Podcasts about beethoven sonata no

Sert ve zor konuları tartıştığım Alien serisinin 2. podcast bölümünde bu sefer Sigmund Freud'un psikanalizinin karanlık noktalarına doğru bir yolculuk yapıyorum. Önce Sigmund Freud kimdir ve şiddet konusuna nasıl bakıyor, bu soruları cevaplayarak bir zemin oluşturuyorum. Saldırganlık konusunu da tartıştıktan sonra bu sefer histeri denen olguya cinsiyet ekseninde göz atıyorum. Böylece Alien filmlerindeki cinsiyet olgusunu da derinleştirmiş oluyoruz. Ve son olarak Freud'un meşhur ve bir o kadar da tartışmalı yaklaşımı olan Oedipus kompleksini konuşuyorum. Tabi ki tüm bu konuları Alien filmlerindeki referanslar üzerinden sentezliyorum. Bölüm Kapağı: Kendi çizdiğim resim (05.09.2024) 07:06'daki müzik: Beethoven - Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - Moonlight Sonata 12:53'teki müzik: Gabriel Fuare - Tristesse, Op. 6, No. 2 19:16'daki müzik: Vladimir Rebikov - Valse Mélancolique 25:02'deki müzik: Felix Mendelssohn - Lieder ohne Worte, Book 2, Op30 VI Allegretto

Today I'll explore some fundamental aspects of Beethoven's music through one of his early-mid works, the Sonata in B-flat op. 22. The revolution operated by the composer is about the power of sound as vehicle for carrying energy and tension: his masterful command over the musical form has transformed the way we enjoy and create music, from his contemporaries to today's listeners.L.v.Beethoven Sonata No. 11 in B-Flat op. 22AppleMusic Spotify Support Where is the Music Podcast through: PATREONWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFY

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Funczion SOUNDS - Way to home;2.Antonín Dvořák - Symphony No. 9：New World;3.Wendy Carlos - Theme from a Clockwork Orange (Beethoviana);4.Park Jong Hoon - Catwalk (Arr. Chong Park);5.Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27;6.Johannes Brahms - Waltz No. 15：Lullaby。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Funczion SOUNDS - Way to home;2.Antonín Dvořák - Symphony No. 9：New World;3.Wendy Carlos - Theme from a Clockwork Orange (Beethoviana);4.Park Jong Hoon - Catwalk (Arr. Chong Park);5.Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27;6.Johannes Brahms - Waltz No. 15：Lullaby。

上集邀請到小提琴新生代最受矚目演奏家 Jason 分享他的人生故事， 下集則是樂迷  Hilda 與 Jason 的古典音樂熱情對談！ 溫馨提醒：前半段稍微有比較艱深的音程音律等討論，但很快結束後就有滿滿的音樂及 小故事能欣賞啦

On today's inaugural episode we have poet, novelist, biographer, screenwriter, and Professor at Middlebury College, Jay Parini. Throughout his illustrious career, Parini has authored several biographies on writers including Robert Frost, John Steinbeck, and Gore Vidal. His novel about Leo Tolstoy, The Last Station, was adapted into an award winning movie in 2009 starring Christopher Plummer and Helen Mirren. His most recent book, Borges and Me is about an excursion with Jorge Luis Borges in Scotland. It was published in 2020. We spoke over zoom in late June, and touched on everything from faith to politics to war. Jay Parini's insights are grounded in close readings and meditations on poetry, philosophy, and religious texts, and they provide a refreshing way of thinking about the polarized world we live in. Our conversation weaved between the artistic and political, and was filled with little nuggets of writing tips that stemmed from his 50 year teaching career. To read more about Parini's vast body of work visit his website: http://jayparini.com Writers & Musicians Mentioned - Critical Revolutionaries by Terry Eagleton - W.H. Auden - Robert Frost - Gerard Manley Hopkins - Ralph Waldo Emerson - Wilfred Owen - Siegfried Sassoon - Philip Levine - Louise Glück - Mary Oliver - Bob Dylan - James Taylor - Jackson Browne - Neil Young Music: Ludwig van Beethoven Sonata No. 26 in E-flat Major (Op. 81a) Fryderyk Chopin Sonata No. 2 in B-flat Minor (Op. 35)

