Podcast appearances and mentions of Joanna Walsh

Are your trousers too skinny right now? Or too wide? Is it ever possible to wear the right sort? Joanna Walsh on the mercurial discourse of pants.

Are your trousers too skinny right now? Or too wide? Is it ever possible to wear the right sort? Joanna Walsh on the mercurial discourse of pants.

In the final essay of her series on the meanings of amateurism, writer Joanna Walsh notices a spasm in what theorist Cory Doctorow calls the "enshittification" of the online world.

In the final essay of her series on the meanings of amateurism, writer Joanna Walsh notices a spasm in what theorist Cory Doctorow calls the "enshittification" of the online world.

In the latest of her series on the meanings of amateurism in the online world, writer Joanna Walsh defines and celebrates the species of online essay she calls "The Trash Essay".

In the latest of her series on the meanings of amateurism in the online world, writer Joanna Walsh wrestles with the kitschness of AI, and the AI-ness of kitsch.

The snowdrop wranglers of Altamont Gardens in Co Carlow, Joanna Walsh on being an amateur online and the meaning of LOLcats, and novelist Niamh Mulvey takes a waterside tour of the Kilkenny City that seeps into her fiction.

Writer, Joanna Walsh continues her series exploring what it means to be an amateur online with a visit to icanhascheezburger.com

This time, the man v machine music magic of Klavikon, Joanna Walsh on what it means to be an amateur in the world of the gig economy, performance poet Caoimhe Lavelle on what a hula hoop adds to a poem, a tribute to master typographer, Phil Baines.

Writer, Joanna Walsh begins a new series exploring what it means to be an amateur online.

At the inaugural Beta digital arts festival in Dublin, writer, Joanna Walsh, artist//designer, Leon Butler; and writer/academic, Jennifer O'Meara join Luke Clancy to discuss creativity, authenticity and AI.

Daniela Castillo, representante del grupo Contexto en Colombia, recorre en parapente un plano de historias de mujeres que lucharon por espacios de libertad. En este segundo episodio la ruta tiene seis paradas: Virginia Woolf llama la atención sobre las normas sociales en “Clarissa Dalloway y su invitada"; Karen Blixen, cuyas luchas personales están relatada en “Cartas desde Dinamarca”; la emancipación de las mujeres sobre la que Elizabeth Forsythe escribió en “Una mujer de recursos” de; “Vértigo” de Joanna Walsh, que toca temas como soledad; Con Iris Murdoch conversamos sobre “El unicornio”, una novela gótica de hadas y castillos con temas . Por último, Miriam Toews en “Pequeñas desgracias sin importancia” narra el suicidio como una alternativa.Para profundizar en los libros de estas arquitectas de historias echamos en el equipaje museos y películas. Encuéntralos en https://bit.ly/arquitectas-de-historiasCanciones para echar en el equipajeNina Simone – Feeling goodhttps://youtu.be/oHRNrgDIJfo?si=FzT7bMcthwDNbDUYMr Dalloway Wordshttps://youtu.be/U5ywofzN4xA?si=L0HzsMSVl-mGp_qoThe march of womenhttps://youtu.be/qTYv4wT8g4E?si=BICpf_XbHa97MH09&t=6Martha Argerichhttps://youtu.be/enJ6be4qLMs?si=6NiOYQ8xfQNPHVFB&t=24 Producción: Emisora HJUT 106.9 FM Bogotá#PodcastSiglo #CartografíasEditoriales #SigloEncuentros #HablaConSiglo

Today we go long on Miss Dasha Nekrasova, a podcaster/actress/director and the poster of our time

Everyone loves hugs, and there are all sorts in this audiobook... There will be hugs for wrigglers and hugs for gigglers, hugs that are tickly and hugs that are prickly. But will you find the perfect hug? Of course! Because this book shows there's a perfect hug right under your nose!

"If craft is not literal reproduction, can it also change the nature of social reproduction? It's a big ask to expect a kitting needle to puncture a government..." In this week's TANK podcast, Joanna Walsh reads from her piece "Craft in the digital age", which considers the myriad interweavings between craft, capitalism and modern technology.

