Podcasts about Sony Music

Jermaine Dupri dropped his lawsuit against Sony Music after both sides reportedly resolved a royalty dispute involving So So Def artists including Xscape, Da Brat, Kris Kross, and Jagged Edge, ending a legal battle that had initially sought millions in unpaid royalties. See omnystudio.com/listener for privacy information.

Gary had the tea and reacted to reports that Michael Strahan quietly welcomed a baby girl with longtime partner Kayla Quick, expanding his blended family to five children. Jermaine Dupri dropped his lawsuit against Sony Music after both sides reportedly resolved a royalty dispute involving So So Def artists including Xscape, Da Brat, Kris Kross, and Jagged Edge, ending a legal battle that had initially sought millions in unpaid royalties. See omnystudio.com/listener for privacy information.

Thirty years after one of hip-hop’s biggest mysteries began, the story may finally be getting its closing chapter. The Rickey Smiley Morning Show covered the conviction of Duane “Keefe D” Davis in the murder of Tupac Shakur, making him the first person convicted in connection with the rapper’s 1996 killing. Prosecutors argued that Davis orchestrated the retaliatory attack, even though he was not accused of pulling the trigger himself, and he now faces a potential life sentence. Gary had the tea and reacted to reports that Michael Strahan quietly welcomed a baby girl with longtime partner Kayla Quick, expanding his blended family to five children. Elsewhere, Jermaine Dupri dropped his lawsuit against Sony Music after both sides reportedly resolved a royalty dispute involving So So Def artists including Xscape, Da Brat, Kris Kross, and Jagged Edge, ending a legal battle that had initially sought millions in unpaid royalties. The show also sent prayers to music legend Lionel Richie, who was reportedly hospitalized in St. Louis after a concert appearance. Sources indicated doctors were evaluating him for possible dehydration after fans noticed he appeared fatigued toward the end of the performance, though reports said he was stable and recovering. Beyond the headlines, the crew sparked lively conversation about online catfishing after stories surfaced about fraudsters posing as professional athletes and medical students to scam victims out of money. The discussion hit close to home as Rickey Smiley shared experiences involving fake social media accounts impersonating him and targeting fans. From long-awaited justice in the Tupac case to celebrity baby news, industry business moves, and cautionary tales about online deception, the show delivered a mix of entertainment, culture, and conversation that kept listeners talking. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

This episode is a recap — and an expansion — of the six-hour Mixing Masterclass that Dee Kei hosted live in his LA studio. Lu was in the room. The audience brought mixes. Things got real. Now Dee and Lu bring the best of it to the podcast, including the things they didn't get to cover in person.The first and most important topic: what is the actual value of a mix engineer, and how should that determine your pricing? Dee lays out a position he holds firmly — you should never discount your rate based on stem count, never negotiate yourself down before the client even asks, and never charge by the hour for mixing. Your rate reflects the lifetime of training behind each decision, not the time it took to make it. Like Picasso sketching on a napkin, the price isn't for the five minutes — it's for everything it took to get there. Lu adds the market reality: what your price communicates before the client even hears your mix, and why charging too little signals something you don't want to signal.From there the episode moves into compression — specifically what happened in the room when Dee deliberately smashed a vocal with an 1176 in "all buttons in" mode and the mix bus with a Vertigo VCA compressor just to prove a point. The reaction in the room said everything: over-compression isn't always wrong. Rules like "don't compress more than 2-3dB" are useful frameworks until the moment the song tells you otherwise.They also get into the subjective vs. objective nature of mixing — why saying "there's no such thing as a good or bad mix" is actually incorrect, and how to think about objectivity in a field where the tools of judgment are mostly invisible. The Shohei Ohtani analogy here is one of the better ones the show has produced.The episode closes with a breakdown of how Spotify's LUFS normalization actually works — including the gating behavior that means raising your quieter sections can paradoxically lower your integrated LUFS, and why album masters and single masters should be approached as two completely separate deliverables if you want your music to hold up in playlists.A lot covered. All of it useful.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fair warning: Dee Kei opens this one by saying he doesn't know if he's going to release it. Congratulations — you found it.This is a looser, more speculative episode than usual, and that's exactly the point. Dee brings a theory he's been sitting with: that the rise of AI tools and plugin saturation is quietly driving a resurgence in the value of analog gear — not because analog is objectively better, but because it represents something that AI fundamentally can't replicate. Humanness. Randomness. The chaos of a real circuit doing something slightly unpredictable.Lu, who has personally moved over $157,000 in analog gear sales and spent years tracking sold listings on eBay and Reverb, brings the market perspective. They get into which pieces actually hold their value (vintage preamps and compressors from the right era), which ones don't (anything mass-produced and recently released), and the old idea that buying the right gear is just another savings account you can twist the knobs on while you wait.From there the conversation opens up into some bigger territory. They talk about the current bubble of vintage mixer restoration and servicing companies popping up, what vibe coding is doing to the plugin marketplace, and how AI tools are being deployed very differently in live sound versus the studio — including a breakdown of the L-Acoustics source intelligence system and how it can achieve up to 40dB of feedback reduction in real time on a vocal channel. The episode wraps with Dee going full speculative: the Gartner hype cycle and where AI actually lands when the bubble pops, what nuclear fusion does to the cost of running AI at scale, and the two technology shifts he thinks will fundamentally change everything about how we make and experience music.It's the kind of episode that happens when two engineers with too much on their mind decide to just talk. The industry context makes it more interesting than it sounds.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lu brought the topic this week — and it's one of the most universally felt things in audio that nobody talks about directly: the feeling of not belonging in the room. Not because you don't have the skill. Not because you don't have the credits. Just because the feeling is there, and most people let it make the decision for them.The episode opens with Lu sharing what he keeps hearing in consultation calls — talented engineers at every level passing on sessions they would have handled just fine, because they didn't feel ready. Dee and Lu are direct about it: the gap between someone who is working and someone who isn't is almost never the quality of their mixing. It's almost always confidence and forward motion. They unpack what imposter syndrome actually looks like at different stages of a career — not just at the beginning, but also at the mid-level, when asking for help or shadowing someone starts to feel embarrassing in a way that holds people back just as much.From there, Dee reads from Daniel Kahneman's Thinking Fast and Slow — specifically the chapter on cognitive priming — and the episode gets genuinely fascinating. He walks through the Florida Effect study, where participants subconsciously primed with age-related words actually walked slower down a hallway without knowing it. Then the pencil experiment, where people forced into a smile by how they held a pencil in their teeth rated cartoons as funnier than those forced into a frown — without being aware their facial expression had changed at all. The implication is direct: acting calm and confident doesn't just make you look calm and confident to others. It statistically makes you feel calmer and more confident yourself.The conversation also takes an unexpected turn into money priming — how the mere presence of money-related imagery in your environment makes people measurably more independent, more self-reliant, and also more selfish and socially distant — and what that means for the environments engineers build and the mindsets they carry into sessions.It ends where it started: the feeling of not belonging is not evidence of not belonging. Send the email. Ask to sit in. Shadow the session. The only thing making the street look longer than it is, is you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Victoria Bachan is Co-Founder and CEO of Hyphen, and one of the most consequential builders in the Creator Economy. Her 12-year+ career spans CAA, Sony Music, Wasserman, and Whalar, where she led 300+ Creators as Global President of Sixteenth. She has pioneered Creator houses for Black and Latinx talent, launched Creator-owned brands like Nami Matcha and Nonipup, and brokered deals with Nike, Google, Amazon, and Sephora. A sought-after speaker at Cannes Lions, SXSW, VidCon, and Tribeca, she has contributed to Rolling Stone and is recognized by Variety, Business Insider, and Campaign US as a defining voice in the industry. She mentors South Asian executives through The Salon and supports her community through Play Inspired. When she's not reshaping the industry, you'll find her exploring New Jersey towns with her husband and dog.

