POPULARITY
8 episodes with american indian studies
6 episodes with american indian studies
3 episodes with american indian studies
5 episodes with american indian studies
5 episodes with american indian studies
11 episodes with american indian studies
5 episodes with american indian studies
2 episodes with american indian studies
3 episodes with american indian studies
Today, we're excited to welcome Dr. Samantha Majhor to Native Lights. Samantha is a direct descendant of Fort Peck. She's Dakota and Assiniboine and is an assistant professor in American Indian Studies at the University of Minnesota. She focuses on Native American literature, particularly literature by Dakota and Ojibwe writers around the Great Lakes region. Samantha gives us an inside look at the creation of the Oceti Sakowin Story Map Project, which she is co-developing. It's a digital archive of oral narratives connecting Dakota and Lakota stories across the Oceti Sakowin diaspora. She also discusses the challenge of archiving this valuable resource online, while trying to keep it out of the reach of AI searches and web results, and how the stories spoken in the Dakota language might be their own best protection. She talks to us about rematriation, what it is, how it's different from repatriation and why it's important to use this term when thinking about land back. And, of course, we couldn't talk with American Indian Studies and literature professor Samantha Majhor without asking her to share the books on her to-read list as well as some recommendations:To the Moon and Back by Eliana RamageBack for Blood: Never Whistle at Night Part II edited by Shane Hawk and Theodore C. Van Alst JR. The Berry Pickers by Amanda PetersPython's Kiss by Louise ErdrichThe Grass Dancer by Susan PowerIndian Horse by Richard WagameseWhereas (poetry) by Layli Long SoldierThere There by Tommy Orange -----Hosts / Producers: Leah Lemm, Cole Premo Editor: Britt Aamodt Editorial support: Emily Krumberger Mixing & mastering: Chris Harwood -----For the latest episode drops and updates, follow us on social media. instagram.com/ampersradioinstagram.com/mnnativenewsfacebook.com/MNNativeNewsNever miss a beat. Sign up for our email list to receive news, updates and content releases from AMPERS. ampers.org/about-ampers/staytuned/ This show is made possible by community support. Due to cuts in federal funding, the community radio you love is at risk. Your support is needed now more than ever. Donate now to power the community programs you love: ampers.org/fund
The Declaration of Independence infamously contains the phrase, “merciless Indian savages”, an indication of just where Native Americans fit into this year's celebration of the founding document's 250th anniversary celebrations. For much of that time, the federal government, colonial historians, and the general public have fetishized a version of Native culture, all while working to extinguish that culture from continued existence. Acclaimed Cherokee journalist Rebecca Nagle takes on the semiquincentennial from the Native perspective in her new six-part podcast, “First America“. Nagle is also the creator of the podcast, “This Land”, which earned a Peabody Award nomination and won the 2020 American Mosaic Journalism Prize, and she wrote the national best-selling book, “By the Fire We Carry”. We'll hear from Nagle and some of the historians and academics who provided insights on the Native influences on early democracy and the uneasy balance between Native people and America ever since. GUESTS Rebecca Nagle (Cherokee), creator and host of the “First America” podcast; author of “By the Fire We Carry: The Generations-Long Fight for Justice on Native Land”; and creator of “This Land” podcast Philip Deloria (Yankton Dakota), professor of history at Harvard University Dr. Nick Estes (Lower Brule Sioux Tribe), associate professor of American Indian Studies at the University of Minnesota
The Declaration of Independence infamously contains the phrase, “merciless Indian savages”, an indication of just where Native Americans fit into this year's celebration of the founding document's 250th anniversary For much of that time, the federal government, colonial historians, and the general public have fetishized a version of Native culture, all while working to extinguish that culture from continued existence. Acclaimed Cherokee journalist Rebecca Nagle takes on the semiquincentennial from the Native perspective in her new six-part podcast, “First America“. Nagle is also the creator of the podcast, “This Land”, which earned a Peabody Award nomination and won the 2020 American Mosaic Journalism Prize, and she wrote the national best-selling book, “By the Fire We Carry”. We'll hear from Nagle and some of the historians and academics who provided insights on the Native influences on early democracy and the uneasy balance between Native people and America ever since. GUESTS Rebecca Nagle (Cherokee), creator and host of the “First America” podcast; author of “By the Fire We Carry: The Generations-Long Fight for Justice on Native Land”; and creator of “This Land” podcast Philip Deloria (Yankton Dakota), professor of history at Harvard University Dr. Nick Estes (Lower Brule Sioux Tribe), associate professor of American Indian Studies at the University of Minnesota Break 1 Music: Old Hallicrafter Radio (song) Samantha Crain (artist) Gumshoe (album) Break 2 Music: Feels Like [feat. Sheena Shandea] (song) Nataanii Means (artist)
On today's pledge drive edition of A Public Affair, host Esty Dinur is in conversation with former host, Zoltán Grossman about grassroots resistance to creeping dictatorship in the US and the resilience of Indigenous communities around the world. They dedicate the program to the memory of Dr. Al Geddicks, who Grossman calls “the quintessential scholar-activist.” He was the driving force behind the anti-mining movement and author of Resource Rebels. They discuss where Grossman finds hope, including in the backlash against ICE raids and detention centers. He says that there is a growing break in the longstanding bipartisan consensus for military and intelligence spending, even though the Senate passed the ~$70 billion budget reconciliation package for immigration enforcement. He calls this “anti-weaponization” fund another form of “internal repression” that will fund paramilitary militias. Grossman is also optimistic about ecological and Indigenous resilience in Western Washington where he lives and teaches. He describes the wins for resource co-management and resistance to US military interventions, and why these actions seem more possible in Washington than they do in Wisconsin. They also discuss Palestine, Grossman's Hungarian lineage, and the fall of Viktor Orbán. Note: This pledge drive interview was edited to remove parts of the show dedicated to station fundraising. We thank our listeners for their generous support. Zoltán Grossman has since 2005 been a Professor in Geography and Native American Indigenous Studies at The Evergreen State College in Olympia, Washington, and previously taught at UW-Eau Claire. He earned his Ph.D. in Geography and Graduate Minor in American Indian Studies at UW-Madison in 2002. He is a longtime antiwar, antiracist, and environmental organizer, and was a co-founder of the Midwest Treaty Network in Wisconsin. He is a past co-chair of the Indigenous Peoples Specialty Group of the American Association of Geographers. He was co-editor of Asserting Native Resilience: Pacific Rim Indigenous Nations Face the Climate Crisis (Oregon State University Press, 2012). He is author of Unlikely Alliances: Native Nations and White Communities Join to Defend Rural Lands (University of Washington Press, 2017). Featured image if the removed Glines Canyon Dam in Washington via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Grassroots Organizing Works with Zoltán Grossman appeared first on WORT-FM 89.9.
