -- Danish Husain. 83. The Joke -- Milan Kundera. 84. Herzog -- Saul Bellow. 85. Edward Said, Mary Oliver and Toni Morrison on Amazon. 86. Step Across This Line -- Salman Rushdie. 87. Harishankar Parsai, John Kenneth Galbraith and AS Byatt on Amazon. 88. Garam Hawa -- MS Sathyu. 89. Shatranj Ke Khilari -- Satyajit Ray. 90. The Godfather -- Francis Ford Coppolla. 91. Do Ankhen Barah Haath -- V Shantaram. 92. Mandi -- Shyam Benegal. 93. Party -- Govind Nihalani. 94. Khosla Ka Ghosla! -- Dibakar Banerjee. This episode is sponsored by the Pune Public Policy Festival 2024, which takes place on January 19 & 20, 2024. The theme this year is Trade-offs! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘The Actor as a Builder of Worlds' by Simahina.

This week in Poetry - Episode Eight. In the coming weeks, we shall explore the amazing variety of poems in English written by Indian poets from the Pithamahan of Modernism, Nissim Ezekiel to the very young like Sivakami Velliyangiri, with their "thoughts weaned in silence, but spoken as poems". This is a whole new generation of poets exploring creativity with utter disregard for labels and canons, reading aloud, or performing their poems and expressing themselves on a dazzling variety of themes; provocative, transparent, and at times damning.  In this episode, we shall read some of the poems of K. Satchidanandan, born in 1946 in Kerala, he believes Poetry is performance. Poetry is theater. He writes his poems in Malayalam. And he himself translates them into English. A bilingual, literary critic, playwright, social activist, and recipient of many awards, including the Sahitya Academy Award in 2012, Satchidanandan is heard and read with respect by his readers around the world.  That's all we have in this edition of This Week in Poetry with Professor Nedumaran. Thank you for listening to some of the great poems of K. Satchidanandan. I hope you have enjoyed his poetry and there is more to come. And I shall meet you again next week with more voices from Indian Poetry in English. Till then, take care and goodbye for now. This is Professor Nedumaran signing off.

The Penguin Book of Indian Poets, the definitive anthology of Indian poetry in English for the next decade and more edited by Jeet Thayil, returns the forgotten figures of Indian poetry to the centre where they belong.  Jeet compiled the work of 94 poets for this anthology, the oldest born in 1924 and the youngest in 2001. With the aim of giving readers a deeper understanding of a vast and fluid poetic tradition, this collection brings together writers from across the world, a wealth of voices that present an expansive, encompassing idea of what makes an ‘Indian' poet. This anthology is the culmination of a project Jeet began twenty years ago with a special supplement for Fulcrum, a poetry annual out of Boston. That was followed by 60 Indian Poets (Penguin India) and The Bloodaxe Book of Contemporary Indian Poets (Bloodaxe UK). This anthology, the final iteration, encompasses 75 years of Indian poetry in English. At 908 pages, it is voluminous and exhaustive, with 94 poets from all over the world. The poets of the Indian canon include Ezekiel, Kolatkar, de Souza, Das, Mehrotra, Ramanujan, Jussawalla, but so are vital newer voices such as Vijay Seshadri, Vahni Capildeo, Bhanu Kapil, Daljit Nagra, Rajiv Mohabir and Raena Shirali, among many others. This episode of BIC Talks is adapted from a BIC Venue event that took place in late April 2022. Subscribe to the BIC Talks Podcast on your favourite podcast app! BIC Talks is available everywhere, including iTunes, Spotify, Google Podcasts, Castbox, Overcast, and Stitcher.

