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From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Musical premiere in Bemidji tackles small-town healingKevin Cease of Bemidji is a funeral director and fan of community theater. He's looking forward to the world premiere of “Water from Snow,” a new musical by Janet Preus, co-written with Robert Elhai and Fred Steele. The show runs through Sunday, April 13. Tickets here.NOTE: The “Water from Snow” premiere has been postponed until April 11.Kevin said: I'm looking forward to the world premiere of local playwright Janet Preus's show “Water from Snow.” It is an original musical play co-written by her and Robert Elhai and Fred Steele of the Steele family. As it is set in a small town on a lake in northern Minnesota, Bemidji seems perfect for its premiere!Important and universal themes drive this story: healing wounds caused by abuse; overcoming racism against Indigenous people; bridging generational differences; valuing elderly community members; and championing women supporting each other. They hope to generate meaningful conversations among audience members, performers and the creative team.The roughhewn nature of the Rail River School venue in Bemidji lends additional character and dimension to the play. The music is diverse from a mix of music from country and blues, to pop, ballads and R&B, even a song from old farts at the setting of the café — there are 22 original songs! The lively local cast has chosen their roles carefully, with a range of characters drawn from the writer's lifetime in rural Minnesota.— Kevin CeaseMacMillan's transformative choral workStephen Kingsbury is a choral director and educator who wrote his doctoral dissertation on Scottish composer Sir James MacMillan. He recommends two upcoming events celebrating MacMillan's music.MacMillan will conduct seven Twin Cities choirs in a free performance called “Voices for a Cathedral” at the Cathedral of St. Paul, Friday, April 4 from 7:30 to 9:30 p.m. VocalEssence will also perform an all-MacMillan program Sunday, April 6 at 4 p.m. at the Ordway in St. Paul, with both MacMillan and Philip Brunelle conducting. The program features “Seven Last Words from the Cross” and “The Sun Danced,” with soprano Goitsemang Lehobye joining the U of M University Singers and orchestra.Kingsbury describes his first encounter with MacMillan's work over 25 years ago:Stephen says: One day, in deep frustration, I was going through my collection of recordings looking for inspiration. I found a disc that I had no recollection of purchasing. It was of MacMillan's “Seven Last Words from the Cross.” I popped in the player and spent the next hour laying on the floor of my apartment, wrapped in the music, staring up at the ceiling, silently weeping. I had never encountered anything like it. In that hour, I was transformed by a new awareness of what the choral art could be: how it touch the soul in deep and transformative ways. I knew then that MacMillan had to be the topic of my study. Since then, MacMillan's music has served as one of the centers of my artistic and scholarly life. I've since written a number of additional articles about his music and had the pleasure of being able to conduct many of MacMillan's compositions. His music strikes a balance between passion and craft; it is both deeply emotional and thoughtful.— Stephen KingsburyZappa's legacy lives on in Mankato tributePaula Marti of New Ulm is a classically trained oboist and manager of Morgan Creek Vineyards & Winery, where she curates summer concerts. She also has a lifelong love of Frank Zappa's music, and she recommends a tribute concert this weekend.Joe Tougas and his ensemble Joe's Garage return to perform “Joe's Garage, Act Two,” a Frank Zappa tribute concert. The event is Saturday, April 6 at 7 p.m. at the Morson-Ario-Strand VFW in Mankato.Paul says: What's unique about this particular group is because there's so many professional musicians in it, they really have been able to achieve the sound that Frank Zappa attempts to create in his works. He has this diverse sensibility about sound and rhythm. It's integrated in a marvelous way that has this orchestral effect. It's just amazing as a classical musician myself, enjoying what comes out of these interesting themes that Zappa puts together, which are unique, they're cultural expressions of our time and our era. And he does that in a way that's very, very respectful to the instrumentation that has to go on that represents, you know, the harmonies, the diversities and the the challenges of the message of the music.— Paul Marti
Scottish composer and conductor Sir James MacMillan offers rare insights into how he goes about composition, revels in the beauty of the Ayrshire landscapes where he lives, explores the influence of religion on his and others' music, compares his experience of watching football (he's a huge Celtic fan) and attending concerts, and reflects on the enduring legacies of greats such as Handel and Bach.
