Podcast appearances and mentions of Tristan Perich

This is Episode 72 of To Etherea and Beyond - Mass Octave Turbulence. The show broadcasts on Harrogate Community Radio at 9am this Sunday 16th February and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Polynation, Ben Lukas Boysen, Ouai Stéphane, Splitterzelle, Cloth, Roy Montgomery, Elaine Malone, Roedelius, Tim Story, Yo La Tengo, Kaikobad, Kiasmos, Ben Lukas Boysen, Tristan Perich, Ensemble 0, Leifur James, Cancel, Electric Eye, ddwy, Bartosz Kruczyński, Rival consoles, DjRUM, Hyster and Ebbb https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

   Alessandro Cortini - Prime Cose - M3William Basinski · Richard Chartier - Aurora Terminalis - Aurora Terminalis (Excerpt 1)Tim Hecker - Shards - Sunset Key MeltBvdub - For Everything an EndFennesz - Mosaic - Loved and the Framed InsectsMarkus Guentner - Midnight SunSondre Lerche - Sea Of Sighs - Sea of SighsJames Blackshaw - Unraveling In Your Hands - DexterWill Samson - LoshultTristan Perich, Ensemble 0 -  Open Symmetry - Section 4Caterina Barbieri - Myuthafoo - MyuthafooFotografia de David Lynch(Last Show Jan 22)"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save 

Music Used:Space Town - What Happened to Chiptune ThemeUltrasyd - Un croissant s'il vous plaît(RIP Ultrasyd)Reference:- Bent Fest - https://twitter.com/bentfestival- Chiptunes = Win - https://archive.org/details/chiptunes-win-discography-flac-lossless- Kevin Saunderson - https://en.wikipedia.org/wiki/Kevin_Saunderson- Juan Atkins - https://en.wikipedia.org/wiki/Juan_Atkins- Reel Big Fish - https://reel-big-fish.com/- The Arrogant Sons of Bitches - https://en.wikipedia.org/wiki/The_Arrogant_Sons_of_Bitches- Bomb the Music Industry! - https://en.wikipedia.org/wiki/Bomb_the_Music_Industry!- Chipwrecked - [https://www.facebook.com/events/østerlars-bornholm-denmark/chipwrecked-chiptune-festival-2023/378372814467430/](https://www.facebook.com/events/%C3%B8sterlars-bornholm-denmark/chipwrecked-chiptune-festival-2023/378372814467430/)- Infinity Shred - https://www.infinityshred.com/- Anamanaguchi - https://anamanaguchi.com/- Porter Robinson - https://porterrobinson.com/- Bud Melvin - http://www.budmelvin.com/- Tristan Perich - https://www.tristanperich.com/- Depreciation Guild - https://en.wikipedia.org/wiki/The_Depreciation_GuildEpisode Photo by Rick “Portroids” DeMint

In our forthcoming podcast episode, we're joined by the distinguished James McVinnie to delve into the fascinating world of organ music, marking the 70th anniversary of the Royal Festival Hall organ. McVinnie will discuss the instrument's significant historical impact and its role in the evolution of organ music in London and further afield. We'll explore how the organ, conceived in the post-war era, reflects the cultural shifts of its time through the vision of Ralph Downes. Our guest is James McVinnie, known for his broad repertoire that ranges from early organ music to contemporary compositions by Nico Muhly and Tristan Perich, will share how he navigates the vast musical landscapes of different eras in his performances. The discussion will also touch on "Infinity Gradient" by Perich, an innovative piece that reimagines the organ's potential in synthesis and music, potentially setting the direction for the instrument's future. As McVinnie travels performing across the globe, he plays an increasingly important role in redefining the organ as an instrument of both historical depth and modern relevance. Looking ahead, he'll share his vision for the organ's future and how he aims to contribute to its ongoing evolution. Finally, McVinnie will offer invaluable advice for young musicians interested in exploring the organ and its possibilities in contemporary music. Join us for an engaging journey into the heart of organ music with one of its most forward-thinking performers. --- Send in a voice message: https://podcasters.spotify.com/pod/show/londonguidedwalks/message

