Podcast appearances and mentions of ivo perelman

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 19th June 2025 Artist - Track - Album - Year Joe Kennedy w/ The David Hughes Quartet    Mineshaft    Time Travel    2025 Greg Murphy    Geneva    Snap Happy    2025 Michael Dease    Tea Time    City Life: The Music of Gregg Hill    2025 Alon Farber Hariga    Minor Trap    Dreams I Dream    2025 Ron Rieder    Blue Skies    Dia Precisio!    2025 Dale Fielder Quartet    It's a Blue World    Blue World    2025 Dave Anderson    Outer Circle    In Lieu of Flowers    2025 Peter & Will Anderson    Alexander's Ragtime Band    The Best of Berlin    2025 Neff Irizarry    Hija Mia (My Daughter)    Cambio (Change)    2024 Michel Benebig/Le Grand B3 Big Band    Tableau 4    Blue Note in My Suitcase    2024 The Greg Hopkins Jazz Orchestra    Dr. Diz (Hot House - Con Alma - Night in Tunisia)    Chronography    2025 Mike Thompson    Parisian Deception    6th Avenue    2025 Marina Pacowski    Can You Dig Being Dug?    New Jazz Standards Volume 7: The Music of Carl Saunders    2025 Jennifer Lee    Vivid Technicolor Love    Glimpse    2025 Julian Shore Trio    Messenger    Sub Rosa    2025 Danny Grissett    The Long Way Home    Travelogue    2025 George Crotty Trio    The Task at Hand    Heart Music    2025 Marty Ehrlich Trio Exaltation    This Space, This Time    This Time    2025 Freedom Art Quartet    Nature of the Past    First Dance    2025 Ivo Perelman & Matthew Shipp String Trio    Restoration    Armageddon Flower    2025 The post The Creative Source (#CreativeSource) – 19th June 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

Ahead of some highly-anticipated new releases soon to come down the pipe (tune in on a regular basis folks...), Def Jim revisits a few choice recent drops from the likes of Tomeka Reid, Ivo Perelman and Angelica Sanchez, raids the 60s & 70s Avant vaults for shiny pearls fiom the New York Art Quartet and Julius Hemphill, slots in a personal favourite from Oregon and in between tarries in a few waystations in Jazz Guitar Heaven.

11e émission de la 58e session...Cette semaine, c'est free jazz! En musique: Louis Armfield, Nedly Elstak, Harry Piller, Glenn Spearman sur l'album Incident  (Coreco, 1977); Alma Tree sur l'album Sonic Alchemy Suprema  (Carimbo Porta-Jazz, 2024); Malik's Emerging Force Art Trio sur l'album Time & Condition  (EFAE, 1983); Ivo Perelman, Barry Guy, Ramon Lopez sur l'album Interaction  (Ibeji, 2024); Hery Paz, Sana Nagano, Max Johnson, Alfred Vogel sur l'album Chattering Teeth  (Boomslang, 2024); Ballister sur l'album Smash and Grab  (Aerophonic, 2024)...

THIS WEEK's BIRDS: new music from James Brandon Lewis; new quartet work from Ivo Perelman, Ray Anderson, Joe Morris, Reggie Nicholson; salsa from La Pembélé & Tabaco; legendary Cuban pianist Alfredo Rodriguez; Jay Hoggard live; from Egypt: Fayza Ahmed, Ahmed Adaweia; Tunisian actress and singer Louisa Tunisia; vintage music from Ana Caram, Joãozinho da Goméia; vintage Dino Saluzzi; Prince Nico Mbarga  & Shora Mbema; much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 at via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18007278/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

THIS WEEK's BIRDS: Nara Leão, Joyce, Amelinha (MPB); Uruguayn jazz from Hugo Fattoruso et al.; Mary Lou Williams (from her mass); Keith and Julie Tippett; Ukandanz (new); Balimaya Project; Ivo Perelman w. quartet (Ray Anderson, Joe Morris, Reggie Nicholson); Djely Mamou Kouyatee; vintage Malian rumba from Orchestre Paillote; clarinet music (demitiki)  from Northern Greece (Nikos Gouvas and Athanasios Haros); Arsenio Rodriguez; rembetika from Stelios Kazantzides; cha'abi from Amar el Achab and Mazouni, plus  cha'abi/kabyle from Akli Yahyaten; Kyriakos Sfetsas w. Greek Fusion Orchestra; and much more ...! Full playlist HERE LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. WRFI/WINO has improved and expanded its signal, and can now be heard on one of our frequencies from Northern Pennsylvania to Lake Ontario!!! Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17020037/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