Construction crews working on the wall on the U.S.-Mexico border in Arizona significantly damaged a 1,000-year-old geoglyph located in Cabeza Prieta National Wildlife Refuge. It’s one of a number of places tribes on both sides of the border say are damaged or are threatened by the fast-tracked construction process. Tribal leaders say such desecration is happening at a record pace after the Trump administration sidelined cultural and environmental barriers to construction. We'll hear from cultural historians and policy experts about that is being lost and what can be done about it. GUESTS Emily Burgueno (Iipay Nation of Santa Ysabel), chairwoman of the Kumeyaay Diegueño Land Conservancy David Martinez (Akimel O’odham, Hia-Ced O’odham and Mexican), professor of American Indian Studies and Transborder Studies and director and founder of the Institute for Transborder Indigenous Nations at Arizona State University Christina Leza (Yoeme and Chicana), professor of anthropology at Colorado College Felicity Amaya Schaeffer, professor of feminist studies, critical race and ethnic Studies at the University of California Santa Cruz
Construction crews working on the wall on the U.S.-Mexico border in Arizona significantly damaged a 1,000-year-old geoglyph located in Cabeza Prieta National Wildlife Refuge. It’s one of a number of places tribes on both sides of the border say are damaged or are threatened by the fast-tracked construction process. Tribal leaders say such desecration is happening at a record pace after the Trump administration sidelined cultural and environmental barriers to construction. We'll hear from cultural historians and policy experts about that is being lost and what can be done about it. GUESTS Emily Burgueno (Iipay Nation of Santa Ysabel), chairwoman of the Kumeyaay Diegueño Land Conservancy David Martinez (Akimel O’odham, Hia-Ced O’odham and Mexican), professor of American Indian Studies and Transborder Studies and director and founder of the Institute for Transborder Indigenous Nations at Arizona State University Christina Leza (Yoeme and Chicana), professor of anthropology at Colorado College Felicity Amaya Schaeffer, professor of feminist studies, critical race and ethnic Studies at the University of California Santa Cruz Break 1 Music: Connections (song) R. Carlos Nakai (artist) Reconnections (album) Break 2 Music: Cauyaqa Nauwa [Where's My Drum] (song) Pamyua (artist) Drums Of The North: Traditional Yup'ik Songs (album)
Producer's note: We are releasing the audio edition of one panel of the conference TRN Podcast host Nick Estes helped organize. You can watch the video edition on The Red Nation Podcast YouTube channel. We had some technical difficulties at the beginning of this panel so the recording start shortly after Nick began his introduction. Our apologies! Symposium Introduction & Framing - Self-indigenization as a Global Problem: Towards Institutional Verification Procedures Panel 3: Odanak Abenaki Tribal Council on Self-Indigenization in Vermont Moderator: Nick Estes (Lower Brule Sioux Tribe), Associate Professor of American Indian Studies, University of Minnesota Panelists: Daniel G. Nolett (Abenaki of Odanak), Executive Director, Odanak Abenaki Tribal Council, "Overview of Abenaki History and Families" Jacques T. Watso (Abenaki of Odanak), Elected Councillor, Abenaki Abenaki Tribal Council, "Origins of Vermont 'Abenaki' State Recognition" Tim de la Bruere (Abenaki of Odanak), Vermont Resident, "A Vermont View of the Fake Abenaki Tribes" Suzie O'Bomsawin (Abenaki of Odanak), Assistant Executive Director, Odanak Abenaki Tribal Council, "Recent Abenaki Political and Legal Strategies" Darryl Leroux, Associate Professor, School of Political Studies, University of Ottawa, "The Harms of Academic Pretendians: Analyzing Lisa Brooks' Work Legitimizing the Fake Abenaki" Empower our work: GoFundMe: https://www.gofundme.com/f/empower-red-medias-indigenous-content Subscribe to The Red Nation Newsletter: https://www.therednation.org/ Patreon https://www.patreon.com/redmediapr
Karl-May-Kongress 2022 - Teil 4Vortrag Thomas Braatz: Der Münchmeyer-Verlag: Verleger, Nachfolger, die Autoren Karl May und Robert Kraft(Hördauer 60 Minuten)Diskussion zum Vortrag:(Hördauer 2 Minuten)Ein differenzierter Umgang mit Karl May. Die Karl-May-Gesellschaft tagt in der bayerischen Metropole in Kooperation mit der Bayerischen Amerika-Akademie Seit 1969 steht die Karl-May-Gesellschaft mit ihren Kongressen, Symposien und Publikationen für eine wissenschaftliche Erforschung von Leben und Werk Karl Mays (1842 – 1912). Der sächsische Fantast hat durch seine ›Reiseerzählungen‹ viele Generationen lang die Vorstellung der Deutschen und ihrer Nachbarn von außereuropäischen Kulturen geprägt. Wie wichtig ein differenzierter Umgang mit dem wirkungsmächtigen Autor ist, zeigt die lebhafte gesellschaftliche Debatte, die im August 2022 von der Entscheidung des Ravensburger Verlags ausgelöst wurde, die Begleitprodukte zu dem Kinofilm Der junge Häuptling Winnetou zurückzuziehen. Dabei ging es um die Frage, ob die in Nordamerika spielenden Erzählungen Karl Mays aus heutiger Sicht zu einer Diskriminierung indigener Kulturen und einer Verharmlosung der Verbrechen des Kolonialismus beitragen können. Die Karl-May-Gesellschaft lehnt es ab, historische Dokumente und Kunstwerke aus dem Verkehr zu ziehen oder zu verfälschen, beteiligt sich aber aktiv an der kritischen Aufarbeitung diskriminierender Diskurse. Sie hat sich zu der aktuellen Diskussion u. a. in einem Offenen Brief (Anlage) geäußert, den innerhalb von zwei Wochen rund 14000 Menschen durch ihre Unterschrift unterstützten, und bereitet weitere Aktivitäten zu einer vertieften wissenschaftlichen Auseinandersetzung mit der Thematik vor.Dr. Frank Usbeck studierte Amerikanistik, Neue und Neueste Geschichte, Journalistik, und American Indian Studies an der Universität Leipzig und der University of Arizona. 2010 schloss er seine Dissertation über die Entwicklung der deutschen Indianerbegeisterung und deren Missbrauch durch die Nazipropaganda in den deutschen Printmedien zwischen 1925 und 1945 ab. Dem folgte ein Postdoc-Projekt an der TU Dresden über die kulturelle Arbeit amerikanischer Soldatenblogs, die Frank Usbeck aus der Perspektive indianischer Kriegerzeremonien betrachtete.Wem dies gefiel, der kann ja hier mal reinhören.oder hier: Realisiert durch: Uwe Kullnick und Steven Lundström
All Shall Be Well: Conversations with Women in the Academy and Beyond
Welcome to The Wise & Courageous Podcast, where we host conversations with women leaders about how they are seeking and engaging wisdom and courage in their leadership and work in this unique season. “It took courage for me to transform myself from somebody who was comfortable in the background doing safe research to doing something much more controversial in the public eye.” — Cynthia Prescott Cynthia Prescott, Professor and Chair of the Department of History and American Indian Studies at the University of North Dakota joins Nancy Pedulla on The Wise and Courageous Podcast for a conversation about leadership. What happens when the research you are doing suddenly takes up more space in public exploration and debate? In this conversation with Cindy, opportunities to lead in the research sphere and in the university invite a new sense of identity as a leader and require growing in courage and wisdom. Cynthia Culver Prescott is Professor of History and Chair of the Department of History & American Indian Studies and of the Anthropology department. Dr. Prescott's work focuses on gender in the American West. She combines social history and material culture methods to study the intersections of gender, race, social class, and historical memory. For the purposes of this podcast, we are defining leadership as the stewardship of people, culture and purpose, guiding and serving others toward a shared vision or outcomes. Welcome to the conversation! — Nancy Pedulla For show notes or more information please visit our article at The Well. If you'd like to support the work of InterVarsity's Women Scholars and Professionals, including future podcasts such as this episode, you can do so at givetoiv.org/wsap. Thank you for listening!
