Podcasts about Hank Mobley

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

ESTÁNDARES SEMANALES.-The Way You Look Tonight.-VINILOS MÍTICOS DEL JAZZ.-Horace Silver - Horace Silver And The Jazz Messengers.-JAZZACTUALIDAD.-INTOKABLE BIG BAND.-A FERRO Horace Silver and the Jazz Messengers es un álbum de Horace Silver and the Jazz Messengers que recopila dos LP de 10" de 1955: Horace Silver Quintet, Vol. 3 (BLP 5058) y Horace Silver Quintet, Vol. 4 (BLP 5062), grabados el 13 de noviembre de 1954 y el 6 de febrero de 1955 respectivamente y lanzados en Blue Note en octubre de 1956, el primer 12" de Silver. El quinteto cuenta con una sección de instrumentos de viento formada por Hank Mobley y Kenny Dorham y una sección rítmica por Doug Watkins y Art Blakey . Una de las canciones más exitosas del álbum, « The Preacher », casi fue rechazada para su grabación por el productor Alfred Lion , quien la consideró «demasiado anticuada», pero fue reincorporada por la insistencia de Blakey y Silver, quienes amenazaron con cancelar la sesión hasta que escribiera otra canción para grabar en su lugar si no la incluían. Según Silver, la canción demostró que la banda podía «remontarse al pasado y conseguir esa sensación de bar de antaño con un toque de ritmo». Estas grabaciones ayudaron a establecer el estilo hard bop . Éstas fueron las primeras sesiones en las que utilizó el formato de quinteto, que utilizaría en gran medida durante el resto de su carrera. Título: A Ferro! Grupo: Intokables Big Band Componentes: Director: Carlos Ferri «Patilla». Saxo Altos: Ivan Albuixech, Marcos, Ferri Nicolás, & Marc Puertes. Saxos tenores: Marc Puertes, Kike Suay, Gerard Vercher y Francisco Blanco Latino. Saxo Barítono: Enrique Tortosa & Francisco Blanco Latino. Trombones: Miki García, Mario Sanchís, Joan Mont, Joan García & Joan Negro. Trompetas: Alex López, Mauro Gozálbez, Pau Sanchis Torno, Vicent Bernabéu, Salvador Garcia y Santiago Torro. Piano: Carlos Botella, Mario Coloma y Kevin Díaz. Congas: Xexu Obrer. Clarinete: Carlos Ferri «Patilla». Teclados: Mario Colona. Guitarra: Antonio Martí & Oscar Albuixech. Batería: Gustau Garcia & Saul Aranzueque. Percusión: Xexu Obrerías, Gustau garcia & Saul Aranzueque. Bajo Eléctrico: Rubén Martí Voz: Miriam Albero y Eva Romero. Fecha de Grabación: 2024. 1, 2 y 3 de Marzo. Lugar de Grabación: Onteniente. Sello Discográfico: Sedajazz Records. Nº de temas: 10. Formato: CD. Instrumento: Big Band. Estilo: Fusión. Nº de Serie: SJ 151. Año de Edición: 2024. Duración: 50:01 Calificación: 3* Comentario: Catorce años después de su primer disco, que tuvo una buena acogida por la critica especializada, Carlos Ferri «Patilla» se vuelve a poner al mando de esta estupenda Big Band, para presentarnos su segundo trabajo. Como bien explica en el libreto interior del disco su director, «A Ferro!», es el resultado de muchos años de esfuerzo colectivo y de sacrifico personal de un grupo de músicos que han crecido, personal y profesionalmente juntos. «Intokables Big Band», se fundó en 2007 para experimentar con un repertorio donde se mezclaba el jazz, por supuesto, el funky, y, como no, el swing para, partiéndooslo de composiciones propias en su gran mayoría, y con los arreglos de destacados músicos, poner en valor el auge del jazz en el entorno que se mueven estos jóvenes músicos —en su gran mayoría—, y que se vienen nucleando alrededor de esa impagable institución valenciana, que es Sedajazz Records. Años después, y demostrando que el proyecto no era flor de un día, se creó en 2021, la «Jove Intokable Big Band», una iniciativa que buscaba preservar el futuro de la «Intocable Big Band» con el correspondiente relevo generacional. Y este segundo disco, responde a ese concepto. «A Ferro!», contiene swing a raudales, los arreglos son muy creativos, y el nivel instrumental de los solistas, estupendos. Música alegre, optimista, viva y fresca, y que bajo la batuta de su director, el maestro «Carlos Ferri «Patilla», nos ofrecen un fresco y renovado repertorio don del swing, es el gran protagonista. Enhorabuena por este gran trabajo que merece ser escuchado una y otra vez.

