Podcasts about Gymnopedie

Ein Theaterskandal, ein Gerichtsprozess und jede Menge Feinde. Hätte Erik Satie gewusst, worauf er sich mit der Ballettmusik "Parade" einlässt, hätte er die Finger davon gelassen. Von Michael Lohse.

don't look at it... CREEPYPASTA ► "The Monument" written by Street_Camera_1258 narrated by ClancyPasta ► https://www.reddit.com/r/nosleep/comments/1hv5wk1/the_monument/ Here on ClancyPasta we provide audio narrations of scary stories of all kinds - from classic creepypastas, to new creepypastas, to other scary stories from the internet and beyond. Been recording since 2017! Here are ways to support the channel if you wish ~ MERCH ► http://teespring.com/stores/clancypastastore PATREON ► https://patreon.com/clancypasta MEMBERSHIP ► https://www.youtube.com/channel/UCnfg9w5hrnPT7oA1H3uRZEQ/join Here's where you can find me, and also links to the audio version of the show ~ X / TWITTER ► http://x.com/clancypasta INSTA ► https://instagram.com/clancypasta SPOTIFY ► https://open.spotify.com/show/51DHHPsFnEvDAGfRiZPMF7 ANCHOR.FM ► https://anchor.fm/clancypasta ► Background footage licensed from StoryBlocks. MUSIC ► "Gymnopedie #1" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ ► background music and sound effects licensed from StoryBlocks. #Creepypasta #scarystories #horrorstories #ClancyPasta

A special extra episode! I'm excited to share this series of stories about the young Michal, daughter of Saul, that was written by one of my listeners, Mat Meyer. Stick around afterwards to hear our discussion about the tales. Show notes have been posted at retellingthebible.wordpress.com. Mat's website, which we discuss is at The Church of the Affirmation. Media in this Episode The following music was used for this media project: "AhDah" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Gymnopedie by Sascha Ende Free download: https://filmmusic.io/song/222-gymnopedie License (CC BY 4.0): https://filmmusic.io/standard-license Support Retelling the Bible If you would like to support the work that I do creating these stories, go to patreon.com/retellingthebible and choose a level of support!

AARON PARKS – FIND THE WAY Pernes-les-Fontaines, France, October, 2015Adrift, Song for Sashou, Find the wayAaron Parks (p) Ben Street (b) Billy Hart (d HERBIE MANN / BILL EVANS – NIRVANA New York, May 4, 1962Nirvana, Gymnopedie, Willow, weep for me, Lover manHerbie Mann (fl) Bill Evans (p) Chuck Israels (b) Paul Motian (d) SONNY SHARROCK – ASK THE AGES New York & Brooklyn, NY, c. Continue reading Puro Jazz 20 diciembre 2023 at PuroJazz.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.YUI - ある海辺の町の夜明け；2.Yuko Ikoma - 3eme Gymnopedie；3.Antonio Forcione - Czardas；4.Yo-Yo Ma - Clarinet Sonata：II. Andantino (Instrumental)；5.MANYO - トマドイ。

