Podcast appearances and mentions of Tony Kaye

Some legacies must end. This week Jack and Corey are joined by actor Tory Devon Smith (The Five-Star Weekend, The Baldwin Archives) to talk Tony Kaye's haunting and controversial drama AMERICAN HISTORY X (1998)! The three talk films about racism, acting in a crop top, basketball scenes in movies that are not about basketball, behind the scene's controversies, Edward Norton's workout routine, Edward Furlong's divisive performance, Anne Dudley's gorgeous score, Alan Smithee, actors directing actors, Guy Tory's sparkling performance, awkward dinner table conversations, the influence of Spike Lee, and alternate endings.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Yessounds steps into a calmer space this week with Episode 056: Natural World, a full journey through the atmospheric, meditative side of the Yes universe. Our Featured Album is Rick Wakeman's The Natural World Trilogy (1999), a three‑part exploration of nature, texture, and quiet emotional landscapes.Along the way we visit the softer corners of the Yes family tree — Jon Anderson's Angels Embrace, Steve Howe's reflective pieces, Oliver Wakeman's spiritual instrumentals, Tony Kaye's cinematic work, Tom Brislin's ambient sketches, and even a rare New Age‑leaning moment from Bill Bruford with Michiel Borstlap.Settle in and enjoy the quiet side of Yes. Myo Maya – Jon Anderson (Angels Embrace) The Pond Skater – Rick Wakeman (The Natural World Trilogy) The 3rd Of March – Steve Howe (Time) Self-Contained – Peter Banks (The Self-Contained Trilogy, Disc 2: Self-Contained) Where Angels Walk – Oliver Wakeman Feat. Steve Howe (Purification by Sound) Birding Symphonica Tree – Jon Anderson (EarthMotherEarth – Special Edition) The Salamander – Rick Wakeman (The Natural World Trilogy) Predawn – Tom Brislin (Hurry Up and Smell the Roses) Seraphim – Paul Sutin & Steve Howe (Seraphim) Homecoming – Tony Kaye (End Of Innocence) Midnight Cello – Jon Anderson (Angels Embrace) Pacific Paradise – Rick Wakeman (The Natural World Trilogy) Low Tide, Camber Sands – Michiel Borstlap, Bill Bruford (In Two Minds) Visitor – Tom Brislin (Hurry Up and Smell the Roses) Mono Lake – Rick Wakeman (The Natural World Trilogy) Rite of Passage – ‘Reflections' Too – Patrick Moraz (Windows of Time) Video Star – Geoff Downes (The Best Of The 01/W) The Alpine Snowbell – Rick Wakeman (The Natural World Trilogy) Marching Into a Bottle – Alan White (Ramshackled) Soft Caress – Steve Howe (Guitar Plus) Heroes – Tony Kaye (End Of Innocence) The Desert Lizard – Rick Wakeman (The Natural World Trilogy) Angels Embrace – Jon Anderson (Angels Embrace) Twelve Rays of Light – Oliver Wakeman (Divine Harmonies – Enlightenment & Inspiration) The Spider Crab – Rick Wakeman (The Natural World Trilogy)

Benvenuti in America. La terra delle opportunità. Una nazione che dietro la sua copertina luminosa e trionfante, c'è tanta oscurità.Il Cinema ha saputo mostrare il lato più tetro e "scomodo" degli USA con film provocatori, lugubri e talvolta crudi. Perché quindi non riscoprirli?Dodici anni dopo "American History X", Tony Kaye torna a parlare degli orrori che ci circondano quotidianamente e stavolta punta a uno degli ambienti più sensibili della nostra società.In "Detachment" la scuola non è un rifugio ma piuttosto un luogo in cui a regnare è il distacco.

Benvenuti in America. La terra delle opportunità. Una nazione che dietro la sua copertina luminosa e trionfante, c'è tanta oscurità.Il Cinema ha saputo mostrare il lato più tetro e "scomodo" degli USA con film provocatori, lugubri e talvolta crudi. Perché quindi non riscoprirli?Viviamo in un'epoca storica in cui si parla tanto di un possibile ritorno del fascimo di là o del nazismo di qua. Ma forse la verità è molto più semplice e per questo ancora più spaventosa."American History X" è un film che cerca di parlare proprio di questo. Esiste un'origine dietro l'Odio? O forse la comprensione di un simile sentimento (o forse un morbo) è una battaglia persa in partenza?

Welcome to Yessounds Episode 046: “Ruin & Renewal.” This week we spotlight the 20th Anniversary Edition of Oliver Wakeman's Mother's Ruin, exploring its history, its lineup, and why this rerelease is such a welcome return. Along the way we feature classic Yes, solo projects, collaborations, and deep cuts from across the Yes universe. Thanks for listening, and don't forget to rate, follow, and leave a comment to help the show grow. 1. “Walk Away” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition)2. “Beginnings” – Steve Howe (Beginnings)3. “Nothing to Lose” – U.K. (U.K.)4. “Atom Smashing (feat. John Etheridge, Tony Kaye & Chad Wackerman)” – The Fusion Syndicate (The Fusion Syndicate)5. “I Don't Believe in Angels” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition) 6. “Don't Come Running” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition)7. “I've Seen All Good People” – Yes (The Yes Album)8. “The Tunnel” – Rick Wakeman (Journey to the Centre of the Earth – 2014)9. “Golden Light” – Anderson/Stolt (Invention of Knowledge)10. “Calling For You” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition) 11. “Somehow, Someday” – Yes (Open Your Eyes)12. “Aquarius” – Rick Wakeman (Zodiaque)13. “Fountain” – Badger (One Live Badger)14. “Crack In The Sky” – Stick Men (Midori – Live in Tokyo 2015)15. “Toe The Line” – GTR (GTR) 16. “Mother's Ruin” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition)17. “Crossing Over” – Dennis Haklar w/ Jon Anderson (Lizard's Tale)18. “Don't Kill the Whale” – Yes (Live at Glastonbury Festival 2003)19. “Hold On To Me” – Trevor Rabin (Can't Look Away)20. “To the Moment” – Yes (From A Page)21. “Wall of Water” – Oliver Wakeman (Mother's Ruin – 20th Anniversary Edition)