This episode starts with a confession: Dee Kei wants a new compressor. Specifically, he's been eyeing the Heritage Audio Grandchild 670N — a $3,000 stereo Fairchild-style compressor in a 5U rack unit that launched in late 2025. From there, the episode opens up into something much more interesting than a gear review.Dee and Lu walk through exactly what makes the original Fairchild 670 so mythologized — the tube count, the time constants, the maintenance costs that make owning one feel like buying a second car you're afraid to drive — and why Heritage Audio's approach of distilling the circuit down to four tubes in an affordable, modern form factor is either brilliant or sacrilegious, depending on who you ask. They break down what the Grandchild 670N actually has on the front panel — DC threshold, AC threshold, sidechain filters, mid-side and stereo linking, true bypass — and why $3,000 for two channels of Fairchild-esque compression is a genuinely different proposition than it was even three years ago.But the most interesting part of the episode isn't the gear. It's what happens when Dee reads from two actual peer-reviewed studies on whether listeners can hear the difference between analog and digital processing at all. The first study tested analog modeling plugins against free non-modeling alternatives across 540 participants — and found that not only did listeners show no preference for the analog mix, the majority who thought they could identify it were wrong. The second covered DAX differences using a loopback method with over 1,300 respondents. The conclusion: people largely can't tell the difference, and the majority who claimed they could were misidentifying what they heard.So why does any of this matter — and why does Dee still want the compressor? The episode lands on something more philosophical than a gear recommendation: the difference between buying hardware because you believe it's objectively better, and buying it as an act of devotion to the craft. Dee draws a sharp distinction between using gear purchases to fill a hole in your love for music versus buying from a place of already loving it deeply — and how Tony Mazzarati still sharpening techniques at his level is proof that the rabbit hole never ends for people who genuinely want to go deeper.Gear talk, research, psychology, and the irrational passion that keeps working engineers working. A lot going on in this one.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Elena Sofía, cantautora puertorriqueña de 17 años firmada con Sony Music Latin, visita La Clave Pop para hablar de su nuevo sencillo "Hola, ¿Aló?". En esta conversación, Elena cuenta cómo escribió la canción durante una gira de medios en México, en un momento de frustración por no recibir la atención de alguien que le gustaba, y cómo esa desesperación se convirtió en un tema de pop rock con un coro casi gritado.La entrevista recorre el proceso creativo detrás de "Hola, ¿Aló?", su lugar dentro de la trilogía que arrancó con "Será Normal" y siguió con "Por Quien", y cómo esta nueva era musical la llevó a descubrir un lado más romántico y calmado que no había mostrado en su álbum Que Tú Te Crees. También habla de su paso por el Conservatorio de Música de Puerto Rico, del musical "On Your Feet", de su decisión de cambiar de escribir en inglés a escribir en español y de cómo se estaba preparando para su showcase con Sony Music.Elena Sofía también reflexiona sobre lo que significa escribir canciones maduras a los 17 años, sus influencias —de Olivia Rodrigo a Jesse & Joy— y sus planes de estudiar producción musical mientras su carrera artística sigue creciendo.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Lu's on vacation. Dee Kei is alone with a page of talking points and one of the most contested topics in audio engineering right now — and the result is one of the most thoughtful solo episodes the show has produced.This is not an episode about which AI tools Dee uses or recommends. It's about something harder to talk about: how engineers think about delegation, what happens when a probabilistic recommendation gets presented with the confidence of certainty, and why the pro-AI vs. anti-AI binary is the least useful frame anyone could bring to this conversation.Dee opens with a distinction that reframes the entire debate: there's a difference between assistance tools, delegation tools, and full replacement — and most of the discourse collapses all three into one. He argues that engineers have been using automated decision-making for decades (dynamic EQ, auto release, delay compensation, drum replacement, LUFS metering), so the real question was never whether machines should make decisions. The real question is how much of the contextual, consequential decision-making we're comfortable handing over — and whether we understand what's being lost in that handoff.From there he gets into the value engineers actually bring that no AI is accounting for: accountability, history with an artist, taste, creative confidence, the ability to hear the same note as a client and understand what they actually mean. He's direct about the economic effects coming — fewer junior engineer jobs, faster turnaround expectations, clients arriving with better rough mixes — but equally direct about what those changes don't mean: that the ceiling of professional audio work is getting any lower.The episode closes on a question Dee leaves deliberately open: if an AI assistant could eventually make every technical decision as well as a human engineer, what do we actually believe the mixer is there to do?SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode: activism in the forums, 2K from Uber, the significance of The Neptunes, SONY Music vs AI, LinkedIn caught a case and much more.THEO Records: THEO RECORDSFor Paradijs: ParadijsFor Books, Media and One Seve7ty One: https://linktr.ee/bushandponingoFollow The Guys@swiftyjonez@bushandponingo

To combat negative effects of climate change, we all need to do our best to reduce the use of fossil fuels, water and land. California is confronting all three of these challenges simultaneously with Project Nexus, a pilot project to:Reduce the use of fossil fuels by deploying solar generation farms with battery storage.Avoid taking land away from agricultural uses by deploying them over existing canals.Conserve water by using solar arrays to cover canals, thus reducing evaporation.This project is also an unusual nexus of public, private and academic institutions, bringing together the consultancy Solar AquaGrid as project manager, the California Department of Water Resources as operator of the canals and solar farms and the University of California Merced to provide scientific assessment of the project.Joining us for this episode are ceo and co-founder Jordan Harris, chief creative officer and co-founder Robin Raj.Jordan Harris co-founded Solar AquaGrid to address one of California's most urgent challenges: water scarcity. Before committing his energy to advancing large-scale sustainability projects, Jordan had a background as a social impact entrepreneur and music business executive, including co-founding and chairing Virgin Records US, as well as leadership roles at Sony Music and A&M Records. Jordan launched many high-profile projects and pro-social initiatives – among them, co-founding Rock The Vote to engage young people in the political process by engaging the entertainment community. Jordan saw the dual-use opportunity hiding in plain sight long before anyone else was ready to act on it, and led Solar AquaGrid in commissioning the University of California Merced 2021 research study that sparked Project Nexus. After nearly a decade of advancing the water-energy nexus from concept to construction, Project Nexus is the proof of concept he hopes will unlock replication across California and beyond.In 2017, Robin Raj joined Jordan to co-found Solar AquaGrid to help conserve water and land, and generate renewable energy at scale by reimagining our water/energy infrastructure and covering large swaths of California's exposed canals with solar canopies. As an award-winning creative director, veteran of purpose-driven communications, and founder of Citizen Group, Robin has harnessed the power of media, storytelling, and community engagement throughout his career to advance social responsibility, sustainability, and climate action for some of the world's best-known brands and organizations for three decades – from Amnesty International, Bloomberg Philanthropies, NRDC, Sierra Club, Rock the Vote, and World Wildlife Fund, to Levi's, Major League Baseball, NBC Universal, Stanford Medicine, and Walmart Sustainability program.In this episode, we cover such topics as:The scale of California's canal system, stretching 4,000 miles in total.How Project Nexus is funded through the California's general fund.How Project Nexus will be evaluated. For more information on Project Nexus and the organizations running it, see:​Solar Aquagrid - Project NexusTurlock Irrigation District - Project NexusUniversity of California Merced - Project NexusSupport the showVisit us at climatemoneywatchdog.org!