Fem una passejada saxofon

durée : 00:59:17 - Irrésistible Inconnu - par : Nathalie Piolé - Quitter ses repères pour se lancer dans l'inconnu ? Voilà un bon programme pour ce soir. - réalisé par : Fabien Fleurat

Tonight's Jazz Feature had one of the most widely recorded trumpeters from the 50's and 60's who eventually went into other fields after being a big part of Jazz for so many years. Donald Byrd was one of the many young trumpeters who reflected in their own way the influence of the late Clifford Brown, who died at age 25 in a car crash. Byrd along with Lee Morgan were the young heralds of the trumpet in the 50's and in the 60's Freddie Hubbard was added to that list. Byrd recorded a lot and this is from his period just before he left Jazz for other musical pursuits. This band was one he worked with frequently during the mid-60's. The Jazz Feature album is called "Blackjack" . It spotlights a sextet with Byrd leading alto saxophonist Sonny Red (aka Sylvester Kyner), tenor saxophonist Hank Mobley, pianist Cedar Walton, Walter Booker on bass and the always smiling Billy Higgins on drums. The tunes are mostly original creations by Sonny Red and Donald Byrd. Byrd wrote the title track "Blackjack", a hip funky tune. Enjoy this fine date from Blue Note Records.

BILL CROW “FROM BIRDLAND TO BROADWAY” Englewood Cliffs, N.J., November 19 & 20, 1995From Birdland to Broadway, Share a key, Okay, bugCarmen Leggio (ts) Joe Cohn (g) Bill Crow (b) David Jones (d) SONNY CLARK “MY CONCEPTION”” “My Conception” – Hackensack, NJ, March 29, 1959Junka, Blues blue, Minor meetingDonald Byrd (tp) Hank Mobley (ts) Sonny Clark (p) Paul Chambers (b) Art Blakey (d) CHARLES LLOYD “THE SKY WILL STILL BE THERE TOMORROW” New York ?, March, 2023Defiant, tender warrior, Monk's dance, The water is risingCharles Lloyd (ts,fl) Jason Moran (p) Larry Grenadier (b) Brian Blade (d) Continue reading Puro Jazz 25 de marzo, 2025 at PuroJazz.

BILL CROW “FROM BIRDLAND TO BROADWAY” Englewood Cliffs, N.J., November 19 & 20, 1995From Birdland to Broadway, Share a key, Okay, bugCarmen Leggio (ts) Joe Cohn (g) Bill Crow (b) David Jones (d) SONNY CLARK “MY CONCEPTION”” “My Conception” – Hackensack, NJ, March 29, 1959Junka, Blues blue, Minor meetingDonald Byrd (tp) Hank Mobley (ts) Sonny Clark (p) Paul Chambers (b) Art Blakey (d) CHARLES LLOYD “THE SKY WILL STILL BE THERE TOMORROW” New York ?, March, 2023Defiant, tender warrior, Monk's dance, The water is risingCharles Lloyd (ts,fl) Jason Moran (p) Larry Grenadier (b) Brian Blade (d) Continue reading Puro Jazz 25 de marzo, 2025 at PuroJazz.

durée : 00:59:21 - Objectif Perfection - par : Nathalie Piolé -

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE- Anspiel ist diesmal: „Stars fell on Alabama” – ein Jazzstandard aus dem Jahr 1934, komponiert von Frank Perkins. Folgende Titel sind zu hören: 1. When the Saints go marching in – Louis Armstrong & his Orchestra 2:46 2. The Summer Wind – Madeleine Peyroux 3:55 3. Midnight blue – Kenny Burrell 3:59 4. Straighten up and fly right – John Pizzarelli 5:09 5. Stars fell on Alabama – Toots Thielemans 3:15 6. Tonight I shall sleep with a smile on my face – Sarah Vaughan 3:59 7. Tears in Heaven – Joshua Redman 3:24 8. Misty – Johnny Mathis 3:31 9. Split feelin's – Hank Mobley 4:50 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

CHARLES TOLLIVER LIVE “CAPTAIN'S CABIN” Edmonton, AB, Canada, November 29, 1973Repetition, ImpactCharles Tolliver (tp) John Hicks (p) Clint Houston (b) Clifford Barbaro (d) WALTER BISHOP, JR. “MIDNIGHT BLUE” Milan, Italy, December 12, 1991Sweet and lovely, Never let me go, Farmer's delightWalter Bishop, Jr. (p) Reggie Johnson (b) Doug Sides CURTIS FULLER “THE OPENER” Hackensack, N.J., June 16, 1957Lizzy's bounce, A lovely way to spend an evening (hm out), OscalypsoCurtis Fuller (tb) Hank Mobley (ts) Bobby Timmons (p) Paul Chambers (b) Art Taylor (d) Continue reading Puro Jazz 31 de diciembre, 2024 at PuroJazz.

CHARLES TOLLIVER LIVE “CAPTAIN'S CABIN” Edmonton, AB, Canada, November 29, 1973Repetition, ImpactCharles Tolliver (tp) John Hicks (p) Clint Houston (b) Clifford Barbaro (d) WALTER BISHOP, JR. “MIDNIGHT BLUE” Milan, Italy, December 12, 1991Sweet and lovely, Never let me go, Farmer's delightWalter Bishop, Jr. (p) Reggie Johnson (b) Doug Sides CURTIS FULLER “THE OPENER” Hackensack, N.J., June 16, 1957Lizzy's bounce, A lovely way to spend an evening (hm out), OscalypsoCurtis Fuller (tb) Hank Mobley (ts) Bobby Timmons (p) Paul Chambers (b) Art Taylor (d) Continue reading Puro Jazz 31 de diciembre, 2024 at PuroJazz.

