Podcasts about Invisible touch

In this episode,@Freeda-Sol dives deep into a hypnotic journey through moody progressive grooves and tech-tinged rhythms. Freeda Sol crafts a rich soundscape that moves seamlessly from the mysterious energy of Jinadu & Fake Mood's “Don't Miss” to the pulsing momentum of HAYAN & goodkidmadcity's “Drexal.” Moments of introspection emerge in the organic textures of MaxDee's “Invisible Touch” and Taleman's remix of “Sandalwood,” while the mix crescendos with the cinematic force of ARTBAT's “Prometheus.” Whether it's the late-night haze of “Let Her Chant” or the dancefloor grit of “Wild & Free,” this set captures the evolving moods of a deep, dusk-to-dawn sonic exploration. Hear more: @Freeda-Sol Shout out to her collectives: @Antonym_HQ (Liverpool, UK) @famaorlando (Orlando, Fl) @queens-of-noise (Orlando, FL) ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Miss Heard celebrates Season 6, Episode 297 with Genesis' hit song and album with the same name “Invisible Touch.” You will learn what its connection is to Sheila E.'s 1984 pop hit “The Glamorous Life” and what do they have in common with Michael Jackson, Janet Jackson, and Madonna. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #Genesis #InvisibleTouch #TopChef #SheilaE #TheGlamorousLife   https://www.youtube.com/watch?v=jpmiZ7zsHXY https://en.wikipedia.org/wiki/Invisible_Touch https://en.wikipedia.org/wiki/Top_Chef https://en.wikipedia.org/wiki/Gabe_Erales https://americansongwriter.com/the-story-behind-invisible-touch-and-how-sheila-e-and-some-lousy-noises-inspired-genesis-first-and-only-no-1-hit/

Join Andrew, Matt, and a special guest as they explore the “song” book of Genesis. Will an Easter miracle lead them to a top track from Genesis' 1986 Classic, Invisible Touch?Guest Commentator: Sean BordersWe're on Spotify, iTunes, iHeart Radio and anywhere else you get podcasts. So listen, like and follow!IG: @toptrackpodEmail: toptrackpodcast@gmail.comFacebook: Top Track Bar and GrillBlueSky: @toptrackpod

From the audio to the visual, we delve into the wondrous world of the album sleeve with Bill Smith, of Bill Smith Studios, responsible for some wonderful images in the 80s. 1. THE JAM (1977-1981) After getting his foot in the door at Polydor in the 70s, Bill has a breakthrough with The Jam. He is responsible for the artwork for all their albums up to and including Sound Affects as well as a number of single sleeves. More importantly, he has one shot at the iconic The Jam logo. RIP Rick. 2. THE CURE (1979-80)From mod to goth, Bill moves from the immediacy of The Jam to the more surreal, indie world of The Cure. Bill discusses working on their first three  LP's. One a bit of an outlier in their back catalogue,  the other more typical.But which household appliance WAS Robert Smith??3. GENESIS (1980-83)  Another contrast, this time the prog-rockers entering their 80s pop period with some truly iconic sleeves for Duke, Abacab and Genesis. Fortuitious accidentslead to the iconic Abacab sleeve. AI won't/can't do that shit.Discussion moves onto discussing copyright and who owns the rights to artwork; the artist or the designer. Then talk on the general LP artwork package; sleeve, back sleeve, inner sleeve, disc labels, etc ending on why he didn't do the cover to Invisible Touch.4. THOMAS DOLBY (1981-82)A very special collaboration with former guest, Thomas Dolby, leads to uniquely brilliant artwork for The Golden Age of Wireless and related singles.5. NOW THAT'S WHAT I CALL MUSIC (1983)Nowt more iconic in the UK than the Now series and Bill was there from Vol 1.billsmithstudios.com80sography@gmail.comTwitter @80sographyBlue Sky @80sographySend us a text

There's something amazing about invisible acts of generosity.Donate to Moody Radio: http://moodyradio.org/donateto/todayssinglechristianSee omnystudio.com/listener for privacy information.