Technology expert explains how small business owners can leverage AI as a force multiplier while protecting their data, systems, and intellectual property from emerging cybersecurity risks. Show Notes Page: https://www.thehowofbusiness.com/615-mordy-hackel-ai-cybersecurity / Artificial intelligence is creating enormous opportunities for small businesses—but it is also introducing new cybersecurity, data, and operational risks. In this episode of The How of Business, Henry Lopez is joined by technology entrepreneur and KJ Technology founder Mordy Hackel to explore how small business owners can embrace AI, use technology as a force multiplier, and protect their businesses as the technology landscape continues to change. Mordy shares his entrepreneurial journey from studying economics and working in technology for organizations including the NBA, Sony Music, and Citibank to building KJ Technology, a Manhattan-based managed IT services firm he has been growing since 1998. Henry Lopez and Mordy Hackel discuss why small businesses should not assume they are too small to be targets for cybercrime. AI is making phishing emails, voice impersonation, social engineering, and other attacks increasingly sophisticated. Small organizations may be particularly vulnerable when they lack established procedures for authorizing payments, sharing sensitive information, or granting access to systems. They also explore another increasingly important issue: employees using AI tools independently. When employees use personal ChatGPT, Claude, or other AI accounts for company work, businesses may expose confidential information or lose valuable intellectual property and institutional knowledge when those employees leave. But the message of this episode is not to be afraid of AI. Mordy believes the opportunities significantly outweigh the risks. The challenge is learning how to use the right technology for the right problem. AI can help business owners think creatively, analyze problems, overcome writer's block, develop workflows, prototype applications, and identify opportunities to improve how their businesses operate. This episode is hosted by Henry Lopez. The How of Business podcast focuses on helping you start, run, grow and exit your small business. The How of Business is a top-rated podcast for small business owners and entrepreneurs. Find the best podcast, small business coaching, resources and trusted service partners for small business owners and entrepreneurs at our website https://TheHowOfBusiness.com

Send in your music story!64 artists enter a bracket and every single loss deletes an entire catalog. That's the game, and it sounds fun until you actually have to choose. We kick off our Ultimate Band Showdown by setting the rules, admitting our biases, and realizing our “criteria” is basically a mix of unskippable songs, nostalgia, and whether a band can carry your mood from cleaning day to late-night drives.Before the bracket bloodbath, we share life updates, car trouble, tech glitches, and a weekend recap that turns into a love letter to the perfect night out: live music, an arcade packed with pinball machines, old-school cabinets, and the kind of venue that makes you want to stay for “one more game.” Then a stranger drops the word “debauchery” with full confidence, and we spend the rest of the night trying to process what just happened.We also dig into music news and big internet-era milestones, then pivot into the heavyweight topic: Sony Music's lawsuit against an AI music generator over alleged training on 30,000 copyrighted songs. We talk AI music, copyright, model training, and the messy question of how “learning style” compares to human inspiration, plus why disclosure matters when listeners can't tell what's AI-generated.Then it's bracket time: classic rock, 90s alternative, emo, and modern rock and metal, with picks that hurt way more than we expected. Join the debate, subscribe on YouTube, and drop a comment with your top three cleaning songs. If we got your favorite band eliminated, are you ready to make your case?Support the showPlease give us a quick rate and review. If you enjoyed the audio version head over to our Youtube for video content! Follow the Instagram for special content and weekly updates. Check out our website and leave us a voice message to be heard on the show or find out more about the guests!Ever wanted to start your own podcast? Here is a link to get started!https://www.buzzsprout.com/?referrer_id=1964696https://www.youtube.com/channel/UCONMXkuIfpVizopNb_CoIGghttps://www.instagram.com/hook_and_bridge_podcast/https://www.thehookandbridgepodcast.com/

What would Dee Kei and Lu actually do if they had to start their music careers completely over today — same age, same responsibilities, but zero industry knowledge, zero connections, and zero credits? That's the question at the center of this episode, and the answers get surprisingly deep.The conversation starts practical: Lu makes the case for going straight to the top and finding the most credible working professional you can — shadowing, interning, and learning how the industry actually moves before spending a dime on gear. Dee adds his own counterpoint, arguing that hands-on reps with real people, even local ones, build something an internship can't always give you early on. The two go back and forth on the internship vs. DIY debate in a way that's genuinely useful for anyone trying to figure out where to start.But the episode goes further than tactics. Dee pulls from Thinking Fast and Slow by Daniel Kahneman to break down how self-control, delayed gratification, and the ability to focus attention are more predictive of long-term success than raw intelligence — and what that means for how you show up in the early days of your career. They also get into the fatherhood premium, what motivation looks like when the stakes are real, and why community college might be one of the most underrated networking moves for someone starting over in their 30s.The episode closes on something more philosophical: the difference between genuinely wanting a career in music and just thinking you should have one — and why knowing that distinction early could save you years of wasted energy or redirect you toward something even more sustainable.Whether you're 19 with a laptop and a dream or 35 reconsidering your path, this episode will challenge how you think about starting.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

LINK TO 20% OFF! CODE: MMPODLink and code expires 7/21/2026In this episode, Dee Kei and Lu sit down with Andrew Rynhard — mastering engineer, developer, and founder of Naturl Audio — for one of the most technical and candid limiter conversations the show has ever had. Naturl Audio's philosophy is "evolution, not emulation," and that mindset runs through every corner of this episode.They start at the foundation: what's the actual difference between a brick wall limiter and a high-ratio compressor, and does the distinction even matter in practice? Andrew breaks down how the AL-1 takes a fundamentally different approach — abandoning traditional lookahead design in favor of an original zero-latency circuit, and deliberately avoiding the clipping or wave-shaping stage that most limiters rely on to force a hard ceiling. The result, he explains, is a limiter that stays musical and open under pressure rather than mechanical. Dee walks through how he actually uses the AL-1 in his mix sessions — not just as a loudness tool at the end of the chain, but as a creative shaping device — and Andrew digs into the Optimizer section, which uses upward compression and intelligent makeup gain to add loudness without coloration.The episode also takes some unexpected turns. Andrew opens up about the intense online backlash surrounding the AL-1's launch — including people threatening him over a plugin — and what that toxicity says about tribalism in the audio world. Dee shares a story about being the only engineer in a room full of pros willing to admit he couldn't hear a difference, and why that kind of honest integrity might be the most underrated quality in the business. Andrew echoes it with a lesson he learned from Jiu Jitsu: ego is the single biggest blocker to actually developing your ears, and the engineers who keep growing are the ones who can say "I don't know" out loud.It wraps with a real conversation about clipping philosophy — when to reach for a clipper vs. lean on the limiter, and what Grammy-winning masters actually look like in terms of true peak and LUFS. The answer might surprise you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Diana Fuentes llega por primera vez a La Clave Pop para hablar de Flores y Fuego, su cuarto álbum de estudio y el primero en siete años desde Libre. La cantautora cubana, radicada en Miami, cuenta cómo una sola canción — "No lo hagas por mí", con Gonzalo Rubalcaba como invitado — le hizo decidir que quería un disco entero de canciones así.En esta conversación, Diana habla de la dualidad que da nombre al álbum: flores y fuego, delicadeza y fuerza, amor propio y ruptura. Repasa sus colaboraciones con Vicente García, Jencarlos Canela y Carlos Varela, y se abre sobre "Cosas de Valientes", el tema más personal del disco, escrito junto a Paula Arenas y dedicado a las mujeres que encuentran la valentía de dejar relaciones marcadas por la violencia doméstica.También hablamos de su salida de Cuba hace 16 años, su transición de Sony Music a artista independiente, y qué sabe la Diana de hoy que no sabía cuando empezó su carrera.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