Marc Wilson is an OSU and OU alumnus, Veteran, and Comanche Little Pony Member, Wilson retired at the end of 2022. He moved back to Oklahoma, from Salt Lake City with his wife (Darla), to re-engage with their families, serve their community, church, and tribal organizations, and feed their passion for Gourd Dancing. Wilson's participation in Indian cultural activities began in the childhood in the early 1970's with the help and guidance of tribal elders, family members, and friends. Graduating from OU with a BA in Aero-Sciences Engineering in 1985 Wilson headed into the United States Air Force where he served until pivoting to civilian life where he became a sales engineer serving his organization for over 33 years in a variety of capacities in various regions of the United States and overseas in 17 different countries; working in the semiconductor, refining, mid-stream, and power generation industries. In 2023, Wilson attended Graduate School at OSU, where he worked through the American Indian Studies curriculum, which consists of coursework in Native Indian history and sovereign law, completing those efforts in December of 2024.This episode is full of Native American Heritage, love, and the importance of pushing our culture!Hope you all enjoy... KEEPGOING!Follow Marc:FB - FacebookComanche Little Ponies - FacebookFollow me:Youtube: Keep Going Podcast - YouTubeIG- https://www.instagram.com/zdsellsokc/FB- https://www.facebook.com/ZDsellsOKC/Website: https://keepgoingpodcast.carrd.co/ Click here to be a guest on Keep Going Podcast: https://form.jotform.com/252251121299149
In his debut book We Survived the Night, artist and writer Julian Brave NoiseCat takes readers on a complex journey of Indigenous experience stemming from a childhood rich with culture and contradictions. Reeling from his father — a Secwépemc and St'at'imc artist haunted by a troubled past — abandoning his family, NoiseCat and his non-Native mother found themselves embraced and invigorated by their community. Supported by the urban Native population in Oakland, California and family on the Canim Lake Indian Reserve in British Columbia, NoiseCat was able to immerse himself in Native history and culture. Doing so bridged the gaps in his knowledge of his father's past and their stories and sent him on a journey to further his understanding of his people and himself. Told in the style of a "Coyote Story" — a legend about the trickster forefather of NoiseCat's people, revered for his wit and mocked for his tendency to self-destruct — We Survived the Night brings a traditional artform nearly annihilated by colonization back to life on the page. NoiseCat explores his personal origins amidst recounting on-the-ground efforts to correct the erasure of Indigenous peoples across the continent. Over years spent researching and developing his voice as a storyteller, NoiseCat grapples with the generational trauma of North America's First Peoples and learns of the cultural, environmental, and political movements reshaping the future. We Survived the Night dives into examples of Native endurance and modern achievements that NoiseCat studied in his journalistic endeavors — the historic ascent of the first Native cabinet secretary in the United States and the first Indigenous sovereign of Canada; the colonial origins and limits of racial ideology and Indian identity of the Lumbee Tribe of North Carolina; hauling the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. Blending history and mythology, research and personal memoir, NoiseCat seeks to reclaim a culture stripped away by years of colonization and the family ties that were severed in his youth. His voiced honesty and years of efforts link the past to the present, the community to the individual in a powerfully intimate depiction of contemporary Indigenous life. Julian Brave NoiseCat is a writer, Oscar-nominated filmmaker, champion powwow dancer, and student of Salish art and history. His writing has appeared in publications, including The New York Times, The Washington Post, and The New Yorker. NoiseCat has been recognized with numerous awards including the 2022 American Mosaic Journalism Prize and many National Native Media Awards. He was a finalist for the Livingston Award and multiple Canadian National Magazine Awards, and was named to the TIME100 Next list in 2021. His first documentary, Sugarcane, was nominated for an Academy Award for Best Documentary. Directed alongside Emily Kassie, Sugarcane premiered at the 2024 Sundance Film Festival, where NoiseCat and Kassie won the Directing Award in U.S. Documentary. NoiseCat is a proud member of the Canim Lake Band Tsq̓éscen̓ and descendant of the Líl̓wat Nation of Mount Currie. Joshua L. Reid (citizen of the Snohomish Indian Nation) is an associate professor of American Indian Studies and the John Calhoun Smith Memorial Endowed Associate Professor of History at the University of Washington, where he directs the Center for the Study of the Pacific Northwest. He is the author of The Sea Is My Country: The Maritime World of the Makahs. Buy the Book We Survived the Night Elliott Bay Book Company
The Trump administration's federal invasion and occupation of the state of Minnesota continues to sow chaos in the Twin Cities, but grassroots resistance to ICE and Trump has also exploded. And on Friday, Jan. 23, unions, community organizations, small businesses, faith communities, and Minnesota residents of all kinds will participate in a mass strike, a day of “No work, no school, and no shopping.” From Minnesota, we get firsthand accounts from Aminah Sheikh, a union organizer and an active member and executive board member of Twin Cities Democratic Socialists of America, and Nick Estes, an enrolled member of the Lower Brule Sioux Tribe and an Associate Professor in American Indian Studies at the University of Minnesota. Hosted and produced by Maximillian Alvarez. Post-production by Stephen Frank.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!
When you visit the Washington State History Museum in Tacoma, you’ll see a red circular structure with a four-letter phrase written across the top: “This Is Native Land.” It’s the name of the museum’s permanent exhibit that opened in October. The phrase is a reminder that you’ve probably seen many times... But don’t be lulled into thinking you’ll know what to expect. It has been given a new lens. We went to Tacoma a few months ago to talk with the curators behind "This Is Native Land" about how the exhibit came together... and how it challenges the typical ways that museums portray Indigenous people. Guests: Todd Clark, tribal liaison for the Washington State Historical Society and co-curator of “This Is Native Land.” Danica Sterud Miller, associate professor of American Indian Studies at the University of Washington Tacoma and co-curator of "This Is Native Land." Related links This Is Native Land - Washington State Historical Society Washington State History Museum opens new exhibit, 'This is Native Land' | Puyallup Tribe ‘This is Native Land' explores Washington state history through contemporary art | KNKX Public Radio Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.
This is just a teaser for today's episode, which is available for Patreon subscribers only! We can't do the show without your support, so help us keep the lights on over here and access tons of bonus content, including the "Last Week in Lebanon" column by Roqayah and our newest contributor Hadi Hoteit, by subscribing on our Patreon for as little as $5 a month. While you're at it, we also love it when you subscribe, rate, and review us on Apple Podcasts. This week, Roqayah and Kumars are joined by returning guest Nick Estes. Nick is a member of the Oceti Sakowin Oyate nation, Assistant Professor of American Indian Studies at the University of Minnesota, the author of the book Our History is the Future and coauthor of Red Nation Rising, cofounder of The Red Nation, lead editor at Red Media, and purveyor of nickestes.substack.com. Nick breaks down the federal assault on Minneapolis, its precedents in the brutal settler-colonial history of Minnesota, and the inadequacy of the response from the liberal establishment. The gang also discuss the Lebanese Foreign Minister giving Israel permission to bomb Lebanon, the resilience of the Bolivarian Revolution after the abduction of President Nicolas Maduro and First Lady Cilia Flores, the recent wave of protests and riots in Iran, and more. For those interested, here is that clip of Palestinian martyr Nizar Banat. Follow Nick on Twitter @nickwestes.
ON THIS EPISODE: Interrogating 'the white possessive.' And according to Indigenous scholar Aileen Moreton-Robinson, countries like Canada, Australia and the U.S. are best understood as 'white possessions'—possessions which take a great deal of work and resources to maintain, a relentless reproduction of "the nation-state's ownership, control and domination" over stolen Indigenous lands and waters. But, of course, the machinations of white possessiveness can also be less overt. Secure in their belief in a colonial status quo, states now promote Indigenous 'inclusion' within socioeconomic systems predicated on their dispossession and disappearance. Gestures at 'collaboration' that are more confabulation, a 'reconciliation' that's really about recuperation. The kind of contradictions discussed extensively at "Sovereignty First: Tackling the White Possessive in an Era of 'Collaboration'"—an October 2024 panel inspired by Moreton-Robinson's insights into whiteness, race and the state—a series of presentations we'll reflect on over the next few episodes. Sitting with host/producer Rick Harp, MI regulars Kim TallBear, Professor of American Indian Studies at University of Minnesota–Twin Cities, and Candis Callison, Professor in the Institute for Critical Indigenous Studies and School for Public Policy and Global Affairs at the University of British Columbia. CREDITS: Our intro/extro theme is 'nesting' by birocratic; 'Magnetic' by 1000 Handz (CC BY).