커튼콜 117회에서는 피아니스트 김수연씨를 만납니다. 올 한해 김수연 피아니스트는 온오프라인을 넘나드는 콩쿠르 일정을 바삐 소화했습니다. 지난 5월, 온라인으로는 몬트리올 콩쿠르를, 오프라인으로는 벨기에에서 열린 퀸 엘리자베스에 참가하는 '분신술'을 선보이는가 하면, 2015년에 이어 두 번째로 쇼팽 콩쿠르 본선에 올라 김수연이 해석한 쇼팽을 선보였습니다. 몬트리올 국제 음악 콩쿠르는 성악, 바이올린, 피아노 부문이 매년 번갈아 가며 개최되는 대회입니다.김수연 피아니스트는 지난 5월 피아노 부문을 대상으로 열린 몬트리올 국제 음악 콩쿠르에서 동양인 최초로 1위를 차지했는데요, 캐나다를 가본 적은 한 번도 없지만, 몬트리올 콩쿠르가 온라인으로 진행된 덕에 당시 거주하던 유럽에서 참가가 가능했습니다. 숨 쉴 틈 없이 진행된 콩쿠르 일정을 어떻게 소화했는지, 온라인 콩쿠르 준비 과정에 어떤 뒷이야기가 있었는지 김수연 피아니스트에게 직접 들어보는 시간을 마련했습니다. 오늘 커튼콜에서는 김수연 피아니스트가 직접 연주한 콩쿠르 실황을 들어봅니다. ♬ L. v. Beethoven - Sonata No. 30 in E major, Op. 109 ♬ F. Chopin - Tarantella As-dur op. 43 ♬ M. Ravel - Gaspard de la nuit, M.55 1. Ondine진행: SBS 이병희 아나운서, 김수현 기자, 이경원 기자 | 출연: 김수연 ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

This is my all-time favorite of Beethoven's 32 sonatas, the Hammerklavier.  This is the fourth of four movements.

This is my all-time favorite of Beethoven's 32 sonatas, the Hammerklavier.  This is the third of four movements.

This is my all-time favorite of Beethoven's 32 sonatas, the Hammerklavier.  This is the second of four movements.

This is my all-time favorite of Beethoven's 32 sonatas, the Hammerklavier.  This is the first of four movements.

Christina Whitlock, M.M., N.C.T.M., operates a lively independent piano studio, in addition to teaching adjunct at Taylor University. Christina is a past state president of the Indiana Music Teachers Association, as well as a frequent speaker, adjudicator, and collaborator. Her passion for celebrating the music teaching profession has recently spilled over into a weekly podcast titled, Beyond Measure.  Christina is a wife and mom to two daughters, who keep her humble in the best possible ways.Find the Beyond Measure Podcast anywhere you get your favorite podcasts.Here are Christina's Top 5 Songs of Encouragement:1) Beethoven Sonata No. 30, Opus 109, Mvt. 1https://www.youtube.com/watch?v=bbMBhuHYJBE2) "You'll Be Back" by Lin Manuel Miranda, Hamiltonhttps://www.youtube.com/watch?v=eKFN-aqPJH83) Palestrina: Exultate Deohttps://www.youtube.com/watch?v=nRmkj19i4Yk4) Part the Waters/I Need Thee Every Hour by Selahhttps://www.youtube.com/watch?v=2bTj2s_s7wU5) "Misty" by Sarah Vaughanhttps://www.youtube.com/watch?v=2bTj2s_s7wUKeep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show (https://www.buymeacoffee.com/Encouragement)

Beethoven: Sonata No. 4 in A minor, Op. 23 Ravel: Sonata for Violin and Cello Shostakovich: Sonata for Viola and Piano, Op. 147 Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1218/La_Musica_Chamber_Music_Hour_63.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. Dmitri Shostakovich,Ludovic Vaillant,Orchestre National de la Radiodiffusion Française - Piano Concerto No.2 In F Major Op.102 (1957)：II Andante；2. Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27；3. Ronan O'Hora - Clair de lune；4. Antonín Dvořák - Symphony No. 9：New World。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. Dmitri Shostakovich,Ludovic Vaillant,Orchestre National de la Radiodiffusion Française - Piano Concerto No.2 In F Major Op.102 (1957)：II Andante；2. Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27；3. Ronan O'Hora - Clair de lune；4. Antonín Dvořák - Symphony No. 9：New World。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. Dmitri Shostakovich,Ludovic Vaillant,Orchestre National de la Radiodiffusion Française - Piano Concerto No.2 In F Major Op.102 (1957)：II Andante；2. Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27；3. Ronan O'Hora - Clair de lune；4. Antonín Dvořák - Symphony No. 9：New World。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. Dmitri Shostakovich,Ludovic Vaillant,Orchestre National de la Radiodiffusion Française - Piano Concerto No.2 In F Major Op.102 (1957)：II Andante；2. Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27；3. Ronan O'Hora - Clair de lune；4. Antonín Dvořák - Symphony No. 9：New World。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. Dmitri Shostakovich,Ludovic Vaillant,Orchestre National de la Radiodiffusion Française - Piano Concerto No.2 In F Major Op.102 (1957)：II Andante；2. Ludwig van Beethoven - Sonata No. 14 (Moonlight), 2nd Movement, Op. 27；3. Ronan O'Hora - Clair de lune；4. Antonín Dvořák - Symphony No. 9：New World。

