Material Girls

Enjoy this new Material Concerns episode featuring a classically chaotic check-in that is largely about Coach's fixation on pudding and Marcelle's forthcoming political career. We then jump into Ok, Hear Me Out (menstruation, sticker charts, budgeting!), followed by No Time! (a clip from our Sapphic episode). We wrap Part I of the episode with Apocalypse Toolkit and save Make It Make Sense (Matcha!) and Creature Report for part two. Head to Patreon.com/ohwitchplease to listen! For as little as $54/year, you'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease now to join a tier that works for your budget!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

There are no book spoilers in this episode!Fourth Wing by Rebecca Yarros (Entangled Publishing) was an undeniable hit in the world of romantasy fiction. But in a saturated market, how did Fourth Wing rise to such fame?To get to the bottom of this book's popularity, resident publishing expert, Hannah explains how Entangled's market-driven approach to publishing and reader engagement set Yarros up for a certain kind of success. They then dig into the complexities of authorship and copyright in a rapidly evolving literary landscape — particularly in genres like romance and fantasy (i.e. genres that consistently play with and rely on tropes). To add some much-needed theory to the mix, Hannah draws on Foucault to consider "authorship" and the "the author function."At the end of the episode, Hannah offers a thesis about authorship, originality and modern publishing that is not to be missed!If you liked this conversation, be sure to check out these related episodes:Bridgerton x Reading the RomanceTwilight x Girl CultureThe Night Circus x Reading EcosystemsTo learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Here comes another Material Concerns episode containing new and familiar segments! In this episode, Marcelle gets an opportunity to sing her Kreacher Report remix (facilitated by our wonderful sound engineer, Malika) and Coach gives an update on Jodie. Hannah talks about her time in Duncan and Coach wreaks havoc with a new segment that stirs up some drama. Reminder to head to Patreon.com/ohwitchplease to get part two!! For as little as $54/year, you'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease now to join a tier that works for your budget!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Hannah and Marcelle delve into the word "sapphic" and consider the rising popularity of the term's use as it relates to the legacy of radical feminism and lesbian feminism. They begin by talking about their own feelings around labels, sexuality, and the limits of using words to define ourselves. Marcelle offers a guess at what (and how) "sapphic" means in 2025, and Hannah gives an overview of its current colloquial use as a complement, an alternative, and a reaction, in particular, to the term "lesbian." And then it's history time baby! Hannah gets into the the radical feminist movement of the 60s and the various modern feminisms that emerged simultaneously and in the decades following. She then offers a thesis that frames queer feminism's complicated relationship to its own history as one part of sapphic's entrance into the zeitgeist, all while suggesting we take a more nuanced look at the past and resist the temptation to reduce previous movements to their most imperfect parts.To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

First things first, we NEED a jingle. Anyone wanna step in? Email us at ohwitchplease@gmail.com, if so. :)Otherwise, please enjoy this Material Concerns episode, once again hosted by Hannah, Marcelle and Witch, Please Productions' producer, Coach (aka the other Hannah). Tune in for a goofy chat about about money laundering, the importance of poetry, reasonably priced tofu, the problem with heartburn and the value of supporting creators you love. Head to Patreon.com/ohwitchplease to get part two!As a reminder, this month, we're running a Patreon push! We need to hit $7k/month to sustain our WEEKLY show and the labor that goes into making it possible! Please consider joining today for as little as $54/year. You'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease to join a tier that works for your budget!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're throwing it back to 2003 with this episode about the beloved swashbuckler hit, Pirates of the Caribbean. Hannah and Marcelle start with a review of the political climate in the early aughts, with a particular focus on 9/11, George W. Bush's presidency and the illegitimate "War on Terror." Marcelle offers some details about the Disneyland ride that inspired the franchise, the film's production challenges, and the film's eventual success. Together, Hannah and Marcelle consider Pirates of the Caribbean's unexpected box office success in relation to American Exceptionalism and the United States' invasion of Afghanistan and Iraq.Join us for a ride as we delve into American imperialism, the allure of piracy, the appeal of Jack Sparrow (the anti-hero) and Will Turner (the good guy gone rogue), and the enduring popularity of this film released over two decades ago!To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there! We're currently doing a Patreon push, so please consider joining today to get all our extra perks, along with the backlog of bonuses!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

