Record label
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15 episodes with Mercury Records
6 episodes with Mercury Records
3 episodes with Mercury Records
4 episodes with Mercury Records
6 episodes with Mercury Records
4 episodes with Mercury Records
4 episodes with Mercury Records
5 episodes with Mercury Records
4 episodes with Mercury Records
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu break down one of the simplest but most powerful tools in every engineer's arsenal: high-pass and low-pass filters. From functional cleanup and frequency management to shaping emotion, depth, and energy, filters are far more than just technical necessities — they're creative tools that shape the feel of a track. The guys discuss where filters should be used, where they're often abused, and how they use them to sculpt tone, add movement, and guide listener focus. Whether you're cleaning up mud or automating your way to a more emotional mix, this episode will leave you hearing HPFs and LPFs in a whole new way.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive deep into the relationship between self-esteem, insecurity, and communication in the studio. Beyond gear and plugin chains, your ability to collaborate, accept feedback, and maintain emotional stability may be the real secret to becoming a trusted professional. We explore how low self-esteem can lead to defensiveness, people-pleasing, or creative burnout — and how building authentic confidence can improve client relationships, reduce revision stress, and elevate the quality of your work. Whether you're just starting out or trying to level up your freelance career, this conversation is packed with insight, vulnerability, and practical advice.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the tricky subject of saying no to bad recordings. Whether it's a poorly tracked vocal, clashing client expectations, or an unrealistic request to “fix it in the mix,” this conversation is all about navigating those uncomfortable but necessary boundaries. We discuss how to communicate limitations without burning bridges, how to balance personal taste with professional responsibility, and when it's smarter to offer creative solutions rather than force a mix that just isn't working. If you've ever struggled with people-pleasing, underpricing, or working on tracks that don't meet your standards, this episode is for you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu get candid about the mistakes they still make — even after years of mixing, mastering, and working with big-name artists. From rushing decisions and second-guessing revisions, to over-processing vocals and letting imposter syndrome creep in, they share the real lessons behind the errors that never quite go away. This episode is a reminder that growth doesn't mean perfection — it means awareness, adaptability, and learning faster each time you fall into familiar traps.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
CHECK OUT OLLO X1 HEADPHONES: https://mixingmusicpodcast.com/olloSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu debate whether mid/side EQ and compression is secret sauce or just overhyped gimmick. From subtle mastering moves to totally wrecking your stereo image, we break down the good, the bad, and the reckless uses of mid/side processing. We talk real-world use cases, the plugins we trust (and the ones we've overused), and why blindly boosting the sides might be killing your mix. If you've ever used mid/side EQ just because you could — this one's for you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
‘Hysteria' è il quarto album della rock band inglese Def Leppard e venne pubblicato il 3 agosto 1987 dalla Mercury Records: della sua importanza e del perché ha ricoperto un ruolo fondamentale nella storia dell'hard rock parlano Emilio Putti e Stefano Giusti
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu explore the hidden impact of certainty, doubt, and perception on creative careers and communication in the music industry. From the subjectivity of art to the way we interpret feedback, we break down how overconfidence or insecurity can sabotage collaboration, client relationships, and personal growth. We also dive into reframing feedback as a collaborative tool, navigating client expectations with emotional intelligence, and the role of fairness, ambition, and responsibility in long-term success. Whether you're battling imposter syndrome or struggling to manage boundaries with high-maintenance clients, this episode unpacks how self-awareness and reflection can unlock better communication, creativity, and career sustainability.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the ongoing resurgence of analog emulation plugins and why these classic tones still matter in today's digital landscape. They break down the technological leaps in digital plugin development, the shift in modern musical trends, and what “warmth” really means when it comes to sound. From the nostalgic vibe of tape saturation to the precision of modern analog-modeled tools, they explore the strengths and quirks of both analog and digital workflows. Plus, Dee Kei and Lu share some of their favorite go-to plugins that bring character and vibe to every mix.