American jazz pianist and composer
POPULARITY
13 episodes with Marilyn Crispell
8 episodes with Marilyn Crispell
5 episodes with Marilyn Crispell
5 episodes with Marilyn Crispell
4 episodes with Marilyn Crispell
6 episodes with Marilyn Crispell
6 episodes with Marilyn Crispell
2 episodes with Marilyn Crispell
2 episodes with Marilyn Crispell
Modern-day sonic storytelling in a playlist characterized by tunes with a strong narrative trait. The playlist features Jim Funnell; Patrick Zimmerli; Lucia Cadotsch [pictured]; Andreas Schaerer; Thomas Backman; and Marilyn Crispell, Thommy Andersson, Michala Østergaard-Nielsen. Detailed playlist at https://spinitron.com/RFB/pl/20583581/Mondo-Jazz [from "Asteroid B612" onwards]. Happy listening! Photo credit: Dovile-Sermokas
THIS WEEK's BIRDS:Persian piano improvisation from Morteza Mahjoubi; Angelica Sanchez & Marilyn Crispell (piano duo); piano trio: Landaeus - de Heney - Osgood; Eric Dolphy goes solo; Charles Mingus & group in Argentina; new music from cellist Violeta García w. Camilo Ángeles; Balinese pianist U Yee Nwe; new work from Jon Irabagon; Carnatic vocal work from Roopa Mahadevan; Tulipa Negra & Afrika Star (from Cabo Verde); salsa from Brooklyn Sounds; vintage Congolese rumba from l'Orchestra Bella Bella; and (as always) so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20598357/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR
STEVE LEHMAN – “THE MUSIC OF ANTHONY BRAXTON ETA, Los Angeles, c. 2024Composition 34a, Composition 23b + 23gSteve Lehman (as) Mark Turner (ts) Matt Brewer (b) Damion Reid (d) JOE LOVANO – “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Le petit opportun, Rhythm spirit, Crystal ballJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) BILL FRISELL – “BREAKING THE SHELL” New York, May 25 & 26, 2022El (1), Sjung herte sjung, Untitled 23, July 2ndKit Downes (org) Bill Frisell (el-g) Lucy Railton (cello-1) Andrew Cyrille (d) Continue reading Puro Jazz 11 de abril, 2025 at PuroJazz.
STEVE LEHMAN – “THE MUSIC OF ANTHONY BRAXTON ETA, Los Angeles, c. 2024Composition 34a, Composition 23b + 23gSteve Lehman (as) Mark Turner (ts) Matt Brewer (b) Damion Reid (d) JOE LOVANO – “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Le petit opportun, Rhythm spirit, Crystal ballJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) BILL FRISELL – “BREAKING THE SHELL” New York, May 25 & 26, 2022El (1), Sjung herte sjung, Untitled 23, July 2ndKit Downes (org) Bill Frisell (el-g) Lucy Railton (cello-1) Andrew Cyrille (d) Continue reading Puro Jazz 11 de abril, 2025 at PuroJazz.
This week's show features many early Paul Motian recordings and influences (Warne Marsh, Bill Evans, Tony Scott, Moondog, Lee Konitz) interspersed with Joe Lovano's 2019 release Trio Tapestry (with Marilyn Crispell & Carmen Castaldi). With readings from the archive.Set List: https://jazzcloset.blogspot.com/2025/04/something-old-something-new-012119.htmlPhoto: Bill Evans, Jimmy Garrison?, Paul Motian location and date unknown photographer unknown ©Paul Motian Archive
An unreleased cassette tape of Paul Motian practicing and composing on his piano interspersed with recordings with a variety of pianists he played with: Keith Jarrett, Marc Copland, Frank Kimbrough, Marilyn Crispell, Masabumi Kikuchi, Lowell Davidson, Anat Fort, & Bill Evans. Set List: https://jazzcloset.blogspot.com/2025/02/paul-motian-piano-and-some-pianists.html Photo: Paul Motian & Keith Jarrett 1973 05courtesy ECM Records photographer unknown
In the 43rd episode of the ECM podcast the pianist Marilyn Crispell joins us to discuss her trio album "Amaryllis", originally released on CD in 2001 and now available, for the first time, on vinyl as part of the Luminessence series. We talked about Marilyn's journey in music, her friendship and collaboration with Paul Motian and Gary Peacock, the encounters that changed her life and much more.
An hour and a half with the great improvising pianist Marilyn Crispell, winner of a 2025 NEA Jazz Masters Award. We learn how and when she began improvising, and how she has learned to combine energy and calm over the course of a long and ever-changing musical career.
THIS WEEK's BIRDS: Nadaswaram music (Carnatic) from Namagiripettai Krishnan; Yusuf Lateef (vintage); Japanese jazz from Toshiyuki Miyama & the New Herd; new music from composer and vocalist Ruiqi Wang; new piano & electronics from Eve Egoyan & Mauricio Pauly; solo piano from Matthew Shipp & Marilyn Crispell; new music from Satoko Fujii Tokyo Trio; Ikui Doki and Sofia Jernberg in collaboration; Silvia Bolognesi w. Dudu Kouate & Griffin Rodriguez; samba from Gilson Nascimento, MBP from Elza Soares; Teresa Cristina; Wanda Sá; Manuel Valera New Cuban Express Big Band; Cuban salson from Linda Leida; and, as ever, much, much more! Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: hshttps://spinitron.com/WRFI/pl/19293238/Conference-of-the-Birds and via the Conference of the Birds page at https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
BOOKER LITTLE “VICTORY AND SORROW” New York, August/September, 1961Victory and sorrow, Looking ahead, Booker's BluesBooker Little (tp) Julian Priester (tb) George Coleman (ts) Don Friedman (p) Reggie Workman (b) Pete La Roca (d) JOE LOVANO'S TRIO TAPESTRY “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Grace notes, Le petit opportun, Our daily breadJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) GARY SMULYAN / FRANK BASILE “BOSS BARITONES” New York ?, December, 2023Oh Gee, I'll never be the same, Star eyes, Black velvetGary Smulyan, Frank Basile (bar) Steve Ash (p) Mike Karn (b) Aaron Seeber (d) Continue reading Puro Jazz 23 de enero, 2024 at PuroJazz.
BOOKER LITTLE “VICTORY AND SORROW” New York, August/September, 1961Victory and sorrow, Looking ahead, Booker's BluesBooker Little (tp) Julian Priester (tb) George Coleman (ts) Don Friedman (p) Reggie Workman (b) Pete La Roca (d) JOE LOVANO'S TRIO TAPESTRY “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Grace notes, Le petit opportun, Our daily breadJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) GARY SMULYAN / FRANK BASILE “BOSS BARITONES” New York ?, December, 2023Oh Gee, I'll never be the same, Star eyes, Black velvetGary Smulyan, Frank Basile (bar) Steve Ash (p) Mike Karn (b) Aaron Seeber (d) Continue reading Puro Jazz 23 de enero, 2024 at PuroJazz.
Bentzon Brotherhood – I Shot the Sheriff – 6:25 David Margam; Jorge Pinelo; Maria Romero; Nacho Valenciaga – Road to East Coast – 4:16 Keiko Matsui – Blue Water – 4:26 Joe Lovano; Marilyn Crispell; Carmen Castaldi – Our Daily Bread – 6:34 Walter Beasley – Deja Vu – 3:40 Larry Goldings; Kaveh Rastegar; Abe […]
Enjoy a set featuring jazz inspired by a Persian mathematician, Omar Khayyam; jazz which blends with Hindustani and Carnatic music; jazz that meets a chamber string quartet; jazz that pays tribute to Joni Mitchell; and a whole bunch of other jazz permutations. The playlist features Dhafer Youssef [pictured]; Shakti; Miguel Atwood-Ferguson; Imogen Ryall; Joe Lovano, Marilyn Crispell, Carmen Castaldi; Per "Texas" Johansson; James Brandon Lewis, Lutosławski Quartet. Detailed playlist at https://spinitron.com/RFB/pl/18395861/Mondo-Jazz (up to "These Are Soulful Days - Movement II"). Happy listening!
Featuring lo-fi goodness courtesy of L.Dre; Jesse Harris' brilliant instrumental project Cosmo; new Nina Simone music from the Verve vault; fresh stuff from Toronto-based renaissance artist Ruiqi Wang; modern jazz geniuses Harrington, Gustin, and Zahn; two of the greats—Joe Lovano and Marilyn Crispell—and their Trio Tapestry; an unreleased cut from Erik's “Live at Lunatico” record; and finally, a journey with great Frank Locrasto and Kolumbo into the world of exotica!