Please, read this.Hello. If the podcast was helpful for you, I ask you to give some money to a charity. I truly believe we can make a better world with less cynicism and egoism. You can handle several days without coffee. However, that money REALLY can help. Even a few dollars.Where to send and how much is only on you. Children, nature, homeless people. All problems are more real and nearer than you think.Just be a good person. Be a real hero. Peace. 00:00:00 Listz Love dreams no.3 00:04:04 Racmaninoff Préludes, Opus 32, no.13 00:06:35 Debussy Suite bergamasque Claire De Lune 00:10:43 Chopin Ballade G minor, Opus 23 00:19:45 Beethoven Sonata No 5 C minor, Opus 10 mov 1 00:26:18 Mozart Piano Sonata No 14 in c minor, KV 457 Adagio 00:33:05 Shumann Scenes from Childhood, Opus A Tale of Distant Lands 00:34:27 Mozart Sonata No. 11 A major (Alla Turca) , KV 331 00:47:59 Chopin 2 Nocturnes, Opus 27 Larghetto 00:52:37 Beethoven Sonata No. 8 C minor (Pathetique) , Opus 13 Mov 2 00:57:40 Shumann Scenes from Childhood, Opus In Slumberland 00:59:05 Chopin 2 Nocturnes, Opus 27 Larghetto Sostenuto 01:04:02 Mozart Piano Sonata No 14 in c minor, KV 457 Molto Allegro + Repeat

Más de 3,5 horas de las grabaciones de música clásica más famosas y reconocibles. ¡Lo mejor de la música clásica para estudiar, leer, relajarse y (sobre todo) disfrutar! Temas: 0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato) 02:42 Edvard Grieg – Morning Mood 06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor) 08:51 Frederic Chopin - Nocturne in C-sharp minor 12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle") 14:58 W.A. Mozart - Rondo alla Turca ("Turkish March") 18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2) 23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto) 26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy 28:10 Federic Chopin – Prelude Op.28, no.4 30:44 Gioachino Rossini – Overture to “The Barber of Seville” 36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment) 37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major) 42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068) 45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro) 51:44 Erik Satie – Gymnopedie no.1 54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring") 1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1 1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance 1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie) 1:09:07 Gioachino Rossini – William Tell Overture 1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco) 1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers 1:31:47 Richard Wagner – Ride of the Valkyries 1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile) 1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314 1:49:19 Erik Satie – Gnossienne No.1 1:52:42 Edvard Grieg – In the Hall of the Mountain King 1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2 1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro) 2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major 2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement) 2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment) 2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque") 2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan) 2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March) 2:28:25 Edvard Grieg - Notturno, Op.54, No.4 2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”) 2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen” 2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro) 2:43:36 Erik Satie – Gnossienne No.3 2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316 2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12) 2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275) 2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor) 2:57:53 Richard Strauss – Also sprach Zarathustra 2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz") 3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto). 3:04:29 Modest Mussorgsky – Night on Bald Mountain 3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354 3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565 3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section) 3:18:14 Leo Delibes – Pizzicato (from “Sylvia”) 3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre) 3:29:33 W.A. Mozart – Requiem in D minor 3:33:01 J.S.Bach – Prelude in C major

Pianist Henrik Kilhamn looks at all variations of the simple and chorale-like Arietta theme in the final movement of Beethoven's 32nd piano sonata (and of all his sonatas!). They cover an incredible range of styles, sonorites and energy levels while sharing the harmonic structure of the theme, as well as one fundamental tempo that rules the whole movement. In this music, Beethoven leaves earthly struggles behind and ascends to heaven. Some moments in this movement that are as close as you can get to pure beauty and bliss.