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu explore the art and challenge of mixing across different genres while preserving the emotional feel of a track. They dive into how an emotional and intuitive approach complements technical skill, and why flexibility is key when switching between genre conventions. From balancing creative instincts with technical demands to understanding why the human touch still matters in a world of AI-assisted tools, this episode is a deep dive into the mindset and methods that help mixers stay versatile and connected to the music, no matter the style.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you'll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band.Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in '72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation.In '92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life's journey, and the iconic artists he's encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he's caught in.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about self-serving bias and fundamental attribution error. They discuss about the cross point where preparation meets luck and the idea of opening up for success.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Lu goes solo and talks about some of the basics.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Show #1093 Got It Done 01. Joanne Shaw Taylor - Hell Of A Good Time (4:07) (Black & Gold, Journeyman Records, 2025) 02. Sunny Bleau & the Moons - Peacock Strut (3:15) (Passion & Regrets, Endless Blues Records, 2025) 03. Kid Ramos - An Answer For Isaac (4:56) (Strange Things Happening, Nola Blue Records, 2025) 04. Rick Revel - Son Of A Moonshiner (3:54) (That Muscle Shoals Sound, Tunesmith Records, 2024) 05. Jon Cleary & the Absolute Monster Gentlemen - So Damn Good (4:12) (The Bywater Sessions, Well Kept Secret, 2025) 06. Ben Hemming - Devil May Care (4:09) (The Meaning of All Things, self-release, 2025) 07. Emillia Quinn - Does She Know (3:55) (Dented Halos, self-release, 2025) 08. Jarkka Rissanen & Sons Of The Desert - Tailwind (4:07) (Mixed Waste, Humu Records, 2025) 09. Woody Crabapple - Thinkin' And Drinkin' (2:15) (Drowning Man Blues EP, The Orchard, 2025) 10. D. Scott Riggs - These Walls Don't Own Me (4:50) (Somewhere Not Here, Pure Panhandle Music, 2025) 11. Eric Johanson - Yellow Moon (4:35) (Live In Mississippi, Ruf Records, 2025) 12. Matt Andersen - Magnolia (4:20) (The Hammer & The Rose, Sonic Records, 2025) 13. Polyrhythmics - Mayo Con Yayo (4:44) (Life From Below, self-release, 2025) 14. Jim Brewer - It Hurts Me Too [1980] (3:04) (Take It Easy Greasy, Earwig Music, 2025) 15. GA-20 - It Hurts Me Too (2:46) (Try It... You Might Like It!, Colemine Records, 2021) 16. Danielle Miraglia - It Hurts Me Too (3:29) (Bright Shining Stars, VizzTone Records, 2020) 17. The Jujubes - It Hurts Me Too (3:52) (Where Are We Now, self-release, 2021) 18. First Aid Kit - It Hurts Me Too (2:58) (Single, Third Man Records, 2011) 19. Beaucoup Blue - It Hurts Me Too (3:16) (Hearts At Home, self-release, 2005) 20. Chuck Berry - It Hurts Me Too (2:59) (Chuck Berry In Memphis, Mercury Records, 1967) 21. Paul Geremia - When Things Go Wrong (It Hurts Me Too) (3:07) (Just Enough, Folkways Records, 1968) 22. Elmore James & his Broomdusters - It Hurts Me Too (3:17) (78 RPM Shellac, Chief Records, 1957) 23. Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 25. Tampa Red - You Got To Reap What You Sow (3:20) (78 RPM Shellac, Vocalion Records, 1929) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and James talk about what you can do with your time when things are slow and how to handle the inconsistent nature of freelance work.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE JAMESFind Dee Kei and James on Social Media:Instagram: @DeeKeiMixes @JamesDeanMixesTwitter: @DeeKeiMixes The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mike Gormley has been a music journalist, record company executive, and an artist manager. He's worked with The Bangles, Oingo Boingo, Danny Elfman and Jeff “Skunk” Baxter. He's been a writer for the Detroit Free Press. Done PR for Mercury Records. And an executive at A&M Records. My featured song is “Miles Behind” from the album of the same name. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Mike at:www.lapdev.com—---------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about top-down mixing and maintaining the proper perspective needed to stay emotionally connected to the songs we work on.