We review the book "The Biggest Kiss" by Joanna Walsh.Support the show

Best-selling novelist Lawrence Norfolk and award-winning writer Joanna Walsh review a new edition of All Our Yesterdays, a novel by the acclaimed post-war Italian novelist Natalia Ginzburg with a new introduction by author Sally Rooney. Lawrence and Joanna also review Sun & Sea, a Lithuanian opera performance about climate change staged on an artificial beach which the audience view from above, which won the is part of LIFT, London's biennial international theatre festival. Sun & Sea was Lithuania's national entry for the 2019 Venice Biennale, where it received the festival's top award, the Golden Lion. From riot grrl to musical stateswoman, singer songwriter Laura Veirs talks about her new album and playing her father's guitar. She performs live in the studio. Presenter: Samira Ahmed Producer: Eliane Glaser

Enzo Ponza, de Joanna Walsh.

From the 20th edition of International Literature Festival Dublin in May 2018 The essay, that brilliantly elastic literary form once described by Zadie Smith as the best way to reflect ‘messy reality’, is making a glorious comeback. Daisy Hildyard’s collection The Second Body is a brilliantly lucid account of the dissolving boundaries between all life on earth. The essays in Ashleigh Young’s collection Can You Tolerate This? roam freely between preoccupations, yet are consistently entertaining in their search for clarity amid uncertainty. In her artful, intelligent collection Break.up, Joanna Walsh simultaneously flees and pursues an ambiguous partner. Our panel discuss the contemporary essay, and debate whether information overload has created a demand for personal voices. The event is chaired by writer and broadcaster Sinéad Gleeson. Presented in association with Creative New Zealand in partnership with Publishers Association of New Zealand.

No Paralelo30 dessa quarta-feira, 3 de março, vamos conversar sobre um assunto demais de interessante: Literatura!! Mas o assunto é melhor do que você possa imaginar, pois vamos falar sobre o “#Leia Mulheres”, um Clube de Leitura de Rio Grande, criado em novembro de 2016, em que apenas são lidos e discutidos obras escritas por mulheres. Atualmente, os locais das reuniões são informados pelas redes sociais do grupo e as reuniões são virtuais. O projeto foi inspirado pela escritora britânica Joanna Walsh, que em 2014 propôs que as pessoas passassem a ler mais livros escritos por mulheres. Ela pedia às pessoas para que marcassem com a hashtag #readwoman2014, trechos e imagens relacionadas à leitura de obras de mulheres. Este projeto virtual teve êxito e se espalhou pelo mundo. No Brasil, Inspiradas pelo projeto de Joanna, em 2015, um grupo de amigas resolveu tornar o projeto presencial e criaram o primeiro Clube de leitura #leiamulheres, em um espaço cultural da cidade de São Paulo. A partir dali, começou a ser formada uma rede de clubes. O projeto foi crescendo e, atualmente, está presente em mais de 120 municípios brasileiros. Estarão conosco para esse papo: Gabrielle Schaun, Ju Blasina, Lucilene Canilha Ribeiro e Paula Machado Você vai assistir né?! Lembra que o Paralelo30 é ao vivo, e agora nas quartas-feiras acontece às 19h30min, com transmissão simultânea pelo Facebook e YouTube @paralelo30aptafurg . Apoio cultural: APTAFURG sindicato

