Podcast appearances and mentions of jennifer larmore

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Elina Garanca—2004 | Vivica Genaux—1997 | Marilyn Horne—1983 | Vesselina Kasarova—1998 | Jennifer Larmore—2000 | Isabel Leonard—2019 | José Maria LoMonaco—2015 | Christa Ludwig—1959

Valik numbreid itaalia helilooja Saverio Mercadante (1795-1870) ooperist "Maria Stuarda". Esitavad Judith Howarth, Jennifer Larmore, Colin Lee, Manuela Custer, Pauls Putninš, Geoffrey Mitchell Choir ja Philharmonia Orchestra, dirigent Antonello Allemandi.

Jennifer Larmore was one of my first opera idols, and I am so privileged to sit down with her for this episode of Technique Talks. She is so intelligent, talented, funny, and full of incredible technical advice! I hope you enjoy this conversation where we discuss breathing optimization, clear vowels, coloratura, and more! Jennifer Larmore is an American mezzo-soprano, with a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart's La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and Covent Garden. Hear Jennifer sing live here: https://youtu.be/ByPRpeI64Ic She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as numerous DVDs With her frequent collaborator Antoine Palloc, she has made many International recital tours at major cities throughout the world, as well as all the major American venues. Symphonic repertoire plays a large role in this mezzo's career and she has enjoyed great collaborations with world orchestras under the direction of Muti, Bernstein, Runnicles, Masur, Barenboim, Bonynge, Maazel, and Osawa, to name a few. Miss Larmore is widely known for teaching and giving master classes at the most prestigious conservatories and major cities throughout the world. Miss Larmore lives in Paris with her husband and little Opera dog Buffy. Her book "Una Voce" is available at Barnes & Noble, Amazon, and Lulu.com and explores the world and psychology of the performer. Show Notes: 00:00 Jennifer Larmore's Bio 8:00 How to find individual technique success 14:20 How to have a margin of error in practice and performance 18:13 How to breathe when singing 24:14 How shoulder blades assist in a singing breath 28:05 How to develop coloratura 33:27 How to manage coloratura in the passaggio 35:21 How to balance a singers registration 37:54 How to develop your voice overtime 42:12 How to manipulate your individual physiology 46:56 How to sing low notes 49:04 How to sing high notes 51:21 How to modify vowels 54:04 How to sing when you have a natural accent 57:26 What is your desert island vocalise ❤️  JOIN my FB Group: https://www.facebook.com/groups/techniquetalksforsingers/ ❤️  Subscribe to never miss a video: https://www.youtube.com/channel/UCGibxkvaN8KVff0ztzYznMg ❤️  More at https://www.voicewithjulia.com ❤️  To stay in the know, and gain behind-the-scenes access to upcoming guests: https://www.voicewithjulia.com/techniquetalks/ ❤️  Instagram: @voicewithjulia  ❤️  Facebook: Voice With Julia

Bien qu’elle soit américaine, la mezzo-soprano colorature Jennifer Larmore est une championne vocale des montagnes russes.Après des débuts à Nice, dans les années 1980, elle n’a pas tardé à incarner la pétulante Rosine du Barbier de Séville sur tous les continents. Une centaine d’enregistrements a ponctué sa carrière comme ce fabuleux Jules César de Haendel. Aventureuse, elle a abordé de nombreux répertoires dont Falla ou Janacek.J'ai pu la retrouver dans les coulisses du Théâtre des Champs-Élysées où elle répétait Les Noces de Figaro de Mozart dans la nouvelle production mise en scène par James Gray avec Jérémie Rohrer à la baguette. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