Sukrita says - "Literary success lies in the joy I get while in the very process of writing and then the glee in actually being able to finish a poem. The rest of it is rather superficial and temporary." Welcome to Red River Sessions, which is a collaboration between Red River, the premier independent house for poetry and Uncut Poetry, the much loved poetry podcast. I am your host Sunil Bhandari, and in this episode we are speaking to the renowned poet Sukrita Paul Kumar. Sukrita was born in Nairobi, Kenya and emigrated to India when Kenya obtained its freedom from the British. As director of a UNESCO project on 'The Culture of Peace', she edited Mapping Memories - a volume of Urdu short stories from India and Pakistan. She has published several collections of poetry as well as academic books and critical writing. She's recently edited the The Yearbook of Indian Poetry in English 2020-21 along with Vinita Agarwal. And with Red River she has published the sparkling and incandescent Country Drive, co-written with Yasmin Ladha. Get the book on Amazon. So Sukrita and I had discussed the general drift of questions for the interview. Instead what transpired was a completely freewheeling conversation - and what a talk it turned out to be! We talked about Plath, death, influence of talented fathers, the blessing and curse of poetry, the meaning of life, her first book, about maintaining innocence in fractured times, Jiddu Krishnamurthy's teaching on focus, the criticality of independent publishing houses, the thrill of holding onto a tree, and a hundred other things! This is a peerless episode from Red Rivers Sessions presented to you by Uncut Poetry. In Red River Sessions, we talk to published poets, about their poetry, their craft and what haunts them. It is brought to you by Red River, which is the premier independent publisher of poetry books and Uncut Poetry, a much-loved poetry podcast. Following are the details of the music used in this episode - Music: 1000 Lichter by Sascha Ende Free download: https://filmmusic.io/song/3161-1000-lichter License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.sascha-ende.de Music: Adventure by Alexander Nakarada Free download: https://filmmusic.io/song/6092-adventure License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Music: Sentimental Travel by MusicLFiles Link: https://filmmusic.io/song/6968-sentimental-travel License: https://filmmusic.io/standard-license

Jason Mitchell is co-head of responsible investments at MAN Group, and the host of a Sustainable Future Podcast at the MAN Institute, a podcast that he has hosted since 2018, which has now passed its 55th episode. He writes and speaks widely on sustainability issues, as well as serving on a number of committees such as the Esmee Fairbairn Foundation, and World Bank Carbon Pricing Leadership Coalition.Our rich and multi-layered discussion starts with his early interest in literature and Indian poetry in particular. We hear how he majored in English but how serendipity led him to choose a career using his coding rather than an MFA at a prestigious US institution.  So commenced a fascination with finance and sustainability issues in particular, which saw him gain a bird's eye view into infrastructure projects in Sub-Saharan Africa and work alongside policymakers at the highest level. Jason's vantage point as an investor, podcast host and writer leads him to synthesize issues that may seem to be complex and multi-layered, and in particular he speaks about policy makers and governments facing an energy trilemma - the three-pronged challenge of how to make energy sustainable, affordable and secure. He integrates the imperative of not creating a class of "energy poor" with the challenges of pursuing a de-carbonizing and net zero agenda with the fluency of a poet. Jason concludes with an exhortation to focus on breadth and not depth, and to slow down to allow our careers to breathe a little. Series 4 was sponsored by Alvine Capital.  Founded in 2005, Alvine Capital is a specialist advisor and placement boutique focusing on assisting European Institutional Investors within Alternative Investments.  It partners with best in class managers, adding value to investors by helping to navigate this very fragmented market