Marilyn Crispell is a an amazing pianist. She truly has her own voice in our music as a premiere figure in the Jazz "Avant Garde". Through her long association with legendary saxophonist/pianist/composer Anthony Braxton, and her own career as a leader, she has produced some of the most powerful and original music out there. My own favorites are her ECM recordings with Gary Peacock and Paul Motian, including a wonderful collection of compositions by Annette Peacock, entitled, "Nothing ever was, anyway". More about this inside the interview! Marilyn is also in demand as a teacher. She is frequently invited to participate in workshops all over the world. I am honored to have her as a guest. Please enjoy! MarilynCrispell.comI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music
The spirit of the masters, the roots of each music tradition, are like ghosts that accompany a musician's creative process, with more or less awareness based on the musician's disposition, a premise directly explored by Michael Wollny in his latest album, and indirectly explored by every other musician featured on this show, which spotlights Annette Peacock, both a musician ahead of her times and a muse to many. The playlist features Camilla George; Michael Wollny; Christina Galisatus; Robin Holcomb; Annette Peacock; Paul Bley; Gary Peacock, Franz Koglmann; Nels Cline; Frank Kimbrough; Marilyn Crispell, Paul Motian. Detailed playlist at https://spinitron.com/RFB/pl/16716001/Mondo-Jazz (up to "Blood"). Happy listening!
Marilyn Crispell jazz piano with Paul Motian, Gary Peacock and more Readings from the Paul Motian ArchiveSet List: https://jazzcloset.blogspot.com/2022/12/marilyn-crispell.htmlPhoto: Marilyn Crispell 2003 ©Cheryl Koralik courtesy ECM Records
Marilyn Crispell jazz piano with Paul Motian, Gary Peacock and more Readings from the Paul Motian ArchiveSet List: https://jazzcloset.blogspot.com/2022/12/marilyn-crispell.htmlPhoto: Marilyn Crispell 2003 ©Cheryl Koralik courtesy ECM Records
In the wake of the recent publication of "New Standards", the collection of 101 compositions by women composers curated by Terri Lyne Carrington for Berklee Press, this week we feature some of the compositions featured in the new book, and a few more that we hope may appear in a future expanded edition. The playlist features Jaimie Branch [pictured]; Jenny Scheinman; Dinosaur; Bria Skonberg; Rita Marcotulli; Miho Hazama; Simone Baron & Arco Belo; Caroline Davis; Arcoiris Sandoval; Marilyn Crispell; Sylvie Courvoisier, and Mark Feldman. The detailed playlist is available at https://spinitron.com/RFB/pl/16445708/Mondo-Jazz (up to "Éclats for Ornette"). Happy listening!
"Aurora" Juan Saiz Pindio II (2022, Leo Records) Juan Saiz, Marco Mezquida, Manel Fortià, Genís Bagés. Composición de Juan Saiz. ¿Sabías que? En Tomajazz tenemos el honor de estrenar "Aurora", un tema adelanto de Pindio II, la nueva grabación de Juan Saiz que se publica el viernes 13 de mayo de 2022. Tanto "Aurora" como el resto de temas del disco (que tiene una duración de cuarenta y cuatro minutos y cuarenta y cuatro segundos), son composiciones de Juan Saiz... aunque en su desarrollo tienen un papel esencial Marco Mezquida, Manel Fortià y Genís Bagés. No es la primera vez que Juan Saiz publica una grabación en Leo Records... H.C., la primera entrega de Pindio lo publicó allí en 2016. También Frágil Gigante junto a Baldo Martínez y Lucía Martínez en 2020. en el sello han grabado Anthony Braxton, Cecil Taylor, The Art Ensemble Of Chicago o Sun Ra por mencionar únicamente a tres de mis héroes jazzísticos particulares. En concreto, los conciertos de la gira británica de Anthony Braxton son unos monumentos de la historia del jazz... lo que allí interpretaron Braxton, Mark Dresser, Marilyn Crispell y Gerry Hemingway es música de otro planeta... en concreto de la constelación Leo... de la de Leo Feigin, el encargado en mantener ese enorme sello. Hay veces en que me da la impresión de que esto de las Matemáticas no es lo mío... © Pachi Tapiz, 2022 En anteriores episodios de JazzX5 / HDO / LODLMA / Maltidos Jazztardos / Tomajazz Remembers /JazzX5 Centennial… https://www.tomajazz.com/web/?p=24764 Más información sobre Juan Saiz https://www.juansaiz.es/ https://www.tomajazz.com/web/?tag=juan-saiz Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
This week: Karl Evangelista et. al; Darkwoods Ensemble (Marty Ehrlich); Bennie Maupin; Barry Guy, Marilyn Crispell, Coltrane; Askar Khan; Ali Mohammed Baluch; Esma; Vaska Ilieva; Bill Dixon; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/14974319/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
The pianist Marilyn Crispell works in jazz and improvised music. Crispell started out in classical music, but when she heard Coltrane's spiritual suite A Love Supreme, she experienced an epiphany that led her to jazz. A member of Anthony Braxton's classic quartet in the 1980s, Crispell has established herself since then as one of the most lyrical and introspective voices in avant-garde jazz, especially in her work on ECM records. In our conversation, Marilyn spoke to me about her childhood in Baltimore, the revelation she had listening to A Love Supreme, her work with Braxton and the ECM producer Manfred Eicher, and the restorative effects of contemplation and silence on her art.Links and Reference:StorytellerAmaryllisFor John ColtraneA Jazz Supreme - Raphaël ImbertCreative Music Studio - Archive Selections Vol 2Creative Orchestra Music - Anthony BraxtonNothing Ever Was, AnywaySibanye (We Are One)MUSIC; A Chosen Calm After the Avant-Garde Storm - New York TimesCamilla NebbiaBenedicte MaursethLena WillemarkThe Adornment of Time - Tyshawn SoreyJ.S. Bach: Six sonatas for Violin and Piano - Michelle Makarski & Keith Jarrett
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 11th November 2021 Artist - Track - Album - Year Angel Roman & Mambo Blue Why Not Festive Interplay 2021 Grant Richards Bonenkai Ballyhoo 2021 Brian Lynch Afinique Songbook Vol. 1: Bus Stop Serenade 2021 Pete Escovedo Africa Rhythm of the Night 2021 Sarah Partridge Rise Up! Beautiful Minds: Celebrating Extraordinary Women 2021 Dayramir Gonzalez Chan Chan Tributo a Juan Formell & Los VAN VAN 2021 Cory Weeds with Strings Alana Marie What is There to Say? 2021 Jim Snidero Ventura Strings 2021 Pasquale Grasso Wig Wise Pasquale Plays Duke 2021 DeAndre Lettsome Love's in Need of Love Today Impetus 2021 Tobias Haug Quartett Back Home Empty Streets 2021 Riccardi-Flynn Quintet The Express Happiness Awaits 2021 MedelJazz Quartet Minute Quantum Versature 2021 John Moulder Sarum Metamorphosis 2021 Nate Smith Street Lamp Kinfolk 2: See the Birds 2021 Matthew Stevens Purpose of a Machine Pittsburgh 2021 Yuma Uesaka and Marilyn Crispell Ma/Space Streams 2020 The post The Creative Source (#CreativeSource) – 11th November 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
Adam O. Davis selects and shares poems that engage with journeys—across time, through mystery, into the past, or to shape a future. He introduces Nathaniel Mackey meditating on eternal questions (“Glenn on Monk's Mountain”), Maurya Simon reminding us that the dead surround and sustain us (“El Día de los Muertos”), and Robert Creeley poignantly speaking across time (“I Know a Man”). Davis closes by reading his poem “Interstate Highway System,” his own plea for living sparked by a 2015 road trip across America.You can find the full recordings of Nathaniel Mackey, Maurya Simon, and Robert Creeley reading for the Poetry Center on Voca:Nathaniel Mackey with jazz pianist Marilyn Crispell (2013)Maurya Simon (2019)Robert Creeley (1963)Check out Davis's Index of Haunted Houses Hotline by calling 619-329-5757.
