Podcast appearances and mentions of mary sidney

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Psalm 52 concerns a lying tyrant and God's impending judgment. Mary Sidney, who lived 1561-1621, was an extraordinary writer, editor, and literary patron. Like many talented writers of her time, she translated all the psalms. Here we talk about translation, early modern women's writing, religious engagements with politics, and the power of Psalm 52. For more on Mary Sidney, see The Poetry Foundation page: https://www.poetryfoundation.org/poets/mary-sidney-herbert For the Geneva translation of Psalm 52, which Mary Sidney would have known, see here: https://www.biblegateway.com/passage/?search=Psalm%2052&version=GNV For a new collection of English translations of the psalms in the early modern era, see The Psalms in English 1530-1633 (Tudor and Stuart Translations) (https://a.co/d/6lKqKPS), edited by Hannibal Hamlin. Psalm 52 translated by Mary Sidney Tyrant, why swell'st thou thus,  Of mischief vaunting? Since help from God to us  Is never wanting. Lewd lies thy tongue contrives,  Loud lies it soundeth; Sharper than sharpest knives  With lies it woundeth. Falsehood thy wit approves,  All truth rejected: Thy will all vices loves,  Virtue neglected. Not words from cursed thee,  But gulfs are poured; Gulfs wherein daily be  Good men devoured. Think'st thou to bear it so?  God shall displace thee; God shall thee overthrow,  Crush thee, deface thee. The just shall fearing see  These fearful chances, And laughing shoot at thee  With scornful glances. Lo, lo, the wretched wight,  Who God disdaining, His mischief made his might,  His guard his gaining. I as an olive tree  Still green shall flourish: God's house the soil shall be  My roots to nourish. My trust in his true love  Truly attending, Shall never thence remove,  Never see ending. Thee will I honour still,  Lord, for this justice; There fix my hopes I will  Where thy saints' trust is. Thy saints trust in thy name,  Therein they joy them: Protected by the same,  Naught can annoy them.

Philadelphia opines that she would never 'filch' anything; Jessica and Gage talk over the impact the amazing Mary Sidney had in the Tudor world, even if she wasn't the author of the plays of Shakespeare. Listen in!

Quelle fierté de commencer cette saison 3 avec la chercheuse française Aurore Évain, historienne du théâtre sous l'Ancien Régime et fondatrice des journées du matrimoine. Elle nous présente la tragédienne Catherine Bernard, spoilée et invisibilisée par Voltaire (rien que ça !) et... Mary Sidney, une femme de lettre anglaise qui est probablement la coordinatrice, voire l'autrice, de l'œuvre de Shakespeare. (Oui vous avez bien lu). Dans cet épisode, il est donc question d'origine des oeuvres, de l'empêchement des femmes a écrire sous leur propre nom, de vers si beaux qu'ils furent volés par les plus grands et de stratégie pour offrir à la langue anglaise une renommée internationale. Nous vous souhaitons de découvrir cet épisode avec autant de passion que ce fut le cas pour nous. Enjoy ✨Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A Dialogue between two Shepherds, Thenot and Piers, in Praise of Astraea by Mary Sidney - this is probably a sung dialogue, but we present the dialogue as it comes. Written in the 1590's Emma Kemp - Thenot Alex Scott Fairley - Piers.  This episode was produced by Robert Crighton Our patrons received this episode in January 2024 - approx. 8 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

L'œuvre de Shakespeare a-t-elle écrite par une femme ? Telle est la question à laquelle Aurore évain répond dans une enquête aussi documentée que captivante. D'indices troublants en recoupements probants, elle démontre que, s'il est assez improbable que William Shakespeare ait écrit les trente-six pièces qui lui sont attribuées, il est en revanche tout à fait vraisemblable que Mary Sidney, comtesse de Pembroke, en soit la véritable autrice.Photo © Camille McOuat Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Rosalind Franklin, Ada Lovelace et Mary Sidney : ces noms vous disent quelque chose ? Depuis plusieurs années, de plus en plus de projets mettent en lumière le travail de ces femmes créatrices. Leur but : visibiliser le matrimoine, soit les biens culturels qu'elles nous ont légués. Mais à quoi ça sert de le rendre visible? Décryptage avec Aurore Evain, metteuse en scène et chercheuse, et Carla Caucotto, médiatrice culturelle chargée des Journées du Matrimoine de Lausanne. Pour aller plus loin : Mary Sidney alias Shakespeare : l'œuvre de Shakespeare a-t-elle été écrite par une femme ? Aurore Evain, Editions Talents Hauts Mémoires : Genève dans le monde colonial, Musée d'ethnographie de Genève, jusqu'au 5 janvier 2025 Les Journées du Matrimoine, organisées par l'Association Sujettes du 20 au 22 septembre 2024 à Lausanne. Journaliste: Mathilde SalaminRéalisateur Nous écrire : pointj@rts.ch ou +41 79 134 34 70 (WhatsApp)

This is a discussion with Professor Marion Wynne-Davies about the collection of plays and documents, published in 1996, Renaissance Drama by Women, which was co-edited with S.P. Cerasano. Whilst it was published a fair while ago, it was this collection that began our work on these plays, and we're probably not alone. This episode features clips from our audio adaptations of the plays in question, all of which can be heard in full on our Dramatic Women playlist. The host was Robert Crighton, and additional voices include Simon Nader as Caesar in The Tragedy of Antony, Fiona Thraille from Elizabeth I's translation, and Pamela Flanagan as Cleopatra in The Tragedy of Antony translated by Mary Sidney, as well as Salome in The Tragedy of Mariam by Elizabeth Cary. Our patrons received this episode in October 2023 - approx. 7 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