SUBSTACK LINKIn this solo episode, Dee Kei reads and expands on his Substack essay — a thoughtful response to the now-viral Jim Lil preamp video that sent the audio engineering world into a frenzy. If you haven't seen it, Jim Lil tested a Neve 31105 against a Focusrite Scarlett 2i2 and found the audible difference between the two to be far smaller than most engineers would ever admit. The reactions were loud, emotional, and — according to Dee Kei — largely missing the point.This episode isn't really about whether preamps matter. It's about why the conversation got so heated, what that reaction reveals about how engineers attach their professional identity to their gear, and what it looks like to hold your preferences with confidence without letting them harden into ego. Dee draws on philosophy — Nietzsche's concept of self-overcoming and Nishitani's idea of emptiness — not to be abstract, but to give language to something engineers feel but rarely articulate: the difference between having taste and needing your taste to be doctrine.He also calls out the logical fallacies that flooded the reaction videos, breaks down what Jim Lil's test actually proved versus what people claimed it proved, and ends with a distinction that every working engineer should sit with — the difference between a confident engineer and an egoic one.This is one of the more unique episodes in the show's catalog. Equal parts audio philosophy, industry critique, and professional development — and it's the kind of conversation the mixing world needs more of.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A listener-requested episode is back by popular demand! Dee Kei and Lu tackle one of the most common questions in the show's history — what computer should you actually buy for mixing, producing, recording, and video editing in 2026?They make the case for why Mac has become the default choice for anyone working in a collaborative environment, breaking down file compatibility issues, AirDrop convenience, and why the cost gap with PCs no longer justifies the headache. From there, they go deep on the Mac mini's rise as one of the best value computers ever made, why it became so hard to find, and how the M4 and M5 chip generations have made fan noise, overheating, and lag basically non-issues for audio work.The conversation also covers RAM and storage decisions that actually matter (versus the ones that don't), why external Thunderbolt drives are now just as fast and far more affordable than maxing out internal storage, and surprising GPU improvements that are changing video editing speeds for producers who dabble in content creation. They wrap with an unexpected but relevant detour into Apple's privacy stance and what that means for engineers handling sensitive, high-value sessions.If you've been putting off a computer upgrade or just don't know what specs actually matter anymore, this episode cuts through the noise.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us Fan MailTanner Yeager is a professional stills photographer based out of Globe, Arizona, who spent his career in the motocross industry before finding his way into the music and NASCAR industries. Tanner has worked for clients such as Red Bull, ABC, Sony Music, Fender, The Walt Disney Company, Universal Music Group, and individuals such as Eli Tomas, Ken Roczen,  Colton Haaker, the late Kyle Busch, Jake Owen, Jelly Roll, Midland, Keith Urban, Tommy Ash, and more. In today's episode, Tanner dives into his story of finding photographing, cutting his teeth with INSIDERMX, transitioning from Supercross and motocross to Endurocross, how he found himself in the music and NASCAR industries, being undervalued as a creative, the frustrations with social media and the creative marketplace as a whole, mental health, and much more. Tanner has some wonderful insights, stories, and perspectives from his own experiences crafting images that is beneficial for anyone in the creative space to keep in mind as they navigate their career. I hope all enjoy! Follow Tanner Yeager on Instagram: https://www.instagram.com/TANNERYEAGERPHOTOView More of Tanner's Work: https://www.tanneryeager.com/Follow The Failed Experiment on Instagram: https://www.instagram.com/_thefailedexperiment/Support the the Failed Experiment: https://account.venmo.com/u/kylecowlingFollow The Failed Experiment on YouTube: https://www.youtube.com/@_TFEFollow Kyle Cowling on Instagram: https://www.instagram.com/kylecowling/Support the show

Meet Aleksandar Jason, a freelance sports and lifestyle photographer who shot the Socceroos from inside their camp at the 2022 World Cup and is back on the road capturing the World Game on its biggest stage.But he didn't start there. Aleks cut his teeth in Melbourne's underground club and music scene, photographing for Vice, Sony Music and the Tumblr-era nightlife label he co-founded, before a single phone call, taken while at Bondi Beach, landed him at Melbourne City, where he's now shot for 10 seasons.Since then, he's worked with Nike, Cricket Australia, New Balance, FC Porto, the A-Leagues and even got to shoot weddings for Socceroos stars, John Iredale and Jamie Maclaren.Inside this episode, Aleks shares how he turned a nightlife side hustle into a sideline seat at FIFA World Cups and brands most people dream of working with, why "just starting" beats waiting for a clear plan, and the hard-won lesson of learning to say no, that took him a decade to figure out.We cover:(03:21) - Interview begins(05:41) - Quick Fire Questions(09:26) - Origin of Aleks' passion for photography(12:38) - Early breaks that put Aleks' career on positive trajectory(14:20) - How to work across a diverse genre of photography(18:06) - BTS of running a freelance photography business(19:16) - Aleks on working with the Socceroos at the 2022 FIFA World Cup(23:04) - Favourite moment being at Melbourne City FC(24:51) - Shooting the A-League Grand Final for Auckland FC(27:41) How Aleks bonded with the Socceroos coaching staff(33:39) - What does preparation look like for a tournament(41:37) - Aleks' prediction for the Socceroos at the FIFA World Cup(44:07) - Mentors who have supported Aleks on his journey(45:12) - What is a mistake you have made and how did you come back from it?(46:04) - Projects that were a catalyst for Aleks's career(47:24) - Biggest Pinch me moment(48:19) - What is a better way for sport to be more involved in social justice beyond what it is doing now?(49:55) - Alek's question for next guestIf you liked this ep, give these a go next:#232: How to be the Chief Photographer at the AFL with Michael Willson#258: How to balance freelance work in sport and a regular 9-5 job with Chris MacPherson#279: How to be a freelance videographer in sports with Michael BarkerWant a job in sport? Click here.Follow SportsGrad on socials: LinkedIn | Instagram | TikTokFollow Reuben on socials: LinkedIn | Instagram | TikTokThanks for listening, much love! Hosted on Acast. See acast.com/privacy for more information.