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the concept of declinism—the cognitive bias that makes us believe things are getting worse, even when they aren't. They explore how this mindset manifests in the music industry, from nostalgia-driven skepticism to resisting new trends and technologies. More importantly, they break down practical ways to stay open-minded, adapt to industry shifts, and ensure long-term creative and professional growth. Tune in to learn how to fight the illusion of decline and keep evolving!SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu answer some questions from the audience!SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about Mixerman's 10 steps to better mixing.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and James talk about what the art of mixing is and isn't. They also talk about the different goals and stages of both a mix and a mixer.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE JAMESFind Dee Kei and James on Social Media:Instagram: @DeeKeiMixes @JamesDeanMixesTwitter: @DeeKeiMixes The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Show #1086 More Good Music 01. Dennis Spencer - Cheap Entertainment (4:00) (Bluesman From Jupiter, self-release, 2024) 02. Piney Woods - You Got Me Where You Want Me (2:34) (The Piney Woods Record, self-release, 2024) 03. Heavydrunk & Watermelon Slim - Little Bighorn (3:26) (Bluesland Theme Park, Heavydrunk Records, 2025) 04. Jennifer Porter - Stop Your Talkin' (4:12) (Sun Come And Shine Redux, Overton Music, 2025) 05. Steve Howell & the Mighty Men - One Mint Julep (2:38) (Yeah Man, Out Of The Past Music, 2025) 06. Sunny Bleau & the Moons - S-H-E-E-E W-O-M-A-N (5:21) (Passion & Regrets, Endless Blues Records, 2025) 07. Mark Muleman Massey - She's Married To The Streets (3:28) (Been A Long Long Time, MuleTone Records, 2025) 08. Giles Robson & John Primer - Let Me Explain (2:43) (Ten Chicago Blues Classics, self-release, 2024) 09. Ed Alstrom - Fruitcake (4:00) (Flee Though None Pursue, Haywire Records, 2025) 10. Ollee Owens - Solid Ground (2:47) (Nowhere To Hide, Ollee Owens Music, 2024) 11. Hitman Blues Band - Back To The Blues (3:22) (Calling Long Distance, Nerus Records, 2024) 12. Robbert Duijf - First Train Out (3:30) (Silver Spoon, Naked Productions, 2025) 13. Reckoners - Woman's Woman (3:34) (Reckoners, Vintage League Music/Uptown Sound, 2024) 14. Greg Nagy - Never Mine (2:48) (The Real You, self-release, 2024) 15. Carly Harvey - Worth Waiting For (2:55) (Kamama, self-release, 2024) 16. The Band - Chest Fever (5:15) (Music From Big Pink, Capitol Records, 1968) 17. Dinah Washington (with Eddie Chamblee Orchestra) - Trouble In Mind (2:26) (45 RPM Single, Mercury Records, 1952) 18. Thelma La Vizzo - Trouble In Mind (3:01) (78 RPM Shellac, Paramount Records, 1924) 19. Bertha "Chippie" Hill - Trouble In Mind (2:51) (78 RPM Shellac, Okeh Records, 1926) 20. Georgia White - Trouble In Mind (2:35) (78 RPM Shellac, Decca Records, 1936) 21. Richard M. Jones - Trouble In Mind (2:40) (78 RPM Shellac, Bluebird Records, 1936) 22. Nina Simone - Trouble in Mind (2:45) (Pastel Blues, Philips Records, 1965) 23. Big Bill Broonzy - Trouble In Mind [1957] (2:36) (Black Brown And White, Mercury Records, 1991) 24. Two Men From Earth - Trouble In Mind (3:30) (Walkin' To New Orleans, self-release, 2009) 25. Misses Satchmo - Trouble In Mind (2:35) (The Sun Will Shine, Disques Bros Records, 2011) 26. Mose Allison - Trouble In Mind (3:15) (Local Color, Prestige Records, 1958) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Label: Mercury 73008Year: 1970Condition: M-Last Price: $15.00. Not currently available for sale.This is the original release of the song, credited to 'Buddy Miles & the Freedom Express.' It was re-released in 1971 on a different catalog number and with a different flip, and became a somewhat bigger Pop hit. The A side is slightly edited from the 3:20 album track. Note: This beautiful copy comes in a vintage Mercury Records factory sleeve. It has pristine Mint audio.
Nashville based folk-pop artist, Allison Leah has an innate gift for songwriting, coupling honest stories with ethereal melodies and accumulating over three million streams worldwide. Allison's vulnerable lyrics and soothing voice overlay organic folk pop production to create introspective singer/songwriter tunes. To listen to Allison Leah is to know her, and maybe even to get to know yourself a little better too. Her music has been featured on Spotify playlists such as “New from NYC: Folk”, Pandora's “Fresh Cuts”, “Today's Tunesmiths and Troubadours” as well as WFUV radio.Leah's captivating live show provides joy and self-reflection, connecting with audiences nationwide. Recent performances include the Black Bear Americana Music Festival, Tucson Folk Festival (where she was named runner-up in their songwriting competition), The Listening Room (Nashville), City Winery, and over 30 shows alongside Sofar Sounds. For our conversation, we dug deep into Stick Season - the third studio album from acclaimed American singer-songwriter Noah Kahan, who also served as producer alongside Gabe Simon. It was released on October 14, 2022, by Mercury Records and Republic Records. Enjoy!
