POPULARITY
15 episodes with spem
2 episodes with spem
2 episodes with spem
2 episodes with spem
2 episodes with spem
2 episodes with spem
‘IN HOC PROGRAMMA’, ‘DE WHEELOCK 6th Ed. capite septimo, paginis 43-48: de nominibus ex tertia declinatione ‘SEQUIMUR’ [QUIA “NUNTII IN LINGUA LATINA” ‘INSTRUMENTUM’ ‘AD LATINUM DISCENDUM ET DOCENDUMQUE’ ‘EST’]. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET ITALICA’ ‘*AUDIS’! CIVITATIBUS FOEDERATAE AMERICAE. INDICIUM ERRONEUM MISERUNT. // ‘*DOMUS ALBA, VEL AEDES ALBAE,’ ‘MOMENTUM’ ‘DE DONALDI TRUMP (ANGLICE DONALD TRUMP) PRAESIDIS MAIORE SECURITATE DEFECTU’ ‘*ABDIDIT’. // GALFRIDUS GOLDBERG, ANGLICE JEFFREY GOLDBERG, EDITOR EX ATLANTICO PERIODICO (ANGLICE THE ATLANTIC MAGAZINE) ‘AD COLLOQUIUM ELECTRONICUM DE SECURITATE AMERICANA’ ‘ERRORE ADDITUS FUIT’. // ‘*IS’ ‘CONSILIA DE PYROBOLOS CONICERE CONTRA HOUTHI IN IEMENIA’ ‘*ACCEPIT’. // ETIAM, ‘DECLARATIONES INFORTUNATAS’ ‘A VANCE, PRAESES VICARIUS, ET HEGSETH, MINISTER DEFENSIONIS’ ‘*ACCEPIT’. // ‘*TRUMP’ ‘NEMINEM’ ‘*CULPAVIT’. // SENTENTIA ANTIQUA CONEXA EX WHEELOCK AUDI: “QUOMODO IN PERPETUA PACE SALVI ET LIBERI ESSE POTERIMUS?” ‘{De Wheelock 6th Ed. Capite 7, Paginis 43-48. In hoc nuntio inveni: ¿Quot nomina ex tertia declinatione invenis, quae sunt? ¿Lexicon et sententias ex capite 7 invenis, quae sunt?}. CFA CONTRA GROENLANDIAM. BONA SPE (ANGLICE NUUK). // AMERICANI PERSONAE GRATAE NON SUNT. // ‘GROENLANDIAE PRINCEPS MINISTER, MUTE EGEDE,’ ‘VISITATIONES AGGRESSIVAS’ ‘A VICARIO PRAESIDE VANCE ET UXORE SUA’ ‘DENUNTIAVIT’. // ETIAM ‘*DECLARAVIT’ ‘GROENLANDIAM’ ‘CIVITATUM AMERICA FOEDERATEA LEGATIONEM’ ‘NON *FUTURUM ESSE’, ETIAM DIXIT ‘GROENLANDIAE INCOLAS’ ‘AMERICANOS’ ‘NON *ESSE’, DENIQUE INQUIT ‘OBSEQUIUUM’ ‘VELLE’. // SENTENTIA ANTIQUA CONEXA EX WHEELOCK AUDI: “MULTAE NATIONES SERVITUTEM TOLERARE POSSUNT; NOSTRA CIVITAS NON POTEST”. ‘{De Wheelock 6th Ed. Capite 7, Paginis 43-48. In hoc nuntio inveni: ¿Quot nomina ex tertia declinatione invenis, quae sunt? ¿Lexicon et sententias ex capite 7 invenis, quae sunt?}. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET GALLICA’ ‘*AUDIS’! TRANSLATIONES A SAID RAIMUNDO DELGADO VERSA SUNT. TURCIA RITE RE PUBLICA TURCICA. TURCIA. RES NOVAE AB AUCTŌRITĀTIBUS. // ‘COMPREHĒNSIŌ* PRŌCŌNSULIS BYZANTĪNĪ’ [‘*QUĪ’ ‘PRĪNCIPĀLIS CANDIDĀTUS OPPŌSITIŌNIS’ ‘CONTRĀ ERDOGANUM’ ‘*FUTŪRUS ERAT’], ‘FEBRIM RĒGIMINIS’ ‘*PROBAT’. // ‘*QUOD’ ‘COMMUNICATIONĒS ET MANIFESTĀTIŌNĒS’ ‘*INTERCLŪSIT’. ISRAELE ET GAZA. ‘*BENIAMĪN NETANIAHŪ’ [‘UT BOMBARDĀMENTA’ ‘IN TERRITORIUM’ ‘RĒSŪMANT’] ‘*IMPERĀVIT’. // PRAETEREĀ, [NISI ‘*HAMĀS’ ‘CAPTĪVŌS POSTRĒMŌS’ ‘*LĪBERĀVERIT’], ‘*GUBERNĀTIŌ ISRAĒLĪANA’ ‘PALÆSTĪNAM REGIŌNEM’ ‘EXPLĪCĪTĒ TERRITORIŌ SUŌ ANNEXŪRĀM AC POPULŌ VACUĀTŪRĀM ESSE’ ‘*MINĀTUR’. // ‘*TERROR’ ‘IN GAZĀ’ ‘*RĒGNAT’, [QUŌ ‘*INCOLAE’, (‘*QUI’ ‘SPEM’ ‘*RECUPERĀVERANT’), ‘*REDIERANT’], DUM ‘*ĪRA’ ‘IN VIĪS ISRAĒLĪS’ ‘*FURIT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET GERMANICA ‘*AUDIS’! SUECIA ALIA NOMINA LATINA SVETIA ET SVEDIA. ‘SUECIAE *REGIMEN CENTRI-DEXTERAE’ ‘AUGMENTUM PRO DEFENSIONE’ ‘*NUNTIAVIT’. // IMPENSAM A DUO PUNCTUM QUATTUOR CENTESIMIS AD TRES PUNCTUM QUINQUE CENTESIMAS EX PRODUCTO DOMESTICO GENERALIS (BREVITER ‘PE-DE-GE’) ‘*AUGEBIT’. // ‘*ULF KRISTERSSON, SUAECIAE PRINCEPS MINISTER,’ ‘*DIXIT’: EUROPAE CIVITATES EX CONSOCIATIO EX PACTO ATLANTICO SEPTENTRIONALI (ABREVIATIONE ‘EN-A-TE-O’) IN HAC VIDELICET PARTEM ‘PROGREDIOR *OPORTERE’. // SENTENTIA ANTIQUA CONEXA EX WHEELOCK AUDI: “NIHIL SUB SOLE NOVUM”. ‘{De Wheelock 6th Ed. Capite 7, Paginis 43-48. In hoc nuntio inveni: ¿Quot nomina ex tertia declinatione invenis, quae sunt? ¿Lexicon et sententias ex capite 7 invenis, quae sunt?}. UCRÁINA. ODESSA. [DUM COLLOQUIA DE PACE *CONFICITUR] ‘CUM PYROBOLIS CONIECTA’ ‘*FUIT’. // ‘*RUSSIA’ ‘ODESSAE PORTUM IN UCRÁINA’ ‘CUM AEROPLANIS NON GUBERNATIS’ ‘HAEC HEBDOMADA’ ‘*ASSULTAVIT’. // ‘*HOC’ ‘VIOLATIO’ ‘CONTRA FOEDUS [QUOD IMPETUS CONTRA SUBSTRUCIONEM CIVILEM ‘PROHIBET’] ‘*EST’. // ‘*RUSSIA’ ‘*DIXIT’ ‘KIOVIAM’ ‘FOEDUM’ ‘VIOLATUM ESSE’. // ‘*ASSULTUS’ ‘*EVENIT’ [DUM *CIVITATES FOEDERATAE AMERICAE UT MEDIATOR ‘*EXSULTABATUR’]. // SENTENTIA ANTIQUA CONEXA EX WHEELOCK AUDI: “POPULUS STULTUS VIRIS INDIGNIS HONORES SAEPE DAT”. ‘{De Wheelock 6th Ed. Capite 7, Paginis 43-48. In hoc nuntio inveni: ¿Quot nomina ex tertia declinatione invenis, quae sunt? ¿Lexicon et sententias ex capite 7 invenis, quae sunt?}. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET HISPANICA’ ‘*AUDIS’! MEXICO. TRANSLATIO AB ALISSA SOUZA VERSAM EST. ‘IN MEXICO’: ‘ADDICTIS FENTANYLI OBLITIS’. // [‘DUM GUBERNATIO MEXICANA’ ‘PROBLEMA ADDICTIONIS FENTANYLI IN PATRIA’ ‘NEGAT’,] ‘*PRIMA SALA CONSUMPTIONIS SUPERVISAE’ ‘IN CONTINENTE’ ‘MEXICALI’ ‘NUPER’ ‘*APERTA EST’. BRASILIA RITE RESPUBLICA FOEDERATA BRASILIAE. ‘BRASILIAE TRIBUNAL SUPREMUM’ ‘STATUIT’ [‘QUOD’ ‘IAIRUS BOLSONARO’ ‘CONSPIRATIONE CONTRA REGIMEN’ ‘IUDICANDUM EST’]. // ‘DE SUBITANEA RERUM CONVERSIONE CONTRA ALOYSIUS IGNATIUS LULA DA SILVA’ ET ‘DE REGIMINE DEMOCRATICO AD DESTRUENDUM CONARE’ ‘ACCUSATUS EST’. ‘*IAIRUS BOLSONARO’ ‘DICIT’ ‘ACCUSATIONES FALSAS’ ‘ESSE’. // SENTENTIA ANTIQUA CONEXA EX WHEELOCK AUDI: “BONI PROPTER AMOREM VIRTUTIS PECCARE ODERUNT”. ‘{De Wheelock 6th Ed. Capite 7, Paginis 43-48. In hoc nuntio inveni: ¿Quot nomina ex tertia declinatione invenis, quae sunt? ¿Lexicon et sententias ex capite 7 invenis, quae sunt?}. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET RUSSICA’ ‘AUDIS’! TRANSLATIONES A CASANDRA FREIRE VERSA SUNT. UCRAINA. ‘ RUSSIAE *AEROPLANA NON GUBERNATA’. // ‘*RUSSIA’ ‘MAIOREM IMPETUM AEROPLANORUM NON GUBERNATORUM’ ‘IN KHARKIV’ ‘*FECIT’. // ‘PRAEFECTUS *IGOR TEREKHOV’ ‘*DIXIT’ [‘DUODECIM *EXPLOSIONES ‘RELATAS FUISSE’ IN URBE’ ET ‘SALTEM OCTO HOMINES VULNERANTES’]. ‘MORTES NULLAE’ ‘*MEMORANTUR’. RUSSIA ETIAM ROSSIA SEU RUTHENIA. ‘PECUNIAM AD RUSSIAM’ ‘*MISERUNT’ ‘[‘ANTEQUAM BELLUM’ ‘*ORITUR’]. // ‘MENSE AC DIEBUS QUINDECIM ANTE INVASIONEM UCRAINAE’ ‘PLUS DUODECIM MILIARDA PECUNIAE PRASENTIS DOLLARIORUM, EUROPAEI ET FRANCORUM HELVETIAE IN NUMMIS IN RUSSIAM’ ‘*REDACTI SUNT’, [‘HUIUS *PECUNIAE’ ‘DECEM MILIARDA AB RAIFFEISEN BANK’ ‘*MISSA SUNT’], [‘RELIQUAE PER ARGENTARIAM’, ‘ANGLICE “BANK OF AMERICA”’, ET ‘SOCIETAS PECUNIAE TRANSLATIONIS, ANGLICE “BRINK'S”’. // ‘SOCIETAS “TE-BE-ES-ES”-, AGENTIS CONSUETUDINES,’ ‘*ERAT’, [‘*QUAE PECUNIAM’ ‘*ACCEPIT’ ‘IN PARTE RUSSIAE’]. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET SINENSIS PINYIN’ ‘*AUDIS’! SINIS. ‘INQUISITIO PROFUNDA (ANGLICE “DeepSeek”)’ ‘INTELLEGENTIAM ARTIFICIALEM’ “ER-UNO” ‘IMPELLIT’. // ‘INQUISITIO PROFUNDA (DeepSeek), SEDE HANCHEO, EXEMPLAREM EX INTELLEGENTIAM ARTIFICIALEM “ER-UNUM” [‘QUOD’ ‘PROVENTUM AUGMENTAT’] ‘EXHIBIT’. // ‘PLUS QUAM CENTUM SOCIETATES COMERCIALES’ ‘SINIS’ ‘HANC’ ‘ADOPTAVERUNT’. SINIS. TRANSLATIO A FERNANDA SOLÍS VERSAM EST. ‘CHINA ‘TRANSITUM AEROPORTUS ‘ACCELERAT. // ‘CHINA ‘LIMITIS TRANSMISSUS MOREM ‘ADPROPERAT, ‘CUM FUNCTIONE SINE-CONTAGE. ‘HAEC FUNCTIO TRANSITUM ‘HOMINES ET MERCUIM ‘MELIORAT. ‘HOC MODO MORES TRANSMISSUUM NOVORUM ‘VIATORES ET MERCATORES ‘ADIUVANT. SI NUNTII IN LINGUA LATINA TRADUCTOR ESSE VOLUERIS, QUAESO LITTERAM ELECTRONICAM AD lpesquera@up.edu.mx MITTAS’. If you would like to collaborate as a translator in Nuntii in Lingua Latina, please send an email to lpesquera@up.edu.mx