Chat about contemporary music, composition, and just intonation with us in this theoretically adventurous and wide ranging episode. Christopher Otto, composer and violinist, works with the JACK quartet, a group that has played the music of such individuals as John Zorn, Tristan Perich, Cenk Ergün, Tyshawn Sorey, Catherine Lamb, Georg Frederich Haas, Dan Trueman, and many, many, more. Intro: Christopher Otto (jack quartet) rag'sma  Catherine Lamb - divisio spiralis (mvt. II) Beethoven - Symphony No. 6 (storm section low notes) Vicente Atria - Seasons Will Pass You By Christopher Otto (jack quartet) rag'sma  Christopher Otto - 3x5x7 (loadbang) Christopher Otto - violin octet (d1) LaMonte Young - Trio for Strings (Part 4 out of 8) LaMonte Young - Trio for Strings (Part 4 out of 8) - demo of 17 “equalizing” 9/8 Vicentino - Madonna il poco dolce (31edo) Stephen Weigel cover Christopher Otto - 3x4x5 (Weslos) Outro: Christopher Otto (jack quartet) rag'sma    Rag'sma: https://greyfade-label.bandcamp.com/album/ragsma   Christopher and JACK's links: https://christopherotto.space/ https://www.jackquartet.com/ https://christopherotto.bandcamp.com/album/3x4x5   Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically) https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/   Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA  

"An energetic and scholastic throwback theme, a captivating piece of experimental sound art, and an alt rock ode to one of humanity's most celebrated minds.."What does one of Martin's favorite '90s cartoons have in common with a creative genius in the world of sound art? What's the shared link between Frasier, Philip Glass, and the Counting Crows? Is John Mayer a shameless pre-chorus thief?In the latest episode of Themes and Variation, we dig into all these questions and more. Join me (your humble podcast host, Mahea Lee), Jeremy Young, and Martin Fowler as we embark upon a journey to the center of the theme: "Songs About Science."This episode is centered around track selections from the catalogs of Peter Lurye, Tristan Perich, and the Counting Crows, with a special shout out to the work of celebrated composer Philip Glass and acclaimed pianist Vicky Chow. As ever, the discussion touches on topics like theory, production, and music history — along with opinions and anecdotes from the panel here and there.If you're looking for your next small step in the direction of musical knowledge and entertainment, join us for the episode "Songs About Science."Don't forget to subscribe to the podcast and consider leaving us a 5-star review to help us spread the word and keep the the show in motion! It would mean a lot to us. Want more? Go ahead and explore the back catalog of our previous episodes, and subscribe to hear every one of our episodes right when they come out, on your preferred platform: Apple PodcastsSpotifyiHeart Radioor anywhere else you get your podcasts.We'll see you in a couple weeks with a new theme, new guests, and some new songs to break down. If you have any comments, questions, or theme suggestions, drops us a line at podcast@soundfly.com or find us on Twitter.Mentioned in this episode:Visit soundfly.com to learn more!

“Kā stāstīt par trim gadiem neredzamai publikai” – ar šādu vadmotīvu, ko iedvesmojis vācu mākslinieks Jozefs Boiss, savu trīs gadu jubileju svinēs Ventspils koncertzāle ‘'Latvija”. Saruna ar jubilejas notikuma režisori Lauru Grozu un Ventspils koncertzāles māksliniecisko vadītāju Miku Magoni. 24. jūlijā Ventspilī ar trīsdaļīgu notikumu tiks atzīmēta koncertzāles "Latvija" trīs gadu jubileja. Notikuma saukli "Kā stāstīt par trim gadiem neredzamai publikai" iedvesmojis ne tikai vācu mākslinieks Jozefs Boiss (Joseph Beuys) un viņa 1965. gadā Diseldorfā īstenotā ikoniskā izrāde, bet arī aizvadītais un joprojām izdzīvojamais laiks, kurā "mūsu visu kolektīvās un individuālās ieceres atcēlās, pārcēlās, tika koriģētas", informēja koncertzāles pārstāvji. Jubilejas notikumu kopā ar koncertzāles komandu veido režisore Laura Groza un mākslinieku tandēms "MAREUNROL`S". Tā pirmās divas daļas ietvers gan performatīvu komentāru par šī laika novērojumiem, gan atskatu uz aizvadīto gadu un spilgtākajiem notikumiem koncertzālē "Latvija". Jubilejas kulminācijā iecerēta pazīstamā britu ērģelnieka Džeimsa Makvinnija (James McVinnie) atgriešanās Ventspilī un muzicēšana kopā ar amerikāņu komponistu Tristanu Periču (Tristan Perich), izpildot viņa īpaši Makvinnijam radīto skaņdarbu "Infinity Gradient" jeb "Nebeidzama nogāze" – darbu stabuļu ērģelēm un simts skaļruņiem.