Jessi Sands is a multidisciplinary artist who uses different mediums such as painting, ceramics, and mixed media to explore how the intersectionality of their multiracial identity influences their roles as an Indigenous parent, queer person, and land steward.Jessi grew up in Oklahoma on the Cherokee reservation and on their Mvskokereservation where they currently live in Tulsa, OK. They received their Associates of Arts Degree from Tulsa Community College in 2021. They received their Bachelor of Fine Arts Degree with minors in American Indian Studies, Pre-Art Therapy, and Art History from Oklahoma State University in 2024.While attending OSU they received several scholarships, the most notable being the Dana, Lisa, and Chris Tiger Scholarship and the Jackson Narcomey Rising Artist Scholarship.Currently, Jessi is working towards receiving their MA in Art Therapy/Counseling and Ecotherapy from Southwestern College and New Earth Institute in Santa Fe, New Mexico.Their career goal is to continue as a studio artist while creating spaces for healing as an art therapist.https://www.milkycreates.comInstagram @milky.creates
Jessi Sands is a multidisciplinary artist who uses different mediums such as painting, ceramics, and mixed media to explore how the intersectionality of their multiracial identity influences their roles as an Indigenous parent, queer person, and land steward.Jessi grew up in Oklahoma on the Cherokee reservation and on their Mvskokereservation where they currently live in Tulsa, OK. They received their Associates of Arts Degree from Tulsa Community College in 2021. They received their Bachelor of Fine Arts Degree with minors in American Indian Studies, Pre-Art Therapy, and Art History from Oklahoma State University in 2024.While attending OSU they received several scholarships, the most notable being the Dana, Lisa, and Chris Tiger Scholarship and the Jackson Narcomey Rising Artist Scholarship.Currently, Jessi is working towards receiving their MA in Art Therapy/Counseling and Ecotherapy from Southwestern College and New Earth Institute in Santa Fe, New Mexico.Their career goal is to continue as a studio artist while creating spaces for healing as an art therapist.https://www.milkycreates.comInstagram @milky.creates
Crow leadership are working toward revamping their tribal citizenship requirements. If their proposal goes through, any currently enrolled tribal citizens would be designated as having 100% Crow blood. The St. Croix Ojibwe Tribe in Wisconsin Tribe is seeing their first tribal enrollment gains in years after they got rid of their blood quantum requirement. They are among the tribes looking down the road and mapping a future away from the Indian blood requirement. GUESTS Levi Black Eagle (Apsáalooke), secretary of the Crow Tribe Conrad St. John (St. Croix Chippewa Indians of Wisconsin), chairman of St. Croix Chippewa Indians of Wisconsin Jill Doerfler (White Earth Anishinaabe), professor of American Indian Studies at the University of Minnesota-Duluth Cheyenne Robinson (Omaha), treasurer for the Omaha Tribe of Nebraska Jonaye Doney (Aaniih), student at the University of Montana
Crow leadership are working toward revamping their tribal citizenship requirements. If their proposal goes through, any currently enrolled tribal citizens would be designated as having 100% Crow blood. The St. Croix Ojibwe Tribe in Wisconsin is seeing their first tribal enrollment gains in years after they got rid of their blood quantum requirement. They are among the tribes looking down the road and mapping a future away from the Indian blood requirement. GUESTS Levi Black Eagle (Apsáalooke), secretary of the Crow Tribe Conrad St. John (St. Croix Chippewa Indians of Wisconsin), chairman of St. Croix Chippewa Indians of Wisconsin Jill Doerfler (White Earth Anishinaabe), professor of American Indian Studies at the University of Minnesota-Duluth Cheyenne Robinson (Omaha), treasurer for the Omaha Tribe of Nebraska Jonaye Doney (Aaniih), student at the University of Montana Break 1 Music: Intertribal (song) Blackfoot Confederacy (artist) Confederacy Style (album) Break 2 Music: She Raised Us (song) Joanne Shenandoah (artist) LifeGivers (album)
This week, scholar Thomas A. Tweed discusses his new book Religion in the Lands that Became America. A sweeping retelling of American religious history, Tweed shows how religion has enhanced and hindered human flourishing from the Ice Age to the Information Age. Tweed is joined by fellow Indigenous Studies professor John N. Low. This conversation originally took place November 10, 2025 and was recorded live at the American Writers Museum. AWM PODCAST NETWORK HUB This episode is presented in conjunction with the American Writers Museum's new special exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets is now open. More about Religion in the Lands that Became America: Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, he highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. About the speakers: THOMAS A. TWEED is the Harold and Martha Welch Professor of American Studies and professor of history at the University of Notre Dame. A past president of the American Academy of Religion, he is editor of Retelling U.S. Religious History and author of Crossing and Dwelling: A Theory of Religion and Religion: A Very Short Introduction. JOHN N. LOW received his Ph.D. in American Culture at the University of Michigan, and is an enrolled citizen of the Pokagon Band of Potawatomi Indians. He is also the recipient of a graduate certificate in Museum Studies and a Juris Doctorate from the University of Michigan. He earned a BA from Michigan State University, a second BA in American Indian Studies from the University of Minnesota, and an MA in Social Sciences from the University of Chicago. Professor Low previously served as Executive Director of the Mitchell Museum of the American Indian in Evanston, Illinois, and served as a member of the Advisory Committee for the Indians of the Midwest Project at the D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library, and the State of Ohio Cemetery Law Task Force. He has presented frequently at conferences including the Native American and Indigenous Studies Association (NAISA)), American Society for Ethnohistory (ASE) and the Organization of American Historians (OAH). He continues to serve as a member of his tribes' Traditions & Repatriation Committee.
Indigenous Peoples' Day is a celebration of Indigenous resilience, culture, history, art, protest and storytelling.In San Diego County, there are 18 federally recognized tribal reservations — more than any other county in the United States.On Midday Edition, we sit down with Indigenous leaders to discuss the value of tradition, oral history and imaginative storytelling in preserving culture.Guests:Ethan Banegas, professor at San Diego State University and member of the Barona Band of Mission IndiansJoely Proudfit, department chair of American Indian Studies and director of California Indian Culture & Sovereignty Center at California State University, San MarcosDestinee Morales, former Miss Kumeyaay 2013-14; member of San Pasqual Band of Mission Indians
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Works mentioned in the episode: Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith's book, Ice Geographies. “The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022. Borealis, by Aisha Sabatini Sloan Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity. Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Works mentioned in the episode: Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith's book, Ice Geographies. “The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022. Borealis, by Aisha Sabatini Sloan Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity. Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Works mentioned in the episode: Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith's book, Ice Geographies. “The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022. Borealis, by Aisha Sabatini Sloan Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity. Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Works mentioned in the episode: Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith's book, Ice Geographies. “The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022. Borealis, by Aisha Sabatini Sloan Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity. Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
Tory Johnston is an enrolled member of the Quinault Indian Nation and a lecturer in American Indian Studies at the University of Washington. He grew up in the Quinault Indian reservation on the Washington coast with a love for music, whether it was the loud guitar riffs of Metallica or the jazz improvisation of Thelonious Monk. In 2023, with no prior experience as a radio DJ, he applied to work on a new show Seattle radio station KEXP was launching that appealed to his academic and personal explorations of Indigenous music. He got the job and is today the co-host and DJ of “Sounds of Survivance.” Airing on Mondays, each episode exposes listeners to artists spanning musical continents and styles, from classical piano compositions by Navajo musician Connor Chee to thrash metal songs performed by New Zealand band Alien Weaponry in English and Te reo Māori. Johnston spoke with us in January 2025 about the show’s eclectic catalog and to share some highlights from his music playlist.