One of my favorite records of 2021! Imagine if John Coltrane and Alice Coltrane had the opportunity to make one more record together, it would sound like this record "WAX///WANE" Bio Information on Lucien Johnson: Lucien Johnson has been described as “a saxophonist and composer of rare excellence and mettle.” Involved in a diverse range of artistic projects, his music always succeeds in maintaining a distinctive sound, with a chameleonic emotional range that can shift from warm and intimate through to radical and rebellious. Growing up in an artistic household in Pukerua Bay, north of Wellington, New Zealand, Johnson took off for Europe at the age of 22. Since then his music has been greatly informed by his global travelling and encounters. Living in Paris for most of his formative years in the 2000s, he performed in a free improvising trio with Alan Silva (master free jazz double bassist and contemporary of Cecil Taylor, Sun Ra and Albert Ayler) and Makoto Sato, releasing an album on French label Improvised Beings. He has performed with a long list of luminaries from jazz and improvised music, such as Mulatu Astatke, Barre Phillips, Marilyn Crispell, John Betsch, Steve Potts, Jobic Le Masson and Lol Coxhill. He returned to New Zealand in 2009 where he completed a Doctor of Musical Arts degree at Victoria University. Johnson has composed music for the New Zealand Symphony Orchestra, the New Zealand Dance Company, for short film and documentaries and for his own projects. He was musical director of Shogun Orchestra which released two albums on German label Jakarta Records. His latest album under his own name, “West of the Sun”, was released on Japanese label Wonderful Noise and was a finalist for NZ jazz album of the year. Johnson is the composer for Borderline Arts Ensemble, directed by choreographer Lucy Marinkovich. For their work, LOBSTERS, Johnson was awarded Sound Designer of the Year and was also nominated for Outstanding Composer at the Wellington Theatre Awards. Johnson wrote the scipt and music for their next project, STRASBOURG 1518, which was a major commission for the 2020 New Zealand Festival. It was subsequently performed at the 2021 Auckland Arts Festival and at a sold-out return Wellington season to rave reviews. Johnson and Marinkovich were co-recipients of the 2018 Harriet Friedlander New York Residency, administered by the Arts Foundation of New Zealand. Remember to subscribe to SOMETHING came from Baltimore! Listen and share with your friends. Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support
Another of my heroes allowed me to interview him. This time it's sax player Joe Lovano.Joe tells tales about playing in London, with some true legends of the international jazz world. We could have gone on for hours and there's a false ending, followed by more insights into his new album - Garden of Expression - which features pianist Marilyn Crispell and Carmen Castaldi on drums. No bass player. It's a beautiful sound and the track West of the Moon which closes this podcast is ethereal and spellbinding.Many thanks to Joe for allowing me to feature clips from Garden of Expression alongside our conversation.To find out more about Joe, click here.Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)
This week on The Jazz Session, take a trip back into the archives for this 2009 interview with pianist Marilyn Crispell, recorded at her home in Woodstock, NY. Here's what I wrote about it at the time: Jason Crane interviews pianist Marilyn Crispell about her album of solo piano pieces, Vignettes (ECM, 2008). Crispell made an early name for herself with Anthony Braxton, and she's since amassed an impressive list of recordings that include composed and freely improvised pieces. In this interview, Crispell talks about the nature of improvisation, the particular challenges of solo playing, and the joys of Woodstock, NY. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. I'm now living in a van and traveling the country, so I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.
This week on The Jazz Session, take a trip back into the archives for this 2009 interview with pianist Marilyn Crispell, recorded at her home in Woodstock, NY. Here's what I wrote about it at the time: Jason Crane interviews pianist Marilyn Crispell about her album of solo piano pieces, Vignettes (ECM, 2008). Crispell made an early name for herself with Anthony Braxton, and she's since amassed an impressive list of recordings that include composed and freely improvised pieces. In this interview, Crispell talks about the nature of improvisation, the particular challenges of solo playing, and the joys of Woodstock, NY. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. I'm now living in a van and traveling the country, so I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.
This week on The Jazz Session, take a trip back into the archives for this...
Marilyn Crispell Trio - StorytellerECM | Abril 26, 20041 Wild Rose 4:102 Flight Of The Bluejay 4:373 The Storyteller 6:054 Alone 4:445 Harmonic Line 5:486 Cosmology 2 5:357 Limbo 6:518 Play 5:109 The Sunflower 3:5910 Cosmology 1 3:5811 So Far, So Near 9:27Marilyn Crispell PianoMark Helias Double-BassPaul Motian DrumsRecorded in February 2003 at Avatar Studios, New York. ////////////////////////////////////CORTINA FINALBothNothing Ever Was, Anyway. Music Of Annette PeacockMarilyn Crispell, Gary Peacock, Paul MotianECM | Sept 1, 1997//////////////////////////////////////////
a cura di Alessandro Achilli. Musiche: April March, Vök, Asta Hiroki, Lalin StJuste, Junk Magic, Magma, Present, Charming Hostess, Matt Wilson, Formanek, Sanchez-Crispell, Orchestra of the Upper Atmosphere, Draksler-Eldh-Lillinger, Locals ecc
Con 68 años y cerca de cuatro décadas de carrera profesional, el saxofonista es uno de los grandes maestros del jazz. Acaba de publicar "Garden of Expression", su segundo trabajo con el Trio Tapestry, que comparte con la pianista Marilyn Crispell y el baterista Carmen Castaldi. Conversamos con Joe Lovano sobre expresión, libertad, motivación y todos los aspectos que influyen en el desarrollo de un artista. Recorremos junto al estadounidense algunos de los hitos de su trayectoria y las enseñanzas que extrajo de cada experiencia. Además, abrimos programa entrando en el corredor de la muerte para conocer a Keith LaMar, un gran aficionado al jazz que lleva 28 años en una celda de aislamiento por un crimen por el que fue condenado contra todas las pruebas. Conversamos con LaMar y con Albert Marquès, pianista catalán residente en Nueva York que ha grabado música para concienciar sobre la situación de este preso. (Más info: www.keithlamar.org). Toda la información y derechos: http://www.elclubdejazz.com
Welcome to a new edition of the Neon Jazz interview series with Grammy-Award Winning Jazz Legend Joe Lovano with Trio Tapestry on 2021’s Garden of Expression .. This new CD out on ECM Records was recorded in Europe in November 2019 and features Marilyn Crispell and Carmen Castaldi. The music he writes for this group-tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving-encourages subtle and differentiated responses from his creative partners, creating interactions .. We also touch on the COVID world and hope for the future as we move forward .. Dig it ..Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. The combined venture of radio show and interviews is done void of sponsorship or financial backers. We are adopting the Bandcamp philosophy of letting listeners choose their own price to keep content moving forward. Anything helps and as always .. we love you madly. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
Jake starts things off in maybe the worst way possible by describing the Star Trek episode on mute in front of him.Music recommendations are “Amaryllis” by Marilyn Crispell, and “Anti-Hero” by Kneebody.Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid
Featuring fresh jams from the new-grass-fuse-folk pride of NC, maestro Jon Stickley and his Trio; saxophone legend Jeff Coffin from his latest duo release with Derek Brown on his Ear Up label; ultra-legit-just-dropped Brooklyn dub music from Blanc du Blanc with legend Mr Lee Scratch Perry on the faders; composer/bassist extraordinaire Todd Sickafoose; a new ECM release featuring sax great Joe Lovano alongside Marilyn Crispell and Carmen Castaldi; Joshua Rodman's reboot of his classic 90's quartet “Round Again”; moody indie guitar genius Jeff Parker; and finally, the one and only Earl Fatha Hines live in 1972.
Marilyn Crispell is a master improviser, a musician of the highest order. To me she embodies focus, presence and selflessness. And I just love the way she plays the piano! Here are some of my favorite records of Marilyn’s: Amaryllis Nothing Ever Was, Anyway: The Music of Annette Peacock Vignettes For Coltrane Pianosolo – A … Continue reading Marilyn Crispell
In this first episode, saxophonist, bandleader and composer Joe Lovano talks about his new trio album called „Garden of Expression“ which was recorded together with producer Manfred Eicher in Lugano, Switzerland. A conversation about the evolution of „Trio Tapestry“ with Marilyn Crispell and Carmen Castaldi, about how he sees the momentum of the music in the melody and the harmonic sequence, about how creating music within the music is an artistic goal for him, and about how the „Seeds of Change“ on the group's debut have taken root in „Garden of Expression“.
Facebook: https://www.facebook.com/thebestmusicpodcast Blog: https://bestmusiccoach.blogspot.com Twitter: https://www.twitter.com/thebestmusicpod Instagram: https://www.instagram.com/thebestmusicpodcast The Best Music Podcast #2 | Rez Abbasi - Guitar | Creating New Music and Maintaining a Calm Mind Voted #1 Rising-Star Guitarist in the 2013 DownBeat Critics Poll and subsequently placed in the “Top-Ten Guitarists” alongside luminaries Bill Frisell and Pat Metheny, guitarist and composer Rez Abbasi is one of the most original voices on the current scene. Making New York home for the past 25 years, Abbasi is considered by many to be one of the foremost modern jazz guitar players the world over. He has performed and recorded with many jazz greats including, Grammy winner Ruth Brown, Peter Erskine, Kenny Werner, Barre Phillips, Tim Berne, Michael Formanek, Billy Hart, Gary Thomas, Dave Douglas, Rudresh Mahanthappa, Mike Clark, Tim Hagans, John Beasly, Ronu Majumdar, Kadri Gopalnath, Vishwa Mohan Bhatt, Vijay Iyer, Marilyn Crispell, Greg Osby, Howard Levy and a host of others. The renowned jazz critic, Bill Milkowski says “Abbasi's unpredictable phrasing and accomplished writing are what sets him apart from hordes of other technically adept guitarists”. www.reztone.com Check out his CD store on reztone.com facebook: facebook.com/rezabbasi Twitter: @RezAbbasi Instagram: reztone 0:00 Intro 3:03 Creating New Music, Projects, and Ideas 10:12 Drop Tunings 11:45 Sitar Guitar 12:30 Bazaar (2007) 14:17 Soloing with Rhythm, Polyrhythms, and Syncopation 18:57 Metric Modulations in Compositions 22:03 How Rez Uses Power Chords in Jazz 25:04 Django Shift (2020) 33:48 How to Record a Jazz Record in the Modern Age 38:05 Oasis (2020) 43:56 How to Play Music over a Silent Film 48:52 What is Next for Rez? 52:00 Guitar Sound Shaping Play 53:55 Lifestyle, Practice, Performance, and Creativity 54:06 Lifestyle: Sleep 56:06 Lifestyle: Mindfulness and Meditation 1:00:04 Letting Go vs. Ego 1:02:11 Lifestyle: Finding the Right Partner for Musicians 1:06:51 Practice: What Comes Easy for You? 1:09:44 Practice: What was Hard for You? 1:14:13 Practice: What Time of Day is Best? 1:18:48 Practice: How Many Hours a Day? 1:23:06 Practice: How to Deal with and Mitigate Burn Out: Forced Rest Days 1:28:04 "I Don't Want to Think of Myself as a Professional Musician" 1:31:18 How Rez Deals with Performance Anxiety Logo, Intro Video, and Branding: Arron Leishman Audio and Video: Zach Ramey zacherylramey@gmail.com Video Thumbnail: Jean Tomasulo https://www.behance.net/jeantomasulo
Duos galore, grrrl power, trans-European and trans-Atlantic collaborations and plenty of pianos in this wave of new and upcoming releases. The playlist includes KerenDun; Lara Driscoll; Chris White; Artemis; Sarah Elizabeth Charles, Jarrett Cherner; Archie Shepp, Jason Moran; Martin Wind, Ack Van Rooyen, Philip Catherine; WHO Trio; Sylvie Courvoisier; Angelica Sanchez, Marilyn Crispell. Detailed playlist available at https://spinitron.com/RFB/pl/12131126/Mondo-Jazz (from KerenDun onwards). Happy listening!