The mid-80's were a tough time for Elton John.  The singer and pianist who had been a stellar success in the 70's was deep in the clutches of drug addiction, and struggling to perform due to throat issues.  His studio album, "Leather Jackets" had failed to produce a single to reach the top 40.  It seemed that he was finding more controversy in the British tabloids than he was success in the music industry.In the midst of this, however, he produced a stellar live album.  Live in Australia with the Melbourne Symphony Orchestra was John's twenty-eighth official album release, focusing on some of the performers earlier hits.  In the last two months of 1986, Elton John did a series of concerts as a part of his tour of Australia and New Zealand which contained two sets.  The first set was a traditional concert with John and his 14-piece band.  The second set had the band backed by the 88-piece Melbourne Symphony Orchestra with John dressed as Mozart in front of the grand piano.  The Live album captured this symphonic second set.The album was a success, hitting number 24 on the Billboard 200 and certifying gold by January 1988.This concert also marked a change.  It was the last in which Elton John appeared in his elaborate stage costumes.  He also underwent throat surgery in January 1987 which - while successful - permanently altered his voice.  His next few albums would be somewhat more successful, but he would sober up in the early 90's and release his highly successful "The One" album in 1992.Bruce presents this live symphonic hit for this week's podcast. Burn Down the MissionThis song is the concluding track of John's third album, "Tumbleweed Connection."  That was a concept album with the theme of Western Americana.  The lyrics  are a bit vague, but the story tells of a poor community oppressed by some kind of powerful force.  The singer has taken direct action to remedy the situation, and is defending his action of burning down the mission as the only way to defend his family.  Sorry Seems to Be the Hardest WordHailing from his "Blue Moves" studio album, this sad song is characterized by lyricist Bernie Taupin as "that whole idealistic feeling people get when they want to save something from dying when they basically know deep down inside that it is already dead."  Take Me to the PilotOriginally from John's self-titled second album, this song contains lyrics which both John and Taupin admit are nonsensical, but just contain words that sound good together.  Six of the 14 tracks on this live album are from Elton John's second album. Candle In the WindThis song from the "Goodbye Yellow Brick Road" album was never released as a single in the US until it was released in this live version.  Taupin used Marilyn Monroe as an archetype of the famous artist cut down in the prime of life.  He was initially inspired by hearing Clive Davis using the phrase "candle in the wind" in tribute to Janis Joplin.   ENTERTAINMENT TRACK:Theme from the motion picture SpaceballsMel Brooks is at it again, this time with his classic spoof on Star Wars.  May the Schwartz be with you! STAFF PICKS:Throwing It All Away by GenesisLynch kicks off the staff picks with this single from the Invisible Touch album that went to number 4 on the Billboard Hot 100. Genesis guitarist Mike Rutherford wrote the song and lyrics.  The upbeat music is quite different from the melancholy lyrics about a love who is leaving the singer.Don't Let Me Die Young by Andy TaylorRob brings us a solo single from Duran Duran's guitarist.  The video for the song depicts at-risk youth engaged in dangerous activities at night from crime and cars to drugs.  Taylor's album "Thunder" came out in the midst of the hair metal band's height. This single also features Steve Jones of the Sex Pistols.Alone Again Or by The DamnedWayne features a cover song originally recorded in 1967 by the group Love.  The Damned began as a punk group, and moved to post-punk, somewhat goth rock over time.  Love was an inspiration for the Damned, which encouraged them to cover this song.  The horns give the track a Spanish feel.Housequake by PrinceBruce closes out the staff picks with a party song from the double album "Sign O' The Times."  It was the B-side for the single "U Got the Look."  Prince used pitch-shifted vocals to create a higher, more feminine voice for this track.  It was originally going to be on an androgynous alter persona album called "Camille" before it was folded into this double album.   INSTRUMENTAL TRACK:21st Century Common Man, Pt. 1 by Tangerine DreamThis jazz group closes out our podcast this week.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The three-piece version of Genesis became increasingly popular from 1978 onward, with 1986's Invisible Touch being their biggest yet. Phil Collins managed a successful solo career starting in 1981 and was popular enough that Mike Rutherford and Tony Banks expected him to leave. However, he came back for one more album, We Can't Dance, in 1991. It again spawned a number of hits, but also was their longest since The Lamb Lies Down on Broadway. 

In this episode of Say Whats Reel, Dom and Q take on the 1994 cult classic Double Dragon! Join them as they dive into the chaotic streets of post-apocalyptic Los Angeles in the "future" of 2007, where brothers Jimmy (Mark Dacascos) and Billy Lee (Scott Wolf) battle against the sinister Koga Shuko (Robert Patrick) with help from their friend Marian (Alyssa Milano). From its wild ‘80s/'90s punk vibes to its infamous mix of action and, let's just say, questionable writing, Dom and Q explore why this film earned a mixed reception and dissect its legacy. Is it misunderstood gold, or was it doomed from the start? Tune in to find outDoubleDragon #90sMovies #MarkDacascos #AlyssaMilano #RobertPatrick #MovieReview #SayWhatsReel #CultClassic #90sNostalgiaDouble Dragon is a 1994 American martial arts film, based on the video game series of the same name. The film was directed by James Yukich, whose previous credits include the Genesis music videos "That's All" and "Invisible Touch".DONT GET LEFT BEHIND! Make sure to check out the previous video! - https://bit.ly/3pGIGG9Bored? Check out this AWESOME video! - https://bit.ly/3Kd721xEnjoying the channel & want to support more? SUBSCRIBE - https://bit.ly/43mI4Dkhttps://linktr.ee/reviewinrebelsFind the SWR Crew DOM CRUZETwitter: https://twitter.com/itzdomcruzehoe Instagram: https://www.instagram.com/itzdomcruzehoe/QTwitter: https://twitter.com/King_Quisemoe Instagram: https://www.instagram.com/king_quisemoe/We hope you enjoyed the video and the content we put out here at Say Whats Reel Thank you for watching!

Well, last week, Kev gave the first ten, ten, and five album side in the show's history so far on Side A. And Corey wasn't too far behind him! Can Dire Straits match the grandeur and intensity of Telegraph Road and Private Investigations? Will Kev enjoy the vibraphonic stylings of Mike Mainieri? Will Corey suffer from smoker's cough or brewer's droop? And will Side B score highly enough for Love Over gold to displace Invisible Touch as the highest ranked album so far?The only way to find out is to turn on, tune in, and send in another victim of industrial disease.Songs covered in this episode: "Industrial Disease", "Love over Gold", "It Never Rains"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.socialDiscord: https://discord.gg/USwNZNmpAnd if you want to support us, head over to our Ko-Fi account!https://ko-fi.com/ultimatecatalogueclash Hosted on Acast. See acast.com/privacy for more information.