On this week's Material Concerns, we revisit some familiar segments and introduce some new ones! We also make an official request for jingles to be emailed our way at ohwitchplease@gmail.com. We sing, we giggle, we give recs, and so much more. Happy listening! This month, we're running a Patreon push! We need to hit $7k/month to sustain our show and the labor that goes into making it possible! Please consider joining today for as little as $54/year. You'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease to join a tier that works for your budget!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this (spoiler-free) episode, we give YOU, the listener, all the tools you need to confidently and appropriately use the term Kafkaesque the next time Severance comes up in conversation. During Why This, Why Now?, Hannah guides Marcelle through some very compelling ideas about the show's popularity (did someone say "pandemic?"). We then move into The Theory We Need where the conversation turns to Marxism, surrealism, anti-capitalism and, you guessed it, Franz Kafka! The best news? By the end of the episode, you earn a MUSIC DANCE EXPERIENCE! Not really, (because we're a podcast), but we do end the episode with Hannah's thesis about state power, repression of grief, corporate culture and entertainment — and in a way, isn't that just as "elite" and "coveted AF?"To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there! We're currently doing a Patreon push, so please consider joining today to get all our extra perks, along with the backlog of bonuses!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

We're going weekly, folks! We're so excited to kick off this new schedule with Part I of Material Concerns. In very fun news, Coach is now our third co-host on these episodes which means 33% more chaos, new segments (including recommendations, a creature report, and improv). To listen to Part II, head to our Patreon right now! We're doing a Patreon push during the month of April to hit $7000/month (to better support our team!) so you if you join by May 1, you'll be helping us hit our goal! Check out your membership options at patreon.com/ohwitchplease.***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we're talking about the conspiracy theory that Canadian pop punk icon Avril Lavigne died and was replaced by a body double named Melissa. You heard us right! To help navigate the mess of this theory, we have an esteemed guest, Cristen Conger (she/her), who is deep in conspiracy discourse. Cristen is the cofounder of Unladylike Media, author of the book Unladylike: A Field Guide to Smashing the Patriarchy and Claiming Your Space and the host of the new breakout hit podcast Conspiracy, She Wrote. We absolutely love Cristen, her podcast and her perspective on how conspiracy theories begin, mutate, crawl into various corners of the internet and influence our relationship to what is real. Tune in for a discussion about Avril Lavigne's rise to popularity, the popular replacement theory, our cultural relationship to celebrity women's bodies and privacy, and so much more.For more Cristen, check out Conspiracy, She Wrote! Follow her on Instagram @cristenconger and check out her website: https://cristenconger.com/To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

In this Material Concerns episode, Hannah and Marcelle talk about the 2005 Music Video Awards (and the Gosling/McAdams kiss), Noah as the The Notebook's (unreliable?) narrator, the line between melodrama and camp, and Gosling's undeniable charisma.As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

She's back! Beloved podcaster and author Vanessa Zoltan (she/her) joins Hannah and Marcelle to dig into one of the most famous "weepies" of the 21st century: The Notebook (2004). If you cry at the line "If you're a bird, I'm a bird," have the phrase "What do you want?" ringing in your head, or regularly view the 2005 MTV Movie Award for Best Kiss, then this episode is for you. Hannah first contextualizes The Notebook in early aughts America (think post 9/11 conservative politics) and Vanessa offers some info about Nicholas Sparks, author of The Notebook. They then jump into a theory section all about melodrama! You may be familiar with the concept — perhaps you've even accused a friend or family member of being melodramatic — but can you really define it? What about the idea of "a Melodrama of Failure?" Hannah turns to Elisabeth Robin Anker's book, Orgies of Feeling: Melodrama and the Politics of Freedom, to bolster her thesis and the episode ends with a conversation about the relationship between the American Dream, sovereignty, Christian conservatism and heterosexuality. If you have thoughts, questions or comments, submit them over Instagram for our next Material Concerns episode!For more Vanessa, check out Hot & Bothered, the podcast she co-hosts with Hannah McGregor all about romantic films. You can also listen to her new show Let's Ask Taylor Swift anywhere you get your pods. Learn more about Material Girls on our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

In this Material Concerns episode, Hannah and Marcelle talk about being emotional support for Americans, fancy linen paper in the 1700s, memes, monoculture and more!As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

This week, longtime friend of the pod, Neale Barnholden (he/him), joins Marcelle and Hannah to discuss the materiality of comic books and their influence on modern-day meme culture! They talk reading conventions, colonization, de- and re-contextualization, as well as the raced and classed history of comics. Together, they then dive into Paul Davis's idea of "the culture text" (adaptations, parodies, references of the text created by culture at large). They consider how Richie Rich came to reference Donald Trump in 2016, how comic artist KC Green's dog in a burning house (the "This is Fine" meme) became ubiquitous, and how we might make sense of our current visual culture in relation to the "lurid" history of comic books. There's a lot to unpack in this episode and if you have thoughts, questions or comments, submit them over Instagram for our next Material Concerns episode! Follow on Neale on Instagram @ominousgarfield. Buy his book, From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics, at your local bookstore! You can also see more Neale on our Patreon!Learn more about Material Girls on our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