Gary Peacock & Paul Motian Part 6 Mostly with Marilyn Crispell & Paul Bley Set List: https://jazzcloset.blogspot.com/2020/11/set-list-110220-gary-peacock-paul.html
Welcome to a new edition of the Neon Jazz interview series with Jazz Pianist & Composer Marilyn Crispell .. We caught up in May 2020 to figure out this COVID-19 world .. She is a graduate of the New England Conservatory of Music and has been a resident of Woodstock, New York since 1977 when she came to study and teach at the Creative Music Studio. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers. For ten years she was a member of the Anthony Braxton Quartet and the Reggie Workman Ensemble and the story continues .. Enjoy…Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
Gary Peacock & Paul Motian Part 5 Mostly with pianist Marilyn Crispell playing Annette Peacock compositions Set List: https://jazzcloset.blogspot.com/2020/10/set-list-110220-gary-peacock-paul.html Photo: Gary Peacock 1997 photo: ©Paul Motian Archive
Pianist Angelica Sanchez has a new duet album with pianist Marilyn Crispell (interview) called How To Turn The Moon. In this interview, Sanchez talks about her lifelong admiration of Crispell's playing; the intricacies of the piano duet; her interest in neuroscience and the work of artist Santiago Ramón y Cajal; and more. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. As I prepare to head out on the road in a van (which will also be my home) to record interviews, I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.
Pianist Angelica Sanchez has a new duet album with pianist Marilyn Crispell (interview) called How To Turn The Moon. In this interview, Sanchez talks about her lifelong admiration of Crispell's playing; the intricacies of the piano duet; her interest in neuroscience and the work of artist Santiago Ramón y Cajal; and more. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. As I prepare to head out on the road in a van (which will also be my home) to record interviews, I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.
Pianist Angelica Sanchez has a new duet album with pianist Marilyn Crispell (interview) called How To Turn The Moon. In this interview, Sanchez talks about her lifelong admiration of Crispell’s playing; the intricacies of the piano duet; her interest in neuroscience and the work of artist Santiago Ramón y Cajal; and more. / / / … Continue reading "The Jazz Session #532: Angelica Sanchez"
Matt Turner is widely regarded as one of the world's leading improvising cellists. Equally skilled as a pianist, Turner performs in numerous styles and has shared the stage in the U.S., Canada, Europe and Asia with Cape Breton fiddle sensation Natalie MacMaster, avant-garde musicians Marilyn Crispell, Peter Kowald, Guillermo Gregorio, Scott Fields, and John Butcher, as well as country musician Wanda Vick, singer-songwriter LJ Booth, and jazz musician Bobby McFerrin to name a few. He appears on over 100 recordings on Sketch/Harmonia Mundi, Illusions, Music and Arts, Accurate, Polyvinyl, Cadence Jazz and others, recording with jazz violinist Randy Sabien, goth vocalist/pianist Jo Gabriel, singer/songwriters Mark Croft and Tret Fure, punk artist Kyle Fischer, Kitty Brazelton's chamber rockestra Dadadah, alt-country band Heller Mason, and with the Pointless Orchestra.Turner completed his undergraduate studies at Lawrence University and his Master of Music degree in Third Stream Studies (now the Contemporary Improvisation program) at the New England Conservatory of Music, where he studied with Dave Holland, Geri Allen and Joe Maneri, and where he was the recipient of a Distinction in Perfomance Award.As a leader, Turner's recordings appear on Illusions, Stellar, O.O. Discs, Asian Improv, Penumbra, Fever Pitch, Geode, Tautology and Meniscus Records. Turner is a Yamaha Performing Artist and currently performs and records with Bill Carrothers' Armistice 1918 ensemble and with the Fantastic Merlins.Over the course of the episode, Matt and Bailey outline concrete ways for teachers to start improvising with their students no matter what genre they are comfortable with. They also discuss the new degree track at Lawrence University "Jazz and Improvisational Music", and how teaching ensembles has been impacted by the pandemicMatt's website: http://improvcellist.comMatt's email: matthew.l.turner@lawrence.eduThe new degree track at LU: https://www.lawrence.edu/conservatory/areas_of_study/jazz_improvisational_music
Lo han bautizado como "Stormy whispers" (susurros tormentosos), pero la tormenta sonora está llena de matices. Tres grandes improvisadoras, la contrabajista Joëlle Léandre, la pianista Myra Melford y la vocalista Lauren Newton se presentaron en el Ad Libitum Festival de Varsovia en 2018. Cuando Angelica Sanchez tenía 16 años, escuchó por primer vez a Marilyn Crispell en disco. Tres décadas después, ambas dialogan a pianos en "How to turn the moon", un trabajo de originales de Sanchez e improvisaciones libres. El pianista armenio Tigran Hamasyan sigue su voraz camino creativo y presenta "The call within", una llamada interior que exterioriza junto a Evan Marien en bajo eléctrico y Arthur Hnatek en batería. Porte y elegancia clásica, dos maestros se reúnen de nuevo tras trabajar "The art of conversation". En "Without deception", el pianista Kenny Barron y el contrabajista Dave Holland se refuerzan con la baterista Johnathan Blake. Toda la información y derechos: http://www.elclubdejazz.com
Lo han bautizado como "Stormy whispers" (susurros tormentosos), pero la tormenta sonora está llena de matices. Tres grandes improvisadoras, la contrabajista Joëlle Léandre, la pianista Myra Melford y la vocalista Lauren Newton se presentaron en el Ad Libitum Festival de Varsovia en 2018. Cuando Angelica Sanchez tenía 16 años, escuchó por primer vez a Marilyn Crispell en disco. Tres décadas después, ambas dialogan a pianos en "How to turn the moon", un trabajo de originales de Sanchez e improvisaciones libres. El pianista armenio Tigran Hamasyan sigue su voraz camino creativo y presenta "The call within", una llamada interior que exterioriza junto a Evan Marien en bajo eléctrico y Arthur Hnatek en batería. Porte y elegancia clásica, dos maestros se reúnen de nuevo tras trabajar "The art of conversation". En "Without deception", el pianista Kenny Barron y el contrabajista Dave Holland se refuerzan con la baterista Johnathan Blake. Toda la información y derechos: http://www.elclubdejazz.com
ECM | Junio 14, 20131 Patterns 7:182 Goodbye 6:183 Leapfrog 5:474 Bass Solo 3:085 Waltz After David M 9:236 Lullaby 6:387 The Lea 2:438 Blue 5:429 Piano Solo 2:2710 Puppets 3:4011 Azure 6:03Gary Peacock Double BassMarilyn Crispell Piano//////////////////////////////////////////////////////////////CORTINA FINALRoundsAmaryllisMarilyn Crispell / Paul Motian / Gary PeacockECM | Mayo 22, 2001
Revisamos el CD de Joe Lovano, grabado en 2018, y lanzado al mercado en 2019, por el sello ECM. El saxofonista Joe Lovano nos entrega un estupendo trabajo, de sonidos suaves y aterciopelados, sin dejar de transmitir la fuerza que le caracteriza. El formato es de un trío conformado por Lovano en saxo tenor, tarogato y gongs, Marilyn Crispell en el piano y Carmen Castaldi en los tambores y la percusión. Un trio de lujo que nos lleva por caminos de ensoñación y buen gusto, gracias al virtuosismo de los tres músicos.
1ère émission de la 48e session... Cette semaine, post-bop, freebop et une pensée pour Gary Peacock! En musique: Keith Jarrett, Gary Peacock, Jack DeJohnette sur l'album After the Fall (ECM, 2018, enr. 1998); Old and New Dreams sur l'album Old and New Dreams (ECM, 1979); Vijay Anderson's Silverscreen Sextet sur l'album Live at the Angel City Jazz Festival (Indépendant, 2020); Christop Irniger Trio with Loren Stillman and Nils Wogram sur l'album Open City (Intakt, 2020); François Houle 4 sur l'album Recoder (Songlines, 2020); Richard Poole, Marilyn Crispell, Gary Peacock sur l'album In Motion (Intakt, 2016)...