Au sommaire de ce numéro diffusé en direct  : Les nantais Lost Road pour un tout nouveau single live sorti la semaine dernière "Waning Moon", titre dont votre radio préférée avait eu la primeur dès décembre 2024 à l'occasion de la prestation du groupe pour le Sun Music Addict ! Puis outre-atlantique le canadiens Rush qui abordaient les années 80 et les concessions qui vont avec mais en restant qualitatif sur l'album "Permanent Waves". Encore plus vieux (et même pluvieux  

1986 may be remembered most for Invisible Touch and So, but Steve Hackett, along with Steve Howe, also enjoyed some time on the Billboard charts with their project, GTR. The Tabletop discusses this album by the supergroup, and gets the inside scoop from GTR drummer Jonathan Mover.

Paul is not in the mood this week. He isn't in the mood to be a podcaster. He isn't in the mood to have a laugh. He isn't in the mood for Eli. He isn't in the mood for Eli's vocal “chuntering” and all he IS in the mood for is a nap. Obviously, Eli loves this fact and is going to great pleasure in soaking up all of Paul's self-loathing. All we are saying is, it may get personal this week! Luckily, there is some actual content, even if it's not exactly the content they planned. Before they even get started, they take a tangent into the deeply scatological when they discover “rectal euphoria” is a thing and Eli suggests a new segment that ISN'T going to happen. CheapShow is back on the snacks, when they are introduced to Tayto “Might Munch” and given a taste test challenge. Meanwhile, a limited edition bag of Walkers crisps tries to gain entrance to the Snack Palace, but will it get in? Finally, Paul has a Charity Shop Showcase he believes will not only win Eli over, but also change the way we understand reality! As you can probably guess, it doesn't go well for him. See pics/videos for this episode on our website: https://www.thecheapshow.co.uk/ep-403-an-invisible-touch And if you like us, why not support us: www.patreon.com/cheapshow If you want to get involved, email us at thecheapshow@gmail.com And if you want to, follow us on Twitter/X @thecheapshowpod or @paulgannonshow & @elisnoid www.thecheapshow.co.uk Now on Threads: @cheapshowpod Like, Review, Share, Comment... LOVE US! MERCH Official CheapShow Merch Shop: www.redbubble.com/people/cheapshow/shop www.cheapmag.shop Thanks also to @vorratony for the wonderful, exclusive art: www.tinyurl.com/rbcheapshow Send Us Stuff: CheapShow PO BOX 1309 Harrow HA1 9QJ

"Invisible Touch" comes at a time when Genesis was at their commercial peak. Not only did this become their only Billboard Hot 100 #1 hit, but it also found itself on the charts with songs by almost all other present and former members of the band. The song certainly has its haters, but you will not hear hatred from us: we love "Invisible Touch," although Bill must find a way to deal with the invisible touch that Phil Collins has had on him for his the past forty years.  Invisible Touch music video Mixtape You can find us on Instagram, Facebook, and our website. You can email us at BandFGuiltFree@gmail.com, too. Feel free to rate and review us wherever you listen! Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn.

Let's talk about track #2 off of the Genesis album, "Invisible Touch"

En 1985, Genesis se reunió después de un año de descanso para componer el álbum ‘Invisible Touch’, que tiene como columna vertebral la improvisación de Tony Banks, Phil Collins y Mike Rutherford. Publicado en junio de 1986, ‘Invisible Touch’ es el álbum más vendido de Genesis, superando las seis millones de copias vendidas en el Reino Unido y EE.UU. A pesar de su éxito, las críticas de ‘Invisible Touch’ destacaron que Banks y Rutherford ejercían de músicos de sesión de Phil Collins, que seguía saboreando el éxito de su álbum discotequero ‘No Jacket Required’. Con ‘Invisible Touch’, Genesis bajó del Olimpo del rock artístico y se subió a la ola de sobreproducción ochentera.