You've heard of Shakespeare, but have you heard of his contemporary Mary Sidney, the first person to translate the Book of Psalms into English poetry? Or what about Elizabeth Cary, who published the first original play known to be written by a woman in English? In her new book Shakespeare's Sisters: Four Women Who Wrote the Renaissance, Ramie Targoff delves into the lives of four fascinating women writers from the Renaissance period. Speaking to Lauren Good, she explores a poignant question: what would the literary canon look like if these women had been better remembered? (Ad) Ramie Targoff is the author of Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Riverrun, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Shakespeares-Sisters-Women-Wrote-Renaissance/dp/1529404894/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Au Pakistan, les femmes policières sont peu nombreuses mais servent de modèle aux jeunes filles et leur ouvrent des perspectives de carrière, dans un pays très conservateur. Ensuite, une question brûlante d'actualité : William Shakespeare était-iel une femme ? C'est la piste qu'explore Aurore Evain. Spécialiste du matrimoine littéraire, elle s'intéresse au portrait d'une des femme les plus lettrées du XVIe siècle, l'aristocrate Mary Sidney, et enquête pour savoir si elle pourrait être la véritable autrice cachée derrière l'œuvre du "Barde". Enfin, la nageuse paralympique Husnah Kukundakwé représentera l'Ouganda aux JO de Paris cet été.

In A Room of One's Own, Virginia Woolf famously imagined what might have happened if Shakespeare had a sister who was as gifted a writer as he was. She invents “Judith” Shakespeare, and concludes that this female genius would have been doomed. But that's not the end of the story. If Woolf had read Mary Sidney, Aemelia Lanyer (nee Bassano), Anne Clifford, and Elizabeth Carey, she might have thought differently about the fate of her fictional Judith Shakespeare. Ramie Targoff's new book, Shakespeare's Sisters: How Women Wrote the Renaissance, explores the lives and works of those four women.. Targoff tells us about them and reflects on why reading their work is so important. Ramie Targoff teaches English and Italian literature at Brandeis University. She's also a member of the Folger's Board of Governors. Her book Shakespeare's Sisters: How Women Wrote the Renaissance is available from Knopf. From the Shakespeare Unlimited podcast series. Published March 12, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Digital Island Studios in New York and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Yes, it's finally here - the final cut of the full cast audio adaptation of The Tragedy of Antony by Robert Garnier, translated by Mary Sidney Herbert. It has been a long road to get here, using recordings from before the plague and without recourse to retakes. I hope you like it. CW: Themes and depiction of suicide, sounds of war, a culture of misogyny, violent death, general lamentation. The Tragedy of Antony by Robert Garnier, translated by Mary Sidney Herbert The Cast (in order of appearance) Antony - Heydn McCabe Philostratus - Mark Scanlon Cleopatra - Pamela Flanagan Eras - Sarah Golding Diomede - Geir Madland Charmion - Leigh McDonald Lucilius - Rob Myson Caesar - Simon Nader Agrippa - Hugh Weller-Poley Euphron - Richard Fawcett Child – Gillian Horgan General Chorus - Pamela Flanagan, Gillian Horgan, Seb Ransom, and Robert Crighton Roman Chorus - Geir Madland Additional sound effects from zapsplat.com The Tragedy of Antony was produced by Robert Crighton Our patrons received this episode in August 2023 - approx. 2 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

More !Spoilers! from The Tragedy of Antony as translated by Mary Sidney from the play by Robert Garnier. This fifth and final !Spoilers! episode works through Act 5, followed by a plain text recording of the Act. The full cast audio adaptation will drop IN TWO WEEKS!. With Pamela Flanagan as Cleopatra, Sarah Golding as Eras, Leigh McDonald as Charmion, Richard Fawcett as Euphron and Gillian Horgan as the child. If you're interested in more plays by women writers from the period, why not dip into The Tragedy of Mariam by Elizabeth Cary - https://audioboom.com/playlists/4631219-the-tragedy-of-mariam-by-elizabeth-cary There is of course a full Tragedy of Antony playlist with all our work on the podcast to date - https://audioboom.com/playlists/4630912-the-tragedy-of-antony Our patrons received this episode in June 2023 - approx. 3 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

More !Spoilers! from The Tragedy of Antony as translated by Mary Sidney from the play by Robert Garnier. This fourth !Spoilers! episode, works through Act 4, followed by a plain text recording of the Act. The full cast audio adaptation will drop later in the year. With Simon Nader as Caesar, and Hugh Weller-Poley as Agrippa, Rob Myson as Dircetus/Lucilius and Geir Madland as the chorus. If you're interested in more plays by women writers from the period, why not dip into The Tragedy of Mariam by Elizabeth Cary - https://audioboom.com/playlists/4631219-the-tragedy-of-mariam-by-elizabeth-cary There is of course a full Tragedy of Antony playlist with all our work on the podcast to date - https://audioboom.com/playlists/4630912-the-tragedy-of-antony Our patrons received this episode in June 2023 - approx. 3 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