Agentic AI Goes Enterprise: NVIDIA's NeMo-CLAW, Small Local Models, and a Secure Alternative with Raccoon GPT. (https://raccoongpt.ca) Hashtag Trending would like to thank Meter for their support in bringing you this podcast. Meter delivers a complete networking stack, wired, wireless and cellular in one integrated solution that's built for performance and scale. You can find them at Meter.com/htt On Project Synapse, Jim Love, Marcel G, John Pinard, and guest Tony Kaye from Raccoon GPT  discuss a week of major AI developments, including: Jensen Huang's keynote highlighting NVIDIA's NeMo-CLAW security layer and an enterprise-focused, more secure approach to agent tools like Open CLAW.  They explore why agentic AI matters—moving from chat to automated actions—along with the risks of insecurity and shadow AI. The panel also covers the emergence of smaller models intended to run locally for secure workflows, Andrej Karpathy's auto-research self-learning experiment showing an 11% improvement, and Jim's week-long build of "Nexus," a personal secure agent with memory, journaling, Telegram and web access, voice via Whisper, digests, and a dashboard. Tony explains Raccoon GPT's Canada-based, privacy-first architecture for regulated organizations. 00:00 Show Intro Sponsor 00:18 Meet Tony K 00:57 Lightning Round Setup 01:51 Nvidia Nemo Claw 04:10 Why Agents Matter 05:36 Security And Shadow AI 12:04 Small Local Models 13:35 Open Source Model Shift 19:19 Self Learning Breakthroughs 26:07 Marcel Builds Nexus 34:01 Cutting Telegram Costs 34:58 Nexus Personal Workflow 37:24 Open Source Chaos 40:12 Raccoon Secure AI 46:34 Data Privacy Reality 50:30 Enterprise Agent Foundations 51:38 Models Architecture Costs 56:27 Sovereignty and Control 01:02:02 Agents Remake the Web 01:06:01 Wrap Up and Sponsor

Jay Schellen has been with Yes for almost a decade though he didn't become the full-time drummer until the passing of Alan White after 50 years in the band in 2022. As Yes are taking their Fragile Tour to the UK this April (and we covered the tour on episode 263, beware of setlist spoilers), we sat down with Jay to learn more about his long career, journey to Yes and the band's future. Jay grew up in New Mexico and developed an early love of music and drumming. At a young age he moved to LA and immediately connected with Yes alum Tony Kaye who became a mentor, brother and friend to Jay. From there he worked with many bands and artists like Peter Banks (Yes), Billy Sherwood (Circa, Yes) and Geoff Downes (Buggles, Asia, Yes). Once he made his way into the orbit of Yes, it was a no brainer for him to fill in when Alan White was unavailable, to share the stage with Alan and eventually be hand-picked as his successor. We talk about Jay's amazing career, the fun of playing Fragile in its entirety, their upcoming tour of the UK & Europe this spring, new music coming from Yes this year and a return to Japan and the US. Visit ⁠yesworld.com⁠ for tickets and updates on Jay and Yes. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Billy Sherwood discusses the upcoming YES UK tour featuring the complete Fragile album. He traces his path from drummer to bassist, learning the instrument by playing along to YES records, and development in groups Lodgic and World Trade. Sherwood details his first collaboration with Chris Squire in 1989, writing ‘The More We Live – Let Go,’ and his refusal to become YES’s lead singer during the Union era. The conversation centres on Squire’s final weeks, and Squire making Sherwood promise to stay with YES and keep the band moving forward. He also reflects on his extensive tribute album work, and YES’s current recording process for albums The Quest and Mirror to the Sky. Further information yesworld.com billysherwood.com Billy Sherwood podcast tracks Podcasts also available: Steve Howe (2025), Steve Howe (2023), Steve Howe (2019), Bill Bruford, Alan White, Trevor Horn, Geoff Downes, Tony Kaye, Rick Wakeman, Chester Thompson, Colin Moulding – part 2 This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Billy Sherwood – YES appeared first on The Strange Brew .

Jay Schellen has been with Yes for almost a decade though he didn't become the full-time drummer until the passing of Alan White after 50 years in the band in 2022. As Yes are taking their Fragile Tour to the UK this April (and we covered the tour on episode 263, beware of setlist spoilers), we sat down with Jay to learn more about his long career, journey to Yes and the band's future. Jay grew up in New Mexico and developed an early love of music and drumming. At a young age he moved to LA and immediately connected with Yes alum Tony Kaye who became a mentor, brother and friend to Jay. From there he worked with many bands and artists like Peter Banks (Yes), Billy Sherwood (Circa, Yes) and Geoff Downes (Buggles, Asia, Yes). Once he made his way into the orbit of Yes, it was a no brainer for him to fill in when Alan White was unavailable, to share the stage with Alan and eventually be hand-picked as his successor. We talk about Jay's amazing career, the fun of playing Fragile in its entirety, their upcoming tour of the UK & Europe this spring, new music coming from Yes this year and a return to Japan and the US. Visit yesworld.com for tickets and updates on Jay and Yes. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan and Steven discuss The Yes Album on the 55th anniversary of its release! The third Yes album overall, this was the first to feature Steve Howe as the guitarist, and also the end of their three-album run with Tony Kaye as the keyboardist, long before his eventual return. Where does this album rank for you? We'll be reading some fan comments as well!