Ronn McFarlane and Carolyn Surrick: And So Flows the River (Flowerpot Productions) New Classical Tracks - Carolyn Surrick & Ronn McFarlane by “The music that we're doing is music that's really a part of us,” viola da gamba player Carolyn Surrick says. “It's like music inside of us, the way that the deciduous forest is inside of us, because this is where we're from.”Surrick and Ronn McFarlane have both lived in Maryland for most of their lives. Their careers have run somewhat parallel, with Surrick playing viola da gamba in the Ensemble Galilei, which she founded in 1990, and McFarlane playing lute with the Baltimore Consort and the folk trio Ayreheart, the ensemble he founded. Three years ago, when touring came to a halt during the global pandemic, they finally had the time to make music together, and they've been doing so ever since. They've just released their third recording, And So Flows the River.Surrick: “This is the music of our lives. We're both over 60, and we've had a lot of time to incorporate music into our lives, to have music become central to our being. And so I wanted to bring the idea that as our lives are flowing along, we're accumulating music, we're accumulating things that we love along the way and bringing them to this project.”How did you decide on the title And So Flows the River? How does it reflect what we're hearing on the recording?McFarlane: “In terms of flowing, the repertory itself was a real flow state for each of us. It brought music that each of us loved, regardless of the genre that it came from. So I think we kind of get into a flow state when we're deciding what to play, bringing up pieces from any memory, any part of our lives, anything we might have heard of, or maybe we're just discovering something for the first time.”The album features Erik Satie's Gymnopedies. What is your relationship to the pieces?Surrick: “I think we both remember hearing them for the first time in the 1970s and thinking this music is so special. I mean, so simple and so beautiful. It has so much in it. So when we were casting about for what to put on this new recording, I said, ‘what about the Gymnopedies?' And it was kind of like, ‘Well, why not?'”McFarlane: “My first experience of them was in the 1970s, but I didn't hear it on the piano at first. I heard it live in a guitar recital played by Christopher Parkening, who made some excellent arrangements of them. But I was so captivated hearing the first Gymnopedie for the first time that I really fell in love with it.”You both also heard about Bach's Sinfonia in the 1970s. What is your relationship with that piece?McFarlane: “Yes, I first heard it when I went to a record store. That was back when they had records around 1968 or ‘69. I got the first Led Zeppelin album and the Walter Carlos, now Wendy Carlos, album Switched-On Bach. So I first heard this on a synthesizer with all its boops and beeps and whistles. So I think my idea of how it ought to sound was permanently skewed by hearing it that way. And it just sounded so fresh and great.”And now you have added your own arrangement of the piece, which you described as a revelation. Why did you describe it that way?Surrick: “We sat down to play it, and there was so much happening. You almost can't imagine that these two instruments could be doing all of this at the same time.”And you have a percussionist on the recording? Surrick: “Yes. Yousif Sheronick. He's fabulous. And so I call him up out of the blue, and he's like, ‘Yeah, cool. I'm free.'”Give me an example of his playing in this recording that you want to make sure we don't miss.McFarlane: “Well, I think the very first piece, W. Lee's Reel, where Yusif is playing an ocean drum, is a great one.“This piece has kind of a Scotch-Irish flavor to it, which reflects my dad's background. It's a sort of adventurous piece because it has something in the flute part that sounds like a propulsive fiddle tune in the Scotch-Irish tradition. And yet that's not the lead voice. You would think so because of the beginning. But as it goes along, the gamba comes in and actually has the melody as the slower moving part. Somehow, it seemed to fit the personality of my dad.” W. Lee's ReelResourcesRonn McFarlane and Carolyn Surrick - And So Flows the River (Amazon)Carolyn Surrick - official websiteRonn McFarlane - official website

No episódio de hoje eu faço uma leitura do conto "O Testamento do Saci", em que narro os últimos momentos do saci na terra antes de se tornar orelha de pau aos 77 anos de idade. Ouça Gotas de Folclore, uma dose diária de cultura popular para encantar o seu dia. Uma produção Colecionador de Sacis. Apresentação e edição: Andriolli Costa. Acesse ⁠⁠⁠⁠www.colecionadordesacis.com.br.⁠⁠⁠⁠ Este programa existe graças a ouvintes como o Thomas Misfeldt. Apoie você também! ⁠⁠⁠⁠⁠Catarse⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠Padrim⁠⁠⁠⁠⁠ Trilha sonora: Mystic Tranquility, por Musiclfiles, e Gymnopedie por Sascha Ende. Disponível em Filmmusic.io Em 7 de agosto/2023 entra no ar a campanha de financiamento coletivo para nosso cardgame Poranduba - Cartas de Cultura. Contamos com você! ⁠https://www.catarse.me/cartasdecultura⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/poranduba/message

