Podcasts about Keiji Haino

On this episode of Songs of Our Lives, it's Ava Mendoza! She's been one of my favorite guitarists for quite some time, and her latest album, “The Circular Train,” is incredible. We get into the details behind the record plus her time with the Bill Orcutt Guitar Quartet before Ava educates me on different Blues' styles from various regions in Mississippi (and then some!) Then, we talk about conceptual connections between Alice Coltrane and Keiji Haino, the joy of Kid Congo Powers, Chrome's greatness, Skip James, Loren Connors, Roy Buchanan, Earth, and more!Listen to all of Ava's picks HEREThe Circular TrainAva's WebsiteAva on InstagramGary K. Spain on Chrome at Foxy DigitalisSong ListSavia Andina “Danza del Sicuri”Skip James “Devil Got My Woman” or “Hard Time Killing Floor Blues”Kid Congo Powers and the Pink Monkey Birds “Ese Vicio Delicioso”Albert Ayler “Truth is Marching In”Blind Willie Johnson “Dark Was The Night”Virus “The Black Flux”Earth “The Bees Made Honey In The Lions Skull”Nicki Minaj “Stupid Hoe”Roy Buchanan “Sweet Dreams”Keiji Haino / Jim O'Rourke / Oren Ambarchi “Thinking too deeply I skipped over ¯¯ three by three”Geraldine Fibbers “Richard”Can “Father Cannot Yell”Alice Coltrane “Turiya Sings”Chrome “SS Cygni”Cakes da Killa “Keep it Goin”Carla Bozulich “Winds of St. Anne”Jessie Mae Hemphill “Eagle Bird”Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel Garden

Ikona i czołowa postać japońskiego undergroundu oraz szeroko pojętej muzyki eksperymentalnej - Keiji Haino przedstawił w "Nocnej Strefie" swoją wizję pokoju i własną, radykalną koncepcję sztuki dźwięków.

Welcome to the premiere "Song Dive" bonus episode: a way to hear the story behind a song that has made (or will soon make) our collective mixtapes & playlists! On this "Song Dive" episode, I am joined by Guy Fletcher of Dire Straits, and we're talking about the story behind Mark Knopfler's Guitar Heroes' “Going Home (Theme From Local Hero),” which Guy produced. This new 10-minute rendition was recorded in aid of Teenage Cancer Trust and Teen Cancer America, and features over 60 musical legends on the track.  We also take some time to discuss tracks from Dire Straits' catalog including: Money For Nothing, Walk Of Life, Heavy Fuel & The Bug; working with “Weird Al” Yankovic on his Dire Straits' parody “Money For Nothing / Beverly Hillbillies;” recording the soundtrack for The Princess Bride; the experience of mixing Dire Straits' "Live At The Rainbow, London UK, 12/1979" album from the original tapes; Guy's accreditation as a Dolby ATMOS engineer and how that factored into the new Going Home mix; bringing ATMOS to households via the Airsound Spatial speaker technology; and so much more!  The full list of artists who appear on “Going Home (Theme From Local Hero)” are (in alphabetical order): Joan Armatrading, Jeff Beck, Richard Bennett, Joe Bonamassa, Joe Brown, James Burton, Jonathan Cain, Paul Carrack, Eric Clapton, Ry Cooder, Jim Cox, Steve Cropper, Sheryl Crow, Danny Cummings, Roger Daltrey, Duane Eddy, Sam Fender, Guy Fletcher, Peter Frampton, Audley Freed, Vince Gill, David Gilmour, Buddy Guy, Keiji Haino, Tony Iommi, Joan Jett, John Jorgenson, Mark Knopfler, Sonny Landreth, Albert Lee, Greg Leisz, Alex Lifeson, Steve Lukather, Phil Manzanera, Dave Mason, Hank Marvin, Brian May, Robbie McIntosh, John McLaughlin, Tom Morello, Rick Nielsen, Orianthi, Brad Paisley, Nile Rodgers, Mike Rutherford, Joe Satriani, John Sebastian, Connor Selby, Slash, Bruce Springsteen, Ringo Starr and Zak Starkey, Sting, Andy Taylor, Susan Tedeschi and Derek Trucks, Ian Thomas, Pete Townshend, Keith Urban, Steve Vai, Waddy Wachtel, Joe Louis Walker, Joe Walsh, Ronnie Wood, Glenn Worf, & Zucchero. A minimum of 50% of the proceeds from the single are being donated to Teenage Cancer Trust and Teen Cancer America. To purchase the 12" vinyl, CD or digital edition of the single, please visit: https://www.markknopflersguitarheroes.com/ Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the main menu! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape Twitter: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 694: May 19, 2024 playlist: Belong, "Souvenir" (Realistic IX) 2014 Kranky Annelies Monsere, "Simple Fractures" (I Sigh, I Resign) 2024 Horn of Plenty People Like Us, "LSD Cha Cha" (Copia) 2024 Cutting Hedge Chihei Hatakeyama and Shun Ishiwaka, "M4" (Magnificent Little Dudes Vol.1) 2024 Gearbox Causa Sui, "Sorcerers Disciple" (From the Source) 2024 El Paraiso Lee Underwood, "California Sigh" (California Sigh) 1988 CalSigh / 2024 Drag City The The, "Cognitive Dissident" (Ensoulment) 2024 Cineola Dadadi, "Jigi Jigi" (Ghana Special 2: Electronic Highlife and Afro Sounds In The Diaspora, 1980-93) 2024 Soundway Novy Svet, "Ciudacanta" (DeGenerazione) 2024 Quindi Shuttle358, "swarm" (optimal.lp) 1999 12k / 2024 Keplar Keiji Haino, "Black Petal" (Black Blues) 2004 Les Disques Du Soleil Et De L'Acier / 2024 Room40 Peter Broderick and Ensemble 0, "Give It to the Sky" (Give It to the Sky: Arthur Russell's Tower of Meaning Expanded) 2023 Erased Tapes Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Welcome to the premiere "Song Dive" bonus episode: a way to hear the story behind a song that has made (or will soon make) our collective mixtapes & playlists! On this "Song Dive" episode, I am joined by Guy Fletcher of Dire Straits, and we're talking about the story behind Mark Knopfler's Guitar Heroes' “Going Home (Theme From Local Hero),” which Guy produced. This new 10-minute rendition was recorded in aid of Teenage Cancer Trust and Teen Cancer America, and features over 60 musical legends on the track.  We also take some time to discuss tracks from Dire Straits' catalog including: Money For Nothing, Walk Of Life, Heavy Fuel & The Bug; working with “Weird Al” Yankovic on his Dire Straits' parody “Money For Nothing / Beverly Hillbillies;” recording the soundtrack for The Princess Bride; the experience of mixing Dire Straits' "Live At The Rainbow, London UK, 12/1979" album from the original tapes; Guy's accreditation as a Dolby ATMOS engineer and how that factored into the new Going Home mix; bringing ATMOS to households via the Airsound Spatial speaker technology; and so much more!  The full list of artists who appear on “Going Home (Theme From Local Hero)” are (in alphabetical order): Joan Armatrading, Jeff Beck, Richard Bennett, Joe Bonamassa, Joe Brown, James Burton, Jonathan Cain, Paul Carrack, Eric Clapton, Ry Cooder, Jim Cox, Steve Cropper, Sheryl Crow, Danny Cummings, Roger Daltrey, Duane Eddy, Sam Fender, Guy Fletcher, Peter Frampton, Audley Freed, Vince Gill, David Gilmour, Buddy Guy, Keiji Haino, Tony Iommi, Joan Jett, John Jorgenson, Mark Knopfler, Sonny Landreth, Albert Lee, Greg Leisz, Alex Lifeson, Steve Lukather, Phil Manzanera, Dave Mason, Hank Marvin, Brian May, Robbie McIntosh, John McLaughlin, Tom Morello, Rick Nielsen, Orianthi, Brad Paisley, Nile Rodgers, Mike Rutherford, Joe Satriani, John Sebastian, Connor Selby, Slash, Bruce Springsteen, Ringo Starr and Zak Starkey, Sting, Andy Taylor, Susan Tedeschi and Derek Trucks, Ian Thomas, Pete Townshend, Keith Urban, Steve Vai, Waddy Wachtel, Joe Louis Walker, Joe Walsh, Ronnie Wood, Glenn Worf, & Zucchero. A minimum of 50% of the proceeds from the single are being donated to Teenage Cancer Trust and Teen Cancer America. To purchase the 12" vinyl, CD or digital edition of the single, please visit: https://www.markknopflersguitarheroes.com/ Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server to join in the musical discussions: https://discord.gg/hhDQAnXasm FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Discord: https://discord.gg/hhDQAnXasm Facebook: http://www.facebook.com/myweeklymixtape Twitter: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