EPISODE 121: Says former chairman and CEO of Mercury Records, Danny Goldberg in his book Bumping into Geniuses, Bloom's “interest in rock and roll had more to do with the study of mass psychology in action than furthering the aggrandizement of spoiled rock stars. He approached PR as an applied science.” In fact, Bloom used his science to invent simple correlational techniques and no-cost market research tools. He joined the resulting data to what he calls “tuned empathy” and “saturated intuition” to help build or sustain the careers of figures like Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Paul Simon, Billy Idol, Peter Gabriel, David Byrne, John Mellencamp, Joan Jett, Queen, Kiss, Aerosmith, AC/DC, Grandmaster Flash and The Furious Five, Kool and the Gang, Chaka Khan, Run DMC, and roughly 100 others. He contributed to the success of films like The Great Gatsby, Down and Out in Beverly Hills, Outrageous Fortune, and Purple Rain. In the process, he helped generate $28 billion in revenues (more than the gross domestic product of Oman or Luxembourg) for companies like Sony, Disney, Pepsi Cola, Coca Cola, and Warner Brothers. And he did it by focusing not on profits but on soul. The result? Sterling Whitaker, author of The Grand Delusion: The Unauthorized True Story of Styx, calls Bloom, “probably the greatest press agent that rock and roll has ever known.” howardbloom.net/about-howard-bloom/Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!
fWotD Episode 2721: New York Dolls (album) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 16 October 2024 is New York Dolls (album).New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics.New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement as the group's crude musicianship and youthful attitude on the album challenged the prevailing trend of musical sophistication in popular music, particularly progressive rock. Among the most acclaimed albums in history, it has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time.This recording reflects the Wikipedia text as of 00:57 UTC on Wednesday, 16 October 2024.For the full current version of the article, see New York Dolls (album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Matthew.
Hello friends! Ron Byrd from Austin based, indie-rock band, Molecular Steve is my guest for episode 1433! Their self-titled debut album is available on streaming services and vinyl on Strolling Bones Records. You can catch Molecular Steve at the Austin City Limits Music Festival this Sunday, 10/13 at 12:30 on the T-Mobile stage. Go to molecularsteve.com for music, show dates, vinyl and more. Ron and I have a great conversation about getting his start in Shreveport, LA, his 90's band Prescott Curlywolf and being signed to Mercury Records, One Mississippi, taking 14 years off of making music and writing songs, opening the floodgates of inspiration and creativity, finding interest in the small and mundane things in life, starting Molecular Steve during the pandemic with his son and much more. I had a great time getting to know Ron. I'm sure you will too. Let's get down! Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod. If you feel so inclined. Venmo: venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
Label: Mercury 72898Year: 1969Condition: M-Price: $15.00This is far from an obscure soul nugget (which I usually reserve the Classic 45s jukebox for), but I got serious goosebumps when playing it today and realized I just don't hear it often enough! Dave Marsh has it pegged just right, slipping it in the top 100 of his list of the 1,001 greatest singles of Rock'n'Soul — a triumph for both the singer and for the writer/producers and their nascent Philly Soul style. Note: This beautiful copy comes in a vintage Mercury Records factory sleeve.
This week we're joined by Mike Gormley, who worked as the director of publicity at Mercury Records during the early days of Rush. After leaving Mercury, he was the artist manager for such bands as The Bangles, Oingo Boingo, and Concrete Blonde. He tells us about meeting the band, their early days on the road, and the difficulty selling the rock press on the band despite their growing popularity. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight's Jazz Feature is a tribute through music to Canada Day, today July 1,2024. The great Canadian born pianist/composer and Jazz Master Oscar Emmanual Peterson was born in Montreal on August 15,1925 and passed away at his home in Mississauga, Ontario on December 23,2007 after a long career and receiving just about every honor Canada could bestow on this artist. The Jazz Show is proud to present "The Canadiana Suite" an 8 movement suite composed in honor of the country of his birth and performed by his long standing Trio with the incomparable Ray Brown on bass and Ed Thigpen on drums and of course Oscar Peterson on piano.. It was recorded for Limelight Records (a Jazz division of Mercury Records) in New York on September 9,1964. Happy Canada Day to all!