1573, de Engelse componist Thomas Tallis schrijft Spem in Alium, een koorwerk voor 40 stemmen. Niet toevallig 40 want hij schreef het voor de 40e verjaardag van Queen Elisabeth I. Clara en Sander stressen over wie wanneer dan precies moet invallen tijdens deze indrukwekkende muziek. En wat heeft dit muziekwerk met knoflook te maken? Er wordt alleszins al gefantaseerd over scampi's in knoflooksausje door deze twee foodies.
durée : 00:16:12 - In spe contra spem : Brett Dean - Brett Dean a été le compositeur en résidence de l'Orchestre philharmonique de Londres de 2020 à 2023 ; cette publication rassemble sept œuvres enregistrées en concert pendant son mandat.
durée : 00:16:12 - In spe contra spem : Brett Dean - Brett Dean a été le compositeur en résidence de l'Orchestre philharmonique de Londres de 2020 à 2023 ; cette publication rassemble sept œuvres enregistrées en concert pendant son mandat.
durée : 00:16:12 - In spe contra spem : Brett Dean - Brett Dean a été le compositeur en résidence de l'Orchestre philharmonique de Londres de 2020 à 2023 ; cette publication rassemble sept œuvres enregistrées en concert pendant son mandat.
In Geschichten sind Licht und Schatten beliebte Motive. Meist steht das Licht für das Gute, während die Dunkelheit mit dem Bösen, mit Gefahren und Tod assoziiert wird.Kathrin Wexberg, Mitarbeiterin der STUBE, hat sich auf die Suche nach dem Licht in der Literatur begeben und kommt mit einem Stapel Bücher in unser Studio. Sie spannt den Bogen vom biblischen Schöpfungsbericht bis hin zu dystopischen Romanen.Eine Sendung von Monika Fischer. Kathrin Wexbergs Buchempfehlungen:Linda Wolfsgruber: sieben. Tyrolia 2023. Tanja Raich: Schwerer als das Licht. Blessing 2022. Michael Stavaric: Fremdes Licht. btb 2022. Val Emmich: Du bist der Sturm, du bist das Licht. Aus dem Amerikan. v. Petra Koob-Pawis. cbt 2023. Marsha Diane Arnold: Licht aus, sagte der kleine Fuchs. Ill. v. Susan Reagan. Aus dem Engl. v. Stephanie Menge. Sauerländer 2022. Melanie Laibl: Unsere wunderbare Werkstatt der Zukünfte. 99 Ideen fürs Anthropozän. Ill. v. Corinna Jegelka. Edition Nilpferd 2023. Kathrin Wexberg (Hg.): Immer mal wieder zum Himmel schauen. Gebete für Kinder mit Bildern von Michael Roher. Tyrolia 2023. Musik in der Sendung:Joseph Haydn, Die Schöpfung, 1. Teil, Concentus Musicus Wien, Leitung: Nikolaus Harnoncourt, als Uriel: Michael Schade Keith Kenniff, Light, GoldMund Guillaume Dufay, Aurea luce, Chant 1450 & Ensemble David Lang, light moving, Hilary Hahn (Violine) und Cory Smythe (Klavier) Gustav Mahler, Urlicht, aus der Symphonie Nr. 2, Amarcord Wien, Elisabeth Kulman (Mezzosopran) Nimrod Borenstein, The Big Bang and Creation of the Universe, op. 52, Oxford Philharmonic Orchestra, Vladimir Ashkenazy Thomas Tallis, Spem in alium, Choir of King's College, Cambridge, Stephen Cleobury
In this Season 6 episode of ETF Battles, Ron DeLegge @etfguide referees an audience requested quadruple-header ETF contest, this time between emerging market stock ETFs from Avantis (AVEM), Dimensional (DFAE), State Street Global Advisors (SPEM), and Vanguard (VWO). Who wins the battle?Program judges Mike Akins and Tony Dong examine this emerging markets stock ETF showdown with their timely analysis. Each ETF is judged against the other in key categories like cost, exposure strategy, performance, and a mystery category. Find out who wins the battle!*********ETF Battles is sponsored by Direxion Direxion Daily Leveraged & Inverse ETFs. Know the risks. Proceed Boldly. Visit http://www.Direxion.com
‘NUNTII PRESCRIPTI’ ‘IN SERMONE LATINO’ ‘EX UNIVERSITATIS PANAMERICANAE DISCENTIBUS ET EX LUIS PESQUERA OLALDE’. News translated into Latin by the students of the Universidad Panamericana and by Luis Pesquera Olalde. ‘NUNTII IN LINGUA LATINA’ ‘INSTRUMENTUM’ ‘AD LINGUAM LATINAM DISCENDUM’ ‘ESSE VULT’. ‘Nuntii in lingua latina’ is intended to be a tool for learning the Latin language. DE SCRIPTURAE PRAESENTATIONE. ‘TRANSALTIONES’ ‘IN LITTERIS CAPITALIBUS (VEL MAGNIS)’ ‘SUNT’. ‘GRAMATICAE ADDENDA ET EXERCITATIONES’ ‘IN LITTERIS PARVIS’ ‘SUNT’. SYNTAXIS ELEMENTA ‘CUM “ ‘’ ” ‘DENOTATUR’. ‘PREDICATI ET SUBIECTI NUCLEI’ ‘CUM “ * ”’ ‘DENOTATUR’. ORATIONES SECUNDARIAE INTER “ [ ] ” SUNT. About the writing format. Translations are presented in capital letters. Grammar notes and exercises are presented in lower case. Syntactic elements are highlighted with “ ‘ ’ ”; predicate and subject nuclei are highlighted with “ * ”; and subordinate clauses are highlighted with “ [ ] ”. ‘NUNTII EX PERIODICIS HEBDOMADARIIS’ ‘A DIE VICESIMO QUINTO MENSIS SEPTEMBRIS’ ‘AD DIEM DUODETRICESIMUM MENSIS SEPTEMBRIS’ ‘ANNO DOMINI BIS MILLESIMO VICESIMO QUARTO’ ‘SUNT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET ANGLICA’ ‘AUDIS’! CIVITATES FOEDERATAE AMERICAE. TRANSLATIONES A CASANDRA FREIRE SUNT. ‘*KAMALA HARRIS’, 'UNDEQUINQUAGESIMA PRAESES VICARIA CIVITATUM FOEDERATARUM’, ITERUM 'AEMULUM REPUBICANAM DONALD TRUMP’ *PROVOCAVIT PRO SECUNDA DISCEPTATIONE [‘ANTE ELECTIONEM PRAESIDENTIALIS NOVEMBRIS EXCITAVIT]. PRAETEREA, *HARRIS *DIXIT ['AD FAUTORES URBE NOVUM EBORACUM' AEMULEM EIUS' 'ALIUM CONFLICTUM EFFUGERE VIDETUR] {De syntaxe, de orationibus secundariis temporalibus. Orationem secundariam temporalem, cum verbo in modo indicativo, et cum coniuctione ‘antequam’ invenite}. ‘SICAGUM’. ‘ACCUSATIONES ABUSI’: ‘*CENTUM HOMINUM’, ‘[QUI 'IN IUVENALIBUS CENTRIS DETENTIONIS' ‘IN ILLINOIS’ INTER MILLESIMO NONGENTESIMO NONAGINTA SEX ET DUO MILIA VIGINTI UNO TEMPUS' *COMMORATI SUNT],’ ‘LITES’ ‘*IUNXERUNT’ 'IN CRIMINEM SEXUALI ET CORPORIS ABUSUS'] {De syntaxe, de orationibus secundariis relativis. Orationem secundariam relativam, cum verbo in modo indicativo, cum pronomine ‘qui, quae, quod’ invenite}. KENTUKIA. 'MISSILIA VI IGNIARIA' *MITTUNTUR: ‘A KENTUKIA’ *VICECOMES’ ‘*IECIT’ ET 'IUDICEM DISTRICTI' ‘*OCCIDIT’ 'PROXIMA HEBDOMAS' ‘POST DISSENSIONEM’ ‘IN CUBICULIS IUDICIS’ {De lexico, de geographia. Quaeso, ‘Kentukia’ et ‘Sicagum’ et ‘Illinoesia’ in Vicipaedia quaere}. BRITANNIARUM REGNUM. TRANSLATIO A SAID RAYMUNDO DELGADO EST. ‘LONDINIOPOLIS’. ‘*ACCUSATIONES VIOLENTIAE SEXUALIS’ ‘CONTRA FAYED’ ‘*SUNT’. '*PELLICULA DOCUMENTALIS PER BBS DIFUSA' [QUOD 'MOHAMED AL-FAYED' 'FREQUENS AGGRESSOR SEXUALIS' 'ERAT'] ‘HOC’ 'SUGGERIT']. ['AL-FAYED' 'CELLARUM HARRODS' 'DEFUNCTUS POSSESSOR' 'FUIT'] {De lexico. Quaeso, inter ‘abusus sexualis’ et ‘violentia sexualis’ distingue}. FRANCIA. TRANSLATIO A SAID RAYMUNDO DELGADO EST. ‘LUTETIA’. ‘MINORITATUM GUBERNATIO’. 