In this solo episode, Dee Kei walks through exactly what a mixing session looks like from the moment he sits down to the moment the file goes out — no guests, no theory, just the real process he uses on every project.He covers why the very first listen always happens before a single plugin is touched, how he organizes and gain stages a session before anything else, and the order in which he builds a mix and why. He also gets into his philosophy on plugin chains, how he actually uses reference tracks without chasing them, and how he knows when his ears have stopped telling him the truth. The episode wraps with his delivery routine — what the final check looks like, how he communicates with clients on send, and why the follow-up step most engineers skip is more important than they think.If you've ever wanted to look over Dee Kei's shoulder during a real session, this is the closest thing to it.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this solo episode, Dee Kei gets honest about something nobody in the audio world really wants to say out loud — talent is the most common thing in this industry, and it's rarely what separates the engineers who are thriving from the ones who are struggling. After years of working alongside incredibly gifted mixers who can't keep the lights on, and watching others with average ears build sustainable careers, the pattern is clear: the gap isn't in the DAW.Dee breaks down the real reasons talented engineers stay stuck — from waiting until they feel "ready," to undercharging out of insecurity, to treating their craft like a hobby instead of a business. He talks about the trap of being busy without being strategic, what it actually takes to build a referral pipeline, and why isolation might be the most career-limiting thing a mixer can do.This one is a mindset episode, but it's also practical. Every point has a fix — and none of them require you to get better at mixing.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Dee Kei breaks down how he actually thinks about mixing vocals — and it's probably not what you'd expect. Before touching a plugin, an EQ, or a compressor, the most important step is understanding the intention behind the song. Is it a club banger or an intimate bedroom record? A polished pop vocal or something raw that's supposed to feel that way? Dee explains why blindly applying mixing techniques without reading context is the number one mistake engineers at every level make.From there, he dives into the fundamentals: how low-mids shape intimacy versus energy, why most beginners over-de-ess their vocals, when heavy compression works in your favor and when it fights the song, and how vocal placement in the mix is determined by the density and genre of the track. He also gets real about something not enough people talk about — the rise of intentionally "rough" sounding mixes that are racking up streams, and what that means for how you serve your clients.Whether you're a bedroom producer mixing your first song or a working engineer looking to sharpen your instincts, this episode will shift how you approach every vocal session.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Triple T Da Boss, also known as Three Times Tougher, is a Mississippi-bred artist whose journey is a testament to resilience, redemption, and perseverance. Raised in Greenville, Mississippi, with deep roots in the Delta's rich musical culture, he developed a sound influenced by both Southern storytelling and hard-earned life experiences. Throughout his career, he's shared space with major artists like Boosie Badazz, Gucci Mane, Yo Gotti, and Three 6 Mafia, gaining valuable lessons while building his own path. After stepping away from music and overcoming incarceration, personal loss, and major setbacks, Triple T has returned with a renewed purpose and a stronger message than ever. Records like “The Put Down,” “Groovy,” and “Heart Beatz” showcase different layers of his artistry while reflecting his commitment to speaking for those who feel overlooked or counted out. Now entering a new chapter through partnerships with Sony Music and Rockstar Music Group, Triple T Da Boss is focused on inspiring others, proving that setbacks don't define you—how you respond to them does.

Join the Inner Circle.  Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: - Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers - Join On Patreon: https://wesoundcrazy.ffm.to/patreon - Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz This week, we take it to the West Coast as the crew lands in Los Angeles for a monumental, ground-breaking episode featuring the legendary, five-time Grammy-winning producer, songwriter, musician, and executive, Warryn "Baby Dub" Campbell. Handpicked as the inaugural inductee into the We Sound Crazy Producer Hall of Fame and honored with the prestigious Esther Rolle Black Excellence Award (The Erbie), Campbell sits down with Philonaire, Claude, Chuck, and Tamon Backon from Macon for a deeply reflective Masterclass on a brilliant career that spans gospel, hip-hop, and R&B. From his early childhood days at King's Chapel Apostolic Church in East LA—where icons like El DeBarge and Andraé Crouch routinely dropped in—to cutting his teeth as a teenage multi-instrumentalist session player in the legendary studios of Death Row Records, Campbell shares an unfiltered, backstage pass look at his musical evolution. In this captivating episode, Campbell opens up about the pivotal figures who shaped his career, including the creative mentorship of DJ Quik and the executive guidance of Sony Music's Jon Platt, who signed him to his very first publishing deal at age 19. Warryn recounts his deep, familial bond with Brandy, navigating his fierce professional rivalry with Rodney Jerkins, and his long-standing, brilliant creative connection with one-of-one songwriter Harold Lilly. He also lifts the curtain on the inception of the iconic gospel duo Mary Mary, revealing how a moment in the shower listening to a bassline through the wall of his parents' garage transformed into the global blockbuster phenomenon "Shackles (Praise You)" which sparked a bidding war with Diddy and Columbia Records. Beyond the hits and historical sessions with titans like Tupac, Kanye West, Luther Vandross, and Kelly Price, Warryn candidly explores the delicate realities of balancing life as a hitmaker, husband, father, and pastor. Reflecting on his enduring legacy, Campbell defines his ultimate approach to music as an authentic vessel of divine download, proudly breaking genre barriers by engineering hits across multiple musical spectrums without ever losing his creative salvation. Without further ado, press play and dive in. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee Thank you to all of our listeners and watchers! Special thanks to Warryn Campbell! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #WarrynCampbell #MyBlock Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 375 of the Mixing Music Podcast, Dee Kei and James break down a tier list for client acquisition in the music industry, inspired by a video from Panorama Mixing and Mastering. They discuss what actually works for getting mixing and production clients, what sounds good in theory but rarely converts, and why repeat clients and word of mouth still dominate almost everything else.The conversation covers networking events, Instagram outreach, YouTube, educational content, spec mixes, referrals, local music scenes, label relationships, free work, websites, paid ads, and cold DMs. Along the way, Dee Kei and James share personal stories from their own careers, including what helped them grow, what failed completely, and how different strategies change depending on your city, pricing, and stage of career.The bigger takeaway is that most successful audio careers are built less on “hacks” and more on trust, consistency, relationships, and staying active long enough for momentum to compound. This is a practical episode for mixers, producers, and engineers trying to figure out where to actually spend their time and energy. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this podcast episode Ashea is joined by Matt Lawrence, a Grammy Award-winning mixer, producer, and engineer who has worked on some of the most influential records of the past 20 years. In this first part of a two-part conversation, Matt discusses his journey into the audio industry, his perspective on the current state of the music industry in 2026, and how the landscape has changed for studios, artists, and record labels over his career.Matt brings invaluable insights from two decades of working at the highest levels of music production, having mixed and produced records that have shaped contemporary music across multiple genres. Whether you're an aspiring audio engineer, a music producer, an artist navigating the modern music industry, or a label executive seeking perspective on industry dynamics, this conversation provides honest, experienced insights into how the music business is evolving and what it takes to build a sustainable career in professional audio production. This is Part 1 of a two-part episode exploring the past, present, and future of the music industry.In This Episode:Career Journey into Audio Production - How Matt Lawrence got started in the audio industry, the path that led to Grammy recognition, and the formative experiences that shaped his career as a mixer and producerWork on Influential Records - Overview of Matt's extensive discography and the iconic projects he's contributed to over the past 20 years in mixing and productionThe Evolution of the Music Industry (2006-2026) - How the music industry has transformed over the past two decades, changes in recording technology, distribution, and the business model for artists and labelsThe Role of Studios in Modern Music Production - What studios look like in 2026, how the role of physical recording spaces has changed, and why certain aspects of professional studios remain invaluableArtists Navigating the Current Landscape - The challenges and opportunities for musicians and artists in 2026, from recording and production to promotion and distributionRecord Labels and Industry Structure - How record labels are adapting to the modern music ecosystem, their changing role, and what sustainable relationships look like between labels, artists, and production professionalsTechnology and Production Innovation - Advancements in recording technology, production tools, and mixing techniques that have emerged over Matt's 20-year careerProfessional Insights from Industry Veterans - Lessons learned, perspectives on what it takes to succeed in professional audio, and honest assessment of the current state of music productionAbout Our Guest:Matt Lawrence: Matt Lawrence is a Grammy Award-winning mixer, producer, and engineer with an extensive career spanning over two decades in professional music production. His work has touched some of the most influential records released over the past 20 years, earning him recognition and respect throughout the music industry. With deep experience working across multiple genres and with diverse artists and labels, Lawrence brings authentic perspective on how the music industry operates and the evolution of music production in the modern era.About Our Host:Ashea is a platinum-selling songwriter, music producer, and audio engineer from the UK. With credits spanning notable artists, major labels, and prestigious broadcasters, Ashea brings authentic conversations between industry professionals to the Production Expert Podcast. Credits & Placements Include… Alan Walker, Holy Goof, TS7, Billy Da Kid (Kiss FM), Steve Smart (Kiss FM), The Wideboys, MER, Sony Music, 2Tone Records, BBC, SVT1 (Sweden).Resources & Links MentionedMatt Lawrence - Grammy Award-winning mixer, producer, and engineerGenelec UniO Monitoring Ecosystem - Professional audio monitoring solution providing seamless bridge between loudspeaker and headphone monitoring for consistent mix translation. Visit: genelec.com/unioSubscribe & FollowSubscribe to the Production Expert Podcast on:Apple PodcastsSpotifyYouTubeAll major podcast platformsFollow us:Instagram: [@production_expert_podcast]Website: [productionexpertpodcast.com]SponsorshipThis episode is brought to you by Genelec. If you've ever been disappointed with the way your mixes sound on other playback systems, check out Genelec's UniO monitoring ecosystem. By providing a seamless bridge between loudspeaker and headphone monitoring, UniO allows you to quickly create great sounding mixes that translate consistently wherever you choose to work. No more guesswork, no more surprises — just truthful, accurate audio monitoring from stereo to immersive. Visit genelec.com/unio to learn more.Note: This is Part 1 of a two-part episode with Matt Lawrence exploring the music industry landscape of 2026 and his insights on studios, artists, and labels.