“Has anything you've done made your life better?” Join Ian, Liam, Megs & Kev for our 317th episode as we confront anger, ideology, consequence, and redemption in Tony Kaye's incendiary and unforgettable American History X (1998). This week, we're also joined by BFF of the BFE: Hermes Auslander, and — in a huge moment for the podcast — we sit down for a special interview with director Tony Kaye himself. This one is heavy. Necessary. Complicated. This week we discuss: Edward Norton's blistering performance — charismatic, terrifying, magnetic. Is this one of the great transformations of the 1990s? The black-and-white vs colour structure — memory, myth, and moral framing. How does the visual language shape our understanding of Derek's journey? The film's central question — can hate be unlearned, and if so, what does it cost? Hermes joins us to unpack the film's cultural and political legacy — why it still resonates, and why it remains controversial. The prison sequence — brutal, pivotal, and narratively dangerous. Does the film handle trauma responsibly? We examine the fine line between depiction and endorsement — does the film risk glamorising the ideology it condemns? The ending — inevitable, devastating, and still capable of knocking the wind out of an audience. What does it ultimately say about cycles of violence? Our special interview with Tony Kaye — reflections on authorship, conflict over the final cut, working with Edward Norton, and how he views the film now, decades later. The legacy question — has the film aged well? Has it been misunderstood? Has it been weaponised? And finally, whether American History X is the Best Film Ever — or one of the most important and confronting films we've ever covered. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Pat welcomes Detective drummer Jon Hyde to the Zoom Room to discuss his career in music and promote the re-release of Detective's sophomore album "It Takes One To Know One."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dan and Steven are back with the first Yesshift episode of the year! And what a great way to begin 2026, as it is the 80th birthday of original Yes keyboardist Tony Kaye! Hear us talk about his career, favorites (including comments from fans), and a game of Take It or Leave It!

SPÉCIALE BEATLES PROG COVERS !  Pour ce premier numéro de 2026 en direct et dès le 1er jour de l'année, il nous fallait bien quelque chose de spécial....Alors mes grandes oreilles se sont tournées vers les fab four, ce petit groupe anglais, fervent admirateur du rock américain des 50's, y ajoutant au cours de sa (finalement courte) carrière sa patte et son incroyable inventivité, versant dans le psychédélisme pour devenir à son tour inspirant pour bon nombre de musiciens de générations à venir et l'un des acteurs préfigurant la musique progressive....Et puis juste parce que je suis fan !

Yessounds Episode 28:A tribute to Tony Kaye's End of Innocence, woven with classic Yes cuts, solo gems, and a Whisker Shuffle surprise. Featuring Steve Howe, Trevor Rabin, Jon Anderson, Billy Sherwood, and more—this episode blends reflection, resilience, and radiant prog energy.Episode 28 Track List1. 911 Overture – Tony Kaye (End of Innocence)2. Astral Traveler – Yes (Time and a Word)3. Beginnings – Steve Howe (Beginnings)4. Together We Are – Billy Sherwood & Tony Kaye (Together We Are – Live in Japan)5. 285 Fulton Street – Tony Kaye (End of Innocence)6. Let's Roll – Tony Kaye (End of Innocence)7. The Only Thing I Need – 4Him (feat. Jon Anderson) (Streams)8. Changes – Yes (Union 30 Live: Alpine Valley Music Theatre, East Troy, Wisconsin – 26 July 1991)9. Mood for a Day – Steve Howe (Motif Vol. 2)10. Flight 11 – Tony Kaye (End of Innocence)11. Change We Must – Laura Casale (Laura Casale)12. Wind of Change – Badger (One Live Badger)13. Through the Tunnel – Trevor Rabin (Jacaranda)14. Sweetest Dreams – Tony Kaye (End of Innocence) The Whisker Shuffle  It's on Fire – Jon Anderson (In the City of Angels) Loyal – White (White) Rendezvous 6:02 – John Wetton (Akustika: Live in America) Age of the Atom – Billy Sherwood (Citizen)  19. Let the Song Begin – King Friday (feat. Oliver Wakeman) (Let the Song Begin) 20. Hope and Triumph – Tony Kaye (End of Innocence) 21. The Battle – Tony Kaye (End of Innocence)22. NYC Blues - Tony Kaye (End of Innocence)