Happy 4th of July!!! On the July 4 edition of Music History Today, Posh married Becks, we hailed the chief for the first time, and Ariana licked donuts. Born on the 4th of July was Post Malone. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠  On this date: In 1828, Hail to the Chief was performed for the first time. It was for President John Quincey Adams. In 1831, the song America, otherwise known as My Country Tis of Thee & whose music comes from the British national anthem God Save the King, premiered in Boston. In 1955, Gene Vincent was seriously hurt when his motorcycle was hit by a car in Virginia. In 1959, the Island Records label was founded in Jamaica. In 1966, the Beatles played 2 shows in the Philippines to a total of 80,000 people. They were then attacked for accidentally insulting Philippine's President Ferdinand Marcos's wife Imelda. In 1969, Grand Funk Railroad & Janis Joplin were among those who performed on day 2 of the first Atlanta International Pop Festival. In 1970, 200,000 people saw Jimi Hendrix, BB King, among others perform at the 1970 Atlanta International Pop Festival. In 1974, Barry White married singer Glodean James. In 1974, the Tony Orlando & Dawn TV show premiered. In 1974, Steely Dan stopped concert-performing to focus on making records, much like the Beatles did. They went back to touring in 1993. In 1976, the Clash played live for the first time. In 1976, The Ramones performed a genre defining concert at the Roundhouse in Camden, London. In 1976, Paul Revere of Paul Revere & the Raiders got married on stage during his band's concert. In 1977, Gary Valentine left Blondie. He was replaced by Nigel Harrison. In 1980, the Beach Boys performed a free concert in Washington DC. In 1982, Ozzy Osbourne married manager & promoter Sharon Arden. In 1982, Neil Diamond, Burt Bacharach, & Carole Bayer Sager wrote the song Heartlight, based on the movie E.T., which they had all seen that day. In 1986, Bob Dylan & John Mellencamp were among those who performed at the Farm Aid II benefit concert. In 1987, John Fogerty & Neil Diamond were among those who performed at a Vietnam Veterans benefit concert. In 1987, Genesis finished their Invisible Touch tour. In 1992, Mamas & the Papas member John Phillips received a liver transplant. In 1993, The Four Tops performed at the Meadow Brook Music Festival in Michigan. In 1995, Hole frontwoman Courtney Love punched Kathleen Hanna of Bikini Kill during a fight backstage at a Lollapalooza concert. In 1997, Roberta Flack performed with the Boston Pops for their 4th of July concert in Boston. In 1998, Lionel Richie performed at the Party in the Park Prince's Trust Charity concert in London. In 1999, Victoria Adams, Posh Spice of the Spice Girls, married David Beckham. In 2002, George Harrison's attacker, Michael Abram, was released from a mental health program only 19 months after he almost killed Harrison. In 2008, the movie based on the ABBA musical Mama Mia premiered in Sweden. All 4 members of ABBA showed up to the premiere, reuniting for the first time since their breakup over 20 years earlier.  In 2010, George Michael was involved in an auto accident. He was later arrested & charged with driving under the influence of cannabis, for which he served a month in jail. In 2013, Tina Turner married record executive Erwin Bach. In 2014, Jesse Wood of Reef married TV presenter Fearne Cotton. In 2014, Australian singer Rolf Harris was sentenced to prison for sexually assaulting underaged girls. In 2015, Vanessa Williams married husband Jim Skrip. In 2015, Billy Joel married equestrian rider Alexis Roderick. In 2015, Ariana Grande had her infamous donut licking incident at a donut shop in California. In 2020, Kanye West announced that he was running for President. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week we're all about trios so each song will be by a group or band that only has three members. On today's episode, Andy Atherton is watching, “Invisible Touch” by Genesis from 1986. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=jpmiZ7zsHXY

This week I have an incredibly in-depth conversation with artwork designer, Bill Smith about his work over the years with Genesis. Here's what we discuss: - The origins of the Duke artwork - The history of the 4 ABACAB colorways - Why Bill doesn't like the self-titled artwork - The minimalism of "Three Sides Live" - How he missed out on getting to work on "Invisible Touch" ▶ BUY BILL'S BOOK: http://geni.us/billsmith Order ABACAB prints here: https://hypergallery.com/products/abacab

DANCE ON A VOLCANO (1976) ELEVENTH EARL OF MAR (1977) FOLLOW YOU , FOLLOW ME (1978) TURN IT ON AGAIN (1980) ABACAB (1981) MAMA (1983) THAT'S ALL (1983) INVISIBLE TOUCH (1985) JESUS HE KNOWS ME (1991) I CAN'T DANCE (1991) LAND OF CONFUSION (1986)

Join the band as we talk about the album by Genesis, Invisible Touch, and Chris's touch of invisibility.website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: ‪(978) 310-1613‬

Genesis can't dance. We can't dance either

Invisible Touch - Side TwoCorey and Kevin are back to talk about side two of blockbuster seventh album of the Phil Collins era, Invisible Touch. Discussions about Benny Hill, an almost eleven minute two song suite, and a bikini wax are just some of the things you have to look forward to, but will Corey rank side two as highly as side one and what will Kev have to say about the last Genesis instrumental? The only way to find out is to turn on, tune in, and throw it all away! Songs covered in this episode: “Anything She Does”, “Domino”, “Throwing It All Away”, “The Brazilian”Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

Season 1, Episode 2: In Review - Invisible Touch by Genesis (with commentary from Nic Collins)   We are joined this week by Nic Collins, who helps us take an in-depth look at the 1986 Genesis classic, Invisible Touch. He also details his life of playing alongside his father, Phil Collins, and joining Genesis on their final farewell tour. Nic also discusses what we can expect from his own band, Better Strangers.   (Originally released on March 4, 2023)   Sam's 3 of the Week Picks... 1.) Cover Me - Bruce Springsteen, 1984 2.) Don't Shed a Tear - Paul Carrack, 1987 3.) I'm Still Waiting - Johnny Gill, 1991   Luke's 3 of the Week Picks... 1.) Living After Midnight - Judas Priest, 1980 2.) Laughing - David Crosby, 1971 3.) Kiwi - Quarters of Change, 2022   Follow us on Instagram @obu.fm.pod for updates! https://www.instagram.com/obu.fm.pod/?hl=en   We do not own any music included within this episode of OBU-FM. This episode is a Questone Entertainment Production in association with the Signal.