1ère émission de la 48e session... Cette semaine, post-bop, freebop et une pensée pour Gary Peacock! En musique: Keith Jarrett, Gary Peacock, Jack DeJohnette sur l'album After the Fall (ECM, 2018, enr. 1998); Old and New Dreams sur l'album Old and New Dreams (ECM, 1979); Vijay Anderson's Silverscreen Sextet sur l'album Live at the Angel City Jazz Festival (Indépendant, 2020); Christop Irniger Trio with Loren Stillman and Nils Wogram sur l'album Open City (Intakt, 2020); François Houle 4 sur l'album Recoder (Songlines, 2020); Richard Poole, Marilyn Crispell, Gary Peacock sur l'album In Motion (Intakt, 2016)...
This week: Booker Little; Art Blakey; Jason Kao Hwang & Human Rites Trio; Waed Bouhassoun; Mashrou' Leila; Alabaster DePlume; Orquesta Power; Willie Colón w. Hector Lavoe; Marilyn Crispell w. Gary Peacock & Paul Motion; Angelika Niescier; Hamza el Din; Arsenio Rodriguez; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. In response to the COVID-19 pandemic, Conference of the Birds playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page. This will offset any lapses in back-announcing.https://spinitron.com/WRFI/pl/10972428/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
1. For Joseph – Joseph Jarman, Marilyn Crispell – Connecting Spirits – 1996 2. Collage for Coltrane 1-3 – Marilyn Crispell – For Coltrane – 1987 3. Bass Voodoo – Tim Berne, Marilyn Crispell, Inference – 1995 4. Ode to Messiaen – Marilyn Crispell – Pianosolo: A Concert in Berlin – 1983 5. Nothing Ever … Continue reading tone science 384
Tre dischi di tre batteristi molto diversi uno dall'altro...1. African Snow, Don Karate, Don Karate, Original Cultures, 2020..2. La Classe, Don Karate, Don Karate, Original Cultures, 2020..3. I'm New Here, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..4. New York Is Killing Me, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..5. Me and the Devil, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..6. The Adornment of Time, Tyshawn Sorey and Marilyn Crispell, The Adornment of Time, Pi Recordings, 2019
Tre dischi di tre batteristi molto diversi uno dall'altro...1. African Snow, Don Karate, Don Karate, Original Cultures, 2020..2. La Classe, Don Karate, Don Karate, Original Cultures, 2020..3. I'm New Here, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..4. New York Is Killing Me, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..5. Me and the Devil, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..6. The Adornment of Time, Tyshawn Sorey and Marilyn Crispell, The Adornment of Time, Pi Recordings, 2019
Tre dischi di tre batteristi molto diversi uno dall'altro...1. African Snow, Don Karate, Don Karate, Original Cultures, 2020..2. La Classe, Don Karate, Don Karate, Original Cultures, 2020..3. I'm New Here, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..4. New York Is Killing Me, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..5. Me and the Devil, Makaya McCrven, Gill Scott Heron We're New Again - a reimagining by Makaya McCraven, XL Recordings, 2020..6. The Adornment of Time, Tyshawn Sorey and Marilyn Crispell, The Adornment of Time, Pi Recordings, 2019
This week: Boka de Banjul; Lankum; Roque Dalton (performed by Julio Cortázar); Byron Allen Trio; Kaiti Grey; Lemzo Diomono; Faqirs du Sindh; Baul music from Bengal (x2); Mamar Kassey; Thelonious Monk; Camaron; La Macanita; Cecil Taylor; Conlon Nancarrow; Marilyn Crispell; Dorothy Ashby; much more... Always FREE of charge to listen, stream, download, and subscribe. iTUNES: https://itunes.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580?mt=2 Playlists via WRFI: https://www.wrfi.org/localprograms/conferenceofthebirds/ or via blogspot: http:confbirds.blogspot.com or VIA SPINITRON: https://spinitron.com/m/playlist/view/9931765 Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Contact: confbirds@gmail.com
9e émission de la 45e session... Cette semaine, deux albums complets d'avant-jazz! En musique: Matana Roberts sur l'album Coin Coin Chapter 4: Memphis (Constellation, 2019); Tyshawn Sorey and Marilyn Crispell sur l'album The Adorment of Time (Pi Recordings, 2019); John Zorn sur l'album Nove Cantici Per Francesco D'Assisi (Tzadik, 2019)...
9e émission de la 45e session... Cette semaine, deux albums complets d'avant-jazz! En musique: Matana Roberts sur l'album Coin Coin Chapter 4: Memphis (Constellation, 2019); Tyshawn Sorey and Marilyn Crispell sur l'album The Adorment of Time (Pi Recordings, 2019); John Zorn sur l'album Nove Cantici Per Francesco D'Assisi (Tzadik, 2019)...
Emisión Jueves 25 de Julio: Ari Hoenig, Bill Frisell, Thomas Morgan, Arve Henriksen, Martin Tingvall, Søren Bebe Trio, Harvey Sorgen, Joe Fonda, Marilyn Crispell, Pepi Taveira, Nasheet Waits, Myele Manzanza.
We can learn a lot from artists who put their connection to the natural world at the center of their practice -- like David Rothenberg. David is a clarinetist famous for his live performance collaborations not only with other brilliant musicians, but also with birds, insects and whales. Few people have gone as deep into considering the meaning of animal sounds, or their musicality, as David. He is now releasing his latest endeavor, Nightingales in Berlin -- which includes a music recording, a book and a film. As Ken and David discuss on the show, the Nightingale's song has its own personality, volition, and temperament. They prove to be provocative collaborators, as you'll hear towards the end of the program, when we play a piece from the new album. It's wonderful stuff. David Rothenberg has written and performed on the relationship between humanity and nature for many years. He is the author of Why Birds Sing, on making music with birds, which was turned into a documentary by the BBC. His next book, Thousand Mile Song, about making music with whales, became a film for French television. His book on insects and music, Bug Music, has been covered in the New Yorker, the Wall St Journal, the New York Times, on PBS News Hour and on Radiolab. As a composer and jazz clarinetist, Rothenberg has sixteen CDs out under his own name, including a record on ECM with Marilyn Crispell, called One Dark Night I Left My Silent House. And he is Distinguished Professor of Philosophy and Music at the New Jersey Institute of Technology. You can find more about David at http://www.davidrothenberg.net. Follow us on Instagram @TheEvolverPodcast: https://www.instagram.com/theevolverpodcastThe Evolver is sponsored by The Alchemist's Kitchen, a botanical dispensary dedicated to the power of plants, where you can ask an herbalist to recommend the herbal remedy that's most right for you. Visit https://www.thealchemistskitchen.com. For a 20% discount off any online purchase, use the code: podcast20. Theme music is “Measure by Measure,” courtesy of DJ Spooky, aka Paul D. Miller (@djspooky), from his album The Secret Song, and interstitial music are tracks by The Human Experience: "Sunu" from the album Soul Visions with Rising Appalachia, and Here for a Moment on the album Gone Gone Beyond. Hosted on Acast. See acast.com/privacy for more information.
