Podcasts about sinuhe

Join adventurers and storytellers Clay Croft and Sinuhe Xavier as they take you on a journey of exploration, creativity, and human connection. Clay and Sinuhe share their passion for traveling the world in unique ways, from remote off-road expeditions to uncharted cultural immersions. With riveting tales from their years of overland travel, behind-the-scenes insights into their storytelling craft, and interviews with fellow explorers, this podcast is your passport to inspiration to your next adventure. Discover what it takes to turn ordinary trips into extraordinary adventures while uncovering the world's hidden gems one road at a time.

Joskus on väitetty, ettei Mika Waltari voinut olla kovin tarkka Sinuhe egyptiläisen aikaa ja maailmaa koskevassa kuvauksessaan. Eihän hän edes ollut käynyt Egyptissä. Lähi-idän ja Välimeren arkeologian dos. Minna Silver kertoo, että moinen käsitys epätarkkuudesta on pelkkä myytti. Itse asiassa Waltari oli erittäin tarkka kirjassaan. Paikoin tarkempi kuin aikansa egyptologit.

Mika Waltarin Sinuhe egyptiläistä kehuttiin aivan hämmästyttävästä historiallisesta osumatarkkuudesta sen ilmestyttyä vuonna 1945. Pyyhkeitä kirjailija sai lähinnä erämaan hiekkakirpuista, joita erään hyönteistutkijan mukaan oli tullut alueelle 2000 vuotta myöhemmin. Vuoden 1945 jälkeen on tullut paljon uutta tietoa faaraoiden Egyptistä ja Lähi-idästä. Arkeologi Minna Silver tarkastelee kirjassaan Sinuhe egyptiläisen maailma — Arkeologin silmin luku luvulta miten hyvin Sinuhen maailma pitää paikkansa. Miten Mika Waltari on voinut tietää joitakin muinaisia asioita niin yksityiskohtaisesti - ja missä asioissa on kirjailija mennyt metsään? Vieraina ovat dosentti Minna Silver, joka on Lähi-idän ja Välimeren arkeologian ja historian sekä maailman kulttuuriperinnön asiantuntija, jolla on vuosikymmenten kokemus kenttätyöstä Lähi-idässä sekä professori emeritus ja Waltari-asiantuntija Panu Rajala. Ohjelman juontaa Nicklas Wancke

Tällä historiallisella päivämäärällä muun muassa varastettu Mona Lisa -taideteos yritettiin kaupata kehnoin tuloksin, klassikkoteos Sinuhe egyptiläinen julkaistiin ja Unicef-järjestö perustettiin. Ei mikään turha päivä siis!

Harmaata nahkaa, ilokaasuhoitoihin, meidän verorahoilla, kansallistarina, ryskikse ne ja soi vaan thunder! Tämän jakson klipit löydät seuraavien podcastien jaksoista: Dear Shirly: 2. Köpi Kallio - Maksa velat! / Podme Premium, Sinuhe-sessiot: Kaislavene / Vapaat alustat, Junnut pelissä: 5. Pettymysten ja kielteisten tunteiden sietäminen urheilussa / Podme Premium

Jaksossa avataan ovi muinaiseen Egyptiin ja pohditaan, minkälainen kulttuuriteos Mika Waltarin kirjoittama "Sinuhe egyptiläinen" on ollut suomalaisille. Faaraot, Tutankhamon, Kleopatra, hieroglyfit ja pyramidit – luovatko nämä populaarikulttuurin mielikuvamme muinaisesta Egyptistä? Mitä muinaisesta Egyptistä oikeasti olisi hyvä ymmärtää? Mitä tarkoittaa egyptomania tai tutmania? Entä mikä vaikutus Mika Waltarin teoksella Sinuhe egyptiläinen on ollut suomalaisille? Pääsemme jaksossa kuulemaan myös siitä, minkälaista on arkeologin työ ja mitä taitoja vaatii tutustua vuosituhansien takaiseen menneisyyteen. Jakson vieraana on Lähi-idän historioitsija ja arkeologi Minna Silver. Jakso on toteutettu kaupallisessa yhteistyössä SKS Kirjat kanssa. Seuraa podcastia somessa Instagramissa, Facebookissa ja Twitterissä! Lue lisää jaksosta osoitteessa lottavuorio.com!Read more #114 Egyptomaniaa, muinaisia aikoja ja Sinuhe egyptiläinen →

Ta-Wer howled. Around 2000 BCE, the southern kingdom was rising quickly. But the north was not out of the fight. Not by a long shot… Episode chapters Prologue – A Royal Inspection (00:30). The Fall of Tjeni / Thinis (07:25). The Long Reign of Intef II (11:58). Intef's Dogs (20:58). Khety Merykara (34:03). Making Ta-Wer Howl (47:25). Conclusion (01:06:37). Epilogue – Intef's Hymns for Ra and Hathor (01:08:30). Dendera excavations: Moeller and Marouard, The Development of Two Early Urban Centres - Edfu and Dendara (2018). The History of Egypt Podcast: Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Logo image: The "Dog Stela" of Intef II, from his tomb at El-Tarif (Mariette 1858). Select Bibliography: A. E. Demidchik, ‘The Reign of Merikare Khety', Göttinger Miszellen 192 (2003), 25--36. A. Dodson and D. Hilton, The Complete Royal Families of Ancient Egypt (London, 2004). C. Langer, ‘The Political Realism of the Egyptian Elite: A Comparison Between The Teaching for Merikare and Niccolò Machiavelli's Il Principe', Journal of Egyptian History 8 (2015), 49--79. R. J. Leprohon, The Great Name: Ancient Egyptian Royal Titulary (Wilson, 2013). M. Lichtheim, Ancient Egyptian Literature Volume I: The Old and Middle Kingdoms (Los Angeles, 1973). M. Lichtheim, Ancient Egyptian Autobiographies Chiefly of the Middle Kingdom: A Study and an Anthology (Freiburg, 1988). J. Malek, ‘King Merykare and his Pyramid', in C. Berger et al. (eds), Hommages à Jean Leclant, 4, 4 vols (Cairo, 1994), 203--214. G. Maspero, ‘On the Name of An Egyptian Dog', Transactions of the Society of Biblical Archaeology V (1877), 127--128. R. B. Parkinson, The Tale of Sinuhe and Other Ancient Egyptian Poems (1940—1640 BC) (Oxford, 1997). R. B. Parkinson, Poetry and Culture in Middle Kingdom Egypt: A Dark Side to Perfection (London, 2002). D. Polz, Die Sogenannte Hundestele des Königs Wah-Anch Intef aus el-Târif: Eine Forschungsgeschichte (Wiesbaden, 2019). D. Polz, ‘Dra' Abu el-Naga, Ägypten: ein angeblicher Fund aus Dra' Abu el-Naga. Die sog. Hundestele des Königs Wah-Anch Intef. Eine Forschungsgeschichte', e-Forschungsberichte des Deutschen Archäologischen Instituts 2020 (2020), 12--16. S. Quirke, Egyptian Literature 1800 BC: Questions and Readings (London, 2004). D. B. Spanel, ‘The Herakleopolitan Tombs of Kheti I, Jt(.j)jb(.j), and Kheti II at Asyut', Orientalia 58 (1989), 301--314. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our second episode on the first two books of the Bible goes a little bit deeper into the historical context in which Genesis and Exodus were written - the Wild West(ern Asia) of the post-Bronze Age Collapse. Bonus callback to our second month of episodes about The Tale of Sinuhe!As always, you can read a transcript of the episode on our website. We're also taking suggestions for the 2025-2026 reading list, which will cover roughly 500 BCE - 100 BCE. Have something from that time period you think we should read? (Bonus points if it's not Greek; there are So Many Greeks to cover next year.) Go here and pop a comment at the bottom of the page. Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

The wide open spaces of the American West- especially the deserts- have always held a special appeal. Sinuhe Xavier knows this well. He's explored thousands of square miles, mostly in Land Rovers, while at the same time writing, photographing and filming the landscape and its secrets. He's skied professionally, ridden motorcycles in South America, crossed Morocco in a 4x4, and directed many television commercials to pay the bills. But it always comes back to wanderlust and the next adventure. In this episode, Maurice talks overlanding and other things with Sinuhe (and his son, Cooper). It's tranquilo.THE SHORT FILM "FROM BIOCRUST, WITH LOVE":https://youtu.be/XguYw16YsDY?si=wl5lpVjF3QZ1mwsGVISIT SINUHE'S WEBSITE:https://www.sinuhexavier.comSUPPORT THE POD:https://www.buymeacoffee.com/hpheritageSUPPORT OUR SPONSOR:https://www.modelcitizendiecast.comFind Horsepower Heritage on the web:https://horsepowerheritage.comInstagram:@horsepowerheritageSpecial shout-out to Michael Emery of Slow Baja:https://www.slowbaja.comSupport the Show.Subscribe to the Horsepower Heritage YouTube channel for more great cars and motorcycles! https://www.youtube.com/@horsepowerheritage8030

Episode four looks at two key figures in the history of Egyptology: one, Jean-François Champollion, is well known as the man who cracked Egyptian hieroglyphics. The other, Giovanni Belzoni, was a carnival strongman and hydraulics engineer before becoming a renowned explorer—and excavator—of Egyptian monuments. Bonus cameo: Napoleon Bonaparte, ruining everything for everyone. Read the transcript and see the reading list for this episode at our website. You can also follow us on Instagram! Hosted on Acast. See acast.com/privacy for more information.