Dans cet épisode d'Influence Corner, je reçois Joséphine Roussel pour une conversation authentique autour de l'audace, de la créativité.De ses débuts dans l'industrie musicale chez Sony Music et Warner Music à ses collaborations avec Aya Nakamura, Soprano ou encore Ninho, Joséphine revient sur son expérience d'attachée de presse dans le rap français et les coulisses des médias généralistes.Elle partage aussi son virage vers le marketing et son arrivée chez WeRoad, où elle pilote aujourd'hui des campagnes créatives et audacieuses qui font parler sur les réseaux sociaux et dans le métro parisien.Au programme de cet épisode :✨ Oser quitter les études pour suivre son intuition✨ Les coulisses de la communication dans la musique✨ Comment faire émerger des artistes dans les médias mainstream✨ Créer des campagnes qui marquent les esprits✨ Le syndrome de l'imposteur et la liste Forbes 30 Under 30✨ Pourquoi l'environnement de travail est essentiel à la créativité✨ L'importance d'oser, tester et ne pas vivre avec des regretsUn échange inspirant pour toutes celles et ceux qui veulent donner vie à leurs idées, sortir des chemins classiques et construire une carrière à leur image. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week on The GovNavigators Show, Robert and Adam are joined by Robbie Holmes, founder and CEO of Holmes Consulting Group and member of the GovNavigators Network, for a wide-ranging and deeply personal conversation on technology, government modernization, and what it really takes to build systems that serve people. Robbie traces a remarkable career arc, from the New York City welfare system and Sony Music to Zagat Survey, Google, USDS, and local government, and draws from each stop to make the case for pragmatic, constituent-centered technology. He reflects on his evolution from AI skeptic to cautious optimist, explains why so many well-intentioned government systems have created more friction than they've solved, and makes a compelling argument for why identity infrastructure and unified case management should be the government's next big bets. Show Notes:CMS: Nationwide Moratorium on Hospice and Home Health Agency EnrollmentGAO: 2026 Annual Report on Fragmentation, Overlap, and DuplicationHouse Oversight Committee: Markup on Legislation to Stop Fraud in Federal ProgramsFederal News Network: House Committee Advances 9 Anti-Fraud BillsNPR: Senate Votes to Kickstart Reconciliation to Fund ICE and CBPEvents on the GovNavigators' Radar:May 20th: GovCIO Federal IT Efficiency Summit at Carahsoft May 21st: PSC FedHealth Conference

Step inside the recording studio to understand more about one of the greatest voices of our time, Celine Dion. My guest is Vito Luprano, the Sony Music executive and creative force who worked on 21 of Celine's albums and helped shape her rise from a shy francophone teenager into an international superstar. Vito found the songs. Fought for the sound. Pushed for the reinvention. And helped Celine move from French-language success to global domination. He shares some of Celine's iconic moments, from "Where Does My Heart Beat Now" to "I Drove All Night," "Taking Chances," "Alone," and the unforgettable story behind "My Heart Will Go On." This is a rare look behind the curtain at one of the world's greatest stars, her journey to the top, her songs, the tension, and her heartbreak when she lost Rene, the love of her life.    

Welcome to Season 6 of the WE GOT US NOW Podcast.Hosted by Ebony Underwood.Our annual WE GOT US NOW Podcast takes a thematic twist this year with the launch of our SPECIAL EDITION: Mental Health Awareness Series: 7 Unspoken RealitiesThis season, Ebony is joined by Dr. Ron-Li Liaw, Children's Hospital Colorado's inaugural Mental Health-In-Chief, Chair of the Pediatric Mental Health Institute, and a nationally recognized child and adolescent psychiatrist whose work advances mental health integration, family engagement, clinician well-being, design innovation, and systems-level transformation in youth mental health.Together, Ebony and Dr. Liaw engage in a weekly conversation exploring important realities that shape the lives of children separated from a parent by incarceration — from the trauma of witnessing a parent's arrest to the impact of separation on the body, nervous system, and developing mind.Over the next seven weeks, Ebony guides a powerful conversation rooted in lived experience, leadership, and a deep commitment to centering children and young adults impacted by parental incarceration, with Dr. Liaw bringing clinical expertise and systems-level insight to help illuminate each reality.This series invites us to listen more deeply, understand more fully, and respond more compassionately to one of America's most invisible populations.Season 6 begins now. Episode One is live.Thank You to our Sponsors: Chicago Beyond, RWJF, Sony Music, NBA Foundation To learn more, go to: WEGOTUSNOW.org#ChildMentalHealth #TraumaInformed #DrRonLiLiaw #ParentalIncarceration #EbonyUnderwood #WeGotUsNowPodcast #MentalHealthAwarenessMonth #CYAIPI #WEGOTUSNOW

In Episode 373 of the Mixing Music Podcast, Dee Kei sits down with multi-platinum mixer Austin Seltzer to talk about the real-world habits that separate professional mixers from amateurs.They dive into major label workflows, quality control, revision culture, stem prep, client communication, pricing, managers, points, mixing for indie artists vs major artists, and why sending a mix too early can hurt your career. Austin also shares practical advice on systems, professionalism, politics in the music industry, and how treating every mix like a major release can completely change your trajectory.This episode is packed with honest insight for engineers, producers, and mixers trying to level up both creatively and professionally.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, hosts Jay Gilbert & Mike Etchart break down these important music industry stories:   •  Rap On Trial: The Long Battle to Keep Hip-Hop Lyrics Out of Court •  The US Copyright Office is hiking registration fees by 43%. Indy music orgs say artists won't be able to afford it. •  Spotify wins motion for arbitration in 'payola' lawsuit •  Udio admits to scraping YouTube audio for AI training in answer to Sony Music lawsuit   Subscribe to the newsletter! : YourMorning.Coffee