Gaspar Claus est un musicien voyageur, en quête constante de liberté. Biberonné au flamenco joué par son père, le guitariste Pedro Soler, il choisit quant à lui le violoncelle. Formé à l'école du classique au Conservatoire de Perpignan, il fait bien vite l'école buissonnière, peu enthousiaste au formatage et au monde élitiste des concours, des compétitions et des sélections. Gaspar Claus se laisse toute liberté, comme celle d'improviser et de jouer son violoncelle de manière singulière, le frotter, le gratter, le pincer, l'équiper de différents objets. Il se nourrit des rencontres qui jalonnent son parcours et illustrent par leur diversité la richesse de son univers sonore : Angélique Ionatos, Joëlle Léandre, Serge Teyssot-Gay, Barbara Carlotti, Casper Clausen, Jim O'Rourke, Keiji Haino, Peter von Poehl, Marion Cousin ou Rone.  Dans cette deuxième partie, nous évoquons avec Gaspar Claus son rapport intime avec son violoncelle et la manière dont il a choisi d'apprendre cet instrument. Nous parlons aussi de la Nuit en la, 10h sur une seule note à la Philharmonie de Paris, le 7 octobre 2017. Parmi ses différentes rencontres, nous choisissons de détailler celle avec Rone. Enfin, nous abordons son dernier album, Scaphandre (2023).  Entretien de Guillaume Kosmicki Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Gaspar Claus est un musicien voyageur, en quête constante de liberté. Biberonné au flamenco joué par son père, le guitariste Pedro Soler, il choisit quant à lui le violoncelle. Formé à l'école du classique au Conservatoire de Perpignan, il fait vite l'école buissonnière, se laissant la liberté d'improviser et de jouer son violoncelle de manière singulière, le frotter, le gratter, le pincer, l'équiper de différents objets. Il se nourrit de rencontres qui illustrent par leur diversité la richesse de son univers sonore :  Angélique Ionatos, Joëlle Léandre, Serge Teyssot-Gay, Barbara Carlotti, Casper Clausen, Jim O'Rourke, Keiji Haino, Marion Cousin ou Rone. Dans cette première partie, nous nous intéressons aux rapports musicaux complices tissés entre Gaspar Claus et son père puis nous évoquons les liens de l'artiste à son label inFiné, ainsi que ses aspirations dans la création de son propre label, Les disques du Festival Permanent. Enfin, nous nous penchons sur son premier album solo, Tancade. Première partie d'une rencontre animée par Guillaume Kosmicki.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Abrimos el año con un nuevo número de Libertad Jazzera, nuestro programa dedicado al Free Jazz y el Avantgarde. Nuestra portada fue el estupendo nuevo trabajo del saxofonista James Brandon Lewis y su Quartet, MSM Molecular Systematic Music, publicado en 2022. A continuación escucharemos That's My Life, directo de 1989 con Paul Dunmall, Paul Rogers and Tony Orrell y que ha visto la luz este 6 de Enero de 2023. Recordaremos la música de Keiji Haino, esta vez «destrozando clásicos del rock» acompañado por The Hardy Rocks en Keiji Haino & The Hardy Rocks, publicado en 2021. Seguir leyendo Libertad Jazzera 01.2023. James Brandon Lewis Quartet. Paul Dunmall, Paul Rogers and Tony Orrell. Keiji Haino & The Hardy Rocks. Tetragrammaton. Francisco Mela, Cooper-Moore & William Parker. en La Montaña Rusa Radio Jazz.

Jim O'Rourke is a composer and producer living in Japan after spending most of his life in Chicago. His solo and collaborative works range from pop songwriting to electronic and avant-garde, being one of the first musicians to use a computer for live improvisations. His albums have been released on Table of the Elements, Drag City, Mego, and his own label Moikai. As a producer he has worked with Joanna Newsom, Wilco, US Maple, Stereolab and countless others. He has been a member of Sonic Youth, Loose Fur, Illusion of Safety, Boxhead Ensemble and Gastr Del Sol. O'Rourke's collaborators include Christian Fennesz, John Fahey, Tony Conrad, Loren Connors, Keiji Haino and the Red Krayola. As a film composer he has made contributions to School of Rock, Werner Herzog's Grizzly Man and a smattering of Japanese films. Jim chats from his home studio The Steam Room with Markly and guest host Dylan Shearer about his formative years, musicians he admires, his current works and aspirations, his take on the world of streaming music, responds to listener questions, and discusses why he no longer writes songs with lyrics or tours. Includes an introduction from Sean O'Hagan of Stereolab, High Llamas and Microdisney.Find this episode's website at lowprofilepodcast.com to dive even deeper.Special thanks to Forrest for editing in the music selections for this program, to Lani Morrison for this episode's illustration, and to Eli Moore and Miles Rozatti for helping with cleaning up the remote audio.If you enjoy this show and want to help support it, you can join the community of patrons at patreon.com/lowprofile. For a flexible monthly donation, most people go for 3 to 5 dollars a month, you'll receive access to things like advance release episodes, behind the scenes footage, insights into my research for this program, first dibs on merchandise, and unedited interview recordings. Plus you'll be helping to make this oral history project sustainable, and if you join up I'll also send you a sticker and a button as a thank you. Again, that link is patreon.com/lowprofile This show also receives in-kind support from several Olympia businesses including Rainy Day Records, San Francisco Street Bakery, Schwartz's Deli, Old School Pizzeria, and Scherler Easy Premium Shitty American Lager from 3 Magnets Brewing Company. Artists and musicians! Want vinyl records but can't afford to order 1000 and wait 8-12 months? Check out our friends at Lathecuts.com. They will make you vinyl singles in quantities as low as 50 as quickly as 3-4 weeks. All of their pricing is ala carte and they can help pick a package that fits your budget. Email Mike at Lathecuts@yahoo.com and Mention Low Profile to get a 10% overrun on your order for free!

Katerina Fotinaki présente son nouvel album Mixology (Label : Klarthe Records) Après sa longue collaboration avec Angélique Ionatos, disparue en 2021, après son album personnel Tzitzikia, Katerina Fotinaki dévoile maintenant une facette inédite de son univers musical et poétique. Mixology : comme si elle préparait un cocktail, dont la saveur découle du mélange de ses composants, Katerina Fotinaki sort du périmètre de la chanson poétique grecque, pour réunir avec une grande liberté, avec puissance et élégance, des ingrédients insolites à travers les langues, les styles et les époques. Qu'il s'agisse de compositions originales ou de reprises et métamorphoses inattendues, le fil conducteur demeure la force du verbe poétique, qu'il soit français, anglais ou grec. Pour garantir l'unité de ses compositions, en plus des voix, elle interprète aussi l'ensemble (ou presque) des instruments. Mixology, pourquoi ? Par Katerina Fotinaki « J'éprouve, depuis que je fabrique de la musique, une difficulté à répondre à cette question récurrente : ‘quel est le genre de votre musique ?' Si je devais alors y répondre absolument quelque chose, je le faisais par périphrases, avec beaucoup d'astérisques et des ‘oui, mais'. En tant que grecque en France, j'ai été classée dans la catégorie des Musiques du monde ; cela a même pu provoquer des malentendus amusants, puisque le public de festivals où j'étais invitée, s'attendait souvent à entendre du bouzouki et du sirtaki, tandis que moi, je leur proposais des mises en musique de poèmes de Odysseus Elytis ou de Dionyssios Solomos. Lorsque j'ai commencé́ à travailler sur des poésies en d'autres langues, sur des poètes anglais tels que William Blake, des poétesses américaines comme Edna St. Vincent Millay ou françaises comme Louise Labé, et à m'inspirer de musiques d'autres périodes ou styles – médiévale, contemporaine, blues, jazz, punk – j'ai alors compris qu'il était définitivement vain d'essayer de répondre à la question. Pourtant, je l'entends bien cette question, et le besoin d'où elle découle. Pour cela, j'ai décidé d'inviter les auditeurs de ma musique à la considérer de la même façon qu'ils et elles abordent un cocktail : une margarita est une margarita, nous n'avons pas besoin de savoir si elle est composée de tequila ou de brandy, de citron ou de citron vert. Un mojito est un mojito, nul ne commande un rhum avec glace pilée, sucre de canne, citron vert, menthe poivrée et eau gazeuse. Ainsi, pour les pièces de ce disque. Certaines viennent d'un mélange d'ingrédients différents qui proviennent d'un besoin profond d'expression : une expression que seuls ces ingrédients pouvaient servir. D'autres pièces sont d'un seul tenant, comme un whisky sec. D'autres constituent toute une histoire avec un début, un milieu et une fin, avec de nombreux ingrédients distincts et des ruptures stylistiques, tel un B52 en trois couches clairement visibles, dans une véritable narration gustative. L'ensemble du disque, avec ses multiples visages, a pour ambition de véhiculer quelques sensations, indépendamment de la langue, du style, de l'instrumentation, de l'époque dont datent certains ingrédients : d'éveiller des souvenirs et de mobiliser l'imagination. Tel un nouveau cocktail que l'on nous fait goûter sans nous dévoiler par avance ce qu'il y a dedans. Afin de préserver l'unité du disque, j'ai relevé le défi de l'enregistrer seule, en jouant notamment tous les instruments, à l'exception de quelques pièces, enrichies par la participation de Evi Filippou et de Gaspar Claus. » Voir la vidéo de Katerina Fotinaki Cachés dans cet asile Puis, nous recevons Gaspar Claus pour la sortie de Tancade (chez Infiné) Le violoncelle, un instrument d'un autre âge juste bon à crisser sous les lustres vieillots d'un salon de musique bourgeois ? Ce genre de (triste) cliché ne résiste pas une seconde face à Gaspar Claus. Transportant son instrument fétiche, tant de fois enlacé, dans des univers très différents – jazz contemporain, électro, bande originale de film, postclassique, néo-flamenco, pop, ambient, chanson d'ici ou musique d'ailleurs – ce musicien résolument aventureux lui confère une éclatante modernité et en révèle l'incroyable richesse expressive. Depuis qu'il gravite à travers la planète des sons, avec une totale disponibilité d'oreille et d'esprit, il s'est déjà illustré aux côtés de Rone, Jim O'Rourke, Barbara Carlotti, Bryce Dessner, Arandel, Matt Elliott, Keiji Haino, Peter von Poehl ou encore Serge Teyssot-Gay. Aucune frontière ne l'arrête, aucune convention ne le freine. Récemment, il a fondé avec les violonistes Carla Pallone et Christelle Lassort, le trio de cordes ultra sensibles VACΛRME, ainsi que Violoncelles, pièce live pour un ensemble de six violoncellistes jouant en cercle sur le plateau. Inspirée du Journal de Nijinski, une création très prometteuse se trouve également en cours de développement avec Matthieu Prual et Denis Lavant. Trouvant encore du temps et de l'énergie pour gérer Les Disques du festival permanent, son label à l'horizon illimité, Gaspar Claus franchit à présent un cap symbolique important en faisant paraître son premier véritable album solo – hors bande originale de film. Intitulé Tancade, l'album paraît chez InFiné, label au catalogue duquel se trouvent déjà deux superbes albums – Barlande (2011) et Al Viento (2016) – enregistrés par le jeune homme avec son père, le grand guitariste de flamenco Pedro Soler. Il succède à l'EP Adrienne, sorti début juin (également chez InFiné), qui propose quatre morceaux ne figurant pas sur l'album. Amorcé en 2017, dans un petit village du Lubéron, le processus créatif – de longue haleine – s'est conclu en février 2021 dans le studio de David Chalmin, excellent ingénieur du son/producteur et partenaire musical de longue date. Le maestro sonore Francesco Donadello (Thom Yorke, Johan Johansson), conquis par l'album, a réalisé le mastering dans son studio berlinois. Tout du long, Gaspar Claus a trouvé en Alexandre Cazac, boss d'InFiné, « un allié essentiel, au niveau de la direction artistique autant que du soutien moral ». Entièrement (ou presque) instrumental, Tancade contient au total onze morceaux. La plupart proviennent des sessions réalisées entre 2017 et 2021. Résultant d'une élaboration lente et minutieuse, parfois douloureuse, l'ensemble – de haute intensité – s'écoule pourtant avec une remarquable fluidité. Frotté avec un archet, pincé, frôlé, heurté, caressé, bousculé, transfiguré à l'aide, parfois, de pédales d'effets, le violoncelle est l'unique instrument de musique utilisé dans l'album, mais il est utilisé de si inventive et suggestive manière qu'on a plutôt l'impression d'entendre déferler une myriade d'instruments à cordes, chacun pourvu de riches potentialités harmoniques, rythmiques ou mélodiques. « J'aime bien l'idée qu'un album apporte un moment de pause à l'intérieur d'un présent plutôt oppressant actuellement » confie Gaspar Claus. Dès le morceau inaugural Une île, enveloppé d'un puissant éclat auroral, l'on est emporté – très loin – hors du quotidien par une musique à la fois majestueuse et aventureuse, houleuse et radieuse, rêveuse et rigoureuse. Annihilant toute velléité de catégorisation, elle évoque une musique de chambre en suspension dans la quatrième dimension, la bande originale d'un film d'aventure intérieure ou encore l'étrange folk d'un peuple inconnu. Ardente et mouvementée, irriguée par une mélancolie insondable, la traversée s'achève avec Mer des mystères amoureux. Tout en subtils frémissements et glissements, ce morceau prend peu à peu le large et fait poindre la lueur d'une nouvelle aube. Se détachent également Une foule, ample mélopée dont les vagues renversantes inondent le cœur d'une émotion profonde, 2359, composition sautillante et scintillante qui flotte irrésistiblement en tête, ou encore Aux confins, sinueuse ballade crépusculaire à la gravité si légère. Offrant une échappatoire enchantée à la dureté ordinaire du réel, Tancade arbore en pochette une superbe photo de la plage qui lui donne son titre – une plage difficile d'accès, presque sauvage, à laquelle Gaspar Claus est extrêmement attaché. Dans un (très beau) texte accompagnant l'album et faisant écho à la pochette, il évoque une île habitée par une petite communauté hédoniste. Des êtres qui forment cette communauté, il écrit notamment : « Ils n'ont donné de sens à rien. Ils baignent dans leur monde, ils sont traversés par leur monde ». Suivons leur exemple et ne cherchons surtout pas à donner trop de sens à la musique jaillissant de Tancade. Immergeons-nous plutôt dedans, laissons-nous simplement traverser par elle : le ravissement n'en sera que plus grand. Tires Interprétés au grand studio – Death by water / Les enfants dans le champs Live RFI Katerina Fotinaki – Une Foule Live RFI Gaspar Claus voir la vidéo – Kiss Off (Punk Meeting Rebetiko), extrait de l'album Mixology de Katerina Fotinaki, d'après un titre de Violent Femmes voir la vidéo – MDMA Mer des Mystères amoureux, Live RFI Gaspar Claus – Europe Live RFI Katerina Fotinaki – Où vas-tu petit navire avec ce temps Live RFI où Gaspar Claus et Katerina Fotinaki rendent en hommage à Angélique Ionatos, artiste grecque disparue le 7 juillet 2021, avec ce titre composé par Katerina pour Angélique, avec sa voix off (parlée) dans l'intro . Musicien.nes Katerina Fotinaki, guitare, voix Gaspar Claus, violoncelle Basile3, machines Son : Benoît Letirant, Mathias Taylor; (Rediffusion).