Welcome to The Cluttered Desk! In this episode, Andrew and Colin go primal by exploring food theory and The Liver King! Enjoy! Theory text: Claude Fischler, "Food, Self and Indentity" *** The Coda: Andrew: Montucky Cold Snack Colin: A red wine, maybe? *** Here are links for this episode: Andrew's recommendation: The Fall of the House of Usher (miniseries) and Angel in Realtime by Gang of Youths Colin's recommendation: The Menu (2022) and "Invisible Touch" by Genesis, oh, and also, Suits *** Please contact us at any of these locations: Website: www.thecdpodcast.com Email: thecluttereddeskpodcast@gmail.com Twitter: @TheCDPodcast Facebook: www.facebook.com/thecdpodcast Andrew is on Twitter @AndrewPatrickH1 (Twitter non grata) Colin is on Twitter @ColinAshleyCox *** We want to thank Test Dream for supplying The Cluttered Desk's theme music. You can find Test Dream at any of these locations: Website: testdream.bandcamp.com Facebook: www.facebook.com/testdream Twitter: @testdream *** Our entire catalogue is available through iTunes, Stitcher, and Google Play.

Corey and Kevin are back to talk about side one of the gigantic 1986 hit, Invisible Touch. The band embarked on an equally gigantic tour on the back of the album which culminated with four shows at the iconic Wembley Stadium. We're talking drums machines, we're talking synths, we're talking pop hits and puppets! Will Corey be underwhelmed by Tonight, Tonight, Tonight and what will Kev have to say about Phil's drum sound? The only way to find out is to turn on, tune in, and embrace the confusion! Songs covered in this episode: “Invisible Touch”, “Tonight, Tonight, Tonight”, “Land of Confusion”, “In Too Deep”Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalog Hosted on Acast. See acast.com/privacy for more information.

While the album Whitesnake may not be the debut album from the band Whitesnake, this self-titled seventh studio album might as well be a debut, as only two members were present from the previous album.  Known in the UK as 1987, and in Japan as Serpens Albus, this album featured returning members John Sykes on guitars and backing vocals, and David Coverdale on lead vocals.  Additionally Neil Murray was on bass, Aynsley Dunbar was on percussion, and Don Airey was on keyboards.David Coverdale was the lead singer for Deep Purple, and left the group in 1976.  He did a couple of solo albums, the first of which was named “White Snake.”  He formed the band Whitesnake as his backing band in 1978.  They had a lot of success in the UK, Europe, and Japan with their early albums, but Coverdale wanted to break through in North America by the mid-80's.  He started moving from a blues/hard rock sound to a more glam metal sound, starting with the album "Slide It In" in 1984, and fully embraced the heavy metal sound and hair band image with this album.Whitesnake would get significant airplay, with two singles going to number 1 (Here I Go Again) and number 2 (Is This Love?) on the Billboard US charts.  Their videos would be staples of MTV, with prominent exposure of Tawny Kitaen, Coverdale's girlfriend and soon-to-be wife.  The band would be broken up shortly after the album was complete, leaving David Coverdale as the sole member by the time they went on tour.  This was despite the fact that John Sykes co-wrote all but two of the songs on the album.  Get your hair metal on as Bruce puts his metal hair on, presenting this week's album. Bad BoysA deeper cut, this song is heavy on the rock and light on the significance of the lyrics.  “Bad bad boys, getting wild in the street, wild in the city, I see you - you see me.”  Much of the album has this heavy rock sound.Crying In the Rain '87This track that starts the album is a reworked song originally released by the group in 1982.  The original is more bluesy and has a slower tempo than this version.  The song was inspired by David Coverdale's divorce.Give Me All Your LoveThis was the fourth single from the album, and it reached number 58 on the US Top 100 charts.  By the time the single was released in January 1988 a new guitar solo had been recorded by Vivian Campbell, replacing guitarist and co-writer John Sykes.  Campbell would tour with the band but would leave before the next album.Still of the NightThe first single from the album may have only hit number 79 on the Billboard Hot 100, but it received significant airplay on rock stations and MTV.  The comparisons to Led Zeppelin were frequent, not just for the guitar riffs, but also for the heavy drumming and similarity between the vocalizations of Coverdale and Robert Plant.  The song is about obsession, maybe a vampire, maybe a stalker. ENTERTAINMENT TRACK:Love and Marriage by Frank Sinatra (from the television series “Married...With Children”)This anti-Cosby Show family dystopia followed the antics of shoe salesman Al Bundy and his family. STAFF PICKS:Tonight, Tonight, Tonight by GenesisLynch gets the staff picks going with a single from Genesis's album Invisible Touch.  It went to number 3 on the Billboard Hot 100 despite being written less as a pop song and more like the prog rock style that Genesis used earlier in the decade.  The lyrics are about a conversation with a drug dealer, a fact that must have been missed when Michelob used the song to promote their beer.Love Removal Machine by The CultWayne's staff pick is the first single from The Cult's third album, Electric.  It went to number 15 on the Mainstream Rock charts in the United States.  Lead singer Ian Astbury compares this song to getting on your favorite motorcycle.  The opening riff is often compared to “Start Me Up” by the Rolling Stones.Ahead by Wire Rob features the closest post punk band Wire would get to a pop single.  It has a spacey, ethereal sound.  Wire had extensive influence over many groups, including Sonic Youth, The Cure, and R.E.M.  First We Take Manhattan by Jennifer WarnesBruce closes out the staff picks with a song written by Canadian singer-songwriter Leonard Cohen.  Jennifer Warnes originally did this song for a Cohen tribute album, and it features guitarist extraordinaire Stevie Ray Vaughan.  The song itself is dark and apocalyptic, with lyrics told from the perspective of a terrorist. COMEDY TRACK:Put Down the Duckie by Hoots the Owl and ErnieWe first learned that we have to put down the duckie if we want to play the saxophone from this skit, which aired on Sesame Street for the first time in April 1987.