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11e émission de la 54e session...Cette semaine, free jazz sous différentes formes! En musique: Elton Dean Quartet sur l'album On Italian Roads (Live at Teatro Cristallo, Milan, 1979)  (Progressive British Jazz, 2022); V. Ganelinas, V. Tarasovas, V. Čekasinas sur l'album Con Anima  (Мелодия, 1976); Chad Fowler, Ivo Perelman, Matthew Shipp, William Parker, Steve Hirsh sur l'album Alien Skin  (Mahakala Music, 2022); Jones Jones sur l'album Just Justice  (ESP-Disk', 2022); Sumari sur l'album Sumari IV  (Unseen Rain, 2021)...

1. winter – Sara Ruth and Monte Espina – cuatro estaciones – 2022 2. Trying to Make Heaven My Home – The Billy Harper Quintet – Trying to Make Heaven My Home – 1980 3. Occupation Day – Chad Fowler, Zoh Amba, Ivo Perelman, Matthew Shipp, William Parker, Steve Hirsh – Alien Skin – 2022 … Continue reading tone science 488

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"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane,  Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG  also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info,   Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his  writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

Rodrigo AmadoNomeado, pelo sétimo ano consecutivo, pela prestigiada El Intruso International Critics Poll como um dos cinco melhores saxofonistas tenor em actividade, ao lado de Evan Parker, Joe Lovano, Ken Vandermark, Jon Irabagon, Ivo Perelman, James Brandon Lewis, Chris Potter ou Ingrid Laubrock, Rodrigo Amado acaba de editar "Let The Free Be Men" (Trost), o terceiro álbum do quarteto que mantém com três das mais importantes figuras do jazz livre actual - Joe McPhee, Kent Kessler e Chris Corsano. Ainda este ano, editou também “The Field” (No Business), o sétimo álbum do seu celebrado Motion Trio, aqui com a participação do lendário pianista alemão Alexander von Schlippenbach. O ano de 2021 anuncia-se intenso, com a realização prevista de uma extensa tour Europeia dos Humanization Quartet e ainda inúmeros concertos um pouco por toda a Europa. Com o seu quarteto americano, à frente dos Motion Trio, com Miguel Mira e Gabriel Ferrandini, ou integrado nos Humanization Quartet, Amado realizou nos últimos anos inúmeras tournées na Europa e nos Estados Unidos, tendo passado por salas de referência como o Snug Harbor em New Orleans, Hideout em Chicago, The Stone em Nova Iorque, Bimhuis em Amsterdão, DOM em Moscovo, Jazz House em Copenhaga, Cafe Oto em Londres, Pardon To Tu em Varsóvia, De Singer em Antuérpia, Manufaktur em Estugarda ou a State Philharmony Hall em Oradea, vendo o seu trabalho aclamado em publicações internacionais de referência como a revista The Wire, ou os jornais El País e Folha de São Paulo. Com uma série de novas tours previstas para 2021 e 2022, Amado afirma-se, cada vez mais, como um dos mais destacados improvisadores Europeus. Como refere o crítico e escritor norte-americano Stuart Broomer nas liner notes que escreveu para "This Is Our Language", "Amado is an emerging master of a great tradition, more apparent with each new recording or performance." Amado desenvolve ainda intensa actividade como fotógrafo, tendo realizado inúmeras exposições individuais (Maus Hábitos, Porto; Museu da Electricidade, Fundação EDP, Lisboa; Museu da Imagem, Braga; Galeria Módulo, Lisboa; Quase Galeria, Porto; Kameraphoto, Lisboa) e colectivas. Editou em 2012 o livro “Um Certain Malaise” (Documenta), com imagens suas e textos de Gonçalo M Tavares. Links:https://www.rodrigoamado.com/https://rodrigoamado.bandcamp.com/https://www.culturgest.pt/pt/programacao/RodrigoAmado-JoeMcPhee-KentKessler-ChrisCorsano/https://www.publico.pt/2015/09/08/video/rodrigo-amado-joe-mcphee-kent-kessler-e-chris-corsano-20150908-132231https://www.rimasebatidas.pt/rodrigo-amado-toco-um-instrumento-que-tem-o-sopro-da-liberdade/https://www.fundacaoedp.pt/pt/noticias/un-certain-malaisehttps://www.publico.pt/2018/06/15/culturaipsilon/noticia/para-rodrigo-amado-e-tempo-de-ir-mais-fundo-nas-raizes-1834127https://jazz.pt/ponto-escuta/2018/06/08/rodrigo-amado-history-nothing-trost/ https://www.timeout.pt/lisboa/pt/musica/cinco-saxofonistas-de-jazz-portugueses-que-precisa-de-ouvirhttps://www.youtube.com/watch?v=uxCYGdxkamchttps://www.youtube.com/watch?v=3Rwf5qql4Ac Episódio gravado a 29.07.2021 http://www.appleton.ptMecenas Appleton:HCI / Colecção Maria e Armando CabralFinanciamento:República Portuguesa - Cultura / DGArtesApoio:Câmara Municipal de Lisboa