A lifetime spent reading, writing and reflecting teaches you a lot. Nilanjana Roy joins Amit Varma in episode 284 of The Seen and the Unseen to talk about books, feminism, family, memory and the state of the world.  Also check out:1. Nilanjana Roy on Twitter, Instagram, Amazon, Financial Times, Business Standard and her own website. 2. The Girl Who Ate Books: Adventures in Reading -- Nilanjana Roy. 3. The Wildings -- Nilanjana Roy. 4. The Hundred Names of Darkness -- Nilanjana Roy. 5. Episodes of The Seen and the Unseen that discuss reading and writing with Sara Rai, Amitava Kumar, VK Karthika, Sugata Srinivasaraju, Mrinal Pande, Sonia Faleiro, Vivek Tejuja, Samanth Subramanian, Annie Zaidi and Prem Panicker. 6.  Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 7. A Meditation on Form -- Amit Varma. 8. Why Are My Episodes so Long? -- Amit Varma. 9. The Prem Panicker Files -- Episode 217 of The Seen and the Unseen. 10. Jonathan Haidt on Amazon. 11. Where Have All the Leaders Gone? -- Amit Varma. 12. The Ranga-Billa Case. 13. Sarojini Naidu on Amazon. 14. The Collected Works of Mahatma Gandhi. 15. The Mahatma and the Poet — The letters between Gandhi and Tagore, compiled by Sabyasachi Bhattacharya. 16. Amitava Kumar Finds the Breath of Life -- Episode 265 of The Seen and the Unseen. 17. Margaret Mascarenhas on Amazon. 18. The Web We Have to Save -- Hossein Derakhshan. 19. The Country Without a Post Office -- Agha Shahid Ali. 20. Wanting — Luke Burgis. 21. René Girard on Amazon and Wikipedia. 22. The Silence of Scheherazade -- Defne Suman. 23. Silver -- Walter de la Mare. 24. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 25. George Saunders and Barack Obama on Amazon. 26. A life in 5,000 books -- Nilanjana Roy. 27. Surender Mohan Pathak, Ibne Safi and Gabriel Garcia Marquez on Amazon.  28. The Power Broker — Robert Caro. 29. The Death and Life of Great American Cities — Jane Jacobs. 30. JRR Tolkien, Ursula Le Guin and Terry Pratchett on Amazon. 31. Forget reading Thomas Piketty. Try a bit of Terry Pratchett -- Robert Shrimsley. 32. Fifty Shades of Grey -- EL James. 33. Ankur Warikoo, Aanchal Malhotra, Manu Pillai and Ira Mukhoty on Amazon. 34. Mahashweta Devi and Naiyer Masud on Amazon. 35. The former homes of Hurree Babu and Putu the Cat. 36. The Life and Times of Abhinandan Sekhri -- Episode 254 of The Seen and the Unseen. 37. Om Namah Volume -- Amit Varma. 38. Salman's Sea of Stories -- Salman Rushdie's Substack newsletter. 39. What Is It Like to Be a Bat? — Thomas Nagel. 40. The Hidden Life of Trees -- Peter Wohlleben. 41. An Immense World -- Ed Yong. 42. The Twitter thread by Sergej Sumlenny that Nilanjana mentioned. 43. The Inheritance of Loss -- Kiran Desai. 44. The Grapes of Wrath -- John Steinbeck. 45. Pather Panchali --  Bibhutibhushan Bandopadhyay. 46. Gora -- Rabindranath Tagore. 47. William Shakespeare, Kalidasa, Geoffrey Chaucer and Krishna Sobti on Amazon. 48. The Cult of Authenticity -- Vikram Chandra. 49. Meenakshi Mukherjee: The Death of a Critic -- Nilanjana Roy. 50. Field Notes from a Waterborne Land: Bengal Beyond the Bhadralok -- Parimal Bhattacharya. 51. Patriots, Poets and Prisoners: Selections from Ramananda Chatterjee's The Modern Review, 1907-1947 -- Edited by Anikendra Sen, Devangshu Datta and Nilanjana Rao. 52. The City Inside -- Samit Basu. 53. Understanding India Through Its Languages -- Episode 232 of The Seen and the Unseen (w Peggy Mohan). 54. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 55. The Life and Times of Mrinal Pande -- Episode 263 of The Seen and the Unseen. 56. Manjula Padmanathan on Amazon. 57. The Life and Letters of Raja Rammohun Roy. 58. If No One Ever Marries Me -- Lawrence Alma-Tadema. 59. If No One Ever Marries Me -- Natalie Merchant. 60. Kavitha Rao and Our Lady Doctors -- Episode 235 of The Seen and the Unseen. 