“BLUES IN TRINITY” London, August 24, 1958Color Blind (db out), Just a pennyDizzy Reece, Donald Byrd (tp) Tubby Hayes (ts) Terry Shannon (p) Lloyd Thompson (b) Art Taylor (d) “STAR BRIGHT” Englewood Cliffs, N.J., November 19, 1959The rake, GroovesvilleDizzy Reece (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Taylor (d) “COMIN' ON” Englewood Cliffs, N.J., April 3, 1960The case of the frightened lover, TenderlyDizzy Reece (tp,cga-1) Stanley Turrentine (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) “SOUNDIN' OFF” Englewood Cliffs, N.J., May 12, 1960Ghost of a chance, Our Love is here to stayDizzy Reece (tp) Walter Bishop, Jr. Continue reading Puro Jazz 18 de octubre, 2024 at PuroJazz.

“BLUES IN TRINITY” London, August 24, 1958Color Blind (db out), Just a pennyDizzy Reece, Donald Byrd (tp) Tubby Hayes (ts) Terry Shannon (p) Lloyd Thompson (b) Art Taylor (d) “STAR BRIGHT” Englewood Cliffs, N.J., November 19, 1959The rake, GroovesvilleDizzy Reece (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Taylor (d) “COMIN' ON” Englewood Cliffs, N.J., April 3, 1960The case of the frightened lover, TenderlyDizzy Reece (tp,cga-1) Stanley Turrentine (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) “SOUNDIN' OFF” Englewood Cliffs, N.J., May 12, 1960Ghost of a chance, Our Love is here to stayDizzy Reece (tp) Walter Bishop, Jr. Continue reading Puro Jazz 18 de octubre, 2024 at PuroJazz.

Welcome to today's Guided Listening Session with James Moore This podcast was originally released on March 4th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!Today, in Episode #3, we have some uber-swinging Hank Mobley (tenor saxophone), and a trumpet player talking about it all. Is this even allowed? Not sure, but let's proceed anyway. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • JazzWire Free Trial - All of the new Guided Listening videos are accompanied with 3 week long lessons on JazzWire. Please write us, JandJonJazz@gmail.com if you're interested in checking out JazzWire behind the paywall! Amazing practice ideas, every week, for free. What's not to love!?

durée : 00:59:54 - Banzzaï du vendredi 13 septembre 2024 - par : Nathalie Piolé -

DONALD BYRD “BYRD'S EYE VIEW” Cambridge, Mass., December 2, 1955Doug's blues, Hank's other tuneDonald Byrd, Joe Gordon (tp) Hank Mobley (ts) Horace Silver (p) Doug Watkins (b) Art Blakey (d) JOHN ABERCROMBIE “CLASS TRIP” New York, February, 2003Risky business, Descending graceJohn Abercrombie (g) Mark Feldman (vln) Marc Johnson (b) Joey Baron (d) KERRY POLITZER “RUMINATIONS” Portland, OR, December 16, 2023Hay ride, Saida, CudgelTim Wilcox (ts,sop) Kerry Politzer (p,comp) Garrett Baxter (b) George Colligan (d) Continue reading Puro Jazz 13 de agosto, 2024 at PuroJazz.

DONALD BYRD “BYRD'S EYE VIEW” Cambridge, Mass., December 2, 1955Doug's blues, Hank's other tuneDonald Byrd, Joe Gordon (tp) Hank Mobley (ts) Horace Silver (p) Doug Watkins (b) Art Blakey (d) JOHN ABERCROMBIE “CLASS TRIP” New York, February, 2003Risky business, Descending graceJohn Abercrombie (g) Mark Feldman (vln) Marc Johnson (b) Joey Baron (d) KERRY POLITZER “RUMINATIONS” Portland, OR, December 16, 2023Hay ride, Saida, CudgelTim Wilcox (ts,sop) Kerry Politzer (p,comp) Garrett Baxter (b) George Colligan (d) Continue reading Puro Jazz 13 de agosto, 2024 at PuroJazz.

Virtuoso trumpeter Lee Morgan (born July 10, 1938) first rose to fame as a teenage member of Dizzy Gillespie's band. He played as a sideman with John Coltrane, Wayne Shorter, Jackie McLean, Hank Mobley, Art Blakey in addition to producing a series of recordings as a leader, one of which “The Sidewinder” became a surprise commercial hit in 1964. He died tragically in 1972, shot at a club in NYC during a gig.

Tenor saxophonist Hank Mobley (born July 7, 1930) was described as the “Middleweight champion of the tenor saxophone” by critic Leonard Feather, but most musicians think he punched well above that weight class. His career included stints with Art Blakey, Horace Silver, Max Roach and Miles Davis as well as over thirty recordings as a bandleader in his own right. Many of his compositions have become jazz standards, and his soulful and lyrical solos stood out every time he played his horn.