La Voce di questo esordio di stagione e di questo secondo episodio è quella di una grande avventura e di uno dei racconti più in voga di tutta la letteratura antico egiziana, a giudicare dalla gran quantità di copie pervenuteci su ostraka e papiri. La Voce di Sinuhe è la Voce di una storia datata al Medio Regno che si muove entro la cornice letteraria dell'autobiografia funeraria. La vicenda parte da un fatto realmente accaduto: la morte improvvisa e cruenta del sovrano, "fondatore" della XII dinastia, Amenemhet I (1962 ca. a.C.). La vita del protagonista, Sinuhe (letteralmente: "Figlio del sicomoro"), viene profondamente condizionata da questo evento, dando il via ad un viaggio e ad una serie di avventure che meravigliano ancora oggi e che, ancora oggi, ci spingono ad interrogaci sul più grande dei misteri: l'animo umano. A beneficio dell'ascoltatore si è preferito, per alcuni passaggi, fornire una parafrasi del testo in traduzione (cfr. E. Bresciani; M. Betrò). Bibliografia: E. BRESCIANI, Letteratura e Poesia dell'Antico Egitto. Cultura e società attraverso i testi, 4 ed., Torino, Einaudi, 2007, 162-176; M. BETRÒ, Racconti di Viaggio e di Avventura dell'Antico Egitto, Brescia, Paideia Editrice, 1990, 39-56; J. BAINES, "Interpreting Sinuhe" The Journal of Egyptian Archaeology, 68/1982, pp. 31-44; J.M. GALAN, "Two Passages of Sinuhe Reconsidered" Studien Zur Altagyptischen Kultur, 25/1998, pp. 71-81; M. WALTARI, Sinuhe l'Egiziano, traduzione italiana di Maria Gallone, Rizzoli, 1950, (ed. orig. Sinuhe egyptiläinen, WSOY, 1945). Musiche: "Inspiring Cinematic Ambient" Music by Aleksey Chistilin from Pixabay; "War is Coming" Music by Musictown from Pixabay; "Desert Storm II" Music by Ruud from Pixabay; "Desert Voices" Music by Ruud from Pixabay; "Arabic Music" Music by 34123235 from Pixabay Suoni: http: //bigsoundbank.com by Joseph Sardin; http: //freesound.org CONTATTI: e-mail: info@kheru.it Facebook: https://www.facebook.com/profile.php?id=100086674804348 Instagram: https://www.instagram.com/kherupodcast/?igshid=MmIzYWVlNDQ5Yg%3D%3D

We're off to Ancient Egypt for the next work on the Books of All Time reading list: The Tale of Sinuhe (c. 1875 BCE). It's a story about a royal advisor who runs away from Egypt after learning that the pharaoh has been assassinated, then creates a new life in another country. Host Rose Judson walks you through the plot, then muses on what it's like to be an immigrant, even in a country where you more or less speak the language. Transcript and additional reading available at our website! Hosted on Acast. See acast.com/privacy for more information.

La Voce di questo esordio di stagione è quella di una grande avventura e di uno dei racconti più in voga di tutta la letteratura antico egiziana, a giudicare dalla gran quantità di copie, in ieratico, pervenuteci su ostraka e papiri. La Voce di Sinuhe è la Voce di una storia datata al Medio Regno che si muove entro la cornice letteraria dell'autobiografia funeraria. La vicenda parte da un fatto realmente accaduto: la morte improvvisa e cruenta del sovrano, "fondatore" della XII dinastia, Amenemhet I (1962 ca. a.C.). La vita del protagonista, Sinuhe (letteralmente: "Figlio del sicomoro"), viene profondamente condizionata da questo evento, dando il via ad un viaggio e ad una serie di avventure che meravigliano ancora oggi e che, ancora oggi, ci spingono ad interrogaci sul più grande dei misteri: l'animo umano. A beneficio dell'ascoltatore si è preferito, per alcuni passaggi, fornire una parafrasi del testo in traduzione (cfr. E. Bresciani; M. Betrò). Bibliografia: E. BRESCIANI, Letteratura e Poesia dell'Antico Egitto. Cultura e società attraverso i testi, 4 ed., Torino, Einaudi, 2007, 162-176; M. BETRÒ, Racconti di Viaggio e di Avventura dell'Antico Egitto, Brescia, Paideia Editrice, 1990, 39-56; J. BAINES, "Interpreting Sinuhe" The Journal of Egyptian Archaeology, 68/1982, pp. 31-44; J. M. GALAN, "Two Passages of Sinuhe Reconsidered" Studien Zur Altagyptischen Kultur, 25/1998, pp. 71-81. NB: La Bibliografia per questo testo è potenzialmente infinita. A questo proposito vi lascio anche il riferimento ad un romanzo tratto da questa bellissima e antichissima storia: M. WALTARI, Sinuhe l'Egiziano, traduzione italiana di Maria Gallone, Rizzoli, 1950, (ed. orig. Sinuhe egyptiläinen, WSOY, 1945). Musiche: "African Night"Music by Paulus Jo from Pixabay; "Desert Voices" Music by Ruud from Pixabay; "Desert Storm II"Music by Ruud from Pixabay; "Ancient" Music by Shakib Hasan from Pixabay Suoni: http: //bigsoundbank.com by Joseph Sardin; http: //freesound.org CONTATTI: e-mail: info@kheru.it Facebook: https://www.facebook.com/profile.php?id=100086674804348 Instagram: https://www.instagram.com/kherupodcast/?igshid=MmIzYWVlNDQ5Yg%3D%3D

fWotD Episode 2461: Ancient Egyptian literature Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Tuesday, 30 January 2024 is Ancient Egyptian literature.Ancient Egyptian literature was written in the Egyptian language from ancient Egypt's pharaonic period until the end of Roman domination. It represents the oldest corpus of Egyptian literature. Along with Sumerian literature, it is considered the world's earliest literature. Writing in ancient Egypt—both hieroglyphic and hieratic—first appeared in the late 4th millennium BC during the late phase of predynastic Egypt. By the Old Kingdom (26th century BC to 22nd century BC), literary works included funerary texts, epistles and letters, hymns and poems, and commemorative autobiographical texts recounting the careers of prominent administrative officials. It was not until the early Middle Kingdom (21st century BC to 17th century BC) that a narrative Egyptian literature was created. This was a "media revolution" which, according to Richard B. Parkinson, was the result of the rise of an intellectual class of scribes, new cultural sensibilities about individuality, unprecedented levels of literacy, and mainstream access to written materials. The creation of literature was thus an elite exercise, monopolized by a scribal class attached to government offices and the royal court of the ruling pharaoh. However, there is no full consensus among modern scholars concerning the dependence of ancient Egyptian literature on the sociopolitical order of the royal courts.Middle Egyptian, the spoken language of the Middle Kingdom, became a classical language during the New Kingdom (16th century BC to 11th century BC), when the vernacular language known as Late Egyptian first appeared in writing. Scribes of the New Kingdom canonized and copied many literary texts written in Middle Egyptian, which remained the language used for oral readings of sacred hieroglyphic texts. Some genres of Middle Kingdom literature, such as "teachings" and fictional tales, remained popular in the New Kingdom, although the genre of prophetic texts was not revived until the Ptolemaic period (4th century BC to 1st century BC). Popular tales included the Story of Sinuhe and The Eloquent Peasant, while important teaching texts include the Instructions of Amenemhat and The Loyalist Teaching. By the New Kingdom period, the writing of commemorative graffiti on sacred temple and tomb walls flourished as a unique genre of literature, yet it employed formulaic phrases similar to other genres. The acknowledgment of rightful authorship remained important only in a few genres, while texts of the "teaching" genre were pseudonymous and falsely attributed to prominent historical figures.Ancient Egyptian literature has been preserved on a wide variety of media. This includes papyrus scrolls and packets, limestone or ceramic ostraca, wooden writing boards, monumental stone edifices and coffins. Texts preserved and unearthed by modern archaeologists represent a small fraction of ancient Egyptian literary material. The area of the floodplain of the Nile is under-represented because the moist environment is unsuitable for the preservation of papyri and ink inscriptions. On the other hand, hidden caches of literature, buried for thousands of years, have been discovered in settlements on the dry desert margins of Egyptian civilization.This recording reflects the Wikipedia text as of 00:03 UTC on Tuesday, 30 January 2024.For the full current version of the article, see Ancient Egyptian literature on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Arthur Neural.

Episode 245 – Archeology and the Bible – Part 1 - Affirmation Welcome to Anchored by Truth brought to you by Crystal Sea Books. In John 14:6, Jesus said, “I am the way, the truth, and the life.” The goal of Anchored by Truth is to encourage everyone to grow in the Christian faith by anchoring themselves to the secure truth found in the inspired, inerrant, and infallible word of God. Script: Goliath … wore a bronze helmet, and [a] bronze coat of mail ... He also wore bronze leg armor, and he carried a bronze javelin on his shoulder. … The shaft of his spear was … heavy and thick … His armor bearer walked ahead of him carrying a shield.” 1 Samuel, Chapter 17, verses 5 through 7, New Living Translation ******** VK: Hello and Happy New Year! I’m Victoria K. Welcome to Anchored by Truth brought to you by Crystal Sea Books. We’re excited to be with you at the start of this New Year and we pray that this year will be a year of joy and blessings to all our listeners. We pray especially that this year will see us all grow in our knowledge and adoration of our Lord Christ Jesus. Today on Anchored by Truth we’re going to start the new year with a new series. As just about everyone knows, the Christian faith in America has been subjected to more challenges in the last decade than probably in the first two centuries of the country’s existence. So, as we open up this New Year we want to revisit a subject that has particular relevance in our day and time –being able to demonstrate that the Christian faith has a firm basis in reason and evidence. RD has entitled this series “Archeology and the Bible.” So, we have RD who is an author and the founder of Crystal Sea Books, in the studio today. RD, why did you decide we need to take a special look at the topic of archeology? RD: Well, I’d also like to say Happy New Year to everyone who is joining us here today. As we begin a new year I wanted to take several episodes of Anchored by Truth focusing on archeology because it seems like in the last few years the number of times I’ve heard the Bible criticized as a book of “myth and fairy tales” has increased dramatically. This is sad but it’s also silly because it is a criticism that is so easily disproved. The Bible is a book that is set in place and time. While the Bible contains a large variety of literary genres, a large part of the Bible is the history of those places and times. As such we can validate the accuracy of the Bible’s reporting through other ancient documents that also contain reports about the same places and times. And we can also affirm much of the Bible’s reporting through the findings of archeology. VK: As Anchored by Truth listeners know at Crystal Sea Books we believe that there are two criteria that would have to be true for any book that claims to be the word of God. First, the book would have to be consistent with what we know about human and natural history. How could you trust a book that claims to be the product of a divine and infinite mind if it contains easily demonstrable errors? Second the book would have to contain evidence of supernatural inspiration. After all, humans write books all the time. And even human beings can produce books that accurately report history and contain meaningful insights about life and society. RD: Yes. There are other criteria that some people might think are appropriate when considering whether a particular book is the word of an almighty, everlasting God but we would submit that those two criteria would have to be true at a minimum. And we would urge that anyone who is trying to decide whether one book or another is God’s word should apply their minds as well as their hearts to the decision. Many people think that faith is believing in something in spite of reason and evidence, but it’s not. Becoming a Christian and embracing faith in Christ Jesus doesn’t require us to suspend the use of our minds. To the contrary, knowing and loving Jesus means we should increase our efforts to grow in knowledge as well as trust. Real faith is far more likely to arrive by placing trust in something or Someone after careful consideration of the truth claims at issue. This includes being able to explain why some truth claims are true but others false. Reason and evidence are an essential part of doing that. VK: So, just to ensure that’s clear, at Anchored by Truth we believe that any book claims to be the word of God must be consistent with what we know about human and natural history and must contain marks of supernatural inspiration. Well, we also believe that are four lines of evidence that demonstrate that the Bible meets those two criteria and is, therefore, the inspired, inerrant, and infallible word of God. First, the Bible is historically reliable. Second, the Bible displays a remarkable unity for a book that was composed by over 3 dozen human authors who wrote over a span of 1,500 years. Third, the Bible gives evidence of supernatural origin, especially through a large body of fulfilled prophecy. And the 4th line of evidence is that the Bible has resulted in an untold number of lives that have been positively changed by its transcendent message. So, what you are saying – and what we are going to be talking about during this series - is that archeology can be a useful to aid to helping affirm the historicity of the Bible. RD: Yes. For those of us who are concerned about helping people understand that the Bible is the inspired word of God archeology can have two roles. First, as we mentioned we started this discussion archeology can help demonstrate that the Bible is not, in fact, filled with myth and fairy tales. Archeology can help us demonstrate that Bible accounts of certain exploits that may seem legendary are historically accurate. VK: Why don’t you give us a quick example of what you’re thinking about? RD: Many people might think that the encounter between David and Goliath is some kind of myth and legend. VK: Because the idea of a short, teenage boy defeating a heavily armed and armored warrior with only a sling and stone does seem improbable doesn’t it? RD: It might but it’s not. And one of the reasons that we can have confidence about what the Bible says about the encounter is the large number of details that the Bible gives us about the fight. For instance, the Bible describes in great detail – as you put it – Goliath’s arms and armor. VK: And among many archeological finds that have confirmed the accuracy of the Bible’s description of Goliath’s equipment is a depiction of Philistine warriors in a temple in Egypt, right? RD: Right. Let’s start by reminding everyone that while the Bible is mostly concerned about the activity of the Philistines in their interactions with ancient Israel, the Philistines came into contact with all of the civilizations of the ancient Mideast including Egypt. The Egyptians fought the Philistines on many occasions. The Egyptians called the Philistines the “Sea Peoples” because the Philistines had come to Palestine from Mycenae which was located in modern day Greece. This means they would have arrived on the coast of Palestine by way of ships crossing the sea. VK: So, the Egyptians were very familiar with Philistine warriors like Goliath. RD: Yes. According to an article in Biblical Archeology Society website one of the most vivid depictions of the Philistine warriors is in a “mortuary temple at Medinet Habu in Thebes. The battle scenes depicted on the walls of this temple are our most precious and most graphic representation of the Sea Peoples’ dress, weaponry, chariotry, naval equipment, and battle tactics. The Philistine infantry is shown fighting in small phalanges of four men each; three men are each armed with a long, straight sword and a pair of spears, the fourth with only a sword.” Notice that the Egyptian drawings show the Philistine infantry armed with a pair of spears exactly like Goliath – although the Bible is more precise and notes that the second spear is a javelin which was used for throwing. The spear that Goliath carried in his hands was actually more like a long club. It was used for smashing and bashing … VK: Smashing and bashing … really? RD: Really. Every infantryman knows that one of the keys to victory is break through the enemy lines. And the David encounter notwithstanding, that’s what Goliath’s job was – to create holes in the enemy’s front lines that the soldiers behind him could exploit. Homer referred to such soldiers as “first men.” VK: That explains why the Bible tells us that Goliath’s spearhead weighed 15 pounds. A 15 pound piece of iron on the end of a heavy and thick spear – the Bible says it was as thick as a weaver’s beam – is to going to be good for, as you said, “smashing and bashing.” And it’s also important to note that in the Biblical description of Goliath’s armor his helmet and coat of mail are said to be made of bronze, as was his javelin. The battle between David and Goliath took place just as the Iron Age was beginning. At that time there would still have been a lot of bronze weapons and armor in use. Bronze had been in common use since about 2500 BC. Iron would later become far more common and the Philistines were very proficient at shaping and forming iron but this battle occurred before that transition was complete. And even at that time bronze was easier to form into weapons. Bronze has a much lower melting point than iron – about 1000 degrees Celsius. Iron’s melting point is closer to 1600 degrees Celsius. So, on first blush, the Bible’s description of the fight between David and Goliath might seem to be legendary but the details that the Bible provides and archeological discoveries show us that it is not. So, what is the second role that archeology plays for those who are interested in the Bible? RD: Archeology can help shed new light on the history the Bible contains and it can also help us understand the Bible text as well. We’ll get more into this as we move through the series, but one quick example of how archeological finds can improve our understanding of the Bible’s texts are clay tablets referred to as the Ugaritic texts. These came from an archeological excavation in Syria. The tablets dated over a thousand years before Jesus and contained cuneiform writing in a variety of languages. Cuneiform writing was a writing form common in ancient Mideast languages and used wedge shaped characters typically impressed into soft clay. The Ugaritic texts were helpful to Bible scholars because some of the tablets were written in an alphabetic script that recorded a northwest Semitic language that overlapped with Biblical Hebrew. The Ugaritic language shared a number of words with Biblical Hebrew so this has helped scholars better understand some words contained in the text of the Bible, especially words that occur only once in the Bible. VK: So, one important role that archeology plays is to help affirm the reliability of the Bible’s historical reports. And a second important role that archeology plays is actually to amplify our understanding of the Bible’s texts as well as increase our understanding of the times, cultures, and places recorded in the Bible This second role is true for those of us who accept the Bible as the inspired word of God as it is as for those who don’t regard the Bible as being inspired. The first role of archeology can be especially important in the Christian work of apologetics which is a defense of the Christian faith. But in this first role you say that it is important for Christians to not say things like, “archeology proves the truth of the Bible.” Why is that? RD: Yes. It is not proper to say that archeology proves the Bible is true because doing so carries the risk of both over claiming and under claiming at the same time. VK: Ok. Over claiming and under claiming at the same time would seem to be a bit of a mystery. Why is saying that “archeology proves the Bible is true” an “over claim?” RD: Archeology, like any human endeavor, has limits in the amount of certainty it can provide. Archeologists are always looking at artifacts from the past and they do their best to derive information from those artifacts. But, the archeologists were not present at the time the artifacts were created. So, their interpretation is exactly that. It’s an interpretation not a history based on first hand observation. And archeologists will differ in their interpretations and it is not at all uncommon for subsequent discoveries to necessitate revising previous opinions. None of this is to suggest that archeology is valuable and can’t be conducted with rigor. It certainly can. But archeology, while it can and does provide important support for the Bible, cannot “prove” the Bible is true. VK: That makes sense. The Miriam Webster online dictionary defines archeology as “the scientific study of material remains (such as tools, pottery, jewelry, stone walls, and monuments) of past human life and activities.” It’s important to note in that definition that archeology is concerned with “past human life and activities.” So, while we can do much to try and determine what actually happened in the past we will always fall short of absolute certainty. Why is saying that “archeology proves the Bible is true” an “under claim?” RD: Well, simply put the Bible is true because it is God’s word. It would be true regardless of whether any human being were to accept as being true or not. Now, I’m well aware that a critic would accuse me of circular reasoning in saying this. The Bible is God’s word and it is true because God is all-knowing and all-powerful. But it is the Bible that tells us that God is all-knowing and all-powerful. But that is not what I am saying. Anything that is true – that is that it corresponds to reality – is true regardless of agreement or acceptance of the truth. The man who decides he doesn’t like having cancer and rejects the doctor’s report will still have cancer regardless of whether he accepts the report. The Bible is or is not the inspired, revealed word of God regardless of whether we accept it as such. So, when we say that archeology “proves” the Bible we are, in effect, turning the truth of the Bible over to archeological judgment. Again, I’m not saying that archeology cannot be a valid and important venue for obtaining evidence that helps us understand the Bible but we don’t need archeology to establish the Bible’s truth. VK: I think I see the point you’re making. Some theologians will refer to the Bible as being self-authenticating. The Bible’s truth will pierce through all the fog and distractions of the world and the inward witness of the Holy Spirit will confirm its truth to us. Sometimes people will say, “most of the time we judge books, but the Bible is a book that judges us.” You’re not disagreeing with this position are you? RD: I’m not disagreeing with this position but I am trying to look at the question from all angles. One of the reasons I believe God will be able to hold all people accountable because He has given sufficient witness of Himself through His creation and His superintendence of history. The Bible tells us this explicitly in Psalm 19, verses 1 through 4 and in Romans, chapter 1, verse 20. God has given all humanity ample witness of His existence and attributes. Well, I believe something similar is true about the Bible. We can use reason and evidence to evaluate whether the Bible can be legitimately considered the word of God. We laid out our criteria and lines of evidence for doing so at the start of today’s episode. In considering those lines of evidence, especially whether the Bible contains reliable history, archeology can be an important source of information and support. But this role of archeology is ministerial not magisterial. If we made our opinion about whether the Bible is true based on the findings of archeology, that would make archeology magisterial not ministerial. VK: What you’re saying is that the Bible is true and was true before archeology ever entered the scientific dialogue. Like all science, when properly used and properly understood, archeology sheds important light on questions of truth. And there are literally thousands, or maybe tens of thousands of archeological findings, that confirm the accuracy of the Bible text and the history recorded in the Bible. So, saying archeology “proves the Bible is true” is an under claim because it suggests the Bible’s truth was uncertain until archeology came along. RD: Right. As we’ve said archeology can play two very important roles in our study of the Bible and that’s why we’re doing this series. Archeology can help skeptics see that the Bible is not, in fact, a book of “myth and fairy tale.” It is a book firmly set in place and time and its reports of those places and times are trustworthy. Archeology can also help us expand our understanding of the places and times of the Bible and of the people, societies, and cultures that the Bible describes. This helps us understand the Bible’s messages more clearly. VK: Regardless of how old anyone living is, the reality is that the Bible’s text was completed two thousand years before they were born. And the Bible was written in and to cultures and countries that are much different from those with which we are familiar. Archeological findings help us understand the people that the Bible was written to and about so we can get closer to standing in their shoes, seeing the sights they saw, and thereby know exactly what the Bible writers meant to communicate. RD: Yes. So, before we close, let’s go back to our David and Goliath example for just a second to amplify how archeology increases our confidence that this incident is accurate historically. One simple fact that has been confirmed by archeology is that Goliath’s home city of Gath was a real city. Gath was one of the 5 major cities of the Philistines. Its existence has been confirmed by Egyptian inscriptions. It is thought to be located at Tel Zafit (in Hebrew) which is located inside Tel Zafit National Park in modern day Israel. So, this is a finding of archeology that is consistent with the Bible. Another detail of the story that has been confirmed is the Bible’s description of Goliath’s armor. The Bible tells us that Goliath wore a coat of scale armor. The fact that Philistine warriors wore such armor coats has been confirmed by an archeological find. In 2006, bronze scale armor was discovered in a Mycenaean palace on the island of Salamis. Remember that the Philistines were thought to have originated in Mycenae. VK: This finding was especially relevant because some scholars who were critical of the Bible’s account of the fight between David and Goliath alleged that the story was just a fictional account probably made around the 6th or 7th century BC. Their assertion was that the story was concocted to make the Hebrews have a greater sense of national pride. The Hebrew pride supposedly needed a boost at that time because the Hebrews were either still captives in Babylon or had only recently returned to Israel. Part of the reason critics made that assertion was because the shirt of scale armor the Bible reports that Goliath wore was not thought to be typical of Mycenaean soldiers. Mycenaean soldiers were often armored by wide bronze bands connected by hinges. It was thought that scale armor had gone out of use before the Mycenaean heyday, around 1400 B.C.E. So, the critics alleged, that the Bible’s description of Goliath’s armor was inaccurate. But archeologists finding a coat of scale armor in a Mycenaean palace shows that their soldiers did use scale armor at least part of the time. RD: Yep. The Bible reported that Goliath wore a type of armored coat that had not been commonly associated with the Philistines. This was a detail that the Bible writer knew that would have been unknown to a writer who wrote three or four hundred years later. Writers in the 7th or 6th century would have had little to no idea how Philistine warriors had been armored in the earlier Bronze Age. So, this is another discovery from archeology that supports the Bible’s account of David and Goliath. And let’s mention just a couple of more items to complete our discussion. We now have prolific evidence that the kind of “contest between champions” was common in combat between Bronze Age armies. Single combat to determine the outcome of battles spared bloody casualties. The armies of the Bronze Age were willing to do this because wars were thought to actually be contests between the gods of the respective armies. The armies believed that each side’s god would fight on their behalf to determine the outcome that would have resulted anyway. Archeologists have unearthed texts from this time that provide numerous examples of this belief. Examples include the Egyptian account of Sinuhe, the Babylonian Epic Enuma Elish, and the famous duel between Paris and Menelaus in Homer´s Iliad. VK: And the Bible even records this detail in its account. In 1 Samuel, chapter 17, verse 43 the Bible says, “And the Philistine cursed David by his gods.” Then in verses 45 and 46 The Bible tells us that David said to the Philistine, “You come against me with sword and spear and javelin, but I come against you in the name of the Lord Almighty, the God of the armies of Israel, whom you have defied. This day the Lord will deliver you into my hands, and I’ll strike you down.” RD: Yep. So, the big idea that we wanted to introduce today is that archeological finds can be a valuable source of support for the accuracy of the history that the Bible reports. Actually, for decades the relationship between the Bible and archeology has been mutually supportive. Many scholars, including ones who weren’t Christian, used the Bible as a source document when planning or conducting their excavations. The Bible was and is widely regarded as an important source of information about ancient peoples and cultures. This symbiotic relationship was well known. The trend to dismiss the Bible’s accuracy in matters of dates and places in the Mideast has become popular among skeptics but it is completely out of sync with how the Bible was viewed among professionals. The Bible’s history has been shown to be accurate even when doubted and we’ll get more into that in later episodes in this series. VK: Well, sounds like we’re in for quite a thought-provoking journey. Hopefully, listeners will let others know about this series. It really can be a valuable resource to the skeptic and the believer alike. This sounds like a great time to pray. Today let’s listen to a prayer of praise of Adoration for the Creator God who set the cosmos into motion and established a home on the earth for His people as He prepares them for an eternity with Him in heaven. ---- PRAYER OF ADORATION FOR THE CREATOR VK: We’d like to remind our audience that a lot of our radio episodes are linked together in series of topics so if they missed any episodes or if they just want to hear one again, all of these episodes are available on your favorite podcast app. To find them just search on “Anchored by Truth by Crystal Sea Books.” If you’d like to hear more, try out crystalseabooks.com where “We’re not perfect but our Boss is!” (Bible Quotes from the New Living Translation) 1 Samuel, Chapter 17, verses 5 through 7, New Living Translation https://www.baslibrary.org/biblical-archaeology-review/8/4/1 https://patternsofevidence.com/2018/10/26/david-battles-goliath/)

The latest episode of the "Your Drone Questions. Answered" podcast is out! In this episode, our guest Sinuhe Montoya from Drone Quote joins David Young to discuss how drones are being used to revolutionize the solar installation process. They also dive into the inspection of existing solar panels using thermal equipment.Sinuhe Montoya, with over 10 years of experience in the residential solar and roofing industry, shares his insights on how drones have made a significant impact on data acquisition and overall efficiency. By using drones, he was able to gather the necessary information quickly and safely, resulting in improved sales. Sinuhe explains the typical process of installing solar panels on residential and commercial properties and highlights the challenges faced before drones became widely used.The conversation explores the advantages of using drones over satellite imagery, such as the ability to obtain up-to-date and high-resolution data. Sinuhe breaks down the process of collecting the required data using drones, which goes beyond simply taking pictures. He explains how the images are transformed into an ortho map, enabling detailed analysis and measurements. This information is then imported into design software, like Aurora, to calculate the impact of shade obstructions and determine the suitability of a roof for solar panels.Additionally, Sinuhe emphasizes the value of using drones for sales purposes. By inspecting the entire neighborhood from an aerial perspective, opportunities for solar installations can be identified more effectively. The conversation concludes with a brief discussion on thermal equipment for solar panel inspections, highlighting how temperature differences can indicate the health of individual cells or entire panels.Don't miss this informative episode that sheds light on the exciting role of drones in the solar industry! Subscribe to the Your Drone Questions Answered podcast for more insightful discussions and stay up to date with the latest advancements in drone technology.

 "Người Ai Cập - Quyền lực và Tình yêu" là bộ tiểu thuyết lịch sử gồm hai tập với mười lăm sách (chương) kể về cuộc đời danh y Sinuhe những năm 1390 - 1335 trước Công lịch, cũng là mười lăm chương kể về xã hội Ai Cập cổ đại thời bấy giờ qua hồi ức của nhân vật chính Sinuhe.  Những độc giả yêu thích bản phóng tác “Dấu chân trên cát” của học giả Nguyên Phong sẽ cảm thấy vô cùng thú vị khi có cơ hội đọc bản nguyên tác này. Support the show

Scott Brady interviews Sinuhe Xavier, multi-time podcast guest, Director, Photographer, and international traveler. Sinuhe shares his recent adventures and the start of his new project vehicle, an AEV Bison Colorado.Full show notes available on Overland Journal Podcast

¿Eres emprendedor, entusiasta y te sientes estancado, desmotivado o frustrado? este episodio es para ti, conoce todos los detalles y tips que nos comparte Sinuhe para tener un proyecto de emprendimiento sano, y sano emocionalmente!! Conduce: Mariana Madriz.

Johdanto Rode Connect ja mikit FT-817, QRP ja radiotekniikan alkeet (HF-eteneminen) TREK Domane+ LT, Fazua ja voiman mittaus (mikä se on?) Voiman mittauksen idea (VO2Max, harjoitusalueet, kuormitus jne) Erilaiset pyörän power-mittarit Erilaiset pyörän keskiöt ym. haasteet mittaukselle Favero Assioma Duo (power -polkimet), mitä ja miksi? Epistola (mitä ihmettä, mistä ja miten) Kiinnostus teknologiaan ja mahdollisuus Oric 1, MSX, Commodore 64, Amiga 500, PC, Mac -> TCP/IP, HTTP ja internetin alkuräjähdys Podcastin synty, sosiaalinen media, perspektiivi HeKan alkumossahdus Hyppösen kirja, Sinuhe ja 1984

After the invasion of the Hyksos and an early attempt at “monotheism” in Egypt, the Book of Exodus picks up with the saga of Mosheh (or Moses), the future liberator of the Hebrews, whose story often mirrors legends of King Sargon and of the Egyptian court official Sinuhe. Uniquely, though, in a larger literary collection that often steals the light from daughters and other women, Exodus spotlights the actions of heroines: the defiant midwives Shifra & Pua, the resourceful Jochebed, the compassionate daughter of Pharaoh who overcame racial prejudice and injustice, the “priestess” Tzippora, and later the great leader, Miryam. In this episode, Father Jayme casts light on ancient Egypt, the nocturnal nomadic festival that gave rise to Passover, and apotropaic attempts to pacify destroyer gods and angels. Noting Jack Miles' “equation” for the fusion that resulted in the monos theos, the single character who is the God of monotheism, he shares Miles' conclusion regarding patriarchal scriptural texts: “God is a warrior, and the Bible is about victory.” In this context, even the compassionate, proactive women of Exodus who refuse to cooperate with oppression are subsumed into the colonizing patterns of men. This episode concludes with the wisdom of J. Cheryl Exum: “Exodus begins with a focus on women. Their actions determine the outcome. From its highly positive portrayals of women to its testimony that the courage of women is the beginning of liberation, Exodus 1:8—2:10 presents the interpreter with powerful themes to draw on: women as defiers of oppression, women as givers of life, women as wise and resourceful in situations where a discerning mind and keen practical judgment are essential for a propitious outcome.” Thank God for inclusive expressions of Catholicism that appreciate and welcome the gifts of all people—including those who throughout history have been marginalized and denied their rightful place in the church and its scriptures!  Have you seen the latest issue of Extraordinary Catholics magazine?  Check out other podcasts by and for Inclusive Catholics! Support Extraordinary Catholics podcast!

Can a drone help build a better solar roof?  Sinuhe Montoya is CEO and founder of Drone Quote, a web-based solar roofing company.  Drone Quote works with drone pilots throughout the country to provide easy and precise estimates of solar roof installation projects.  After the solar installation is complete, the pilots conduct a final inspection flight to verify the quality of the work performed.  The company's unique approach is driving solar adoption and it illustrates just one more innovative way that drones are providing real value.   In this edition of the Drone Radio Show, Sinuhe talks about Drone Quote, the use of drones to promote solar and how he built a successful drone based business.  

In dieser 6. Folge stellt Euch Lucie Palisch ihren Lieblingsroman "Sinuhe der Ägypter" des finnischen Autors Mika Waltari vor. Das Monumentalwerk entführt Euch ins Alte Ägypten zu Zeiten des Pharao Echnaton und erzählt auf über tausend Seiten die Geschichte des Arztes Sinuhe. Lucie Palisch ist eigentlich kein Fan historischer Romane, der dieser hier aus dem Jahr 1945 hat es ihr angetan, vor allem weil sie die Sprache so beeindruckt hat.

“Gli scritti apparvero per primi in Egitto, questi erano ancora in forme semplici e servivano a identificare persone, luoghi ed eventi. Con il progredire della scrittura e il suo maggior utilizzo si ebbero le prime applicazioni cerimoniali, in particolare in forma di Liste delle Offerte nelle tombe.Esisteva una differenza tra il reale e il privato, cioè quello che riguardava levicende umane del re differiva da quelle del comune suddito. La scrittura passò piano piano alla letteratura, specialmente nelle tombe private di alti funzionari della casa reale che grazie alla loro ricchezza, costruivano la “casa per l'eternità". Sulle pareti della tomba, la scrittura dava voce alle rappresentazioni pittoriche. I proprietari delle tombe potevano elencare i nomi dei componenti della propria famiglia, il proprio rango e la lista delle offerte desiderate.”Autore Leonardo Paolo LovariVoce Narrante Rosanna Lia

The Young Vic podcast investigates the power of a 4000-year-old story about exile and home: how the tale of Sinuhe inspired Ben Okri to write Changing Destiny. And Kwame Kwei-Armah speaks to Egyptologist Allison Hedges about mummies, myths and the origins of theatre.

Ben Okri's new play Changing Destiny is an adaptation of one of the world's oldest known stories, the ancient Egyptian Tale of Sinuhe. Tonight marks not only its opening night at London's Young Vic theatre, but the first time the venue has opened its doors since last year. Artistic director Kwame Kwei-Armah, who directs the play, talks to Tom live from the Young Vic just a few minutes before the curtain goes up. This evening, Sir James MacMillan has a new piece being premiered at the First Night of the Proms, alongside Vaughan Williams's Serenade to Music. He tells Tom why it will be such a special occasion, and the pressure of writing a piece to accompany a masterwork. "Paint me, Joan," the children of the tenements of Townhead in Glasgow used to say to Joan Eardley. And she did. The people of Townhead and scenes of the fishing village of Catterline in northeast Scotland became the focus of her art. This is celebrated in her centenary year with two exhibitions in Edinburgh, where the Art Festival opened yesterday. Glasgow-based artist Hannah Tuulikki and Adam Benmakhlouf, art editor of The Skinny magazine, review the Joan Eardley shows, as well as Tak' Tent O' Time Ere Time Be Tint, a new installation and film by Sean Lynch, responding to the statues and public monuments of Edinburgh. Laura Snapes joins us to review Billie Eilish's eagerly awaited new album Happier Than Ever. And as ITV announces it has axed The X Factor, she discusses its legacy and why Simon Cowell is now choosing to distance himself from the programme.

Hablamos de la "Historia de Sinuhé", obra maestra de la narrativa del Antiguo Egipto, una narración que reflejaba sus valores e ideales de amor a la tierra del Nilo y al rey, un dios en la tierra... Algo de bibliografía "on line" por si quieres profundizar por tu cuenta: http://antiqua.gipuzkoakultura.net/pdf/SINUHE.pdf http://www.egiptomania.com/literatura/sinuhe.htm https://1library.co/document/q26r8vez-la-historia-de-sinuhe-pdf.html

Raised by his mom in Montana after she fled her home country for safety, Sinuhe Xavier is a single dad living in CO is co-raising his 7-year old son along with his ex-wife.He's a commercial director and photographer working with Nike, Ducati, VW, J.Crew and more and gets honest about his past, his fear of being a dad and how he manages to balance life, work and his son living in another state.Thanks for listening and don't forget to use the code "BYRDAF" on their site to get 15% off your whole purchase! That supports the site and you get a great deal on awesome products like their deliciously-smelling salty coconut body wash featuring natural products like sea salt, red algae and kelp. Trust me, it's fantastic!AND make sure you follow us on Instagram, Subscribe and SHARE with your friends!

Paul tells Sarah the Adventure of Sinuhe, a man who abandoned the kingdom after a pharaoh was murdered and somehow returned a hero. Want More Mythunderstood? Visit our patreon at www.patreon.com/_mythunderstood  And be a part of the conversation over on our Discord! https://discord.gg/GrnzCDW94M  Support the show by leaving a Rating & Review and be sure to visit www.dragonwagonshop.com for official Mythunderstood merchandise! Mythunderstood is a part of the Dragon Wagon Radio independent podcast network. Learn more at www.dragonwagonradio.com 

"La storia in giallo" affronta questa volta il più antico dei suoi personaggi: il faraone Akhenaton. Protagonista della grande rivoluzione religiosa del Nuovo Regno, il sovrano fu il primo ad affermare ufficialmente una religione monoteista e probabilmente a pagarne lo scotto morendo assassinato, come già aveva ricostruito l'archeologo Milka Waltari in un romanzo - e poi film - di grande successo: "Sinuhe l'egiziano". Al termine dello sceneggiato l'autrice Antonella Ferrera intervista l'archeologo e scrittore Valerio Manfredi.

Matt and Scott interview Sinuhe Xavier, award winning cinematographer, commercial director, and photographer. Sinuhe shares his insights on traveling the globe on a motorcycle and in a 4WD as a lifelong learner. Sinuhe shares his insights on photography, Land Rovers, the Utah Traverse, and on being a passionate advocate of having more fun, with less stuff. If you are looking for Sinuhe Xavier, you may as well spin a globe and put your finger on it. Chances are, you'll come as close as anyone's guess. Sinuhe (pronounced sin-way) has taken photos and made commercials all over the globe, and his long-range escapades are legendary. His perspective on a landscape informs his lensing choices, and you know when you are looking at one of his distinct image sets. His Rolodex includes clients such as Bentley, Jeep, Land Rover, Toyota, and Google, and he is regularly tapped by the likes of BBDO, TBWAChiatDay, Saatchi & Saatchi, and R/GA.

“Dấu chân trên cát” là tác phẩm được dịch giả Nguyên Phong phóng tác kể về xã hội Ai Cập thế kỷ thứ XIV trước CN, qua lời kể của nhân vật chính - Sinuhe. Ngày nay, người ta biết đến triều đại các vua chúa Ai Cập thời cổ qua sách vở của người Hy Lạp. Sở dĩ các sử gia Hy Lạp biết được các chi tiết này vì họ đã học hỏi từ người Ai Cập bị đày biệt xứ tên là Sinuhe. Đây là một nhân vật lạ lùng, đã có công mang văn minh Ai Cập truyền vào Hy Lạp khi quốc gia này còn ở tình trạng kém mở mang so với Ai Cập lúc đó. Các sử gia ngày nay đã đưa ra nhiều giả thuyết về nhân vật Sinuhe này. Có người cho rằng ông là một lái buôn đến Hy Lạp lập nghiệp, nhưng làm sao lái buôn lại mở trường dạy học và để lại nhiều tài liệu quý giá như thế được? Từ ngàn xưa, chỉ riêng giai cấp vua chúa là giáo sĩ mới được hưởng quy chế giáo dục toàn vẹn như vậy mà thôi. Tải ứng dụng nghe trọn bộ: voiz.vn/do

Egyptin taide, se Sinuhe egyptiläisen maailma, on kiehtova. Mutta onko oikein, että kuolleita ihmisiä, kuten muumioita, pannaan taiteen nimessä esille museoon eikä hautaan? Tämän jakson teemana on Egyptin loisto -näyttely ja kuolema taiteessa. Egyptin loisto – Viimeiset suuret dynastiat -näyttely Amos Rexissä 21.3.2021 asti. amosrex.fi/nayttelyt/egyptin-loisto

Commercial director, filmmaker, photographer, and friend of the show, Sinuhe Xavier returns to make an in person appearance at the Visual Revolutionary studio and have a discussion about why he's made the decision to start splitting up his time in LA to a more personally satisfying existence in the mountains of Colorado, how he's been affected by the current commercial production regulations and protocols, and what he's been up to since we last spoke.  Make sure to check out Sinuhe's full biographical story way back on Episode #11, but during this conversation we talk about his return to a more personal approach to shooting photos, how he continues to stay relevant in an ever changing commercial industry, the changes the pandemic might bring to the way we shoot and where we are based out of, and the advice he gives to others out there trying to re-inspire themselves in uncertain times.   To Learn More About Sinuhe Xavier Visit: https://www.sinuhexavier.com And Follow Him on Instagram At: https://www.instagram.com/sinuhexavier/ To Learn More About Visual Revolutionary Visit: http://www.visualrevolutionary.com And Follow On Instagram At: https://www.instagram.com/visualrevolutionary/  

Friday 10/2

Miten EU:n elvytysrahasto vaikuttaa Euroopan unionin kehitykseen? Onko elvytysrahasto kertaluonteinen ratkaisu vai onko kyseessä pysyvä suunnanmuutos? Aiheesta keskustelevat RKP:n kansanedustaja Anders Adlercreutz, Kokoomuksen kansanedustaja Sinuhe Wallinheimo ja Rami Kurimo. Jakso on nauhoitettu 13.8.2020. https://www.instagram.com/puheenaihefi/

Sinuhe is Founder of DroneQuote a company that specializes in helping roofing and solar companies better understand what’s happening on a roof through drone survey imagery. Sinuhe started working installing solar panels on new roofs for residential and commercial purposes. He had to get on roofs to take measurements and conduct surveys and was afraid of heights. In thinking there had to be a better way, he bought a small drone with a camera and started seeing potential and benefits such as being able to: Take far more accurate measurements and SELL better Get a better understanding of what was happening on the roof AND save time Pay more attention to details because fear of falling didn’t prevent him from noticing details Stay SAFER! “My first $100 drone was very rudimentary; it taught me how to fly a drone and allowed me to open my mind to the concept of utilizing a drone. There was an opportunity and I learned from it.” When Sinuhe learned he could transmit an image to a receiver, he needed something more sophisticated, so, in February 2014, he sold his motorcycle to buy a real TBS (Team Black Sheep) drone for $3,400. That first drone lasted until the day he crashed into a pine tree, falling 30 feet to the ground and smashing it into smithereens. Lesson learned for anyone just starting to get into drones...don't overestimate your confidence because you will pay through the nose!”   David:  So, at that point, you're working for a solar installer and using the drone to make your life easier in your current job, right? Yes. The drone, Sinuhe says, enabled him to generate more sales, which made him more sales commission by using it—it paid for itself—but his company wasn’t paying for him to have it. “I realized that I had something on my hands that nobody was using for that purpose. I was also speaking with well-to-do clientele. When I entered a house whose living room was the size of my entire house, I shifted from trying to sell solar to learning what that person did to be successful.” Almost everyone said they became successful by starting a business. The seed was planted and Sinuhe started saving money to start a business. It took him two years to get his ducks in a row and leave his company to set out on his own.   David: “Smart. When did you shift from working for the solar company to starting your own business? What was your plan? How did you get your first paying client?” Sinuhe started his business in 2017. For him, it’s not until you open your doors for business that you find out what’s going to work. You Droners.io was his original model. He said, “I'm going to build a website that's going to help people find drone pilots, yet I kept getting calls from people in the solar industry asking me to inspect a roof. So I shifted my focus to inspecting roofs wholeheartedly—and that was really where we started making money. “So you figure out what's working, what's not, where your opportunity is, and then shift your focus that way. With this model, I was getting paid right away for the service.”   David: “How did you build that up to where people knew who you were? Did you have a lot of contacts from your days selling solar? I know you’re brave with cold-calling—for people out there who may not be as comfortable cold calling, can you walk us through a mock cold call? How do you get past the first minute of awkwardness where the other person is trying to figure out what you want?” Sinuhe makes it a point to be active on social media where he found solar companies and large roof installers. He cold called... and cold called... and cold called—which turned into opportunities. Sinuhe says,” “A lot of people see cold-calling as intimidating, but It's in your head. It’s the person's job to answer the phone and it’s only awkward if you make it so. You avoid that by doing research on who you're going to call before you call them. If you get the right information, you have a WARM call.” SInuhe mentions his most important cold-call points: Ask if they have a moment for you to offer to help them with something. Mention something you saw on LinkedIn. Reference a person and use their language, so they know you understand their company and pain points. You’ll earn their interest based on your ability to understand some of their pain points. With the person who answered the phone, make it sound as though you've already talked to the person you’re trying to reach in the past. When you get to the person you want, mention a topic they posted and offer the opportunity to help with something specific; in this way, you’re not talking about something they haven't thought about or planned for. Use open ended questions, such as “What is something that troubles you? What challenges do you face on steep roofs?. LET THEM TALK! In due time, offer a solution, such as, “I can survey your roof in a much quicker manner and more than likely at a lower cost to your company.” Even if you don’t understand the industry. If you’ve done your research, you can learn—it’s all research-based. Be willing to learn. You’re going to hear “No, I don't need your services. Thank you.” Look forward to the NOs. Count how many NOs it takes to get to YES! With every no, you're one step closer to your YES! Ask if there's anybody they know that would benefit from your services. You may get some leads. It's worth asking because the worst they can say is no.   David: “What did people pay you for a typical job at the beginning and what product were you delivering?  What does it take on your end to do a residential home? What data are you capturing and what do you need to process?” Sinuhe was usually charging about one $50 to $200 per flight for roof inspections, depending on the size. Now, for a large commercial building, it can be $500. For a residential home, they do a drone survey gathering details on air conditioning, service panels, water and gas lines, proximity of trees, etc. He’s using the drone to create an orthomosaic map image of the property with accurate measurements.   David: “How many jobs are you getting from solar companies? For larger scale, you can hire other pilots, but if you were going to fly all those by yourself, what's the average you're charging per job?” It depends on time of year. Solar slows down at the end of the year but during the summer months, they do 50-75 jobs a month. For an average sized house, he charges $150 and if he plots his route efficiently beforehand, he can be very efficient and do 5-6 jobs a day.   David: “What other customers do you have for this type of service besides solar companies? Do you use a promo video of your guys working?” According to Sinuhe, roofing companies are a tough nut to crack because they want boots on the ground. They are more receptive because they can see the value. They're getting hired by roofing and solar companies who’ve already sold the job and want to get the roof survey completed so they can move on to permitting or plans. David: “Moving forward, where do you see the biggest opportunity for people who want to use their drones for roof inspections? What tactics do you think people should be looking into in the future?” Sinuhe sees big opportunity in the solar space because it will has shown strong growth in the last 5-7 years and will continue to grow. He believes if they continue to bring down the acquisition cost to the customer, decrease the survey and installation costs, they will continue to be an attractive asset.” Connect with Sinuhe Email: smontoya@dronequote.net Website: dronequote.net Instagram: www.instagram.com Facebook www.facebook.com LinkedIn: www.linkedin.com Have a Drone Business? Want to be Interviewed for Season 3? Complete this questionnaire: Drone to 1K Business Owner Application Training from Drone Launch Academy Part 107 Exam Prep Course ($50 off) Aerial Photo Pro Course ($50 off) Aerial Video A to Z Course ($100 off) Aerial Roof Inspection Pro Course ($100 off) Drones 101 Course ($20 off) Other Places to Listen iTunes Stitcher Google Play Spotify TuneIn

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VA Loan Guy founder, Armed & Ready Host, and VA Loan Specialist, Jason Wood sits down with Sineuah Montoya, U.S Army Veteran and CEO of Dronequote. Jason specializes in mortgage lending for military veterans, and after separating from the Air Force is now helping veterans move into their dream home, and creates educational content which is used to educate the public about the VA Loan process.In this episode of Armed & Ready, Sineuah Montoya tells us about how he got into the Solar Industry after getting out of the military and tips on starting your own business.Every Friday a new episode of Armed & Ready comes out, all with the goal of highlighting veterans turned entrepreneurs, people giving back to the community, and sharing helpful information that will help you be “Armed & Ready” in all aspects of life.Armed & Ready is now streaming on Spotify, Google Play, and Apple Podcasts. #solar #mortgage101 #homeloans #firstimehomebuyer #VALoan #Veteran#valoans, #veterans, #mortgagepro, #mortgagebroker, #valoanspecialist#army #military

Today we are joined by Sinuhe Montoya owner of Drone Quote. Drone Quote is a company that helps clients by helping them find the right solar and roofing company without having to worry about being sold. Sinuhe comes on the show and shares with us what it was like for him to take the leap of faith and leave a good steady job and start his own business. Listen as we hear about his struggles and how he overcame them. If you would like to get in tough with Sinuhe, please feel free to reach out via social @TheDroneQuote or call/text him at 760-877-6941 Contact James for all your Insurance needs 619-884-0045 or James@SiasFirst.com OR CLICK ON THE LINK BELOW!!! GET A HOME OWNERS POLICY FAST!! https://siasfirst.com/need-insurance/ FIND US ON SOCIAL MEDIA https://siasfirst.com/contact/ Are you EXP CURIOUS??? text: 123exp to 31996 for a 7 minute video on what it is all about. Want to be on an episode of Business Bros the #1 Podcast in San Diego? Call 619-884-4915 or Send us an email BusinessBros@SiasFirst.com so we can get in touch with you ASAP. Join the conversation or catch the podcast live on our social media feeds @BusinessBrosPod Facebook, Instagram and Twitter. You can listen to past episodes on our website www.SiasFirst.com. www.bensound.com

In this Ancient Egyptian poem, a man talks with his own soul about whether it is better to live or die. Read by Barbara Ewing. Translated by Richard Bruce Parkinson. The poem is known from a single copy, c. 1800 BC, whose beginning is lost. It is a dialogue between a man and his own soul, about the nature of death: the man despairs at life and longs for death, while his soul urges him to remember death’s horror. As they quarrel, life and death are interwoven, and the dialogue moves to a lyrical compromise. The poem ends as they agree to face life and death together. An annotated translation is in The Tale of Sinuhe and Other Ancient Egyptian Poems 1940–1640 BC (Oxford World’s Classics 1998). This recording is part of a study of Ancient Egyptian poems in performance (for the British Museum and Oxford University Ramesseum Papyri Project). Our thanks to Chris Hollings, Adam McNaney, Karen Carey, Tim Reid and The Queen’s College, Oxford

Misterio 51 Programa T2x05 Sinuhe el Egipcio Leyendas y Casos Inexplicables con Miguel. A. Pertierra Programa T2x05, Como siempre unos temas variados de historia y mitología como La Eneida con Mario Luis Martin y Sinuhe el Egipcio de la mano de Donato Fernandez, Tendremos casos de curación inexplicables junto a Miguel Angel Pertierra Quesada el cual a vivido en sus propias carnes ese otro lado. También nos visita Luis Merino y su Fotografía Fantasma.