As 10 years olds in 1983, Genesis self-titled album was our introduction to the band with singles & MTV videos like Mama, That's All & Illegal Alien. We had no awareness of the band as prog superstars in the 1970s with Peter Gabriel & Steve Hackett and would only learn of that incarnation later in life. Phil Collins solo career was also on a huge upward swing after the release of Face Value (1980) and Hello I Must Be Going (1982). When Phil, Mike Rutherford and Tony Banks reconvened Genesis the band was gaining momentum from all sides and since they decided for the first time to credit all music to everyone equally, they felt the eponymous title made sense for a record they collaborated on together with fewer self-penned ideas coming in. But where does it stand in their legacy? They've eschewed the lengthy prog songs they wrote in the 70s for shorter, more pop friendly melodies. While Phil Collins singing and drumming were both strong on this album, are all these songs discernible from what he was doing in his solo career? Were they trading success for the ubiquity that would follow with Collins next solo release No Jacket Required (25 million sold) and their 1986 record Invisible Touch (over 15 million sold)? And what were they thinking with Illegal Alien? Would the adult contemporary/middle-of-the-roadness of this album define their sound and the image of Phil as a solo artist? We dive into all that as Genesis (1983) turns 40 on October 3. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As 10 years olds in 1983, Genesis self-titled album was our introduction to the band with singles & MTV videos like Mama, That's All & Illegal Alien. We had no awareness of the band as prog superstars in the 1970s with Peter Gabriel & Steve Hackett and would only learn of that incarnation later in life. Phil Collins solo career was also on a huge upward swing after the release of Face Value (1980) and Hello I Must Be Going (1982). When Phil, Mike Rutherford and Tony Banks reconvened Genesis the band was gaining momentum from all sides and since they decided for the first time to credit all music to everyone equally, they felt the eponymous title made sense for a record they collaborated on together with fewer self-penned ideas coming in. But where does it stand in their legacy? They've eschewed the lengthy prog songs they wrote in the 70s for shorter, more pop friendly melodies. While Phil Collins singing and drumming were both strong on this album, are all these songs discernible from what he was doing in his solo career? Were they trading success for the ubiquity that would follow with Collins next solo release No Jacket Required (25 million sold) and their 1986 record Invisible Touch (over 15 million sold)? And what were they thinking with Illegal Alien? Would the adult contemporary/middle-of-the-roadness of this album define their sound and the image of Phil as a solo artist? We dive into all that as Genesis (1983) turns 40 on October 3. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Genesis wants war, That's All! This Mama is being manipulated by the Invisible Touch of others, inspired to make Arakko a Land of Confusion. Tonight, Tonight, Tonight. Deadpool isn't a band name so let's just say Wade is working his way through the Atelier and we're here for it. Storm's going off the rails and the X-Men are worried. Plus gimmie that baby! Space folk coming in hot. We talk Heralds of Apocalypse #1, Deadpool #8, Storm #2 and X-Men Unlimited 1:04 News 9:49 Seeds of Orchis 14:19 X-Men Unlimited 18:28 Storm 31:51 Deadpool 40:18 Heralds of Apocalypse Thanks for listening to our sixty ninth (nice) episode of Season 4! We're building to the Fall and some might say we're already on the tipping point. The mutants better get ready for war! Like, subscribe, follow, email, and @ us all over the internet at thexwifepodcast. If you enjoyed the episode, leave us a review on Apple Podcasts and tell your friends!

Let's discuss the top 10 opening songs from Genesis! There are so many to choose from... "Invisible Touch" "Watcher of the Skies" "Behind the Lines" "Mama" and so many more! Let's debate!

Another audio commentary and another Hugh Padgham to add to the collection. Following The Police and Phil Collins we had to have a Genesis one and why not their most successful and (IMHO) their best, Invisible Touch? Sync up and enjoy this fab outing from Phil and the boys (or Tony and the guys. Or Mike + the non-Mechanics)PayPal Contributions gratefully received via 80sography@gmail.comHelp spread the word! Thanks x                                             Play the game of happiness and never let on                                                           That it only lives on in a song

In this episode of the cast we interviewed Matt Coleman. Matt is currently in a 80's cover band called Invisible Touch but the reasoN we had him on the show was to discuss some of his older bands. While these bands werent the most well known in the area when they were around they had a huge impact on me and I loved the songs. While not a hardcore kid himself Matt teamed with several hardcore kids to make some great music. We focused on the Process, Miracle at Rich and Tuco but Matt has made great music with quite a few other bands. Check out this lil dive into oen of my favorite Buffalo musicans, Matt Coleman. Episode music is "Distant Place" by Miracle at Rich. I tacked on Living Without You by the Process as a bonus! https://theprocess2.bandcamp.com/

In this episode of the cast we interviewed Matt Coleman. Matt is currently in a 80's cover band called Invisible Touch but the reasoN we had him on the show was to discuss some of his older bands. While these bands werent the most well known in the area when they were around they had a huge impact on me and I loved the songs. While not a hardcore kid himself Matt teamed with several hardcore kids to make some great music. We focused on the Process, Miracle at Rich and Tuco but Matt has made great music with quite a few other bands. Check out this lil dive into oen of my favorite Buffalo musicans, Matt Coleman. Episode music is "Distant Place" by Miracle at Rich. I tacked on Living Without You by the Process as a bonus! https://theprocess2.bandcamp.com/

A look at 1 Corinthians 7. How can a believing spouse make an unbelieving spouse sanctified for Adonai?