TRN Podcast host Nick Estes is joined by Jerome Clark, Assistant Professor of American Indian Studies at ASU, and Elise Boxer, Associate Professor of History and Director of the Institute of American Indian Studies at USD, to discuss some critical questions around the future of the discipline of American Indian Studies. Check out their book, From the Skin: Defending Indigenous Nations Using Theory and Praxis (2025) Watch the video edition on The Red Nation Podcast YouTube channel Empower our work: GoFundMe: https://www.gofundme.com/f/empower-red-medias-indigenous-content Subscribe to The Red Nation Newsletter: https://www.therednation.org/ Patreon www.patreon.com/redmediapr
In his book “An Afro-Indigenous History of the United States,” Kyle T. Mays, Assistant Professor of African American Studies, American Indian Studies, and History at UCLA, argues that the foundations of the United States are rooted in Anti-Black racism and settler colonialism, and that these parallel oppressions continue today. Speaking with EcoJustice Radio in 2021, he explored how Black and Indigenous peoples (sometimes together, sometimes apart) have always sought to disrupt, dismantle, and reimagine US democracy. He uses examples of the Black Power and Red Power movements of the 60s and 70s, as well as collaborations for the Standing Rock Sioux and Black Lives Matter. Dr. Mays' work seeks to illuminate how we can imagine and put into practice a more just world. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Kyle T. Mays [https://www.kyle-mays.com/] is an Afro-Indigenous (Saginaw Chippewa) writer and scholar of US history, urban studies, race relations, and contemporary popular culture at the University of California, Los Angeles. Dr. Mays is an author of 3 books. “An Afro-Indigenous History of the United States” is available from Beacon Press. Jessica Aldridge, Co-Host and Producer of EcoJustice Radio, is an environmental educator, community organizer, and 15-year waste industry leader. She is a co-founder of SoCal 350, organizer for ReusableLA, and founded Adventures in Waste. She is a former professor of Recycling and Resource Management at Santa Monica College, and an award recipient of the international 2021 Women in Sustainability Leadership and the 2016 inaugural Waste360, 40 Under 40. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer: Jack Eidt Hosted by Jessica Aldridge Engineer and Original Music: Blake Quake Beats Episode 123 Photo credit: Kyle T. Mays
Basketball and skateboarding are powerful tools for building community across cultures. For tribal communities, these sports provide a unique avenue for cultural expression and mentorship. Tuesday on Midday Edition, we hear from the author of the new book "Rezballers and Skate Elders: Joyful Futures in Indian Country" about his research into sports culture among tribal communities. We also discuss his work with San Diego State University's Center for Skateboarding, Action Sports, and Social Change.Guest:David Kamper, professor of American Indian Studies at SDSU, associate director of the Center for Skateboarding, Action Sports, and Social Change
A fur-trading schooner beached in 1811. A passenger liner lost in 1906. An almost-empty tanker broken on the shore in 1999. These shipwrecks, and thousands more, are why the northwest coast of North America is sometimes called the “Graveyard of the Pacific.” Drawing from his book, Wrecked, history professor and author Coll Thrush tells the stories of many vessels that met their fate along this rugged coast and how they open up conversations about colonialism, Indigenous persistence, and place-based history. Shipwrecks are commemorated in museums, historical markers, folklore, place names, and the remains of the ships themselves. They've become a rich regional archive that has inspired Indigenous and settler survivors and observers to create meaning for these events. Thrush examines the ways in which shipwreck tales highlight––and debunk––myths of settler colonialism: the disappearance of Indigenous people, the control of an endlessly abundant nature, and the idea that the past would stay past. There's no doubt that shipwrecks capture our imagination. Thrush also shows that these disasters are passageways to deeper stories. Through a cultural history of this notorious part of the Northwest, Thrush demonstrates how the tales of shipwrecks reveal the fraught and unfinished business of colonization. Coll Thrush is a professor of history at the University of British Columbia and founding co-editor of the Indigenous Confluences book series at the University of Washington Press. He is the author previously of Native Seattle: Histories from the Crossing-Over Place and Indigenous London: Native Travelers at the Heart of Empire. Joshua L. Reid (citizen of the Snohomish Indian Nation) is an associate professor of American Indian Studies and the John Calhoun Smith Memorial Endowed Associate Professor of History at the University of Washington, where he directs the Center for the Study of the Pacific Northwest. He is the author of The Sea Is My Country: The Maritime World of the Makahs. Presented by Town Hall Seattle and University of Washington Press. Buy the Book Wrecked: Unsettling Histories from the Graveyard of the Pacific (Hardcover) Elliott Bay Book Company
This Heritage Voices episode features a few members of a session from the 2024 Theoretical Archaeology Group meeting in Santa Fe. Today's guests included Dr. Lindsay Montgomery (Associate Professor of Anthropology and Indigenous Studies at the University of Toronto St. George campus), Dr. Kalani Heinz (Assistant Professor of American Indian Studies at California State University Northridge), and Dusti Bridges (Ph.D. Student in Anthropology at Cornell University). We talked about some of the ways their session and the TAG Santa Fe meeting took some different approaches than other conferences and sessions. The three of them then broke down the concept of Indigenous Futurities for Jessica and showed how this concept shows up in different ways across the work that the three of them do. For those of you who are educators, discussions of working with students are also woven throughout this conversation.LinksHeritage Voices on the APNNorth American Theoretical Archaeology Group (TAG) Previous Meetings websiteDr. Laura Harjo's Spiral to the Stars bookPIEAM Museum in Long Beach, CAHayden Haynes' (Dusti Bridge's Colleague) Carvings WebsiteStory maps of Alternative Histories of American History (created by Dr. Kalani's Students)Dusti Bridges' Cornell Academic PageCalifornia State University Northridge American Indian Studies Faculty Page with Dr. Kalani Heinz BioDr. Lindsay Montgomery's Professional Website‘We're in the Midst of an Authoritarian Takeover'Archaeology, Heritage, and Reactionary Populism (Cultural Heritage Studies) (Volume edited by Randall McGuire and Alfredo González-Ruibal, with contributions from Dr. Lindsay Montgomery)ContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion
This Heritage Voices episode features a few members of a session from the 2024 Theoretical Archaeology Group meeting in Santa Fe. Today's guests included Dr. Lindsay Montgomery (Associate Professor of Anthropology and Indigenous Studies at the University of Toronto St. George campus), Dr. Kalani Heinz (Assistant Professor of American Indian Studies at California State University Northridge), and Dusti Bridges (Ph.D. Student in Anthropology at Cornell University). We talked about some of the ways their session and the TAG Santa Fe meeting took some different approaches than other conferences and sessions. The three of them then broke down the concept of Indigenous Futurities for Jessica and showed how this concept shows up in different ways across the work that the three of them do. For those of you who are educators, discussions of working with students are also woven throughout this conversation.LinksHeritage Voices on the APNNorth American Theoretical Archaeology Group (TAG) Previous Meetings websiteDr. Laura Harjo's Spiral to the Stars bookPIEAM Museum in Long Beach, CAHayden Haynes' (Dusti Bridge's Colleague) Carvings WebsiteStory maps of Alternative Histories of American History (created by Dr. Kalani's Students)Dusti Bridges' Cornell Academic PageCalifornia State University Northridge American Indian Studies Faculty Page with Dr. Kalani Heinz BioDr. Lindsay Montgomery's Professional Website‘We're in the Midst of an Authoritarian Takeover'Archaeology, Heritage, and Reactionary Populism (Cultural Heritage Studies) (Volume edited by Randall McGuire and Alfredo González-Ruibal, with contributions from Dr. Lindsay Montgomery)ContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion
In this episode, Dr. Farina King is joined by Dr. Gavin A. Healey, a contributing author of COVID-19 in Indian Country and Assistant Professor of Anthropology and Applied Indigenous Studies at Northern Arizona University (NAU). Gavin highlights how Indigenous graffiti and muralism emerged as vital tools of community care and resistance during the COVID-19 pandemic. Drawing from his chapter, “Native American Graffiti and Aerosol Muralism of the Pandemic,” Gavin addresses works by artists such as Ivan Lee (Diné), whose mural of a masked Diné woman sends a COVID-19 warning, and Jemez Pueblo artist Jaque Fragua, whose pieces amplify Indigenous sovereignty and survival. Photographer Kayla Jackson's documentation of pandemic murals adds another dimension to the discussion. Gavin reflects on how these public art forms became acts of visual sovereignty, cultural expression, and collective healing in Indian Country, "demistifying" aerosol muralism.Gavin A. Healey holds an interdisciplinary Ph.D. in American Indian Studies from the University of Arizona with an emphasis in Native Art and public art. His expertise in community-based participatory research and mixed method design aspires to provide agency to individual and community voices with a focus on Native graffiti muralism. This work with collaborators focuses on Native art and Native public art as dialectics of place-making and Native sovereignty. Coupled with his universities' duties, Gavin has spent his career working with Native artists and communities, urban and reservation, as an artist assistant on public murals, curator of museum and gallery exhibitions, and a conscientious ally in community wellbeing. His doctoral research produced the first empirical data collected on Native public art through public surveying. He is working on a forthcoming edited volume with Indigenous artists.Resources:Gavin A. Healey, “Native American Graffiti and Aerosol Muralism of the Pandemic: Alternative Messaging of Community Well-Being,” in COVID-19 in Indian Country: Native American Memories and Experiences of the Pandemic, eds. Farina King and Wade Davies (Palgrave Macmillan, 2024).Gavin Alexander Healey, NAU Directory WebpageMural by Navajo graffiti artist, Ivan Lee in COVID-19 archive.Jaque Fragua (Jemez Pueblo) featured on SODO Track ArtistsKayla Jackson photography, "Creative Cowboy."NAU Applied Indigenous StudiesHoka Skenandore (Oneida, Oglala Lakota, and Luiseno) artist website
The Ancestral Science Podcast was grateful to speak with PHILIP STEVENS, San Carlos Apache, Director of American Indian Studies at the University of Idaho, about (global/Western) mathematics being like pornography or taxidermy, non-Euclidian tessellations in mesquite wood stacking, patterns of the Land, Apache ontologies, academic camouflage, and focusing on how to take care of our own garden/sphere of influence to broaden mathematical perspectives. Upon Philip's request, honoraria was gifted to someone we know that is in need. They were grateful, thank you. Remember, you can support the pod and rock some unique Indigenous Science merch at www.relationalsciencecircle.com/shop, all proceeds go towards Knowledge Keeper honoraria, following protocols, and keeping the pod going. Please like, share, follow, and rate the pod, it goes a long way to share this knowledge.Hand to Heart to Indigenous Screen Office and Bespoke Productions Hub.As always, for all you educators out there, extensive shownotes are HEREHere are some fast cool links from the episode:“A Woodcutter's Story: Perceptions and Uses of Mathematics on San Carlos Apache Reservation” (article) by Philip Stevens“‘A space for you to be who you are': an ethnographic portrait of reterritorializing Indigenous student identities” (article) by Vanessa Anthony-Stevens, Philip Stevens-Math as......arithmetic -in school math was a place to count -it was about memorization and abstract ideas, disconnect from self, culture, land, spirit ...pornography -Philip mentioned that the processes he was required to go through to understand global/western mathematics made him feel like a pornographer, because it removed all emotion and love. ...taxidermy -Learning global/western mathematics was like hunting then killing mathematics, taking its life, its spirit, its energy, then stuffing it with inanimate, unfamiliar, unrelated...materials. It is no longer a relative, no longer connected to culture, Land, ceremony, community, or spirit. Hosted on Acast. See acast.com/privacy for more information.