Pope Francis says he won't resign, in his new autobiography released this week. We hear from the host of the "Inside the Vatican" podcast Colleen Dulle, who's read it.Should young children fast during Ramadan? We visit a school making arrangements for its Muslim pupils and hear from an Imam and GP.What role does religion play in the mass kidnappings in Nigeria? More than 250 children were abducted from their school in Kaduna State last week and dozens of women were abducted in Borno state soon afterwards. It's thought that Islamist fighters from Boko Haram are behind many of the incidents.The Catholic composer Sir James MacMillan was honoured with a fellowship of the prestigious Ivors Academy this weekend. He tells us about his stirring music and his personal faith.The new extremism definition released this week by the government has generated plenty of headlines and concern. We consider how it could influence the government's counterterror efforts and why the new definition is needed.Presenter: William Crawley Producer: Catherine Murray Editor: Dan Tierney
This week we look at the history, culture, and politics of Scotland. There are lessons for all of us in seeing how Scotland has changed, been blessed and declined. We look at Scottish influence on the world; from psalms to paganism; Braveheart; the history of Scotland; John Knox; Education; Abortion; Sir James MacMillan; The Chief Apologises; Woke Scotland; Nicola Sturgeon; Edinburgh Rape Crisis Centre; Pregnant Men; Conversion Therapy; Authoritarian Scotland; The New Highland Clearances; Eilish McColgan and Andy Murray; the decline of the Church; and hope for the future.With music from the Peat Bog Faeries, Slim Dusty, St Peters Free Church, the Battlefield Band; Sir James MacMillan; the Average White Band; Deacon Blue; RunRig; Nazareth; and Steph Macleod.
Helikaja 11.novembril - Macmillani järelllainetes Helikaja vaatab tagasi ERSO hingedepäeva kontserdile, mida juhatas maailmakuulus šoti helilooja Sir James Macmillan ning õnnitleb Maria Seletskajat uuel ametipostil.
Täna õhtul teeb Klassikaraadio otseülekande hingedepäeva kontserdilt, kus kõlavad Arvo Pärdi, Benjamin Britteni ja James Macmillani helitööd, helilooja ise on ka dirigendipuldis.
Using the music from the Queens funeral and the most watched sermon in human history - we look at the worlds news. Including Sir Lindsay Hoyle; Muslims and Hinus in Leicester; Trinity College, Dublin; Daniel Andrews and Bush Walks; Bill Maher; Ukraine; Taiwan; The Irish Times; Byzantium in Gaza; King Charles and Christian Faith; Reaction to the Archbishop's Sermon; AN Wilson; and Sir James Macmillan
19th-20th CenturiesIn this episode we hear works by Hector Berlioz, Felix Mendelssohn, Modest Mussorgsky, Eugen Suchoň, and Sir James MacMillan.150 Minutes – Weeks of April 18 and 25, 2022
In this episode, Katie Derham finds out how being involved in making music can give people the confidence they need to have a better and brighter future.We've heard from players in The People's Orchestra and from choir members in one of their many show choirs in previous episodes, but the team behind the inspirational community orchestra in the West Midlands don't only create opportunities for people who want to play an instrument or sing. They create employment opportunities for non-musicians too. Katie speaks to behind-the-scenes staff and people they've helped back into work.Streetwise Opera is all about giving people recovering from homelessness the chance to get their lives back on track through the power of opera. Head of Communications, Rey Trombetta talks about the value of the projects they run throughout the UK and we hear from Ruben Whitter who says he never thought he would be an opera singer, but being involved in Streetwise Opera has turned his life around.Celebrated composer Sir James MacMillan has worked with Streetwise Opera in the past and he tells Katie what inspired him to get involved. We find out about the British tradition of composers working in communities and James talks about creating opportunities in his hometown of Cumnock in Scotland through his festival, The Cumnock Tryst.www.thepeoplesorchestra.comhttps://streetwiseopera.org/https://www.thecumnocktryst.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The great composer Sir James MacMillan discusses his formative years and shares thoughts on composing techniques, sources of inspiration, his festival in Ayrshire and...electric pencil sharpeners!