In Episode 372 of the Mixing Music Podcast, Dee Kei and Lu talk about how mix engineers build real confidence. They break down the difference between results-based confidence, where your confidence depends on client approval, clean revisions, or a perfect session, and a deeper confidence built through preparation, experience, systems, and consistency.The conversation covers revision notes, rejected mixes, stressful sessions, client communication, professional workflows, branding, practice, and why confidence cannot come only from good outcomes. Dee Kei and Lu also discuss faith, fear, imposter syndrome, clear conscience, and how staying calm under pressure helps clients trust you more.This episode is for engineers, producers, and creatives who want to build lasting confidence without relying on validation, luck, or every mix going perfectly. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 371 of the Mixing Music Podcast, Dee Kei and Lu have a more relaxed, reflective conversation about life, creativity, and staying inspired in audio. Dee Kei talks about moving through different phases as an engineer, from early excitement, to getting lost in technical details, to eventually trying to reconnect the emotional side of music with a deeper technical curiosity.They discuss gear research, learning from other engineers, Atmos and surround mixing, studio upgrades, creative plateaus, and the desire to fall back in love with mixing after feeling stuck. The conversation also opens up into fatherhood, having a third child, balancing family with a creative career, contentment versus complacency, and why responsibility can sometimes create more purpose instead of limiting ambition.This episode is part audio reflection, part life update, and part creative reset for anyone trying to stay curious, authentic, and motivated in a long-term music career.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 370 of the Mixing Music Podcast, Dee Kei and Lu continue their true-or-false format and dig into even more of the beliefs, myths, and gray areas that shape music production and audio careers. This round covers everything from whether you should mix and master your own music, to whether analog gear is really better, whether Pro Tools still matters, and whether networking outweighs skill.They also get into social media, working for free early in your career, standing out in a crowded industry, perfectionism, arrangement vs mix importance, and what actually makes a great mixer. One of the strongest themes in the episode is that audio is never just technical. Great mixing is also about psychology, emotion, decision-making, and understanding how to help artists feel confident in what they are making.This is a sharp, practical episode for engineers, producers, and artists who want more nuance than the usual black-and-white advice. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Louis Theroux's documentary about the manosphere didn't at first seem to have much to do with sports digital strategy?Until you get to the platforms: Kick. Rumble. A whole ecosystem of streaming channels that the sports business conversation barely mentions, yet where significant numbers of young men are spending serious time.So we brought in Dan Ayers, VP of Transformation Digital at IMG, to ask: is the industry optimising for the wrong platforms?What follows is a conversation that starts with Kick and ends somewhere much more interesting: in the weeds of Reddit moderators, Discord quiz nights, Iron Maiden's fan base, and what a thousand true fans is actually worth. Dan makes a strong case that the non-obvious channels aren't really about reach at all. Reddit and Discord represent a qualitatively different kind of engagement — audience-to-audience, not brand-to-audience — and the sports organisations that understand that distinction are building something that turns out to be genuinely valuable precisely when things go wrong.There's also a sharp thread running through this about numbers — what a view is worth now that TikTok set the floor at zero seconds, why 15,000 concurrent viewers on a cycling stream is a better result than it sounds, and why the industry's fandom claims may be heading for a Barcelona email database moment.Dan is a rare guest: someone who's been inside platform change long enough — from Sony Music in the early 2000s through to IMG's YouTube CMS work today — to have real opinions rather than consulting hedges.Unofficial Partner is the leading podcast for the business of sport. A mix of entertaining and thought provoking conversations with a who's who of the global industry. To join our community of listeners, sign up to the weekly UP Newsletter and follow us on Twitter and TikTok at @UnofficialPartnerWe publish two podcasts each week, on Tuesday and Friday. These are deep conversations with smart people from inside and outside sport. Our entire back catalogue of 500 sports business conversations are available free of charge here. Each pod is available by searching for ‘Unofficial Partner' on Apple, Spotify and every podcast app. If you're interested in collaborating with Unofficial Partner to create one-off podcasts or series and live events, you can reach us via the website.

Every week, And the Writer Is brings you the most important news moving through the music industry — straight, sharp, and no fluff. This week: a jury ruled Live Nation and Ticketmaster violated antitrust laws and operate as illegal monopolies, with a judge now weighing whether to force a breakup or sale. Max Lousada and Julie Greenwald — the A&R legends behind Warner's modern run — launched a new long-term international label with Sony Music investment and distribution. And Udio signed a licensing deal with Kobalt, becoming one of the first AI companies actually paying creatives for training on their work. Plus: D4vd arrested on murder charges and dropped by Interscope, Foster the People ink a new deal, and Ella Langley's "Choosin' Texas" holds the #1 song. Follow us on socials and don't miss our new episodes every Tuesday — the hottest conversations in music, with the people making it.This week:Jury finds Live Nation and Ticketmaster violated antitrust laws — a judge will now decide whether to break them upMax Lousada and Julie Greenwald launch a new international label with Sony MusicUdio signs a licensing deal with Kobalt — the first real AI-pays-creatives move of the cycleD4vd arrested on murder charges; Interscope removes him from their rosterFoster the People sign a new dealElla Langley's "Choosin' Texas" remains #1 song of the weekRoss previews live episodes coming from Stagecoach and the week's Billy Corgan drop Hosted on Acast. See acast.com/privacy for more information.

In Episode 369 of the Mixing Music Podcast, Dee Kei and Lu take a true-or-false format and use it to unpack some of the biggest myths and half-truths in music, mixing, and the audio industry. What starts with a Discord question about whether clients should ever receive a mix you are not proud of turns into a bigger conversation about taste, service, flexibility, and what great engineers actually do.They dig into whether natural talent is required to become great at music, whether a mix that sounds good in mono sounds good everywhere, whether subs should always be mono, whether success is measured by streams, whether artists can really make a living from Spotify, and whether you have to move to LA to make it in music. They also touch on reference tracks, client expectations, and how personal ego can distort the way people think about careers and craft.This is a fun but honest episode that mixes hot takes with real nuance, especially for engineers, producers, and artists trying to think more clearly about success, taste, and what actually matters in music. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What if burnout isn't something that suddenly happens to us…but something that quietly builds over time?In this powerful and deeply honest conversation, I sit down with executive leadership coach and author Lynn Blades to explore what she calls “The Quiet Burn”—the slow, invisible erosion of energy, identity, and self-worth that so many women experience.Drawing from both her personal experience and her work with global leaders, Lynn shares how the constant pressure to prove ourselves, push through, and “hold it all together” can eventually lead us to break.This episode is an invitation to pause…to notice the signs…and to rethink what we've been taught about strength, success, and sustainability.✨ In This Episode, We Explore:Why burnout doesn't happen overnight—it builds quietly over timeThe powerful “burnt toast” metaphor and how it reflects our lived experienceThe progression from stress → overwhelm → burnoutWhy “pushing through” is often what leads us to breakThe hidden cost of constantly proving our worthWhy rest is not something we have to earnHow guilt, shame, and fear keep us stuck in over-functioningReframing self-worth beyond productivity and external validationWhy confidence is contagious—and how it impacts everyone around us

In Episode 368 of the Mixing Music Podcast, Dee Kei and Lu tackle a question that comes up constantly: how do you maintain work-life balance while building a serious music career, especially with a spouse, kids, and the uncertainty that comes with creative work?With Dee Kei preparing for the birth of his third child, the conversation becomes a personal one. He breaks down the biggest misconception around balance, which is the idea that it is some permanent state you eventually arrive at. Instead, the episode explores work-life balance as something fluid, imperfect, and constantly changing based on your season of life, your values, your relationships, and your responsibilities.They also get into boundaries, flexibility, commitment, marriage, career ambition, and how family can shape motivation rather than destroy it. This is a thoughtful episode for anyone trying to navigate music, purpose, relationships, and the reality of building a meaningful life without waiting for things to feel perfectly stable. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we're discussing the growing issue of AI-generated deepfake music on streaming platforms.Sony Music claims to have removed over 135,000 tracks impersonating real artists, with major names already affected. These AI-generated songs are designed to mimic artists and take advantage of attention during release cycles.We unpack what this means for musicians, listeners, and the future of music platforms. Is this just the beginning of a much larger problem?Check out Kh3rtis' new album, 'In the Wake of Light' here:https://kh3rtis.bandcamp.com/album/in-the-wake-of-lightThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