As chaotic as the title suggests, this episode features our Witch, Please Productions team on mic! We've got Gaby, Zoe and Coach joining Hannah and Marcelle to discuss Wicked, listener-submitted questions, 2024 Spotify stats and more.As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What is more zeitgeist-y than Wicked Part One? Well, arguably, the memes, interviews, and merch ABOUT Wicked Part One! In this episode Hannah and Marcelle are joined by the wonderful author, Youtuber and internet busybody, Leena Norms, to discuss this year's blockbuster— and the paratexts surrounding it. If you've been targeted an Elphaba eyeshadow palette, a Glinda-themed popcorn bucket, or anything online that says "holding space," then you've engaged with Wicked's paratexts. And guess what? We've got some theory to help you make sense of it all! Whether you loved, hated or still haven't seen the Wicked movie, this episode is for you. No* one was spared its marketing campaign. *good deed goes unpunished.For more Leena, head to Leenanorms.com and check out her new book Half-Arse Human! You can also see more Leena on our Patreon!You can learn more about Material Girls at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next episode with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Material Concerns! In this episode, Marcelle and Hannah answer your questions. They talk Golden Girls, Friends, All-Inclusive Resorts, and Coach's Birthday! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Over the course of its seven seasons, The Golden Girls had 25 million viewers and earned 68 Emmy nominations. Each of the girls, Rue McClanahan (Blanche Devereaux), Bea Arthur (Dorothy Zbornak), Estelle Getty (Sophia Petrillo) and Betty White (Rose Nylund) won Emmy's for their performances and more than three decades later, the show is still in syndication. All to say, the show was popular! Beloved friend of the pod and The Golden Girls super fan, Marshall Watson (he/him), joins Hannah and Marcelle on this episode to talk about the progressive politics of show, the social issues that were at the center of its stories, and the reason(s) many queer kids, Marshall included, found comedy, representation, and hope from "four old queens" in the late 80s and 90s.A note about content: This episode focuses on the HIV/AIDs crisis and the decades-long failure of the American government to provide funding, resources, and care to marginalized communities most impacted by the virus. If you need to skip this episode, we understand and encourage you to take care of yourself!Quick Links:https://www.actuporalhistory.org/https://www.dukeupress.edu/we-are-having-this-conversation-nowYou can learn more about Material Girls at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next episode with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us on Patreon.*** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Material Concerns! In this episode, Marcelle and Hannah answer your questions. They talk phone games, the Witch, Please team as different types of witches, genre conventions and Twin Peaks! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In honor of spooky season, we bring you an episode about the beloved cult classic, Twin Peaks! This show from Mark Frost and David Lynch, starring Kyle MacLachlan, is widely understood as one of the most influential television series ever! And yet it its original run began April 1990 and ended just fourteen months later in June 1991. In this episode, Marcelle explores why this show, that began as a hit, fell in ratings so quickly. Hannah and Marcelle then discuss the power of cult followings and how pieces of pop culture are kept alive for decades after their initial heyday.If you're a fan of Twin Peaks, or if you're someone who doesn't understand why it has had a lasting impact on television, then you're going to love this episode that gets into the details of the show's rise and fall and, most importantly, its fandom.***You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Today we're dropping a bonus conversation into your feed featuring Adrian Angus, a dear friend of Marcelle's who passed away unexpectedly in September. This bonus episode was originally released as a Patreon perk back in March 2021. At the time, our flagship show was Witch, Please, a scholarly podcast about the Harry Potter world and this bonus accompanied our Book three episode about The Prison Industrial Complex with guest Mercedes Eng — which you can listen to wherever you get your podcasts.October 19th, would have been Adrian's 40th birthday, so it seems fitting to share this snapshot of Adrian's joy, intellect, and insight with current listeners of Material Girls. If you enjoy this episode, you can join Witch, Please Productions in donating to the Black Public Defender Association in Adrian's honor at: blackdefender.org/donateThanks for listening!