Pianist Henrik Kilhamn takes on this monster of a piece. Beethoven returns to the roots of Bach and counterpoint and fuses it with his typical dramatic charge in this movement from his late period. The music is so intense with extreme dynamic contrasts and fugato treatment of the core motif. Every note matters in this struggle for survival on earth. 0:23 Introduction 4:29 Form 5:45 Analysis 33:48 Performance

Pod Isso? Solta o play que AQUI PÓÓÓÓÓÓDE! Venha se juntar ao time do Pod Isso pra descobrir porque a Sarah é palmiteira, comprar balinha no farol, raptar dançarina de cancan, confundir cowgirl com call girl, praticar nudismo em casa, proteger o último bastião da moralidade, tocar triângulo de pau mole, e não deixar os cabelo do sacuuuuuuuuuuuuuuuuuu … ENROLAR COM OS DO BAIXE AQUI! (Download) Participaram deste episódio @lucas_o_fofo, @lapapaespop , @FellipeC, @shellypoison e @artemoriendi! Decupagem: @artemoriendi Edição & Capa: @FellipeC Agradecemos o apoio de Alexandre Dias Cavalcanti, Inaldo, Lucas, Bruno Martins, Pandorica, Matheus Alessio, Alexandre Maia, Eros Canestraro, Rodrigo Silva, Fausto Biazzi, Sarah Wons, Miguel Fraga, Camila Azevedo e o Denis Monteiro, Cristiano Gaspar, @Bassogeo, @wellgpx, @CanisMagnus, Wilson de Oliveira Junior, e Marlyni Zens! Contribua com o Pod Isso! Você pode nos ajudar assinando um apoio mensal: Acesse → apoia.se/podisso ou picpay.me/podissomensal Ou com uma gorjetinha: Clique aqui → picpay.me/podisso ou busque por @podisso em seu app Trilha Sonora Dani Carlos – Wonderall Tomoyasu Hotei – Battle Without Honor Or Humanity Leo Rojas – El Condor Pasa Ludwig van Beethoven – Sonata No. 14 Royal Philarmonic Orchaestra – Hooked on Can Can Daft Punk – One More Time Mamonas Assassinas – Sabão Cra Crá/Uma Arlinda Mulher Enya – Orinoco Flow Aerosmith – I Don’t Want to Miss A Thing Eumir Deodado – Also Sprach Zarathustra Daft Punk – Get Lucky Dire Straits – Sultans of Swing The Doors – Break On Through (to the other side) Elvis Presley – A Little Less Conversation The Shadows – Apache Outlaws – Riders In The Sky Harold Faltermeyer – Axel F Meco – Other Galactic Funk O post 74 – Tarja Na Paçoca: A Oportunidade É O Escroto Que Passa Arreado apareceu primeiro em Pode Isso Podcast.

Beethoven: Sonata No. 4 in A minor, Op. 23 Ravel: Sonata for Violin and Cello Shostakovich: Sonata for Viola and Piano, Op. 147 For more information, please visit: https://www.lamusicafestival.org/

Adaptación por capítulos para radioteatro de la obra de Bukowski. "El capitán salió a comer y los marineros tomaron el barco", una metáfora del lamentable estado de la nave que nos lleva, Bukowski es más que nunca un filósofo. El libro es un diario de los últimos meses de su vida, cuajado de reflexiones hechas desde la cima de su experiencia. Todo ha cambiado para seguir igual; Bukowski vive en una casa cómoda, con piscina y jacuzzi y un buen coche en el garaje, pero la desesperación es la misma: «No sé lo que le pasará a otra gente, pero yo, cuando me agacho para ponerme los zapatos por la mañana, pienso: Ah, Dios mío, ¿y ahora qué?. Estoy jodido por la vida, no nos entendemos. Tengo que darle bocados pequeños, no engullirla toda. Es como tragar cubos de mierda. Nunca me sorprende que los manicomios y las cárceles estén llenos, y que las calles estén llenas...» Voz: José María Burillo Música: Beethoven - Sonata No 32 Opus 11 (UTIL. Cap. 13)