Dr. Brian Sovryn--the Golden Stallion--is here for another SOVRYN REWIND! SOVRYN REWIND comprises episodes from Sovryn Tech's long history that you may have missed...but you don't want to miss it now! Below are the original show notes, with some updated links and info: The exciting (albeit perhaps “rough around the edges”) first episode of Sovryn Tech! Special Guest: None Stories of the Week: —“Google, Facebook, and others are begging the courts to smack down absurdly vague patents.” Link: allthingsd.com/20121209/facebook…cial-patent-case/ Tech Roulette: —“Google forces SafeSearch on users…is it censorship?” Link: plus.google.com/+MikeElgan/posts/NEFAWLSj9wL Website of the Week: —“The New Myspace” Link: new.myspace.com Software of the Week: —“Portableapps, software suite” Link: www.portableapps.com Game Talk: —“Wing Commander Saga: The Darkest Dawn” Link: www.wcsaga.com Hacker Stories: —“Reading of ‘The Hacker Manifesto' from 1986.” Link: www.phrack.org/issues.html?issue=7&id=3&mode=txt Pick of the Week: —“Music and device by Tristan Perich: ‘1-bit Symphony' reviewed.” Links:www.tristanperich.com & www.1bitmusic.com APPENDIX & SPONSORS: --"Support Sovryn Tech on Patreon" Link: https://www.patreon.com/sovryntech --"Use Fastmail!" Link: https://fastmail.sovryntech.com --"Use Booking.com and Earn $25!" Link: https://booking.sovryntech.com --"Buy the Insurgo PrivacyBeast X230!” Link: http://bit.ly/2GoFjdj --"Surveillance Self-Defense" Link: https://ssd.eff.org/ --"RetroShare" Link: http://retroshare.net/ --“Books of Liberty” Link: http://booksofliberty.com/ --"Dark Android: 2017 Edition" Link: http://darkandroid.info --”Sovryn Universe, Vol. 1” Link: https://amzn.to/2MrvfEy ------------------------------------------------------------------------- Donate with BTC: 3GYKVWkVE6iAYEnExfiNfCHJkSDFYWEs43 Donate with CashApp: $sovryntech Donate with Venmo: @bsovryn You can e-mail the show at: questions@sovryntech.com ------------------------------------------------------------------------- http://sovryntech.com --- Send in a voice message: https://anchor.fm/sovryn/message Support this podcast: https://anchor.fm/sovryn/support