Thank you for your questions about dopamine, dinosaurs and cats! In part one of this Material Concerns episode, we also launch a new segment called "Make It Make Sense" where Hannah and Marcelle rely on no research to guess why certain things are popular! Thanks for your suggestions via Instagram! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

For this episode, we're joined by Jesse Meadows (they/them) to discuss the most zeitgeist-y neurotransmitter around: dopamine! Have you been targeted Instagram Reels and Tik Toks about increasing your dopamine levels or managing ADHD through pleasure abstinence? Well that may have more to do with tech bros, billionaires and health capitalism than you think! Tune in for a conversation about pseudo-science, "hedonic Calvinism," eugenics, Big Pharma, manipulative algorithms and more! Check out Jesse's Dopamine Dispatch: https://www.sluggish.xyz/t/dopaminedispatch!To read more of Jesse's work, we HIGHLY recommend subscribing to Sluggish: https://www.sluggish.xyzYou can also find Jesse's video essays on Tik Tok: https://www.tiktok.com/@slug.town***You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

You had so many great questions about Hannah's forthcoming book, Clever Girl and our Jurassic Park episode all about spectacle —and we answer a lot of them in part one of this Material Concerns episode! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Hannah and Marcelle discuss what made Steven Spielberg's Jurassic Park (1993) the ultimate CGI summer blockbuster, the history of American spectacle, and the monstrosity of the movie's out-of-control lady dinosaurs! Hannah leads this episode and if you're left wanting more, we have great news: their forthcoming book, Clever Girl: Jurassic Park, is available for preorder right now! Clever Girl "is a smart and incisive exploration of everyone's favorite dinosaur movie and the female dinosaurs who embody what it means to be angry, monstrous, and free." Classic Hannah!!!!And do you want even better news? The whole Witch, Please Productions team is gathering this October to celebrate Hannah's book at Coach's beloved childhood bookstore, Women & Children First! Join us on October 11th at 7 pm CST to hear Hannah in conversation with Marcelle about Clever Girl! We want to see you! Come join us!Clever Girl: https://ecwpress.com/products/clever-girl-jurassic-park-pop-classicsSave the Date: https://www.womenandchildrenfirst.com/event/person-event-clever-girl-hannah-mcgregor***You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We continue our summer slowdown with a new Material Concerns episode once again featuring answers to YOUR questions. Marcelle is in Ontario for a family TRIP (not a vacation because kids are present!!) and Hannah is recovering from travels east!In this episode, they answer your hard hitting questions like "why is your team so hot!!!!?" Part two of this conversation will be available at all our tiers on Patreon on Thursday! For just $5 USD/month you'll get to hear Marcelle and Hannah discuss more about Reservation Dogs and what's goin on in their lives!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so thrilled to be joined by the incredible Karrmen Crey (she/her) for this episode about FX's coming-of-age dramedy, Reservation Dogs! Released via Hulu from 2021-2023, this show is notable not only for its rich storytelling and beloved protagonists (shoutout to Bear, Cheese, Elora, and Willie Jack!), but also for its entirely Indigenous creative team from the creators to the cast and crew. In this episode, Marcelle (who is a huge fan of the show) offers some insight into how Reservation Dogs came to be. We're talking co-creators Sterlin Harjo and Taiki Waititi, the success of Thor: Ragnarok, and the influence of both The Sundance Film Festival and Toronto's imagineNATIVE Film and Media Arts Festival. Karrmen then helps Marcelle and Hannah think through Indigenous sovereignty in the context of cultural production, pulling on her own research about the rise and influence of Indigenous media. And then, FINALLY, Marcelle, Hannah and Karrmen talk about specific episodes and characters that mean something to each of them. If you haven't watched the show already, you'll still get a ton out of this episode that really breaks down the material effects of representation created by the represented.Karrmen Crey is an Associate Professor in the School of Communication at Simon Fraser University. To learn more about her work, check out Producing Sovereignty: The Rise of Indigenous Media in Canada, available now!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another Material Concerns episode! We recorded this episode live for all our Patreon supporters so you'll notice there's a slightly different vibe; namely, Coach is on mic! We talk theory, past episodes, what's making our hearts flutter these days, and more. If you want more, tune into Part II, all about the second half of Bridgerton Season Three, through our Patreon. Become a paid supporter at any tier and you'll get access to the video and to the audio!We'll be back in two weeks with a regular episode! Until then, xo!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Have you ever been to a Tupperware party? Or perhaps a Pure Romance party? Avon? Then you may be familiar with pyramid schemes! In this episode, Marcelle guides Hannah through the history of Tupperware parties and their rising popularity post WWII. She then offers some Lauren Berlant theory (which always makes for a good episode!!); specifically, their concept of "cruel optimism." If that sounds familiar, it's because we first visited this theory in our Queer Eye episode. Enjoy the episode and become a Patreon supporter today to attend our LIVE episode recording on July 12th at 5 pm EST!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We continue our summer slowdown with a new Material Concerns episode featuring answers to YOUR questions. As a reminder, we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. In this episode, they talk about how Dirty Dancing, summer camp, Bridgerton, the female gaze and so much more. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss a bit more about Bridgerton.***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're talking about the HBO series The Last of Us, which was adapted from the popular video game of the same name! If you like the show, zombie content, playing video games, or thinking about how art gets transcoded across mediums, then this episode is for you! AND if you don't know what transcoding means, then this episode will really knock your socks off because Marcelle does a great job defining the word — as well as adaptation itself! Together, Hannah and Marcelle consider the process of adaptation and the intertextuality between original content and its adaptation(s). Of course, for all you Last of Us fans, they also talk about Long, Long Time — aka the Bill and Frank episode. And without spoilers!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're starting a summer slowdown! That means we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. They'll talk about how they're doing, what they're up to, research they didn't get to in "regular" episodes, content they're consuming and more! In this Material Concerns episode they give personal updates and chat about the other shows we have going on at Witch, Please Productions. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss The Tortured Poets Department. If you want to read Marcelle's hot take about Taylor's newest album, head to ohwitchplease.substack.com!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Marcelle and Hannah are joined by Andrea Warner (she/her), the author of The Time of My Life, an exploration of Dirty Dancing as a deeply feminist film. We begin with a conversation about sexy films that made our younger selves all hot and bothered before heading into the segment "Why This? Why Now?" Hannah guides us through the difficulty that writer and producer Eleanor Bergstein faced in getting this movie made and distributed. We talk Reagan, Roe v. Wade, and nostalgia for the 1960s. Hannah then introduces us to American literary critic Fredric Jameson, cultural historian Bill Osgerby, and Russian-American cultural critic Svetlana Boym. Together, Hannah, Marcelle and Andrea parse through their respective work about postmodernism, nostalgia, late capitalism and the construction of history to get a better understanding of why Dirty Dancing is such a compelling film. We end the episode with a discussion of the appropriation of Black music in the movie, the power dynamics within Baby and Johnny's romance and the unique representations of mutual aid.If you love Dirty Dancing, join the club (with Hannah and Andrea)! If you haven't seen it, you get to be in a club with Marcelle. FOR NOW (we will get her to watch it!).You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Witch Please Productions is on Spring Break, so we're taking the opportunity to re-introduce you to Gender Playground, a podcast co-hosted by Marcelle Kosman and Raimi Marx about the joys of gender-affirming care for kids. This show launched to our Patreon last year and through patron support, we were able to launch it to the public in February of this year! We're dropping Episode 5 into your feed: Plans, Trans, and Autonomy. In this episode, Marcelle and Raimi discuss “transition.” We begin with an anecdote from Marcelle about the discomfort she feels labelling her daughter Billie as trans, given Billie started using she/her pronouns soon after becoming verbal. Together, Marcelle and Raimi think through the shortcomings and utility of labels, gender as a social construct, and the importance of affirming the gender and gender expression of people of all ages. Raimi then explains “transition” as an umbrella term that includes a range of actions pertaining to internal, social, legal and physical changes and choices folks may make. Marcelle asks some questions and there's a fair amount of giggling! As always, we end with a couple recommendations and a promise to continue our discussion of transition in coming episodes.We're continuing to find our audience for this podcast and we need your help! If you enjoyed this episode, please share it with family and friends — and leave an Apple Review! If you'd like to directly support production of this show, head to ohwitchplease.com/sponsorships. For just $250 USD, you can become a Gender Playground sponsor, run an ad on our show and get a shoutout. We'll be back in two weeks with a new episode of Material Girls. :) Hosted on Acast. See acast.com/privacy for more information.