This week: iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen; Ivo Perelman w. Matthew Shipp, Wm. Parker & Bobby Kapp; Elmo Hope; Booker T.; Hartmut Geerken w. John Tchicai; Rajah & Sajan. Mishra; Sindhi Music Ensemble; Kalaparusha Maurice McIntyre; Dizzy Reece; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13351154/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Phil Freeman talks to saxophonist Ivo Perelman.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter This episode features an interview with saxophonist Ivo Perelman, which is important because he's one of the artists on Polarity, a CD which I'll be putting out through my new label, Burning Ambulance Music, in February 2021. It's a duo album with trumpeter Nate Wooley, and it's intensely beautiful music unlike anything else you've ever heard, I promise. Pre-order your copy now. I’ve known about Ivo Perelman for about 25 years; the first record of his I heard was Cama de Terra, which came out in 1996. It was actually the very last release on Homestead Records, right before Steven Joerg, who was running the label at the time, left and started AUM Fidelity. That album featured Perelman with Matthew Shipp on piano and William Parker on bass, and they’re two of the people he’s continued to work with ever since, along with many others, including Joe Morris, Nate Wooley, Mat Maneri, Whit Dickey, and a whole slew of other players. See, Ivo’s discography is massive. He puts out albums in bunches, sometimes as many as eight at a time, sometimes three and even four-CD sets. He just recently passed the 100 release mark, which puts him in relatively rarefied company, up there with Duke Ellington, Anthony Braxton, David Murray, and very few others. It can be hard to know where to begin with his catalog, frankly, but his music has evolved a lot over time – he’s really on a lifelong creative journey, which is why he’s constantly collaborating with people in new combinations and changing his approach to the horn and just generally trying new things. So you’re probably best off starting with something recent and then moving backwards, deciding what to listen to based on who’s on a given record. He’s been living in Brooklyn for many years, but he’s originally from Sao Paulo, Brazil, and when the pandemic got rolling, he went back to Brazil, which is where we connected for this interview. It was conducted via Skype, so there are a few points at which the sound warps a little, or cuts in and out. Still, I’m sure you’ll be able to figure out what he’s saying in those moments. We had a really fascinating conversation, about his creative philosophy and his practice regimen and the role of improvisation in Brazilian music and a lot of other things. I hope you’ll enjoy listening to it as much as I enjoyed having it. If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Ivo Perelman/Nate Wooley, "Four" (Polarity) Ivo Perelman/Matt Shipp/Whit Dickey, "Garden of Jewels" (Garden of Jewels)