Laura Barger from Yarn/Wire joins the Soundweavers team to chat about what it really means to proceed without a plan, auditioning and integrating new members, and the usefulness of the recording process for musicians. We discuss their collaborative project Be Holding with the poet Ross Gay, composer Tyshawn Sorey, and director Brooke O'Harra, and the first- to twelfth-grade students of Girard College. Laura shares about the ensemble's web series Feedback, in which they focus on the process of making new music. And, we speak about the Yarn/Wire International Institute, a tuition-free program serving both performers and composers. Yarn/Wire is a New York-based percussion and piano quartet (Sae Hashimoto and Russell Greenberg, percussion; Laura Barger and Ning Yu, pianos) dedicated to the promotion of creative, experimental new music. Pianist Julia Den Boer will join as guest artist for the 2021-2022 season. Described by The Brooklyn Rail as “fascinating and exciting, with playing that is precise and full of purpose,” the ensemble is admired globally for the energy and precision it brings to performances of today's most adventurous compositions. Founded in 2005, the ensemble seeks to expand the representation of composers so that it might begin to better reflect our communities and experience new creative potential. Yarn/Wire appears internationally at prominent festivals and venues including the Lincoln Center Festival, Edinburgh International Festival, Shanghai Symphony Orchestra Hall, Rainy Days Festival (Luxembourg), Ultima Festival (Norway), Transit Festival (Belgium), Dublin SoundLab, Monday Evening Concerts (Los Angeles), Contempuls Festival (Prague), Brooklyn Academy of Music, New York's Miller Theatre at Columbia University, River-to-River Festival, La MaMa Theatre, Festival of New American Music, and London's Barbican Centre. Their numerous commissions include works from composers such as Enno Poppe, Michael Gordon, George Lewis, Ann Cleare, Peter Evans, Alex Mincek, Thomas Meadowcroft, Misato Mochizuki, Sam Pluta, Tyondai Braxton, and Kate Soper. The ensemble enjoys collaborations with genre-bending artists such as Tristan Perich, Ben Vida, Mark Fell, and Sufjan Stevens. Through the Yarn/Wire International Institute and Festival and other educational residencies and outreach programs, Yarn/Wire works to promote not only the present but also the future of new music in the United States. Their ongoing commissioning series, Yarn/Wire/Currents, serves as an incubator for new experimental music. The transcript for this episode can be found here. For more information about Yarn/Wire, please visit their website, Bandcamp, Yarn/Wire Feedback Series, and YouTube (Yarn/Wire International Institute).

Lorna arranged the strings on several of the tracks on the Possible album including "Undying" which is currently submitted for a Grammy for Best Contemporary Classical Composition.  Please let your Grammy voting friends know! Lorna is the founding keyboardist/synthesist of the “all-star, all-female quintet” (Time Out NY) Victoire with indie-classical darling and longtime collaborator composer Missy Mazzoli. Recent seasons included the Carnegie Hall commission and premiere of Mazzoli's Vespers for a New Dark Age, performed by the ensemble Victoire, percussionist Glenn Kotche (of Wilco) and members of vocal ensemble Roomful of Teeth. Lorna Dune arranged and co-produced the Vespers album, which was released in March 2015 on New Amsterdam Records. The New York Times called it “ravishing and unsettling”, and the album was praised on NPR's First Listen, All Things Considered and Pitchfork. Victoire returned to Carnegie Hall in March of 2015 as part of the “Meredith Monk and Friends” concert. Their past debut album Cathedral City, released on New Amsterdam Records, was named one of 2010ʹs best classical albums by the New York Times, Time Out New York, the New Yorker and NPR. A well-seasoned pianist and synthesist, she has joined the Philip Glass Ensemble for a production of his new work for Shakespeare in the Park, has worked with composer Steve Reich, composer and visual artist Tristan Perich, Meredith Monk, Lukas Ligeti and other talented artists. Her recent keyboard performances include a premiere of a synthesizer concerto by composer William Brittelle and the Seattle Symphony Orchestra. Other highlights from this and past seasons include a premieres with the Baltimore Symphony Orchestra, Saint Paul Chamber Orchestra & Alabama Symphony Orchestra, a Carnegie Hall premiere with Victoire, BAM Next Wave Festival, C3 Festival in Germany, MADE Festival in Umeå, Sweden, Crossing Brooklyn Ferry, Ecstatic Music Festival, X-Avant Festival in Toronto, Shakespeare in the Park with the Philip Glass Ensemble, live film score performance at the Whitney Museum and the French Alliance Institute, Chicago's Millenium Park “Dusk Variation” Chamber Series, Imagine Science Festival at Bell House, NY Eye and Ear Festival, and live performances on WNYC's New Sounds and Soundcheck. Lorna Krier has appeared in features in the New York Times, Washington Post, Time Out New York, NPR, Village Voice, Pitchfork, The Fader, Brooklyn Vegan, Chicago Reader, Baltimore Sun, eMusic, Arthur Magazine, Impose Magazine, Tiny Mix Tapes, Matrixsynth, The Daily Contributor, Paste Magazine, and more.https://www.lornadune.com/Lorna Dune - Bandcamp  ANNOUNCING JOURNEY SPACE -***Check out the new platform JourneySpace.com - a space for online live facilitated journeys.  The inaugural event will be a live stream open to anyone on Dec 4th, 2021.  Visit Journeyspace.com for more information. Also. New Music from East Forest! -"Possible" - the latest studio album  from East Forest - LISTEN NOW:Spotify / AppleOrder the album on vinyl - limited edition + check out the new Possible clothing: http://eastforest.org *** Support this free podcast by joining the East Forest COUNCIL on Patreon.  Monthly Zoom Council, Podcast exclusives, private Patreon live-stream ceremony, and more.  Check it out and a great way to support the podcast and directly support the work of East Forest! - http://patreon.com/eastforest *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Tour - Catch East Forest LIVE - Pledge your interest in the upcoming East Forest Ceremony Concert events this Spring/Summer 2021.  More info and join us at eastforest.org/tourCommunity - Join the newsletter and be part of the East Forest Community.Meditation - Listen to East Forest guided meditations on Spotify & AppleRam Dass album - Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple).Socials -Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusicJOIN THE COUNCIL - PATREON: http://patreon.com/eastforest 

