Podcasts about nima nourizadeh

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television. Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3. Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner. Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief. Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu. In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work. Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television. Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3. Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner. Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief. Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu. In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work. Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television.Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3.Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner.Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief.Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu.In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work.Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

En este episodio “Project X” - Proyecto X (2012), dirigida por Nima Nourizadeh, comentamos todo el argumento, así como lo que nos gustó y además de las opiniones respectivas; además como siempre noticias y las recomendaciones de la semana.

Zach & Zo are joined by Ed Snyder of The Film Effect Podcast. These two great film podcasts band together to try to survive the most outrageous teenage house party ever thrown! It was a party so big that it could be seen from space! Everything goes right. Everything goes horribly wrong!www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinema Facebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcastEd Snyder's Links:Apple Podcasts: The Film Effect Podcast Apple Podcasts: The Mad-Dad Movie ReviewTwitter: @filmeffectpodInstagram: @thefilmeffectpodcastFacebook: @thefilmeffectpodcastWeb: www.podpage.com/the-film-effect-podcast/    

Qu’il s’agisse de quelques verres pour l’apéro, d’ouvrir une bouteille pour les grandes occasions, ou encore de boire à outrance et le plus vite possible pour épater les autres, l’alcool a une place très importante dans notre société. Alors que certain·e·s pratiquent le « dry January » (un mois sans consommer de boisson alcoolisée), d’autres se servent peut-être un verre de vin à la fin d’une dure journée. Dans ce nouvel épisode, Clémentine et Pauline s’intéressent à la relation qu’entretiennent les femmes à l’alcool et sa représentation dans la pop culture. Les références entendues dans l’épisode :Camille Kouchner, La familia grande, Seuil (2021)Chambre 2806: L’affaire DSK, de Jalil Lespert, Netflix (2020)La fille sur le canapé, un podcast d’Axelle Jah Njiké, Nouvelles Écoutes (2020)Stéphanie Braquehais, Jour Zéro, Iconoclaste (2021)Claire Touzard, Sans alcool, Flammarion (2021)Alix Strauss, « ‘Vodka in Your Coffee Cup’: When Pandemic Drinking Goes Too Far », New York Times (2020) « Ninkasi : Déesse sumérienne de la bière et de l’alcool », Anguille sous roche (2019) Sascha Cohen, « No Unescorted Ladies Will Be Served », Daily Jstor (2019) Dans un café, dit aussi L’absinthe, d’Edgar Degas, huile sur toile peinte entre 1875 et 1876 Les œuvres du peintre Toulouse-Lautrec (1864-1901)Émile Zola, L’Assommoir, 1877 Ouvrage collectif de Delphine Dulong, Erik Neveu et Christine Guionnet, Boys don’t cry! Les coûts de la domination masculine, Presses universitaires de Rennes (2012) : Troisième partie « Injonctions et prix à payer pour des masculinités plurielles », chapitre intitulé « Privilèges et coûts de la masculinité en matière de consommation d’alcool »Camille Wernaers « Femmes et alcool : une longue histoire de stéréotypes », rtbf.be (2020) Laurent Karila, L’alcoolisme au féminin : en finir avec les tabous. S’en sortir, Leduc. S Pratique (2020) Clémentine Maligorne et AFP agence, « Alcool : chez les femmes, ce sont les cadres qui boivent le plus » , Le Figaro (2018) Pauline Fréour, « L’instagrameuse mystère était… en campagne contre l’alcool », Le Figaro santé (2016) Le site dryjanuary.frDr Muriel Salmona, « L’analyse de la mémoire traumatique et des autres symptômes psychotraumatiques : une technique thérapeutique et médico-légale au secours des droits des victimes de viol pour obtenir soins, justice et réparations », Mémoire traumatique (2020) Jerry Carino, « Why are lesbians drinking so much? », Eu app Skam, de Julie Andem, NRK (2015) Renée Greusard, Enceinte tout est possible, J-C.Lattès (2016)Renée Greusard, « Zéro alcool pendant la grossesse. Arrêtez de prendre les femmes pour des imbéciles », Nouvel Obs, Rue 89 (2017)Renée Greusard, « Un peu d’alcool pendant la grossesse, c’est risqué ? Les études ne concordent pas », Nouvel Obs, Rue 89 (2017)@Payetonpinard sur InstagramOlivier Joyard, « Sexisme et agressions sexuelles dans le milieu du vin : trois victimes témoignent », Les Inrockuptibles (2017) Julie Miller, « Olivia Pope’s Red-Wine Habit Scrutinized by The New York Times », Vanity Fair (2014)« 10 Celebrities Who are Sober Women », Avalon Recovery Society Annick Cojean, « Virginie Despentes: ‘‘cette histoire de féminité, c’est de l’arnaque’’ », Le monde (2018)Desperate Housewives, de Bob Daily et Marc Cherry, ABC (2004-2012)The Real Housewives, émission de télé-réalité, produit par Scott Dunlop (depuis 2006) Le journal de Bridget Jones, de Sharon Maguire (2001)Sex and the City, de Darren Star, HBO (1998-2004)Insecure, de Issa Rae et Larry Wilmore, HBO (depuis 2016) The Bold Type, de Sarah Watson, Freeform (depuis 2017)Scandal, de Shonda Rhimes, ABC (2012-2018)The Flight Attendant, de Steve Yockey, HBO Max (depuis 2020) The L Word: Generation Q, de Ilene Chaiken, Kathy Greenberg et Michele Abbott, Showtime (depuis 2019)Britni de la Cretaz, « ‘The L word: Generation Q’ Stumbles Over a Alcoholism Storyline - Again », Bitch Media (2020)Skins, de Jamie Brittain et Bryan Elsley, Channel (Grande-Bretagne), (2007-2013)Euphoria, de Sam Levinson, HBO (depuis 2019)Projet X, de Nima Nourizadeh (2012) The Hangover, de Todd Philips (2009) Pire Soirée, de Lucia Aniello (2017)Girls Trip, de Malcolm D. Lee (2017)Clémence Michallon, La dernière fois que j’ai cru mourir c’était il y a longtemps, Editions IXE (2020)Soul, de Pete Docter et Kemp Powers (2020) L’ABCD de l’égalité est un programme d’enseignement français proposé par Najat Vallaud-Belkacem (2013)Les associations évoquées dans l’épisode :Vinifilles, un bataillon au féminin engagé dans la viticulture en Occitanie Les Fa’Bulleuses de champagne Femmes de vin ŒnologouineQuoi de meuf est une émission de Nouvelles Écoutes, cet épisode est conçu par Clémentine Gallot et présenté avec Pauline VerduzierGénérique et réalisation : Aurore Meyer MahieuEnregistrement : Adrien Beccaria au studio l’Arrière BoutiqueMixage : Laurie GalliganiCoordination : Ashley Tola