'MICHEL BARNIER', ['QUI' 'NOVUS PRIMUS MINISTER GALLIAE' 'EST'], 'FIGURAM GUBERNATIONIS SUI' 'POST DISCREPANTIAS CUM PRAESIDE MACRON' 'ANTERIORI SABBATO' 'CONVENIT' {De recitatione. Quaeso, ‘Michel Barnier’ in Vicipaedia invenite et primos tres paragarapha recita}. GERMANIA. TRANSLATIO A FERNANDA SOLÍS EST. ‘POSTDAM, GERMANIA’. ‘PROPE VICTORIAM’: ‘*FACTIO POPULARIS DEMOCRATICAE GERMANICAE’ ‘COMITIA’ ‘IN ELECTIONIBUS DOMINICALIS’ ‘IN BRANDENBURGO’ ‘SUBITO *VINCIT’. ‘HAEC *FACTIO’ ‘ALTERAM FACTIONEM GERMANICAN (ALTERNATIVE FÜR DEUTSCHLAND)’ ‘*VINCIT’. {De morphologia, de orationis partibus. Quaeso, ¿‘subito’ quae orationis parte est? ¿Nomen, pronomen, verbum, adiectivum, adverbium, coniuctio, praepositio, interiectio est?}. IN UCRÁINA. TRANSLATIO AB ALISSA SOUZA EST. ‘INCEPTUM VICTORIAE’: ‘*PRAESES ZELENSKY’ ‘INCEPTUM VICTORIAE SUUM’ ‘PRO UCRAINA’ ‘HEBDOMADA PRAETERITA’ ‘*OSTENDIT’, ‘PAULO ANTEQUAM’ ‘AD NOVUM EBORACUM’ ‘*VOLARET’ [‘UT CONVENTUI GENERALI NATIONUM UNITARUM’ ‘*LOQUERETUR’] {De syntaxe, de orationibus secundariis. Quaeso, orationem secundariam finalem cum verbo in modo subiunctivo et cum coniuctione ‘ut’ invenite}. HELVETIA. TRANSLATIO AB ALISSA SOUZA EST. ‘MERISHAUSEN, HELVETIAE’, ‘CAPSULA SUICIDII’: ‘*FEMINA AMERICANA’ ‘SEXAGINTA QUATTUOR ANNOS’ ‘PRIMA’ [‘QUAE IN 'CAPSULA SUICIDII’ ‘MORTEM OBIERIT’] ‘*FUISSE CREDITUR’ {De lexico, de numeris ordinalibus. Quaeso, numerorum ordinalium tabulam a unus ad sexaginta quattuor lege}. RUSSIA. ‘*RUSSIA’ “I-CE-BE-EM” NOMINATAM “ER-ES-DUODEVIGINTI SARMAT” ‘*EXPERITUR ET DISCESSIT’. ‘*I-CE-BE-EM’ ‘*EST’ ‘ROCHETA’ QUEA BOMBAM NUCLEAREM FERENS E CONTINENTE AD CONTINENTEM VOLARE POTEST (VIDETE VICIPAEDIA). {De recitatione. Quaeso, ‘Missile’ in Vicipaedia invenite et primos duos paragarapha recita. Deinde, ‘Nexus interni’ invenite et ‘ICBM’ pulsa}. ALBANIA. TRANSLATIO A LUCERO MAILLE EST. ‘*ALBANIA’ ‘HOC SEPTIMANA’ ‘*NUNTIAVIT’ ‘SE’ ‘MINIMAM CIVITATEM’, ‘IN MOREM CIVITATIS VATICANI’, ‘*CONSTITUTURAM ESSE’ ‘PRO SECTA ISLAMICA SUFIA BEKTASHI’ ‘IN AGRO VIGINTI SEPTEM IUGERUM’ ‘IN CORDE URBIS TIRANAE’. {De lexico. ¿Quod ‘sufismus’ significat? ¿Quod ‘Civitas Vaticana’ est? Vicipedia utile esse potest}. SPATIUM. ‘*ASTRONOMI’ ‘DUOS PLASMAE FLUVIOS EX FORAMINE NIGRO SUPERMASSIVO’ ‘*REPPERERUNT’. {De lexico. Dos nomines de ‘Foramine nigro’ da. Quaeso, in Vicipaedia vocem ‘Foramen nigrum’ lege. Deinde, ¿quod ‘Lagana turgida circularia cum foramine in medio notissima sunt’ in lingua tua significat?}. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET GALLICA’ ‘AUDIS’! GALIAVEL FRANCIA. ‘*MACRON, FRANCIAE PRAESES,’ ‘MICHAELIS BARNIER REGIMEN DEXTERI’ ‘*AGNOSCIT’. IN ISRAELE. ‘*ISRAEL’ ‘AD MULTA AMITTENDUM’ ‘IN LIBANO’ ‘*HABET’. ‘*ISRAEL’ ‘BELLUM HYBRIDUM’ ‘AD TELEPHONOS GESTABILES HEZBOLAE CONFLANDUM’ ‘*EXCOGITAT’ {De morphologia et lexico. ¿Quod ‘telephonum gestabile’ singificat? Postea, haec locutionem declina} LIBANUS. ‘*CENTUM ET CENTUM PERSONARUM’, ‘QUAE MULTI CIVILES ERANT’, ‘ISRAELIS PYROBOLORUM CONIECTIONIBUS’ ‘IN LIBANO’ ‘*MORTUI FUERUNT’. {De lexico. ¿Quod ‘bomba’ et ‘pyrobolus’ significant, in quo differunt}. ‘*ISRAEL’ ‘A INTENSITE INFERIORE AD INTENSITATEM SUPERIOREM’ ‘IN INCURSIONIBUS SUI’ ‘SUPERAT’. SRI LANCA. ‘*ANURA KUMARA’ ‘IN COMITIIS’ ‘AD PRAESIDEM ELIGENDUM’ ‘*VINCIT’. ‘SPEM’ ‘IN CIVITATE’ ‘*EXCITAT’. {De lexico. ¿Quomodo ‘Sri Lanca’ vel ‘Srilanca’ dicitur, quia, quae alia nomina ‘Srilanca’ habet?}. SUDANIA. ‘*BELLUM’ ‘IN REGIONE DARFUR SUDANIAE’ ‘TERRIFICUM GRADUM’ ‘*ADVENIT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET ITALICA’ ‘AUDIS’! CIVITATES FOEDERATAE AMERICAE. ‘*TRUCIDATIO CUM TELIS TRANSFINGENTIBUS’ (in italico ‘sparatoria’)’ ‘IN ALABAMA’ ‘*FUIT’. ‘QUATTUOR PERSONAE MORTUI FUERUNT’ ET ‘SEPTEDECIM PERSONAE VULNERATAE FUERUNT’ {‘Confessio’. Adhunc locutionem meliorem pro ‘trucidatio cum telis transfingentibus’ non invenio. In lingua hispania ‘balacera’ dicitur, in lingua italica ‘sparatoria’ dicitur…}. ‘*DOMINAE AMERICANAE’ ‘ANTI-FEMINISTRIA’ ‘IN MEDIIS SOCIALIBUS’ ‘*SUNT’. ‘CONTRA GENERIS AEQUITATEM’ ET ‘PRO MUNERIBUS TRADITIONALIBUS’ ‘*SUPERSUNT’. ‘EX EXTREMA DEXTRA’ ‘*SUNT’. {De recitatione. Quaeso, ‘Feminismus’ in Vicipaedia invenite paragaraphum unicum recita. Deinde, ‘Nexus interni’ invenite et duos vel tres locutiones pulsa et recita}. SINAE. ‘*ZHU HENGPENG, REGIMINIS OECONOMUS,’ ‘POST XI JIPING REPREHENDERE’ ‘IN COLLOQUIUM PRIVATUM IN MEDIO SOCIALE “WE-CHAT” (ANGLICE) NOMINATO’ ‘*EVANUIT’ {De locutionibus melioribus. Quaeso, ¿‘evanuit’ locutionem correctam est?}. THAILANDIA. ‘THAILANDIAE *REX’ ‘LEGEM’ ‘PRO MATRIMONIO HOMINUM EIUSDEM SEXUS’ ‘*SUBSCRIBIT’. ‘THAILANDIA’ ‘PRIMA CIVITAS’ ‘EX ASIA MERIDIORIENTALIS’ ‘APPROBANS HOC MATRIMONII GENUS’ ‘EST’ {De lexico. Quaeso, in Vicipaedia ‘Matrimonium hominum eiusdem sexus’ vocem lege}. SUDANIA. ‘*CONATI’ ‘PRO PACE VEL PRO INDUTIIS’ ‘IN SUDANIA’ ‘*DESUNT’ {De lexico. Quaeso, ¿quod ‘adsum’, ‘desum’, ‘insum’ significant?}. SOMALIA. ‘MISSUM SECUNDUM CUM ARMIS NOVUM’ ‘AB AEGIPTO’ ‘AD SOMALIAM’ ‘FUIT’. AEGIPTUS ‘MACHINAS BELLICAS ET SYSTEMATA PRO DEFENSIONE’ ‘MISSIT’. NIGERIA. ‘SCHOLA UNA’ ‘IN NIGERIA,’ ‘DISCIPULI* PAUPERES’ ‘POSSE’ ‘SOLVERE STIPENDIA SCHOLASTICA’ ‘TRADENDUM’ ‘SACCULA PLASTICA AD REGYRADENDUM’. SED ‘HAC *SCHOLA’ ‘FORTASSE *CLAUDET’. {De traslatione. Quaeso, ad linguam tuam hoc nuntium converte}. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA, ANGLICA ET HISPANICA’ ‘AUDIS’! CUBA. ‘OMNES’ ‘A CUBA AD CIVITATES FOEDERATAE AMERICAE’ ‘EUNT’. IN MEXICO. ‘DECEM ANNI’ ‘SINE IUSTITIA’ ‘DE AYOTZINAPA CASU’ ‘IAM NUMERANTUR’. AEQUATORIA. ‘ENERGIAE *DISCRIMEN’ ‘IN AEQUATORIA’ ‘*EST’ [‘QUIA’ ‘ENERGIAE DEFECTIONES’ ‘EX QUATORDECIM HORIS’ ‘ERUNT’] {‘Confessio’. Adhunc locutionem meliorem pro ‘energiae defectiones’ non invenio. In lingua hispania ‘apagón’ dicitur…}. SI NUNTII IN LINGUA LATINA TRADUCTOR ESSE VOLUERIS, QUAESO LITTERAM ELECTRONICAM AD lpesquera@up.edu.mx MITTAS’. If you would like to collaborate as a translator in Nuntii in Lingua Latina, please send an email to lpesquera@up.edu.mx ‘INCEPTIO UNIVERSTITATIS PANAMERICANAE’ ‘AD LINGUAM LATINAM UTENDUM’ ‘EX MAGISTRIS ET DISCENTIBUS’ ‘QUIBUS’ ‘IN LINGUA HISPANICA’ ‘PROFITEMUR’. Initiatives of the professors and students of the ‘Universidad Panamericana’ to practice the Latin language. We present them in Spanish. ‘LATINA GRAECAQUE SIMUL’: Conversación en latín y una mirruñita de griego. Prof. Gregorio de Gante. Viernes de 14h a 15h. Salón R07. Informes con Alissa Souza: 0256838@up.edu.mx , https://chat.whatsapp.com/FnQCZLc7voLJSeTrRc8PS9 ‘LITTERAE CLASSICAE’: Explorando el mundo latino desde sus distintos géneros literarios. Prof. José Luis Quezada. Jueves 26 de septiembre, 21 de octubre, 21 de noviembre, de 15:30h a 17:00h. Salón C08. Informes con Alissa Souza: 0256838@up.edu.mx , https://chat.whatsapp.com/FnQCZLc7voLJSeTrRc8PS9