Neo-Nazi Family Drama: Tony Kaye's American History X Some films simply don't age well. With the passing years the problems of a narrative can become glaring. Such is the case with Tony Kaye's American History X (1998). A difficult subject that would have been better served with a revised script and a stronger director, American History X  suffers from a forced and simplistic narrative. Good performances and interesting cinematography (by director Kaye) are simply not enough to overcome a story that my partner dismsses as "after-school special". Although this film is widely admired in some circles, your favorite movie podcasters are less than impressed. Take a listen as we break down the problems this film carries. It's an interesting conversation; continuing our look at a collapsing and disintegrating America. As always we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Brennan Brown is a stage and screen actor known for portraying complex and multifaceted characters. After graduating from Yale School of Drama, he landed roles on Broadway in revivals of Shaw's Major Barbara, and Stoppard's The Real Inspector Hound and The Fifteen Minute Hamlet, and in leading theatres throughout America. On screen Brennan has worked with such visionary directors including Tim Hooper on HBO's “John Adams”, John Requa and Glenn Ficarra on both of their films, I Love You Phillip Morris, and Focus, State of Play (dir. Kevin Macdonald), Detachment (dir. Tony Kaye), Midway (dir. Roland Emmerich), The Wolf Hour, and Not Okay. He has appeared in dozens of primetime shows most notably as antique dealer Robert Childan on the acclaimed Amazon series “The Man in the High Castle”, Edward Biben on "Mozart in the Jungle", Agent Donnelly on "Person of Interest", and for the past ten seasons as Dr. Sam Abrams on "Chicago Med". He also appears in the upcoming Netflix series “The Beast In Me”. Other appearances on long running shows including ”Madam Secretary","Elementary","The Blacklist",“Damages",“Bull”, "Ugly Betty","The Good Wife”, "Breaking Bad” and others. We chat about being an introvert, flow state, his medallion on circle cinemas walk of fame, moving around a lot as child, sobriety, auditioning, the Man in the High Castle, Chicago Med, perfectionism and wanting to get it ‘right', unlearning, meditation + plenty more! Check Brennan out on: Instagram: https://www.instagram.com/thebrennanbrown ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week, Mark and I returned to the show to talk about the Yes classic album, 90125 from 1983. It is clearly, we believe, a great album but what makes it a great Yes album? It wasn't originally going to be a Yes album at all and only became one at the last possible moment when Jon Anderson arrived on the scene. The band Cinema, consisting of Tony Kaye, Alan White, Trevor Rabin and Chris Squire had basically finished the record with Trevor Horn but, as you can read in full detail in Stephen Lambe's excellent book about the album, there were several reasons that band was ultimately replaced by the name and the aura of Yes. What do you think Mark and I came up with for our 6 reasons and would you have chosen the same features? Let us know in the show notes for this week's episode. Is this a real Yes album? What makes it great? Who makes it great? My 90125 and 9012Live collection 90125 Singles https://youtube.com/playlist?list=OLAK5uy_nW0C1j_RpvQypX6RHJzN_zSxeDZ7ilOQA&si=UD2mb8Bxeqq6bHl4 Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron!

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week, Mark and I enjoyed coming up with 6 reasons why the band's third record, The Yes Album, is a great Yes album. As I'm sure you know, this was Steve Howe's first album with Yes and also Tony Kaye's last. It is correctly viewed by many fans, critics and Steve Howe himself as the first Yes masterpiece. Clearly, we could have found dozens of reasons why this is a great Yes album but that would have left less room for you to be involved. So please do add your reasons in the comments below. What do you think we chose? Is this album the start of the progressive sound of Yes? Was the success of the album all down to the musicians? Let us know if you agree with us! https://youtu.be/1fUudna1Xuw?si=tk5dHyQskjh4_LmY Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron!

Hey everybody. This week we are discussing Tony Kaye and David McKenna's American History X. Listen as we breakdown this tragic story of how hate and anger can infect and destroy your life and finding the path to break the cycle. Enjoy!

La opera prima de Tony Kaye donde Edward Norton se lleva todos los aplausos y caso 30 años después vuelve a cobrar valor. Charlamos un rato sobre American History X en un nuevo clásico del cine Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

To celebrate Billy Sherwood's 60th birthday, we take a dip into the chronology of one of the bands he's been in, CIRCA: Every lineup has featured Billy Sherwood and Tony Kaye, and other faces involved over the years include Alan White, Jimmy Haun, Jay Schellen, Johnny Bruhns, Ronnie Ciago, Scott Connor, and Rick Tierney. Hear what we have to say about the history and the music.

Ronnie Ciago joined us for an interview! Drummer, drum instructor, clinician, author, vocalist, songwriter, and producer, he's worked with a LOT of people! In the Yes sphere, he has performed with Patrick Moraz at the Baked Potato and the Musicians Institute in 1996, on a cover of "Los Endos" from 1998's The Fox Lies Down on Broadway - A Tribute to Genesis, and the track "One Day in June" which ended up on Moraz's solo album Change of Space. And in 2011, he was part of a lineup of Circa: that also included Johnny Bruhns, Tony Kaye, and Billy Sherwood. Beyond all that, he has also worked with the likes of Jeff Berlin, Robert Downey Jr., Mick Taylor, Bill Ward, and more! During the interview, there were internet issues, but we were able to get him back on as the broadcast progressed.

This week Gary and Iain review and discuss, American History X (1998) by Director, Tony Kaye. Starring, Edward Norton, Edward Furlong and Beverly D'Angelo. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

On this episode of The Film Situation, we sit down with gaffer-turned-DP Tom Chaves to discuss his 15-year journey in the industry, the challenges of transitioning from lighting to camera, and the harsh realities of being pigeonholed in the film business. Tom shares insights on AI's growing impact on cinematography, the evolving landscape of indie filmmaking, and his own experiences working on everything from music videos to micro-budget features to high-end commercial gigs. We also dive into his deep love for cinema and discuss scenes from the Brazilian film CITY OF GOD and Tony Kaye's AMERICAN HISTORY X. Hosted by Zef Cota

Guitarist Johnny Bruhns joins us for an interview! We'll be talking a bit about a recent album he played on titled Tempus Sidereum II, as well as his history with Yes music and Yes members! He used to be in Yes tribute band Roundabout with Jon Davison, rehearsed with Yes in 2008 as they waited for Steve Howe to join the In The Present Tour rehearsals, played with Tony Kaye and Billy Sherwood in both Yoso and Circa, was chosen by Chris Squire to play guitars when Chris was presented with the Lifetime Achievement Award at Bass Player Live in 2012, played with Awaken: The Yes Music Experience, and has played with Yes tribute band Total Mass Retain. Join us as Johnny gives an update on how he's been doing, and sheds light on the future of TMR.