Mark Summers trained as a performer before moving into casting over 20 years ago. He knows the business inside and out and has been fortunate enough to work with some of the world’s most creative individuals, from Marc Forster to David LaChappelle and Madonna to Metallica. Mark has over 14,000 credits to his name. His Director’s list includes: David Lachappelle, Joe Pykta, Alek Keshishian, Tony Kaye, Ace Norton , Sam Bayer, Jon Favreau, Paul Hunter, Scott Hicks, Anthony Hoffman, Michael Haussman, Matthew Rolston, Jesse Dylan, Sophie Muller, The Hughes Brothers, John Hillcoat, Jake Nava, Little X, Tim Pope, Jonathan Glazier, Wim Wenders, Tim Godsall, Anthony Manghella, Marc Caro, Ringan Ledwidge, Allen Coulter, Richard Curtis, Albert Watson Jim Sheridan, Joseph Khan, Jonas Renck, Jonas Akerland, Rankin, Chris Cunningham, Rupert Sanders, , Jason Reitman, Martin Campbell, Jesse Peretz, Kenny Ortega, Hughes brothers, Nima Nourizadeh, Marc Forster, David Sims,Jean Pierre Jeunet ,Cynthia Wade & Alex Gibney Mark’s dedication and skill has earned him love and respect from Directors, Producers, Choreographers and Performers as well as numerous awards too. Mark has been nominated and won, the British Advertising Craft Award for Best Casting Director. Mark regularly passes on his knowledge and skills through his master classes and was also made a mentor and patron of the Royal Academy of Dance Community Outreach Programme, Step Into Dance. In 2010, Mark was honoured by Sir Paul McCartney at the world famous Liverpool Institute of Performing Arts (LIPA) and made a ‘Friend of LIPA’, one of the highest honours ever bestowed by the University. He is a regular media commentator on casting with regular columns in papers including The Stage and Campaign. He has also hosted and appeared on many TV shows, including: Move Like Michael Jackson BBC (UK) Move Like Michael Jackson SBS6 (Benelux) Britain’s Missing Top Model BBC Bump and Grind Trouble TV Make Me a Super Model UK (FIVE) Pops Greatest Dance Crazes ( BBC3) The Boss is Coming to Dinner C5 The Model Agent Ireland ( RTE) Bust a Move UK (MTV Networks) Bigger Than ….. (SKY) Did you know…? Mark Summers was the UK Casting Director on Michael Jackson’s ‘THIS IS IT’ tour. Mark holds both American and British nationality Mark is also a founding member of the CDA. Instagram: @marksummerscasting_mgt Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