Tenor saxophonist Joe Lovano may be best known for his long-running tenure at Blue Note Records, the label he’s called home since 1991. But within the same span, he’s also been a vital presence on the German label ECM, founded by renowned producer Manfred Eicher. It’s a relationship that stems back to 1981, when Lovano first appeared on drummer Paul Motian’s album Psalm. In the years since, the saxophonist would perform on albums by ECM luminaries like John Abercrombie, Steve Kuhn and Marc Johnson, but to this point, he has never recorded an ECM album under his own name. That all changed on January 25, when ECM releases Trio Tapestry, a new album featuring Lovano in the leader role alongside pianist Marilyn Crispell and drummer Carmen Castaldi. --- Support this podcast: https://anchor.fm/brian-zimmerman/support
As they say, "a good beginning makes a good ending" and, based on the extraordinary amount of sensational new releases that have come out in less than a month, it looks like we're in it for a great musical ride in 2019. Here are two hours of gems from albums that have just been, or about to be, released. A nice mix of well established and lesser known artists from all over the place. The playlist includes music by Bruut!, Hearing Things, Invisible Bird, Jim Piela, Julian Lage, Lucian Ban, Alex Simu, Emile Parisien, Yonathan Avishai, Chris Potter, Joe Lovano, Marilyn Crispell, Carmen Castaldi, Eric Dolphy, Ralph Alessi, Miho Hazama, The Comet Is Coming, Steph Richards, Moppa Elliott, Yaron Herman, Johnathan Blake, Quinsin Nachoff. For a detailed playlist https://spinitron.com/radio/index.php?station=rfb&playlist=9487#here
Sentía que era el momento de cambiar y fruto de ese deseo surgió el proyecto Trio Tapestry. El saxofonista Joe Lovano debuta a sus 66 años en el sello ECM en un proyecto junto a la pianista Marilyn Crispell y al percusionista Carmen Castaldi. Lo escuchamos en esta edición de 'Club de Jazz' del 8 de febrero de 2019. El saxofonista Marcel.lí Bayer y el pianista Toni Saigi juegan con las composiciones del primero. "Two Horses" es un elogio de la vida animal, de la naturaleza y de la música en su estado más puro. El trío del baterista Tom Rainey celebra diez años de trabajo con la publicación de su tercer disco, "Combobulated". Comparte la formación con la saxofonista Ingrid Laubrock y la guitarrista Mary Halvorson. Mismos años juntos cumple Boom Tic Boom, proyecto de la baterista Allison Miller, con quien celebraremos conversando con ella la próxima semana los 18 años de nuestro programa. Toda la información y derechos: http://www.elclubdejazz.com
Sentía que era el momento de cambiar y fruto de ese deseo surgió el proyecto Trio Tapestry. El saxofonista Joe Lovano debuta a sus 66 años en el sello ECM en un proyecto junto a la pianista Marilyn Crispell y al percusionista Carmen Castaldi. Lo escuchamos en esta edición de 'Club de Jazz' del 8 de febrero de 2019. El saxofonista Marcel.lí Bayer y el pianista Toni Saigi juegan con las composiciones del primero. "Two Horses" es un elogio de la vida animal, de la naturaleza y de la música en su estado más puro. El trío del baterista Tom Rainey celebra diez años de trabajo con la publicación de su tercer disco, "Combobulated". Comparte la formación con la saxofonista Ingrid Laubrock y la guitarrista Mary Halvorson. Mismos años juntos cumple Boom Tic Boom, proyecto de la baterista Allison Miller, con quien celebraremos conversando con ella la próxima semana los 18 años de nuestro programa. Toda la información y derechos: http://www.elclubdejazz.com
Kevin Robinson is a performer-composer, educator and multi-woodwind instrumentalist who explores various interdisciplinary approaches to composition and improvisation. He is a native of Baltimore, MD and is currently based in Oakland, CA. He has a MA in Composition Program from Mills College where he is studied with Roscoe Mitchell, Fred Frith, Zeena Parkins and others. He received his BFA in Jazz Reeds from California Institute of the Arts where he studied composition with Wadada Leo Smith and Vinny Golia. Robinson is the leader of the band The Kevin Robinson Ensemble (KREation) which was established in 2003. The group has recorded several studio albums. He has performed at various festivals and venues throughout the United States. Some highlights include performances at the Studio Museum in Harlem in New York City, The Made in LA 2012 Biennial, The Hammer Museum in LA, Artscape Festival in Baltimore and at The Outsound Festival in San Francisco. He has collaborated with dancers, poets, visual artist, writers and film makers -including visual artist Kenyatta A.C. Hinkle and Warren Niedrich – film makers Sola Bamis and Shirley Kim. He has also performed with the Ulrich Krieger Sextet, Marilyn Crispell, Nicole Mitchell, Wadada Leo Smith’s Creative Orchestra, the Vinny Golia Large Ensemble, Copper Root, Kuumba Collective, Warren Niedrich, the trio BRL and krautrock group Faust. He was a participant at the Jazz Composers Orchestra Institute (2012) at UCLA, a resident at Project Row Houses in Houston Texas (2013) and a resident at Atlantic Center for the Arts. The books he mentions in the interview are Footprints: The Life and Work of Wayne Shorter, Herbie Hancock Possibilities and Octavia Butler, Lilith's Brood. KREation Ensemble, Outsound Festival 2018 San Francisco, Marilyn Crispell- Piano, Lee Hodel - Bass, Tony Gennaro -Percussion
Por Pachi Tapiz. Cuatro novedades del sello británico Leo Records en la entrega 482 de HDO Hablando de oídas, como suele ser habitual con nombres de relumbrón (Marilyn Crispell, Ivo Perelman, Mat Maneri, Hank Roberts, Richard Teitelbaum...), y propuestas libres que además de interesantes en algún caso son exquisitamente inclasificables (Fourth Page): Fourth Page (Charlie Beresford, Carolyn Hume, Peter Marsh, Paul May): The Forest From Above Marilyn Crispell - Tanya Kalmanovitch - Richard Teitelbaum: Dream Libretto Ivo Perelman - Mat Maneri - Mark Feldman - Jason Hwang: Strings 1 Ivo Perelman - Mat Maneri - Hank Roberts - Ned Rothenberg: Strings 2 Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com
2018 New Jazz Release (mostly Paul Motian alumni) Jakob Bro, Marilyn Crispell, Devin Gray, Mark Turner, Ethan Iverson, Lena Bloch, Russ Lossing, Andreas Schmidt, Bobo Stenson, Keith Jarrett Set List: https://jazzcloset.blogspot.com/2018/10/set-list-102218.html Photo: Marilyn Crispell's Dreamstruck photo: Dave Cook Courtesy Not Two
A Noise From The Deep: Greenleaf Music Podcast with Dave Douglas
Pianist and composer Marilyn Crispell joins Dave Douglas to discuss her music, collaborations, composition and her life … The post ANFTD #57: Marilyn Crispell first appeared on Greenleaf Music by Dave Douglas.
Náttúrubörn og annað hæfileikafólk leggur til tónlistina að vanda. Paul McCartney, Burt Bacharach, Aaron Copland, Marilyn Crispell, Arve Henriksen, John Coltrane og Björk gefa sig náttúruöflunum á vald í þessum þætti. Einnig heimsækir Arnljótur Sigurðsson Hátalarann og bregður upp mynd af "riddim" tónlist. Hvað skyldi það nú vera?
Náttúrubörn og annað hæfileikafólk leggur til tónlistina að vanda. Paul McCartney, Burt Bacharach, Aaron Copland, Marilyn Crispell, Arve Henriksen, John Coltrane og Björk gefa sig náttúruöflunum á vald í þessum þætti. Einnig heimsækir Arnljótur Sigurðsson Hátalarann og bregður upp mynd af "riddim" tónlist. Hvað skyldi það nú vera?
Náttúrubörn og annað hæfileikafólk leggur til tónlistina að vanda. Paul McCartney, Burt Bacharach, Aaron Copland, Marilyn Crispell, Arve Henriksen, John Coltrane og Björk gefa sig náttúruöflunum á vald í þessum þætti. Einnig heimsækir Arnljótur Sigurðsson Hátalarann og bregður upp mynd af "riddim" tónlist. Hvað skyldi það nú vera?
HDO 298 es el tercero y último programa dedicado a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del Anthony Braxton Quartet (Coventry) 1985 (Leo Records, CD LR 204/205). Un cuarteto excepcional en una grabación en la que no sólo suena la música de Braxton, sino también una interesantísima entrevista (en dos partes) de aproximadamente una hora por el experto en la obra de este autor, Graham Lock, autor de obras imprescindibles como Forces In Motion o Blutopia. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 298 en http://www.tomajazz.com/web/?p=31782. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298. Más podcast de jazz en Tomajazz en http://www.tomajazz.com/web/?cat=12814
HDO 297 es el segundo programa dedicado a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del Anthony Braxton Quartet (Birmingham) 1985 (Leo Records, CD LR 202/203). Un cuarteto excepcional. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 297 en http://www.tomajazz.com/web/?p=31770. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298. Más podcast de jazz en Tomajazz en http://www.tomajazz.com/web/?cat=12814