Dan and Steven go live with the first Yesshift episode of the year, and also the first Yesshift News Desk Edition of the year. Off the top, we acknowledge the passing of Peter Banks' Flash bandmate Colin Carter. We also give January birthday shout-outs to Tony Kaye, Trevor Rabin, and Jon Davison. And the news items include how you can get involved in a Chris Welch Q&A we're hosting via www.DrumTalkTVBrilliance.com , a new set of tour dates for Jon Anderson & The Band Geeks (which includes changes in the personnel), and some upcoming releases pertaining to Yes, Yes members, and prog rock.

Yes had achieved chart success in the U.S. beginning with their third LP, The Yes Album. Original keyboard player Tony Kaye would be let go after that album, with former Strawbs keyboard player Rick Wakeman joining in mid-1971. Both the albums Fragile and Close to the Edge would be considered both fan and critical favorites, with a successful tour a triple-album live album and concert film in Yessongs. However, during that tour drummer Bill Bruford left for King Crimson and was replaced by Alan White, and Jon Anderson and Steve Howe began working on new music that would become one of the band's most controversial albums - Tales from Topographic Oceans.

90125 es el undécimo álbum de estudio de la banda británica de rock progresivo Yes, editado en 1983 por Atco Records. Fue el primer álbum desde Drama, de 1980, y marcó el ingreso del guitarrista sudafricano Trevor Rabin, así como el regreso de Jon Anderson, y del tecladista Tony Kaye, cuya última participación en la banda había sido en 1971 con The Yes Album. El título del disco proviene del Nº de catálogo internacional con que Atco Records publicaría al álbum en la mayoría de los países El sencillo "Owner of a Lonely Heart" representó el primer -y único- hit single de Yes en llegar al Nº 1 en las listas de los EE. UU. El éxito del sencillo empujó al LP al top 5 de la lista de álbumes, espaldarazo que llevó a 90125 al triple platino: sólo en Estados Unidos vendió 3 millones de copias, siendo el disco comercialmente más exitoso de la banda por lejos.

In Production: Tales from Topographic OceansListening guide YesBooks.com Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller We spoke to publisher and Yes author Stephen Lambe this week about his (relatively) recent book Rock Classics - Yes 90125. The book delves deeply into the story of the 1983 album that became Yes' best selling record of all time and saw the rebirth of the band after the events following the Drama tour. It could all have been very different if Trevor Rabin, Chris Squire, Tony Kaye and Alan White had stuck with their original plans of creating a much more stadium rock orientated band called Cinema. Stephen Lambe helps us to discover the unsung hero of the album's creation and the man who was responsible for bringing Jon Anderson back into the fold. Listen out for that later on in the episode and get hold of a copy of Stephen's book at Burning Shed or your favourite retailer. Who is the unsung hero of 90125? Did the members of Cinema want it to morph into Yes? What are the keys to the longevity of the album? Let us know if you agree with us! There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert

The gang bites the curb this week as they review the hard-to-watch but meaningful film, American History X. Anyone who has seen this movie can usually pick out 2-3 very hard to watch scenes that are burned into their heads forever. It's not for the faint of heart, but for a purpose. One of the more impactful films, in the likes of Come and See, or Requiem For a Dream, where many times the viewer is a different person after watching the film. Watch along if you dare, then listen to the guys give their review of Tyler's pick from the Wheel of DestinyVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/VQdlDE0PKJwhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenJoseph Navarro     Pete Abeyta  and Tyler Noe

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 2:53 "Déjame entrar” (2008) de Thomas Alfredson - https://amzn.to/3YHDNvI 20:39 "Nefarious" (2022) de Chuck Konzelman - https://amzn.to/3Au5iPl 33:58 «American History X» (1998) de Tony Kaye - https://amzn.to/4dwh8XJ Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #americanhistory #nefarious Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hey there!

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Brad Birzer. Brad is the Russell Amos Kirk Chair in American Studies and Professor of History at Hillsdale College. He is also the co-founder of and Senior Contributor at The Imaginative Conservative, and the author of a number of books, including Neil Peart: Cultural (Re)Percussions. Find him online at bradbirzer.com or @bradleybirzer on Twitter.Brad's Music Pick: YesTell the moon dog, tell the march hare! We take you close to the edge of the south side of the sky this week as we discuss the early adventures of Britain's answer to all the questions raised by hippies during the Seventies, the New Age of Atlantic: Yes. Yes were one of the pillars of British progressive rock music, but also (perhaps surprisingly) a major commercial success in America long before their peers. They were also a truly singular band during their lengthy heyday; the band underwent endless lineup changes as personalities clashed and artistic visions ran amok, and yet they have always sounded like themselves and nobody else successfully has.Starting with local janitor Jon Anderson on countertenor vocals, Pete Banks on Hendrixian guitar, Tony Kaye on groovy late-Sixties B3 organ, fussily precise jazz drummer Bill Bruford keeping time, and Chris Squire playing a bass so aggressive it intimidates people into crossing to the other side of the street, Yes exploded out of London's club-gigging scene after drawing inspiration from watching a newly born King Crimson play the circuit. Their early style mixed originals -- first halting, then increasingly assured -- with spectacularly imaginative covers of everything from West Side Story to Buffalo Springfield and Simon & Garfunkel. But as Banks was jettisoned for Steve Howe, and then Tony Kaye traded in for Rick Wakeman, Yes ascended from a series of records beginning with The Yes Album and Fragile (1971) to superstardom, with all that entailed: sidelong songs, triple live albums, and extended soaks in the topographic oceans. All set to some of the most inscrutable lyrics but gorgeous music written during the decade.So turn on your lava lamp and get ready to call over valleys of endless seas as you and I climb crossing the shape of the morning -- it's time to sink into a elevated musical fantasy world created by Yes during this, the first part of their career. We take the story up through Tales from Topographic Oceans (1973); next time around, we'll get a relayer to go for the one without too much drama, but for now click play and enjoy the sound of perpetual change. 