Material Girls is on Spring Break! But don't fret! We unlocked an episode of Making Worlds, our Patreon-exclusive video podcast hosted by Hannah McGregor.Making Worlds is dedicated to the liberatory possibilities of other worlds! In each episode Hannah speaks with a guest (or two) about a sci-fi, fantasy, speculative fiction, or magical realism text that has changed the way they view the world.In this episode, Hannah talks with scholars (and friends) Lucia Lorenzi (she/they), and Clare Mulcahy (she/her) about Dimension 20! They explore the intimacy of collaborative world-making and the magical possibilities of pretending together. Then Lucia and Clare share what they take from Dimension 20 into their own lives. It's a heartfelt discussion between three friends who really love Dimension 20, so get cozy and enjoy!If you want more Making Worlds, become a Patreon supporter at Patreon.com/ohwitchplease. If you want more Witch, Please Productions, head to ohwitchplease.com for transcripts, reading lists, and merch! You can follow us on Instagram @ohwitchplease for reels and other fun content! And you can follow our Substack which features a monthly newsletter called The Monthly Hoot where you get access to an assortment of recommendations, podcast updates, and monthly playlists. We also release behind-the-episode newsletters that delve into the research process for our public scholarship. Go to ohwitchplease.substack.com to subscribe for free.Music Credits: Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