"My Prussian blue electric clockAlarm bell rings, it will not stopAnd I can see no end in sightAnd search in vain by candlelightFor some long road that goes nowhereFor some signpost that is not thereAnd even my befuddled brainIs shining brightly, quite insane" Shine Brightly with me as we embark on our 2 Hour Musical Journey this afternoon. Joining us are The Stooges, Fleetwood Mac, The Who, Cream, Moody Blues, Dada, Jethro Tull, Mountain, Mott The Hoople, Creedence Clearwater Revival, The Kinks, Rolling Stones, Doors, Foreigner, Grand Funk Railroad, Jefferson Airplay, Peter Frampton, Led Zeppelin and Procol Harum. Bonus Track is from anothe band named Genesis from LA who in 1968 released 1 LP on Mercury Records, "In The Beginning".
When Glenn Danzig and Jerry Only decided to add a guitarist and drop the fuzz piano, Frank Licata aka Franche Coma was enlisted. Frank went on to record the legendary guitar parts on the masterpiece that is Static Age before departing the band. Many a punk rocker have been inspired by and even picked up a guitar because of Frank's playing. It is an honor and my pleasure to have him on the show. FOLLOW FRANCHE'S NEW BAND HERE -https://www.instagram.com/fcincband/ www.frumess.com FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Air Week: June 17-23, 2024 Oscar McLollie This week, the “Juke” is jumpin' with the honey jumper himself, Oscar McLollie. Born Oscar Lollie, this Louisiana boy went from serving in the military during World War II to servin' up jump blues in Los Angeles Clubs. Mercury Records hired him as one of their West Coast […]
Grammy-nominated American recording artist Joan Osborne joins Everything Fab Four to talk about hearing “Revolution 9” at a makeout party and how her music career began. Osborne moved to New York City to attend film school at NYU in the late 1980s, dropping out after becoming involved in the city's downtown music scene. In 1991, Osborne formed her own record label Womanly Hips, releasing her first album Soul Show: Live at Delta 88. She later signed with Mercury Records, and in 1995 she made her major label debut with the album Relish, which reached the Top 10 on the back of “One of Us,” an international hit that propelled Osborne to stardom. Osborne has been nominated for eight Grammy Awards, and has performed duets with such icons as Luciano Pavarotti, Bob Dylan, Stevie Wonder, Patti Smith, Emmylou Harris, and Isaac Hayes. She has toured with Mavis Staples, the post-Jerry Garcia Grateful Dead, and Motown's Funk Brothers, while also performing for the Dalai Lama at his monastery in Dharmsala, India. She also regularly records and performs with Trigger Happy, founded by Black Crowes drummer Steve Gorman. This summer, she will go on tour in support of her latest album Nobody Owns You. --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support
This week on Cultural Manifesto listen to an interview with the legendary jazz pianist Bob James, he'll be performing at the Jazz Kitchen later this month. Some music fans know James for writing the theme song to the hit television show Taxi. Others know James' work through its extensive use in hip-hop sampling — he's one of the most sampled artists in the history of rap music. But few know that James' first career breakthrough happened in Indiana. In 1962, the Bob James Trio competed at Notre Dame's Collegiate Jazz Festival in South Bend. The judges at that year's festival included Henry Mancini and Quincy Jones. James carried away the festival's top prizes and formed a lasting relationship with Quincy Jones — who signed James to Mercury Records and produced his debut album the following year. James will share his memories of the festival, and Cultural Manifesto host Kyle Long will share a rare lost recording of James' 1962 performance. James will also discuss his collaboration with Indianapolis jazz legend Freddie Hubbard, and offer his thoughts on the use of his music in sampling.
This week on Cultural Manifesto listen to an interview with the legendary jazz pianist Bob James, he'll be performing at the Jazz Kitchen later this month. Some music fans know James for writing the theme song to the hit television show Taxi. Others know James' work through its extensive use in hip-hop sampling — he's one of the most sampled artists in the history of rap music. But few know that James' first career breakthrough happened in Indiana. In 1962, the Bob James Trio competed at Notre Dame's Collegiate Jazz Festival in South Bend. The judges at that year's festival included Henry Mancini and Quincy Jones. James carried away the festival's top prizes and formed a lasting relationship with Quincy Jones — who signed James to Mercury Records and produced his debut album the following year. James will share his memories of the festival, and Cultural Manifesto host Kyle Long will share a rare lost recording of James' 1962 performance. James will also discuss his collaboration with Indianapolis jazz legend Freddie Hubbard, and offer his thoughts on the use of his music in sampling.