Dobrodošli na Zalet — podkast o dizajnu digitalnih proizvoda! Zadovoljstvo nam je da smo ugostili Vladimira Mitrovića. Vladimir je inženjer, audio-vizuelni umetnik i dizajner proizvoda. On stvara konceptualne aplikacije, AR instalacije, data viz, video igre… Sa njim smo pričali o prostornom softveru, data vizu, uvrnutom softveru, održivosti i koristivosti softvera izmeđuostalog.

Interview with Cheryl Ong, drummer and percussionist for Singapore-based experimental trio The Observatory, recorded in February 2020.New album Demon State (with Koichi Shimizu): https://theobservatory.bandcamp.com/album/demon-state Authority is Alive (with Keiji Haino): https://theobservatory.bandcamp.com/album/authority-is-alive 

¡Riff-ése! † Muchas gracias por sintonizar el Valle de la Muerte, como cada semana les traemos hasta sus oídos lo mejor de los sonidos y las notas oscuras, tanto del mainstream como del under. Sponsor: https://twitter.com/Dead_Ankh https://www.facebook.com/deadankh.ratedrtshirts https://linktr.ee/vallismortem Support/Apoya a Vallis Mortem: https://cutt.ly/tVtdLP5 Nos escuchamos del otro lado. PLAYLIST: Lado A 1. Demona - Dirty Speed Metal 2. Deathfiend - Order Of One 3. Twin Drugs - Eyelets & Aglets 4. A Pregnant Light - The Master 5. Keiji Haino & SUMAC - That "regularity" of yours, can you throw it further than me? And I don't mean "discarding" it 6. Burning Sister - Acid Night Vision Lado B 1. Reverend Mother - Locomotive 2. Professor Electric - Loco Motives 3. Caustic Casanova - A Bailar Con Cuarentena 4. Sendero - Tresdiablos 5. Amon Acid - Demon Rider

Episode 81 Psychedelic Japan, Part 1 Playlist Flower Travellin' Band, “Satori Part 2” from Satori (1971 Atlantic). Japanese rock band formed in 1970 which broke up in 1973 and reformed in 2008. Guitarist Hideki Ishima is a founding member. Moving from Sapporo to Tokyo in the mid-sixties, he played with the Group Sounds band The Outlaws from 1966 to 1969. Following that he joined The Flowers, who later became Flower Travellin' Band. He is also known for inventing the sitarla, a cross between an electric guitar and a sitar. 7:04 English translation of the lyrics: There is no up or down Your truth is the only master Death is made by the living Pain is only intense to you The sun shines every day The sun shines every day Freedom, freedom! The Taj-Mahal Travelers “Between 7:03~7:15P.M.” from July 15, 1972 (1972 CBS/sony). This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Formed in 1969 this group produced entirely improvised music with a remarkably celestial sound. The ensemble regularly played throughout Japan. In 1971, on the way back from touring Europe, they financed a trip to India to see the Taj-Mahal. Upon returning, they played a benefit concert on July 15, 1972 to help pay for their return to U.K. The track heard hear was part of that live performance. Electronic Contrabass, Santoor (Suntool), Harmonica, Sheet Iron, Ryo Koike; Guitar, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor (Suntool), Yukio Tsuchiya; Electronic Violin, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. 11:17 Far East Family Band, “Entering/Times” from Parallel World (1976 Mu Land). Far East Family Band was a Japanese Psychedelic-Progressive-Rock band, founded 1975. Psychedelia with synths. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Music By, Arranged By, Far East Family Band; Music producer, Fumio Miyashita; Recording producer, Recorded and computer mix by, Klaus Schulze. Band included keyboardist Kitaro until this, their third album produced by Schulze. Kitaro was inspired to venture out into solo electronic work after this album. 15:26 Les Rallizes Denudes (Lay RAL-lees DEN-yoo-day) “Strung Out Deeper Than The Night,” recorded live in 1977. From a bootleg recording of “Heavier Than a Death in the Family” (2002 Not on Label). This Japanese experimental rock band formed in November 1967 at Doshisha University in Kyoto, moved to Tokyo, and was led by Takashi Mizutani (1948-2019). Performed their last gig in October 1996. 15:28 English translation of the lyrics for this song: Deeper than the night, darker than the darkness You woke up with blood and madness Spread your black wings under the burning sky You are what I want After the black sun rises I'll meet you every time I go in the flames of ice midnight white venom A white horse runs through my body The hungry beast that died in the rain fly out the window you shatter the mirror you shatter the night A whispering angel surrounds you I send my blue breath to your center You're what I want After the black sun rises Enveloping you, your breath send to your center Deeper than night and darker than darkness When you woke up, you took death and madness Fushitsusha, “3. すきにやればいい” (“Do It When You Want”) from Invincible (First Live)/不失者 (1989 P.S.F. Records). Guitarist Keiji Haino founded Fushitsusha in 1978. This undated track is probably from 1978 and is part of a double album of live performances spanning the previous ten years that he released in 1989. Guitar, harmonica, Keiji Haino; drums, Seijiro Muryama; drums, Akui; bass, Yasushi Ozawa; guitar, Maki Miura. 11:36 High Rise “Induced Depression” from Psychedelic Speed Freaks (1984 P.S.F. Records). First recording, bootleg album. Japanese psychedelic rock band. Formed in 1982 by Asahito Nanjo and Munehiro Narita under the name Psychedelic Speed Freaks. They changed their name to High Rise when the group released their debut album in 1984. Bass, Vocals, Asahito Nanjo; Guitar (Motorcycle Fuzztone), Munehiro Narita. 3:13 Ghost, “Escaped And Lost Down In Medina” from Hypnotic Underworld (2004 Drag City). Japanese experimental rock and improvisation group formed in Tokyo in 1984 and disbanded in 2014.Their gradual evolution from a guitar-based band with assorted acoustic instruments (e.g., oboe, cello, recorder) and atmosphere (e.g., water, wind) to the inclusion of electronics began in the early 2000s. I think this is their first album that actually credits synthesizers and other electronics. Acoustic Guitar (6- and 12-String), Vocals, Masaki Batoh; Drums, Tabla, Percussion, Junzo Tateiwa; Electric Bass, Contrabass, Cello, Takuyuki Moriya; Electric Guitar, Michio Kurihara; Piano, Mellotron, Korg MS-20 Synthesizer, Organ, Lute, Recorder, Celtic Harp, Kazuo Ogino; Theremin, Flute, Saxophone, Tin Whistle, Bouzouki, Other, Producer, Taishi Takizawa; Written by Ghost. 7:10 Ghost, “Aramaic Barbarous Dawn” from Hypnotic Underworld (2004 Drag City). 3:15 Acid Mothers Temple & The Melting Paraiso U.F.O., “In C” from In C (2001 Eclipse Records). Japanese psychedelic rock band founded in 1995 and which exists as a kind of collective with many guests. This unique entry in the Acid Mothers catalog feature an interpretation of the famous Terry Riley minimalist landmark “In C” (1968 Columbia). This version is full of the psychedelic appurtenances you would expect of Acid Mothers and somewhat follows the original score, though much of the scored piece serves as a bed for the other wonderful sounds that swirl about. Bass (Monster), Tsuyama Atsushi; Drums, Ichiraku Yoshimitsu; Electric Guitar, Synthesizer, Higashi Hiroshi; Electric Guitar, Violin, Zuruna, Synthesizer, Kawabata Makoto; Producer, Engineer, Kawabata Makoto; Vibraphone, Glockenspiel, Terukina Noriko; Voice, Cotton Casino. 20:28 Kikagaku Moyo, “Kodama“ from Forest Of Lost Children (2014 Beyond Beyond Is Beyond Records). Japanese psychedelic rock band formed by Tomo Katsurada and Go Kurosawa in 2012. Bass, Kotsuguy; Drums, Vocals, Go Kurosawa; Engineer, Yui Kimijima; Guitar, Daoud Popal; Sitar, Ryu Kurosawa; Theremin, Voice, Angie Gotopo; Vocals, Guitar, Tomo Katsurada; Written-By Go Kurosawa. Another one of the acclaimed bands in the Japanese progressive psych genre, the word is they are breaking up and play their last show in Tokyo in December 2022. 4:21 Opening background music: Les Rallizes Denudes, “Oz Days (1:33)” and “Wilderness of False Flowers”(7:36) from The Oz Tapes (1973 OZ Records). Recorded at OZ, Kichijoji, Tokyo 1973. Bass, Makoto Kubota; Drums, Shunichiro Shoda; Guitar, Takeshi Nakamura; Vocals, Guitar, Takashi Mizutani. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Episode 595: October 2, 2022 playlist: Keiji Haino and SUMAC, "A shredded coiled cable within this cable sincerity could not be contained" (Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never) 2022 Thrill Jockey Eric Random and Stephen Mallinder, "Stop / Begin Again" (Deadeye) 2022 Emergency Hearts Pan American, "Olha" (Alpalhao) 2022 self-released Anna Vs June, "Dahtila" (Elsewhere VXIII) 2022 Rocket Ela Minus and DJ Python, "Abril Lluvias Mil" (Heart EP) 2022 Smugglers Way Euroshima, "Esfumados Sueños" (Gala) 1987 Vertigo / 2022 Dark Entries Deniz Cuylan, "Clouds Over Sintra" (Rings of Juniper) 2022 Hush Hush Noemi Buchi, "Nothing Is Artificial" (Hyle) 2022 Ousooo OKRAA, "Ola de Luz" (1994) 2022 A Strangely Isolated Place KMRU, "MR3" (Temporary Stored) 2022 self-released Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