Like the serious academics they are, Hannah and Marcelle not only researched Disney in academic journals, they also went to the happiest place on earth! They made custom Theodor Adorno t-shirts, scooped Marcelle's eight-year-old and Gender Playground co-host, Raimi Marx, and wen on their way! In this bonus episode, they answer your questions about the experience. Sharing one mic, Raimi, Marcelle and Hannah talk about managing expectations, capitalism's hold on joy, the relationship between surrealist world-making and psychedelics and so much more! If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation (including the story about Robbie — the Disney employee who made a bad day better), all the bonus perks we've already released, and Hannah's new video podcast, Making Worlds.And, if you enjoyed this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What drove Hannah and Marcelle to go to Disneyland? And what is with all the rainbow Mickey ears? And where does pinkwashing end and real change begin? Tune into this episode about the happiest place on earth to find out! In this episode, Marcelle leads Hannah through a history of the term pinkwashing. She then draws on an article by Karine Duplan called “Pinkwashing Policies or Insider Activism? Allyship in the LGBTIQ+ Governance–Activism Nexus,” to better understand what leads to making public spaces inclusive for queer and trans folks. Together, Hannah and Marcelle think through their own pleasure in experiencing Disneyland, while dissecting the tension between corporations' bottom lines and the value of representation and inclusivity. Ultimately, Marcelle and Hannah consider: if pinkwashing is by necessity surface-level public image campaigning that masks ongoing harm, is Disney doing something different? You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're thrilled to be joined by Anne Helen Petersen for this episode about the popularity of athleisure! If you don't already know, Anne Helen Petersen (she/her) is the incredible writer, journalist and recovering academic behind the beloved newsletter Culture Study. She is the host of a brand new podcast of the same name and the author of four books, most recently Out of the Office: The Big Problem and Bigger Promise of Working From Home (co-written with Charlie Warzel) and Can't Even: How Millennials Became the Burnout Generation. Together we begin with a history lesson from Hannah about WWII's effect on the fashion industry, particular women's clothing and the rise of spandex. Hannah offers some insight from cultural critic Jia Tolentino and her essay, "Athleisure, barre and kale: the tyranny of the ideal woman." We then move on to some helpful framing from theorist Michelle Foucault, sociologists Daniel Nehring and Anja Röcke, and feminist scholars Julie Brice and Holly Thorpe. We talk neoliberalism, fatphobia, and, of course, our culture's obsession with optimization. We end with an honest discussion about the role of pop culture analysis in helping us navigate the murky waters of ideology. We loved having Anne on the show and if you like this episode, we recommend heading to patreon.com/ohwitchplease for more! Anne joins us for two perks you DO NOT want to miss. And of course, you can find more of Anne's specific, timely and thoughtful writing all over the internet @annehelenpetersen!You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back in two weeks for another episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! ***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

For this episode, we're joined by the incredible Karen Tongson, Professor of Gender & Sexuality Studies, English, and American Studies & Ethnicity at the University of Southern California. She is the author of Why Karen Carpenter Matters and Relocations: Queer Suburban Imaginaries. Her newest book, normporn: Queer Viewers and the TV That Soothes Us provides theory for this episode about the beloved TV show, Gilmore Girls. We begin with a discussion of the early 2000s postfeminist Bush era that defined the early days of Gilmore Girls. Karen then offers some insight into the viewing practices of queer adults who have returned to this show en masse over the last two and a half decades since its pilot aired. We talk about the appeal of the Gilmore girls themselves, the tragedy of Lane Kim's journey into adulthood, the conservative reproductive politics that shape the show and the phenomenon of queer viewers finding both a pleasure and a shame in consuming sentimental content that showcases a fantasy of assimilation and acceptance.normporn: Queer Viewers and the TV That Soothes Us (NYU Press) was released in November 2023 and is available now! You can find more of Karen on her two podcasts, Waiting to X-Hale and The Gaymazing Race, and on Instagram@tongsonator.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Remember about fifteen years ago when we all went a little nuts for sweet potato fries? What was going on there? Well it turns out, that beloved appetizer was more than a tasty treat circa 2007. In this episode, Marcelle leads Hannah through research about the “orange-flesh sweetpotato” and its relationship to GMOs, cash crops, fat phobia and food imperialism. She pulls on the work of Joe Kobuthi for an analysis of food systems that informs her understanding of the sweet potato's zeitgeist-y moment.and she ends with a thesis that's got quite a bite to it.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Do you play D&D? Do you have a friend who does, but you don't totally *get* what it is? Did you see the recent film Dungeons and Dragons: Honor Among Thieves and think "wow, that role playing game went MAINSTREAM!?" Then this episode is sure to satisfy your curiosity about this zeitgeisty game! Hannah, who herself plays D&D, leads Marcelle through a history of the tabletop role-playing game created by Dave Arneson and Gary Gygax, tracing its origins all the way to Dungeons & Dragons 5E (the most recent edition). They then use ludology, the study of games and gaming, to understand the unique role D&D has at the intersection of gaming and narrative. And then, as always, the episode is wrapped up with a beautifully tied together thesis (from Hannah) about the transformation, or rather, realization of the game through the radical acts of people playing it. To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