This week we take on the cultural and cinematic behemoth that is 2008's TWILIGHT. After some…contrasting reviews, we have a surprisingly enjoyable (and extended: strap in, listeners!) time talking about genre mash-ups, missed moments of poignancy, the traumas of High School, and how this isn't really a film about vampires at all. Next Week Our film next week, closing the genre of vampire movies, is the 2014 mockumentary WHAT WE DO IN THE SHADOWS. Recent Media CELEBRITY MASTERCHEF (2019): Franc Roddam, Gregg Wallace, John Torode HOTEL TRANSYLVANIA 1–3 (2012—18): Genndy Tartakovsky, Adam Sandler, Andy Samberg NIGHT OF THE LIVING DEAD (1968): George A. Romero, Judith O'Dea, Duane Jones Recommendations AMERICAN ULTRA (2015): Nima Nourizadeh, Jesse Eisenberg, Kristen Stewart THE CHILDHOOD OF A LEADER (2015): Brady Corbet, Bérénice Bejo, Liam Cunningham THE BLAIR WITCH PROJECT (1999): Daniel Myrick, Heather Donahue, Joshua Leonard WAITING FOR THE BARBARIANS (2019): J.M. Coetzee, Ciro Guerro, Mark Rylance Footnotes Firstly, there are a number of Wikipedia ‘holes' to disappear down with respect to this film: www.en.wikipedia.org/wiki/Vampire, www.en.wikipedia.org/wiki/Werewolf, www.en.wikipedia.org/wiki/Quileute (Jacob's tribe of Native Americans), and (one which is relevant in a later film in the series) www.en.wikipedia.org/wiki/Dhampir. We mentioned some other films which we've covered on the podcast, so here are links to our CLERKS and Linklater episodes: www.kaiju.fm/prestige/clerks-slacker-cinema, www.kaiju.fm/prestige/2-31-before-sunrise-1995-and-time, www.kaiju.fm/prestige/2-32-before-sunset-2004-and-memory, www.kaiju.fm/prestige/2-33-before-midnight-2013-and-change. We talked about the strong female-led legacy of this film, in the decade or so since its release, and this article covers just that: www.theguardian.com/film/2018/nov/02/ten-years-of-twilight-the-extraordinary-feminist-legacy-of-the-panned-vampire-saga. Finally, it seems appropriate, as we're moving towards the end of our focus on this genre, to include this article: www.collider.com/best-vampire-movies.

Welcome to another edition of the Failed Critics podcast. This week, hosts Steve Norman and Owen Hughes are joined by Paul Field (making his first appearance since the Corridor of Praise: Danny Dyer episode) and Phil Sharman, one third of the award nominated comedy podcast Wikishuffle. On top of the news about Danny Boyle confirming production will begin on Trainspotting 2, there are two new release films reviewed by the team this week; Nima Nourizadeh's stoner comedy American Ultra, starring Jesse Eisenberg and Kristen Stewart, and the Statham-less Statham-vehicle Transp4ter (...no? AKA The Transporter Refueled.) As well as the new releases, Owen discusses the documentary Welcome to Leith (which is screening this week at the Cambridge Film Festival) with Paul, who also reviews Fort Tilden. Phil rewatches a recent favourite in The Adjustment Bureau and Steve follows up on a discussion from last week's FrightFest summary by checking out Australian pre-post-apocalyptic thriller These Final Hours. Fans of... See acast.com/privacy for privacy and opt-out information.