Durée : 57:46 - C'est la rentrée ! 6ème saison des vinyliques, pleine de changement : générique, jingles, et désormais on vous parle musique à travers des rubriques. . LSD : chaque semaine on déroule le fil d'une structure pour vous faire découvrir de la musique ! Un label, un site type Webzine, ou via un disquaire.. Pour cette première, on vous a parlé de Parapente Music, un label rennais et de ses 4 artistes: la Battue, S8JFOU, In love with a ghost, Haunted Days. www.parapentemusic.com . La Chronic : chronique album sur le même format que les saison précédentes. On vous a parlé du dernier album de Jungle "Loving in Stereo" ! . Le CBD : Concerts Bars Détente. A l'arrache le vendredi comme nous ? Si vous n'avez rien planifié écoutez nos bons plans sorties de dernière minute sur Nantes, Cholet, Saint Nazaire,... On vous a parlé de la soirée à Lune Froide avec le concert d'Aneth Penny et Arianna Monteverdi, le concert à l'église Saint Paul de Rezé de Tristan Perich. . Fil rouge musical : sons qui ont marqué notre été 2021. Wet leg "Chaise longue", Lee Scratch Perry / El Michels Affair "Ugly truths", Laventure "Little dog"

Nathan Salsburg; Tristan Perich; Jessica Moss; Pan*American; Maatsethe; Penelope Trappes; KMRU; Pantha du Prince; Kara-Lis Coverdale / LXV; Julia Kent; Philip Sollmann; Geneva Skeen; Montag; Emily A Sprague; Melanie DeBiasio; Windy and Carl; Pole; Blessed are the Hearts that Bend; Susannah Stark; GES; Khotin; Bing & Ruth; SUSS; Beatrice Dillon; Hidden Orchestra; El Perro del Mar; Einstürzende Neubauten; Lamb & Destroyer.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Another Thought by Arthur Russell on The Deer in the Forest (March 2, 1985 Live at Roulette) (Audika) 7′53″ Jackie by Sinéad O'Connor on The Lion and the Cobra (Chrysalis) 10′46″ Flesh by LEYA on Flood Dream (NNA Tapes) 13′11″ A Study in Vastness by Ana Roxanne on Because of a Flower (Kranky) 19′54″ Part 4 by Bill Nace on Both (Drag City) 24′30″ Utevaro by Maria W Horn & Mats Erlandsson on Fältinspelningar från Terres de l’Ebre (XKatedral) 28′27″ Ghosting No. 3 by Jordan Dykstra on The Arrow of Time (New World Records) 35′41″ Points by Ruth Anderson on Here (Arc Light Editions) 41′30″ Nnami by FUJI​|​|​|​|​|​|​|​|​|​|​TA on Iki (Hallow Ground) 50′22″ Facing Your Shadows by Okkyung Lee on Yeo​-​Neun (Shelter Press) 56′56″ Drift Multiply: Section 3 by Tristan Perich on Drift Multiply (New Amsterdam/Nonesuch) Check out the full archives on the website.