HDO 296 es el primero de los tres programas dedicados a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. En la primera entrega el primer pase al completo del concierto del Anthony Braxton Quartet (London) 1985 (Leo Records, CD LR 200/201). Una de las mejores aproximaciones a la música de Braxton con un cuarteto excepcional. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 296 en http://www.tomajazz.com/web/?p=31748. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298. Más podcast de jazz en Tomajazz en http://www.tomajazz.com/web/?cat=12814
Hur upplever artisten själv sitt eget musikaliska uttryck och hur skapar hon eller han det? Improvisationsmusikern, kontrabasisten och komponisten Anders Jormin är en av världens främsta jazzbasister. Hos honom sammanflätas virtuosa kvalitéer, fulländad tonbildning och känslan för balans och struktur med ögonblickets intuition, spontanitet och livfullhet. Han prisas för finslipad, melodisk känsla och lidelsefullt lyriskt spel. -Jag vill att min musik har ett seriöst uttryck och väljer det som främjar eller kräver ett personligt ställningstagande i musiken, förklarar Anders Jormin, och talar om att Tjäna musiken. -Det egna uttrycket är inte alltid ett självändamål. Däremot är det önskvärt och viktigt att musiken kommer inifrån, utan att jag till varje pris måste hävda min särart. Flageoletter, stråke, rytmiskt trummande på baskroppen, pizzicato, arpeggio, vibrato ja, allt används för att få fram den egna rösten på instrumentet. Under många år arbetade Jormin hårt på att skapa långa toner på ett instrument som av naturen gärna tappar bärighet i tonen efter en stund. -Nu upplever jag att jag sjunger när jag spelar, säger Anders Jormin och trollar fram en varm och mörk sång ur kontrabasen. Jormin var den förste nutida improvisatören att bli medlem av Kungliga Musikaliska Akademin. 2003 blev han hedersdoktor vid Sibeliusakademin i Helsingfors. För hela sin gärning fick han 2010 P2's Guldkatten. Idag verkar Anders Jormin som professor i kontrabas och improvisation vid Högskolan för Scen och musik i Göteborg. Varje år turnerar han i Europa, USA, Kanada och Asien. Folksångerskan Susanne Rosenberg har en stor vidd i sina vokala uttryck: från ålderdomliga folksångstekniker till barock, jazz och modern konstmusik, som i Karin Rehnqvists Puksånger-Lockrop. Susanne Rosenbergs CD, ReBoot-OmStart, är en forskningsresa i hennes egen utveckling som artist. Plattan ingår i hennes konstnärliga doktorsavhandling Kurbits-ReBoot: svensk folksång i ny scenisk gestaltning från 2013. Här samsas trollformler med Hildegard av Bingen, Edith Södergrans dikt, Kyrie och sorgesång från Appalacherna. Uttycken spänner från viskningar och lockrop till kulning i 120 decibel. -I gehörstradition har alla sitt eget uttryck, men stildragen är desamma: kvartstoner, betonade konsonanter och eget val av tonhöjd och röstklang. Sången förändras hela tiden utifrån utövarens personlighet och liv, förklarar Susanne Rosenberg. -Kompositören är oviktig. Musiken finns endast när den sjungs och utövaren betyder allt. Om man inte fortsätter att sjunga musiken så försvinner den. -Det ålderdomliga språket tycker jag mycket om. Inte sällan kan vi applicera de, ibland grymma, berättelserna i balladerna, på nutiden. På så sätt kan en sorgesång från 1500-talet trösta oss även idag. 2000 mottog Susanne Rosenberg Kristall-priset från Edition Reimers för sina insatser inom svensk musik. Hon är engagerad i flera samarbeten, däribland Folk Song Lab, ett forskningsprojekt som genom kollektiv improvisation undersöker folksångens musikaliska ramar, och medverkan i Nordic Network for Vocal Performance Research, ett nätverk av nordiska forskare som förenas i intresse för konstnärlig forskning med fokus på sång. Låtlista: Lockrop Trad. Susanne Rosenberg, sång, flöjt ReBoot Playing with Music PWM3 Giv mig ej glans - Hymn 433 Jean Sibelius Anders Jormin, kontrabas Xieyi ECM 1762 Gracias A La Vida Violeta Parra Anders Jormin, kontrabas Xieyi ECM 1762 Tenk Anders Jormin Anders Jormin, kontrabas Xieyi ECM 1762 Choral Anders Jormin, musik och text. Anders Jormin, kontrabas. Lena Willermark, sång. Marilyn Crispell, piano m fl In Winds, in Light ECM 1866 Mellan alltid och aldrig, oratorium för kör, orkester och kontrabassolist. Anders Jormin Anders Jormin, kontrabas. Jönköping Sinfonietta. Fredrik Burstedt, dirigent. Jönköping kammarkör. Liveuppförande nov 2009 i Jönköpings konserthus Inspelat av SR Sommarorgel Anders Jormin, musik. Johannes Edfelt, text. Anders Jormin, kontrabas. Lena Willermark, sång. Marilyn Crispell, piano m fl In Winds, in Light ECM 1866 Idas sommarvisa Georg Riedel Anders Jormin, kontrabas Xieyi ECM 1762 Besvärjelser Trad. Susanne Rosenberg, sång, flöjt ReBoot Playing with Music PWM3 Kyrie - Oh Death Trad. Susanne Rosenberg, sång ReBoot Playing with Music PWM3 Vallerman Trad. Susanne Rosenberg, sång ReBoot Playing with Music PWM3 Puksånger, Lockrop. Karin Rehnqvist Puksånger Lockrop, Sats 3 Det växte upp en lilja Lena Willermark, sopran. Susanne Rosenberg, sopran. Helena Gabrielsson, slagverk. CD-titel: Davids Nimm Phono Suecia PSCD 85 Storebror o Lillebror Trad. Susanne Rosenberg, sång ReBoot Playing with Music PWM3 Stjärnorna Susanne Rosenberg. Edith Södergran Susanne Rosenberg, sång ReBoot Playing with Music PWM3
Deep Memory (Intakt, 2016) del trío formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; Tracé Provisoire (ECM, 2016) de Dominique Pifarély Quartet son las tres grabaciones protagonistas de HDO 178. Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz.
El trío que el pianista Joachim Kühn comparte con Majid Bekkas (guembri y voz) y Ramón López (batería) llega a su quinto trabajo discográfico. En "Voodoo Sense" colaboran con el saxofonista Archie Shepp y dan vida al "Kulu Sé Mama" que grabara John Coltrane en 1965 junto a Juno Lewis. En esta edición de "Club de Jazz" del 18 de septiembre de 2013 escuchamos ambos trabajos y además conversamos con Ramón Prats, baterista de Duot. ¿Se acaba Duot? El pasado martes 10 celebraron un concierto de despedida. Vuelve "La duda permanente" de Ferran Esteve y complementa con el trío de Agustí Fernández (p), Barry Guy (cb) y Ramón López (bt) la música del dúo de Marilyn Crispell (p) y Gary Peacock (cb) que escuchábamos la semana pasada. En los "Ritmos Latinos" de Anxo, la música de un maestro brasileño del samba: Wilson Moreira. "desde mi cadiera" Jesús Moreno nos trae la "Particular" del contrabajista portugués Hugo Carvalhais. Y en el "Tren Azul" de Luis Díaz García, el saxo de Julian 'Cannonball' Adderley en sesiones de 1955. Toda la información y derechos: http://www.elclubdejazz.com
El trío que el pianista Joachim Kühn comparte con Majid Bekkas (guembri y voz) y Ramón López (batería) llega a su quinto trabajo discográfico. En "Voodoo Sense" colaboran con el saxofonista Archie Shepp y dan vida al "Kulu Sé Mama" que grabara John Coltrane en 1965 junto a Juno Lewis. En esta edición de "Club de Jazz" del 18 de septiembre de 2013 escuchamos ambos trabajos y además conversamos con Ramón Prats, baterista de Duot. ¿Se acaba Duot? El pasado martes 10 celebraron un concierto de despedida. Vuelve "La duda permanente" de Ferran Esteve y complementa con el trío de Agustí Fernández (p), Barry Guy (cb) y Ramón López (bt) la música del dúo de Marilyn Crispell (p) y Gary Peacock (cb) que escuchábamos la semana pasada. En los "Ritmos Latinos" de Anxo, la música de un maestro brasileño del samba: Wilson Moreira. "desde mi cadiera" Jesús Moreno nos trae la "Particular" del contrabajista portugués Hugo Carvalhais. Y en el "Tren Azul" de Luis Díaz García, el saxo de Julian 'Cannonball' Adderley en sesiones de 1955. Toda la información y derechos: http://www.elclubdejazz.com
Gary Peacock (contrabajo) y Marilyn Crispell (piano) firman "Azure", su primer trabajo a dúo después de dos anteriores junto a Paul Motian. En esta edición de "Club de Jazz" del 11 de septiembre de 2013 descubrimos su música así como la del cuarteto madrileño 24 Frames formado por Tomás Eteras (piano, rhodes, guitarra), Víctor Montesino (contrabajo), Luis Erades (saxo alto, tenor y clarinete) y Fernando Alandes (batería). Primera sección de la temporada de Jesús Moreno "desde mi cadiera" con la Michel Portal Unit y su "Châteavallon 76" junto a Bernard Lubat, Bob Guérin y Léon Francioli. En los "Ritmos Latinos" de Anxo, el recuerdo del estadounidense John Santos a Haití en su reciente "Filosofía caribeña, Vol.2". Además, el directo en el Village Vanguard en 1986 de Steve Kuhn (piano), Ron Carter (contrabajo) y Al Foster (batería) recogido en "The Vanguard date". Toda la información y derechos: http://www.elclubdejazz.com
Gary Peacock (contrabajo) y Marilyn Crispell (piano) firman "Azure", su primer trabajo a dúo después de dos anteriores junto a Paul Motian. En esta edición de "Club de Jazz" del 11 de septiembre de 2013 descubrimos su música así como la del cuarteto madrileño 24 Frames formado por Tomás Eteras (piano, rhodes, guitarra), Víctor Montesino (contrabajo), Luis Erades (saxo alto, tenor y clarinete) y Fernando Alandes (batería). Primera sección de la temporada de Jesús Moreno "desde mi cadiera" con la Michel Portal Unit y su "Châteavallon 76" junto a Bernard Lubat, Bob Guérin y Léon Francioli. En los "Ritmos Latinos" de Anxo, el recuerdo del estadounidense John Santos a Haití en su reciente "Filosofía caribeña, Vol.2". Además, el directo en el Village Vanguard en 1986 de Steve Kuhn (piano), Ron Carter (contrabajo) y Al Foster (batería) recogido en "The Vanguard date". Toda la información y derechos: http://www.elclubdejazz.com