There was so much more to say about Wonka and Twilight. In Part I of this bonus episode (aka a 'Material Concern' episode), we talk about fatphobia in children's literature, the "representation" of indigeneity in Stephanie Meyer's the Twilight Saga, and so much more. If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation, all the bonus perks we've already released, and Hannah McGregor's new video podcast, Making Worlds.And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Are you Team Edward or Team Jacob or some secret third option?**Marcelle asks this question only at the very end of the episode, and you know why? Because there is so much more to discuss when it comes to Stephanie Meyer's Twilight. And who better to dig into this novel's plot and place in pop culture than Jackson Bird (he/him) who, over fifteen years ago, was a Twi-hard. If you frequent fan spaces, you might know Jackson through his previous work with Harry Potter Alliance or his very popular Youtube channel. Or perhaps you know him from guest spots on the podcast Harry Potter and the Sacred Text, his own (now retired) podcast Transmission, his 2017 Ted Talk (How to Talk and Listen to Transgender People), or his book, Sorted: Growing Up, Coming Out, and Finding My Place. Or maybe he's a new person to you, in which case, you're welcome — he rocks!In this conversation, Marcelle, Hannah and Jack discuss what was going on in 2005 that primed Twilight for such wide success. They ask: Why were young readers so hungry for a character like Bella? What does the plot of the novel suggest about the reading appetite of millennial readers coming of age in an era defined by impossible beauty standards and purity politics? When we refuse to disregard the interests, passions and literary preferences of young people, what can we discover about one another, our culture and ourselves?To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*AND, if you want to participate in our Q&A episodes, be sure to follow us on Instagram @ohwitchplease to submit your inquiries! **Team Bella!?!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so excited to announce that our new show, Making Worlds, begins January 25th!This video podcast, hosted by Hannah McGregor (maybe you know them?!?), will be released monthly via our Patreon. In each 30ish-minute episode, a guest will bring Hannah a text that has helped them imagine the liberatory possibilities of another world. We're talking sci-fi, fantasy and speculative fiction! Hot!!!! Our first episode? Why it simply had to be about Our Flag Means Death! What says liberatory possibility more than gay pirates!? And, we're really lucky to have writer Hope Rehak as our first guest. That name sound familiar? Well that's probably because she's kind of beloved on the internet for, among other things, her OFMD content! She's also Coach's sister. :) The episodes we've recorded so far have been full of passion, enthusiasm, and genuine joy and we can't wait for you to see them. Audio-only versions will be available on Patreon as well, but you should tune into the video versions if you're able. Hannah's makeup is worth it.Want to see our logo? Subscribe to our Substack or our Youtube channel. Want to get access to the show? Become a Patreon supporter at patreon.com/ohwitchplease for just $54 USD/month. Have questions about what's going on with our other to-be-launched show Gender Playground? Answers are in the Substack! Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we're joined by the incredible Leena Norms (she/her) to talk about Timothée Chalamet's latest venture: Wonka. This holiday blockbuster from director Paul King (Paddington, Paddington 2) made many people on the internet cringe even before it's release in mid December. It was notably in the *discourse* through memes and tweets that suggested Kylie Jenner perhaps got 'the ick' from Timmy's performance. The good news is that Marcelle, Hannah and Leena went to go see the movie opening weekend, so you don't have to! Unless, like Marcelle, you want to see it TWICE. In this conversation, the three of them discuss Netflix's collaboration with the Roald Dahl Story Company, Dahl's legacy in Britain's cultural imagination, and the lengths studios go to keep his work relevant to new audiences despite the rampant fat phobia and antisemitism that lives within his texts. To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.****Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Witch, Please Productions is on break for the holidays! Of course we still wanted to put some fun content out while we're away from our computers, so we recorded a holiday bonus that features Gaby, Zoe, Hannah, Marcelle and Coach mostly speaking over one another while they attempt to play Material Pursuit — a game of trivia that Marcelle created by pulling on content from Material Girls and our previous show, Witch, Please. If you want to listen to the whole thing, you can! For free! Just head to patreon.com/ohwitchplease and you'll see the UNLOCKED post. It's titled: Merry-terial Girls: An Incomprehensible Holiday Bonus!Thank you so much for your support as we transitioned to our new show this year. We're so excited for more Material Girls in 2024 — and a couple of fun surprises we have up our sleeves, too!Happy holidays!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