Los Angeles-based composer and pianist Thomas Kotcheff is joined by composer Sky Macklay, pianist and composer Eric Wubbels, and cellist Jay Campbell to discuss the first Green Umbrella program of the season, including new works by Macklay, Wubbels, Gabriella Smith, Marc Sabat, and Tristan Perich.   About This Performance: Adams and astonishing star-on-the-rise Jay Campbell present a scintillating cello-focused Green Umbrella.   Program: Gabriella SMITH - Carrot Revolution for string quartet Marc SABAT - Partite Requiem (world premiere, LA Phil commission) Eric WUBBELS - gretchen am spinnrade Intermission Sky MACKLAY - Swarm Collecting (world premiere, LA Phil commission with generous support from the Deborah Borda Women in the Arts Initiative) Tristan PERICH - Formations for solo cello and electronics     Artists: LA Phil New Music Group John Adams, Conductor Jay Campbell, cello Eric Wubbels, piano Co-curated by John Adams and Jay Campbell   TUE / NOV 5, 2019 - 8:00PM   Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

The exciting (albeit perhaps “rough around the edges”) first episode of Sovryn Tech! Special Guest: None Stories of the Week:—“Google, Facebook, and others are begging the courts to smack down absurdly vague patents.” Link: allthingsd.com/20121209/facebook…cial-patent-case/ Tech Roulette:—“Google forces SafeSearch on users…is it censorship?” Link: plus.google.com/+MikeElgan/posts/NEFAWLSj9wL Website of the Week:—“The New Myspace” Link: new.myspace.com Software of the Week:—“Portableapps, software suite” Link: www.portableapps.com Game Talk:—“Wing Commander Saga: The Darkest Dawn” Link: www.wcsaga.com Hacker Stories:—“Reading of ‘The Hacker Manifesto’ from 1986.” Link: www.phrack.org/issues.html?issue=7&id=3&mode=txt Pick of the Week:—“Music and device by Tristan Perich: ‘1-bit Symphony’ reviewed.” Links:www.tristanperich.com & www.1bitmusic.com Don't forget you can also visit the Sovryn Tech Soundcloud page (@sovryntech) where you can comment directly onto the podcast as it plays, and listen and download the entire Sovryn Tech show library! Also don't forget you can e-mail the show at: sovryntech@hush.ai sovryntech.tumblr.comwww.youtube.com/user/sovryntechwww.facebook.com/SovrynTech

The exciting (albeit perhaps “rough around the edges”) first episode of Sovryn Tech! Special Guest: None Stories of the Week:—“Google, Facebook, and others are begging the courts to smack down absurdly vague patents.” Link: allthingsd.com/20121209/facebook…cial-patent-case/ Tech Roulette:—“Google forces SafeSearch on users…is it censorship?” Link: plus.google.com/+MikeElgan/posts/NEFAWLSj9wL Website of the Week:—“The New Myspace” Link: new.myspace.com Software of the Week:—“Portableapps, software suite” Link: www.portableapps.com Game Talk:—“Wing Commander Saga: The Darkest Dawn” Link: www.wcsaga.com Hacker Stories:—“Reading of ‘The Hacker Manifesto’ from 1986.” Link: www.phrack.org/issues.html?issue=7&id=3&mode=txt Pick of the Week:—“Music and device by Tristan Perich: ‘1-bit Symphony’ reviewed.” Links:www.tristanperich.com & www.1bitmusic.com Don't forget you can also visit the Sovryn Tech Soundcloud page (@sovryntech) where you can comment directly onto the podcast as it plays, and listen and download the entire Sovryn Tech show library! Also don't forget you can e-mail the show at: sovryntech@hush.ai sovryntech.tumblr.comwww.youtube.com/user/sovryntechwww.facebook.com/SovrynTech