Why do people feel compelled to share stories? Why do we yearn to reach others with our words, beyond necessary communication? Storytelling is a vital facet of human culture and is constantly expanding as we create new ways to communicate through words, art, and tangible experience. The Department of American Indian Studies at the University of Washington hosts an annual literary and storytelling series, Sacred Breath, featuring Indigenous writers and storytellers sharing their craft in the Seattle area. Storytelling offers a spiritual connection, a sharing of sacred breath. Literature, similarly, preserves human experience and ideals. Both forms are durable and transmit power that teaches us how to live. Both storytelling and reading aloud can impact audiences through the power of presence, allowing for the experience of the transfer of sacred breath as audiences are immersed in the experience of being inside stories and works of literature. The series begins with an evening program at Town Hall Seattle featuring Arigon Starr and guest Roger Fernandes. A multitalented, multidisciplinary performer, Arigon Starr promises to deliver a mix of music, reading, art, and storytelling. Arigon Starr is an enrolled member of the Kickapoo Tribe of Oklahoma. Her father, Ken Wahpecome (Kickapoo) was a career Navy man and her mother, Ruth (Muscogee (Creek) / Cherokee / Seneca) was a graduate of Oklahoma Baptist University. Starr is a storyteller in many mediums including music, comic books, and live theater. Across her many disciplines, she brings bold characters, contemporary perspectives, and the intention of countering negative Indigenous stereotypes. Her work has been highlighted in the publications First American Art and Native Peoples, featured on the national news program PBS News Hour and on the arts blog of the National Endowment for the Arts. Visit Arigon's website to learn more. About Sacred Breath The Department of American Indian Studies at the University of Washington hosts an annual literary and storytelling series. Sacred Breath features Indigenous writers and storytellers sharing their craft in Seattle. Storytelling offers a spiritual connection, a sharing of sacred breath. Literature, similarly, preserves human experience and ideals. Both forms are durable and transmit power that teaches us how to live. Both storytelling and reading aloud can impact audiences through the power of presence, allowing for the experience of the transfer of sacred breath as audiences are immersed in the experience of being inside stories and works of literature.
On today’s episode, Daniele is sharing his views on Daoism, enlightenment, and radical kindness that bring greater understanding. Listen in as Daniele and I explore what happens when we romanticize the concept of religion and philosophy, how Daoism teaches you to get back up, and how creating his own understanding of actions and philosophy led to less anxiety and greater peace. Daniele Bolelli is a writer, martial artist, and university professor. He was born in Italy and currently lives in Los Angeles. His first solo book, "La Tenera Arte del Guerriero," was published when Bolelli was 22 years old. This work, which is a philosophical exploration of martial arts, went on to become a cult classic in Italy even outside the confines of martial arts circles. His second book entitled "iGod: Istruzioni per l’Uso di una Religione Fai da Te" was published in Italy in 2011. This wild ride through comparative religion will be released in the United States in early 2013. Bolelli’s third book, "50 Things You’re Not Supposed To Know: Religion," was published in the United States in December 2011. Some of the most influential thinkers to have affected his world view include Tom Robbins, Friedrich Nietzsche, Ikkyu Sojun, Thomas Paine, Henry David Thoreau, Lao Tzu, and Heraclitus. After graduating from UCLA with a B.A. in Anthropology, and earning graduate degrees at UCLA (in American Indian Studies) and CSULB (History), Bolelli began teaching at several colleges in Southern California. Bolelli was featured in "I Am Bruce Lee" which broke Spike TV’s rating record for documentaries. He has appeared as a guest on popular podcasts such as Duncan Trussell’s, Adam Carolla’s, and Joe Rogan’s. You can learn more about Daniele at http://www.danielebolelli.com/ Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.
Cheryl Redhorse Bennett, former assistant professor in American Indian Studies and expert on hate crimes and violence against Native Americans, joins the podcast to discuss her book "Our Fight Has Just Begun: Hate Crimes and Justice in Native America." She shares about the hate crimes in Farmington, New Mexico that informed her research, how the Navajo Nation pursues justice when the white legal system fails them, and how violence in reservation border towns dates back to initial settler colonial violence that resulted in mass deaths and displacement of indigenous people.To support the podcast, join the Patreon and get access to the #litreview, a bookclub for Cachimbonas: https://patreon.com/radiocachimbona?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkFollow @RadioCachimbona on Instagram, X, and Facebook
Tory Johnston is an enrolled member of the Quinault Indian Nation and a lecturer in American Indian Studies at the University of Washington. He grew up in the Quinault Indian reservation on the Washington coast with a love for music, whether it was the loud guitar riffs of Metallica or the jazz improvisation of Thelonious Monk. In 2023, with no prior experience as a radio DJ, he applied to work on a new show Seattle radio station KEXP was launching that appealed to his academic and personal explorations of Indigenous music. He got the job and is today the co-host and DJ of “Sounds of Survivance.” Airing on Mondays, each episode exposes listeners to artists spanning musical continents and styles, from classical piano compositions by Navajo musician Connor Chee to thrash metal songs performed by New Zealand band Alien Weaponry in English and Te reo Māori. Johnston joins us to talk about the show’s eclectic catalog and what’s currently on his music playlist.
Jessi Sands is a multidisciplinary artist who uses different mediums such as painting, ceramics, and mixed media to explore how the intersectionality of their multiracial identity influences their roles as an Indigenous parent, queer person, and land steward.Jessi grew up in Oklahoma on the Cherokee reservation and on their Mvskokereservation where they currently live in Tulsa, OK. They received their Associates of Arts Degree from Tulsa Community College in 2021. They received their Bachelor of Fine Arts Degree with minors in American Indian Studies, Pre-Art Therapy, and Art History from Oklahoma State University in 2024. While attending OSU they received several scholarships, the most notable being the Dana, Lisa, and Chris Tiger Scholarship and the Jackson Narcomey Rising Artist Scholarship. Currently, Jessi is working towards receiving their MA in Art Therapy/Counseling and Ecotherapy from Southwestern College and New Earth Institute in Santa Fe, New Mexico. Their career goal is to continue as a studio artist while creating spaces for healing as an art therapist.https://www.milkycreates.comInstagram @milky.creates
One of the greatest gifts you can give any leader is the time and money to become even more effective at the change they want to make in the world. That idea is at the heart of the Bush Fellowship.Every year, up to 30 people across Minnesota, North Dakota, South Dakota and in 23 Native nations receive this prestigious fellowship from the Bush Foundation, along with grants of up to $150,000 to pursue their own personal and professional development. The application for next year's cohort is open through Oct. 15. On Monday, MPR News host Angela Davis talked with three Bush Fellows about their work and how deepening a connection to their own culture is helping them make Minnesota a better place. Guests: Irma Márquez Trapero is a 2024 Bush Fellow and co-founder and CEO of LatinoLEAD, a nonprofit organization that is working to advance Latino Minnesotans into positions of leadership through advocacy and professional development. Michelle Goose is a 2024 Bush Fellow and an Ojibwe language instructor and faculty program coordinator for American Indian Studies at Fond du Lac Tribal and Community College in Cloquet. She is also a member of the Leech Lake Band of Ojibwe.Vayong Moua is a 2020 Bush Fellow. He is the director of racial and health equity and advocacy at Blue Cross Blue Shield of Minnesota. Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Spotify or RSS. Use the audio player above to listen to the full conversation.