En junio de 2016 recibimos al dúo que conforman el contratenor Martín Oro y la laudista Dolores Costoyas. El programa comprendió obras vocales e instrumentales de compositores del Barroco temprano, entre los que se encuentran Claudio Monteverdi, Giulio Caccini y Benedetto Ferrari. Martín Oro, contratenor Antes de volcarse al canto, estudió viola y llegó a perfeccionarse junto a Yuri Bashmet en el Conservatorio Chaikovsky de Moscú. Su formación vocal la realizó en los conservatorios de Friburgo y Neuchâtel especializándose, luego, en la Schola Cantorum Basiliensis. Su repertorio está centrado en la música del Barroco, tanto la sacra como la secular y ha actuado junto a cantantes de la talla de Cecilia Bartoli, María Bayo, Jennifer Larmore, Emma Kirkby y Sara Mingardo. Además, ha sido dirigido por grandes referentes del movimiento historicista, como René Jabobs, Nikolaus Harnoncourt, Marc Minkowski, Gabriel Garrrido o Jordi Savall. En su haber se cuentan, también, numerosas grabaciones centradas, principalmente, en el repertorio barroco.   Dolores Costoyas, laudista Se formó y obtuvo su grado como guitarrista en el Conservatorio Juan José Castro y se perfeccionó luego en la célebre Schola Cantorum Basiliensis, de Suiza. Interpretando laúd, tiorba, vihuela o guitarra barroca, se ha especializado en la música del Renacimiento y la del Barroco. Desarrolla una intensa actividad en la práctica del bajo continuo en óperas y oratorios y es invitada, frecuentemente, a participar en los más prestigiosos festivales americanos y europeos de música antigua. Ejerce la docencia y ha grabado junto a reconocidos artistas para los sellos discográficos Harmonia Mundi, Archiv, Sony, Astrèe y Glossa.

On this week's episode of He Sang/She Sang, hosts Merrin Lazyan and Mike Shobe are joined by WQXR morning host Jeff Spurgeon to discuss Englebert Humperdinck's opera Hansel and Gretel. Hear how the Brothers Grimm's fairy tale became an opera, why it's often performed at Christmastime and which musical moments are truly magical. Also on the show, opera and theater director Mary Birnbaum shares how she first fell in love with Hansel and Gretel. Jeff Spurgeon's YouTube pick (Angelika Kirschlager, Diana Damrau, and Pumeza Matshikiza): Merrin Lazyan's YouTube pick (Alice Coote, Christine Schäfer, and Sasha Cooke): Mike Shobe's YouTube pick (Robert Brubaker):    This episode features excerpts from the following album: Humperdinck: Hansel and Gretel (Chandos, 2007)— Jennifer Larmore, mezzo-soprano; Rebecca Evans, soprano; Jane Henschel, mezzo-soprano; Rosalind Plowright, mezzo-soprano; Robert Hayward, baritone; Diana Montague, mezzo-soprano; the Philharmonia Orchestra and the New London Children's Choir conducted by Sir Charles Mackerras  

In honor of Benjamin Britten’s 100th birthday anniversary on November 22, it features vocal music by Britten and also his English colleague, Ralph Vaughan Williams.   November 13 Vocal Music by Britten and Vaughan Williams BENJAMIN BRITTEN (1913–1976) Les Illuminations, Op. 18 (21:30) I. Fanfare II. Villes IIIa. Phrase IIIb. Antique IV. Royauté V. Marine VI. Interlude VII. Being Beauteous VIII. Parade IX. Départ From La vie est une parade Cedille Records CDR 90000 070 (Tracks 12–21) Patrice Michaels, soprano Czech National Symphony Orchestra Paul Freeman, conductor BENJAMIN BRITTEN Phaedra, Op. 93 (14:43) From Royal Mezzo Cedille Records CDR 90000 104 (Track 9) Jennifer Larmore, mezzo-soprano Grant Park Orchestra Carlos Kalmar, conductor RALPH VAUGHAN WILLIAMS (1872–1958) selections from Along the Field II. Along the Field (2:49) VI. Good-Bye (2:24) VII. Fancy’s Knell (3:41) VIII. With Rue My Heart is Laden (1:33) From To Be Sung Upon the Water Cedille Records CDR 90000 029 (Tracks 24–27) Patrice Michaels, soprano Elliott Golub, violin RALPH VAUGHAN WILLIAMS (1872–1958) Mass in G minor (1922) Agnus Dei (3:43) From Hear My Prayer: Choral Music of the English Romantics Cedille Records CDR 90000 036 (Track 5) His Majestie's Clerkes (nka Bella Voce) Anne Heider, director