61. Lady Doctors: The Untold Stories of India's First Women in Medicine — Kavitha Rao. 62. The Memoirs of Dr Haimabati Sen — Haimabati Sen (translated by Tapan Raychoudhuri). 63. Women at Work — Episode 132 of The Seen and the Unseen (w Namita Bhandare). 64. The Loneliness of the Indian Woman -- Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 65. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 66. The Kavita Krishnan Files — Episode 228 of The Seen and the Unseen. 67. Manjima Bhattacharjya: The Making of a Feminist -- Episode 280 of The Seen and the Unseen. 68. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 69. Lal Ded's poem on wrestling with a tiger. 70. Anarchy is a likelier future for the west than tyranny -- Janan Ganesh. 71. The Better Angels of Our Nature -- Steven Pinker. 72. The Ferment of Our Founders -- Episode 272 of The Seen and the Unseen (w Shruti Kapila). 73. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 74. A Life in Indian Politics -- Episode 149 of The Seen and the Unseen (w Jayaprakash Narayan). 75. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 76. Gita Press and the Making of Hindu India — Akshaya Mukul. 77. Manohar Malgonkar, Mulk Raj Anand and Kamala Das on Amazon. 78. Kanthapura -- Raja Rao. 79. India's Greatest Civil Servant -- Episode 167 of The Seen and the Unseen (w Narayani Basu, on VP Menon). 80. Private Truths, Public Lies — Timur Kuran. 81. Alice Munro on Amazon. 82. The Bear Came Over the Mountain -- Amit Varma's favourite Alice Munro story. 83. The Median Voter Theorem. 84. The Ice Cream Vendors. 85. Mohammad Zubair's Twitter thread on the Dharam Sansad. 86. The Will to Change -- Bell Hooks. 87. Paul Holdengraber, Maria Popova, Rana Safvi and Rabih Alameddine on Twitter. 88. The hounding of author Kate Clanchy has been a witch-hunt without mercy -- Sonia Sodha. 89. Democrats have stopped listening to America's voters -- Edward Luce. 90. From Cairo to Delhi With Max Rodenbeck -- Episode 281 of The Seen and the Unseen. 91. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 92. GN Devy. 93. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 94. Alipura -- Gyan Chaturvedi (translated by Salil Yusufji). 95. Tomb of Sand -- Geetanjali Shree (translated by Daisy Rockwell). 96. Writer, Rebel, Soldier, Lover: The Many Lives of Agyeya -- Akshaya Mukul. 97. Ashapurna Devi, Agyeya, Saadat Hasan Manto, Ismat Chugtai, Qurratulain Hyder, Amrita Pritam and Girish Karnad on Amazon. 98. The Adventures of Dennis -- Viktor Dragunsky. 99. Toni Morrison on Amazon. 100. Haroun and the Sea of Stories -- Salman Rushdie. 101. The Penguin Book Of Indian Poets -- Edited by Jeet Thayil. 102. These My Words: The Penguin Book of Indian Poetry -- Edited by Eunice de Souza and Melanie Silgardo. 103. The Autobiography of a Goddess -- Andal (translated by Priya Sarrukai Chabria and Ravi Shankar). 104. Ghachar Ghochar — Vivek Shanbhag (translated by Srinath Perur). 105. Amit Varma talks about Ghachar Ghochar in episode 13 of The Book Club on Storytel. 106. River of Fire -- Qurratulain Hyder. 107. The Ones Who Walk Away from Omelas -- Ursula K Le Guin. 108. The Left Hand of Darkness -- Ursula K Le Guin. 109. Mother of 1084 -- Mahashweta Devi. 110. Jejuri -- Arun Kolatkar. 111. The Collected Essays of AK Ramanujan -- Edited by Vinay Dharwadker. 112. The Collected Poems of AK Ramanujan. 113. Folktales From India -- Edited by AK Ramanujan. 114. The Interior Landscape: Classical Tamil Love Poems -- Edited and translated by AK Ramanujan. 115. The Essential Kabir -- Translated by Arvind Krishna Mehrotra. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! The illustration for this episode is by Nishant Jain aka Sneaky Artist. Check out his work on Twitter, Instagram and Substack.