Host Lior Phillips checks in from the Red Bull Music Festival, live from Brooklyn. The month-long festival has just hit its halfway point, so Lior caught up with the head of programming for Red Bull Music, Adam Shore, as well as Tristan Perich, who premiered an impressive composition for 50 violins and 50 one-bit speakers at the festival. For information regarding your data privacy, visit acast.com/privacy

Joining us this week is Doug Perkins.  Doug has commissioned and premiered over 100 pieces and works with such composers as David Lang, Steve Reich, Paul Lansky, John Luther Adams, Nathan Davis, Larry Polansky, Christian Wolff, Glenn Kotche, Sofia Gubaidulina, and Tristan Perich. He founded the So Percussion and the Meehan/ Perkins Duo, and performs regularly with Signal, eighth blackbird, the Chicago Symphony’s MusicNOW, and others.  He currently teaches at The Boston Conservatory.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and Hello 1:15 What's up?  Being the Dept. Chair?      3:27 Where/how did you fall in love with drums?  7:16 TBC merging with Berklee?  9:44 New Music Gathering in Boston?     13:41 Casey: What's the sound?  Acoustic Dispersion.  Massive and  excellent laser sound/laser tag tangent 26:00 Getting big projects off the ground?  Chosen Vale percussion  seminar?  35:09 Ben:  Bang On a Can -Julia Wolfe and Michael Gordon   47:10 Doug's podcast series, 5 Days With Doug.    50:43 How you see electronic music as it relates to percussion?

Pamela Stein Lynde is a busy person. She is a singer, composer, producer, and music educator. She began her career as a classically trained singer but as the years went on she realized that her abilities were applicable in other areas. We go into detail about the journey of her career and how she was able to create two non-profits that help musicians, composers, and singers. MEET PAMELA STEIN LYNDE Praised for her “rich dramatics” (The Boston Globe), Pamela Stein Lynde is a versatile soprano, composer, contemporary music performer, music educator, and producer, known for inspiration, introspection, and passion in all aspects of her work. Recent performances have included premiering Lesley Flanigan’s haunting sound sculpture VOICES for four singers and loop pedals at Roulette; premiering New York-based composer Eric Lemmon’s The Impossible Will Take a Little While with the Highline Chamber Ensemble at the DiMenna Center for Classical Music; and performing a concert of chamber music by contemporary female composers, including a premier by Philadelphia-based composer Jenny Beck, at the National Opera Center. The 2015 launch of her company Stone Mason Projects has brought exciting performances of contemporary vocal chamber music to the National Opera Center, Arts on Site, Wilmer Jennings Gallery, and multiple other venues across the ti-state area, about which reviews have said, “The singing was stellar, on par with anything I’ve heard recently at higher profile venues such as Zankel Hall or National Sawdust. These concerts deserve a wider audience.” In the fall of 2016, Stone Mason Projects released its first music video, From the Mountain, a co-production with Contemporary Undercurrent of Song Project. Stone Mason’s upcoming endeavors include the commissioning and producing of a new chamber opera and the launch of the inaugural New Hope Sound(e)scape Festival in New Hope, PA in June of 2017. Stone Mason Projects has appeared on a panel discussing contemporary opera creation with will New York Opera Alliance during New York Opera Festival and will be presenting this May at the third annual New Music Gathering conference at Bowling Green State University in Ohio. Pamela has appeared as a singer in prior seasons with Helix New Music Ensemble, The Nouveau Classical Project, American Opera Projects, Beth Morrison Projects, Rhymes With Opera, Saratoga Fine Arts Festival, Yamaha Concert Artist Series, Yale’s New Music, New Haven series, and many others. She has worked with award-winning composers including David Lang, Tristan Perich, Jacob Cooper, Trevor Weston, Daniel Felsenfeld, Lisa Bielawa, Jenny Beck, and many others. She appears as a vocalist on minimalist composer Alexander Turnquist’s album Flying Fantasy, released on the Western Vinyl label. She was a featured guest composer at Phoenix’s OME New Music Marathon concert in 2015 and has had her compositions premiered by Patchwork American Song Project in both New York and Chicago, Guided Imagery Opera, Princeton-based group CUSP, and many other ensembles across the country. Pamela has taught voice, composition, music theory, vocal pedagogy, music history, performance practice and chamber music at the College of Saint Elizabeth, Rutgers University’s Mason Gross School of the Arts, and City College of New York. Pamela teaches masterclasses and workshops and gives lectures on creating new music for voice at colleges, universities, and conservatories around the country. She was invited to speak about teaching new music in higher education at the inaugural New Music Gathering conference at the San Francisco Conservatory of Music. Her organization Your Music Bus, co-founded with superstar composers Lisa Bielawa and Aaron Jay Kernis, has been serving the needs of the university and conservatory composition students and departments across the country since 2014. CONTACT: www.pamelasteinlynde.com (http://www.pamelasteinlynde.com)...