Cedille Chicago Presents music based on stories from ancient Greece, Germany, the Ukraine, and the Inuit people of the arctic.   Playlist for July 24, 2013 Music & Legends STACY GARROP (b. 1969) String Quartet No. 3, “Gaia” II. Creation of Mother Earth (5:14) From In Eleanor's Words: Music of Stacy Garrop Cedille Records CDR 90000 122 (Track 9) Biava Quartet SAMUEL BARBER (1910–1981) Andromache’s Farewell, Op. 39 (13:10) From Royal Mezzo Cedille Records CDR 90000 104 (Track 1) Jennifer Larmore, mezzo-soprano Grant Park Orchestra Carlos Kalmar, conductor FRANZ LISZT (1811–1886) Die Loreley (6:15) From Dmitry Paperno: Uncommon Encores Cedille Records CDR 90000 007 (Track 8) Dmitry Paperno, piano MICHAEL COLGRASS (b. 1932) Snow Walker for Organ & Orchestra (1990) V. Snow Walker (6:03) From American Works for Organ and Orchestra Cedille Records CDR 90000 063 (Track 9) David Schrader, organ Grant Park Orchestra Carlos Kalmar, conductor DAVID LEISNER (b. 1953) El Coco (1999) (3:27) From Acrobats: Music of David Leisner Cedille Records CDR 90000 096 (Track 4) Cavatina Duo FRANZ LISZT (1811–1886) Mazeppa (13:58) From Liszt: The Complete Symphonic Poems for Two Pianos, Vol. II Cedille Records CDR 90000 024 (Track 2) Georgia & Louise Mangos, duo-pianists

Cedille Chicago Presents recordings by more solo singers on Cedille. Subscribe to the Cedille Email List to receive one free music track from each week's show! Playlist for May 8, 2013 More Solo Singers on Cedille FRANK FERKO (b. 1950) Stabat Mater II. The Mother (3:53) From Frank Ferko: Stabat Mater Cedille Records CDR 90000 051 (Track 11) Nancy Gustafson, soprano His Majestie's Clerkes Anne Heider, conductor JAN VÁCLAV HUGO VOŘÍŠEK (1791–1825) Mass in B-Flat Major V. Benedictus (3:56) From Vorisek: Mass in B-Flat, Symphony in D Cedille Records CDR 90000 058 (Track 13) Patrice Michaels, soprano Tami Jantzi, mezzo-soprano William Watson, tenor Peter Van De Graaff, bass Czech National Symphony Orchestra Paul Freeman, conductor WOLFGANG AMADEUS MOZART (1756–1791) "Restati qua… Per queste tue manine" K. 540b from Don Giovanni (5:24) From Divas of Mozart’s Day Cedille Records CDR 90000 064 (Track 10) Patrice Michaels, soprano Peter Van De Graaff, bass-baritone Classical Arts Orchestra Stephen Alltop, conductor ANONYMOUS "Levin and Hirsch and Cohn" (3:04) From Dancing on the Edge of a Volcano Cedille Records CDR 90000 065 (Disc 2 track 4) Stewart Figa, baritone New Budapest Orpheum Society DARIUS MILHAUD (1892–1974) "Holem Tza’adi" (2:49) From Dancing on the Edge of a Volcano Cedille Records CDR 90000 065 (Track 23) Julia Bentley, mezzo-soprano New Budapest Orpheum Society FRIEDRICH HOLLÄNDER (1896–1976) Marianka (2:32) From Jewish Cabaret in Exile Cedille Records CDR 90000 110 (Track 24) Julia Bentley, mezzo-soprano New Budapest Orpheum Society STACY GARROP (b. 1969) Ars Poetica I. Introduction to Poetry (5:51) From The Billy Collins Suite: Songs Inspired by His Poetry Cedille Records CDR 90000 115 (Track 2) Buffy Baggott, mezzo-soprano Lincoln Trio STACY GARROP In Eleanor’s Words III. An Anonymous Letter (2:33) From In Eleanor's Words: Music of Stacy Garrop Cedille Records CDR 90000 122 (Track 4) Buffy Baggott, mezzo-soprano Kuang-Hao Huang, piano HECTOR BERLIOZ (1803–1869) La mort de Cléopâtre Méditation: “Grands Phararons” (4:49) From Royal Mezzo Cedille Records CDR 90000 104 (Track 4) Jennifer Larmore, mezzo-soprano Grant Park Orchestra Carlos Kalmar, conductor LITA GRIER (b. 1937) Sneezles (1972) (3:21) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Works by Lita Grier Cedille Records CDR 90000 112 (Track 6) Michelle Areyzaga, soprano Anne Bach, oboe Tina Laughlin, percussion William Billingham, piano WILLIAM FERRIS (1937–2000) Ed È Subito Sera, Solo Cantata for Tenor and String Orchestra II. Ora che sale il giorno (5:00) From Corridors of Light: Music of William Ferris Cedille Records CDR 7004 (Track 3) John Vorrasi, tenor Chicago String Ensemble Alan Heatherington, conductor