HANK MOBLEY NO ROOM FOR SQUARES Englewood Cliffs, NJ, October 2, 1963No room for squares, Me ‘n youLee Morgan (tp) Hank Mobley (ts) Andrew Hill (p) John Ore (b) Philly Joe Jones (d) DAVID HAZELTINE BLUES FOR GERRY Astoria, NY, December 1, 2022Blues for Gerry, Firm roots. Body and soulDavid Hazeltine (p,comp) Peter Washington (b) Joe Farnsworth (d) NICK FINZER LEGACY c., 2023Say When, Pennies From Heaven, Lament, That ThingNick Finzer (tbn) Renee Rosnes (p) Rufus Reid (b), Lewis Nash (dr) Continue reading Puro Jazz 13 de junio, 2024 at PuroJazz.

durée : 00:59:39 - Banzzaï du vendredi 07 juin 2024 - par : Nathalie Piolé -

DEXTER GORDON RE-ISSUE – HOMECOMING – LIVE “VILLAGE VANGUARD” New York, December 11 & 12, 1976 FenjaWoody Shaw (tp,flhrn) Dexter Gordon (ts) Ronnie Mathews (p) Stafford James (b) Louis Hayes (d) WAYNE SHORTER MOSAIC RE-ISSUE – SPEAK NO EVIL Engelwood Cliffs, N.J., December 24, 1964Speak no evil, Fee-fi-fo-fum, Wild flowerFreddie Hubbard (tp) Wayne Shorter (ts) Herbie Hancock (p) Ron Carter (b) Elvin Jones (d) HANK MOBLEY THE COMPLETE BLUE NOTE FIFTIES SESSIONS – PECKIN' TIME Hackensack, N.J., February 9, 1958High and flighty, Peckin' time, Stretchin' outLee Morgan (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Charlie Persip (d) Continue reading Puro Jazz 04 de junio, 2024 at PuroJazz.

Miles Davis (May 26, 1926 - Sept 28, 1991) unabashedly said that he revolutionized jazz music several times over his career. While an argument could be made for that statement, it is undeniable that the many musicians who passed through his bands over the years have definitely revolutionized the music.   The list is long, virtually every musician who passed through Miles' many bands has had a lasting impact on the music, John Coltrane, Cannonball Adderley, Hank Mobley, Wayne Shorter, Herbie Hancock, Chick Corea, Keith Jarrett, Joe Zawinul and the list goes on! Throughout his long career Miles retained his lyrical, introspective approach to soloing, regardless of the musicians he surrounded himself with.

Join Brent on another exciting episode for a deep dive into jazz solos worth learning. In this special Fast Track Friday edition, he reflects on the week's episodes and shares invaluable insights into the art of storytelling through jazz improvisation. From Miles Davis's iconic solo on "So What" to Chet Baker's emotive vocal solo on "It Could Happen To You," Brent highlights 10 captivating solos that offer valuable lessons in jazz language and storytelling.Discover the melodic richness of Miles Davis's solos on "Freddie Freeloader" and "So What," perfect for beginners looking to delve into jazz improvisation. Explore the bebop brilliance of Charlie Parker's "Now Is The Time" and the thematic approach of Hank Mobley's "Someday My Prince Will Come" solo. From the rhythmic mastery of Wynton Kelly's "Freddie Freeloader" to the raw emotion of Chet Baker's vocal improvisation, these solos offer a diverse range of styles and techniques for musicians of all levels. Don't miss out on this opportunity to expand your jazz vocabulary and enhance your improvisational skills!Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.

Welcome to the J&J on Jazz Podcast. This podcast was originally released on May 14th, 2021, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #3, James and Jeff talk about what might be the most perfect 12 measures of jazz ever played, from a classic Hank Mobley solo. Let's listen, analyze, dig in and see what we can take away from this timeless chorus of blues. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

ELVIN JONES POLY-CURRENTS Englewood Cliffs, NJ, September 26, 1969Agenda (1), Mr. Jones (3)Joe Farrell (eng-hrn-1,fl-2,ts-3) Fred Tompkins (fl-4) George Coleman (ts) Pepper Adams (bar) Wilbur Little (b) Elvin Jones (d) Candido Camero (cga) ART FARMER FARMER'S MARKET Hackensack, N.J., November 23, 1956With Prestige, Ad-dis-un, Farmer's marketArt Farmer (tp) Hank Mobley (ts) Kenny Drew (p) Addison Farmer (b) Elvin Jones (d) BILL FRISELL LOOKOUT FOR HOPE New York, March, 1987Lookout for hope, Little brother Bobby, HackensackBill Frisell (g,el-g,bj) Hank Roberts (cello) Kermit Driscoll (b) Joey Baron (d) Continue reading Puro Jazz 21 febrero 2024 at PuroJazz.