Acclaimed as one of the world's great living composers, Sir James MacMillan last appeared on All Things Considered when he was in Cardiff rehearsing for the premiere of a work he'd written for Welsh National Opera. Fourteen years later, his reputation has not diminished. His new work, 'When Soft Voices Die' was premiered in the opening night of the Proms last month. His percussion concerto 'Veni, Veni Emmanuel' has now had more than 500 performances around the world, and his 'Stabat Mater' was streamed from the Sistine Chapel in Rome. And there's a steady stream of work for orchestras, choirs and soloists heard extensively at international music festivals, including an annual event he launched in the former coalmining community of Cumnock in Ayrshire, where he was brought up. It was also there that his deep commitment to the Roman Catholic faith was nurtured. Roy Jenkins interviews Sir James about his life, work and deep Catholic faith.
I am always humbled when I get the chance to chat with someone so influential in the world of classical music and find that they are so warm, honest, and fascinating. Sir James MacMillan was a real joy to chat with - I discovered what music he likes to "champion" when he conducts abroad, we chat about the pitfalls of social media, and we discuss why it is problematic when a composer won't "let go" in the rehearsal process! If you would like to know more about conductors and conducting, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. Alternatively, if you would prefer to make a one-off donation to financially support this podcast, then go to https://www.justgiving.com/crowdfunding/a-mic-on-the-podium and any donation you make will be greatly appreciated and help the podcast live on into the future. This interview was recorded on 15th March 2021 via Zoom.
Ben Okri's new play Changing Destiny is an adaptation of one of the world's oldest known stories, the ancient Egyptian Tale of Sinuhe. Tonight marks not only its opening night at London's Young Vic theatre, but the first time the venue has opened its doors since last year. Artistic director Kwame Kwei-Armah, who directs the play, talks to Tom live from the Young Vic just a few minutes before the curtain goes up. This evening, Sir James MacMillan has a new piece being premiered at the First Night of the Proms, alongside Vaughan Williams's Serenade to Music. He tells Tom why it will be such a special occasion, and the pressure of writing a piece to accompany a masterwork. "Paint me, Joan," the children of the tenements of Townhead in Glasgow used to say to Joan Eardley. And she did. The people of Townhead and scenes of the fishing village of Catterline in northeast Scotland became the focus of her art. This is celebrated in her centenary year with two exhibitions in Edinburgh, where the Art Festival opened yesterday. Glasgow-based artist Hannah Tuulikki and Adam Benmakhlouf, art editor of The Skinny magazine, review the Joan Eardley shows, as well as Tak' Tent O' Time Ere Time Be Tint, a new installation and film by Sean Lynch, responding to the statues and public monuments of Edinburgh. Laura Snapes joins us to review Billie Eilish's eagerly awaited new album Happier Than Ever. And as ITV announces it has axed The X Factor, she discusses its legacy and why Simon Cowell is now choosing to distance himself from the programme.