One of Marcelle's favorite books is The Night Circus, so she decided to be brave and do an entire episode about the best-selling fantasy novel by Erin Morgenstern. Why brave? Well because sometimes it's hard to think critically about something you love! We all know that. ;) This episode, Marcelle leads us through a quick chat about how the book was set up for success in 2011, followed by some theory about reading ecosystems from Book Was There: Reading in Electronic Times by Andrew Piper. And then, of course, she applies her brilliant mind to a brilliant thesis!If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.****Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We hit our fundraising goal for Palestine Children's Relief Fund in October and this is the bonus episode we promised as a thank you for your support. As of today, you, our listening community, have raised $8900 — and our goal was $5000! That's incredible and we're so grateful for your resource sharing and messages of solidarity. This bonus episode is a conversation between Marcelle and Hannah about a paper Marcelle published in 2015 called Comic relief: the ethical intervention of 'Avodah 'Aravit (Arab Labor) in political discourses of Israel–Palestine. The text of the article available for you on our episode page at ohwitchplease.ca. You can read it by heading to our site, or just listen to Marcelle read the abstract in the opening part of the episode. Here is the direct link: https://www.ohwitchplease.ca/all-episodes/materialgirls-sitcomandreframingisraelpalestineAs a heads up, this paper was written in 2014 in response to anti-Arab and anti-Palestinian racism in North America. That racism wasn't new in 2014, and it remains powerful and widespread today, amplified by the mainstream media's dehumanizing portrayals of Palestinians in its coverage of the so-called “Israel-Hamas war.” Marcelle's conversation with Hannah is very much about that racism and that dehumanization; about the discourses that perpetuate dehumanizing stereotypes about Palestinians and Arabs. You may not have the spoons for this conversation right now, and that's ok! It'll be here for you when you're ready, and you're always welcome to pass the episode along to someone who's looking for more information about the crisis.Thanks again for supporting Witch, Please Productions and our collective contribution to the urgently needed financial aid for Palestine Children's Relief Fund. The link to contribute is here: https://pcrf1.app.neoncrm.com/ohwitchplease. We'll be back next week with an episode about pop culture. ***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.Show less Hosted on Acast. See acast.com/privacy for more information.

At Material Girls, we've been thinking a lot about the idea of using social media for social change and what those calls imply about the role of social media in our collective imaginations. And so, in the spirit of always historicizing, we recorded this episode to look back on the Black Lives Matter protests of 2020 and, specifically, to an online event known as Blackout Tuesday.If you were one of the people who posted a black square on your Instagram account — or someone who thought about it but didn't — this episode is for you! Hannah offers some really helpful insight pulling on Jia Tolentino's essay, "The I in Internet," the work of sociologist Irving Goffman, Montreal-based scholar Kelsey Blair and Canadian author and activist Naomi Klein. Together, Hannah and Marcelle dig into what it means that our social media tools, regardless of how they are used, are corporately-owned.To learn more about Hannah's research for this episode and to read Witch, Please Productions' statement on Israel and Palestine, head to https://ohwitchplease.substack.com/.And, if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.****Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We had to talk about Taylor Swift more — especially as so many of you had great comments, feedback and specific inquiries! We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Ms. Taylor Allison Swift. We talk Gay-lore, billionaires, private jets, the Jets and holding many feelings at once.Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease!And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so lucky to be joined this episode by Erin Keif (she/her) of the beloved Headgum podcasts Hey Riddle Riddle and Sitcom DnD. If you're a fan of Les Mis, or any musical, you'll appreciate this really special episode that covers Stuart Hall's theory of encoding/decoding, while also getting into the lyrics and musicality of the megamusical: Les Misérables. Hannah guides Marcelle and Erin through a history lesson that covers Thatcherite England and defunding of the arts in the 70s and 80s, while bringing her own relationship to Claude-Michel Schönberg's music and Alain Boublil's lyrics into the conversation. Erin, a musical enthusiast (among other things), brings some much-needed levity (as well as a catchphrase) to a discussion that touches on some more difficult themes including: death, parental loss, and violence against the oppressed. If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.