Join us as we celebrate the 30th anniversary of the Yes album TALK! This was the last album to feature the lineup of Jon Anderson, Tony Kaye, Trevor Rabin, Chris Squire, and Alan White. Released 1994, it was produced with newer innovative technology of the time. Share your memories of this album! And check out Steven's review of the album from a while back: https://vocal.media/beat/talk-dancing-in-the-new-design --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

My career in advertising, putting my voice in Mattel commercials, yo quiero Taco Bell, working with pros and idiots, don't fuck with Jack Palance, epic dinners, Zack Snyder and dog shit, Tony Kaye and weird shit, the dreamboat Amy Smart, editing with Lou Barlow and Royal fucking Trux, the amazing Videodrome, and a tribute to the editor and great guy Eric Z. Stuff mentioned: Super Mario Bros. (1993), Max Headroom: 20 Minutes into the Future (1985), The Taking of Beverly Hills (1991), D.O.A. (1988), City Slickers (1991), D.O.A (1950), Jack Palance tirade (https://www.youtube.com/watch?v=dkAPvH4epMI), Metric Live it Out (2005), Metric "Combat Baby" (2003), Metric Old World Underground, Where Are You Now? (2003), The Apprentice (2004-2017), American History X (1998), Just Friends (2005), Van Wilder (2002), Sugarcult "Bouncing Off the Walls" (2000 https://www.youtube.com/watch?v=CMJUy_HN-00), Sebadoh "Flame" (1999 https://www.youtube.com/watch?v=expcmtqTyC4), Royal Trux Live at Gettysburg (1997 https://www.youtube.com/watch?v=cUd-dyPugZ4), Royal Trux Accelerator commercial (1998 https://www.youtube.com/watch?v=hrnERAMXbLk), Royal Trux "Call Out the Lions" (2000), Royal Trux Pound for Pound (2000), Videodrome (1983), Beastie Boys "Sabotage" (1994), Weezer "Buddy Holly" (1994), Beastie Boys "Fight For Your Right" (1986), Being John Malkovich (1999), Adaptation (2002), Polvo Exploded Drawing (1996), Polvo "When Will You Die for the Last Time in My Dreams" (1996), and Electric Light Orchestra "Mr. Blue Sky" (1977). 

Join Denny as he shares a comprehensive look at the early years of the #1 progressive rock band, taken from his extensive collection of vintage audio. You'll hear Chris Squire, Jon Anderson, Rick Wakeman, Tony Kaye, Peter Banks, Bill Bruford, Alan White, Steve Howe, Trevor Rabin, Patrick Moraz, Geoff Downes, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven went live to celebrate founding Yes keyboarist Tony Kaye's birthday and read fans' favorite Tony Kaye moments from each of the first three Yes albums: Yes, Time and a Word, and The Yes Album! Dan sent in his favorites as well, which Steven read. Tune in and celebrate Tony Kaye today! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

David Cross joins us for an interview! The David Cross Band has an album out titled Ice Blue, Silver Sky, which contains new tracks along with new versions of King Crimson classics "Exiles" and "Starless." And as far as Yes connections go, Cross worked with Bill Bruford in King Crimson and also collaborated with Peter Banks on recordings later released as an album titled Crossover, which also featured Geoff Downes, Tony Kaye, Jay Schellen, Billy Sherwood, and Oliver Wakeman! Find Cross' music here: https://www.cherryred.co.uk/artist/david-cross/ Cruise to the Edge snippets from here: https://youtu.be/6pN-9WPnt7g https://youtu.be/JUBykahveTc 00:00 - Intro 00:45 - Ice Blue, Silver Sky 04:30 - Choosing the title 08:45 - Are albums a collaboration between musicians and listeners? 12:25 - Cruise to the Edge memories 15:18 - Cruise to the Edge clip 17:15 - 50 years of King Crimson music 22:15 - Equipment on '74 Crimson tours 23:58 - Any Robert Fripp anecdotes? 27:16 - What KC work are you most fond/proud of? 30:15 - John Wetton 32:45 - Crossover with Peter Banks 35:50 - Working with these Yes musicians 37:33 - Cruise to the Edge clip 38:30 - Favorite piece to work on for Ice Blue, Silver Sky? 47:06 - Touring 47:43 - Outro --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

In this latest episode of the Deep Dive spinoff, Gaius is joined by JC of @mercwiththemovies of Instagram to discuss 1998's American History X. Directed by Tony Kaye and written by David McKenna, the film stars Edward Norton and Edward Furlong as two brothers from Los Angeles who are involved in the white power skinhead and neo-Nazi movements. The older brother (Norton) serves three years in prison for voluntary manslaughter, is rehabilitated during this time, and then tries to prevent his brother (Furlong) from being idocrinated further. The supporting cast includes Fairuza Balk, Stacy Keach, Elliott Gould, Avery Brooks, Ethan Suplee and Beverly D'Angelo. Other: Where To Watch American History X Links For Guest: MercWithTheMovies Instagram

This week, we watch a film that tackles the subject of nazis in the US. Edward Norton's Academy Award nominated performance leaves us with mixed opinions, as well as the undercooked characters of everyone around him. Still, this film has a few very important points to get across (which feel frighteningly more relevant today than at the films release) and is worth watching for those alone. American History X (1998), directed by Tony Kaye.