Music for Easteride - Episode 3 Today we will be exploring music responding to the most joyful word of all, ‘Alleluia', in different styles from different composers throughout history. Music included in this episode is: Marcel Peres and Ensemble Organum singing the Old Roman version of ‘Alleluia, Ales Barta playing Joseph Seger's ‘Fugue on the Easter Alleluia', Christopher Hogwood conducted the Academy of Ancient Music in the first movement from Josef Haydn's ‘Alleluia' Symphony, no. 30, in C major, The Estonian Philharmonic Chamber Choir singing two psalms from Sergei Rachmaninov's All-Night Vigil, directed by Paul Hillier, Rene Jacobs conducted the Choir of Clare College Cambridge and the Freiburger Barockorchester in that exhilarating performance of the ‘Hallelujah' Chorus from Handel's ‘Messiah' and Sir James MacMillan's ‘Alleluia', beautifully performed by the SWR Vokal Ensemble and Marcus Creed. You can follow along with the text on our website at: https://radiomariaengland.uk/about/programmes/music-for-eastertide/
Pianist Iain Burnside talks to Alex about classical music by living composers. Iain and Alex discuss music by Thomas Adès, Judith Weir and Sir James MacMillan.Subscribe to New Notes on Apple Podcasts, Spotify, or wherever you get your podcasts and you'll be the first to hear new episodes each week!New Notes is now on Instagram! Head to: https://www.instagram.com/newnotespod/
This week we cover sport, comedy, news, music, religion - Chinese New Year, Nigeria, Dutch Feminism, Sir James Macmillan, Steve Hughes, Scottish Rugby, Victorian Anti Gay Conversion, its a Mad World, Kylie Moore-Gilbert, Handsworth Council, Planned Parenthood, and the Rolling Stones
This week Beethoven celebrates his 250th birthday. To mark the day, Damian Thompson talks to the composer Sir James MacMillan about how Beethoven's faith impacted his music.
It's the 250th anniversary of the birth of Ludwig van Beethoven. In this episode of Holy Smoke, Damian Thompson is joined by his fellow composer Sir James MacMillan to discuss a side of Beethoven that the postmodern artistic establishment prefers to ignore: his unwavering faith in God and the surprisingly strict morality that arose from it. Beethoven may not have gone to Mass very often, but before he died he asked to see a priest and during years of intense suffering composed one of the greatest of all settings of the liturgy, the Missa Solemnis. He was more proud of this masterpiece than of any of his symphonies; before he wrote it he meticulously researched the Latin text, and he also plunged into a study of the polyphonic masters of the 16th century. Sir James MacMillan is currently presenting a Radio 4 series on the religious faith of four composers: Tallis, Wagner, Elgar and Bernstein. If the BBC has the good sense to make another season, then he's planning to do a programme on Beethoven. But you don't have to wait to hear his fascinating reflections on the great man: just listen to this exhilarating episode of Holy Smoke.
Yule – Part I This week we hear anonymous works and works by Leonel Power, Josquin des Prez, Hans Leo Hassler, Heinrich Biber, Johann Sebastian Bach, Louis-Claude d’Acquin, Francesco Durante, Karol Szymanowski, Olivier Messiaen, Arvo Pärt, Sir John Tavener, and Sir James MacMillan. 174 Minutes – Week of November 30, 2020
In this week’s archive edition, we speak to Scottish composer and conductor, Sir James MacMillan, whose Stabat Mater was premiered at the Barbican in October 2016.---From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcast.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.
One of the most prominent composers of our time, Sir James MacMillan has written for concert hall and stage as well as for the Church. A devoted Catholic, Sir James joins us for the opening of season three to discuss transcendence, beauty, spirituality, and universality in music, particularly focusing on the ability of music to speak to Catholics and non-Catholics alike. Check out Boosey & Hawkes' website for more information about Sir James and his works: https://www.boosey.com/composer/James+MacMillan.
Sir James MacMillan, one of the world's finest living composers of sacred music, is interviewed by Harry and Eamonn, two conductors who know his music from the inside out.Support the making of Choral Chihuahua at supporter.acast.com/choral-chihuahuaSupport this show http://supporter.acast.com/choral-chihuahua. See acast.com/privacy for privacy and opt-out information.
Vox Satanae – Episode 471 – 150 Minutes – Week of April 27, 2020 This week we hear works by George Frideric Händel, Franz Liszt, Josef Matthias Hauer, Lili Boulanger, Sir James MacMillan, and High Priest Peter H. Gilmore.