More !Spoilers! from The Tragedy of Antony as translated by Mary Sidney from the play by Robert Garnier. This third !Spoilers! episode, works through Act 3, followed by a plain text recording of the Act. The full cast audio adaptation will drop later in the year. With Heydn McCabe as Mark Antony, Rob Myson as Lucilius, plus Robert Crighton and Gillian Horgan as the chorus. If you're interested in more plays by women writers from the period, why not dip into The Tragedy of Mariam by Elizabeth Cary - https://audioboom.com/playlists/4631219-the-tragedy-of-mariam-by-elizabeth-cary There is of course a full Tragedy of Antony playlist with all our work on the podcast to date - https://audioboom.com/playlists/4630912-the-tragedy-of-antony Our patrons received this episode in May 2023 - approx. 3 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

More !Spoilers! from The Tragedy of Antony as translated by Mary Sidney from the play by Robert Garnier. This second !Spoilers! episode, works through the rest of Act 2 (Cleopatra's first scene), followed by a plain text recording of scenes. The full cast audio adaptation will drop later in the year. With Pamela Flanagan as Cleopatra, Sarah Golding as Eras, Leigh McDonald as Charmion, Geir Madland as Diomede and Robert Crighton and Gillian Horgan as the chorus. If you're interested in more plays by women writers from the period, why not dip into The Tragedy of Mariam by Elizabeth Cary - https://audioboom.com/playlists/4631219-the-tragedy-of-mariam-by-elizabeth-cary There is of course a full Tragedy of Antony playlist with all our work on the podcast to date - https://audioboom.com/playlists/4630912-the-tragedy-of-antony Our patrons received this episode in May 2023 - approx. 3 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Philadelphia's word this week,'filch' is something she says she would never do. Jessica and Gage talk about the amazing Mary Sidney. Listen in!

The first !Spoilers! episode of The Tragedy of Antony as translated by Mary Sidney from the play by Robert Garnier. This first !Spoilers! episode, works through Act 1 and the opening of Act 2, followed by a plain text recording of the opening of the play. The full cast audio adaptation will drop later in the year. With Heydn McCabe as Mark Antony, Mark Scanlon as Philostratus, and Robert Crighton, Pamela Flanagan and Seb Ranson as voices in the chorus. The host was Robert Crighton If you're interested in more plays by women writers from the period, why not dip into The Tragedy of Mariam by Elizabeth Cary - https://audioboom.com/playlists/4631219-the-tragedy-of-mariam-by-elizabeth-cary Our patrons received this episode in April 2023 - approx. 4 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Holly and Tracy discuss Mary Sidney Herbert and the debate about whether she wrote works attributed to Shakespeare, as well as her late-in-life party period. On a more serious note, they talk about Holodomor as an example of the long and complicated relationship of Ukraine with Russia and the U.S.S.R. See omnystudio.com/listener for privacy information.

She was a patron of the arts, the first woman to publish an English-language play, and the first woman to publish pastoral poetry. Mary Sidney Herbert was also incredibly wily when it came to navigating the limitations and possibilities of being a woman in 16th century England. See omnystudio.com/listener for privacy information.

Join Dr. Jamie Gunderson along with Provost Larson, Dr. Chiara Ferrari, Mary Sidney, and Julie Jessen, as they discuss the teacher-scholar model and explore opportunities and resources for engaging in research at Chico State.

Inclusa praticamente in tutte le recenti antologie elisabettiane, Mary Sidney è oggi riconosciuta come la donna letteraria più importante della sua generazione, colei che ha contribuito ad aprire possibilità ad altre scrittrici. Il 25 settembre 2021 segna i 400 anni dalla sua morte e quindi non si può che omaggiarla e ringraziarla. Questo almeno per chi, come me, vede nella scrittura la possibilità di far sentire la propria voce e mostrare la sua anima. Grazie Mary Sitografia: * - https://books.google.it/books?id=MTTdDwAAQBAJ&pg=PT16&lpg=PT16&dq=mary+dudley+alchemist&source=bl&ots=_7MOT-mRvY&sig=ACfU3U2r7x_70S7e66-Vcdv7VwfH6seHoQ&hl=it&sa=X&ved=2ahUKEwiUopypjJrzAhXRCewKHY8AAbgQ6AF6BAgfEAM#v=onepage&q&f=false * - https://it.wikipedia.org/wiki/Mary_Sidney#Voci_correlate * - https://it.wikipedia.org/wiki/Philip_Sidney * - https://it.wikipedia.org/wiki/Mary_Dudley * - https://tudortimes.co.uk/people/mary-sidney-patron-of-letters * - https://www.literaryladiesguide.com/author-biography/mary-sidney-countess-of-pembroke/ * - https://www.poetryfoundation.org/poets/mary-sidney-herbert * - https://global.oup.com/academic/product/the-collected-works-of-mary-sidney-herbert-countess-of-pembroke-9780198112808?cc=it&lang=en& Bibliografia: * - Mary Sidney Herbert: printed writings 1500-1640 di Gary F. Waller * - Renaissance Women Poets di Aemilia Lanyer * - A poem on our saviour's passion di Mary Sidney Herbert Filmografia: * - “A discovery of Witches” stagione 2

In this episode, we discuss Professor Naomi Miller's novel,  Imperfect Alchemist,  which revolves around Mary Sidney Herbert and her bond with a maidservant and artist Rose. You can find the paperback here: https://amzn.to/3x4AdKX For a complete episode transcript, check out http://www.womenandshakespeare.com Interviewer: Dr Varsha PanjwaniGuest: Professor Naomi MillerProducer: Mr Zeke TweedieArtwork: Mr Wenqi Wan 

By knot of one, the spell’s begun...Blessed be, Witches! This week Lucy goes deep into the second season of A Discovery of Witches, which goes all Outlander on us as Diana and Matthew step back in time - to 1590, to be precise. It’s a feast for the fans of witchy history - alchemist Mary Sidney, The School of Night, Dr John Dee and a host of real-life magickal folks cross paths with our protagonists. Lucy explores real-life weavers, conducts a little how-to on knot magick, explains and explores the Witches Ladder and finds out just how Teresa Palmer (Diana Bishop) found her own elemental magick during the shoot for the show. The Turn of a Card turns up a question on how to deepen the magick of a coven working from a share house - Lucy explores ways to keep a magickal group fresh, connected, and healthy - as well as how to introduce structure that can really focus your witchcrafting skills while respecting all members’ individual strengths. There are a host of occult-flavoured songs from Stevie Nix (no, it is NOT Rhiannon), the Pretenders and Donovan. A big big thankyou to our sponsors, Kohli Tea, Primal Healing and Blue Angel Publishing, and to the supporters who make the heart of this podcast beat into being every Friday - Patreon family, you are the best! And big thanks as always to Shayne Brian for his sound magick! Songs: Sorcerer - Stevie Nicks (featuring Sheryl Crowe) Hymn to Her - the Pretenders Season of the Witch - Donovan As always huge gratitude and love and thanks to all the Lucy Cavendish Patreon supporters, and to all the keen listeners who’ve written in, and to Talented Producer Shayne for making Lucy’s kitchen sound like a magickal recording studio! A HUGE THANKYOU to all the Witchcast sponsors – Naomi Manouge at Primal Healing, Blue Angel Publishing, Kohli Tea (having a cuppa right now) and if you would like to become a sponsor of the Witchcast, just head to Lucy’s Patreon page to see how to make this happen! The intro music is "We Are One" by the band Nordic Daughter. Find the band on Facebook - https://www.facebook.com/nordicdaughter/ Or visit their website - http://nordicdaughter.com Music throughout the show includes tracks from Darksphere EmpireDownload the Darksphere Empire album here - https://darksphere-empire.bandcamp.com/album/after-the-rain See omnystudio.com/listener for privacy information.

Dr. Naomi Miller’s novel "Imperfect Alchemist" is about one of early modern England’s most significant literary figures: a poet, playwright, translator, scientist, and colleague of writers like Ben Jonson, Edmund Spenser, Mary Wroth, John Donne, and Emilia Lanier Bassano. Her name was Mary Sidney Herbert, Countess of Pembroke. We talk to Miller about how she imagined the lives and voices of these literary lights, as well as Shakespeare, in her book. Plus, she discusses female alchemists of Elizabethan England, Sidney’s friends and beneficiaries, and how class shapes her characters’ outlooks. Naomi Miller is interviewed by Barbara Bogaev. Dr. Naomi Miller is a professor of English, as well as the Study of Women and Gender, at Smith College. She has written and edited nine books about early modern women authors and their worlds. Her first novel, "Imperfect Alchemist," was published by Allison & Busby in 2020. From the Shakespeare Unlimited podcast. Published February 2, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Your Partner in the Cause,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer with help from Leonor Fernandez. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California.

S2E3There is so much happening in this episode! Our bargain basement Philippe (Father Hubbard), accepts Matthew's confession and plea for forgiveness -- and Father Hubbard is willing to take it (with the offer of a good word to Philippe). Diana visits Mary Sidney in her lab, and learns that there may be a path to the book that both her and Matthew seek! Where does this path lead? It leads to John Dee and his vast library.As we follow this long and winding path with Diana and Matthew in the past (which eventually leads to our introduction to QE1 & Gallowglass), we must remember that in present-day things are continuing to happen in our timey-wimey sh*tstorm! We visit Domenico, Gerbert and Emily to see what they are up to, and what that adds to the larger story.Thanks to Samantha Reaves for sponsoring this episode, and to all, please enjoy...Full show notes: http://go.DaemonsDiscuss.com/S2E3Informational links:Season 2 Shout Out! -- tell us your thoughts on this episode, the actors, the sets, or the series as a whole! It's up to you!Mary Sidney's Hilliard PortraitMilo Twomey - PierreTom Hughes - (Kit Marlowe -- announced at All Souls Con -- see announcement)Holly Aird - FrançoiseStephen Cree - GallowglassSheila Hancock - Goody AlsopPaul Rhys - Father HubbardAmanda Hale - Mary SidneyAisling Loftus - Susanna NormanBarbara Marten - Queen Elizabeth Joshua Pickering - Jack Blackfriers Lois Chimimba - Catherine StreeterVictoria Yeates - Elizabeth JacksonAmy McAllister - Marjorie CooperStruan Rodger - John DeeGregg Chillin - Domenico MicheleTrevor Eve - Gerbert D'AurillacThe real figures behind the characters: John Dee, Queen Elizabeth I, Matthew Roydon, William Cecil, Mary Sidney, Christopher MarloweMore:Join us on Patreon (as little as $2 monthly will gain you access to extra episodes + different level incentives for those who join at higher tiers!)A Discovery of Witches TV News info (Continually updated; scenes, sets, trailer video, official photographs, casting + more)Become a Discusser (contact info located there as well)Email us directly: DaemonsDiscuss@gmail.comCall & Leave a voicemail! 1 (360) 519-7836 or hit us up on SpeakPipe Our Podcast Page: DaemonsDiscuss.com Our Main Site: DaemonsDomain.com Social Media: Twitter - @DaemonsDiscuss, Facebook - Daemons Discuss & Instagram - @daemonsdiscussTo join our private, listener-only Facebook group, apply here: Join Daemonic Discussers The "word" is "F*cking Firedrake"To see/hear all of our chapter reviews, check out this list: Chapter Review EpisodesTV show reviews? Go here: A Discovery of Witches TV ReviewsTo check out all of our episodes go here: Daemons Discuss! Full Episode ListGet your Daemon merch here: go.DaemonsDiscuss.com/shop -- and for 2020, our enamel FTSIO pins (+ masks and T-shirts) can be found here: go.DaemonsDiscuss.com/FTSIO2020Credits/Copyright Information *DISCLAIMER: Daemons Discuss! (by extension, Daemons Domain) is independent, non-profit, and is not affiliated with BadWolf, SkyOne, NowTV, SundanceNow, Shudder or any of the production/broadcast entities associated with A Discovery of Witches. All audio clips from the show/soundtrack during our episode reviews are used strictly for commentary; categorically, according to U.S. copyright law, this method falls under Fair Use.* Intro music: "Ghost Dance" (edited down to second chorus) by Kevin Macleod, licensed for use by Creative Commons.* Outro music: Rimsky-Korsakov - "Scheherazade Symphonic Suite for Orchestra Op.35 - IV. Allegro molto," Public domain/copyright-free. * All other music used is licensed via several different royalty-free sources (as are sound effects).* "Save it for the Show" segment introduction voice-over by Devyn Grendell * Cover art (+ all variations associated w/ it): © Daemons Domain * The term "unofficial" is explained in our disclaimer located in Terms of Use - item 14.* The Daemons Discuss podcast is hosted and produced by the owners (Angela, Jean and Valerie) of Daemons Domain and can also be found by entering the url http://www.DaemonsDiscuss.com in your browser, (listed on the various podcast syndicates like iTunes, Stitcher, etc.) which will redirect you back to the parent site, Daemons Domain.* This podcast is intended for personal download/consumption. Please see our Terms of Use; item 3.* FTC: Our podcast episodes are solely sponsored by listeners via Patreon.* Our episode titles are a loving tribute to the show "Friends" just 'cause we love Friends and - let's face it - it's easier! Here's how one of the show creators explains their reasoning:Jeff Greenstein: "When Marta & David & Jeff & I did 'Dream On', we used to spend a lot of time thinking about titles, because they were on-screen at the top of each episode. On "Friends", we decided that was a waste of time. We figured, why not name each episode after the thing that people will ostensibly be talking about around the water-cooler the next day?" See acast.com/privacy for privacy and opt-out information.

S2E2Our adventures continue! Our present day matriarchs are concerned about our witch and vampire. Did they make it? And back in time, Matthew's past is both a help and a hindrance to their cause. Mary Sidney? Helpful ... maybe? Father Hubbard, hindrance, definitely(!) ... probably(?) As viewers, do we even really know at this point?! Susanna and Goody definitely seem helpful, so we can hang on to that as a tentative fact . . .Anyway, we fall deep into medieval intrigue. Diana's powers, though potent, they remain perplexing! Matthew's past is definitely darker in the viewer's eyes, and perhaps even darker than he remembered. In the end, through Matthew's anxiety (brought out by Cecil and Hubbard; 'he's gonna tell my Dad!'), we are left wondering about the patriarch of the de Clermont family: Philippe. What does he have Matthew doing for him in Tudor England?Thanks to Michelle Gutierrez for sponsoring this episode, and to all, please enjoy.Full show notes: http://go.DaemonsDiscuss.com/S2E2Informational links:Season 2 Shout Out! -- tell us your thoughts on this episode, the actors, the sets, or the series as a whole! It's up to you!Mary Sidney's Hilliard PortraitMilo Twomey - PierreHolly Aird - FrançoiseTom Hughes - (Kit Marlowe -- announced at All Souls Con -- see announcement)Holly Aird - FrançoiseSheila Hancock - Goody AlsopPaul Rhys - Father HubbardAmanda Hale - Mary SidneyAisling Loftus - Susanna NormanThe real figures behind the characters: Matthew Roydon, William Cecil, Mary Sidney, Christopher MarloweMore:Join us on Patreon (as little as $2 monthly will gain you access to extra episodes + different level incentives for those who join at higher tiers!)A Discovery of Witches TV News info (Continually updated; scenes, sets, trailer video, official photographs, casting + more)Become a Discusser (contact info located there as well)Email us directly: DaemonsDiscuss@gmail.comCall & Leave a voicemail! 1 (360) 519-7836 or hit us up on SpeakPipe Our Podcast Page: DaemonsDiscuss.com Our Main Site: DaemonsDomain.com Social Media: Twitter - @DaemonsDiscuss, Facebook - Daemons Discuss & Instagram - @daemonsdiscussTo join our private, listener-only Facebook group, apply here: Join Daemonic Discussers The "word" is "F*cking Firedrake"To see/hear all of our chapter reviews, check out this list: Chapter Review EpisodesTV show reviews? Go here: A Discovery of Witches TV ReviewsTo check out all of our episodes go here: Daemons Discuss! Full Episode ListGet your Daemon merch here: go.DaemonsDiscuss.com/shop -- and for 2020, our enamel FTSIO pins (+ masks and T-shirts) can be found here: go.DaemonsDiscuss.com/FTSIO2020Credits/Copyright Information *DISCLAIMER: Daemons Discuss! (by extension, Daemons Domain) is independent, non-profit, and is not affiliated with BadWolf, SkyOne, NowTV, SundanceNow, Shudder or any of the production/broadcast entities associated with A Discovery of Witches. All audio clips from the show/soundtrack during our episode reviews are used strictly for commentary; categorically, according to U.S. copyright law, this method falls under Fair Use.* Intro music: "Ghost Dance" (edited down to second chorus) by Kevin Macleod, licensed for use by Creative Commons.* Outro music: Rimsky-Korsakov - "Scheherazade Symphonic Suite for Orchestra Op.35 - IV. Allegro molto," Public domain/copyright-free. * All other music used is licensed via several different royalty-free sources (as are sound effects).* "Save it for the Show" segment introduction voice-over by Devyn Grendell * Cover art (+ all variations associated w/ it): © Daemons Domain * The term "unofficial" is explained in our disclaimer located in Terms of Use - item 14.* The Daemons Discuss podcast is hosted and produced by the owners (Angela, Jean and Valerie) of Daemons Domain and can also be found by entering the url http://www.DaemonsDiscuss.com in your browser, (listed on the various podcast syndicates like iTunes, Stitcher, etc.) which will redirect you back to the parent site, Daemons Domain.* This podcast is intended for personal download/consumption. Please see our Terms of Use; item 3.* FTC: Our podcast episodes are solely sponsored by listeners via Patreon.* Our episode titles are a loving tribute to the show "Friends" just 'cause we love Friends and - let's face it - it's easier! Here's how one of the show creators explains their reasoning:Jeff Greenstein: "When Marta & David & Jeff & I did 'Dream On', we used to spend a lot of time thinking about titles, because they were on-screen at the top of each episode. On "Friends", we decided that was a waste of time. We figured, why not name each episode after the thing that people will ostensibly be talking about around the water-cooler the next day?" See acast.com/privacy for privacy and opt-out information.

Tracy Ryan reads part of a lament by Lady Mary Sidney, on the death of her brother Sir Philip Sidney, author of Astrophel and Stella and The Countess of Pembroke’s Arcadia, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.

Today in 1561 Mary Sidney Herbert was born. She is remembered for being a literary patron, writer, and translator in her own right, and as the sister of Sir Philip Sidney, who was one of the most famous poets of the Elizabethan age.

On this day in Tudor history, 10th October 1588, Robert Dudley, Earl of Leicester, was buried in the Beauchamp Chapel of the Collegiate Church of St Mary, Warwick, according to his instructions.His funeral was well-attended and his widow, Lettice, a woman known by Elizabeth I as "the she-wolf", erected a monument to "her best and dearest husband" in the chapel, which was also the resting place of the couple's young son, Robert, "the noble impe".Find out more about Leicester's funeral and resting place, and see some photos of his tomb, in today's talk from historian Claire Ridgway. You can see this podcast as a video at the following link:https://youtu.be/jQQhMB0S1m0Also on this day in Tudor history, 10th October 1562, twenty-nine-year-old Queen Elizabeth I was taken ill at Hampton Court Palace. It was thought that it was just a bad cold, but it turned out that the queen had smallpox. Elizabeth became seriously ill and it was thought that she would die, causing panic over the succession, but Elizabeth recovered and reigned until 1603. She was nursed by her good friend, Mary Sidney, who also came down with smallpox and was badly disfigured by it. Find out more in last year’s video - https://youtu.be/ohpybHXcxiM

Mary Sidney Herbert, The Countess of Pembroke by Museum of the Bible

Exploring: The Tragedy of Antony (Act 5) From our pre-production Exploring sessions, where we read through the text of this play for future use towards an audio/stage show. The Tragedy of Antony is a translation of Robert Garnier's play, done into English by Mary Sidney, or Mary Herbert (Countess of Pembroke), in 1592. These are recordings of various readers and actors working through Act 5, as we tried to find a route into the play. It's the first step in a journey to understand and produce the play, with a plain text and full cast audio adaptation coming soon. Act Five is short and sad, as Cleopatra mourns the dead Antony - and prepares herself mentally for her own end. With Mark Scanlon, Liz Cole, Leigh McDonald, and the inevitable host, Robert Crighton. There are a few editions of the play available both in print and online (one online version can be found here http://www.luminarium.org/renascence-editions/antonie.html) - we're very fond of the Three Tragedies by Renaissance Women, Penguin Renaissance Dramatists edition edited by Diane Purkiss; as well as the Renaissance Drama by Women, Routledge, edited by S.P. Cerasano and Marion Wynne-Davies. At least one other edition exists, but we haven't looked at it yet. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to https://patreon.com/beyondshakespeare or follow us on Twitter @BeyondShakes or even go to our website: https://beyondshakespeare.org (https://beyondshakespeare.org/)

Exploring: The Tragedy of Antony (Act 4) From our pre-production Exploring sessions, where we read through the text of this play for future use towards an audio/stage show. The Tragedy of Antony is a translation of Robert Garnier's play, done into English by Mary Sidney, or Mary Herbert (Countess of Pembroke), in 1592. These are recordings of various readers and actors working through Act 4, as we tried to find a route into the play. It's the first step in a journey to understand and produce the play, with a plain text and full cast audio adaptation coming soon. ALL CHANGE! Act Four throws us into the hands of the enemy - as Caesar and Agrippa discuss what's to be done with Antony and a messenger arrives to give them some news. Even the chorus is different - with Roman soldiers instead of the usual array of distressed Egyptians. With Rob Myson, Alan Scott, and the inevitable host, Robert Crighton. There are a few editions of the play available both in print and online (one online version can be found here http://www.luminarium.org/renascence-editions/antonie.html) - we're very fond of the Three Tragedies by Renaissance Women, Penguin Renaissance Dramatists edition edited by Diane Purkiss; as well as the Renaissance Drama by Women, Routledge, edited by S.P. Cerasano and Marion Wynne-Davies. At least one other edition exists, but we haven't looked at it yet. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to https://patreon.com/beyondshakespeare or follow us on Twitter @BeyondShakes or even go to our website: https://beyondshakespeare.org (https://beyondshakespeare.org/)

Exploring: The Tragedy of Antony (Act 3) From our pre-production Exploring sessions, where we read through the text of this play for future use towards an audio/stage show. The Tragedy of Antony is a translation of Robert Garnier's play, done into English by Mary Sidney, or Mary Herbert (Countess of Pembroke), in 1592. These are recordings of various readers and actors working through Act 3, as we tried to find a route into the play. It's the first step in a journey to understand and produce the play, with a plain text and full cast audio adaptation coming soon. Act Three returns us to the world of Mark Antony - discussing his fate (or his FATE) with his mate Lucilius, and then the chorus. Technically we will meet Antony again, in reported speech and as a very prominent corpse, but this is his last scene. It's also the last time we will meet this particular chorus. With cast member Heydn McCabe, Irregular regular Alan Scott, and the inevitable host, Robert Crighton.  There are a few editions of the play available both in print and online (one online version can be found here http://www.luminarium.org/renascence-editions/antonie.html) - we're very fond of the Three Tragedies by Renaissance Women, Penguin Renaissance Dramatists edition edited by Diane Purkiss; as well as the Renaissance Drama by Women, Routledge, edited by S.P. Cerasano and Marion Wynne-Davies. At least one other edition exists, but we haven't looked at it yet. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to https://patreon.com/beyondshakespeare or follow us on Twitter @BeyondShakes or even go to our website: https://beyondshakespeare.org (https://beyondshakespeare.org/) Update Description (https://audioboom.com/posts/7483035-exploring-the-tragedy-of-antony-act-2/edit)

Exploring: The Tragedy of Antony (Act 2) From our pre-production Exploring sessions, where we read through the text of this play for future use towards an audio/stage show. The Tragedy of Antony is a translation of Robert Garnier's play, done into English by Mary Sidney, or Mary Herbert (Countess of Pembroke), in 1592. These are recordings of various readers and actors working through the the bulk of Act 2, as we tried to find a route into the play. It's the first step in a journey to understand and produce the play, with a plain text and full cast audio adaptation coming soon. The Beyond Shakespeare Irregulars this episode were Liz Cole and Alan Scott – with cast member Leigh McDonald, and the inevitable host, Robert Crighton. No cats were harmed in the making of this podcast. There are a few editions of the play available both in print and online (one online version can be found here http://www.luminarium.org/renascence-editions/antonie.html) - we're very fond of the Three Tragedies by Renaissance Women, Penguin Renaissance Dramatists edition edited by Diane Purkiss; as well as the Renaissance Drama by Women, Routledge, edited by S.P. Cerasano and Marion Wynne-Davies. At least one other edition exists, but we haven't looked at it yet. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to https://patreon.com/beyondshakespeare or follow us on Twitter @BeyondShakes or even go to our website: https://beyondshakespeare.org (https://beyondshakespeare.org/)

Exploring: The Tragedy of Antony (Act 1 into 2) From our pre-production Exploring sessions, where we read through the text of this play for future use towards an audio/stage show. The Tragedy of Antony is a translation of Robert Garnier's play, done into English by Mary Sidney, Countess of Pembroke in 1592. These are recordings of various readers and actors working through the first Act, and part of Act 2, as we tried to find a route into the play. It's the first step in a journey to understand and produce the play, with a plain text and full cast audio adaptation coming soon. The Beyond Shakespeare Irregulars this episode were Mark Scanlon, and Alan Scott – with cast members Heydn McCabe and Rob Myson, and the inevitable host, Robert Crighton. There are a few editions of the play available both in print and online (one online version can be found here http://www.luminarium.org/renascence-editions/antonie.html) - we're very fond of the Three Tragedies by Renaissance Women, Penguin Renaissance Dramatists edition edited by Diane Purkiss; as well as the Renaissance Drama by Women, Routledge, edited by S.P. Cerasano and Marion Wynne-Davies. At least one other edition exists, but we haven't looked at it yet.  The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to https://patreon.com/beyondshakespeare or follow us on Twitter @BeyondShakes or even go to our website: https://beyondshakespeare.org (https://beyondshakespeare.org/)

On this day in Tudor history, 10th October 1562, twenty-nine-year-old Queen Elizabeth I was taken ill at Hampton Court Palace, with what was thought to be a bad cold. However, Elizabeth actually had smallpox. It was thought that the queen would die, so there was panic over the succession, and it was at this point that Elizabeth chose Robert Dudley as "protector of the kingdom". However, Elizabeth I survived and went on to reign until her death in March 1603. Elizabeth was nursed by her good friend, Mary Sidney, who also came down with smallpox and was badly disfigured by it. Find out more in Claire's video on her - https://youtu.be/OkBlboV2G8o You can see this podcast as a video at the following link:https://youtu.be/ohpybHXcxiM

Every weekday for a full year, listeners can explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know -- but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Pioneers, Dreamers, Villainesses, STEMinists, Warriors & Social Justice Warriors, and many more. Encyclopedia Womannica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Encyclopedia Womannica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith and Cinthia Pimentel. Special thanks to Shira Atkins and Edie Allard. Theme music by Andi Kristins. This month of Encyclopedia Womannica is sponsored by Casper. Follow Wonder Media Network: Website Instagram Twitter

Mary Sidney Herbert: The Countess of Pembroke by Museum of the Bible

On the morning of 9th July 1553 the 16 year old Jane was walking in the Grey manor at Chelsea in blissful ignorance. Then the Duke of Northumberland's daughter, Mary Sidney, came to call See acast.com/privacy for privacy and opt-out information.

SON ch 22This chapter is so jam-packed with different storylines, that we had no clue what to name it! There's the Rede, and Diana's new little gathering of witches that will help her with her magic. There's Jack Blackfriers, and everything that goes with taking him on as an additional household member. There's Father Hubbard; he's come a-callin' and Diana and Matthew remain quite wary of him. There's some science, between Gregor Mendel and Mary Sidney, we wind up like the kids with blank stares on their faces mentioned in this chapter! There's also a huge loss. OH! And there is real-life breaking news in the middle of the episode! Please enjoy -- prepare to take it in shifts. It's a long one!See full show notes: go.DaemonsDiscuss.com/46Join us on Patreon (as little as $2 monthly will gain you access to extra episodes + different level incentives for those who join at higher tiers!)A Discovery of Witches TV News info (Continually updated; scenes, sets, trailer video, official photographs, casting + more)All Souls Universe Book News for 2018 (Continually updated: The World of All Souls and Time's Convert - formally known as "The Marcus Book" - news; cover reveals, release dates, descriptions, tour info + more)Become a Discusser (contact info located there as well), or for US listeners: text ADOW to 444999Email us directly: DaemonsDiscuss@gmail.comCall & Leave a voicemail! 1 (360) 519-7836 or hit us up on SpeakPipe Our Podcast Page: DaemonsDiscuss.com Our Main Site: DaemonsDomain.com Join our Facebook Group: Daemonic Discussers (the word is "F***ing Firedrake" - be sure to answer the second question as well. We are increasing screening to discourage unwanted lurking/monitoring by people who don't actually listen to/enjoy this show. This private group is JUST for listeners - like YOU!)Social Media: Twitter - @DaemonsDiscuss, Facebook - Daemons Discuss & Instagram - @daemonsdiscussInformational links for the episode:US and Canadian viewers -- our promo code for SundanceNow and Shudder: LADYDAEMONS All Souls Con (get familiar, UK goers!)Cry Innocent (the play we saw in Salem MA)The Witches of EastwickGeico Horror Movie Commercial (lol!)Television broadcaster update via DebThe Spanish Armada Walter WhiteThe arbor DianæGregor MendelNiffler Moon Magic - phases and the spells used with each.US Copyright Law That thing we did! Matthew Clairmont desktop/mobile wallpapers + posterCredits/Copyright Information Intro music: "Ghost Dance" (edited down to second chorus) by Kevin Macleod, licensed for use by Creative Commons.News intro: by AwesomeMusicVideos21; provided for fair-use/royalty-free.Outro music: Rimsky-Korsakov - "Scheherazade Symphonic Suite for Orchestra Op.35 - IV. Allegro molto," Public domain/copyright-free."Save it for the Show" segment introduction voiceover by Devyn GrendellCover art (and all variations associated w/ it): © Daemons Domain The term "unofficial" is explained in our disclaimer located in Terms of Use - item 14.The Daemons Discuss podcast is hosted and produced by the owners (Angela, Jean and Valerie) of Daemons Domain and can also be found by entering the url http://www.DaemonsDiscuss.com in your browser, (listed on the various podcast syndicates like Apple Podcasts, Stitcher, etc.) which will redirect you back to the parent site, Daemons Domain.This podcast is intended for personal download/consumption. Please see our Terms of Use; item 3.Our episode titles are a loving tribute to the show "Friends" just 'cause we love Friends and - let's face it - it's easier! Here's how one of the show creators explains their reasoning:Jeff Greenstein: "When Marta & David & Jeff & I did 'Dream On', we used to spend a lot of time thinking about titles, because they were on-screen at the top of each episode. On "Friends", we decided that was a waste of time. We figured, why not name each episode after the thing that people will ostensibly be talking about around the water-cooler the next day?" See acast.com/privacy for privacy and opt-out information.

In this episode, Melita of Tudor Times talks with us about Mary Sidney, Countess of Pembroke, writer, poet, and enigma about whom very little is known. She pieces together what there is available to know, including the fact that she took a lover as a widow. Go her. Learn more, and get the links to all the resources at http://www.EnglandCast.com. Support the show through leaving a review on iTunes, or become my Patron on Patreon to score a 2018 Tudor Planner as a Thank You Gift. www.Patreon.com/nomadchick Thanks for listening! See acast.com/privacy for privacy and opt-out information.

Danielle Clarke (UCD). Irish Memory Studies Network Distinguished Memory Lecture Series - Methodologies of Memory

Danielle Clarke (UCD). Irish Memory Studies Network Distinguished Memory Lecture Series - Methodologies of Memory