Neste episódio falamos sobre muitos assuntos. Taca-lhe play! # APOIE o nosso trabalho através do APOIA.SE ou Chave PIX (podcastmid@gmail.com)# COMPRE a estampa "Tem que Dilapidar as Fortunas": bit.ly/estampamidcast# CANAL do MIDCast Política no WhatsApp: bit.ly/midcast-zap PARTICIPANTES:------------------Anna Raissa - https://twitter.com/annarraissaRodrigo Hipólito - https://twitter.com/lhamanalamaVictor Sousa - https://twitter.com/erro500 COMENTADO NO EPISÓDIO------------------Atualização de notícias passadasXandão manda soltar Silvinei VasquesO vice escolhido por KamalaPesquisas mostram Kamala na frenteTCU decide que Lula pode ficar com relógio e abre brecha para BolsonaroDiretor da PF diz que não terá interferência no caso do BozoPGR aciona STF para suspender emendas PIXDino autoriza uso em alguns casosELIEÇÕES NA VENEZUELAMais um autoproclamado presidenteContagem de atas feita pela oposição | e por plataforma da ColômbiaOposição diz que chefe regional foi presaUnião Europeia não reconhece reeleição de MaduroBrasil só vai reconhecer após divulgação das atasForças Armadas declaram lealdade absoluta a MaduroGOVERNO NAS OLÍMPIADASPublicação bosta do Ministério das ComunicaçõesLula assina MP com isenção de imposto para os medalhistasPOT-POURRI RÁPIDO DE NOTÍCIASMomento Vamos Rir do Partido NovoDetalhes do primeiro debate na BandPesquisa Datafolha para SPMédico negacionista da pandemia ganha eleição para o CFM em SPEm 12 meses, área sob alertas de desmatamento cai 45,7% na Amazônia
This episode is primarily meant as a primer for music students. It gives a very broad overview of music history from the Medieval era through what we might call modern classical music. This episode is limited to Western civilization and some of the common composers. This episode also offers David Lane's suggestion that we should rethink how we've classified musical eras since 1900. Let us know what you think. Music excerpts occur in this order: O virga ac diadema (Hildegard von Bengen), The Shoemaker's Wife (John Dowland), Canzon 12 (Giovanni Gabrieli), Spem in Alium (Thomas Tallis), Erbarme Dich, mein Gott from “St Matthew's Passion” (Johann Sebastian Bach), String Quartet op. 76, no. 2 mvt III (Franz Joseph Haydn), finale of Act 4 of Swan Lake (Peter Tchaikovsky), Symphony No. 2 (Gustav Mahler), “Nuages” from Nocturnes (Claude Debussy), and Part 2 of Daphnis et Chloe (Maurice Ravel) Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/. If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
In this episode, we unlock purpose, prosperity, and joy with intentionality and self-compassion. Learn from my journey battling depression and self-sabotage, and embrace the power of conscious choices in shaping happiness.Craft a soul-enriching morning ritual with the SPEM acronym—Spiritual, Physical, Emotional, Mental. Make the most of your time and propel productivity with preparation and intentional routines.Join me in creating a morning ritual for self-creation and purposeful flow. Establish rituals that align with your values and lead to quicker decisions and lasting joy. Subscribe for content to guide you on your journey to crafting the life you deserve.-----------------------------------Learn how to create Your Ultimate Life using your existing skills, gifts, and talents, and life experience. Get my latest FREE video series at https://www.yourultimatelife.caFor more episodes, visit https://www.yourultimatelifepodcast.com.Our next Challenge for Entrepreneurs, Coaches, and Business owners who struggle with signing clients visit https://www.lovecoachsignem.com to join and finally sign clients with ease and without awkwardness or fear.
Santa Ian spreads some Progmas cheer and drops some tunes down everyone's chimney Prog bless us every one IG: @progfrogpod helloprogfrog@gmail.com ===== SPOILER ALERT===== Songs in this Episode: 1. I Believe in Father Christmas - Greg Lake 2. Signed Curtain - Matching Mole 3. Four Horseman - Aphrodite's Child 4. Blown' Free - Wishbone Ash 6. Asforteri - Caravan 7. The Story in Your Eyes - Moody Blues 8. Toe the Line - GTR 9. Udu Wudu - Magma 10. The Last Seven Minutes - Magma 11. Spem in Alum - Thomas Tallis 12. Nothing More - Fotheringay 13. I Lost My Head- Gentle Giant 14. Out of the Blue - Elton John 14. Drunkship of Lanterns - Mars Volta 15. Precious Things - Tori Amos 16. Ommadawn - Mike Oldfield
With Nick back and Tim relieved not to be holding the fort alone, this episode begins with something different - a discussion about the anointing of the sick - and ends with something equally out of the ordinary - a joke that Nick really should have heard before. And if that wasn't enough right in the middle, Nick and Tim settle a matter playing rock, paper, scissors. Intrigued? Have a listen. Here is the music they played as well as the lyrics to the hymn from Glenstal Tim sang. 1. There is a Balm in Gilead sung by Jessye Norman and Kathleen Battle from the album Spirituals in Concert (Kathleen Battle Edition, Vol. 10) 2. The Communion Antiphon for the 33rd Sunday in Ordinary Time, Amen Dico Vobis, Sung by the Dominican Friars. 3. Our Help is in the Name of the Lord from the Hillbilly Thomists 4. Tallis: Spem in Alium - 1. Spem in Alium from the album Spem in Alium - The Tallis Scholars Sing Thomas Tallis 5. Sunctus (sung live!) 6. Duruflé: Requiem, Op. 9: IV. Sanctus from the album Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 7. The Hymn at Nightfall from the album Vision of Peace: Monks of Ampleforth Abbey 8. Compline hymn from Glenstal (sung live!) 9. Salve Regina : Glissade dans la neige from the album Le grand silence (Bande originale du film) Compline Hymn: As shadows fall and daylight dies, Renew your gift of peace. Be with us as we close our eyes, Let all our troubles cease. Though we may sleep, stay in our hearts Keep your love there ablaze. When darkness of the night departs We'll rise to sing your praise. Watch over us that as we sleep, Our purpose stay aflame. Let angels all-night vigil keep To guard us in your name. To you be glory, God of rest, And glory to your Son, To you be glory, Spirit blest, The Holy Three in One. Amen
On Friday, November 3, 2023, Scribe Records releases Penitence & Lamentation, the Byrd Ensemble's new album marking 400 years since the death of its namesake, William Byrd, and coinciding with Byrd Ensemble's 20th anniversary season. Praised for their “rich, full-voiced, and perfectly blended” (Early Music America) sound, the Byrd Ensemble's new project focuses on the unifying theme of guilt and grief, forming a collection of songs by Byrd and his contemporaries; Thomas Tallis's monumental 40-part motet, Spem in alium; and the world premiere recording of Nico Muhly's Fallings (2023), based on Byrd's motet, Ne irascaris Domine. The album's first single, Nicolas Gombert's Lugebat David Absalon, will be released on all streaming services on October 13. Penitence & Lamentation Album Tracklist1. Nicolas Gombert – Lugebat David Absalon [8:20]2. William Byrd – Domine secumdum actum meum [6:52]3. Thomas Tallis – In jejunio et fletu [4:06]4. Thomas Tallis – Absterge Domine [5:33]5. Thomas Crecquillon – Pater paccavi [8:36]6. Robert Ramsey – How are the mighty fallen [5:14]7. William Byrd – Emendemus in melius [3:17]8. William Byrd – Ye sacred muses [3:09]9. William Byrd – Ne irascaris Domine [7:56]10. Nico Muhly – Fallings (2023) (World Premiere Recording) [7:00]11. Robert Carver – O bone Jesu [12:36]This album is broadcasted with the permission of Katy Salomon representing Primo Artists.