Read by Dave LuukkonenProduction and Sound Design by Kevin Seaman

Read by Dave LuukkonenProduction and Sound Design by Kevin Seaman

Subramaniam Bharathiar in his brief life span of 39 years paved way for not only Modern Tamil Literature but opened up vistas in the context of Indian Poetry too. The "Kavignar" was a multidisciplinary mind who went beyond the mores of just being a poet, and his words full of wisdom and foresight set new premises for generations to think and ponder upon. In today's episode, Dr. AC Raghu reads one of Bharathiar's famous poems "Achamillai Achamillai" which speaks about and for a mind that is bereft of fear in all forms and from all quarters.

Noelzii ventures into Indian poetry - how different is their poetry and what does it sound like? She focuses on how diverse poetry can be. Is it possible that India has some of the best content worldwide?

Active FM — Noelzii ventures into Indian poetry - how different is their poetry and what does it sound like? She focuses on how diverse poetry can be. Is it possible that India has some of the best content worldwide?

Sheshalatha Reddy's British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Chaudhuri speaks at the South Asia Seminar on a public meeting held in Calcutta, on December 15th, 1829. On December 15th , 1829, a large public meeting was held amidst much excitement at the Town Hall in Calcutta. The speakers, principally from the British mercantile community in Calcutta, but including, prominently, Dwarakanath Tagore and Rammohun Roy, spoke on behalf of a petition to be sent to the English Parliament arguing for what they called "The Colonization of India". The debate centred on the upcoming renewal of the Charter Act, and this community pressed for further abolishing remaining monopolies the East India Company held. I will show how the disputes generated on the subject played out in Calcutta at the time, and also, crucially, show how Rammohun’s involvement in the event and his later evidence before the Select Committee was misread by leading Marxist historians affiliated to the CSSSC in the 1970s. Rosinka Chaudhuri is Professor of Cultural Studies and Dean (Academic Affairs) at the Centre for Studies in Social Sciences, Calcutta (CSSSC). She has published: Gentlemen Poets in Colonial Bengal: Emergent Nationalism and the Orientalist Project (Seagull: 2002), Freedom and Beef-Steaks: Colonial Calcutta Culture (Orient Blackswan: 2012) and The Literary Thing: History, Poetry and the Making of a Modern Literary Culture (Oxford University Press: 2013, Peter Lang: 2014), and has edited: Derozio, Poet of India: A Definitive Edition (Oxford University Press, 2008), and, with Elleke Boehmer, The Indian Postcolonial (Routledge, 2010). Her most recent publication is A History of Indian Poetry in English, published by Cambridge University Press, New York, in March 2016. She has also translated and introduced the complete text of the letters Rabindranath Tagore wrote his niece Indira Debi as a young man, calling it Letters from a Young Poet (1887-94) (Penguin Modern Classics, 2014); this received an Honorable Mention in the category A.K. Ramanujan Prize for Translation (S. Asia) at the Association for Asian Studies Book Prizes 2016. Currently, she is editing and introducing An Acre of Green Grass: English Writings of Buddhadeva Bose for Oxford University Press, New Delhi. Her current research is tentatively titled Young Bengal and the Empire of the Middle Classes. This seminar series is organised with the support of the History Faculty.

First posted on February, 2011. Robert Dale Parker is James M. Benson Professor in English and Professor of American Indian Studies at the University of Illinois. Parker's collection of poetry, Changing Is Not Vanishing, reinvents the early history of American Indian literature and the history of American poetry by presenting a vast but forgotten archive of American Indian poems. In this podcast, Parker discusses the editing process and reads selected poems from his book.

February 1, 2011. Robert Dale Parker is James M. Benson Professor in English and Professor of American Indian Studies at the University of Illinois. Parker's collection of poetry, Changing Is Not Vanishing, reinvents the early history of American Indian literature and the history of American poetry by presenting a vast but forgotten archive of American Indian poems. In this podcast, Parker discusses the editing process and reads selected poems from his new book.