The New York Times says that “hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz.” Ms. Crispell returns to Madison to perform solo and with a trio that includes Chicago-based “free jazz” stalwarts Harrison Bankhead and Avreeayl Ra and Madison-based multi-instrumentalist JoAnne Pow!ers. http://marilyncrispell.com/
Celebración de la música de Paul Motian. En esta edición de "Club de Jazz" del 30 de noviembre de 2011 escuchamos música de muy diversos proyectos del baterista con motivo de su fallecimiento el día 22 de noviembre vividos 80 años. De la mano de Roberto Barahona, Jesús Moreno, Alberto Varela y Ferran Esteve escuchamos "Etudes" de 1988 (con Charlie Haden y Geri Allen), "Funk dumpling" de 1962 (con Perry Robinson, Kenny Barron y Henry Grimes), "Intérieur Nuit" de 2001 (con Stephan Oliva y Bruno Chevillon), "Nothing ever was, anyway" de 1996 (con Marilyn Crispell y Gary Peacock) y "Monk in Motian" de 1988 (con Bill Frisell y Joe Lovano). Además Javier Gallego (periodista y baterista) nos regala "Byablue" de 1977 (con Charlie Haden, Keith Jarrett y Dewey Redman). Homenaje poético a Paul Motian del escritor madrileño Iván Carabaño con quien conversamos con motivo de la presentación de su libro "Océano Jazz" (al que Ana Alonso pone voz). Además en los "Ritmos Latinos" Anxo navega por otras aguas, las de Jerry González & The Fort Apache Band y las de La Mixta Criolla. Toda la información y derechos: http://www.elclubdejazz.com
Celebración de la música de Paul Motian. En esta edición de "Club de Jazz" del 30 de noviembre de 2011 escuchamos música de muy diversos proyectos del baterista con motivo de su fallecimiento el día 22 de noviembre vividos 80 años. De la mano de Roberto Barahona, Jesús Moreno, Alberto Varela y Ferran Esteve escuchamos "Etudes" de 1988 (con Charlie Haden y Geri Allen), "Funk dumpling" de 1962 (con Perry Robinson, Kenny Barron y Henry Grimes), "Intérieur Nuit" de 2001 (con Stephan Oliva y Bruno Chevillon), "Nothing ever was, anyway" de 1996 (con Marilyn Crispell y Gary Peacock) y "Monk in Motian" de 1988 (con Bill Frisell y Joe Lovano). Además Javier Gallego (periodista y baterista) nos regala "Byablue" de 1977 (con Charlie Haden, Keith Jarrett y Dewey Redman). Homenaje poético a Paul Motian del escritor madrileño Iván Carabaño con quien conversamos con motivo de la presentación de su libro "Océano Jazz" (al que Ana Alonso pone voz). Además en los "Ritmos Latinos" Anxo navega por otras aguas, las de Jerry González & The Fort Apache Band y las de La Mixta Criolla. Toda la información y derechos: http://www.elclubdejazz.com
Charles Lloyd y Maria Farantouri ofrecieron en junio de 2010 un concierto en el Odeón de Herodes Ático de Atenas que ahora da forma al doble CD "Athens Concert". En esta edición de "Club de Jazz" del 21 de septiembre de 2011 escuchamos la colaboración entre el veterano saxofonista USAmericano y la cantante griega en compañía del trío de él (Jason Moran, Reuben Rogers y Eric Harland) y de los griegos Socratis Sinopoulos (lira) y Takis Farazis (piano). Alberto Varela da muestra en el "Jazz Porteño" de los "Desarreglos" del bajista Mariano Otero. "desde mi cadiera" con Jesús Moreno sigue de dúos, esta vez con Marilyn Crispell (p) y Eddie Prévost (bt), Roberto Barahona y su "PuroJazz" se fijan en un trabajo del pianista Hod O´Brien titulado "Opalessence". En los "Ritmos Latinos" de Anxo las propuestas del percusionista Marco Toro y de la Orquesta Salsa Dura. Vuelve el "Tren Azul" de Luis Díaz García con el saxofón de Lester Young. Toda la información y derechos: http://www.elclubdejazz.com
Charles Lloyd y Maria Farantouri ofrecieron en junio de 2010 un concierto en el Odeón de Herodes Ático de Atenas que ahora da forma al doble CD "Athens Concert". En esta edición de "Club de Jazz" del 21 de septiembre de 2011 escuchamos la colaboración entre el veterano saxofonista USAmericano y la cantante griega en compañía del trío de él (Jason Moran, Reuben Rogers y Eric Harland) y de los griegos Socratis Sinopoulos (lira) y Takis Farazis (piano). Alberto Varela da muestra en el "Jazz Porteño" de los "Desarreglos" del bajista Mariano Otero. "desde mi cadiera" con Jesús Moreno sigue de dúos, esta vez con Marilyn Crispell (p) y Eddie Prévost (bt), Roberto Barahona y su "PuroJazz" se fijan en un trabajo del pianista Hod O´Brien titulado "Opalessence". En los "Ritmos Latinos" de Anxo las propuestas del percusionista Marco Toro y de la Orquesta Salsa Dura. Vuelve el "Tren Azul" de Luis Díaz García con el saxofón de Lester Young. Toda la información y derechos: http://www.elclubdejazz.com
Jason Crane interviews pianist Marilyn Crispell about her album of solo piano pieces, Vignettes (ECM, 2008). Crispell made an early name for herself with Anthony Braxton, and she's since amassed an impressive list of recordings that include composed and freely improvised pieces. In this interview, Crispell talks about the nature of improvisation, the particular challenges of solo playing, and the joys of Woodstock, NY.
Jason Crane interviews pianist Marilyn Crispell about her album of solo piano pieces, Vignettes (ECM,...
We’re featuring something a bit unusual for this week’s Contrabass Conversations episode. Ball State University bass professor and International Society of Bassists president Hans Sturm has been featured several times on the podcast in video episodes, and this week we’re featuring Hans discussing the fundamentals of the Rabbath technique left hand positioning system.This dialogue was featured in some of our previous video episodes, but it was broken up into bite-sized chunks, so I think you’ll enjoy the opportunity to hear the entire segment uninterrupted!After the segment, we feature some bass news and listener feedback. Enjoy! About Hans: Double bassist Hans Sturm has performed as soloist, chamber, orchestral, jazz and improvisational musician throughout Europe, Asia, South America, Africa and the United States. Sturm received his doctorate from Northwestern University and is currently a Professor and Chair of the String Department at Ball State University.Sturm has appeared with a variety of artists across the spectrum of jazz music including Eddie Daniels, Phil Woods, Randy Brecker, Dick Hyman, Roscoe Mitchell, Joseph Jarman, Eddie Higgins, David Baker, Stanley Jordan, Peter Erskine, Joe LaBarbera, Alan Dawson, Bela Fleck, Howard Levy and many others. A frequent performer of chamber music, Sturm has toured with ‘Fireflight’ (soprano, Japanese koto and bass koto, double bass, and percussion) and ‘Trinkle, Burkett, and Sturm’ (trumpet, marimba and double bass) for more than fifteen years. He has worked in the electronic medium with composers such as Cleveland Scott and Joan Wildman. As an orchestral bassist, he has served as principal bassist of numerous regional orchestras including the Muncie Symphony, Quad Cities Symphony, Wisconsin Chamber Orchestra, Madison Symphony, Dubuque Symphony, Dorian Opera, Rockford Symphony, and Racine Symphony and toured Europe as a member of the American Sinfonietta Chamber Orchestra.Recently Hans Sturm has appeared at the Beijing Music Festival; the Association of Brazilian Contrabassists International Conventions in Goiania and Pirenopolus, Brazil; the Scottish Bass Trust’s International Convention and the Fringe Festival in Edinburgh Scotland; the College Music Society International Conference in Kyoto, Japan; Encontro de instrumentistas in Joao Pessoa and Belo Horizonte, Brazil; the Biennial International Symposium on Arts and Technology in New London, Connecticut; a State Department tour of Morocco; various International Society of Bassists Conventions in Bloomington, Houston, Indianapolis, Iowa City and Richmond; and jazz fest ivals in Chicago, New York, Detroit, Madison, Milwaukee, and Minneapolis. Sturm has contributed performances and compositions to more than thirty recordings with artists including the Pro Arte String Quartet, soprano Mimmi Fulmer, vocalist Jackie Allen, synthesist/composer Joan Wildman, guitarists Scott Fields, Rolf Sturm, Dave Baney, Jeff Parker, and Jack Grassel, trumpeters Bob Levy and David Young, and pianists Jane Reynolds, and Marilyn Crispell. He has recorded for A440, Innova, Red Mark, Music and Arts, CRI, Big Chicago, and Cadence labels among others.Hans Sturm is currently the President-Elect of the International Society of Bassists and served as the New Music Editor for the organization’s journal ‘Bass World’ for six years. He is on the summer faculty of the National High School Music Institute at Northwestern University and his works for bass are published by Liben Music (U.S.) and Klaus Schruff (Europe). His major teachers have included Northwestern University Professor Jeff Bradetich, Pittsburgh Symphony Principal Bass Emeritus Anthony Bianco, Philadelphia Orchestra bassist Ferdinand Maresh, and international soloist and pedagogue François Rabbath.
© 2020-2025 Ivy Podcast Discovery LLC