Some days, you just gotta throw on some Genesis. We're big Gen-heads over here at Deep Cuts, both Peter Gabriel and Phil Collins eras. Tonight we celebrate their legacies with Invisible Touch, followed by Gabriel's third self-titled solo record familiarly known as Melt.

Julian McCullough has Phil Collins stories and gets educated in all things Feldog!

On episode 19 of Past Prime, Steve and Matty bravely slog their way through "Calling All Stations," the fifteenth studio album from Prog Rock turned Stadium Pop legends, Genesis, and one of the most infamously awful last gasps in the history of Rock and Roll. In 1986, a decade after Peter Gabriel left them behind, Phil, Tony & Mike reached the top of the charts with "Invisible Touch." But one decade later, with Phil Sussudio-ing his way around the world as a solo act, Tony and Mike were left searching for a new lead singer. They found their hot, new guy in twenty-eight year old, Scotsman Ray Wilson, who was asked to make tedious middle-aged ennui sound young and exciting. Very few people in the world have ever listened to "Calling All Stations" all the way through. Those who did either blocked it our who or came to seriously regret it. For Steve, who went deep into the abyss, this pod was a chance to share his profound knowledge and personal torment with a friend. For Matty, it represented an opportunity to delve into Steve's curious, youthful fascination with early, proggy Genesis and to test out his theory that Prog Rock, in general, and early Genesis, in particular, is music for cult leaders. To read more about Genesis' "Calling All Stations" check out the full essay at Past Prime.

Houston Radio Platinum Airdate 10-9-22

On this episode of THE CLASSIC METAL SHOW, Neeley and Chris talk about 77 year old Don McLean and his 28 year old girlfriend Paris. They read back to back stories about his love for his new girlfriend next to some real hate from his ex-wife and daughter. Following, they talk about a new book that accuses Mick Jagger of banging Keith Richards and David Bowie. They review the video "Dancing In The Streets" for proof. Finally, they talk about Genesis selling their catalog for $300 million dollars. All our links are available at https://www.linktr.ee/cmsrocks.**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!!ROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our Channel

Message from Kurt Cooper on June 12, 2022

In this enriching endeavour, our heroes set out to show that they are open to the prog turned pop goodness of Genesis. There are no judgments here!Over the course of the episode we discuss: Stefan's 22 year journey to seeing the band live on the last domino tour (he was at the final ever show), American Psycho, the magic of Collins, and DOMINO.Of course throughout the episode, they bring their esoteric sense of humour and plenty of laughs.Head over to www.asoundpurchase.com/shop to see our range of merchandise, we want to keep both the regular pod and bonus pods free of cost, and you can help that to continue by purchasing some of the mugs, stickers, hats or shirts we have on offer.Your support of this podcast is hugely appreciated, you have been vital to the sanity of our heroic podcast hosts. You can continue to show your support when you like us, review us, share us, and subscribe to us. Whilst you are at it, why don't you get a little something for yourself by becoming a ‘friend of the show'; you will gain instant access to exclusive bonus podcast episodes (like the famous full length interview with Miguelito from the Cuban Brothers), blog posts, merchandise and you can visit the hall of ‘top 10s'. We are also rolling out a monthly watch party that explores the entire filmography of the great Austrian Oak, Mr. Arnold Schwarzenegger. It won't cost you a penny to sign up, yet you gain so much! Sign up now at www.asoundpurchase.com/fots

This week Hilary begrudgingly reads Deadpool: Invisible Touch, from Marvel's line of digital exclusive Infinity Comics. 

Barry and Abigail discuss So by Peter Gabriel and sample Waimea Red, Pono Life, and POG Hazy IPA from Maui Brewing Co. in Kihei, Hawaii. Barry's first exposure to this album was the music video for Sledgehammer. Abigail's knowledge of Phil Collins and Genesis comes from the Tarzan soundtrack, which Phil Collins wrote. Barry incorrectly remembered that Sussudio by Phil Collins was knocked out of the Billboard Hot 100 #1 spot by Sledgehammer; in fact, it was Invisible Touch by Genesis that Sledgehammer replaced. Mercy Street was dedicated to Anne Sexton and inspired by her poem 45 Mercy Street. Read more about Stanley Milgram's experiments, or listen to a very nuanced debunking of the experiment's cultural narrative by You're Wrong About, one of Abigail's favorite podcasts. Up next…our first Jukebox episode! Pretenders by The Pretenders, submitted by Todd Sider. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Jingles are by our friend Pete Coe. Facebook | Instagram | Twitter | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://anchor.fm/pops-on-hops-podcast/message