Katerina Fotinaki présente son nouvel album Mixology (Label : Klarthe Records) Après sa longue collaboration avec Angélique Ionatos, disparue en 2021, après son album personnel Tzitzikia, Katerina Fotinaki dévoile maintenant une facette inédite de son univers musical et poétique. Mixology : comme si elle préparait un cocktail, dont la saveur découle du mélange de ses composants, Katerina Fotinaki sort du périmètre de la chanson poétique grecque, pour réunir avec une grande liberté, avec puissance et élégance, des ingrédients insolites à travers les langues, les styles et les époques. Qu'il s'agisse de compositions originales ou de reprises et métamorphoses inattendues, le fil conducteur demeure la force du verbe poétique, qu'il soit français, anglais ou grec. Pour garantir l'unité de ses compositions, en plus des voix, elle interprète aussi l'ensemble (ou presque) des instruments. Mixology, pourquoi ? Par Katerina Fotinaki « J'éprouve, depuis que je fabrique de la musique, une difficulté à répondre à cette question récurrente : ‘quel est le genre de votre musique ?' Si je devais alors y répondre absolument quelque chose, je le faisais par périphrases, avec beaucoup d'astérisques et des ‘oui, mais'. En tant que grecque en France, j'ai été classée dans la catégorie des Musiques du monde ; cela a même pu provoquer des malentendus amusants, puisque le public de festivals où j'étais invitée, s'attendait souvent à entendre du bouzouki et du sirtaki, tandis que moi, je leur proposais des mises en musique de poèmes de Odysseus Elytis ou de Dionyssios Solomos. Lorsque j'ai commencé́ à travailler sur des poésies en d'autres langues, sur des poètes anglais tels que William Blake, des poétesses américaines comme Edna St. Vincent Millay ou françaises comme Louise Labé, et à m'inspirer de musiques d'autres périodes ou styles – médiévale, contemporaine, blues, jazz, punk – j'ai alors compris qu'il était définitivement vain d'essayer de répondre à la question. Pourtant, je l'entends bien cette question, et le besoin d'où elle découle. Pour cela, j'ai décidé d'inviter les auditeurs de ma musique à la considérer de la même façon qu'ils et elles abordent un cocktail : une margarita est une margarita, nous n'avons pas besoin de savoir si elle est composée de tequila ou de brandy, de citron ou de citron vert. Un mojito est un mojito, nul ne commande un rhum avec glace pilée, sucre de canne, citron vert, menthe poivrée et eau gazeuse. Ainsi, pour les pièces de ce disque. Certaines viennent d'un mélange d'ingrédients différents qui proviennent d'un besoin profond d'expression : une expression que seuls ces ingrédients pouvaient servir. D'autres pièces sont d'un seul tenant, comme un whisky sec. D'autres constituent toute une histoire avec un début, un milieu et une fin, avec de nombreux ingrédients distincts et des ruptures stylistiques, tel un B52 en trois couches clairement visibles, dans une véritable narration gustative. L'ensemble du disque, avec ses multiples visages, a pour ambition de véhiculer quelques sensations, indépendamment de la langue, du style, de l'instrumentation, de l'époque dont datent certains ingrédients : d'éveiller des souvenirs et de mobiliser l'imagination. Tel un nouveau cocktail que l'on nous fait goûter sans nous dévoiler par avance ce qu'il y a dedans. Afin de préserver l'unité du disque, j'ai relevé le défi de l'enregistrer seule, en jouant notamment tous les instruments, à l'exception de quelques pièces, enrichies par la participation de Evi Filippou et de Gaspar Claus. » Voir la vidéo de Katerina Fotinaki Cachés dans cet asile Puis, nous recevons Gaspar Claus pour la sortie de Tancade (chez Infiné) Le violoncelle, un instrument d'un autre âge juste bon à crisser sous les lustres vieillots d'un salon de musique bourgeois ? Ce genre de (triste) cliché ne résiste pas une seconde face à Gaspar Claus. Transportant son instrument fétiche, tant de fois enlacé, dans des univers très différents – jazz contemporain, électro, bande originale de film, postclassique, néo-flamenco, pop, ambient, chanson d'ici ou musique d'ailleurs – ce musicien résolument aventureux lui confère une éclatante modernité et en révèle l'incroyable richesse expressive. Depuis qu'il gravite à travers la planète des sons, avec une totale disponibilité d'oreille et d'esprit, il s'est déjà illustré aux côtés de Rone, Jim O'Rourke, Barbara Carlotti, Bryce Dessner, Arandel, Matt Elliott, Keiji Haino, Peter von Poehl ou encore Serge Teyssot-Gay. Aucune frontière ne l'arrête, aucune convention ne le freine. Récemment, il a fondé avec les violonistes Carla Pallone et Christelle Lassort, le trio de cordes ultra sensibles VACΛRME, ainsi que Violoncelles, pièce live pour un ensemble de six violoncellistes jouant en cercle sur le plateau. Inspirée du Journal de Nijinski, une création très prometteuse se trouve également en cours de développement avec Matthieu Prual et Denis Lavant. Trouvant encore du temps et de l'énergie pour gérer Les Disques du festival permanent, son label à l'horizon illimité, Gaspar Claus franchit à présent un cap symbolique important en faisant paraître son premier véritable album solo – hors bande originale de film. Intitulé Tancade, l'album paraît chez InFiné, label au catalogue duquel se trouvent déjà deux superbes albums – Barlande (2011) et Al Viento (2016) – enregistrés par le jeune homme avec son père, le grand guitariste de flamenco Pedro Soler. Il succède à l'EP Adrienne, sorti début juin (également chez InFiné), qui propose quatre morceaux ne figurant pas sur l'album. Amorcé en 2017, dans un petit village du Lubéron, le processus créatif – de longue haleine – s'est conclu en février 2021 dans le studio de David Chalmin, excellent ingénieur du son/producteur et partenaire musical de longue date. Le maestro sonore Francesco Donadello (Thom Yorke, Johan Johansson), conquis par l'album, a réalisé le mastering dans son studio berlinois. Tout du long, Gaspar Claus a trouvé en Alexandre Cazac, boss d'InFiné, « un allié essentiel, au niveau de la direction artistique autant que du soutien moral ». Entièrement (ou presque) instrumental, Tancade contient au total onze morceaux. La plupart proviennent des sessions réalisées entre 2017 et 2021. Résultant d'une élaboration lente et minutieuse, parfois douloureuse, l'ensemble – de haute intensité – s'écoule pourtant avec une remarquable fluidité. Frotté avec un archet, pincé, frôlé, heurté, caressé, bousculé, transfiguré à l'aide, parfois, de pédales d'effets, le violoncelle est l'unique instrument de musique utilisé dans l'album, mais il est utilisé de si inventive et suggestive manière qu'on a plutôt l'impression d'entendre déferler une myriade d'instruments à cordes, chacun pourvu de riches potentialités harmoniques, rythmiques ou mélodiques. « J'aime bien l'idée qu'un album apporte un moment de pause à l'intérieur d'un présent plutôt oppressant actuellement » confie Gaspar Claus. Dès le morceau inaugural Une île, enveloppé d'un puissant éclat auroral, l'on est emporté – très loin – hors du quotidien par une musique à la fois majestueuse et aventureuse, houleuse et radieuse, rêveuse et rigoureuse. Annihilant toute velléité de catégorisation, elle évoque une musique de chambre en suspension dans la quatrième dimension, la bande originale d'un film d'aventure intérieure ou encore l'étrange folk d'un peuple inconnu. Ardente et mouvementée, irriguée par une mélancolie insondable, la traversée s'achève avec Mer des mystères amoureux. Tout en subtils frémissements et glissements, ce morceau prend peu à peu le large et fait poindre la lueur d'une nouvelle aube. Se détachent également Une foule, ample mélopée dont les vagues renversantes inondent le cœur d'une émotion profonde, 2359, composition sautillante et scintillante qui flotte irrésistiblement en tête, ou encore Aux confins, sinueuse ballade crépusculaire à la gravité si légère. Offrant une échappatoire enchantée à la dureté ordinaire du réel, Tancade arbore en pochette une superbe photo de la plage qui lui donne son titre – une plage difficile d'accès, presque sauvage, à laquelle Gaspar Claus est extrêmement attaché. Dans un (très beau) texte accompagnant l'album et faisant écho à la pochette, il évoque une île habitée par une petite communauté hédoniste. Des êtres qui forment cette communauté, il écrit notamment : « Ils n'ont donné de sens à rien. Ils baignent dans leur monde, ils sont traversés par leur monde ». Suivons leur exemple et ne cherchons surtout pas à donner trop de sens à la musique jaillissant de Tancade. Immergeons-nous plutôt dedans, laissons-nous simplement traverser par elle : le ravissement n'en sera que plus grand. Tires Interprétés au grand studio – Death by water / Les enfants dans le champs Live RFI Katerina Fotinaki – Une Foule Live RFI Gaspar Claus voir la vidéo – Kiss Off (Punk Meeting Rebetiko), extrait de l'album Mixology de Katerina Fotinaki, d'après un titre de Violent Femmes voir la vidéo – MDMA Mer des Mystères amoureux, Live RFI Gaspar Claus – Europe Live RFI Katerina Fotinaki – Où vas-tu petit navire avec ce temps Live RFI où Gaspar Claus et Katerina Fotinaki rendent en hommage à Angélique Ionatos, artiste grecque disparue le 7 juillet 2021, avec ce titre composé par Katerina pour Angélique, avec sa voix off (parlée) dans l'intro . Musicien.nes Katerina Fotinaki, guitare, voix Gaspar Claus, violoncelle Basile3, machines   Son : Benoît Letirant, Mathias Taylor