Grabaciones de los años sesenta hechas en el estudio de Rudy Van Gelder para el sello Blue Note por el saxofonista Hank Mobley ('Recado bossa nova'), el guitarrista Grant Green ('Corcovado'), el pianista Duke Pearson ('Sandalia dela' -con la voz de Flora Purim-), el trompetista Lee Morgan ('Río'), los saxofonistas Ike Quebec ('Blue samba') y Joe Henderson ('Blue bossa') y el trompetista Donald Byrd ('Book´s bossa'). Además, tres clásicos de Jobim, con las cantantes Nancy Wilson ('How insensitive'), Jackie Allen ('Dindi') y Dianne Reeves ('Triste'). Escuchar audio

WARDELL GRAY – ONE FOR PREZ Hollywood, CA, November 23, 1946One for Prez, Dell's bells, The man I love, Easy Swing, The great lie (part 1 & 2) Wardell Gray (ts) Dodo Marmarosa (p) Red Callender (b) Harold “Doc” West (d) Chuck Thompson (d-1) replaces West ELMO HOPE ALL STAR SEXTET – INFORMAL JAZZ Hackensack, N.J., May 7, 1956Wee jah, On itDonald Byrd (tp) Hank Mobley, John Coltrane (ts) Elmo Hope (p) Paul Chambers (b) Philly Joe Jones (d) MATT BREWER – GANYMEDE New York, September 11, 2018Don't wake the violent baby, R.J., WilliseeMark Shim (ts) Matt Brewer (b) Damion Reid (d Continue reading Puro Jazz 23 enero 2024 at PuroJazz.

Izaline Calister: Kanta Hélele; Izaline Calister, Angelo Verploegen, Ed Verhoeff: Miss Celie's Blues; Astrid Seriese: Have A Little Faith In Me; Cassandra Wilson: I'm So Lonesome I Could Cry; Yes! Trio: 2K Blues; Dubbelaar: Scott Hamilton, Rein de Graaff, Marius Beets, Eric Ineke: Old Folks; Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb: […]

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

durée : 00:58:52 - Banzzaï du vendredi 27 octobre 2023 - par : Nathalie Piolé -

Ally Fiola is a Nova Scotian saxophonist and film composer. Her recently recorded original jazz album, Interblaze, features 3x Grammy winning saxophonist Jeff Coffin (Dave Matthews Band, Bela Fleck and the Flecktones), Grammy winning keyboardist Glenn Patscha (Bonnie Raitt), Kurdish guitarist Shvan Kaban, and many top-tier Nova Scotian musicians, including co-producer Chris Mitchell. Ally's full and soulful  saxophone tone is influenced by Cannonball Adderley, Maceo Parker, Hank Mobley, and David Sanborn, to name a few. Quirky melodies combined with joyous grooves and unexpected twists and turns, Ally's jazz compositions are often inspired by New Orleans brass band, soul, and contemporary jazz. As an experienced composer, she connects to a wide-range of listeners with music that is emotionally charged, infused with personality yet widely accessible. “Thoughts of Home”, an original composition from her latest album, was nominated for the 2022 Marvin Hamlisch International Music Awards in the jazz category.  Support the show

Del triple CD 'Blue bossa. Cool cuts from the tropics' las grabaciones de los músicos de jazz Cannonball Adderley con Bossa Rio Sextet ('Sambop'), Hank Mobley ('Recado bossa nova'), Duke Pearson con Astrud Gilberto ('Sandalia dela'), Charlie Rouse ('Samba de Orfeu'), Andrew Hill ('Mira'), Lou Donaldson ('South of the border'), Donald Byrd ('Books´s bossa'), Horace Silver ('Swinging the bossa'), Ike Quebec ('Loie') y Joe Henderson ('Blue bossa'). Escuchar audio

One of the most important things that you can do is listen to jazz music, and that seems so simple, but literally you are practicing when you listen to jazz music. You will become a better jazz musician, simply by putting on your headphones or putting them on the speakers and just listening to how this music actually sounds. So today I'm gonna talk about 25 jazz albums that every jazz musician absolutely needs to know, absolutely needs to listen to. In this episode:1. Listening to jazz is essential for becoming a great jazz musician.2. Being aware of different styles and artists in jazz is important for personal growth and inspiration.3. Jazz albums can have a transformative effect on a musician's playing. #1: Louis Armstrong's "Complete Hot Five and Hot Seven Sessions" #2: Duke Ellington's "Live at Newport" #3: Count Basie's "The Complete Deca Recordings"#4: Benny Goodman's "The Famous 1938 Carnegie Hall Jazz Concert"#5: Charlie Parker and Dizzy Gillespie's "Quintet Jazz at Massey Hall"#6: "Charlie Parker with Strings" - Charlie Parker#7: Sonny Rollins' "Saxophone Colossus" #8: John Coltrane's "Blue Train" #9: Art Blakey and the Jazz Messengers' "Moanin'"#10: "Sonny Side Up" by Dizzy Gillespie #11: "Boss Tenors" by Gene Ammons and Sonny Stitt #12: "Soul Station" by Hank Mobley #13: Wes Montgomery's "Boss Guitar" #14. "Kind of Blue" by Miles Davis#15: "Time Out" by Dave Brubeck#16:  "Mingus Ah Um" by Charles Mingus #17: "The Shape of Jazz to Come" by Ornette Coleman#18: "Giant Steps" by John Coltrane #19:  "A Love Supreme" by John Coltrane #20: "The Blues in the Abstract Truth" by Oliver Nelson #21:  "Bitches Brew" by Miles Davis #22:  "Head Hunters" by Herbie Hancock #23:  "Heavy Weather" by Weather Report#24:  "Bright Size Life" by Pat Metheny#25:  "Deep Song" by Kurt RosenwinkelImportant Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastGet 50% off your first month when joining the Inner Circle: https://members.learnjazzstandards.com/sp/inner-circle-sales-page-podcast-direct/