One of the greatest gifts you can give any leader is the time and money to become even more effective at the change they want to make in the world. That idea is at the heart of the Bush Fellowship.Every year, up to 30 people across Minnesota, North Dakota, South Dakota and in 23 Native nations receive this prestigious fellowship from the Bush Foundation, along with grants of up to $150,000 to pursue their own personal and professional development. The application for next year's cohort is open through Oct. 15. On Monday, MPR News host Angela Davis talked with three Bush Fellows about their work and how deepening a connection to their own culture is helping them make Minnesota a better place. Guests: Irma Márquez Trapero is a 2024 Bush Fellow and co-founder and CEO of LatinoLEAD, a nonprofit organization that is working to advance Latino Minnesotans into positions of leadership through advocacy and professional development. Michelle Goose is a 2024 Bush Fellow and an Ojibwe language instructor and faculty program coordinator for American Indian Studies at Fond du Lac Tribal and Community College in Cloquet. She is also a member of the Leech Lake Band of Ojibwe.Vayong Moua is a 2020 Bush Fellow. He is the director of racial and health equity and advocacy at Blue Cross Blue Shield of Minnesota. Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Spotify or RSS. Use the audio player above to listen to the full conversation.
In the first half-hour, Guest Host Anne Keala Kelly has a lively conversation with award-winning journalist, film producer and community organizer Kevin Abourezk about “Cultural Appropriation in the Era of AI,” which was inspired by Kevin's March 28, 2024 article in Indian Country Today: “Navajo word for beautiful at center or controversy.” Kevin is currently deputy managing editor of Indian Country Today and was a reporter and editor for the Lincoln Journal Star for 18 years. A member of the Rosebud Sioux Tribe, he has spent his career documenting the lives, accomplishments and tragedies of Native American people. Kevin holds a bachelor's degree in English from the University of South Dakota and a master's in journalism from the University of Nebraska at Lincoln. Read Kevin's article here: https://ictnews.org/news/navajo-word-for-beautiful-at-center-of-controversy. In the second half-hour, Keala speaks with Shannon O'Loughlin (Choctaw Nation of Oklahoma), Chief Executive and Attorney at the Association on American Indian Affairs about the new rules for the Native American Graves Protection and Repatriation Act. Shannon has been practicing law for more than 22 years and is a lecturer at Johns Hopkins University. She is a former Chief of Staff to the National Indian Gaming Commission, where she assisted in the development and implementation of national gaming policy, and oversaw the agency's public affairs, technology, compliance and finance divisions. Shannon has also served Native Country in the private sector as an attorney, leading a large national firm's Native Nations law practice group that worked to strengthen, maintain and protect sovereignty, self-determination and culture. Shannon was appointed by Secretary of the Department of the Interior, Sally Jewell to the Native American Graves Protection and Repatriation Act Review Committee in 2013, and was appointed by President Barack Obama as the first Native American to the Cultural Property Advisory Committee within the State Department in 2015; she was fired by President Trump in 2019. Shannon received a B.A. in American Indian Studies from California State University, Long Beach and joint M.A. and J.D. degrees from the University of Arizona in Indigenous Peoples Law and Policy. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Anne Keala Kelly (Kanaka Maoli), Guest Host Liz Hill (Red Lake Ojibwe), Producer Manuel Blas, Studio Engineer, Radio Kingston Anne Keala Kelly, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Indian in the Child Artist: Sandra Sutter Album: Cluster Stars (2018) Label: Sandra Sutter 3. Song Title: Mountain Song Artist: Sandra Sutter Album: Cluster Stars (2018) Label: Sandra Sutter (Vince Fontaine and Chris Burke-Gaffney, Producers) AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
On today's episode, Jessica chats with Eric Pinto (Assistant Director at the Kathryn M. Buder Center for American Indian studies at Washington University in St. Louis; Descendant of the Mississippi Band of Choctaw Indians and Pueblo of Zuni). The Buder Center is part of the Brown School of Social Work, Public Health, & Social Policy that offers the only social work program in the country with an American Indian/Alaska Native concentration. The two talk about Eric's transition from personal training to getting a Master's in Social Work and how the social work program led him to cultural projects, archaeology, and land/cultural resource protection efforts through the Buder Center. We also discuss the Buder Center's Indigenous community and Tribal Nation engagement efforts, including an ongoing trail marker tree initiative, as well as their student practicums, scholarships, and events. Additional topics that came up during our conversation include land acknowledgements, the Urban Relocation Program in the 1950s, enrollment, and blood quantum.Transcripts For rough transcripts of this episode go to https://www.archpodnet.com/heritagevoices/85Links Heritage Voices on the APN Kathryn M. Buder Center for American Indian studies at Washington University in St. Louis Digital Indigenous Storytelling Project Missouri Humanities Land Acknowledgement Buder Research Reports (PDFs for Indigenous Land, Peoples and History of Missouri Brief and Trail Marker Trees) Cahokia Mounds Mastadon State Historic Site For more links head to: https://www.archpodnet.com/heritagevoices/85Contact JessicaJessica@livingheritageanthropology.org@livingheritageA@LivingHeritageResearchCouncilArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public StoreAffiliates Motion Liquid I.V.Ready to shop better hydration, use my special link https://zen.ai/heritagevoices to save 20% off anything you order.
Melissa Blind is Cree from George Gordon's First Nation in Saskatchewan. She earned her PhD in American Indian Studies from the University of Arizona. Melissa has over a decade of experience working with Indigenous communities in Indigenous health and dementia research. As the current Senior Research Associate on the Memory Keepers Medical Discovery Team at the University of Minnesota, Duluth campus, Melissa is focused on collaborative research to improve dementia outcomes in Indigenous and rural communities.
Professor of American Indian Studies Mishuana Goeman addresses the common misconceptions about Native American land and the ties between the land and language. Indigenous ecologist and author of Braiding Sweetgrass Robin Wall Kimmerer draws on the knowledge of Indigenous peoples and speaks to the value of living in reciprocity with the natural world. A member of the Citizen Potawatomi Nation Kimmerer explains how our relationship with the planet can improve through a better understanding and appreciation of Indigenous culture. “Human beings are newcomers here to this earth, and our existence is entirely dependent upon the gifts of the other beings who are already here,” she says. Mishuana Goeman (Tonawanda Band of Seneca) is a professor of Gender Studies and American Indian Studies at UCLA's Institute of Environment and Sustainability and Special Advisor to the Chancellor on Native American and Indigenous Affairs. She says Indigenous communities held strong ties to the land, and those ties varied from tribe to tribe through language, art, and song. Robin Wall Kimmerer is a guest speaker at UC Santa Barbara's Arts and Lecture Series Tuesday November 14th at 7:30pm at Campbell Hall. Learn more about this and other events at artsandlectures.ucsb.edu.
This week, Roqayah and Kumars are joined by returning guest Nick Estes and former guest host Shanti Singh for a deep dive into the past, present and future of extraterrestrial visitation. Nick is a member of the Oceti Sakowin Oyate nation, Assistant Professor of American Indian Studies at the University of Minnesota, a cofounder of The Red Nation, and cohost of TRN's flagship podcast. He is also lead editor at Red Media, the author of Our History is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance, and coauthor of Red Nation Rising: From Bordertown Violence to Native Liberation. Shanti is an organizer with the San Francisco chapter of Democratic Socialists of America and previously served as deputy data director for the 2020 Bernie Sanders campaign in California. She is currently the Legislative and Communications Director for Tenants Together, the first and only statewide tenant advocacy organization in California. After catching listeners up on some of their recent adventures, Nick and Shanti share their takes on Posadism, going to Mars, Blink-182, Stonehenge, Alien vs. Predator, Scully vs. Mulder, as well as the gold standard of problematic UFO lore, History Channel's Ancient Aliens. The gang also discusses well-known UFO reports pre- and post-Roswell, the US national security state's history of manipulating alien conspiracy theories to cover up its own black operations, and whether this explains the revelations since 2017 of the military's close encounters. Follow Nick on that one website @nickwestes and Shanti @uhshanti. If you want to support the show and receive access to tons of bonus content, subscribe on our Patreon for as little as $5 a month. Also, don't forget to subscribe, rate, and review the show on iTunes. We can't do this show without your support!!!