NORTON WEEK continues!  This is of course referring to the legendary actor Edward Norton who broke out big-time with his first ever on-screen appearance in the '96 legal thriller Primal Fear which garnered him an Oscar nomination for Best Supporting Actor.  Two years later in '98, he delivered two VERY memorable performances in two VERY different movies which both left their marks on any one frequenting the cinema for years to come - these two seminal films came out just about a month apart and they would make a truly BIZARRE double feature. :) Tony Kaye (mostly before Norton took over during post, as has been reported since its release) directed a very searing portrait of two brothers Daniel and Derek Vinyard who have immersed themselves in hate and bigotry.  The older brother Derek is played by Norton in a performance which earned him an Oscar nomination for Best Actor - he becomes the leader for a Neo-Nazi gang and is eventually sent to prison after committing a brutal murder in front of their home.  His younger brother Daniel is played by Edward Furlong who eventually joins this gang after his brother is incarcerated.  The story follows the struggles of both brothers along with their mother played by Beverly D'angelo.  Other co-stars include Fairuza Balk, Elliott Gould, Stacy Keach, Ethan Suplee, Guy Torry, and Avery Brooks.WARNING: There are some racial epithets spoken by characters in this movie contained within clips from the movie included in this podcast.Host & Editor: Geoff GershonProducer: Marlene Gershon  https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

To hardcore fans of Yes, 1983's 90125 was a big departure from their progressive rock sound of the 1970s. But for the MTV generation, it was our first introduction to Yes and the immense talent within the band. Driven by new member Trevor Rabin as the guitarist, sometime lead vocalist & dominant songwriter and former lead singer Trevor Horn as producer, Yes went in a more commercial and pop direction. Anchored by the return of singer Jon Anderson, stalwart Chris Squire on bass, long time drummer Alan White and returning member Tony Kaye on keyboards, they sold more than 3 million copies in the US and were all over MTV thanks to Owner of a Lonely Heart. But what did the progressive rock Yes fans think about 90125? Was it too far a departure from their prog rock roots? Was the guitar too heavy compared to the picking of Steve Howe? UK fans didn't embrace this album like the US fans did and now Yes, led by Steve Howe who was in supergroup Asia during the recording of 90125, don't play songs from this record. Owner of a Lonely Heart hit #1 in the US but ony #28 in the UK and the rest of the videos were seen more in the US than England. We go track by track, review all the videos and talk about the politics and lineup changes that are very much a part of the legacy of Yes as 90125 turns 40 November 11, 2023. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

To hardcore fans of Yes, 1983's 90125 was a big departure from their progressive rock sound of the 1970s. But for the MTV generation, it was our first introduction to Yes and the immense talent within the band. Driven by new member Trevor Rabin as the guitarist, sometime lead vocalist & dominant songwriter and former lead singer Trevor Horn as producer, Yes went in a more commercial and pop direction. Anchored by the return of singer Jon Anderson, stalwart Chris Squire on bass, long time drummer Alan White and returning member Tony Kaye on keyboards, they sold more than 3 million copies in the US and were all over MTV thanks to Owner of a Lonely Heart. But what did the progressive rock Yes fans think about 90125? Was it too far a departure from their prog rock roots? Was the guitar too heavy compared to the picking of Steve Howe? UK fans didn't embrace this album like the US fans did and now Yes, led by Steve Howe who was in supergroup Asia during the recording of 90125, don't play songs from this record. Owner of a Lonely Heart hit #1 in the US but ony #28 in the UK and the rest of the videos were seen more in the US than England. We go track by track, review all the videos and talk about the politics and lineup changes that are very much a part of the legacy of Yes as 90125 turns 40 November 11, 2023. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Arwen Lewis welcomes Rob Bailey to the show! Rob is a Manhattan-based guitarist/vocalist/songwriter and music producer. Career highlights include studio, TV, and live concert work with pop artists Enrique Iglesias, Mandy Moore, Delta Goodrem (The Voice, AU), Broadway and off-Broadway appearances (guitar work on Billy Joel's Movin' Out and David Bowie's Lazarus), and work on hundreds of commercials and various soundtracks including campaigns for CK, Kenneth Cole, and John Varvatos. RB also maintains a private teaching practice, performs regularly in NYC with the highly touted event band Chevy and The Fam, and is currently signed to Australia's hard rock hub Golden Robot Records with the band P$$R which also features Guns ‘n Roses drummer Frank Ferrer Here is just a partial list of the artists and songwriters Rob has worked with: Aerosmith, Anastacia, Cyndi Lauper, Allen Touissant, Jive Jones, David Johansen, David Clement, Enrique Iglesias, Delta Goodrem, Mandy Moore, Blake Morgan, Jesse Malin, Jesse Galante, Maria Christensen, Lisa Lisa, John DeNicola, Peter Lewis (Moby Grape), Arwen Lewis, Russ Irwin, Tony Kaye (director) Tony Vincent (the Voice), Robert Gordon, Jaime Hartman, Ben's Brother, Mule Kick, Madysin Hatter, Erin Evermore. On INSTAGRAM - @bobbergram The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

Thanks for the shout-out Rob! Here is just a partial list of the artists and songwriters Rob has worked with: Aerosmith, Anastacia, Cyndi Lauper, Allen Touissant, Jive Jones, David Johansen, David Clement, Enrique Iglesias, Delta Goodrem, Mandy Moore, Blake Morgan, Jesse Malin, Jesse Galante, Maria Christensen, Lisa Lisa, John DeNicola, Peter Lewis (Moby Grape), Arwen Lewis, Russ Irwin, Tony Kaye (director) Tony Vincent (the Voice), Robert Gordon, Jaime Hartman, Ben's Brother, Mule Kick, Madysin Hatter, Erin Evermore. On INSTAGRAM - @bobbergram The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins linktr.ee/jeremiahdhiggins