New Northern Ireland crime fiction (part 1) with authors Simon Maltman & James Murphy, & bookseller & publisher David Torrans: They discuss with We’d Like A Word presenters Paul Waters and Stevyn Colgan, financial support for authors, whether publisher (& reader) appetite for Northern Ireland crime fiction has dried up (Paul hopes not!), and keeping a bookshop and publisher going during Covid. Simon Maltman's latest novel is Witness. He's also the author of The Mark, Sidewinder, Bongo Fury & more. He plays guitar, he's from Bangor and leads crime fiction tours of Belfast. James Murphy, from Belfast, is a former headteacher and author of the Terror trilogy - The Rise of Terror, The Terror Within & Dark Light (yes, we tease James for that third title). James also teaches crime writing, is an organiser of the Northern Ireland Festival of Writing, and presents the podcast, A Life of Crime (Writing) with James Murphy. The legendary David Torrans owns the legendary No Alibi's crime and mystery bookshop on Belfast's Botanic Avenue. He also runs the No Alibis Press publisher, (Emma Warnock is the editor). He's been a magnet and hub for local and international authors, and is one of the organisers of Noireland, the Northern Ireland International Crime Fiction Festival. And David and his shop have been immortalised in fiction (Mystery Man by Colin Bateman) - an uncannily accurate depiction of the real man. (David denies it. But just look at him and draw your own conclusions.) We also have a love in for the Northern Ireland Arts Council and author Gerard Brennan, whose latest book is called Shot. We hear about the next book coming from No Alibis Press - it's called Seed, by Joanna Walsh. And we talk about authors Val McDermid, Adrian McKinty, Colin Bateman, Steve Cavanagh, Kelly Creighton, Sharon Dempsey, Stuart Neville, Maurice Leitch, Brian McGilloway, Vigdis Hjorth & Emily St John Mandell. Liam Neeson and James Nesbitt pop in the conversation. Paul threatens to replace Stevyn as co-presenter with You Tube countryside guru Dick Leviathan. There's a lot of chuckling and quite a bit of giggling. This episode was supported by the We'd Like A Word advisory panel: Gerry Lockdown, Barry Murderer, Trevor Torture, Maurice Fear & Seamus Panic. Thanks guys. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction and non-fiction. We go out on various radio and podcast platforms. Our website is www.wedlikeaword.com - which is where you'll find information about Paul and Steve and our guests. We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear from you - your questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

New Northern Ireland crime fiction (part 2) with authors Simon Maltman & James Murphy, & bookseller & publisher David Torrans: They discuss with We’d Like A Word presenters Paul Waters and Stevyn Colgan, financial support for authors, whether publisher (& reader) appetite for Northern Ireland crime fiction has dried up (Paul hopes not!), and keeping a bookshop and publisher going during Covid. Simon Maltman's latest novel is Witness. He's also the author of The Mark, Sidewinder, Bongo Fury & more. He plays guitar, he's from Bangor and leads crime fiction tours of Belfast. James Murphy, from Belfast, is a former headteacher and author of the Terror trilogy - The Rise of Terror, The Terror Within & Dark Light (yes, we tease James for that third title). James also teaches crime writing, is an organiser of the Northern Ireland Festival of Writing, and presents the podcast, A Life of Crime (Writing) with James Murphy. The legendary David Torrans owns the legendary No Alibi's crime and mystery bookshop on Belfast's Botanic Avenue. He also runs the No Alibis Press publisher, (Emma Warnock is the editor). He's been a magnet and hub for local and international authors, and is one of the organisers of Noireland, the Northern Ireland International Crime Fiction Festival. And David and his shop have been immortalised in fiction (Mystery Man by Colin Bateman) - an uncannily accurate depiction of the real man. (David denies it. But just look at him and draw your own conclusions.) We also have a love in for the Northern Ireland Arts Council and author Gerard Brennan, whose latest book is called Shot. We hear about the next book coming from No Alibis Press - it's called Seed, by Joanna Walsh. And we talk about authors Val McDermid, Adrian McKinty, Colin Bateman, Steve Cavanagh, Kelly Creighton, Sharon Dempsey, Stuart Neville, Maurice Leitch, Brian McGilloway, Vigdis Hjorth & Emily St John Mandell. Liam Neeson and James Nesbitt pop in the conversation. Paul threatens to replace Stevyn as co-presenter with You Tube countryside guru Dick Leviathan. There's a lot of chuckling and quite a bit of giggling. This episode was supported by the We'd Like A Word advisory panel: Gerry Lockdown, Barry Murderer, Trevor Torture, Maurice Fear & Seamus Panic. Thanks guys. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction and non-fiction. We go out on various radio and podcast platforms. Our website is www.wedlikeaword.com - which is where you'll find information about Paul and Steve and our guests. We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear from you - your questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