Un petit épisode hors-série (de près de 3 heures tout de même) pour vous parler des films vus en aout 2015, en incluant la dernière Palme d'Or en date ainsi que Les 4 Fantastiques qui ne méritait pas d'épisode entier...Donc au programme, et sans spoiler, figurent les films suivants : Ted 2 de Seth McFarlane (à partir de 0h02m30) Agents Très Spéciaux : Code UNCLE de Guy Ritchie (à partir de 0h14m45) Antigang de Benjamin Rocher (à partir de 0h16m35) Crazy Amy de Judd Apatow (à partir de 0h23m10) Dheepan de Jacques Audiard (à partir de 0h25m50) We Are Your Friends de Max Joseph (à partir de 0h42m25) Le Tout Nouveau Testament de Jaco Van Dormael (à partir de 0h47m05) American Ultra de Nima Nourizadeh (à partir de 0h55m35) Les 4 Fantastiques de Josh Trank (à partir de 1h08m05)Puis après le signal sonore (à 2h00m40 d'émission), nous continuons la discussion sur Les 4 Fantastiques avec spoilers, ainsi que sur American Ultra tout en fin d'émission (à partir de 2h29m40).Bonne écoute, et n'hésitez pas à venir nourrir le débat sur American Ultra (parce qu'on se doute de votre avis sur Les 4 Fantastiques) !Crédits musicaux : Thunderstruck (live) par AC/DC, issu de l'album Live (1992)

This week on FILM SCHLUBS, Brian and Dylan review AMERICAN ULTRA, directed by Nima Nourizadeh and written by Max Landis.   Enjoy our show? Please rate/review the show on iTunes and we'll thank you personally on our next show.   Show Notes / Timestamps   AMERICAN ULTRA - Non-Spoiler Review: 1:13:15 AMERICAN ULTRA - Spoiler Review: 1:31:30 Weekend Box Office: 1:48 - 6:22 News/Trailer Talk: 6:23 - 33:20 What We Watched This Week: 33:21 - 1:07:06 Suggestions of the Week: 1:07:07 - 1:13:14   What We Watched This Week   Dylan: The One I Love, The Broken Circle Breakdown, Welcome to Me, 6 Years, I Am Chris Farley, Blunt Talk, Show Me a Hero, UnrealBrian: Mr. Robot, Humans, Review, Tyrant, Ballers, Review, Starz's Power, Pleasantville   Suggestions of the Week   Dylan: HE GOT GAME (Available on iTunes, VUDU)   Brian: LES REVENANTS (Available on Netflix)   Box Office Showdown Winner   Brian Davids   Contact Information   Follow Film Schlubs on Twitter - @FilmSchlubsFollow Brian Davids on Twitter - @BDF331Email Film Schlubs - FilmSchlubs@gmail.com

Andrew and Frank have gotten old. In this episode, they discuss why Project X is irresponsible filmmaking at its worst, and how it sets Western culture back a few decades. At what point should consequences matter? How obligated are the filmmakers to promote healthy values? And when will you get off Andrew and Frank's lawn? SHOW NOTES: 0:22 - Intro and clip 2:24 - Ethically unsettling compared to other "party movies" 11:35 - "Real" events with no real consequences, what we see vs. what we don't see 16:00 - A single change that could have made it a brilliant film 21:00 - In the shadow of Occupy 24:10 - Offensive, backwards humor 20:55 - Unique imagery, or just standard superhero visuals? 25:22 - Disliking a film for its messages 29:06 - The quest for sex 30:35 - Fantasy masked as reality, supermodel teens 34:35 - Reboot This! 43:16 - Show close DON'T FORGET: You can contact the show by emailing cinemafix@filmgeekradio.com. Thanks for listening!

Andrew and Frank give their general impression of the Todd Phillips-produced Project X. Is this party a winner, or just plain lame? Tune in to find out. SHOW NOTES: 0:22 - Intro and clip 4:55 - General thoughts 14:54 - Show close DON'T FORGET: You can contact the show by emailing cinemafix@filmgeekradio.com. Thanks for listening!