Sir James MacMillan is one of today’s most successful composers and is also internationally active as a conductor. His musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music, blended with influences from Far Eastern, Scandinavian and Eastern European music. In this interview Sir James recounts the guilt he felt about about toying with communism in his youth, composing his first piece of music at the age of 10, and the importance to his life played by sacred music. He holds that unlike other areas of art, music contains a spirituality not found in paintings or the spoken word. Thus, there is an acknowledgement and openmindedness among musicians of music's Judeo-Christian heritage/origins. This is something he feels many in the wider artistic world find perplexing and difficult to understand or accept. Consequently there is an assumption that one's political allegiances must be broader left politically. He touches on the Scottish Referendum which, whilst not initially a Left-Right divide, has since seen the nationalist side become very left wing and anti-English. On the broader subject of philosophy, he mentions the derision and almost chilling response received to comments he made about the philosophy underscoring much classical music -- in particular, when he had occasion to quote Sir Roger Scruton. Sir James also laments the chance encounters the public might have with classical music are on the wane. Sir James and other musicians he knows first discovered classical music on BBC 1 etc. Yet today those opportunities are few and far between if not forever removed. He feels this is particularly regrettable given the strong position in which British classical music currently finds itself -- especially in comparison with the "top down culture" that drives current German and French classical music, and which the public finds hard to relate to.
Sir James MacMillan and Cardinal Vincent Nichols discuss the Holy Spirit and MacMillan's Fifth Symphony. Presented by James Jolly. For more information on Sir James MacMillan's work with the Genesis Foundation, click here. www.genesisfoundation.org.uk
34th Eric Symes Abbott Memorial Lecture - The Most Spiritual of the Arts: Music, Modernity, and the Search for the Sacred given by Sir James MacMillan, composer, conductor and artistic director, on Thursday 9th May 2019 at Westminster Abbey. A transcript (https://www.westminster-abbey.org/eric-symes-abbott-memorial-lectures/34th-eric-symes-abbott-memorial-lecture) is available on Westminster Abbey's website. #westminsterabbey #sirjamesmacmillan #music #christianity
Plugged In - The Official Podcast for JSerra Catholic High School
Speaker, author, and podcaster Patrick Coffin joins Plugged In host Pat Reidy for a quip-filled, entertaining conversation that gets at the secret behind the movies we love. Mr. Coffin explains what is at the heart of a every great story, and explains the genius behind five classics that every family should watch together . . . more than once! Patrick Coffin is the host of The Patrick Coffin Show, a podcast on faith and culture heard in over 100 countries. The former host of Catholic Answers Live radio show, Patrick has interviewed top influencers, such as Dr. Jordan B. Peterson, two-time Academy Award winner Kevin Costner, Fox News host and author Tucker Carlson, Emmy Award winning singer-actor, Harry Connick, Jr, Rock and Roll Hall of Famer Dion DiMucci, composers Morten Lauridsen and Sir James MacMillan, New York Times writer Ross Douthat, horror novelist Dean Koontz, four presidential candidates, and top Vatican cardinals. Coffin lives in Orange County, CA, with his wife and two daughters.
In our Holy Week special, Giles talks to composer and conductor Sir James MacMillan about Scottish sectarianism, joining the Communist Party, and why composing is like having a photo developed. ___ Sir James MacMillan is one of the most successful composers of his generation, achieving international acclaim. His music has been programmed worldwide by orchestras including the London Symphony Orchestra, and the New York and Los Angeles Philharmonics, as well as being commissioned for Pope Benedict XVI's 2010 state visit to the UK. He is heavily influenced by his Scottish heritage, Catholic faith, and his social and political conscience.