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Drummer Whit Dickey is a well-known figure on the New York free jazz scene; he came to prominence as a member of the Matthew Shipp Trio and the David S. Ware Quartet in the 1990s, but has made multiple albums as a leader and collaborated with a lot of other musicians, including Joe Morris, Ivo Perelman, and Mat Maneri. His latest releases are a double CD, Tao Quartets, on AUM Fidelity — each CD features a different band — and a duo CD with cornet player Kirk Knuffke, Drone Dream, on NoBusiness. In this interview, we talk about the evolution of his style, the musicians he studied with — including Bill Dixon, Milford Graves, and Andrew Cyrille — and his various bands and projects. We also talk about aspects of his personal life that some listeners and fans may not know about. It's one of the longest episodes I've done, but it's really interesting, and I hope you'll enjoy listening to it. This episode is sponsored by nugs.net - visit nugs.net/burningambulance to get 35% off a year's subscription. Music heard in this episode: Whit Dickey, "Suite for DSW" (Tao Quartets) Whit Dickey/Kirk Knuffke, "Soaring" (Drone Dream) Whit Dickey, "Ethereality" (Tao Quartets)

Por Pachi Tapiz. Cuatro novedades del sello británico Leo Records en la entrega 482 de HDO Hablando de oídas, como suele ser habitual con nombres de relumbrón (Marilyn Crispell, Ivo Perelman, Mat Maneri, Hank Roberts, Richard Teitelbaum...), y propuestas libres que además de interesantes en algún caso son exquisitamente inclasificables (Fourth Page): Fourth Page (Charlie Beresford, Carolyn Hume, Peter Marsh, Paul May): The Forest From Above Marilyn Crispell - Tanya Kalmanovitch - Richard Teitelbaum: Dream Libretto Ivo Perelman - Mat Maneri - Mark Feldman - Jason Hwang: Strings 1 Ivo Perelman - Mat Maneri - Hank Roberts - Ned Rothenberg: Strings 2 Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

13e émission de la 37e session... Cette semaine, jazz moderne, freebop et free jazz ! En musique: Cowboys and Frenchmen sur l'album Bluer Than You Think  (Outside Music, 2017); Sex Mob sur l'album Cultural Capital  (Rex, 2017); Gard Nilssen's Acoustic Unity sur l'album Live in Europe  (Clean Feed, 2017); Ivo Perelman, Nate Wooley, Brandon Lopez, Gerald Cleaver sur l'album Octagon  (Leo, 2017); Pan-Scan Ensemble sur l'album Air and Light and Time and Space  (PNL, 2017)...

13e émission de la 37e session... Cette semaine, jazz moderne, freebop et free jazz ! En musique: Cowboys and Frenchmen sur l'album Bluer Than You Think  (Outside Music, 2017); Sex Mob sur l'album Cultural Capital  (Rex, 2017); Gard Nilssen’s Acoustic Unity sur l'album Live in Europe  (Clean Feed, 2017); Ivo Perelman, Nate Wooley, Brandon Lopez, Gerald Cleaver sur l'album Octagon  (Leo, 2017); Pan-Scan Ensemble sur l'album Air and Light and Time and Space  (PNL, 2017)...

Episode 2 of the Burning Ambulance Podcast features an interview with pianist Matthew Shipp. Shipp has been one of avant-garde jazz’s most compelling figures since coming to public attention in the early 1990s. He frequently releases multiple albums in a year, mixing solo performances with ones by his current trio, which features bassist Michael Bisio and drummer Newman Taylor Baker. In 2017 alone, he has released a trio album, Piano Song; a solo album, Invisible Touch at Taktlos Zürich; Vessel in Orbit, a collaboration with drummer Whit Dickey and violinist Mat Maneri; This is Beautiful Because We are Beautiful People, a collaboration with saxophonist Mat Walerian and bassist William Parker; Magnetism(s), a reissue of a 1999 disc with Parker and saxophonist Rob Brown, paired with a brand-new live performance by the same group; and an astonishing 11 albums in collaboration with saxophonist Ivo Perelman. In this interview, Shipp discusses his earliest days and how he decided to become a professional musician; his current activities, including his creative relationship with Perelman and his decision to leave the Thirsty Ear label after a nearly 20-year partnership; and his newfound political activism, particularly his vehement opposition to Donald Trump.