This week we are thrilled to share part 1 of our discussion with industry legend Dr Sally Anne Gross! Sally has had quite the varied career from being the first female A&R at Mercury Records, taking trips to San Fransisco to scout artists to running her own record label from her kitchen table and later studying for her Law Masters.We discuss the key differences that Sally found in her experiences in the DIY scene and at major labels. Her role as an Artist Manager; shifting records and remixes for dance acts and how the title and responsibilities have changed. Later Sally began studying Law at Birkbeck University night school, all whilst managing a career and a family, falling in love with the Law and deeper understanding the structures that influence it.Sally has such a wealth of experience and wonderful stories, we absolutely loved working on this episode! Don't forget to like, comment and share.LINKS:Website: Sally Anne GrossLinkedIn: Dr Sally Anne GrossBook: Can Music Make You Sick?Help Musicians Report: Mental Health In the Music Industry Hosted on Acast. See acast.com/privacy for more information.
Over the last 30+ years Steve Poltz has released more than 14 records both solo and with his 90's band The Rugburns, on his own label as well as Mercury Records, as well as a longtime collaboration with Jewell including co-writing her hit "You Were Meant for Me." We talk with Steve about everything from having a stroke on stage, mid-song (and continuing to sing the song), all the way to viewing life as a treasure hunt, slaying the dragons, his infectious positivity and optimism, and getting pinned to the mat.Get more access and support this show by subscribing to our Patreon, right here.Links:Steve PoltzThe Rugburns30A Songwriter FestivalCayamoGrateful Dead - "American Beauty"Grateful Dead - "Workingman's Dead"The ReplacementsJewellWillie RandolphDan BernRocky Mountain Folks FestEp 28 - The Wood BrothersAJ CroceAndy FrascoChris GelbudaThe Buddy & Jim ShowClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Today on the Rarified Heir Podcast we are talking to Ed Eckstine, son of singer Billy Eckstine and actress/model Carolle Drake. Our conversation with Ed was fun, fascinating, edifying and above all, full of stories of his life as the child of a celebrity but also his own career in the music industry. Our only regret was not keeping Ed for another 90 minutes because he has stories for days. We barely scratched the surface. Part two is a must. Many of us only know Billy Eckstine as a jazz & pop singer whose baritone voice and smooth delivery made him one of the most in-demand singers from the 1930s well into the 1950s. But he also was a guitar player, trumpet player and this Billy Eckstine & his Orchestra was the first Bebop Big Band and his players and vocalists were a who's who of Jazz - Charlie Parker, Dizzy Gillespie, Dexter Gordon, Miles Davis, Art Blakey, Sarah Vaughan, Pearl Bailey, and Lena Horne all were part of the band in the 1950s. By 1950, his popularity rivaled Sinatra - which as you will hear wasn't a rivalry at all between these two friends. It was Eckstine's talent as well as his good looks and dapper attire that made him perhaps the first black entertainer to become a crossover star in the segregated 1950s America. But as we learn from our conversation with Ed, one photo in a major American magazine essentially put an end to all that in the must ugly and vile way possible. But to hear Ed tell it, this terrible incident was a blessing in disguise as it opened up doors for him outside America and made him an international star, touring well into the 1980s in Europe, Australia and Japan. Our conversation with Ed also focused on his own career in the music industry that took him from journalist to publicist to head of Quincy Jones Qwest Productions to stints at Polygram, Arista and as the President of Mercury Records. As Nabil Ayers in the New York Times said, “Eckstine's story is unique because he was the first black person to be let in — to be allowed by the predominantly white music industry to helm one of its largest entities.” This is the Rarified Heir Podcast and everyone has a story. Ed Eckstine's is like none other.