Fiona Apple "Shadowboxer"The Dirty Dozen Brass Band "My Feet Can't Fail Me Now"Sam & Dave "you Got Me Hummin'"Eddie Hinton "Everybody Needs Love"JD McPherson "Dimes For Nickles"Little Richard "Keep a Knockin'"Little Richard "By the Light of the Silvery Moon"Hayes Carll "Faulkner Street"Lucero "On My Way Downtown"Langhorne Slim "The Electric Love Letter"Langhorne Slim "I Ain't Proud"Hank Mobley "Roll Call"Nina Simone "Do I Move You?"Charlie Louvin "Wreck of the Old 97"Nicole Atkins "Goodnight Rhonda Lee"Willie Nelson "Devil In a Sleepin' Bag"Wilco "How To Fight Lonliness"Chris Knight "Nothing On Me"Ted Hawkins "Strange Conversation"Kelly Hogan "We Can't Have Nice Things"Grandpaboy "Let's Not Belong Together"The Hold Steady "Entitlement Crew"Nikki Lane "Man Up"Drag the River "Songs for Robin Reichardt"Levon Helm "Poor Old Dirt Farmer"Thelonious Monk "Straight, No Chaser"Magnolia Electric Co. "Northstar Blues"Jimmy Buffett "Death Of An Unpopular Poet"Kris Kristofferson "Closer to the Bone"Bonnie Prince Billy "New Partner"Neil Young "Come On Baby, Let's Go Downtown"Gillian Welch "Tear My Stillhouse Down"Waylon Jennings "Are You Sure Hank Done It This Way"Eilen Jewell "Could You Would You"John Moreland & The Dust Bowl Souls "This Town Tonight"R.E.M. "Feeling Gravitys Pull"Big Mama Thornton "I'm Feeling Alright"Art Blakey & The Jazz Messengers "Are You Real"Sam Cooke "Having a Party"Johnny Cash "The Kneeling Drunkard's Plea"Drive-By Truckers "Marry Me"Jenny Lewis "Just One of the Guys"

Miles Davis is one of the most influential jazz musicians of all time, and his album "Kind of Blue" is widely regarded as a masterpiece. Released in 1959, the album features some of the most iconic and recognizable jazz tunes ever recorded. The album was recorded over two days in March of 1959 and was composed of five tracks, each one a masterpiece in its own right. The album was released by Columbia Records and was an instant success, going on to become the best-selling jazz album of all time. The album is widely regarded as a landmark in the history of jazz, and is often cited as the definitive example of modal jazz. Modal jazz is a style of jazz that focuses on a particular musical mode or scale, rather than traditional chord changes. The first track on the album, "So What," is perhaps the most famous. The tune is based on a simple modal scale and features solos by Davis and saxophonist John Coltrane. The tune is a masterpiece of understated elegance, and showcases Davis' masterful use of space and restraint. The second track, "Freddie Freeloader," features a bluesy solo by tenor saxophonist Hank Mobley. The tune is named after a friend of Davis' who would always show up at gigs without any money. The third track, "Blue in Green," is a hauntingly beautiful ballad that features a muted trumpet solo by Davis. The tune was actually composed by pianist Bill Evans, who also played on the album. The fourth track, "All Blues," is another modal masterpiece that features a memorable bass line by Paul Chambers. The tune is notable for its use of a 6/8 time signature, which was unusual for jazz at the time. The final track, "Flamenco Sketches," is a series of improvisations based on a simple set of chords. The tune features solos by Davis and Coltrane, and is perhaps the most experimental track on the album. "Kind of Blue" is an album that rewards repeated listening, as there is always something new to discover in the intricate interplay between the musicians. It is a timeless masterpiece that continues to inspire and influence musicians to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Another tune of the month coming at you to close out our series on Hank Mobley. This time, we look at a standard from Mobley's album Soul Station, If I Should Lose You. Enjoy the etude and don't forget to grab a copy on our Patreon page! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

This week we look at the first couple of choruses of Hank Mobley's solo on the blues, Dig Dis. We talk about about and dissect what makes this such an incredible statement and take some things with us to work on in the practice room. Enjoy! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

This week we take a look at an excerpt of Hank's solo on Roll Call. We discover how he is an absolute master of horizontal playing and language and take some stuff with us to practice in our own time. Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