Adaptación por capítulos para radioteatro de la obra de Bukowski. "El capitán salió a comer y los marineros tomaron el barco", una metáfora del lamentable estado de la nave que nos lleva, Bukowski es más que nunca un filósofo. El libro es un diario de los últimos meses de su vida, cuajado de reflexiones hechas desde la cima de su experiencia. Todo ha cambiado para seguir igual; Bukowski vive en una casa cómoda, con piscina y jacuzzi y un buen coche en el garaje, pero la desesperación es la misma: «No sé lo que le pasará a otra gente, pero yo, cuando me agacho para ponerme los zapatos por la mañana, pienso: Ah, Dios mío, ¿y ahora qué?. Estoy jodido por la vida, no nos entendemos. Tengo que darle bocados pequeños, no engullirla toda. Es como tragar cubos de mierda. Nunca me sorprende que los manicomios y las cárceles estén llenos, y que las calles estén llenas...» Voz: José María Burillo Música: Beethoven - Sonata No 32 Opus 11 (UTIL. Cap. 13)

Meet the Composer continues its investigation of the odd, wrong-side-of-the-tv-set role of The Performer with a deep dive into the Sonic Meditations of pioneering American composer Pauline Oliveros. Oliveros manages to smudge at the distinction between composer, performer and audience with these simple, text-based pieces, which somehow pack an emotional wallop far larger than their few lines might suggest. Heard a piece of music that you loved? Discover it here! 0:49—Pauline Oliveros: Lear | Listen | Buy 4:15—Henry Francis Lyte: Abide with me | Listen | Buy4:37—Pauline Oliveros: Nike | Listen | Buy 5:10—Ludwig van Beethoven: Sonata No. 31 in A flat, op. 110 | Listen | Buy 7:20—Pauline Oliveros: Continuing Variations8:05—Pauline Oliveros: Nike | Listen | Buy 8:16—Pauline Oliveros: Sound Patterns8:47—Pauline Oliveros: The Well and the Gentle | Listen 10:37—Pauline Oliveros: Who Said What12:11—Pauline Oliveros: Ione | Listen | Buy 14:50—Pauline Oliveros: Bye Bye Butterfly | Listen | Buy 15:27—Pauline Oliveros: I of IV | Listen | Buy15:33—Pauline Oliveros: Something Else | Listen | Buy15:38—Pauline Oliveros: Tara's Room | Listen | Buy15:41—Pauline Oliveros: Silence15:43—Pauline Oliveros: River of Folk Dance | Listen | Buy15:46—Pauline Oliveros: Lear | Listen | Buy 16:37—Pauline Oliveros: Ione| Listen | Buy 18:55—Pauline Oliveros: Sonic Meditation XII: One Word25:14—Pauline Oliveros: Tuning Meditation

Works for solo piano by Beethoven and Schumann performed by Paavali Jumppanen on April 13, 2008 and May 4, 2014.Beethoven: Sonata No. 27 in E Minor, Op. 90Schumann: Humoreske in B-flat Major, Op. 20The pianist Paavali Jumppanen is a longtime Gardner Museum favorite, and this podcast features him performing two piano works that show that opposites attract: Beethoven’s Sonata No. 27 in E Minor, Op. 90, and Schumann’s Humoreske in B-Flat Major, Op. 20.Beethoven considered titling this sonata “Struggle Between Head and Heart,” and there is a feeling of opposing forces throughout much of the first movement, labeled (in German) “With vivaciousness, and continuous sentiment and expressivity.” The music starts powerfully, with bold chords, but this muscular, strong emotion is repeatedly interrupted by gentler motifs in a minor key. At only 13 minutes, the sonata is one of Beethoven’s shorter works, but there is much musical delight packed into this diminutive piece.We’ll then hear Schumann’s Humoreske, a set of short piano pieces, each about 3 to 5 minutes long, designed to be played together. The piece is likewise a study in extremes. The piece vacillates from joy to melancholy to great tenderness, and sometimes in the space of less than five minutes. In all, the set lasts some 25 minutes. It’ll be preceded by the Beethoven sonata.

Works for violin and piano duo and string quartet performed by violinist Bella Hristova, pianist Ieva Jokubaviciute, and the Belcea Quartet.Beethoven: Sonata No. 8 in G Major, Op. 30, No. 3Beethoven: Quartet in B-flat Major, Op. 18, No. 6The two chamber works on this podcast showcase a somewhat more jovial side of Beethoven. We begin with the perky eighth sonata in G Major for violin and piano, one of the pieces composed in Beethoven's surprisingly productive period following the Heiligenstadt Testament. Although written during the time that Beethoven began to seriously recognize his worsening hearing, the eighth sonata doesn't give any hint of inner turmoil. Next, we'll hear Beethoven's sixth string quartet, Opus 18, number 6, another mostly lighthearted chamber piece that also owes a great debt to Haydn.