Misterio 51 Programa T2x05 Sinuhe el Egipcio Leyendas y Casos Inexplicables con Miguel. A. Pertierra Programa T2x05, Como siempre unos temas variados de historia y mitología como La Eneida con Mario Luis Martin y Sinuhe el Egipcio de la mano de Donato Fernandez, Tendremos casos de curación inexplicables junto a Miguel Angel Pertierra Quesada el cual a vivido en sus propias carnes ese otro lado. También nos visita Luis Merino y su Fotografía Fantasma.

Sinuhe Montoya is a drone pilot who saw an opportunity to use his drone to help get solar panels installed. How does that happen? Well, he actually doesn't invite any of the installers with him, but instead he runs everything through his business DroneQuote. How does that work? Well without giving it all away, he saw a need to eliminate painful in home solar panel sales calls by pre-shooting with his drone. Once a home has been shot, he sends the opportunity out to other installers who then bid on the job! Pretty awesome idea, isn't it?

Kansanedustaja Jyrki Kasvi luki nuorena niin paljon, että se häiritsi jo koulunkäyntiä. Sinuhe egyptiläisen ensimmäistä kertaa seitsemänvuotiaana ja sen jälkeen Kasvi tarttuikin jo Kaikki mitä olet halunnut tietää seksistä -teokseen. Luettuaan Homeroksen Ilias ja Odysseian tuleva kansanedustaja ymmärsi, miksi länsimaisen kulttuurin perusta on niin perseestä. Ovatko ihmisten genomitiedot uhka vai mahdollisuus, mikä on ainoa kerta, kun Kasvi on kirjoittanut lukijakirjeen Hufvudstadsbladetiin ja mikä koulun kielenopiskelussa menee pieleen? Kuuntele kesän kuumin show.

Suomalainen tutkija on löytänyt useita eksoplaneettoja, Aalto-yliopiston opiskelijaryhmä  rakensi suomalaisen satelliitin ja jossain mustalla taivaalla kiertävät asteroidit nimeltä Sinuhe ja Waltari. Avaruudentutkimus ja avaruusteknologian kehitys ovat Suomessa nyt vahvassa kasvussa. Suomi on edelläkävijä avaruussään ja maapalloa ympäröivän ionosfäärin tutkimuksessa. Avaruusalalla toimii jo noin 60 suomalaista yhtiötä. Tuleeko avaruudentukimuksen uusi Nokia? ? Miksi avaruudentutkimus on tärkeää? Millainen suhde Suomella on avaruuteen? Roman Schatzin vieraina ovat Hertfordshiren Yliopiston astronomi Mikko Tuomi ja Aalto-yliopiston apulaisprofessori Jaan Praks.

An ancient Egyptian tells his life-story from the walls of his tomb, c. 1850 BC. Read by Barbara Ewing. Translated by Richard Bruce Parkinson Composed around 1850 BC, Sinuhe is the supreme masterpiece of ancient Egyptian poetry. The poem is a fictional official’s autobiography, supposedly carved on the walls of his tomb, and his story forms a passionate probing of his culture’s ideals and anxieties. In a moment of panic Sinuhe flees Egypt at this death of his king. His adventures bring wealth and power, but his failure to find a meaningful life abroad is only redeemed by the new king’s mercy, and he finally returns home to be buried. An annotated translation is in The Tale of Sinuhe and Other Ancient Egyptian Poems 1940–1640 BC (Oxford World’s Classics 1998). This recording is part of The Tale of Sinuhe: A Reader’s Commentary (for the British Museum and Oxford University Ramesseum Papyri Project). With thanks to Karen Carey, Jenny Guest, Chris Hollings, Tim Reid and The Queen’s College, Oxford.

Upon first look at the very impressive body of work from Commercial Director and Photographer Sinuhe Xavier, it's hard to believe that he didn't even pursue a career in directing films until 2003.  He is a self taught photographer and filmmaker with a huge roster of clients like Ford, Toyota, Gillette, and many others.  After years on the other side of the lens as a proffesional skier for the North Face team, and a couple of attempts at normal jobs, Sinuhe picked up a camera and started down the path that would lead him to what most would call a successful career and a growing list of high profile clients.  Sinuhe tells the story of growing up in Bozeman, Montana, having a big half pipe in his yard that would become the local hot spot and even attract Tony Hawk to come skate it, and traveling the world as an athlete for The North Face.  Sinuhe has gone on to direct a big list of commercial spots, worked on more personal documentary films, and traveled through Columbia on a motorcycle. He is recently back from Alaska after directing a short film for the new Toyota Tacoma TRD Pro, and has an inspiring story of someone who had the right determination to make it in an industry that doesn't let many in.   Learn More About Sinuhe Xavier:  http://www.sinuhexavier.com Original Music By  http://5thdimensioncaravan.com About Visual Revolutionary  http://www.visualrevolutionary.com BECAUSE WE ARE INTERESTED IN PEOPLE'S STORY, AND NOT WHAT TYPE OF GEAR THEY USE, WE INTRODUCE A NEW MUCH NEEDED PODCAST IN THE WORLD OF PHOTOGRAPHY AND CINEMATOGRAPHY.  FEATURING IN-DEPTH INTERVIEWS WITH SOME OF THE COUNTRY'S LEADING PHOTOGRAPHERS, DIRECTORS, CINEMATOGRAPHERS, AND OTHER VISUAL REVOLUTIONARIES, WE ARE BRINGING YOU THE BACKSTORY ON HOW SOME OF YOUR FAVORITE ARTIST GOT TO WHERE THEY ARE TODAY.  

Senuseret I (Part 1): The Tale of Sinuhe.Around 1962 BCE, conspirators broke into the royal bedchamber and attacked King Amenemhat in his bed. The result was panic: prince Senuseret was far from home, and the situation was incredibly perilous. In the midst of this, a minor official named Sinuhe got caught up in the storm, and decided to flee for his life. Thereby hangs a tale...https://egyptianhistorypodcast.com/2014/09/02/episode-34-night-of-the-long-knives/ See acast.com/privacy for privacy and opt-out information.

The Inaugural lecture of Richard B. Parkinson as Professor of Egyptology, accompanied by actress and author Barbara Ewing, on the emotional power of the famous Ancient Egyptian poem "The Tale of Sinuhe"

The Inaugural lecture of Richard B. Parkinson as Professor of Egyptology, accompanied by actress and author Barbara Ewing, on the emotional power of the famous Ancient Egyptian poem "The Tale of Sinuhe"

inuhé, el egipcio (en el original en finés Sinuhe egyptiläinen) es una novela histórica de Mika Waltari publicada por primera vez en 1945. Fue la primera y más exitosa de las novelas históricas del autor.Su trama transcurre en el Antiguo Egipto, durante el reinado del faraón Akenatón, de quien se afirma que fue el primer gobernante monoteísta. El protagonista de la novela, sin embargo, no es el faraón, sino Sinuhé, el médico real, quien cuenta la historia en el exilio después de la muerte de Akenatón, además de haber perdido su posición debido a su fracasada relación con una cortesana. Perdió la casa de sus padres, su herencia, pues creía poder manipular el cariño de esa mujer hacia él. Aparte de los sucesos ocurridos en Egipto, la novela también relata los viajes de Sinuhé por Babilonia, la Creta Minoica, entre los hititas y otros pueblos vecinos.

Melvyn Bragg and his guests discuss The Tale of Sinuhe, one of the most celebrated works of ancient Egyptian literature. Written around four thousand years ago, the poem narrates the story of an Egyptian official who is exiled to Syria before returning to his homeland some years later. The number of versions of the poem, which is known from several surviving papyri and inscriptions, suggests that it was seen as an important literary work; although the story is set against a backdrop of real historical events, most scholars believe that the poem is a work of fiction. With: Richard Parkinson Professor of Egyptology and Fellow of Queen's College at the University of Oxford Roland Enmarch Senior Lecturer in Egyptology at the University of Liverpool. Aidan Dodson Senior Research Fellow in the Department of Archaeology and Anthropology at the University of Bristol Producer: Thomas Morris.

Melvyn Bragg and his guests discuss The Tale of Sinuhe, one of the most celebrated works of ancient Egyptian literature. Written around four thousand years ago, the poem narrates the story of an Egyptian official who is exiled to Syria before returning to his homeland some years later. The number of versions of the poem, which is known from several surviving papyri and inscriptions, suggests that it was seen as an important literary work; although the story is set against a backdrop of real historical events, most scholars believe that the poem is a work of fiction. With: Richard Parkinson Professor of Egyptology and Fellow of Queen's College at the University of Oxford Roland Enmarch Senior Lecturer in Egyptology at the University of Liverpool. Aidan Dodson Senior Research Fellow in the Department of Archaeology and Anthropology at the University of Bristol Producer: Thomas Morris.

In the spirit of the J. Geils Band, 'Sinuhe the Egyptian' spent his entire life looking for it. A proto-hippie, an inspired near-mad man (not across the water), gave Sinuhe the answer. The result was elation, and courage, and even creation. And for me. And for you?