New Northern Ireland crime fiction (part 3) with authors Simon Maltman & James Murphy, & bookseller & publisher David Torrans: They discuss with We’d Like A Word presenters Paul Waters and Stevyn Colgan, financial support for authors, whether publisher (& reader) appetite for Northern Ireland crime fiction has dried up (Paul hopes not!), and keeping a bookshop and publisher going during Covid. Simon Maltman's latest novel is Witness. He's also the author of The Mark, Sidewinder, Bongo Fury & more. He plays guitar, he's from Bangor and leads crime fiction tours of Belfast. James Murphy, from Belfast, is a former headteacher and author of the Terror trilogy - The Rise of Terror, The Terror Within & Dark Light (yes, we tease James for that third title). James also teaches crime writing, is an organiser of the Northern Ireland Festival of Writing, and presents the podcast, A Life of Crime (Writing) with James Murphy. The legendary David Torrans owns the legendary No Alibi's crime and mystery bookshop on Belfast's Botanic Avenue. He also runs the No Alibis Press publisher, (Emma Warnock is the editor). He's been a magnet and hub for local and international authors, and is one of the organisers of Noireland, the Northern Ireland International Crime Fiction Festival. And David and his shop have been immortalised in fiction (Mystery Man by Colin Bateman) - an uncannily accurate depiction of the real man. (David denies it. But just look at him and draw your own conclusions.) We also have a love in for the Northern Ireland Arts Council and author Gerard Brennan, whose latest book is called Shot. We hear about the next book coming from No Alibis Press - it's called Seed, by Joanna Walsh. And we talk about authors Val McDermid, Adrian McKinty, Colin Bateman, Steve Cavanagh, Kelly Creighton, Sharon Dempsey, Stuart Neville, Maurice Leitch, Brian McGilloway, Vigdis Hjorth & Emily St John Mandell. Liam Neeson and James Nesbitt pop in the conversation. Paul threatens to replace Stevyn as co-presenter with You Tube countryside guru Dick Leviathan. There's a lot of chuckling and quite a bit of giggling. This episode was supported by the We'd Like A Word advisory panel: Gerry Lockdown, Barry Murderer, Trevor Torture, Maurice Fear & Seamus Panic. Thanks guys. We'd Like A Word is a podcast and radio show from authors Paul Waters and Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction and non-fiction. We go out on various radio and podcast platforms. Our website is www.wedlikeaword.com - which is where you'll find information about Paul and Steve and our guests. We're also on Twitter @wedlikeaword and Facebook @wedlikeaword and our email is wedlikeaword@gmail.com - and yes, we are slightly embarrassed by the missing apostrophes. We like to hear from you - your questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word in person, to chat, review, meet writers or read out passages from books. . .

Enzo Ponza es un cuento de Joanna Walsh, tomado del libro "Mundos del fin de la palabra" publicado en España por la editorial Periférica. La traducción es de Vanesa García Cazorla. Walsh es autora de una novela y de un libro de cuentos de éxito en España titulado Vértigo, también publicado por Periférica

Mundos del fin de la palabra, es un cuento que da título al libro de Joanna Walsh publicado por editorial Periférica. Una escritora que se reveló con Vértigo, y que se caracteriza por la mezcla de ficción y realidad, en cuentos divertidos y crueles que exploran la incomunicación de las personas.

In the wake of the coronavirus epidemic and shutting down of much of the UK's cultural life, we have decided to bring you a series of interviews with contemporary artists, writers, filmmakers and other cultural figures, conducted via Skype (so apologies for the diminished audio quality), about their practices, the political issues that inspire them and the socio-economic conditions that have shaped their work. In the eighth of these Sessions, Juliet talks to writer and artist Joanna Walsh, the author of seven books including the short story collections Fractals (2013), Vertigo (2015) and Worlds from the Word’s End (2017), the novel Break.up (2018) and a work of creative non-fiction, Hotel (2015). They discussed Joanna’s Zines in Dark Times project, launched in response to the Covid-19 crisis; how writers might resist the pressure to react quickly to the epidemic and instead produce more considered work, and Joanna’s new piece of writing ‘The Dispossessed’ (2020); Joanna’s career in illustration, including her cover for Juliet’s book Trans: A Memoir (2015); her digital work Seed (2017) and new illustrations for her short story Grow a Pair (2015); the @Read_Women campaign that Joanna began on Twitter in 2014; her activism on ageism in literary and artistic circles, particularly in awards; and her feelings about the London-centric literary ‘scene’, and how literature might move beyond it. A full list of references for the programme, with links, can be found via our Patreon at www.patreon.com/suite212, and are available to $3 subscribers.

In this week’s episode, we welcome Dr. Joanna Walsh onto the show to talk about her unconventional yet enthralling route to where she is today as an Anatomic Pathologist at LHSC! Dr. Walsh shares with us the intricacies of her profession, describes the different types of Pathology, walks us through the steps involved in processing and turning over a specimen, clarifies misconceptions about the specialty, and discusses the type of personality that excels in a career in Pathology. We also put Dr. Walsh in the ‘hot seat’ for a new segment of the show we are trying out to try and further personalize our guests! Thanks for tuning to Multipotent MD for another week with your co-hosts Ziad and Christopher.

This week's guest is Tony White, founder and publisher of Piece of Paper Press, a lo-tech, sustainable publisher of new writings and illustrative works. Each book is manufactured from a single A4 sheet that is printed on both sides, and then folded, stapled and trimmed by hand to create the book. Piece of Paper Press titles are always distributed free, either by post and/or at an event. Authors who have contributed include Joanna Walsh and Michael MoorcockTony is also the author of books including Foxy-T and Shackleton’s Man Goes South. His latest novel The Fountain in the Forest is published by Faber and Faber, which the Guardian described as 'An avant-garde take on the pulp crime genre becomes a paean to liberty and a secret history of the 1980s'. See acast.com/privacy for privacy and opt-out information.

I talk with writer and theorist Joanna Walsh about the ways we relate (and don't relate now). Joanna also reads her amazing short story, "Vagues" from her collection, Vertigo.

Ep. 33 do Podcast Rabiscos, apresentado pela jornalista Jéssica Balbino e pelo escritor Tadeu Rodrigues. Neste episódio recebemos as ativistas Paula Montenegro e Isabela Alves, que falaram sobre a importância do projeto Leia Mulheres e o início do coletivo em Poços de Caldas/MG. Em 2014 a escritora Joanna Walsh propôs o projeto #readwomen2014 (#leiamulheres2014) que consistia basicamente em ler mais escritoras. O mercado editorial ainda é muito restrito e as mulheres não possuem tanta visibilidade, por isso a importância desse projeto. Em 2015, Juliana Gomes convidou as amigas Juliana Leuenroth e Michelle Henriques para transformarem a ideia de Joanna Walsh em algo presencial em livrarias e espaços culturais. Um convite a leitura de obras escritas por mulheres, de clássicas a contemporâneas. O Leia Mulheres faz parceria com editoras, livrarias e instituições mas não há intermediários. Todo e qualquer contato apenas é feito diretamente pelas gestoras do projeto e pelas mediadoras das respectivas cidades. A Coordenação geral é da Juliana Gomes, Juliana Leuenroth e Michelle Henriques. (fonte www.leiamulheres.com.br) | Siga-nos | Instagram: @podcastrabiscos | @tadeufrodrigues | @jessicabalbino_ |email: podcastrabiscos@gmail.com |

In this episode, Rob chats to Joanna Walsh about mixing narrative forms, autofiction, the perils of using material from your own life in your work, hardback fetishes, Kafka's letters, the beauty of the online relationship, and, oddly, Airbnb. Rob and Kate talk about the joy of quitting, going native, Janeane Garofalo, sex shops and douchbag commercials. Yes, you read that right.

Joanna Walsh’s latest book Break.up (Tuskar Rock), a feminist revisionist travelogue, and romance for the digital age, explores the spaces between lovers, between thinking and doing, between fiction and memoir, as well as ‘the sheer fragility of experience and feeling’ (Colm Tóibín). Lara Feigel’s Free Woman (Bloomsbury), ‘the bravest work of literary scholarship I have ever read’ according to Deborah Levy, is a memoir in which Feigel experiments with sexual, intellectual and political freedom while reading and pursuing Doris Lessing. Walsh and Feigel read from their books, and talked about what writing can, can’t, should and shouldn’t do. The evening was chaired by Jennifer Hodgson, writer, critic and editor of Ann Quin’s The Unmapped Country (And Other Stories). See acast.com/privacy for privacy and opt-out information.

For this first episode, all about working in Editorial, I visited Penguin Random House offices in London to interview Simon Winder, Publishing Director at Penguin Press and Ellen Davies (on Twitter @ellenannedavies), Editorial Assistant.Update: blog post interview with Ellen in May 2020 - https://www.publishing-insight.com/post/2-years-later-ellen-johlSupport the podcast: https://ko-fi.com/publishinginsightGet in touch on Twitter @FlamFlam91 or write me an email at publishinginsight@gmail.comVisit my website: https://www.publishing-insight.com/Books mentioned: - Underground Asia by Tim Harper; - Kudos by Rachel Cusk; - Good Night stories for Rebel Girls by Elena Favilli and Francesca Cavallo; - 12 Rules for Life by Jordan Peterson; - Penguin Monarchs series; - The Penguin Book of the Contemporary British Short Story by Philip Hensher; - Trans-Europe Express by Owen Hatherley; - Vertigo by Joanna Walsh; - Swing Time by Zadie Smith; - First Love by Gwendoline Riley; - The Water Cure by Sophie Mackintosh; - The Mothers by Brit Bennett; - Conversations with Friends by Sally Rooney; - Familiar Stranger by Stuart Hall.Thank you so much for listening! If you have enjoyed this episode please subscribe and share it with other people who may find it interesting as well.Portrait illustration by Ellie Beadle. Music: Dig the Uke by Stefan Kartenberg (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. https://bit.ly/1VLy3cJ Ft: Kara Square.Support the show (https://ko-fi.com/publishinginsight)

We were joined by Joanna Walsh to discuss her boundary-pushing new work Break.up.

Linda Mannheim interviews author Joanna Walsh about her digital novella Seed, Visual Editions directors Britt Iverson and Anna Gerber  about why they chose seed for the digital publishing collaboration Editions at Play, and reader Emma Miles about why she decided to access Seed on her phone. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.   

Mike Newell discusses his film The Guernsey Literary and Potato Peel Pie Society, which stars Lily James as a writer uncovering a mystery from World War II on the Channel island. The director looks back at his career which includes Four Weddings and a Funeral, Harry Potter and the Goblet of Fire and Donnie Brasco.Joanna Walsh is one of the UK's leading experimental writers. She discusses her new novel, Break.up about a nameless woman recovering from a relationship with a man which was mainly conducted online. Break.up also challenges the borders between fiction and non-fiction, as it ranges into travelogue, essays on music, boredom, marriage and art.Film critic Hannah McGill examines the cultural legacy of the late Czech filmmaker Miloš Forman, known primarily for his two Oscar-winning masterpieces One Flew Over the Cuckoo's Nest and Amadeus.Music writer Ben Wardle attempts to prove that 1978 was the greatest and most significant year in the history of pop music - think Kate Bush, Blondie, The Village People, The Police, Springsteen's Darkness on the Edge of Town, Buzzcocks, and Kraftwerk's The Man Machine for starters. Presenter: Alex Clark Producer: Hannah Robins.

This episode features a conversation between Irish Times Books Editor Martin Doyle and June Caldwell, author of Room Little Darker, at the Mountains to Sea festival in Dun Laoghaire last month. As ever, the podcast recording was preceded by a series of articles about Room Little Darker on irishtimes.com, written by fellow authors and critics including Maighread Medbh, Alan McMonagle, Joanna Walsh, Michael Harding, Justine-Delaney Wilson, Elske Rahill and Frankie Gaffney. And those interested can still find those pieces on irishtimes.com. Originally this event was due to take place at the Ennis Book Club festival, but that event was postponed due to the terrible weather. So thanks to Mountains to Sea for facilitating the event at short notice.

Joanna Walsh is a writer of fiction and non, fiction. Her latest book, 'Worlds From The Words End', is available now from And Other Stories. She has been published in a number of magazines, including Granta Magazine, Gorse Journal, and the Dublin Review. She is also a contributing editor at 3:AM Magazine and Catapult.co.  You can read her experimental digital novella 'Seed' for free here. JOANNA'S BOOK CHOICES: Zoo: Or Letters Not About Love by Viktor Shklovsky Gaudy Bauble by Isabel Waidner Garments Against Women by Anne Boyer Joanna tweets @badaude. You can find out all about her on her website. She also runs the twitter account @read_women If you haven't already, please consider leaving the podcast a review on iTunes.

In this edition of the podcast that gives new life to old books novelist Joanna Walsh and critic and academic Sarah Churchwell join John & Andy to talk about Anita Loos' Jazz Age novel. Also discussed: The Fact of a Body by Alexandria Marzano-Lesnevich, and Bedouin of the London Evening, an anthology of poems by Rosemary Tonks.

On this week's podcast, Tom and Chad discuss the potential troubles of getting paid as a freelance translator, the Missing Richard Simmons podcast, and Seed by Joanna Walsh. There are also allusions to the forthcoming BTBA shortlists, and a new podcast project that will be starting up in May . . .   This week's music is "Here's to the Fourth Time!" by Los Campesinos!   As always, feel free to send any and all comments or questions to: threepercentpodcast@gmail.com. Also, if there are articles you'd like us to read and analyze, send those along as well.   And if you like the podcast, tell a friend and rate us or leave a review on iTunes!

Joanna Walsh talked to us during the hustle and bustle of the Worlds Literature Festival about cyber feminism, post-humanism and exploring digital narratives. Joanna is the author of Hotel, Vertigo, Grow a Pair and Fractals. She's been published in Granta, multiple short fiction anthologies, The Stinging Fly, The Dublin Review and others, is a regular reviewer over at The New Statesman and The Guardian and is the editor of 3AM Magazine and Catapult. She's judged the Goldsmiths Prize and is currently studying a PhD in Creative and Critical Writing at the University of East Anglia. Find out more about Writers' Centre Norwich: http://writerscentrenorwich.org.uk/ More information about Worlds: http://www.writerscentrenorwich.org.uk/main-events/worlds/ Explore the International Literature Showcase: http://litshowcase.org

In our latest podcast, Joanna Walsh discusses the Irish Writing Boom with Sarah Davis-Goff of Tramp Press; Susan Tomaselli, editor of Gorse Journal; and Amy Herron of the Irish Writers' Centre. They touch on the culture and history of Ireland’s literary journals; short story culture; the fight against marketing departments and the work of fostering literary innovation.

Sally Rooney And Joanna Walsh In Conversation: The Granta Podcast, Ep. 94 by Granta Magazine

Joanna Walsh, author of Vertigo, talks to Laura Slattery in the Irish Writers' Centre about how she writes, her distinctive take on the short story, women writers and erotica

We're delighted to welcome Joanna Walsh, who will be discussing her two recently published titles, Hotel (Bloomsbury) and Vertigo (Dorothy Project). This event will be chaired by writer and critic Lauren Elkin.

Claire-Louise Bennett and Joanna Walsh met at the London Review Bookshop to read from and discuss their new books, Pond (Fitzcarraldo Editions) and Hotel (Bloomsbury). The discussion was chaired by Katherine Angel, author of Unmastered: A Book on Desire, Most Difficult to Tell (Penguin). See acast.com/privacy for privacy and opt-out information.

"I like what happens to the reader when you present something as not entirely untrue." Joanna Walsh discusses her autofiction and creative nonfiction, including Break.up, Still Worlds Turning and Seed, and reads from "Fine" (Still Worlds Turning). Music by Ruby Colley. Edited by Stephen Sexton.