SynopsisOn today's date in 1573, Queen Elizabeth the First celebrated her 40th birthday.According to SOME musicologists, the music-loving monarch received as a birthday gift a Latin motet for 40 voices by Thomas Tallis titled Spem in alium, which translates as “Hope in All Things.” Elisabeth was certainly fond of Tallis, awarding him special gifts and privileges —despite his remaining a steadfast Roman Catholic throughout her reign, when being a Catholic in Protestant England was very risky business, indeed!In fact, other musicologists contend that this famous motet was ACTUALLY written for the coronation of Elizabeth's predecessor, the CATHOLIC queen Mary Tudor. Still others say: “No, no—the motet was commissioned by a patriotic British nobleman, who challenged Tallis to write a work as good as—or better—than a contemporary Italian composer's 40-voice motet.”The truth is we just don't know for sure why Tallis composed this intricate and glorious music. We do know that in a dangerous time for ANYONE with strong religious convictions, Tallis lived to the ripe old age of 80. His epitaph reads: “As he did live, so he did die—in mild and quiet sort (O happy Man!)”Music Played in Today's ProgramThomas Tallis (c.1505 - 1585) Spem in alium Huelgas Ensemble; Paul Van Nevel, cond. Sony 60992
Tom Service surrounds himself in Tallis's Spem in alium, a colossal Renaissance masterpiece for 40 individual voice parts, arranged in eight groups of five voices, each situated all around the listeners. This was the original surround sound experience - one that came about not in 20th-century cinemas but in 16th-century churches. Produced by Dom Wells
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.09.527925v1?rss=1 Authors: Sinha, O., Madarshahian, S., Gomez-Granados, A. M., Paine, M. L., Kurtzer, I., Singh, T. Abstract: When stopping a closing door or catching an object, humans process the motion of inertial objects and apply reactive limb force over short period to interact with them. One way in which the visual system processes motion is through extraretinal signals associated with smooth pursuit eye movements (SPEM). We conducted three experiments to investigate how SPEM contributes to anticipatory and reactive hand force modulation when interacting with a virtual object moving in the horizontal plane. Participants held a robotic manipulandum and attempted to stop an approaching simulated object by applying a force impulse (area under force-time curve) that matched the objects virtual momentum upon contact. We manipulated the objects momentum by varying either its virtual mass or its speed under free gaze or fixed gaze conditions. We examined gaze variables, timing of hand motor responses, anticipatory force control, and overall task performance. Our results show that extraretinal signals associated with SPEM are important for anticipatory modulation of hand force prior to contact. However, SPEM did not seem to affect the timing of the motor response or the task performance. Together, these results suggest that SPEM are important for anticipatory control of hand force prior to contact and may also play a critical role in anticipatory stabilization of limb posture when humans interact with moving objects. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
What happens when a piece by Monteverdi finds its way to its original concert hall?In the third episode of season 3 of the Early Music Podcast, Tim Carter introduces us to Claudio Monteverdi (1567-1643), an Italian composer and contemporary of Girolamo Frescobaldi, who is considered one of the creators of opera and, with Orfeo, the author of the first masterpiece of the genre. From Florence to Venice, passing through Mantua, this third episode evokes the privileged link between architecture and music and evokes the scenic dimension of the works of Monteverdi and his contemporaries.To go further >CREDITSguest Tim Carter, musicologistinterview & editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückigercover score Folio, Alto part of the Magnificat from the vespers for Marian feast days, 1610, (Museo internazionale e biblioteca della musica, Bologna, M-3478)musicCruda morte, hai! Pur potresti & Poi che gl'eterni imperi - Jacopo Periperformed by Les Arts Baroques, Mireille PodeurEuridice, Maguelone Music, 2017Toccata, No. 1, Sinfonia (Act 2), No. 10, Sinfonia (Act 3), No. 1 Ritornello (Act 5), No. 6 Sinfonia, (Act 5), No. 9, Ritornello (Act 5) & No. 11 & Moresca (Act 5) - Claudio Monteverdiperformed by Cappella Mediterranea, Chœur de Chambre de Namur, Leonardo García AlarcónL'Orfeo SV 318, Alpha Classics 2021Spem in alium - Thomas Tallisperformed by The Tallis Scholars, Peter Phillips, Spem in alium, Gimell 1985Psalmus 126. Nisi Dominus a dieci voci Vespro della Beata Vergine SV 206 - Claudio Monteverdiperformed by The Tallis Scholars, Peter PhillipsVespro della Beata Vergine, Gimell 1985Combattimento Di Tancredi E Clorinda - Claudio Monteverdi & Marco Marazzoliperformed by Le Poème Harmonique, Vincent DumestreCombattimenti!, Alpha Classics 2010
Jess Gillam is joined by composer and multi-instrumentalist Cosmo Sheldrake for a listening party. Music includes Gil Evans and Miles Davis's take on Concierto de Aranjuez, and Thomas Tallis's Spem in Alium. Playlist: Rodrigo arr. Gil Evans - Concierto de Aranjuez [Miles Davis] JS Bach arr. Siloti - Prelude (BWV.855a), transc. for piano in B minor (orig. in E minor, '48' no.10) [Vikingur Olafsson] Mariah - Shinzo No Tobira Sibelius - Symphony No. 5 in E flat major, Op. 82 - III Allegro molto [Sakari Oramo, City of Birmingham Symphony Orchestra] Britten - Friday afternoons Op.7 for children's voices and piano: Cuckoo! [Choir of Downside School, Purley, Viola Tunnard] Bremer/McCoy - Drommer Tallis - Spem in alium for 40 voices [Tallis Scholars, Peter Phillips] Courtney Pine - Haiti
Tous les jours du lundi au vendredi dans Saga, Carole Ferry retrace la saga d'une entreprise française.
One of the greatest composers of sacred music in English was Thomas Tallis. His greatest work composed when he was seventy years old is the 40 voice 'Spem in Alium'. A tapestry of voices about putting hope in God
Reflection on Romans 4:13-25 by Desire Litaay.
¿Qué es la ley del ritmo? En este episodio te hablo sobre esta ley y cómo se combina con las otras leyes durante las temporadas de nuestro crecimiento. ✨Aprende conmigo las leyes universales ✨► Ley del mentalismo https://www.youtube.com/watch?v=uTftRsWoB2o&t=91s&ab_channel=SomosIngobernables► Ley de la correspondencia https://www.youtube.com/watch?v=5ZqvUbcqtsY&ab_channel=SomosIngobernables► Ley de vibración https://www.youtube.com/watch?v=R73WjF4kg_M&t=1s&ab_channel=SomosIngobernables► Ley de polaridadhttps://www.youtube.com/watch?v=W2XEcCGwn9o&ab_channel=SomosIngobernables ► Escucha el motete Spem in Alium de Thomas Tallis https://www.youtube.com/watch?v=FRpoB1mfSso&ab_channel=FredFirth ***** ¡Saludos Cordiales! Soy Yarelis Calderón y desde Puerto Rico
Neste episódio do podcast CRUZAMENTO, André Correia e Daniel Guedelha conversam com Paulo Gonçalves, concluindo que o doente deve estar no centro das discussões sobre a saúde e as tecnologias. Falam também sobre a importância do associativismo para a saúde digital em Portugal, e como podem as associações aprender e colaborar mais entre si, para bem dos doentes e suas famílias. Com 53 anos de idade, dois filhos inspiradores, Paulo Gonçalves não acredita que a felicidade existe como um fim, o que existe são momentos de felicidade. Como diz "Quantos mais momentos de felicidade formos colecionando, mais felizes somos". Depois de uma carreira de quase 3 décadas em consultoria em tecnologias de informação e comunicação em várias fantásticas multinacionais e, em vários países e culturas, decidiu que a sua década dos 50 seria a melhor de todas. Enveredou pela consultoria na área de proteção de dados pessoais e transformação de organizações, dedicando-lhe 60-80% e os restantes 20-40% do seu tempo retribuir à sociedade o muito que a sociedade lhe ofereceu. Juntou-se, como voluntário, à SPEM e rapidamente conheceu um mundo que desconhecia. Tem vindo a descobrir talento e paixão em tanta gente que se dedica de coração a missões nas suas vidas. Tem tido a honra de privar com algumas dessas pessoas, colaborar com elas. Unindo a experiência que traz da consultoria tecnológica e de transformação em torno do cliente a um bastião adormecido que é a Indústria da Saúde no que torna a ter o cidadão no centro. Está motivado em contribuir para que o Registo Nacional da Esclerose Múltipla centrado na Pessoa com EM seja uma realidade, melhorando a qualidade de vida e trazendo um impacto económico positivo na transformação de como a Saúde cuida das pessoas. É viciado em melhoria contínua, adora ler, ver filmes, ser inspirado e se puder inspirar outros. Para Paulo, "Motivação é Motivo + Ação!" Outras referências feitas no episódio: Sociedade Portuguesa de Esclerose Múltipla (SPEM) Contactos: CruzamentoPodcast.comcruzamentopodcast@gmail.comTwitter: @cruzamentofmFacebook: @podcastcruzamento
How do you say something new when everything's been said. On this months edition of the Andrew Special, we dive into "waves of saturation" and how humans tend to create something new when it seems as though there's nothing left to say. https://andrewmaxfield.orgwww.soundofageschoir.comAudio Credit: 30 second clip of Spem in Alium by Thomas Tallis (Performed by The Tallis Scholars)
Hoboïst Arthur Klaassens heeft een wonderbaarlijk, hallucinant album samengesteld. Met een Vioolpartita van Bach, en drie hedendaagse stukken van Steve Reich, Berio, Jesse Broekman, en het befaamde Spem in Alium, van Thomas Tallis. Klaassens bewerkte alles zelf, en speelt alles zelf. Dus ook dat koorwerk van Tallis, dat veertig verschillende stemmen herbergt? Precies. Dat is het bijzondere. Je hoort telkens verschillende instrumenten (hobo, hobo d'amore, althobo en bashobo) en stemmen, maar slechts één speler, Arthur Klaassens. Hij speelt alle partijen. Een voor een. En legt ze over elkaar heen als laagjes. Veelvoudigheid. Soms zijn het er twee, soms tien, hij gaat dus zelfs tot veertig. De titel, Ratio, wijst op wat voor hem de essentie is: niet zozeer getalsverhoudingen als wel verhoudingen tout court. Tussen hem en de componisten, tussen hem en al die verschillende facetten in zichzelf. En, dat voor ook, tussen hem en opnameleider Frerik de Jong. Die is eigenlijk veel meer dan dat, hij geeft Klaassens tegenspel als een ware musicus. In feite is dit album ook het verslag van een vriendschap: de twee hebben er vijf jaar over gedaan, en honderden opnames gemaakt. Dat kan alleen in een verstandhouding van vertrouwen. Ik sprak Arthur Klaassens op een frisse zondagochtend in Den Haag, vanwege corona hadden we buiten afgesproken, in een stads speeltuintje. De geluiden van spelende kinderen en beierende klokken kregen we er gratis bij in dit Haagse Counterpoint, ook dat vormde weer een mooi extra laagje.
I'll be honest, I edited this episode yesterday and I cannot remember for the life of me what we talk about. Something about Sea Beet I think? You're on your own. -------- Everything is Brassica: https://cdn0.vox-cdn.com/uploads/chorus_asset/file/3395076/brassica-oleracea.0.jpg Sea Beet (read as Nigella Lawson): https://en.wikipedia.org/wiki/Sea_beet Documentary about Spem in Alium: https://www.youtube.com/watch?v=Gv1zZwppTuc&ab_channel=JaakkoMantyjarvi Internet Historian: https://www.youtube.com/channel/UCR1D15p_vdP3HkrH8wgjQRw Simon's shorts channel: https://www.youtube.com/channel/UCBGWHb1P0Z07SYUqjuOnCmw Simon's shitposting channel: https://www.youtube.com/c/SimonClarkErrata/ Simon's twitch: https://www.twitch.tv/drsimonclark Our patreon: https://www.patreon.com/thewikicast -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys This week's article: https://en.wikipedia.org/wiki/Keith_Brooking Our facebook page: https://www.facebook.com/TheWikicast/ Fan facebook group: https://www.facebook.com/groups/268878873600832/ Fan discord channel: https://discord.gg/SZu6e2F
Lutenist John Edwards plays Dump Philli from the Marsh Lutebook. Pieces called 'Dump' are often memorial pieces and are often built on ground basses of as few as two notes, as is this one. In a much earlier, and much shorter version this piece is titled 'Arthur's Dump' and it has been suggested that this is a memorial piece for court lutenist Arthur Dewes by his colleague Philip van Wilder. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Tracy Ryan reads 'With how sad steps, O Moon, Sonnet 31 from Sir Philip Sidney's Astrophel and Stella, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.
All music by Thomas Tallis used with permission of the artists and labels listed below. Watch on YouTube: https://youtu.be/i-oMO9qqzKA As a Gentleman of the Chapel Royal, Thomas Tallis (1505-1585) composed sacred music for four successive English monarchs, starting with Henry VIII and ending with Elizabeth. Those were turbulent times in England, especially for a church musician. Those were turbulent times in England, especially for a church musician. Like his colleague (and probable pupil) William Byrd, Tallis was able to adapt his compositional style to meet the constantly shifting ideological demands of the regimes under which he served. Unlike the combative Byrd, who in his later years removed himself from court life and made a point of his loyalty to Rome, Tallis may have simply gone with the flow. We don't know for sure, because there is very little information about his life. Here to tell us what we do know is singer and scholar Kerry McCarthy, author of a concise new book on Tallis's life and music in Oxford University Press's Master Musicians Series (which also includes her book on Byrd previously discussed on this podcast). She enthusiastically discusses his music, his times, the foundation of polyphony in plainchant which was obliterated by the Reformation, the various compositional techniques of the time, and the nature of the medieval modes with which these composers worked. Links Kerry McCarthy, Tallis https://global.oup.com/academic/product/tallis-9780190635213 Hear Kerry sing with Capella Romana in a groundbreaking recreation of the acoustics of a sixth-century Byzantine cathedral! Lost Voices of Hagia Sophia: Medieval Byzantine Chant https://cappellaromana.org/product/lost-voices-of-hagia-sophia-medieval-byzantine-chant/ Kerry McCarthy discusses Byrd on this podcast: Pt. 1 https://www.catholicculture.org/commentary/episode-49-catholic-composer-in-queen-elizabeths-court-pt-i-kerry-mccarthy/ Pt. 2 https://www.catholicculture.org/commentary/episode-50a-catholic-composer-in-queen-elizabeths-court-pt-iikerry-mccarthy/ This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio Music heard in this episode Thomas Tallis: “If ye love me” performed by The Gesualdo Six, c/o Hyperion https://www.amazon.com/English-Motets-Gesualdo-Six/dp/B078X98G4B/ Video from their YouTube channel: https://youtu.be/yHe2FDlHHa8 “Lesson Two Parts in One” performed by Matthieu Latreille https://www.youtube.com/watch?v=7EsptIeArHI “Miserere nostri” (Tallis/Byrd), “In jejunio et fletu” performed by Alamire, c/o Obsidian https://www.amazon.com/gp/product/B004H4OHXG/ref=dm_ws_sp_ps_dp “Puer natus est nobis: Agnus Dei”, “Psalm Tunes from Archbishop Parker's Psalter”, “Spem in alium” performed by Chapelle Du Roi, from their Complete Works of Tallis c/o Signum Records UK https://signumrecords.com Chapelle's Du Roi's Complete Works of Tallis available affordably in the US here https://www.amazon.com/Tallis-Complete-Chapelle-Du-Roi/dp/B005JWXA1K/ Ralph Vaughan Williams: “Fantasia on a Theme from Thomas Tallis” performed by Academy of Saint-Martin-in-the-Fields, dir. Neville Mariner https://www.amazon.com/Williams-Greensleeves-Tallis-Neville-Marriner/dp/B000004CVM/
Tracy Ryan reads part of a lament by Lady Mary Sidney, on the death of her brother Sir Philip Sidney, author of Astrophel and Stella and The Countess of Pembroke’s Arcadia, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.
Lutenist John Edwards plays Anthony Holborne's sombre pavan 'The Countiss of pembruth fineralle' as it is called in Jane Pickeringe's Lutebook, from which this highly decorated version is taken. The Countess of Pembroke is Lady Mary Sidney, whose father and brother died the same year. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
How are you coping?In this episode, Kellan talks about the second of 3 parts on Covid Captivity – in this episode he’s talking to you. How are you coping? How are you growing?There are many conspiracy theories around the pandemic, and that often results in a lot of shouting – in protest against the restrictions, masks, etc. Kellan explains that the reactions to the pandemic are due to people’s contexts – B.D.E.E.P.The question is: after all the shouting, what did you do?Kellan reminds us that we are interdependent – we need each other and we should not be ashamed of needing help from those around us, and in turn, that allows us to grow. Kellan tells us about growing the four categories of S.P.E.M. If you do so, you will thank this pandemic, and you will grow toward Your Ultimate Life.Key Takeaways:“You have a context, and that context is your collection of beliefs, definitions, experiences, expectations, and perceptions.”“We have this idea that because we’re not caught, we can get away with it.”“After your shouting, what did you do?”“If we’re resentful and angry as we ask for help, then we can’t accept it graciously, we’re upset that we have to do it, we’re ashamed, and we feel bad about the fact that we needed help.”“We’re interdependent – I need you, you need me; we need each other.”“How are you coping?”“If you’re not happy with the way you’re coping, then there’s an opportunity for growth.”Connect with Kellan on social media at:Facebook: www.facebook.com/kellan.fluckiger3YouTube: www.youtube.com/c/ultimatelifeformulaLinkedIn: https://www.linkedin.com/in/kellanfluckigerTwitter: https://twitter.com/kellanfluckigerInstagram: https://www.instagram.com/coachkellanfluckiger/You can find out more about Kellan and how he can help you achieve your ultimate life by checking out his website: https://www.kellanfluckiger.com/Subscribe to the podcast at:Apple Podcasts: https://podcasts.apple.com/us/podcast/your-ultimate-life-with-kellan-fluckiger/id1505919748Spotify: https://open.spotify.com/show/6IXjYZo38go7Pv5ElanVv4Simplecast: https://your-ultimate-life-by-kellan-fluckiger.simplecast.com/Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS84YVZ1VlVkQw==Stitcher: *https://www.stitcher.com/podcast/your-ultimate-life-with-kellan-fluckiger?refid=stpriHeart: *https://www.iheart.com/podcast/269-your-ultimate-life-with-ke-61503928/Deezer: *https://www.deezer.com/us/show/1028862RadioPublic: https://radiopublic.com/your-ultimate-life-with-kellan-fl-G3AMY2If you haven't already, please rate and review the podcast on ApplePodcasts. If you haven't already, please rate and review the podcast on Apple PodcastsListen to more episodes of Your Ultimate Life: your-ultimate-life-by-kellan-fluckiger.simplecast.com
Tracy Ryan reads a description of the death of Phillip Sidney at Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603 in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Lutenist John Edwards plays Sir Phillip Sidneys Lamentacion from Matthew Holmes' Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Lutenist John Edwards plays John Dowland's The Battell Galyerd, also known as The King of Denmark's Galliard, in a version from Jane Pickeringe's Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Tracy Ryan reads a description of the Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603 in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Tracy Ryan reads a sonnet by Robert Sidney, the Viscount Lisle, found in manuscript, in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Lutenist John Edwards plays The Right Honourable the Lord Viscount Lisle his Galliard composed by John Dowland, based on Orlando di Lasso's Susanne un jour. Viscount Lisle is Robert Sidney, younger brother to Sir Philip and Mary Sidney, the Countess of Pembroke. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Tracy Ryan reads a poem from Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Lutenist John Edwards plays William Byrd's setting of Will you Walk the Woods So Wild anonymously arranged for the lute. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Actor Tracy Ryan reads and excerpt from the First Eclogues Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Countess of Pembroke's Paradise by Anthony Holborne. The Countess of Pembroke was Mary Sidney Herbert, the sister of Philip. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Actor Tracy Ryan reads the first poem from Sir Philip Sidney's sonnet cycle Astrophel and Stella in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Right Honourable the Lady Rich, her Galliard by John Dowland. Lady Rich is Penelope Devereux, the 'Stella' of Sidney's poems who never requited the love expressed therein. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
Professor Deanne Williams talks to John Edwards about Philip, Mary and Robert Sidney and their contribution to literature as inspirers and innovators, practitioners and patrons in the Elizabethan and Jacobean period. This episode is an introduction to a new series of readings, prepared in texts in original pronunciation by Hallie Fishel, read by Tracy Ryan, by and about the Sidneys as well as lute pieces dedicated to them, and programmatic of their lives. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.
On today’s date in 1573, Queen Elizabeth the First celebrated her 40th birthday. According to SOME musicologists, the music-loving monarch received as a birthday gift a Latin motet for 40 voices by Thomas Tallis titled “Spem in alium,” which translates as “Hope in All Things.” Elisabeth was certainly fond of Tallis, awarding him special gifts and privileges—despite his remaining a steadfast Roman Catholic throughout her reign, when being a Catholic in Protestant England was very risky business, indeed! In fact, other musicologists contend that this famous motet was ACTUALLY written for the coronation of Elizabeth’s predecessor, the CATHOLIC queen Mary Tudor. Still others say: “No, no—the motet was commissioned by a patriotic British nobleman, who challenged Tallis to write a work as good as—or better—than a contemporary Italian composer’s 40-voice motet.” The truth is we just don’t know for sure why Tallis composed this intricate and glorious music. We do know that in a dangerous time for ANYONE with strong religious convictions, Tallis lived to the ripe old age of 80. His epitaph reads: “As he did live, so he did die—in mild and quiet sort (O happy Man!)”
On today’s date in 1573, Queen Elizabeth the First celebrated her 40th birthday. According to SOME musicologists, the music-loving monarch received as a birthday gift a Latin motet for 40 voices by Thomas Tallis titled “Spem in alium,” which translates as “Hope in All Things.” Elisabeth was certainly fond of Tallis, awarding him special gifts and privileges—despite his remaining a steadfast Roman Catholic throughout her reign, when being a Catholic in Protestant England was very risky business, indeed! In fact, other musicologists contend that this famous motet was ACTUALLY written for the coronation of Elizabeth’s predecessor, the CATHOLIC queen Mary Tudor. Still others say: “No, no—the motet was commissioned by a patriotic British nobleman, who challenged Tallis to write a work as good as—or better—than a contemporary Italian composer’s 40-voice motet.” The truth is we just don’t know for sure why Tallis composed this intricate and glorious music. We do know that in a dangerous time for ANYONE with strong religious convictions, Tallis lived to the ripe old age of 80. His epitaph reads: “As he did live, so he did die—in mild and quiet sort (O happy Man!)”
Thomas Tallis' motet 'Spem in alium' for 40 separate parts is a piece every singer of early choral music knows and has stories about. Harry, Robert and Eamonn have recorded it as singers and conductors and give us their take on this infamous monster of Tudor polyphony.Support the making of Choral Chihuahua at supporter.acast.com/choral-chihuahuaSupport this show http://supporter.acast.com/choral-chihuahua. See acast.com/privacy for privacy and opt-out information.
The Sonnet Sessions continue... You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. William Shakespeare, Sonnet IX Is it for fear to wet a widow's eye, That thou consum'st thy self in single life? Ah! if thou issueless shalt hap to die, The world will wail thee like a makeless wife; The world will be thy widow and still weep That thou no form of thee hast left behind, When every private widow well may keep By children's eyes, her husband's shape in mind: Look what an unthrift in the world doth spend Shifts but his place, for still the world enjoys it; But beauty's waste hath in the world an end, And kept unused the user so destroys it. No love toward others in that bosom sits That on himself such murd'rous shame commits. Music: Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Benjamin Britten, Corpus Christi Carol - performed by boy soprano Sebastian Carrington Thomas Tallis, Spem in Alium (1750)
The Sonnet Sessions continue... You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. William Shakespeare, Sonnet VIII Music to hear, why hear'st thou music sadly? Sweets with sweets war not, joy delights in joy: Why lov'st thou that which thou receiv'st not gladly, Or else receiv'st with pleasure thine annoy? If the true concord of well-tuned sounds, By unions married, do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering; Resembling sire and child and happy mother, Who, all in one, one pleasing note do sing: Whose speechless song being many, seeming one, Sings this to thee: 'Thou single wilt prove none.' Music: Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Thomas Tallis, Spem in Alium (1750)
Are we living through an era of madness? Stephen Blackwood sits down with best-selling author Douglas Murray to discuss manifestations of madness in contemporary culture. They explore the metaphysical system sustaining present ideologies, consider the necessity of meaning and forgiveness, and move beyond to discuss the transcendent values and works of art that enlighten, and perhaps offer an antidote for, the madness of the present. Works mentioned: Literature: T. S. Eliot, especially The Four Quartets; Philip Larkin; C. Day-Lewis; Shakespeare Music: Palestrina; Orlando Gibbons; Thomas Tallis, especially Spem in Alium and Lamentations of Jeremiah; Gustav Mahler, especially Symphony No. 3; Igor Stravinsky; Olivier Messiaen; Johannes Brahms, piano; Benjamin Britten; Michael Tippett
Yksityisyys ja julkisuus esitetään usein toistensa yksinkertaisina vastakohtina, vaikka todellisuudessa ne helposti sekoittuvat keskenään. Erityisesti sosiaalisen median aikakaudella aikaisemmin yksityisinä pitämämme asiat muuttuvat usein erittäin julkisiksi, ja neuvottelua oman elämän esittämisestä käydään jatkuvasti. Tila-teemaisen tuotantokauden päättävässä jatkossa paneudumme julkisen ja yksityisen tilan rajanvetoihin liittyviin kysymyksiin. Lisäksi teemme poliittista tilanneanalyysiä Suomen tuoreesta hallituksesta ja muista ajankohtaisista kysymyksistä. Jakson lopussa saamme vieraaksemme runoilija Raisa Marjamäen, joka lukee neljä runoa tulevasta kolmannesta runokokoelmastaan Ihmeellistä käyttäytymistä (Poesia). Fiilistelyt & suositukset: Mia: Alkoholiton olut Chernobyl-sarja (HBO) Kaarettomat rintsikat Taija: Salaisuudet Maria Matinmikko: Kolkka (Siltala, 2019) Raisa: Marguerite Yourcenarin koko tuotanto Kolmiot Thomas Tallis, Spem in Alium, kuoroteos 40 äänelle vuodelta 1570
Multiple sclerosis (MS) is a central nervous system disorder that an estimated 2.3 million people around the globe live with. To help us understand this often unpredictable condition and life with it, we interview Alexandre Guedes da Silva, the director and vice-president of Multiple Sclerosis Society of Portugal (SPEM). SPEM is a member organization of the broader European Multiple Sclerosis Platform (EMSP), an association founded in 1989 in order to make sure the patients with multiple sclerosis diagnosis have a voice in determining health policies and research goals on the European level. Currently, the platform relies on “a growing network of 40 member societies in 35 European countries”. Engineer by profession, Silva is not only an advocate trying to raise awareness about the disorder, but also a patient himself, living with remitting-relapsing MS for decades. Answering Kim’s and Alessia’s questions, he shares his personal experience with MS symptoms and thoughts on what society could do about the quality of life among patients with MS, while also touching upon the current ideas about what causes MS. Kim Baden-Kristensen is the co-founder and CEO of Brain+, a digital therapeutics company that helps people with brain disorders and injuries to recover their fundamental cognitive brain functions and daily life capabilities by using an app-based cognitive rehabilitation platform, which is developed in close collaboration with patients, clinicians and researchers. https://www.linkedin.com/in/kbadenk/ Alessia Covello is a life science IT consultant working in the field of healthcare technology implementation, and advocating for better services for people with brain conditions and learning disabilities. https://www.linkedin.com/in/alessiacovello/ Talking points: ● Multiple Sclerosis - basic information (min. 3:35-10:10)- What if the multiple sclerosis diagnosis arrives too late? (5:15)- Current theories and different forms of the disease (6:10) - Phases of the disease (8:05)● How it begins and how difficult it is to diagnose MS (min. 10:35 - 17:00)● Living with multiple sclerosis symptoms - situations to avoid (min. 17:20-26:30)● Available treatments and the role of EMSP (min. 26:45-32:00)● Possibilities for neurorehabilitation and similarities between dementia and MS (min. 32:10-35:20) ● Digital technologies and robotics as assistive technologies for patients with MS: improving the quality of life through widespread communication technologies (min. 35:27-39:40) ● Improving research and data-collection (min. 39:50-42:40) ● Distribution of MS - geographic, genetic, and lifestyle factors (min. 42:55-48:45)● Overall quality of life: Physical rehabilitation, job adaptations, personalized approach (min. 48:55-51:10)● Take-home messages for researchers, clinicians, and patients (min. 51:20) Disclaimer:All references to products, companies, and organizations in this podcast and the article that accompanies it are included with the purpose to inform, rather than promote or advertise. The podcast authors do not receive financial compensation for any of these references.
Den engelska guldåldern runt år 1600 slutar aldrig att inspirera vår tids kultur, och att fascinera! I den här andra delen av tre handlar det om hur musik bland annat användes som drog. Då vilade medicinsk behandling på något man kallade humoralpatologi. Det var en lära som vilade på uppfattningen under den grekiska antiken att man hade fyra vätskor i kroppen och att sjukdomar berodde på att man hade för mycket eller för litet av vissa vätskor. Det var blod, slem, gul och svart galla som i sin tur var kopplade till temperament och det är där musiken kom in i bilden. Det fanns en uppfattning att olika musikstycken kunde väcka olika temperament och läka ens själ, och programmet avslutas med ett "ljudbad" i form av stycket "Spem in alium" av Thomas Tallis. I programmet medverkar David Lindley, professor i engelsk renässanslitteratur, operasångaren Anders Lorentzon och orgelforskaren Joel Speerstra. Som uppläsare medverkar Dan Berglund och Torben Kulin. Programmet är en repris av ett program som sändes första gången den 14 december 2014 med titeln "The golden age of drugs". En P2 Dokumentärserie av Katarina A Karlsson. Tekniker Karin Blomqvist.
Den engelska guldåldern runt år 1600 slutar aldrig att inspirera vår tids kultur, och att fascinera! I den här andra delen av tre handlar det om hur musik bland annat användes som drog. Lyssna på alla avsnitt i Sveriges Radio Play. Då vilade medicinsk behandling på något man kallade humoralpatologi. Det var en lära som vilade på uppfattningen under den grekiska antiken att man hade fyra vätskor i kroppen och att sjukdomar berodde på att man hade för mycket eller för litet av vissa vätskor. Det var blod, slem, gul och svart galla som i sin tur var kopplade till temperament och det är där musiken kom in i bilden. Det fanns en uppfattning att olika musikstycken kunde väcka olika temperament och läka ens själ, och programmet avslutas med ett "ljudbad" i form av stycket "Spem in alium" av Thomas Tallis. I programmet medverkar David Lindley, professor i engelsk renässanslitteratur, operasångaren Anders Lorentzon och orgelforskaren Joel Speerstra. Som uppläsare medverkar Dan Berglund och Torben Kulin. Programmet är en repris av ett program som sändes första gången den 14 december 2014 med titeln "The golden age of drugs". En P2 Dokumentärserie av Katarina A Karlsson. Tekniker Karin Blomqvist.
Den engelska guldåldern runt år 1600 slutar aldrig att inspirera vår tids kultur, och att fascinera! I den här andra delen av tre handlar det om hur musik bland annat användes som drog. Då vilade medicinsk behandling på något man kallade humoralpatologi. Det var en lära som vilade på uppfattningen under den grekiska antiken att man hade fyra vätskor i kroppen och att sjukdomar berodde på att man hade för mycket eller för litet av vissa vätskor. Det var blod, slem, gul och svart galla som i sin tur var kopplade till temperament och det är där musiken kom in i bilden. Det fanns en uppfattning att olika musikstycken kunde väcka olika temperament och läka ens själ, och programmet avslutas med ett "ljudbad" i form av stycket "Spem in alium" av Thomas Tallis. I programmet medverkar David Lindley, professor i engelsk renässanslitteratur, operasångaren Anders Lorentzon och orgelforskaren Joel Speerstra. Som uppläsare medverkar Dan Berglund och Torben Kulin. Programmet är en repris av ett program som sändes första gången den 14 december 2014 med titeln "The golden age of drugs". En P2 Dokumentärserie av Katarina A Karlsson. Tekniker Karin Blomqvist.
Servizio del TGR Rai FVG sulla proiezione, nel carcere di Tolmezzo, del docufilm Spes contra Spem sull'ergastolo ostativo (18/12/2017)
Siamo con Annapaola Carbonatto e Daniele Parizzi della Fgei che ci presenteranno il programma dettagliato del presinodo organizzato per la prima volta insieme tra le federazioni giovanili e delle donne evangeliche italiane. La giornata si terrà sabato 19 agosto dalle 14,30 nella sala unionista della chiesa valdese di Torre Pellice. Il tema sarà: Promenade, in viaggio con le donne della Riforma. Ma sarà un viaggio anche con i migranti e i richiedenti asilo, in particolare gli afgani ospitati dalla Diaconia valdese, che realizzeranno la cena serale.Poi siamo stati con Ambrogio Crespi che ci ha parlato del suo docufilm "Spes contra Spem - Liberi dentro", proiettato questa sera alle 18 nell'ambito della Giornata Miegge a Torre Pellice.
Speciale Spes Contra Spem Martedì, 28 febbraio 2017, ore 15:30LIBERI DENTROConduce Milena Miranda.Alla regia Adelperio Denegridisanpietro.Interviste:1) Quella al regista Ambrogio Crespi.2) Intervista Avv. Tommaso Pelliccia, V. Presidente Carcere Possibile Onlus. 3) Intervista a Maria Bracale, nel Direttivo di "Nessuno tocchi Caino".4) Intervista a Flaviano Moltedo, componente della Commissione Diritti Umani.5) Intervista all'Avv. Domenico Ciruzzi, penalista, già Presidente Camere Penali.http://docufilmspescontraspem.it/trailer film:https://www.youtube.com/watch?v=jypGEQtHLnM&feature=youtu.bewww.ambrogiocrespi.it Un film di Ambrogio Crespi, con Sergio D'Elia ed Elisabetta Zamparutti. Una produzione Nessuno Tocchi Caino e Index Production in collaborazione con Radio Radicale , la Casa di Reclusione di Opera e il Dipartimento dell'Amministrazione Penitenziaria.In diretta su:su www.webradioiuslaw.it/direttaPuoi scaricare gratuitamente l’APP per iphone o Android: http://www.webradioiuslaw.it/come-ascoltare/Questa puntata va in onda grazie alla sponsorizzazione di:Sistemi Spa - visita il sito www.sistemiamolitalia.itAstalegale. net - visita il sito www.astalegale.netPer il sottofondo musicale dei promo – Iuslaw web radioRingrazia www.bensound.com - dal quale potete anche voi potete estrarre musica freeRingraziamo la produzione di Non Voltarti indietro per la musica iniziale.Ringraziamo l'Artista:http://audionautix.com/per il contributo musicale.i lavori di Audionautix sono brani autorizzati da Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) E ringraziamo anche gli artisti:- Kevin MacLeodKevin MacLeod è un brano autorizzato da Creative Commons Attribution (https://creativecommons.org/licenses/...) Fonte: http://incompetech.com/music/royalty-... Artista: http://incompetech.com/- Mash
SINGING IS, AS THEY SAY IN OLD COUNTRY, "THE NUTS". At least we think it is. That's why this episode we're talking all about choral music and all that not jazz. We also discuss brothels, breasts and Michael Caine. Enjoy! A special thank you to our friend Michael for helping us with the intro and stings this episode - THNKS. Music Featured in this episode: "Spem in Alium" - Thomas Tallis "Just (After Song of Songs)" - David Lang "Crucifixus" - Antonio Lotti "Now Sleeps the Crimson Petal" - Paul Mealor ***Follow us on Twitter (@thatclassical) and on Instagram (@thatclassicalinsta) for some top notch social media entertainment. We promise it won't just be jokes about Mozart. N.B. we can make no promises it won't just be jokes about Mozart.*** See acast.com/privacy for privacy and opt-out information.
Simon Heighes recommends a recorded version of Tallis's Spem in alium
Anthony Fiumara over Spem in Alium van Thomas Tallis
Janet Cardiff’s Forty Part Motet is composed of forty speakers arranged in eight groups of five, configured as a large oval facing each other in the center of the room, and resting on stands so they are roughly just above eye level. The Motet, as Cardiff referred to it in our conversation, is a reworking of the English composer Thomas Tallis'sSpem in Alium (1570), which translates as “Hope in Any Other” and is sung in Latin by a choir of forty voices. The composition is arranged so that the choir, like the speakers, is divided into eight groups of five singers; each group consists of a soprano, tenor, alto, baritone, and bass. The groups alternate singing: first one, than another, sometimes alone, and at a few moments, all together, rising in a crescendo that breaks open the room to a place beyond the physical world. To hear the Motet in its entirety is profound. Spem in Alium is considered one of the greatest works of English music. The Forty Part Motet is equally a contemporary masterwork. It was a privilege, then, to sit down with Cardiff on November 12, 2015, to speak about her practice. - Patricia Maloney Janet Cardiff lives in British Columbia, where she works in collaboration with her partner George Bures Miller. The artist is internationally recognized for immersive multimedia works that create transcendent multisensory experiences and draw the viewer into often unsettling narratives. Cardiff and Miller’s work has been included in recent group exhibitions and biennales such as Soundscapes at the National Gallery, London, the 19th Biennale of Sydney in 2014, and dOCUMENTA (13). Representing Canada at the 2001 Venice Biennale, Cardiff and Miller received the Biennale’s Premio Prize and Benesse Prize. Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. The Forty Part Motet is on view at Fort Mason Center for Arts and Culture, in San Francisco, through January 18, 2016; it is co-presented by the San Francisco Museum of Modern Art.
Preludio Do mayor de Bach (arreglo de J. Loussier) J. Loussier TríoRequiem Op 5 (selc) de Berlioz, Orq y Coro de ParísGayaneh (selc) de Khachaturian, Orq. Fco. VienaSpem in Alium de Tallis , The Thallis Scholars Escuchar audio
With Mark Lawson. Hattie Morahan and Dominic Rowan are currently starring in Ibsen's drama A Doll's House, and audiences have been booing Dominic's portrayal of the heroine's chauvinistic husband. The actors discuss handling negative audience reaction, which also happened when Dominic played an egotistical hunk in Penelope Skinner's play, The Village Bike. John Lydon, lead singer of the iconic 1970s punk band The Sex Pistols, says it would be a compliment if their song, God Save the Queen, was included in the Olympic opening ceremony. He explains why the song is not a vicious assault and, as his band PiL release a new album, he talks about his National Treasure status and why retiring is not an option. A third volume of T S Eliot's correspondence has just been published, the product of many years of scholarship - but will such collections continue in the age of email and text message? Professor Steve Connor, from Birkbeck College, London, and Megan Barnard, from the Harry Ransom Centre in Texas, consider the future of the literary letter. A mention in fiction bestseller Fifty Shades of Grey has pushed Thomas Tallis' 40 part motet Spem in Alium to the top of the classical chart. We count down other unexpected cultural hits which have followed an appearance in fiction or film. Producer Nicki Paxman.
This month we have a very exciting feature. We will be celebrating the 10th year of the recording label CORO which was established in 2001. Bringing together live concerts and recording plans has allowed The Sixteen to develop a glittering catalogue which now boasts over ninety releases, spanning six hundred years of sacred choral music from the earliest plainsong through to contemporary composers such as James MacMillan.The back-catalogue contains some of the most magnificent choral works ever written including Handel’s Messiah, Allegri’s Miserere, Fauré’s Requiem and Tallis’s Spem in Alium - all of which are best sellers. Added to this list are the entire Eton Choirbook, Bach’s Mass in B minor and Victoria’s Requeim of 1605 all of which have received critical acclaim worldwide. Many of the CDs on CORO are award-winners and many more have been nominated for awards. The accolades include a MIDEM Award, two Gramophone Awards, three Diapason d’Or and four Schallplattenkritiks as well as two Grammy® nominations.We will be celebrating with pieces from 5 of CORO's albums today. The Sixteen/Harry Christophers"Stabat Mater Dolorosa" from "Allegri - Miserere/Palestrina - Missa Papae Marcelli" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 Buy at mTraksThe Sixteen / Harry Christophers"Libera Nos" from "Philip & Mary: A Marriage of England & Spain" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksThe Sixteen/ Harry Christophers "Magnificat in D major (BWV 243)" from "Vivald: Gloria in D major / Bach: Magnificat in D major" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksThe Sixteen, Harry Christophers"Messiah" from "Handel: Messiah" (Coro) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksHandel & Haydn Society, Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens"Requiem, K. 626" (mp3) from "Mozart: Requiem" (The Sixteen Productions Ltd.) Buy at Amazon MP3
Here's a hint: forty musicians can eat a lot of cake…
Here’s a hint: forty musicians can eat a lot of cake…
E Dowson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Vitae Summa Brevis Spem Nos Vetat Incohare Longam (The brief sum of life forbids us the hope of enduring long - Horace) by Ernest Dowson (1867 – 1900) They are not long, the weeping and the laughter, Love and desire and hate: I think they have no portion in us after We pass the gate. They are not long, the days of wine and roses: Out of a misty dream Our path emerges for a while, then closes Within a dream. First aired: 1 March 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009
Vitae Summa Brevis Spem Nos Vetat Incohare Longam (The brief sum of life forbids us the hope of enduring long - Horace) by Ernest Dowson (1867 – 1900) They are not long, the weeping and the laughter, Love and desire and hate: I think they have no portion in us after We pass the gate. They are not long, the days of wine and roses: Out of a misty dream Our path emerges for a while, then closes Within a dream.
Thomas Tallis's work is one of the most elaborate and spectacular pieces of choral music ever written. Scored for 40 voices, the piece is best sung and heard in the round in order to appreciate an extraordinary sonic experience. Choral conductor Simon Halsey, Michael Morpurgo and others discuss the music's spine-tingling effect on both performers and listeners.
Sue Lawley's castaway this week is the death row lawyer Clive Stafford Smith. Clive Stafford Smith spent more than 25 years representing people on death row. He's saved hundreds of lives and counts his clients among his friends. He says his work is his calling - one he was drawn to after writing an essay on capital punishment while at school. Initially he thought it was a history essay and was appalled to find the death sentence was still in use. He planned to become a campaigning journalist, but a summer spent meeting prisoners on death row inmates convinced him that he would be able to achieve more by representing them directly. So he trained in law and set up his own legal practice to enable him to do so. He has received several awards for his work including, in 2002, the OBE.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Spem in Alium by Thomas Tallis Book: The Koran (in Arabic and English) Luxury: My computer
Sue Lawley's castaway this week is the death row lawyer Clive Stafford Smith. Clive Stafford Smith spent more than 25 years representing people on death row. He's saved hundreds of lives and counts his clients among his friends. He says his work is his calling - one he was drawn to after writing an essay on capital punishment while at school. Initially he thought it was a history essay and was appalled to find the death sentence was still in use. He planned to become a campaigning journalist, but a summer spent meeting prisoners on death row inmates convinced him that he would be able to achieve more by representing them directly. So he trained in law and set up his own legal practice to enable him to do so. He has received several awards for his work including, in 2002, the OBE. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Spem in Alium by Thomas Tallis Book: The Koran (in Arabic and English) Luxury: My computer
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