On today's episode of the Powerful Parenting Journey podcast, Stephanie talks to Tony Kaye, a multi-faceted individual excelling in entrepreneurship, public speaking, coaching, mentoring, and NLP training. Tony Kaye's main expertise lies in empowering people to become exceptional coaches through NLP training, as evidenced by his impressive record of over 3,000 coaching certifications worldwide.Tony has two daughters who are in kindergarten, and he takes great joy in taking them to school and observing their wonderful interactions. He firmly believes that active participation in dropping off and picking up children from school plays a pivotal role in their long-term well-being.Tony delves into the intricacies of maintaining a harmonious work-life balance while building a thriving online business. He candidly shares his personal journey of prioritizing his relationship with his wife and children while growing their bakery business.He also explores the emotional motivations for sacrifice and recounts his own experience with guilt as a driving force. He sheds light on the detrimental effects of guilt as a motivator, uncovering the paradox it created in his life. He challenges the conventional notion of work-life balance and reveals that it's not just about achieving balance, but rather about effectively managing responsibilities while maintaining inner tranquility.Introducing Tony Robbins' concept of the six core needs, which include primal and spiritual aspects, Tony classifies behaviors as either functional and dysfunctional. He explores how children's dysfunctional behaviors may arise unconsciously to meet their primal needs for attention and love. In addition, he addresses the tendency of parents to seek validation through their children, which can inadvertently lead to dysfunctional behaviors. Tony emphasizes the crucial role of perspectives in understanding the underlying issues within relationships, whether between parents and children or spouses. He advises embracing the realization that our own emotions are within our control when faced with anger and frustration in parenting.Tony also expounds on his approach to managing screens in his household, introducing the concept of screen neutrality. His ultimate aim is to strike a balance where screens are not excessively relied upon and are not demonized either. He underscores the significance of the three-step communication process: telling, informing, and reminding. To exemplify its application, he offers an illustrative scenario involving screen time and daily routines.Stephanie and Tony invite listeners to engage in an enlightening conversation exploring the interconnectedness between children and the six core needs, the common experience of parental guilt among entrepreneurial parents, and the paramount importance of liberating oneself from guilt. Join them on this enriching journey!Enjoy!What You Will Learn In This Show:The importance of prioritizing family while building a successful online business.Determining the emotional motivator for sacrifice.How primal needs manifest in children. Fostering internal self-validation in our children. How to navigate both perspectives in a relationship.How consistently communicating expectations and transitions, helps children gain clarity and understanding.How Tony handles screens in his home.And so much more...Resources:Tony Kaye FacebookPowerful Parenting Dinner Questions

Andrew MacDonald's adventurous career packs as many twists and turns as a Hollywood movie. Coming from humble origins in the north of England, Andrew moved to London's Soho district to begin his career in optical effects, before getting into VFX and being lured to Hollywood to work for big VFX companies, including Digital Domain and Method. In this rollercoaster of a podcast, Andrew talks about the ups and downs of his life and the ebbs and flows of the VFX industry. He shares stories of working with directors including Tony Kaye, Terry Gilliam, and David Lynch, speaks about how taking risks — including sneaking into a Welsh party — led to career success, and ultimately reveals how he's found contentment and happiness.  

For 29+ years, Kirkland Moody has been a workhorse in the entertainment business. His breadth of experience from actor and casting associate to session director and casting director gives him a bedrock foundation for his current work with Clockwork Casting.Kirkland got his start in Orlando, Florida when he worked with Herb Mandell casting films, TV, commercials, industrials, and starting an extras company. Upon moving to Los Angeles, he stepped directly into casting with Danny Goldman for 4 years. He then helped open AKA Talent Agency as their first employee, then moved back to casting working with Beth Holmes Casting. In 2002, he went freelance working with such casting directors as Dan Bell, Lisa Fields, Cathi Carlton, RMB Casting, Shane Casting, ASG Casting, and then primarily with Francene Selkirk.During this period, he was also a casting director for a variety of films, pilots commercials and music videos, including working with James Moll on the Steven Spielberg project “Oswiecim: Auschwitz” for the Shoah Foundation, a film permanently installed at the Auschwitz Memorial.Also during this time, Kirkland was an actor in 40 commercials, so he truly understands being on both sides of the camera.As a casting associate or session director, Kirkland has worked with: The Coen Brothers, Larry Charles, Harold Einstein, Tom Kuntz, Craig Gillespie, Zach Braff, Brian Billow, Douglas Avery, Chris Smith, Mark Pellington, Rosey, Joe Pytka, Benji Weinstein, Nicolai Fuglsig, Aaron Stoller, Tony Kaye, Matt Smukler, Chris Wilcha, Brent Thomas, The Doctor Twins, Fred Goss, Trish Sie, Phil Joanou, Fred Savage, Steve Rogers, Dave Merhar, David McNally, Zach Math, Rob Pritts, Sean Ehringer, Nick Ball, Kevin Thomas, Renny Maslow, Boris Damast, Tom Routson, Ray Dillman, John Mastromonaco, Kinka Usher, Roger Donaldson, Mark Romanek, Brad Parker, Alan White, Marcus McCollum, David Kellogg, Lisa Rubisch , Paul Dektor, Sam Jones and Henry Winkler.Follow us on instagram @slateitpod.

Yes keyboardist and Rock and Roll Hall of Famer Tony Kaye returns to the show to discuss the making of Yes's 1987 album Big Generator. The band was not in a good place when producer Trevor Horn brought them together for the 90125 album. Because that album was such a surprise hit, the team came back together for the follow up, only to have more dysfunction and infighting. Surprisingly, with hits like "Rhythm of Love" and "Love Will Find a Way", the album became another hit almost in spite of itself. Tony recounts all the ups and downs, songs he co-wrote, tension with Trevor Horn, and much more. Fascinating story for an excellent album that's sometimes overlooked by its predecessor. Enjoy!  www.patreon.com/thehustlepod