Sir James MacMillan is a Scottish composer and conductor. He's one of Britain's most successful living classical composers, with his percussion concerto, Veni Veni Emmanuel, receiving more than 600 performances since its premiere in 1992. He draws inspiration from both the spiritual and the secular: many of his works draw on his Roman Catholic faith, while his passion for Celtic football club provided the initial spark for a piano concerto. James MacMillan grew up in Cumnock, East Ayrshire, traditionally a mining centre. His father was a carpenter, and his grandfather a coal miner. He learned the trumpet and played in brass bands, whilst realising at a very young age that he wanted to make music his life. When he first picked up a recorder at school, and realised that he could change the pitch by putting different fingers over the holes, he says a light went on and he knew that he wanted to write music as well as play it.Presenter: Kirsty Young Producer: Sarah Taylor.
Sir James MacMillan is a Scottish composer and conductor. He's one of Britain's most successful living classical composers, with his percussion concerto, Veni Veni Emmanuel, receiving more than 600 performances since its premiere in 1992. He draws inspiration from both the spiritual and the secular: many of his works draw on his Roman Catholic faith, while his passion for Celtic football club provided the initial spark for a piano concerto. James MacMillan grew up in Cumnock, East Ayrshire, traditionally a mining centre. His father was a carpenter, and his grandfather a coal miner. He learned the trumpet and played in brass bands, whilst realising at a very young age that he wanted to make music his life. When he first picked up a recorder at school, and realised that he could change the pitch by putting different fingers over the holes, he says a light went on and he knew that he wanted to write music as well as play it. Presenter: Kirsty Young Producer: Sarah Taylor.
It's the 40th anniversary Prison's Week, a Christian initiative to support all those affected by prisons. As reoffending rates continue to rise Bob Walker reports on the many faith based groups working in this field and explores their effectiveness. As the death toll continues to rise in Haiti following the devastating impact of Hurricane Matthew. Edward Stourton hears from John Hasse of faith-based charity World Vision who is working on the ground in Haiti. Leading Sikh groups have voiced disappointment after Defence Secretary Michael Fallon ruled out creating a Sikh regiment in the armed forces. Jay Singh-Sohal and Gurdinder Singh debate whether a return to Sikh regiments, once revered for their gallantry in battle, would be step forwards or a step back. Devout Catholic and world renowned composer Sir James MacMillan tells Edward Stourton what inspired him to compose a piece of music based on the Stabat Mater, a 13th century poem about the suffering of Mary as she stands at the food of the Cross. Charles Caroll talks to two 'Hibakusha' - survivors of the two atomic bombs that fell on Japan in 1945 - as they docked in London on the Peace Boat, a Japanese ship which carries a message of peace around the world. Rev David Primrose tells Edward Stourton about a trailblazing project to help churches become 'dementia friendly' and the unique role church communities can play in support people living with dementia. Producers: Catherine Earlam Peter Everett Series Producer: Amanda Hancox.
Pope Francis has said that he is open to the possibility of ordaining women as deacons. Are the ranks of the Catholic Church's all-male clergy really going to open up to female members? Next week, two ministers battle it out in the annual Sermon of the Year Competition. They talk to Edward Stourton about their ministry and go head to head in Sunday's very own battle of the sermons. Hazel Southam reports from Jordan on a trauma healing programme that is being offered to tens of thousands of people who have fled the wars in Syria and Iraq. On Thursday, Scottish composer Sir James MacMillan is giving a speech to the Saltire Society in Glasgow in which he will argue that 20th and 21st century composers have never given up their search for the sacred in an increasingly secular society. He explains to Edward his reasons for this belief. Last February, Charles Maung Bo became Myanmar's first-ever cardinal. For many years he has spoken out against the persecution of religious minorities in his country and now that there is a new civilian government, he is carving out a role for himself as peacemaker between different ethnic groups and the Buddhist majority. On the 1st May, the residents of the Canadian city of Fort McMurray became aware of a wildfire on the outskirts of their city. Two days later they had to evacuate. Rev Donalee Williams is the minister of Fort McMurray's First United Church she explains how she is supporting her dispersed congregation. As the Archbishop of York's six month Pilgrimage across the Diocese of York is about to finish, Bob Walker caught up with John Sentamu to discover what he has learnt from his time on the road. Producers: Helen Lee David Cook Series Producer: Amanda Hancox.