Styx's Lawrence Gowan joins up with Jeff and Matt to nerd out about progressive rock. Specifically, Genesis and 1973's Selling England by the Pound, arriving as the prelude to The Lamb Lies Down on Broadway, which would be released the following year. Lawrence and Matt also dig deep to share their thoughts on the current Genesis tour which is probably their farewell. Don't miss Styx as they return to the road this summer for the Live and UnZoomed tour with REO Speedwagon and Loverboy.Show Notes:IntroDid Jeff ever listen to '70s Genesis back in the day?Okay, '80s Genesis is not the same band, you're right.Jeff's first Genesis album purchase.Jeff & Matt's previous discussion of We Can't Dance by Genesis on 1991: The Year AOR Ate Itself with special guest Jason Hare.Christopher Cross - Every Turn of the World (1985) The concept of fixing cassettes and on a separate topic, we call it streaming.Sonic defects that are burned into your brain.'70s Genesis with Peter GabrielSteve Hackett revisiting the Genesis albums with his solo shows = gateway drugThe Musical Box -- a tribute to '70s Genesis.Ray Wilson of Genesis has an unfortunate Spinal Tap moment. Here's the story we referenced.A masterful segue in introducing our guestJeff's shocking comments regarding Tony Banks, please share your feedback with us on Twitter. "Do your worst."Styx - Crash of the Crown (2021)Lawrence Gowan's introduction to the music of GenesisGenesis - "Watcher of the Skies"Genesis - Selling England by the PoundGenesis - "Firth of Fifth"Jeff hears Selling England by the Pound and A Trick of the Tail for the first time.Jeff reveals his controversial opinion of Tony BanksGenesis and their tricky time signaturesHow "Supper's Ready" set the table for subsequent lengthy excursions."The Battle of Epping Forest"Selling England by the Pound is a great headphone record.Where Lawrence ranks Tony Banks on the list of his favorite keyboardists.How Tony Banks became a minimalist from Duke forward.Trying to learn how to play Genesis songs in the '70sThe evolution of groups through the '70s and '80sThe dilemmas that bands face as the years passWatching the Genesis guys perform on this current tour.Lawrence's favorite part of the Genesis show on this tour.The interesting parts of the setlist.Phil's "party tricks" prior to "Domino."Styx drummer Todd Sucherman is Lawrence's prog buddy in the band.In defense of Invisible Touch

The Last Domino? Neer Perfect Productions has produced an hour-long nationwide radio special supporting this new collection and The Last Domino? tour the band is on in North America through December 15th & 16th in Boston. This special features new interviews with Phil Collins, Mike Rutherford and Tony Banks along with hits like "Invisible Touch," "Land of Confusion" and "Throwing It All Away."

#wecantdance #callingallstations #livethewaywewalk #musicislifepodcast #justthecheeseplease #justthecheesepleasepodcast #ratsaladreview #podcast #music #rock #progressiverock #allartisvalid #intheairtonight #stjohnsuniversity #marillachall #sjuchappelplayers #h2onyhc #h20go For my last new episode of 2021, I'm proud to have on as my special guest the lovely and talented Miss Tara J, from the Just The Cheese Please Podcast. Tara and her co-host Adam are two of the new podcasters who will be bringing their show to the Rat Salad Review Network in 2022. We are beyond happy to have them aboard to discuss their love for cheesy movies of the 1980s. On this episode, Tara and I discuss our ten favorite Genesis songs. Also, 5 supporters of the Music Is Life Podcast contribute their top 10 songs as well. Genesis is one of the preeminent progressive rock bands of the late 60s that catapulted to superstardom. By the time Invisible Touch was released in 1986, they were selling out stadiums all around the world. Take into account that all members of the classic lineup had solo success, they're one of the few where each individual member earned recognition for their output. Genesis is currently on tour for their Last Domino tour with Messers Collins, Banks and Rutherford. Steve Hackett will return to touring in 2022. Regardless of which band member you are seeing live, it is always quality music you will be getting. Thank you, Genesis, for 50+ years of quality music. For more on Tara and Just The Cheese Please, please click the following links: YouTube: https://youtube.com/channel/UCwjNmrKY... Apple Podcast: https://podcasts.apple.com/us/podcast... Spotify: https://open.spotify.com/show/4RfTiMJ... To purchase official Music Is Life Podcast merchandise from TeePublic.com, use this link: https://www.teepublic.com/t-shirt/24041518-music-is-life-podcast-official-logo?fbclid=IwAR2DMITWW5QtpxOQFBXgnnguy3rEksMGzkmr7WCPVCHgDZp8hu85LJAup40&ref_id=24450 If you want me to review YOUR band or YOUR music, please contact me at LouMavs@MusicIsLifePodcast.com. If you'd like to donate to the podcast, please send via PayPal to MusicIsLifePodcast@gmail.com. Thanks in advance. Channel graphic created by Rocky Baia. To commision him for work, please follow and DM him at https://twitter.com/RockyBaia. Also, check out his merch store at https://ProWrestlingTees.com/RockyBaia.html. Intro/Outro Music - "Lose Control" by The Rebel Medium (Jacalyn Guitard, Ernest Layug, Lou Mavs) Links to social media pages on respective websites. https://MusicIsLifePodcast.com https://linktr.ee/MusicIsLifePodcast https://RatSaladReview.com Music Is Life Podcast with Lou Mavs is produced by Anchor.Fm and distributed through Rat Salad Review Network. All rights reserved; any content not created by me is subject to fair use. --- Send in a voice message: https://anchor.fm/rat-salad-review/message

Star Trek: Prodigy continues to enthrall, and JaQ and Earl continue to pore over the details of story, ship and crew. This episode finds them Starstruck, episode three of the […]

James Eldred, Elliot Long, and Jeremy Parish look at the good and bad of crossover hits by prog rock artists: Asia's "Asia," Journey's "Infinity," and Genesis's "Invisible Touch". What happens when art rockers sell out and make a boatload of cash?