Strap in for a time capsule adventure, as Ted Ansani of Material Issue takes us back, on an episode thick with nostalgia. He recounts tales of how a couple of Columbia College Chicago music enthusiasts, and drummer Mike Zelenko, turned into a band that left an indelible mark on the power-pop landscape. We talk beginnings, the transition from drumsticks to bass strings, and the twists with Mercury Records. Ted's memories are a rare tour pass to the early '90s, offering an insider perspective on creating hits that outlasted their era.Reminisce and groove with us as we explore the quirks behind the making of anthems like "Valerie Loves Me" and "Diane," tracks that continue to resonate with fans across the globe. Ted's reflections on the documentary "Out of Time: The Material Issue Story" provide an unexpected depth, while we also celebrate the joy of fans shouting back the lyrics to "Very First Lie" at shows, a testament to Material Issue's enduring connection with their audience.Yet, the episode takes a poignant turn as we reflect on the band's struggle to navigate the grunge-dominated waters of the '90s music scene and the tragic loss of frontman Jim Ellison. The conversation highlights the resilience of Material Issue and the bittersweet moments that punctuated their journey. Through the highs of hearing their song "Renee Remains the Same" on the radio, to the lows of the industry's fickle nature, we honor the legacy of a band that, against all odds, captured the hearts of power-pop aficionados and left behind melodies that still echo in the hearts of listeners. Join us for a heartfelt tribute to Material Issue, a band that rocked hard and left us with a soundtrack for the ages.
Frank Secich in conversation with David Eastaugh https://www.highvoltagepublishing.com/product/frank-secich-not-that-way-anymore https://www.amazon.co.uk/Not-That-Anymore-Frank-Secich/dp/0994629060 Blue Ash is an American band, formed in Ohio in the summer of 1969 by bassist Frank Secich & vocalist Jim Kendzor. Guitarist Bill Yendrek and drummer David Evans were recruited later that summer. The band debuted at "The Freak Out", a club in Youngstown, Ohio, on October 3, 1969. They gained a loyal following playing an endless stream of one-nighters over that year. In October 1970, Bill Yendrek, was replaced by guitarist/songwriter Bill "Cupid" Bartolin. Blue Ash continued playing 250–300 dates a year throughout Pennsylvania, New York, Ohio and West Virginia, while the songwriting team Frank Secich and Bill Bartolin accumulated an enormous amount of original material. In June 1972, Blue Ash signed a production contract with Peppermint Productions of Youngstown and started recording and sending out demos. In late 1972, they were signed to Mercury Records by A&R man Paul Nelson. Their first album No More, No Less was released in May 1973 and received rave reviews in the rock press. It is considered a power pop classic, and is regarded as highly collectible among fans of that genre
Steve Almaas in conversation with David Eastaugh https://www.discogs.com/artist/633930-Steve-Almaas https://www.facebook.com/salmaas The Suicide Commandos are an American punk rock trio from Minneapolis. They formed in 1975 and released two 7-inch EPs on an indie label in 1976 and 1977 before signing with Blank Records (a subsidiary label of Mercury Records) in 1977 and releasing one album, Make a Record. Despite their short original 4-year stint together, the Suicide Commandos are considered the pioneers for jump-starting a punk rock music scene in the Twin Cities, which eventually produced bands like The Suburbs, Hüsker Dü, The Replacements and Soul Asylum
This week we look back to a time when the music industry was, mostly, run through a handful of record labels. With big money to be made, record companies such as Capitol, Epic, Columbia, and Atlantic wielded a lot of power. Buyouts were happening such as in the case of Polygram acquiring Casablanca Records which would result in a very in-flux KISS winding up on Mercury Records. Smaller labels, while limited financially, were successful at times due to scouting new talent and breaking it. This circumstance would lead labels such as Elektra, Metal Blade, and Megaforce to be on the ground floor of some legendary careers and genres. In this discussion, we discuss all of these record labels, many of the notable artists that inhabited their rosters, how they stacked up in the rock world, and much more. The era we're focusing on this time is 1980-1984. Was the rule and oversight of the early 80's music industry a good thing? Is today's wide open musical climate a better thing for artists? Let us know what YOU think in the comments! We hope you enjoy Label Wars (1980-1984) and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we look back to a time when the music industry was, mostly, run through a handful of record labels. With big money to be made, record companies such as Capitol, Epic, Columbia, and Atlantic wielded a lot of power. Buyouts were happening such as in the case of Polygram acquiring Casablanca Records which would result in a very in-flux KISS winding up on Mercury Records. Smaller labels, while limited financially, were successful at times due to scouting new talent and breaking it. This circumstance would lead labels such as Elektra, Metal Blade, and Megaforce to be on the ground floor of some legendary careers and genres. In this discussion, we discuss all of these record labels, many