Alec & Nick conduct a first meeting of the “Neo-Feudalist Captive Music Society,” an invented club that takes shape around how contemporary musicians are obliged to live on  borrowed land and provide homage, labor, and shares of their “produce.” The discussion describes how local music networks often exist outside the castle walls of the various abstract systems they operate within. Attempting to trace the limits of political economy, music scenes as liberatory associations, and the critiques of late capitalism from theorists like Franco “Bifo” Berardi & Christian Marrazi, the conversation arrives at the production of a “Captive Music”—an embodied, local, entrapped, but warrior-like music. Other topics include the machineries of irony and sincerity, musical “guilds,” auto-surveillance, american politics, loyalty, colonization, the club, Keiji Haino, and more.

As a boy, Tyler Hubby began making films and photographs. While in high school, he was mentored by then unknown director David Fincher. Later on, Tyler went on to study film and photography at the San Francisco Art Institute with "low-fi" underground film legend George Kuchar. His subversive and irreverent short films and videos detailing fetishism, co-dependency and bodily mutations have screened internationally, and are featured in Jack Sargeant's book Cinema Contra Cinema. Tyler has documented artists such as Faust, Keiji Haino, John Fahey, Jim O'Rourke, Rhys Chatham, Arnold Dreyblatt, Zeena Parkins, Jonathan Kane and Tony Conrad. Furthermore, he has edited over 30 documentary films. Most notable among them are The Devil and Daniel Johnston, a biography of mentally ill artist/musician Daniel Johnston; The Final Member which follows the curator of the Icelandic Phallological Museum as he attempts to complete his exotic penis collection; The Great Invisible, which won the Grand Jury Prize at SXSW 2014. Tyler also served as an additional editor on the Oscar nominated Roman Polanski: Wanted and Desired. Tyler wrote and directed Tony Conrad: Completely in the Present, a feature documentary about iconoclastic multi-media artist Tony Conrad that was named as one the best films of 2017 by Artforum. 

Il progetto Music Without Images di Ramona Ponzini per POLVERE è Immagine. Suono. Suoni fruiti attraverso le immagini. Field recordings in cui il “field” corrisponde al campo visivo. Un collage, un mix di musica ascoltata attraverso uno schermo, attraverso immagini precise, erotiche, filosofiche, spirituali, fonte di nutrimento onirico bidimensionale, dalle quali partire per tornare a ritroso alla fisicità e alla corporeità del suono stesso e della vita, come in un rituale.L'esordio di Ramona Ponzini risale al 2005 col progetto Painting Petals On Planet Ghost, incentrato sulla poesia giapponese come fonte privilegiata di testi musicabili, che approda su PSF Records, etichetta nipponica di culto di artisti quali Keiji Haino e Kaoru Abe. Negli anni collabora con figure del calibro di Lee Ranaldo dei Sonic Youth, Tom Greenwood dei Jackie-O Motherfucker, e con il percussionista industrial Z'ev. Il progetto solista, sviluppato a partire dal 2016, consiste in inusuali Dj set contaminati da interazioni vocali e in collage sonori. Sempre nel 2016 fonda insieme al curatore Matteo Mottin, Treti Galaxie un art project con il quale produce mostre di giovani artisti emergenti. Nel 2018 è resident dj alle OGR di Torino nell'ambito della mostra Dancing is what we make of falling, curata da Samuele Piazza e Valentina Lacinio. Nel 2019 realizza un vinile e una performance sonora dedicati all'opera di Salvo, presentati dalla Galleria Norma Mangione. www.ramonaponzini.com

01. Alva Noto feat. Anne-James Chaton - Uni Acronym 02. Death Grips - Guillotine 03. Azari - III - Manhooker 04. John Maus - Head for the Country 05. Alva Noto - Uni Deform 06. King Midas Sound - Shackleton-Deadman 07. Modeselektor feat. Otto Von Schirach - Evil Twin 08. Keiji Haino, Pan Sonic - If I Could Incarnate... 09. Ekoplekz - Critical Condition 10. Anne James Chaton - Pop Is Dead 11. Hercules and Love Affair feat. Shaun J. Wright - My House 12. Mark McGuire, Alma - Chances Are 13. Flying Lotus feat. Thom Yorke -…And the World Laughs With You 14. Ford, Lopatin - Emergency Room 15. Rustie - Hyperthrust 16. Rene Hell - Oxford Meter End 17. Ayshay - Warn U 18. Marcus Schmickler - Discordance Axis 19. Koyxen - Sensational-Weekend2 20. The Prodigy - Baby-s Got a Temper 21. London Modular Alliance - Wireless 22. N/A 23. Gnaw Their Tongues - An Eternity Of Suffering 24. Paul Ritch - SCUD140 (Original Mix) 25. Module 3F - Alien Sun 26. REMY-X - Konzentriert (Original Mix) 27. Штадт - Дай мені спокій 28. Wonderland Avenue - White Horse 29. Пожар - Солнце 30. Sádon - Terra incognita 31. Квартет Бориса Толстобокова - Мимолетность 32. Ben Frost - O God Protect Me 33. Дельфин - Чужой 34. woob - 脳 ビーコン 35. Андрей Сапунов - Говори

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples...Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002).Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com.Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples... Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002). Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com. Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples...Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002).Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com.Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples... Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002). Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com. Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Founded in 1967, Les Rallizes Denudes is a japanese musical collective entirely devoted to noisy freaked out improvisations for fuzzy reverbed guitars and buzzing cloudy ambiences. Formed by nihilist left wing students at Kyoto University, the band released their first live show in 1968 (some extracts will be published later under the name 67-69 Studio & Live). Les rallizes denudes exclusively made a reputation on stage and most of their materials haven't been released until the beginning of the 90's. The band decide to publish on CD and in limited number some of their old materials. The albums published during this period consist of poor sounding, anarchic, traumatic psyhedelic assaults taken from various late 60's / 70's gigs. Oz Days live (2XLP, 1973) is considered to be among the trippiest and most incredible documents from 70's japanese musical underground. This album includes the uncontrolled psych improvisations of Les Rallizes Denudes and the neo-shamanic trancey drones of Taj Mahal Travellers. '77 Live can also be considered as a representative document, revealing all the blasting, propulsive energy of the band at their legendary live shows. Les Rallizes Denudes is a major inspiration to Acid Mothers Temple and Keiji Haino.

Excursions into outer jazz, marbles against metal, Tokyo at dawn. The New York composer, performer and sound designer discusses three important albums.

I have to say that even though the last 30 plus days have been a whirlwind of confusion, emotions and uncertainty, I feel extremely lucky because these last two episodes have been conversations with two musicians who I greatly admire and whose music is among my favorite. Last episode was Robin Wattie from Big Brave and this episode I’m really excited to bring you a conversation with Guro Skumsnes Moe from Norway who is involved with many projects but primarily her band MoE. I came across Moe only in the last year but was instantly taken by their raucous energy, elements of noise and punk and the growling vocals of their front woman Guro Skumsnes Moe. After digging through their discography, I came to find that Guro not only plays the electric bass but studied double bass, also plays Octabass and works with a multitude of noise and experimental groups like Sult, The Touchables and collaborates with other great sound artists such as Keiji Haino and Pain Jerk from Japan just to name a few. In this episode, we talk about looking for different avenues amidst the Corona Virus Pandemic, her introduction to Bass at an early age, the recording and writing process, and more. Conrad Sound YouTube MoE BandCamp MoE Spotify MoE Facebook MoE Instagram Artists mentioned in this episode: Keiji Haino Pain Jerk Sheriffs of Nothingness Find us on all your favorite platforms including: Apple Spotify YouTube Facebook IG: @lofipod Website Noh/Wave Academy John Wentz

Dharma is a guitarist who is probably best known for his work in the Singapore art-rock band The Observatory, which has been running for almost 20 years now. They've made a bunch of records, have toured all over the world, and they even have a documentary you can check out called The Obs. You can find that on iTunes, and Dharma appears quite a lot in it, as well a lot of other Singapore musicians, and David Toop even pops up for a bit in there as well. The Observatory is currently a three-piece consisting of Dharma on guitar, Yuen Chee-Wai on guitar, and Cheryl Ong on drums. They're all amazing musicians, and you'll definitely be hearing more about them in future episodes of this podcast.Back in December, I went to a festival in Singapore called Playfreely which The Observatory had organised and I asked Dharma if we could record an interview. He was super busy at the time because, in addition to making the festival happen, he was doing a recording session with Wukir. If you're not familiar with Wukir, he is best known for being one half of the band Senyawa along with his bandmate Rully Shabara (episode 2 of this podcast) Wukir builds his own instruments for all of his projects and he was also playing at Playfreely in December with a new instrument he had built.At the end of one of their recording days, I went down to the studio to interview Dharma and since Wukir was there, I ended up talking with him as well. The recording was a little bit chaotic but in the best way; we ended up recording it outside in the fresh air because they'd been couped up in the studio all day, but it was quite windy, so you'll hear that in the mics. Then it started raining and we ended up moving inside. You can also hear a fourth person who helps translate for Wukir at a couple of points. That's my friend Mahamboro who was also in Singapore at the time to play some shows. This was one of my favourite interviews I've done so far for this podcast, so I hope you enjoy it as much as I did.Tracks played: audio from Wukir, Dharma, and PGR's performance at KLEX Festival 2019LinksWukir, Dharma, and PGR @ KLEX Festival video: https://www.youtube.com/watch?v=1qIKKlFBBWsWukir and Dharma's split cassette: https://www.tandangstore.com/products/--wukir---dharma-industrial-mutant---the-resistance-split-cassetteLinks for DharmaDharma's bandcamp: https://dharma13.bandcamp.com/The Observatory bandcamp: https://theobservatory.bandcamp.com/The Obs documentary: http://obsdocu.sg/Links for Wukir SuryadiWukir Suryadi bandcamp: https://wukirsuryadi.bandcamp.com/Senyawa's Yes No Wave page: http://yesnowave.com/artists/senyawa/Senyawa on Spotify: https://open.spotify.com/artist/0F0QctWhGzgl1Ih560JzWJPancawala split (Coffee Faith, Dissonant, BRRR., DJ Miko, Anquan): https://mindblasting.wordpress.com/2020/01/01/pancawala-split/Concrescence Records YouTube channel: https://www.youtube.com/channel/UCqKkFOv5-FOVTTbl0oojrfw

01. Cul de Sac - China Gate 02. Arthur Russell - A Little Lost 03. Martin Rev - Secret Teardrops 04. LiLiPUT - A silver key can open an iron lock somewhere 05. Alexander Tucker - Artificial Origin 06. Älgarnas Trädgård - Rings Of Saturn 07. Bendik Giske - Up 08. Cucina Povera - Avainsana 09. Senyawa - Tanggalkan Di Dunia (Undo the World) 10. Keiji Haino, Stephen O'Malley & Oren Ambarchi - Not To Leave Everything To The Light Outside Of You But To Be Aware Of The Payer 'What Do I Want To Do?' That Exists Inside You, And Let That Go Out Of You As A Light, Or Things Might Get Worse, No?

Ailleurs 171 : Guillaume Guillaume - Fukushima Blues 00:00:00 WHITE HOSPITAL - Holocaust00:03:03 FILAMENT - #100:07:37 AOI SWIMMING - Bankrupt On Selling Sausages00:07:37 KEIJI HAINO - よみがえる00:11:11 KAZUKI TOMOKAWA - 湖上00:13:24 ザ・ゲロゲリゲゲゲ - B-Men No Saisho No Kyoku00:14:27 YUKO NEXUS 6 - ZINAIDA00:14:36 TOLERANCE - Sacrifice00:16:24 MIKAN MUKKU - Kan00:19:15 YUKO NEXUS 6 - La Pluie La Nuit00:21:31 CUP SAUCERS - The Sweetness Of Men00:25:37 SYMPATHY NERVOUS - Go On And Off00:27:24 JUN KONAGAYA - Voice To Call00:32:55 TUJIKO NORIKO - Endless End00:35:45 MIKAMI KAN - 一人の女のフィナーレ00:38:15 J・A・シーザー - こどもぼさつ00:40:13 SABOTEN - Iku00:41:43 KYAH - ピラニアBoy00:43:27 HANATARASH - Cock Victory00:47:44 GRIM - Amaterasu00:52:08 WHITE HOSPITAL - Holocaust (Live)00:54:43 ATAU TANAKA - Surge

It’s summer! School is out! Join Dr. Nethery and three new co-hosts for a wide-ranging discussion on philosophy and art. Topics: Philosophical Question Speed Round, Theater Magic, Poetry and Expression, Film and Experience, and Character and Engagement. Stuff we forgot the name of on the show: La Jetée (film), Keiji Haino’s So, Black is Myself (music).

4e émission de la 42e session... Cette semaine, un peu de freebop, beaucoup de free jazz et musique actuelle, de même qu'un retour sur le programme double Senyawa - Keiji Haino et The Ex au 35e FIMAV... En musique: Le String'Blö sur l'album March For Nature (Veto, 2019); Christophe Rocher / Joe Fonda / Harvey Sorgen sur l'album New Origin  (Not Two, 2019); Jeff Cosgrove / Matthew Shipp / William Parker sur l'album Near Disaster  (Grizzley Music, 2019); The Art Ensemble of Chicago sur l'album We Are On The Edge: A 50th Anniversary Celebration  (Pi, 2019); The Fictive Five sur l'album Anything is Possible  (Clean Feed, 2019)... En compte-rendu: Festival International de Musique Actuelle de Victoriaville, 19 mai 2019 Senyawa & Keiji Haino ... The Ex @ 40

Episode 14 we take a brief look into Prog and 70's Kraut Rock before sitting down for a chat with Steven Krakow aka Plastic Crimewave and Sara Gossett Spiral Galaxy! We chat about their music, their various art projects as well as upcoming shows and an almost finished debut album! In this episode we play 2 new tracks from their upcoming, as yet, untitled debut LP! Below are bios for the band, Sara and Plastic Crimewave!Chicago-native Plastic Crimewave aka Steven Krakow is known for being a "psychedelic guru" of sorts, and is the creator of the Galactic Zoo Dossier, a hand-drawn magazine published by Drag City since 2001. Crimewave also: runs the Galactic Zoo Disk reissue label imprint that is manufactured/distributed by Drag City and roving label Galactic Archives, draws/writes the bi-weekly Secret History of Chicago Music comics for the Chicago Reader for over a decade, books/founded the avant/psych festival Million Tongues featuring international musicians, has exhibited at the Museum of Contemporary art, and has drawn countless comics, posters, album covers, and branding art for Lush Cosmetics. From 2001-2011, PCW headed up Plastic Crimewave Sound, legendary space-punk ensemble that recorded 5 LPs, toured nationally with Acid Mothers Temple, Comets on Fire and The Ponys, and whom Julian Cope described as "outtasite." PCW currently leads Plastic Crimewave Syndicate (who have opened for Hawkwind, Keiji Haino, Chrome, Loop, Josefus, Purling Hiss, and Woods and have released 2 albums on UK labels); conducts the Plastic Crimewave Vision Celestial Guitarkestra of up to 70 guitarists (performed in NY, Hyde Park Arts Center, and yearly at the Hideout block party), plays banjo/guitar in the spacey duo Spiral Galaxy, and has DJ-ed all over the world--from London to Tokyo.Plastic Crimewave has tons of cool merch including exclusive 45's with hand made comics, various GZD mixtapes, videos, etc. And all can be found at:http://www.plasticcrimewave.com Sara GossettBorn and raised in Texas and a recent transplant to Chicago after 15 years in Virginia, Sara Gossett is an artist/illustrator, musician, and occasional DJ with a lifelong passion for all things related to vintage style and design. Recent projects include album art, posters, textile print design, hand-lettering commissions, spot illustrations for websites and more.Search here out for commissions or other art needs at: https://saragossett.com/home.htmlhttps://spiralgalaxychicago.bandcamp.com/1:At My Home- Twenty Sixty Six and Then Flissbandbaby, Macheal Tram Ich - Floh De CologneLiving in a Garden - Trash2: It's a Rainy Day (Sunshine Girl)- FaustThe Sun Song- EmbryoDesolation Valley & Waves - NektarEye Shaking King - Amon Duul II 3:Short Jam - GAMStone In - Guru GuruKinder des Alles 1 - Cosmic Jokers 4:For a Thousand Mothers - Jethro TullI Know What I Like - GenesisJohnny Barleycorn Must Die- TrafficSupertwister - CamelIsle of Everywhere - GongHocus Pocus - Focus 5:D Machine - Spiral Galaxy(Interview)Celestial Omen - Spiral Galaxy Outro:Temple of the Sun- The Shining Realm

4e émission de la 42e session... Cette semaine, un peu de freebop, beaucoup de free jazz et musique actuelle, de même qu'un retour sur le programme double Senyawa - Keiji Haino et The Ex au 35e FIMAV... En musique: Le String'Blö sur l'album March For Nature (Veto, 2019); Christophe Rocher / Joe Fonda / Harvey Sorgen sur l'album New Origin  (Not Two, 2019); Jeff Cosgrove / Matthew Shipp / William Parker sur l'album Near Disaster  (Grizzley Music, 2019); The Art Ensemble of Chicago sur l'album We Are On The Edge: A 50th Anniversary Celebration  (Pi, 2019); The Fictive Five sur l'album Anything is Possible  (Clean Feed, 2019)... En compte-rendu: Festival International de Musique Actuelle de Victoriaville, 19 mai 2019 Senyawa & Keiji Haino ... The Ex @ 40

Por Pachi Tapiz. Cinco propuestas suenan en la entrega 456 de HDO. Protean Labyrinth (Autoeditado, 2018) de la cantante Kyokko Kitamura, a la que acompañan Ingrid Laubrock, Ken Filiano y Dayeon Seok. Trail Of Inevitability (Lizard Breath Records, 2018), dúo del guitarrista Dan Phillips con el baterista Hamid Drake; Henry Threadgill 14 Or 15 Kestra: Agg Dirt… and More Dirt (Pi Recordings, 2018); The Urmuz Epigrams (Tzadik, 2018) de John Zorn a dúo con Ches Smith; A Philosophy Warping, Little By Little That Way Lies A Quagmire (Karlrecords, 2018) grabación en directo del grupo turco Konstrukt junto al guitarrista Keiji Haino. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Lobster spaceships, unleashing the beast, flying capos. Ben Chasny talks about three albums that informed his Hexadic System.

Episode 373: October 22, 2017 (guest artist Daniel Padden) playlist: The One Ensemble, "Saint Seven pt 1 (excerpt)" (Saint Seven) 2017 self-released Psychic TV, "Just Drifting" (Force the Hand of Chance) 1982 Some Bizzare Svarte Greiner, "Passage" (Apart) 2017 Miasmah Ogive, "Dehiscence (excerpt)" (Folds) 2017 Room40 Nazoranai, "Part 2" (Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed) 2017 W.25th Daniel Padden, "The Great Adventure" (The Grand Specific) 2016 self-released Daniel Padden, "Dancers' Reverse" (Ship Chop) 2011 Dekorder The One Ensemble, "Saint Seven pt 2 (excerpt)" (Saint Seven) 2017 self-released Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 364: August 6, 2017 (guest artist Dean McPhee) playlist: Dean McPhee, "Dance Macabre" (Four Stones) 2017 Hood Faire Porter Ricks, "Port of Tangency" (Anguilla Electrica) 2017 Tresor Keiji Haino, "Falling apart" (Watashi Dake?) 1981 Black Editions Elodie, "Ame Pale" (La Lumiere Parfumee) 2011 Faraway Press Edward Ka-Spel, "The Leary Cloud (Slight Return) (feat. Amanda Palmer)" (High on Station Yellow Moon) 2017 Soleilmoon Dean McPhee, "Smoke and Mirrors" (Fatima's Hand) 2015 Hood Faire Dean McPhee, "Avian Dream Songs: The Blackbird" (Devon Folklore Tapes Vol V: Ornithology) 2016 Folklore Tapes Dean McPhee, "The Devil's Knell" (Four Stones) 2017 Hood Faire Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

In der Pilotfolge verhandeln Albert und Christopher alle bisherigen Highlights des Jahres 2017 und sprechen über – natürlich – insgesamt 17 Platten inkl. Actress, japanischen Re-Issues oder ewig Großartigen wie Molly Nilsson und Daphni. SPOTIFY-Playlist zur Sendung: https://open.spotify.com/user/1122029323/playlist/7AtwymJUY4fJxsIlWedMGB [00:00:00] Intro & Vorstellung [00:03:30] Wie war's bislang? Zwischen Flipper und Fidget Spinner... [00:06:51] Laurel Halo // Dust [00:13:50] Ikonika // Distractions [00:16:18] Daphni // FabricLive 93 [00:20:56] Actress // AZD [00:28:30] Molly Nilsson // Imaginations [00:31:48] Nite Jewel // Real High [00:34:41] Turinn // 18 1/2 Minute Gaps [00:37:21] Porter Ricks // Anguila Electrica [00:42:08] Tzu Sing // Lies 092 [00:48:05] Wandl // It's All Good Though [00:51:33] Onra // Chinoiseries Pt. 3 [00:55:01] Bérangère Maximin // Frozen Refrains [00:58:14] Sophia Kennedy // s/t [01:02:14] Altes aus Nippon – Reissues von Haruomi Hosono, Keiji Haino, Hidori Takada [01:17:18] Playlist zur Sendung mit Jlin, Shackleton, Lanark Artefax, The Orielles und co. [01:25:46] Ciao, bis zum nächstes Mal! Kopfhörer aus dem Ohr und ab in den Plattenladen..

Episode 347: April 16, 2017 (guest artist Sarah Lipstate of Noveller) playlist: Noveller, "A Pink Sunset For No One" (A Pink Sunset For No One) 2017 Fire Diamanda Galas, "You Don't Know What Love Is" (All The Way) 2017 Intravenal Sound Operations Ensemble Economique, "Gonna Get Right With God, Right After This Next Cigarette" (In Silhouette) 2017 Denovali Andrew Chalk, "Misty Island" (Everyone Goes Home When The Sun Sets) 2016 Faraway Press Keiji Haino/Jozef Dumoulin/Teun Verbruggen, "Non-Dark Destinations (excerpt)" (The Miracles Of Only One Thing) 2017 Sub Rosa Noveller, "Into the Dunes" (Fantastic Planet) 2015 Fire Noveller, "No Dreams" (No Dreams) 2013 Important Noveller, "Another Dark Hour" (A Pink Sunset For No One) 2017 Fire Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

9e émission de la 32e session... Cette semaine, c'est assez pesant avec ben de la guitare, du Sex Pistols et des saveurs rock, post-rock et free-rock... En musique: Julian Lage Trio sur l'album Arclight (Mack Avenue, 2016); Sarah Murcia sur l'album Never Mind The Future (Ayler, 2016); Erland Dahlen sur l'album Blossom Bells (Hubro, 2015); Zu sur l'album Cortar Todo (Ipeca, 2015); Will Mason Ensemble sur l'album Beams of the Huge Night (New Amsterdam, 2015) Chisato Yamada, Keiji Haino & Takefusa Sasamori sur l'album Fantasy World (P.S.F., 1996)...

9e émission de la 32e session... Cette semaine, c'est assez pesant avec ben de la guitare, du Sex Pistols et des saveurs rock, post-rock et free-rock... En musique: Julian Lage Trio sur l'album Arclight (Mack Avenue, 2016); Sarah Murcia sur l'album Never Mind The Future (Ayler, 2016); Erland Dahlen sur l'album Blossom Bells (Hubro, 2015); Zu sur l'album Cortar Todo (Ipeca, 2015); Will Mason Ensemble sur l'album Beams of the Huge Night (New Amsterdam, 2015) Chisato Yamada, Keiji Haino & Takefusa Sasamori sur l'album Fantasy World (P.S.F., 1996)...

Toda la información de HDO disponible en http://www.tomajazz.com/web/?cat=13298. El grupo Zeitkratzer, creado y dirigido por el pianista Reinhold Friedl, continúa con su trabajo que lo mismo se basa en el trabajo de compositores de música clásica contemporánea, que revisita el legado de grupos y músicos transgresores del pop y rock como Whitehouse o Lou Reed. En febrero de 2016 lanzan dos nuevas grabaciones. "Stockhausen. Aus Den Sieben Tagen" revisita cinco composiciones textuales de Stockhausen creadas en el año 1969 que tienen que ver lo que el compositor definió como música intuitiva. A la formación se une el japonés Keiji Haino, en labor de vocalista. "Kore performed live by Zeitkratzer" es una composición de Friedl que vuelve la vista del pianista, nuevamente, al legado del compositor Iannis Xenakis. Las dos grabaciones de Zeitkratzer consiguen, nuevamente, crear un universo sonoro propio en un punto indefinido entre la música clásica contemporánea, el noise y la improvisación libre. Y todo ello, extrayendo unos increíbles sonidos de unos instrumentos acústicos. Pachi Tapiz, 2016 HDO (Hablando de oídas) es un Pahic Zitap mantenido, creado, editado y no sé cuantas cosas más por un aglobioud.

This week we have the exclusive first play of former Jaga Jazzist member Norwegian experimental guitarist Stian Westerhus’ new track. We’ve also got two from Japan with the insatiable techno-esque sounds of Japanese trio Nisennenmondai and the experimental work from Keiji Haino. Two too from Canada with Venetian Snares and Poirier. There’s Cameroonian disco from Pasteur Lappé, experimental Italian jazz from Piero Umiliani, and modern soul from Adrian Younge

3e émission de la 29e session... Cette semaine, retour de Marie-Eve Boulanger avec quoi voir en ville prochaînement, jazz québécois et du gros free ! En musique: Évidence sur l'album Monk Work (Ambiances Magnétiques, 2014); Chienvoler sur l'album La nativité de Chienvoler (Indépendant, 2013); Beth McKenna 4tet Jean-Michel Pilc sur l'album True Story (Dreyfuss Jazz, 2012); Quarteski does Bartok; Peter Brötzmann, Keiji Haino, Jim O'Rourke, Two City Blues 2 (Trost, 2015); Hugues Vincent & Yasumune Morishige sur l'album Fragment (Improvising Beings, 2014)...

3e émission de la 29e session... Cette semaine, retour de Marie-Eve Boulanger avec quoi voir en ville prochaînement, jazz québécois et du gros free ! En musique: Évidence sur l'album Monk Work (Ambiances Magnétiques, 2014); Chienvoler sur l'album La nativité de Chienvoler (Indépendant, 2013); Beth McKenna 4tet Jean-Michel Pilc sur l'album True Story (Dreyfuss Jazz, 2012); Quarteski does Bartok; Peter Brötzmann, Keiji Haino, Jim O'Rourke, Two City Blues 2 (Trost, 2015); Hugues Vincent & Yasumune Morishige sur l'album Fragment (Improvising Beings, 2014)...

唱片产业和高度发达的音乐媒介令更多人接触到了音乐，但音乐实践的仪式感也被慢慢削弱。音乐的黄金时代是否已经过去？李如一和初洋在本期中讨论了一首神秘的 Kool & the Gang 的单曲、Soulseek、反智与媚俗、以及「谁有权力决定未来的人类能听到哪些音乐」等问题。 相关链接 Kool & the Gang 大友良英 Ground Zero:《革命京剧》 《铃木先生》 《小海女》 梁翘柏 《追忆逝水年华》 坂本龙一《未来派野郎》 坂本龙一《NEO GEO》 灰野敬二 Helmut Schäfer 李如一在 Quora 上关于 Kool & the Gang 的 Power of the Dollar 的问题 万能青年旅店 Simon Reynolds: Retromania Paul Lansky Paul Lansky 谈他和 Radiohead 的合作 King Crimson King Crimson 的《Discipline》 Chapman Stick Oculus VR 人物简介 李如一：字节社创始人。 初洋：骨科主治医生。

La desaparición de una leyenda Kevin Ayers nos da la excusa para recordarle con uno de sus temas emblemáticos. El folk oscuro de los legendarios Death In June. Un disco con buena crítica el segundo de Iceage desde tierras danesas. El debut de los americanos Folie Adieu con su pop ruidoso. La leyenda japonesa del avant-garde Keiji Haino. Los ochenteros Silicon Teens y su proyecto freak de versiones. Los Dirtbombs se dejan remezclar por un tal Omar S. La puñalada 77 de los Damned. La trituradora de Pig Destroyer con su último LP. Jesus And Mary Chain vuelven y eso siempre es noticia. Charles Mingus y su contrabajo bop. La bossa exótica de Barney Kessel. El sello Warp con uno de sus fichajes The Hundred In The Hands. Nos vamos con un dúo de excelente nombre The Suicide Of Western Culture.

 Colin Marshall sits down in Nishinomiya, Japan with translator, writer, and former Kansai Time Out editor Christopher Stephens. They discuss whether higher Japanese skills get a foreigner more suspicion; the nearby presence and touristic effects of novelist Haruki Murakami's elementary school; the older writers, like Yasunari Kawabata, Junichiro Tanizaki, and Yukio Mishima, who stoked his interest in Japan; the experimental music to be found in Japan, such as the work of Keiji Haino and the Boredoms, and specifically in the Kansai noise scene; the Osaka duality between money-making hard workers and underground weirdness; the local pride taken in relative roughness and unrefinement, and the stereotype of the bad Osakan; what actually distinguishes the Osaka dialect, and how entirely different words might see use in one city but not its neighbor; Japan's visual culture, and the problematic emphasis on beauty that can ensue; his youth in Fresno, California, whose finest quality was the way it pushed him out; the time he took Wilco to an Osaka psychedelic sixties rock bar; how, when the Japanese open a psychedelic sixties rock bar, they really open a psychedelic sixties rock bar; his early struggles with regional backwardness in the eighties, and what happens when Japanese friends still ask him to hold their babies; Osaka's high crime rate for Japan and Fresno's high crime rate for California; whether Paris syndrome actually afflicts the Japanese; the West's eagerness to believe everything they hear about Japan; photographer Kyoichi Tsuzuki's purchase of the entire collection of Toba's science-fiction erotic museum; the cannaboid substance known as "herb" that recently made the rounds in Japan; the persistence of visual art in Japan which goes well beyond Takashi Murakami, and his own specialty, the Gutai group of painters; why no Japanese person has yet appeared on this show, and what linguistic reasons might explain it; the corrections Japanese people make to his English; his work editing Kansai Time Out during the heyday of its breed of publication; Japan's relatively robust print culture, at least by contrast to America's; how little time translation leaves to learn new words or savor the language; and, despite the world's having lost confidence in Japan, his theory that darkness always brings light, and that trouble sparks creativity.

All day I had the words "this world over" floating in my head, and only after doing this show did I remember that's a song title on my least favorite XTC record.* So it was left out of this impromptu apocalyptical set. A few months ago while reading about Kaoru Abe, I learned about his exploitative biopic. At the time, I joked that I should try to get the movie and play it on the air. And then I found the movie, and the Grouse stands by his word. It's a "Sid & Nancy for the free jazz set." The Lady Katie, listening from Shaw, asked if the movie was just sex and crying; and indeed it is. But also a few dust-ups, an amputated toe (for love's sake), and some blistering improv. As far as I can tell, the real Keiji Haino and Fushitsusha play themselves, on and off stage. My knowledge of the Japanese free jazz scene is extremely limited; with the exception of the lead actor, they all looked like real players giving semi-real performances. The entire movie audio was broadcast on 97.5 FM on 12.20.12. The entire audio is again presented here... because, what the hell. The full video is out there if you're really interested. Good luck finding subtitles! While on the air, I did my best to live tweet some visuals, and I've collected them at the bottom of this post. While typing these notes, I learned that the director of "Endless Waltz," Koji Wakamatsu, died in October. Let's just pretend, ex post facto, that this whole thing was a belated tribute to a director I'd never heard of. For podcasting purposes, I cannot link to anything above my audio link below. But click on his name in the playlist for the New York Times obituary. Rest in peace, Koji. The original plan for today was 1:44 to "Endless Waltz," 4 minutes to a late tribute to Ravi Shankar (the appropriate "I Am Missing You"), and 4 minutes for Bird's rendition of White Christmas. I hadn't planned to give in to the zeitgeist and do an end of the world set. But then the Lady Katie requested the Ted Leo track that we open with. I also showed up early for the first time in a great while, so bonus world-ending radio for all! *It would have made a good segue piece in this set too; from XTC to Seagulls Screaming Kiss Her Kiss Her (the band, named after the XTC song on "The Big Express"), to Kaoru Abe. Download | Podcast Ted Leo & the Pharmacists - "Last Days" (from The Brutalist Bricks) Talulah Gosh - "My World's Ending" (from Backwash) Jenks "Tex" Carman - "End of the World" (from Chippeha! (1947-57)) Ohm-A-Revelator - "World's End" (from Windswept Trees & Houses) Silmaril - "Song of the Apocalypse" (from The Voyage of Icarus) Grouse introduces this ridiculous episode. And proceeds to screw everything up. Sun Ra - "Mayan Temple" (from The Singles) Charlie Parker - "White Christmas" (from Charlie Parker - Archive of Folk & Jazz Music) "Endless Waltz" (Koji Wakamatsu, 1995) Ravi Shankar - "I Am Missing You" (from Shankar Family & Friends) Heading to the @radiocpr underground bunker now. Here's a little preview of tonight's show. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 20, 2012 I believe we're starting in the future, and this is Kaoru and Izumi's daughter. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Izumi is having sex in the bunkbed below her. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 But not with Kaoru, who is apparently watching. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Early in the relationship, these two have a lot of sex. And a lot of naked post-coital hangouts. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Kaoru invades shower time. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Missed this one a bit earlier... Kaoru playing under the bridge. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Dramatic close-up. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 I think that was a comparison to Jimi Hendrix & Janis Joplin? #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 This band is playing a set... then Kaoru just walks in from the back of the room. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 And jumps on stage, but they seem to be getting along. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 The other sax player does have this look of "wtf man, this is my set!" #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 Dude, Kaoru, she's drunk off her ass. Drunk sex is not consensual sex! #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh look they're moving in together. That was fast. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Is this look meant to evoke...a drummer I'd have to guess. But he looks like one of my Vietnamese uncles. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 This handsome devil is not your typical alto player. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Hippies. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 What's with the satchel/school boy look? Going for the AC/DC of free jazz or something? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Kaoru gave this book to some guy trying to sound erudite for a lady after his set. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Hi guy. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Wait, who is this guy and why is he beaten on the floor of their hallway? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 He's got a story to tell Izumi and the other hippie chick. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 They have a fight, Kaoru runs out to pour his pain into his sax. Eyes rolling back: foreshadowing? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh shit! pre-seizure. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 And post-seizure. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Recovering with some Van Gogh. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Another fight, but now Kaoru's made it up to playing on top of the bridge. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh, there was some mutual hair-pulling in that last fight. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Izumi can't stand him practicing in the apt, so she fights back with pop radio, causing another seizure. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 While Izumi's out, Kaoru reads her writing, and she is none too pleased. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 And the row that erupts is loud enough to have the neighbors call the cops on them. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Better times, though they both seem high. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 OH GOD. I THINK SHE JUST CUT OFF HER TOE TO PROVE SHE LOVES HIM. #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 Face of toe cutting. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 I won't show you the gory fake cut off toe, but here is the aftermath. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Trail of blood. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 passing out from blood loss (Kaoru knocked a bunch of TP down from a cabinet and is trying to clean up) #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Showing the toe to his friends. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Good for you Izumi, kick him out using the same knife you used to cut off your own toe for him. #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 I like Kaoru's new musical partner, who's equally abrasive, just a capella. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh and it looks like he's in some sort of metal-noise band. Pretty edgy for the mid-70s, huh? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 aww look at the fat baby. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 for some reason kaoru switches to harmonica for the kid. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 shacking up with another lady, is horrible to her too. twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Now it seems that paranoia is plaguing poor Kaoru. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Time for a nice family stroll on the beach. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Did he bring her some sort of dead bird as a peace offering? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 basically twice the man that kaoru is, because he can play a bigger sax AND a clarinet at the same time. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 how can kaoru and everyone else resist dancing to this amazing beat? #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 He literally cannot follow them. Bows and walks off without playing. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 uh oh, it's the pills mixed with booze part of the movie. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 which inspires a mean harmonica solo! #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 I thought this was gonna be the big one. Also thought he swallowed his harmonica at first. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Shaky feet. Maybe he's just cold and you should cover them up, Izumi. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh wait, that was the big one. And now a reprise of the movie's opening cheesy harmonica rendition of Amazing Grace. #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 His funeral has an unholy sounding duet on St. James between a harmonica and a sax. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 I like free jazz, but I feel bad for the people who have to attend this funeral. #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 Oh, that opening scene... Kaoru wasn't watching her have sex. Imaginary Dead Kaoru was watching in Izumi's mind. #endlesswaltz— The Mighty Grouse (@KingGrouse) December 21, 2012 Fat baby is all grown up, and she's all Izumi's got left. #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Don't do it Izumi, you've got a daughter to raise! #endlesswaltz twitter.com/KingGrouse/sta…— The Mighty Grouse (@KingGrouse) December 21, 2012 Also, who hangs themselves by leaning into a noose? Unless, say a prison door knob is involved #endlesswaltz #dangelobarksdaleneverforget— The Mighty Grouse (@KingGrouse) December 21, 2012

Siccome non c'è nulla che possa fregarvi meno di sapere cosa succedeva al Minor club di Tokyo nel 1980 e dintorni, Benno si prende la briga di farvelo sapere con dovizia di particolari in un chilometri podcast sulla fantomatica "No Wave Giapponese", che mette infila nomi dall'appel commerciale indiscusso tipo Tori Kudo, Keiji Haino, Motoharu Yoshizawa, gli Ultra Bide, Tamio Shiraishi, Michio Kadotani, Yximalloo, Daisuck & Prostitute, Hijokaidan e tanti altri.

Keiji Haino Podcast Keiji Haino with Greg Cohen and Joey Baron, “Rolling on the Tide and Tide, Spreading the Colour of Red” An Unclear Trial (Avant) Questions about this or any other Non-Event podcast? Email susanna@rarefrequency.com....