Beethoven: Sonata No. 25 in G Major, Op. 79 Brahms: Piano Quartet No. 2 in A Major, Op. 26 Beethoven called his Sonata No. 25 a ‘sonatine facile’—a simple, or easy, little sonata—and its three compact movements comprise one of his shortest works. Throughout the varying moods of the three movements, this work maintains an air of freedom and innocence. But the readily apparent thematic clarity and easy spirit of this little sonata belie its compositional sophistication and elegant structure. Johannes Brahms moved to Vienna, Beethoven’s adopted hometown, in 1862, seventy years after Beethoven’s death. Brahms idolized Beethoven and was deeply influenced by his work. Upon arriving in Vienna, Brahms was hailed as Beethoven’s musical successor. And Brahms’ very first pieces to be performed in that city were his first two piano quartets, completed the previous year. His second piano quartet, a lyrical counterpart to the muscular first, is quintessential Brahms in its rich and expansive nature, with a still, stationary quality that underlies even the moments of dark rumbling and playful intensity.

Berg: Sonata for piano, Op. 1 Beethoven: Sonata No. 23 in F minor, Op. 57 (“Appassionata”)At age 19, Alban Berg began studying composition with Arnold Schoenberg, and his sonata shows the influence of Schoenberg’s teaching in its adventurous use of extended harmony and his insistence on a clear and coherent structure in which each of the sonata’s ideas is based on a single, central motive. Of course, the idea of using a motive to structure a piece was one which Schoenberg himself borrowed from the next composer on today’s program, Beethoven. The Appassionata Sonata was composed during one of the most difficult, but productive, periods of Beethoven’s life. During this time Beethoven began to display bold new harmonic ideas, as in the opening of this sonata, in which the phrase is repeated just a half-step higher, placing the sonata suddenly in ambiguous harmonic territory. He also increasingly used these motives to structure longer pieces of music, the idea that so influenced Schoenberg and, in turn, Berg.

Beethoven: Sonata No. 1 in F minor, Op. 2, No. 1 (January 21, 2007)Mozart: Violin Sonata No. 26 in B-flat Major, K. 378 (January 29, 2006)Musicians often speak of the “shadow of Beethoven” as a tremendous force in music history, influencing many of the composers who would follow the great classical master. Schubert once famously asked “who would be able to do anything after Beethoven?” But other composers cast shadows, too, even over Beethoven himself. The shadow of Mozart, for example, seems to hover over the young Beethoven in the piece which opens this podcast. We’ll hear Beethoven’s very Mozartean piano sonata, followed by some original Mozart.

Chopin would have been surprised at the idea of a solo piano recital in a concert hall. Professor Carol talks about the programming of recitals and works of Bach-Busoni, Beethoven, Chopin, and Debussy. Works Discussed: Bach-Busoni Chorale Preludes; Beethoven Sonata No. 21, Opus 53 ("Waldstein"); Chopin Sonata No. 2; Debussy "Children's Corner" 

Beethoven: Sonata No.14 in C-sharp minor, Op. 27, No. 2 (“Moonlight”) (October 8, 2006)Mozart: String Quintet No. 5 in D Major, K. 593 (October 15, 2006)Generations of writing teachers have passed down the familiar edict: write what you know. In this week’s episode of the concert we’ll hear two composers who heeded that advice. Beethoven made his recital debut as a pianist at just eight years old, and he studied and played the instrument all his life. Being a baroque keyboard player was a bit like being a modern jazz pianist today; you were expected to have a strong foundation in harmony, so that you could improvise variations or play in ensembles, where the keyboardist created his part from a harmonic score a lot like a jazz lead sheet, rather than having a completely notated part. And it can’t be coincidence that in this famous piece, the Moonlight Sonata, the emphasis is on harmony. It’s the beautiful, undulating harmonies underneath the melody that we remember. Mozart also played both violin and keyboard, but when playing chamber music with his friends the instrument he favored was the viola. And in the Mozart piece on this program the instrument he adds to the standard string quartet is an extra viola. This added richness in the middle range, combined with a string player’s ear for long, singing melodic lines, show Mozart’s inner violist.