We are back with a new series for the month of March! This month we'll discover the music of one of my favorite musicians of all time, Hank Mobley. We start by looking at a couple of useful excerpts from his solo on Irving Berlin's "Remember". Enjoy! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Chicago born John Arnold Griffin 111 is better known as simply Johnny or in some cases "The Little Giant." Griffin was and is one of the major voices of the tenor saxophone. He emigrated to New York in late 1956 and was soon causing musical excitement in the Big Apple. He recorded his first Blue Note album and it was getting lots of play and in early 1957 he joined Art Blakey's Jazz Messengers. He was doing sideman record dates as well. Tonight's Jazz Feature is his second Blue Note date and it's basically a jam type date with long tunes and plenty of solo time for all. Griffin requested this and it was agreed upon by Blue Note boss Alfred Lion. Griffin picked the young trumpet sensation still in his teens, Lee Morgan. Hank Mobley and John Coltrane were his other tenor saxophone partners. The rhythm section was powerful with Wynton Kelly on piano, Paul Chambers on bass and Griffin's boss, Art Blakey on drums. Two standard tunes were played and two Griffin originals comprised the date and everyone had a chance on all of these tunes to show their stuff. Unlike many blowing jam type sessions, the level was top notch on this one. This is Jazz at it's best.....in other words: the real deal! A Blowin' Session, tonight's Jazz Feature.

Continuamos explorando el disco triple 'Blue bossa. Cool cuts from the tropics' y sus grabaciones de músicos de jazz marcadas por lo latino: Cannonball Adderley & Bossa Rio Sextet ('Sambop'), Hank Mobley ('Recado bossa nova'), Duke Pearson ('Sandalia dela', 'Stormy'), Charlie Rouse ('Samba de Orfeu'), Andrew Hill ('Mira'), Lou Donaldson ('South of the border'), Lee Morgan ('Eclipso'), Donald Byrd ('Book´s bossa') y Horace Silver ('Swinging the samba'). Escuchar audio

Exploramos un disco triple, 'Blue bossa. Cool cuts from the tropics', publicado hace seis años, que contiene grabaciones de músicos de jazz marcadas por lo latino: James Moody and his Modernists ('Tin tin deo'), Hank Mobley ('Avila and Tequila'), Jackie McLean ('Bluesanova'), Grant Green ('Corcovado'), Stanley Turrentine ('Wave'), Horace Parlan ('Congalegre'), Big John Patton ('Latona'), Ike Quebec ('Loie', 'Lloro tu despedida') y Joe Henderson ('Blue bossa').Escuchar audio

Acclaimed saxophonist, composer, producer, and educator Greg Osby joins host Angélika Beener to discuss Miles Davis's Someday My Prince Will Come at 60. One of the most originative musicians of his generation, Osby delves into what it means to be an artist in transition, as Miles Davis was in 1961; why Hank Mobley deserves much more love; and how expanding beyond the “Top 5” mentality will make for a better musician and scene, while Angélika speaks on the cultural significance of this now iconic album cover. This and so much more!

Greg Mottola's new CONFESS, FLETCH has so far flown under the radar in a modern-day moviegoing landscape to which it is not particularly suited, but we were won over by Jon Hamm's take on the character first portrayed by Chevy Chase, who here takes on a slacker-detective persona more reminiscent of the protagonist of Robert Altman's THE LONG GOODBYE. We're joined once again by longtime friend of the show and longer-time FLETCH quoter Noel Murray to dissect what makes this new iteration tick, before bringing Altman's film back into the picture to consider what these protagonists share, and what distinguishes them, in their ability to enter spaces uninvited, their propensity for comedic asides meant for an audience of themselves, and the supporting cast of quirky characters who surround them. Plus, Keith offers some follow-up viewing with his Your Next Picture Show pick, Robert Benton's THE LATE SHOW. Please share your comments, thoughts, and questions about THE LONG GOODBYE, CONFESS, FLETCH, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, leaving a short voicemail at 773-234-9730, or commenting on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more.  Outro music: Hank Mobley, “This I Dig of You” Next Pairing: David Lean's BRIEF ENCOUNTER and Park Chan-wook's DECISION TO LEAVE Learn more about your ad choices. Visit megaphone.fm/adchoices