This week, Roqayah and Kumars are joined by returning guest Nick Estes and former guest host Shanti Singh for a deep dive into the past, present and future of extraterrestrial visitation. Nick is a member of the Oceti Sakowin Oyate nation, Assistant Professor of American Indian Studies at the University of Minnesota, a cofounder of The Red Nation, and cohost of TRN's flagship podcast. He is also lead editor at Red Media, the author of Our History is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance, and coauthor of Red Nation Rising: From Bordertown Violence to Native Liberation. Shanti is an organizer with the San Francisco chapter of Democratic Socialists of America and previously served as deputy data director for the 2020 Bernie Sanders campaign in California. She is currently the Legislative and Communications Director for Tenants Together, the first and only statewide tenant advocacy organization in California. After catching listeners up on some of their recent adventures, Nick and Shanti share their takes on Posadism, going to Mars, Blink-182, Stonehenge, Alien vs. Predator, Scully vs. Mulder, as well as the gold standard of problematic UFO lore, History Channel's Ancient Aliens. The gang also discuss well-known UFO reports pre- and post-Roswell, the US national security state's history of manipulating alien conspiracy theories to cover up its own black operations, and whether this explains the revelations since 2017 of the military's close encounters. Follow Nick on that one website @nickwestes and Shanti @uhshanti. If you want to support the show and receive access to tons of bonus content, subscribe on our Patreon for as little as $5 a month. Also, don't forget to subscribe, rate, and review the show on iTunes. We can't do this show without your support!!!
To rematriate is to return the sacred to the mother. Join us today as we talk about the collective work of Rematriation with Dr. Dian Million (Tanana Athabascan), Michelle Schenandoah (Oneida Nation) and Marquel Musgrave (Nanbe Owingeh). In this episode, we acknowledge that rematriation IS the work of decolonization; we talk through Indigenous Feminism, Sky Woman, and we even make the connections between Ruth Bater Ginsberg and The Doctrine of Discovery.Dr. Dian Million, is Tanana Athabascan, and is a Professor in American Indian Studies at the University of Washington. She recieved her Ph. D. from the University of California at Berkeley in 2004. She is the author of Therapeutic Nations: Healing in an Age of Indigenous Human Rights, as well the author of “Felt Theory: An Indigenous Feminist Approach to Affect and History,” “Intense Dreaming: Theories, Narratives and Our Search for Home,” and most recently “A River Runs Through Me: Theory from Life”. She teaches courses on Indigenous politics, literatures, feminisms and social issues.Michelle Schenandoah is a Rematriation Activist, media maker, and inspirational speaker. She belongs to the Oneida Nation, Wolf Clan, of the Haudenosaunee Confederacy. Michelle is the host of Rematriated Voices with Michelle Schenandoah, an upcoming talk show highlighting the untold stories and contributions of Indigenous Peoples in Turtle Island. She is also the founder of the nonprofit Rematriation, an organization dedicated to uplifting the Indigenous women led movement of rematriation. Marquel Musgrave is a mother, auntie and tribal citizen of Nanbé Owingeh and currently works for the National Indigenous Women's Resource Center. Marquel has previously worked at the Coalition to Stop Violence Against Native Women, as an outdoor experiential educator, and served an elected term as tribal council secretary for the pueblo of Nambe. She is currently a member of the Tewa Language Committee for her pueblo, and serves on the Board of Directors for Pueblo Action Alliance. They are also co-founder of the Rights of Mother Earth and Water Beings Coalition.The Library Rematriation Project defines this topic, and they say, “By “rematriate” we mean “give back,” but unlike the legal term “repatriate,” which signifies a simple transfer of ownership, “rematriate” means something more profound: a restoration of right relationships and a true action of decolonization, aimed not just at righting a past wrong but transforming our collective future.+++Shout out to our All My Relations team that makes this possible. Executive Editor of this episode is Jonathan Stein, mastering and sound design by Max Levin, original live music recording by Black Belt Eagle Scout and Laura Ortman. Live recording in Santa Fe by Teo Shantz, social media by Lindsey Hightower, produced by Jamie Bratcher, Executive Assistant Haidyn Harvey, and Audio Assistant Darrien Camarillo. Special thanks to Orbit Studios, SubCat Studios, and Studio BE. Support the showFollow us on Instagam @amrpodcast, or support our work on Patreon. Show notes are published on our website, amrpodcast.com. Matika's book is available for pre-order! T'igwicid and Wado for being on this journey with us.
When is the last time you called your friends? In this episode of the Align Podcast, Daniele and I talk all about the loneliness epidemic and how little it's talked about amongst men in particular. We discuss how we should rebuild the foundations of our society in order to make it easier for people to express themselves and release their emotions and how physical communication varies between cultures. Daniele also touches upon the ‘friendship recession' and whether capitalism pushes us towards sacrificing our relationships in exchange for successful careers. Human contact and connection are the foundation for health and well-being, but our society is currently in a deficit of close human relationships. Have a listen to find out how we can change the narrative! Daniele Bolelli (born January 11, 1974) is an Italian writer, university professor, martial artist, and podcaster based in Southern California. He is the author of several books on philosophy, and martial arts, including On the Warrior's Path. Known for his writing since the 1990s in Italy and the early 2000s in the United States, Bolelli rose to greater public prominence in the 2010s, beginning with his appearances on popular podcasts such as The Joe Rogan Experience. He went on to create his own podcasts, and has hosted The Drunken Taoist since 2012 and History on Fire since 2015.Bolelli holds M.As in American Indian Studies and history from UCLA and California State University, Long Beach, and did postdoctoral research in history at Cardiff University.[3] As a professor, he has taught a wide variety of courses in the arts, humanities, and social sciences on topics including Native American history and culture, Taoist philosophy, and Ancient Rome. He teaches at CSULB and Santa Monica College. Thank you to our sponsors: Align Method Program: To start the Free Trial head to: https://www.alignpodcast.com/amp Sleep Breakthrough: Use code ALIGN10 for 10% off at: sleepbreakthrough.com/alignpodcast LifeForce: Use code ALIGN for 15% off at: mylifeforce.com
Green Dreamer: Sustainability and Regeneration From Ideas to Life
"I came up with the idea of ‘Eating the Landscape' because I was thinking about our Indigenous ancestral foodways. It's not just about food. It's not just about nutrition. ‘Eating the Landscape' is about this large, interconnected matrix of our relationship to place." In this episode, Enrique Salmón, Ph.D. guides us to see Indigenous foodways as parts of an interconnected matrix of our relationship to place. Introducing the concept of “kincentric ecology,” Enrique problematizes one-size-fits-all approaches to caring for the land. He also elaborates on why many Native peoples are opposed to memory banking as a way to preserve Indigenous knowledge. Having completed his dissertation on how the bioregion of his Rarámuri people of the Sierra Madres of Chihuahua, Mexico influences their language and thought, Enrique invites us to understand the layered meanings behind the phrase “Eating the Landscape”—looking at food not just as sources of nourishment but as avenues of growing one's kinship. Ultimately, as opposed to the doom and gloom perspectives prevalent in mainstream environmentalism in regards to the role of humankind, Enrique leaves us with a calling of recognizing humans as a keystone species—where creation is not only a matter of what came before but an act of relational responsibility. About the guest: Enrique Salmón is the author of Iwígara: The Kinship of Plants and People and Eating The Landscape, a book focused on small-scale Native farmers of the Greater Southwest and their role in maintaining biocultural diversity. With a PhD. in anthropology from Arizona State University, he has been a Scholar in Residence at the Heard Museum and on the Board of Directors of the Society of Ethnobiology. Enrique has published several articles and chapters on Indigenous ethnobotany, agriculture, nutrition, and traditional ecological knowledge, and he teaches American Indian Studies in the Department of Ethnic Studies at Cal State University East Bay. also serving as their Tribal Liaison. The musical offering featured in this episode is Flute Dance by Enrique Salmón. The episode-inspired artwork is by Cherie Kwok. Green Dreamer is a community-supported podcast. Join our Patreon and contribute a gift of any amount today to help keep our platform alive: greendreamer.com/support
© 2020-2026 Ivy Podcast Discovery LLC