of the notable artists that inhabited their rosters, how they stacked up in the rock world, and much more. The era we're focusing on this time is 1980-1984. Was the rule and oversight of the early 80's music industry a good thing? Is today's wide open musical climate a better thing for artists? Let us know what YOU think in the comments! We hope you enjoy Label Wars (1980-1984) and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we welcome The Kendalls! Formed in 1969, The Kendalls recorded an album for Stop Records, from which a single was released in 1970: a cover of John Denver's "Leaving on a Jet Plane" (previously a hit for Peter, Paul & Mary). The Kendalls version narrowly missed the top fifty on the U.S. country charts. The duo signed with Dot Records in 1972, and released an album and two singles, "Two Divided By Love", (a cover version of The Grass Roots' pop hit) and "Everything I Own" a cover of Bread's 1972 hit. Eventually, the Kendalls parted with their record label, before signing with the independent Ovation Label in 1977. Their first single for the label, a cover of Kitty Wells hit "Making Believe", made the lower regions of the charts (Emmylou Harris' version of "Making Believe" hit the U.S. Country Charts around the same time). It was the Kendall's 2nd single on Ovation, a "cheating" song called "Heaven's Just a Sin Away", that proved to be their breakthrough. The song topped the country charts and was also a minor crossover pop hit, and won the 1978 Grammy for Best Country Vocal by a Duo or Group. In 1981, after Ovation Records closed, the duo signed with Mercury Records and continued to have hits with "Teach Me To Cheat" and "If You're Waitin' On Me (You're Backin' Up), which both made the country top 10. More hits followed with "Movin' Train" and "Precious Love," which made the top 20. Their last #1 was 1984's "Thank God For the Radio". The Kendalls had many more Top 20 hits in the 80's and early 90's. The also had a supper club in Gulf Shores, Alabama and a theater in Branson, MO.
This episode took some fun twists and turns! We got to interview Lance Blythe from the University of Arkansas Division of Agriculture Cooperative Extension Service. That's a mouthful, and the amazing services they provide our community is even bigger! We brought Lance in to talk about the incredible opportunities available to local citizens and even uncovered the history of his three year stint touring the nation with Mercury Records signed band Twister Alley. They were signed artists at the same time as Vince Gill and Reba!
By the time Bachman Turner Overdrive were ready to record their third album, Not Fragile, Randy Bachman had sent demo tapes to almost two dozen record labels, all met with rejection letters. Finally, a twist of fate led to inking a contract with Mercury Records…but they were told they were one song short of “that magic element” the label thought they needed for the album. In this episode of the Behind The Song podcast, find out how “You Ain't Seen Nothing Yet” was begrudgingly added to the track listing and became a number one smash for B.T.O. even though Randy Bachman had intended for the song to be nothing more than a brotherly inside joke! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
By the time Bachman Turner Overdrive were ready to record their third album, Not Fragile, Randy Bachman had sent demo tapes to almost two dozen record labels, all met with rejection letters. Finally, a twist of fate led to inking a contract with Mercury Records…but they were told they were one song short of “that magic element” the label thought they needed for the album. In this episode of the Behind The Song podcast, find out how “You Ain't Seen Nothing Yet” was begrudgingly added to the track listing and became a number one smash for B.T.O. even though Randy Bachman had intended for the song to be nothing more than a brotherly inside joke! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, we talk to country-pop sensation Shania Twain, one of the best-selling female artists of all time. Shania is touring in the UK this month and has just released an extended edition of her iconic 90s album Come on Over, which features her greatest hits. After more than a decade of battling Lyme disease, she tells us how it feels to be back on stage. -------We love hearing from you. You can email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links: Lulu's interview with Shania Twain, ‘Writing a novel is easier than writing a three-minute, 22-second story that says something profound': https://on.ft.com/3sDklCc Come on Over: The Diamond Edition is available now. Shania's 2023 album is called Queen of Me. Shania Twain is performing at the O2 in London on 16 and 17 September. Her Vegas residency is announced for May 2024. -------Special FT subscription offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/weekendpodcast.-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoClips courtesy of Republic and Mercury Records. Hosted on Acast. See acast.com/privacy for more information.
Award-winning filmmaker and former record executive Lisa Cortés joins Questlove Supreme for an in-studio conversation in New York City. Cortés recalls her musical upbringing and serendipitous beginnings at Def Jam Records and, eventually, the Mercury Records executive team. Here is a two-parter not to be missed.See omnystudio.com/listener for privacy information.
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