Our 100th episode! To help us celebrate this milestone, Skip and Jason are joined this week by friends of the show Nels Cline (Wilco), Barry Grzebik (Grez Guitars), Jesse Quitslund (Acme), Steve Melkisethian (Angela Instruments), and Colleen Fazio (Fazio Electric). We tackle a few amp questions, get the first-ever ambient remix of our podcast, catch up, and announce the winners of our 100th episode giveaways.  This week's episode is sponsored by Calton Cases, Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise.  Some of the topics discussed this week: 4:48 'California Burning' book (Amazon link) 7:05 Special guest: Nels Cline: Daybreak Seaweed Flakes (link)  8:26 Our TAVA 100 Giveaways: A Grez Mendocino Junior; a Skip-modded SF Fender champ; a Madsen Amplification GE Boost (use the discount code TAVA 20 at madsenamps.com); a FirstCoast Amplification-modified Masco-turned-5F2A Princeton (FirstCoast's Reverb store); Eric Daw's new book 'Solid Sound: 23 Schematics for Wiring Vintage and Modern Single-Coil, Solid-Body Guitars' (order link) 11:01 Special guest: Barry from Grez Guitars 11:23 Special guest: Jesse Quitslund (Acmeverb.com) 17:55 Special guest: Steve Melkisethian (Angela Instruments), a rough tomato season, the Angela SSE amp project 21:52 Special guest: Colleen Fazio (fazioelectric.com) 26:35 Marty from the Oregon Coast 28:05 Carlsbro amps, haunted amps 33:38 What does a wattage rating really mean? 38:29 Derek the Cruise Ship Guy's ambient TAVA remix; increasing the tremolo on old Fender amps, pulling the tremolo pre-amp tube to increase gain, McGohan PA amps 48:14 Building the Angela SSE amp (link to the catalog/schematic) 53:35 Favorite speakers for black panel Fenders, Colleen's test cabinet 56:26 A philosophical question: What if the modded vintage amp you bought was modded by a genius?; homemade hot sauce, mica caps, replacement Fender Silverface pilot light washers 1:07:19 The amp that Barry at Grez puts all his guitars through 1:09:06 Was the Vox AC-30 circuit inspired by a Gibson design? EL34s in early AC-30s 1:12:19 Music recommendation: Billy Jack Wills' Crazy Man Crazy (YouTube link), Bob Wills' 1941 Martin D-45 (catch Jason in this Emerald City Guitars' YouTube video) 1:13:54 How to tell a tube's origin from its appearance? 1:18:06 Thoughts on putting a vintage transformer in a Champ kit; single-ended Hammond output transformers (125 BSE, ESE, etc); 5932 tubes 1:33:52 TAVA's most boring or brilliant moments; laptop-to-tube-amp connections (speaker-driven line out from a headphone jack?) 1:36:22 The differences found in top boost and bright switches 1:39:22 The Coriolis effect on electrons in a pre-amp tube in the Southern hemisphere, the Goldentone amp book (link) 1:40:51 Grid leak bias amps and giving an amp more headroom 1:46:57 Barry describes the Grez Mendocino Junior that we're giving away 1:48:08 Special guest Nels Cline joins us, again! Nels' touring amp with Wilco, eating on the road, Standels, hot sauce, and more 2:00:39 Homemade coconut rice; Hank Mobley's 'Roll Call' or 'Soul Station;' Dexter Gordon; Wynton Kelly's Piano with Kenny Burrell; the best progression for a Champ clone to a Filmosound; 'Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns'; Fripp & Eno; Bill Evans' 'Live at the Village Vanguard' 2:08:23 More advice for those wanting to build a Champ 2:10:15 Adding a speaker jack to a Tweed Champ; balanced power? homemade hot sauce 2:13:53 One last "giveaway" Submit your amp questions, recipes and life hacks to the podcast via podcast@fretboardjournal.com and don't forget to share the show with friends on social media. 

La cantante y guitarrista Alba Blanco lidera el trío La Perra Blanco. Esta gaditana se ha convertido en la figura emergente más significativa del rocknroll años 50. Baja a presentarnos su último EP, “Won’t you come on” (Folc Records), y a regalarnos una sesión con algunos de sus artistas favoritos, mirando hacia las raíces de la música rockabilly. Playlist; LA PERRA BLANCO “Won’t you come on” LA PERRA BLANCO “Rock me baby” LA PERRA BLANCO “Nothing is worst (than this pain in my heart)” T BONE WALKER “Two bones and a pick” DOC and MERLE WATSON “Honey babe blues” BILL MONROE “Southern flavour” HANK WILLIAMS “My son calls another man daddy” CHARLES MINGUS “Freedom” SAM COOKE and THE SOUL STIRRERS “Just another day” HANK MOBLEY featuring LEE MORGAN “The morning after” BILLIE HOLIDAY “Strange fruit” LOS DESTROZAMITOS y MEI POP “Como una crema” LA PERRA BLANCO “What’s wrong with you” Escuchar audio

Playlist: Art Blakey and het Jazz Messengers: Come Rain Or Come Shine; Dexter Gordon: Three O'Clock in the Morning; Dubbelaar: Sonny Rollins: Moritat (Mack the Knife); Ella Fitzgerald: Mack The Knife; Oliver Nelson: Yearnin'; Ernestine Anderson: All Blues; Hank Mobley: … Lees verder → Het bericht All That Jazzz – 23 aug 2022 – part 1 verscheen eerst op Jazzpodcast.nl.

Good News: NOAA is seeking to create a marine sanctuary to protect an underwater canyon off the coast of New York, Link HERE. The Good Word: Shakespeare’s classic Sonnet 18! Good To Know: A surprising culinary fact about tulip bulbs. Good News: A plumber with a heart of gold has created a company to take […]