In Episode 367 of the Mixing Music Podcast, Lu holds it down solo while Dee Kei takes time with his growing family, and uses the episode to demystify some of the most common myths in audio. He moves through recording, mixing, mastering, and broader industry misconceptions, tackling topics like expensive gear, recording levels, fixing things in the mix, room acoustics, clipping, plugin counts, reference tracks, headphones, loudness, presets, Auto-Tune, and more.Rather than overcomplicating things, Lu keeps the episode practical and direct. The message throughout is that context matters, good judgment matters, and a lot of the “rules” people repeat in audio are either outdated, oversimplified, or flat-out wrong. This is a fast, useful episode for engineers, producers, and artists who want clearer thinking and fewer myths in their workflow. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 366 of the Mixing Music Podcast, Dee Kei and Lu talk about what the first five years of an audio career really look like. From saying yes to everything, trying different lanes, and learning on the fly, to dealing with low pay, long hours, self-doubt, burnout, and the pressure to figure things out, this episode is a realistic look at the early stage of building a life in music.They break down the value of experimentation, humility, relationships, gear obsession, learning through mistakes, and why your path will probably look different from everyone else's. The bigger message is that there is no single blueprint for making it in music, but staying curious, staying open, and actually enjoying the process matters more than most people realize. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 365 of the Mixing Music Podcast, Dee Kei and James sit down with mixing engineer Andrew Law to talk about immersive audio, Dolby Atmos, and how Andrew built a career around spatial mixing. He shares how his path took him from traditional recording work into TV, film, podcasting, Amazon Music, and eventually Grammy-nominated Atmos mixing.The conversation breaks down what actually makes a strong Atmos mix, how Andrew approaches beds, objects, binaural settings, and playback, and why hearing Atmos on a real speaker system can completely change how artists feel about the format. He also explains practical ways beginners can start learning Atmos without a full room build, along with thoughts on workflow, clients, and where immersive audio may be headed next.Along the way, Andrew also talks about career pivots, working both freelance and in-house, networking, and how his unusual background, from sports to studio life, shaped the way he navigates the music industry. This is a great episode for anyone curious about Atmos, spatial audio, and the evolving future of mixing. andrewlawmixing.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 364 of the Mixing Music Podcast, Dee Kei and Lu revisit one of the most common pieces of advice in mixing: “mix fast.” While trusting your instincts and avoiding overthinking can be powerful, the guys explore the nuance behind when slowing down actually leads to better results.They discuss the value of the “next day listen,” how fresh ears can reveal problems you missed the night before, and why building extra time into your schedule can improve both your mixes and your revision process. From there, the conversation dives into practical ways to slow down intentionally, including detailed automation, vocal rides, automating effects and parallel compression, and taking the time to properly dial in EQ and compressor settings.The episode also highlights the importance of referencing and making intentional decisions rather than letting plugins or presets determine the direction of a mix. The core message is simple: instinct and speed are valuable, but great mixes often come from knowing when to pause, listen carefully, and refine the details.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 362 of the Mixing Music Podcast, hosts Dee Kei and Lu start with a wild weekend recap that includes long work hours, live sound chaos, and a massive rally in downtown Los Angeles. Dee Kei shares how he went from one gig to another while traffic was locked up, and even ended up unintentionally marching with a protest on the way to the next event. He describes the scale of the rally setup, including flying dozens of line arrays to cover an enormous crowd, and then later connects that experience to one of the core themes of the episode: fundamentals matter more than fancy gear.The main conversation is sparked by a viral-style audio story: a blind listening test where people could not reliably tell the difference between audio passed through standard copper wire, a banana, or wet mud. Dee Kei and Lu use the article as a jumping-off point to talk about how easy it is for audio culture to become obsessed with mysticism, status, and expensive objects rather than results. They point out that even when engineers care deeply about details, most listeners respond to vibe, emotion, and impact, not the mythology around cables, converters, or obscure technical flexes.From there, the episode expands into a bigger discussion about anti-intellectualism in the Zen sense, not anti-intelligence. The idea is that practical experience, experimentation, and real listening should take priority over rigid theories, cheat sheets, and secondhand rules. They talk about how knowing everything about a compressor on paper is not the same as using it well in context, and how taste and emotional translation are often more important than technical trivia. They connect this to why AI may automate some low-stakes, background-music needs, but will not fully replace the human judgment behind great mixing and music made for music's sake.The guys also get into the social side of the industry, including how insecurity can show up as a need to prove people wrong, and how being “the smartest person in the room” does not matter if you make everyone miserable. They share stories about people who are technically knowledgeable but communicate with a defensive, correcting energy that makes others want to exit the conversation. Dee Kei frames it as a lack of contentment and an obsession with being right instead of being useful.Later, they bring the conversation back to growth and practice: why daily reps matter, how to get better by accelerating mistake-making, and why it helps to mix for real people with opinions rather than only practicing in a vacuum. They talk about practical ways to practice recording and mixing when you do not have a studio, like using rehearsal spaces, booking an affordable studio day, or working with local bands in exchange for experience. Dee Kei also emphasizes a simple principle he has said before: if you want to get good, start mixing faster and start making decisive choices with intention.To close, they reflect on humility, responsibility, and long-term improvement, including an example of how top performers stay grounded under pressure, plus a nuanced comparison of how gratitude can be framed differently in American versus Japanese culture. The episode ends with a reminder to focus on the craft over the distractions, keep it fun, and keep learning.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 361 of the Mixing Music Podcast, hosts Dee Kei and Lu start with some Super Bowl talk and quickly pivot into a bigger conversation about obsession, creativity, and what actually drives high-level engineers to improve. Dee Kei shares a recent clip he saw from a well-known mixer talking about working extreme hours early on, and how an unhealthy level of obsession can sometimes be part of why people eventually earn enough skill, stability, and confidence to relax later.From there, the episode becomes a deep mindset discussion about craft. Dee Kei argues that great work tends to create money as a consequence, not as a starting motivation, and that when money becomes the primary goal, it can de-incentivize the kind of care and curiosity that lead to truly great records. He uses a story about giving his young son an allowance and watching how the introduction of money changed the child's relationship to making art. The broader point is that creative work is different than typical product-based entrepreneurship, because art has no built-in finish line and its value is often subjective.They also talk about the difference between loving music and loving the identity of being a producer or engineer. Dee Kei suggests that real obsession is not something you force. It is an alignment that shows up naturally in how you spend your time, what you want to learn, and how much you care even when conditions are not ideal. He shares a C.S. Lewis quote about how favorable conditions never arrive, and why the people who achieve the most are the ones who keep learning and working even when life is inconvenient.Lu adds a practical anchor to the conversation with a reminder that fundamentals beat trendy techniques. Whether you are mixing, recording, or working live sound, focusing on the basics of sound capture, decision-making, and working within limitations is what consistently produces results. They also touch on loudness briefly, including the idea of getting competitively loud while still feeling dynamic, plus how tools like clippers can be used creatively when the foundation of the mix is already solid.The episode wraps with a short story about a Japanese sword parable that illustrates diminishing returns and restraint, tying back to the idea that technical mastery alone is not the point. The bigger goal is making meaningful art with intention, curiosity, and integrity, without reducing the whole process to profit, ego, or external validation.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy