The Creative Writer's Toolbelt

Hi and welcome to this brief message about the Creative Writer's Toolbelt podcast. I have news! The Creative Writer's Toolbelt is relaunching on Friday 3rd September. To catch all the new episodes you can subscribe to the podcast here:https://the-creative-writers-toolbelt.castos.com/After a hiatus of about 18 months I am restarting the podcast. The core mission of the podcast wont be changing. Like you, I love writing and The Creative Writer's Toolbelt will continue in its purpose of helping you and me to become better writers and produce great work.

Has the Covid19 virus forced you into being at home with time on your hands? Could now be the time to start that memoir project you've been meaning to get around to for so long? If so, this is the episode for you. My guest for this episode is the journalist, editor, commissioning editor and speaker Ali Hull. Ali is the Deputy Editor of Sorted magazine, and a freelance commissioning editor, who has worked with at least a hundred authors on their books, many of which were memoirs. She has also co-authored a book on grief, and written many press releases, features, interviews and reviews. Since 2003, she has spoken on numerous writing courses, around the UK and in Ireland.

Yes I'm back! I want to do two or three more episodes before I finish, to address the extraordinary times we are living in, and in this episode I am talking to two writer / entrepreneurs, Wendy H Jones and Abidemi Sanusi about how writers can survive and thrive in Lockdown. We discuss motivation, routine, self-care for writers, and just getting started.

Sadly, this is the last episode of the podcast, at least for now. From the end of March I am putting The Creative Writer's Toolbelt on hiatus. Listen to this episode for my explanation of why I am finishing (nothing sinister!) and news about a possible writer's event that I'd like to host at some point in the future somewhere in the UK.

This episode features one of my favourite guests, an editor who manages to combine a formidable expertise with a friendly and accessible manner, you’ll most likely know her from her YouTube channel, but she also featured in a two part episode on the podcast in 2018, it’s the wonderful Ellen Brock. In this conversation Ellen gives us some recommended reading for mastering the structure of story, provides some insights on how to manage point of view in close third person, and also gives us some great advice on what advice we should actually use and what we should discard.

This episode is a conversation with Barbara Poelle, agent with the Irene Goodman Literary Agency. We talk about the importance of having good critique partners, how to approach an agent at a conference, and that old favourite – showing not telling. Enjoy!

This episode is a conversation with the Vietnamese born writer, Abbigail N. Rosewood, about her first novel 'If I had two lives'. In this conversation we talk about withholding judgement to maintain the story, how to use sensory information to introduce a character, how honesty can lead to empathy, and what it means to be understood as a writer.

Writing is hard, branding and marketing can be even harder! So I was delighted to have the chance to talk to branding and marketing expert Dana Kaye. Dana works with authors to develop a coherent authentic brand, and effective and innovating marketing initiatives.

This episode features a friend of mine who has worked hard to overcome the issues so many of us writers face. Joan Histon is a writer, a speaker, and a spiritual director. She has faced the kinds of challenges and obstacles that you and I have faced with our writing, and yet she overcome these, and has now published a number of books, both fiction and non-fiction, and she has a three-book publishing deal. How did she get there? How did she power through to the success she has now had? I invite you to continue listening to find out.

This episode is a conversation with Hollywood script writer, ad exec, and YA author Gregg Millman. Gregg has been on the writing teams for documentaries, films and TV series, and more recently has worked with a number of global brands across a range of media and platforms.In this episode we talk about the process by which TV drama’s get written, how advertising works, and the power of editing. We also talk about the changing nature of YA writing, the importance of the book cover, and how complementary characters can enhance the story.

Have you ever wanted to write for the theatre but haven’t had the incentive or help to get do it? Have you ever wondered what makes a Broadway producer decide to bring a show to the bright lights and the big stage? Well you are about to find out because this episode is a conversation with Tony award winning Broadway producer Ken Davenport. Ken shares his insights for writing and launching your work.

This episode can be summed up with a single, wonderful word: encouragement! My guest is the author, artist, and coach Cynthia Morris, and in this episode we discuss the fears writer's feel, the need to be kind to ourselves, and how we should sneak up on ourselves to write something great.

Do you trust your work? Do you trust yourself enough to let your work go wherever it wants to go, to be authentic? That’s one of the questions, and challenges I explore with my guest in this episode of the podcast. His name is Brother Guy Consolmagno, and he is a Jesuit Brother and also an MIT trained research astronomer and he is currently the Director of the Vatican Observatory, making him in colloquial terms, the Pope’s Astronomer.

One of the most popular genres for fiction writers is the murder mystery or police procedural. But this is also a genre where writers can easily get things wrong. In this episode I'm joined by crime writer Wendy H Jones and we speak to Patrick O’Donnell, a serving officer with 25 years of experience in a large city police department in the US. In this conversation we cover: responding to a homicide, the arrest and court process, hostage situations, and what writers usually get wrong with police work.

This is a special episode examining the rise in the popularity and influence of Chinese Science Fiction. In the last twenty years, Chinese Sci Fi has flourished across a range of media, spurred by successes like Liu Cixin's Hugo Award-winning novel The Three-Body Problem, and this year's Chinese funded and created movie The Wandering Earth. In this episode I talk to two writers: Chen Qiufan and Peng Simeng, and an editor, Gabrielle Wei of Science Fiction World, all based in China, to discuss the issues that are important to Chinese writers and to find out what opportunities writers from the West might have in this newly emerging market.

My guest for this episode is my friend Sarah Werner. Sarah is a creator, producer, and encourager of fellow creatives. She is also the host of the 'Write Now' and 'Girl In Space' podcasts. Sarah always manages to combine warmth and wisdom in what she says, and in this conversation she shares insights and practical tips for developing perseverance and resilience as a creative, developing a brand for ourselves and our work, and the why and how of creating your own podcast as a writer.

This episode starts with a request. Tell me your writing challenges! What are the technical craft problems you're facing? Give me the challenge of research and presenting a solution for you and all of us here on the podcast. Also, it's story time. Sit back and listen to the original, unpublished opening chapter to 'The Centauri Survivors' my recently published novel.

My guest for this episode is Abidemi Sanusi. Abidemi is a Nigerian born former human rights worker turned author, and has been writing and publishing books across multiple genres for fifteen years. Her novel, Eyo, about a 10 year old girl trafficked to the UK with promises of a better life, was nominated for the Commonwealth Writers' Prize. She's also the founder of abidemi.tv, the website for ambitious writers', and she provides business success templates for freelance writers. A self-confessed tech geek, she is also the founder of writethemes.com - gorgeous Wordpress themes for writers that turn their Wordpress website visitors into paying fans.

My guest for this episode has spent over 40 years in the publishing business, editing everyone from Professor Stephen Hawking to Douglas Adams. And now it's his turn to write a book rather than edit one, and so Peter has written "Emeralds of Oz: Life Lessons from Over the Rainbow" a look at the wisdom we can glean from one of the greatest films ever made, which went out on general release on this date 25th August, exactly 80 years ago.

This episode is the second part of my conversation with Orna Ross: poet, author and founder and Director of the Alliance of Independent Authors (ALLi). Here Orna and I discuss the amazing impact of self-publishing, the rise of the indie author, the priorities for indie authors, the challenges that they face, and how they can benefit from being part of ALLi, the largest global non-profit organisation for independent authors.

The combination of new social media platforms and the rise of opportunities for self publishing has led to an amazing renaissance in poetry and poetic expression, both digitally and on the page. This is truly an exciting time for poets, and there are lots of new opportunities for poetic expression opening up. In this episode I talk to award winning author, poet, and founder and director of the Alliance of Independent Authors, Orna Ross about her work and the ways in which new and established poets can take advantage of the resources that are available.

This episode features a conversation with me about my book "The Centauri Survivors" which is published today, and explores some of the lessons any author can learn as publication day approaches. I'm the guest for this one and the questions are being asked by my friend Wendy H. Jones. In this episode we explore issues like: the biggest mistakes I made along the way, the difficult decisions I had to make in editing, and why every author, however experienced they are, gets nervous just before publication.

Writers are becoming more convinced of the need to use professionals to help them with their work, and one of the essential members of the team is the Development Editor. But what do Development Editors do and how can they add value? In this episode I talk to my development editor Amanda Rutter who worked with me on my book The Centauri Survivors. We explore how writers should approach this stage of the edit, and how to get the best out of the relationship with your Development Editor.

This episode is a response to an issue I’ve been discussing with a listener. We talked about characters who seem to take over the story, who depart from the script and, as the title of this podcast suggests, go rogue. In this episode we look at what a rogue character is, why characters go rogue and what you can do about it.

Pamela Fernandes is a writer and doctor. She escaped the first Gulf War with her family, fleeing to India. Since then she has lived in Asia, the US, and the Middle East and writes both fiction and non-fiction, drawing on her personal and professional experience. In this episode we discuss the challenges of writing in less popular genres, how to capture and keep your reader, and never giving up on a project.

As I prepare for the launch this summer of "The Centauri Survivors" my YA SciFi novel, I have been using the services of Reedsy.com, and so I caught up with co-founder Ricardo Fayet to talk about Reedsy Discovery: https://reedsy.com/discovery a service that allows you to showcase your new publication, the free Reedsy Book Editor: https://reedsy.com/write-a-book, and Reedsy's marketplace for writers. We also talk about why now really is the very best time to be publishing your own book.

We all want to introduce diverse characters into our work and not be afraid to tackle difficult social and cultural themes, but can we be sure we're getting the tricky issues right? Sensitivity readers like my guest Patrice Williams Marks can help us navigate and master the challenge of avoiding naivete and offence in the way we present our characters.

In this episode, I have a great conversation with the writer and international speaker Jen Louden. I talk about my own personal philosophy for being a writer and we get into the hard questions: why do you want to write? What's your story REALLY about? And do you know who you are, and what you are writing for? This episode looks at the need for proper self-regard, self-care, resilience, self-awareness, and how to focus on the task at hand.

This episode is a conversation with the author, writing coach and academic Dr Ginger Moran. We talk about the right mindset for writing, the different disciplines that we need to bring to the first draft and editing, learning from great writers, and why we writers are such tender souls. And yes, Ginger tells us what that one thing successful books have in common is, enjoy!

Can we talk about our work without hesitation, and without feeling like there's some aspect to it that could have been better? Have we done your best with our book project? In this episode, I look at what it means for us writers to be proud of our work, how we achieve that, and what the benefits are.

This episode is a conversation with Steff Green. Steff is a blogger, author, optimist, metal-head, and full-time author. She also suffers from a rare genetic condition which means she is now legally registered as blind. In our conversation, we discuss the challenges that writers who have a disability face, and also how should any writer present a character who has a disability.

This episode is a conversation with award-winning writer and NHS doctor Tade Thompson. We discuss everything from the Wombles to the Fantastic Four, and from the fact that no one gives a **** about your writing unless you make them, to the tropes of English horror.

What must a scene have to really make it work? It's not action, it's not dialogue, it's not sparkling description, wonderful those these things can be. For a scene to work something that matters needs to change. In this episode, we explore these changes or polarity shifts to show this principle, with an example story that contains some scenes with these shifts and some that do not to show what a difference that make.

My guest for this episode is the scientist and independent author C. John Arthur. Chris has a Ph.D. in biochemistry and now works in medical research. He has been a reviewer for the British Science Fiction Association’s critical journal, Vector, and has more recently contributed to Focus, the BSFA’s writers’ magazine. He returned to writing short fiction a few years ago and has had stories published in small press anthologies, the latest being 'The Masque Maker of Venezia'. He is now based in Sweden, and his thoughts on science fiction and science are chronicled occasionally at www.blog.cjohnarthur.com.

This episode is a conversation with the author and international speaker Derek Künsken. Derek is a Canadian writer who learned the trade with short stories. For a number of years now his work has been accepted by some of the premier magazines in SciFi including Asimov. Derek now has an agent, has signed a two-book deal and is negotiating a further deal and is published in multiple territories and languages. In this conversation, we talk about the transition to novel writing, how to introduce compelling themes and characters, and the perils of hitting the Strunk and White 'Kool-aid'!

This episode is the second half of my conversation with Ellen. We talk about a range of issues including making the right choice for the Point of View of your work, how to create the ideal query letter, and how to utilise the resources that Ellen has made available.

This episode is a conversation with the novel editor and writing coach, Ellen Brock. You may know Ellen from her annual Novel Boot Camp event and her series of videos on YouTube. Ellen has a real heart for helping people who want to develop their skills in the craft of writing, and in this first half of our conversation, we talk about the biggest problems writers have with both structuring their work and refining narrative quality.

This episode is the second part of a conversation I had with Dr Sandra O'Donnell, founding partner of RO Literary. Sandra is a book coach and literary agent, and author of "Your first fifteen pages" an agent's guide to writing a novel that editors will publish and readers will buy. In this episode, we look at how the 'why' of your novel has to hook the reader, how character and place work with the inciting incident and Sandra gives us her advice on mastering 3rd person Point of View in the ensemble story. We also discuss three of the most useful tools a writer can use: Airtable, Grammarly, and Story Grid.

This episode is a conversation with Dr Sandra O'Donnell, founding partner of RO Literary. Sandra is a book coach and literary agent, and author of "Your first fifteen pages" an agent's guide to writing a novel that editors will publish and readers will buy. This is the first of two episodes featuring my conversation with Sandra; in this episode, we look at where submissions go wrong, the essential ingredients for the first fifteen pages of your novel, and what readers really want.

This episode is a conversation with Sarah Rhea Werner, a creative professional who combines a portfolio of work including writing, web design, mentoring, podcasting and audio drama production. You might be one of the tens of thousands of people who listen to Sarah’s new audio drama, ‘Girl in Space’ which started to critical acclaim back in September 2017. In this conversation Sarah and I talk about marketing, monetization for writers and creatives, and effective time management as well as facing the fear of creating, and getting the job done

"It's a performance, not a reading", so says audio narration expert Sean Pratt. Sean has 30 years experience as an actor and voice-over artist, and in 22 years as an audiobook narrator, he has worked on close to 1,000 projects. In this episode, he lifts the lid on the audiobook business and gives us writers some expert tips on speaking well at public events, including book readings. He also tells us what an author needs to know if they decide to narrate their own book.

This episode looks at the emotional and psychological cost of marketing and promotion for writers. There are plenty of opportunities but it's hostile territory, so we look at the need to create an excellent product, what to do when you're feeling addicted to the numbers, and how to be sociable on social media.

Tim is an award-winning travel writer, the author of a number of books including The World’s Cheapest Destinations, Travel Writing 2.0, and Make Your Travel Dollars Worth a Fortune: The Contrarian Traveler’s Guide to Getting More for Less. He is also an established blogger, speaker and ghostwriter and in this episode, we talk about Tim’s experiences as a writer of non-fiction, how to get started and thrive as a blogger, and Tim gives us his hints and tips on making your writing time more efficient. I hope you enjoy this conversation, here it is.

In this second part of a two-part series on point of view, we look at the challenge of using omniscient third person point of view. Often seen as old-fashioned, and definitely a challenge to use successfully, this PoV option is making something of a comeback and is the right choice for some work.

Getting Point of View (PoV) right is one of the fundamental challenges for any writer. In the first of a two-part series on the subject, we look at what point of view is, and how to make a success of third person limited point of view in your work.

I recently spoke with fellow podcaster, essayist and award-winning journalist Brendan O'Meara. We talked about the challenges that writers of both fiction and non-fiction face, the issue of finding time to write, the value of having momentum, and the goal of building up a body of work to close the creative gap

Writing the first draft of a novel, like scaling the north face of the Eiger, presents particular difficulties. In this episode, we look at what those challenges are, and how we can overcome them to get the first draft done.

Deus Ex Machina or 'god out of the machine' endings have a rich heritage going back to the Ancient Greek Theatre. But they are a terrible model for endings in creative writing. In this episode, we explore what Deus Ex Machina endings are, why they are so bad for creative writers, and how we can create a much better ending that will give credibility to our work and satisfy our readers.

This episode is a conversation with story grid developmental editor Lori Puma. In our conversation we talk about why stories matter, and what we as writers should do about that. We discuss the way in which Story Grid, and a developmental editor can actually help authors, and we reflect on the way in which personal tragedy can inform both our lives and our stories. You can find out more about the Story Grid process here: www.storygrid.com and about non-violent communication here https://www.youtube.com/watch?v=SX4N0VryiC4 And you can find out more about Lori at her website: www.loripuma.com

Writer's have the most important job in the world. Does that sound like hubris? Well I would suggest that it isn't. Stories are of profound importance, and as storytellers, we are the custodians of these precious artefacts, as such it behoves us to be as authentic as possible, to practice our craft, and to be as brave and persistent as we can be.

This episode is a conversation with award winning science fiction and alternative reality author Gareth L Powell. We talk about how maturing as a writer and a person can inform our work, Gareth’s advice for developing authentic and rich characters, and the inspiration behind his new book Embers of War. Gareth can be reached at his website www.garethlpowell.com and on twitter at @garethlpowell