Cedille Chicago Presents performances by The Grant Park Orchestra and Carlos Kalmar. Subscribe to the Cedille Email List to receive one free music track from each week's show!  This week's download comes from: AARON COPLAND (1900–1990) Appalachian Spring Cedille Records CDR 90000 125   PLAYLIST SAMUEL BARBER (1910–1981) Toccata Festiva for Organ & Orchestra, Op. 36 (1960) (excerpt) From American Works for Organ and Orchestra Cedille Records CDR 90000 063 (Track 1) David Schrader, organ Grant Park Orchestra Carlos Kalmar, conductor MICHAEL COLGRASS (b. 1932) Snow Walker for Organ & Orchestra (1990) III. The Whispering Voices of the Spirits Who Ride with the Lights in the Sky (4:05) From American Works for Organ and Orchestra Cedille Records CDR 90000 063 (Track 7) David Schrader, organ Grant Park Orchestra Carlos Kalmar, conductor ROBERT KURKA (1921–1957) Symphony No. 2, Op. 24 (1953) III. Presto gioioso (6:36) From Robert Kurka: Symphonic Works Cedille Records CDR 90000 077 (Track 4) Grant Park Orchestra Carlos Kalmar, conductor BOHUSLAV MARTINU (1890–1959) Violin Concerto No. 2, H. 293 (1943) III. Poco Allegro (8:35) From Jennifer Koh: Portraits Cedille Records CDR 90000 089 (Track 4) Jennifer Koh, violin Grant Park Orchestra Carlos Kalmar, conductor JOHN CORIGLIANO (b. 1938) Midsummer Fanfare (2004) (5:49) From American Orchestral Works Cedille Records CDR 90000 090 (Track 5) Grant Park Orchestra Carlos Kalmar, conductor MAURICE RAVEL (1875–1937) Sheherazade II. La flûte enchantée (3:00) From Royal Mezzo Cedille Records CDR 90000 104 (Track 7) Jennifer Larmore, mezzo-soprano Mary Stolper, solo flute Grant Park Orchestra Carlos Kalmar, conductor AARON JAY KERNIS (b. 1960) Too Hot Toccata (1996) (5:53) From Symphony in Waves Cedille Records CDR 90000 105 (Track 2) Grant Park Orchestra Carlos Kalmar, conductor LEO SOWERBY (1895–1968) Praised be my Lord for all those who pardon one another... (2:47) From The Pulitzer Project Cedille Records CDR 90000 125 (Track 18) Grant Park Orchestra Grant Park Chorus Carlos Kalmar, conductor Christopher Bell, chorus director AARON COPLAND (1900–1990) Appalachian Spring Doppio movimento (3:11) From The Pulitzer Project Cedille Records CDR 90000 125 (Track 9) Grant Park Orchestra Carlos Kalmar, conductor