Phil Freeman talks to pianist Matthew Shipp.

Una vez más, el sello británico Leo Records publica en un mes un puñado de referencias lideradas por el saxofonista Ivo Perelman. Tras publicar las series The Art Of The Improv Trio y The Art Of Perelman Shipp, la discográfica dirigida por Leo Feigin publica en octubre de 2017 media docena de referencias lideradas por el saxofonista brasileño. Acompañado por improvisadores de la talla de Matthew Shipp, Nate Wooley, Gerald Cleaver, William Parker, Bobby Kapp, Jeff Cosgrove, Brandon Lopez y Joe Hertenstein en distintas configuraciones que van del dúo al cuarteto, publica las grabaciones Live In Bussels (doble CD con Shipp); Live In Baltimore (con Shipp y Cosgrove); Heptagon (son Shipp, Parker y Kapp); Scalene (con Shipp y Hertenstein); Philosopher’s Stone (con Shipp y Wooley); Octagon (con Wooley, Lopez y Cleaver). En HDO 331 suenan estas seis grabaciones, magníficos muestrarios de las posibilidades de la improvisación libre en manos de estos artistas. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

En marzo de 2017, el saxofonista Ivo Perelman y el pianista Matthew Shipp han publicado en el sello Leo Records, los siete volúmenes de su serie The Art Of Perelman – Shipp en formato de dúo, trío y cuarteto, acompañados -cuando corresponde- por distintos músicos como William Parker, Whit Dickey, Michael Bisio, Andrew Cyrille y Bobby Kapp. En hdo 258 escuchamos música de Titan (Vol.1 de la serie), Tarvos (Vol.2), Pandora (Vol.3), Hyperion (Vol.4), Rhea (Vol.5), Saturn (Vol.6), y Dione (Vol.7). Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información en http://www.tomajazz.com/web/?p=30055. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

El saxofonista Ivo Perelman ha publicado los volúmenes uno al seis de The Art Of The Improv Trio en el sello Leo Records. En HDO 177 escuchamos improvisaciones de todas y cada una de estas grabaciones. En ellas está acompañado por los bateristas Gerald Cleaver y Whit Dickey; Joe Morris (como contrabajista y guitarrista); el contrabajista William Parker; los pianistas Karl Berger y Matthew Shipp; y el violista Mat Maneri. Las grabaciones, registradas en estudio entre 2015 y 2016, muestran el magnífico entendimiento del artista brasileño con sus compañeros de grabación. Los seis CD (disponibles individualmente), aparecen publicados por el siempre inquieto sello Leo Records. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz.

HDO Redux 177. Versión reducida - adelanto del programa HDO 177 en el que el protagonista será el saxofonista Ivo Perelman que ha publicado los seis primeros volúmenes de The Art Of The Improv Trio en el sello Leo Records. Próximamente en Tomajazz. HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298. Más podcast de Tomajazz en http://www.tomajazz.com/web/?cat=12814

Toda la información en http://www.tomajazz.com/web/?p=23742. El saxofonista (y también pintor) Ivo Perelman continúa con su incansable actividad discográfica en Leo Records. En abril de 2016 publica cinco nuevas grabaciones que hacen que sean ya más de 25 referencias las publicadas en el sello dirigido por Leo Feigin en los últimos cinco años. En formato de dúo (Corpo junto al pianista Matthew Shipp, Blue con el guitarrista Joe Morris, The Hictchhiker acompañado por el veterano vibrafonista Karl Berger), o en cuarteto (Soul con Shipp, Michael Bisio y Whit Dickey, Breaking Point secundado por Mat Maneri, Morris –aquí ejerciendo de contrabajista-, y Gerald Cleaver), la música se mueve por los terrenos de la libre improvisación. Este es un terreno en el que el músico brasileño se mueve con una gran comodidad. A ello le ayuda el estar acompañado por media docena de músicos (el único con el que tiene una relación menos asentada es con Berger), que han sido sus compañeros en mil batallas. Libre improvisación es aquí a libertad para crear, para dejar paso a melodías, para variar la intensidad de la propuesta; para dejarse influenciar por el blues o melodías de carácter infantil (¿o es folklórico?); y también –importantísimo- para que la música no se extienda innecesariamente . © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz

La cuarta entrega de HDO es un homenaje. Homenaje a saxofonistas tenores por parte del saxofonista Ivo Perelman y el baterista Whit Dickey en el CD de música improvisada Tenorhood (Leo Records). Suena en el audiopost el solo de batería que da título al CD y los homenajes a John Coltrane y Hank Mobley. A continuación el homenaje cambia de objetivo, instrumento y formación. Se dirige hacia Paul Bley en manos del trío formado por el pianista Arrigo Cappelletti, el contrabajista Furio di Castri y el baterista Bruce Ditmas. Suena tres temas: una magnífica revisión del tema “Ashes” del gran Andrew Hill, y las dos composiciones de Cappelletti tituladas “Homage to Paul Bley” (que da título al CD, que publica Leo Records), y “Changes”. HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. © Pachi Tapiz, 2015 Toda la información en http://www.tomajazz.com/web/?p=19224

MUT Trío y Masa Kamaguchi se unieron en una reciente gira de la que escuchamos sus actuaciones en Bilbao y Huesca. En esta edición de "Club de Jazz" del 3 de julio de 2014 conversamos con los tres MUT, el saxofonista Miguel Fernández, el guitarrista Tito Juan y el baterista Oriol Roca. En el "Jazz Porteño" de Alberto Varela descubrimos la música del bajista argentino Nicolás Radicchi a través de su disco "Simple". Jesús Moreno presenta "desde mi cadiera" el dúo entre Mat Maneri e Ivo Perelman registrado en "Two men walking". Los "Ritmos Latinos" de Anxo recuerdan la música de I Cantori Moderni de Alessandro Alessandroni. En el "Tren Azul" de Luis Díaz García, la música de The Modern Jazz Quartet para un documental de 1959. Toda la información y derechos: http://www.elclubdejazz.com

MUT Trío y Masa Kamaguchi se unieron en una reciente gira de la que escuchamos sus actuaciones en Bilbao y Huesca. En esta edición de "Club de Jazz" del 3 de julio de 2014 conversamos con los tres MUT, el saxofonista Miguel Fernández, el guitarrista Tito Juan y el baterista Oriol Roca. En el "Jazz Porteño" de Alberto Varela descubrimos la música del bajista argentino Nicolás Radicchi a través de su disco "Simple". Jesús Moreno presenta "desde mi cadiera" el dúo entre Mat Maneri e Ivo Perelman registrado en "Two men walking". Los "Ritmos Latinos" de Anxo recuerdan la música de I Cantori Moderni de Alessandro Alessandroni. En el "Tren Azul" de Luis Díaz García, la música de The Modern Jazz Quartet para un documental de 1959. Toda la información y derechos: http://www.elclubdejazz.com

Douzième de la septième session: L'animateur est dans le jus, alors beaucoup de musique cette semaine. Artistes au programme: Benny Carter avec Oscar Peterson (extraits de l'album Cosmopolite: The Oscar Peterson Verve Session, 1954); Miles Davis (Nefertiti, 1967, album en version intégrale); Gold Sparkle Trio (extraits de l'album Thunder Reminded Me, 2003); Ivo Perelman (extraits de l'album The Ventriloquist, 2002); et finalement l'on déborde le jazz avec un peu de Philip Glass avec deux pièces de Mishima (1984).

Douzième de la septième session: L'animateur est dans le jus, alors beaucoup de musique cette semaine. Artistes au programme: Benny Carter avec Oscar Peterson (extraits de l'album Cosmopolite: The Oscar Peterson Verve Session, 1954); Miles Davis (Nefertiti, 1967, album en version intégrale); Gold Sparkle Trio (extraits de l'album Thunder Reminded Me, 2003); Ivo Perelman (extraits de l'album The Ventriloquist, 2002); et finalement l'on déborde le jazz avec un peu de Philip Glass avec deux pièces de Mishima (1984).