Brian Eno; Max Richter; Brian Eno; Souns; Ian William Craig; Tristan Perich; Sarah Davachi; Julianna Barwick; Ian William Craig; Philip Jeck; Mich Cota; Corinthian; Nils Petter Molvaer / Moritz von Oswald; Dalot; Sinewave; Andy Stott; Quadra; Building Castles out of Matchsticks & Ought.

A fierce advocate of new music and particularly minimalism, pianist Vicky Chow has been described as “brilliant” (New York Times) and “a monster pianist” (Time Out New York). In Episode 7 of Liquid Music's Playlist podcast, Chow describes the emotional and physical experience of performing minimalist music — from Steve Reich’s Piano Counterpoint to Tristan Perich’s Surface Image, a recently commissioned work that was co-presented by Liquid Music with the Walker Art Center last March. Chow also recommends to us the music of Swiss pianist and composer Nik Bärtsch, whose extended techniques and ritualistic, pattern-heavy structures push our conception of the piano's possibilities and show us minimalism’s groove.

Programme de Richard GARET pour webSYNradio : Dermis project, inédits. Le projet Dermis met l'accent sur des pratiques d'atelier et des travaux sonores en cours ; encore invisibles, inaudibles, et inconnus du grand public . L'intention de Richard Garet pour ce projet a consisté à s'éloigner des conventions en invitant des artistes confirmés à présenter un travail inachevé ou un fragment... 7h de programme et de contact avec Alfredo Marin, Andy Graydon, Ben Owen, Bonnie Jones, Brendan Murray, Byron Westbrook, Carver Audain, Christopher DeLaurenti, Daniel Neumann, David Schafer, David Velez, Doron Sadja, France Jobin, Gil Sansón, Gill Arno, Jesse Kudler, Jim Haynes, Katherine Liberovskaya, Lesley Flanigan, Maria Chavez, Martin Crecium, Melissa F. Clarke, Mv Carbon, Richard Garet, Sabisha Friedberg, Seth Cluett, Stephanie Loveless, Tristan Perich, Tristan Shepherd, Victoria Keddie, Wolfgang Gil.

Tirstan is a New York based composer and visual artist. His works are inspired by the aesthetic simplicity of math, physics and code. He has had solo exhibitions at bitforms gallery (NYC), Mikrogalleriet (Copenhagen), Museo Carandente (Spoleto), The Addison Gallery (Massachusetts), Katonah Museum (New York), Monster Truck (Dublin), LEAP (Berlin) amongst others. As a composer he has been a featured artist at Sonár 2010 in Barcelona, and in 2009, the Prix Ars Electronica awarded him the Award of Distinction for his composition Active Field. Rhizome awarded him a 2010 commission for Microtonal Wall, an audio installation with 1,500 speakers. You can listen to and look at more of his works at www.tristanperich.com.In our conversation we discuss the precision and risk when writing for computer chips, his approach when combining electronics and performers, and what it is like when working on long term projects.

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