In dieser Folge erhält Maurice seine "exklusive" Lesung von "Horror hinter dem Neptun" und macht sich eine sehr gefährliche Feindin...“Werq”, “Backbay Lounge”, “Late Night Radio”, “Gymnopedie 2”, “Toccata and Fugue”, “Giant Wyrm”, “Thunder Dreams”, “Backbay Lounge”, “Danse of Questionable Tuning”, “Tanzo de Manzana”, “Long Note Four”, “Dark Fog”, “George Street Shuffle” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Fireworks” by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons: By Attribution 4.0 LicenseMusic: Boston Jazz Scene by Tim KuligFree download: https://filmmusic.io/song/8658-boston-jazz-sceneLicense (CC BY 4.0): https://filmmusic.io/standard-licenseMusic: Morning Stroll by Steven OBrienFree download: https://filmmusic.io/song/10523-morning-strollLicense (CC BY 4.0): https://filmmusic.io/standard-licenseMusic: Bossa Of Brazil Shores by MusicLFilesFree download: https://filmmusic.io/song/8789-bossa-of-brazil-shoresLicense (CC BY 4.0): https://filmmusic.io/standard-license

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Verdwaald in onze tijd' 'Middeleeuws musicus, verdwaald in onze tijd', aldus Debussy over zijn vriend Satie. Op 20 feb 1893 beleefde Satie zijn doorbraak, tijdens een concert waar de Debussy-bewerking van Satie's Gymnopedie nr.1 werd gespeeld. Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/3c8cd236-2eda-4d1b-bf6e-cea7e7b69adf/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-8-20-t-m-24-februari) Erik Satie 3 Gymnopedies: 1 Anne Queffelec, piano (album: Satie & Compagnie) Erik Satie (orch. Claude Debussy) 3 Gymnopedies: 1. Lent et grave Orpheus Chamber Orchestra (album: Pavane) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

These tracks are in no particular order; I enjoy each of them equally! I have also arranged this playlist in a particular way but feel free to listen to it in any order! I picked each track because of their ability to stand alone from the context of an album! Thank y'all for the continued support and I hope you enjoy these first five tracks from the playlist!Levitation - Beach House : I've always thought that this song is a great opener for a record! The constant yet subtle building feeling in this song is something that I really enjoy as well. It provides a feeling of arriving, like you're wandering through a snow covered pine forest and you finally reach clearing.Crack Up (Choral Version) - Fleet foxes : This song is something very special. The recording took place at a live concert in Switzerland and the audio quality, intonation, and the harmonic/timbre combinations are all top notch! Also, the choir sounds like the northern lights. Trois Gymnopédies: Gymnopedie no. 1 - Eric Satie : composed in 1888 for solo piano, this piece really feels like a dark, windy, and snowy night. You might have a fire in the fire place and the hash edibles are melding you with the couch! The world is still; you can sleep now. Clarity - Mac Miller : I am grateful that this song exists. Thank you. A.W.O.L. - Earthgang : this duo is one of my favorite groups from the south. Some of my favorite production and song writing is from their first two records and this one in particular sticks out from their discography! This is the first half of the playlist! Make sure y'all check out the 2nd half next Monday! Today's Session was brought to you by:@whoswho_solventless - Dosalado 90-119u Hash Rosin@magnum_opus_mi - Guava Icee 70-149u Hash Rosin@kylou.glass x @zm_glass - Triple Double Recycler with insane millie tubing!!@toro_glass - 10mm Slurper with @thephilzone_glass Slurper capThank you for listening and please make sure you check out all of our social medias and subscribe to our YouTube and Patreon!https://www.instagram.com/terpenetherapypodcast/https://www.patreon.com/terpenetherapypodcasthttps://www.youtube.com/channel/UCIuE6pg63WB2dwZ--1SgTig/featuredDISCLAIMER: All cannabis on this podcast was purchased legally and all individuals pictured consuming cannabis are over the age of 21. Terpene Therapy does not condone any use of illicit cannabis, especially by any persons under the age of 21.Support the show

This week on the show — we're sharing with you the audio from the panel from the NYC Immersive Meetup hosted last month at Andrew Hoepfner's GYMNOPEDIE that was moderated by NoPro's New York Curator Allie Marotta.The panel features:Alex Chmaj - co-owner of Future ProofEvan Neiden - Candle House CollectiveAndrew Hoepfner - Houseworld ImmersiveJessica Creane - IKantKoanRisa Puno - Installation Artist, creator of The Privilege of Escape This is a frank conversation about the impact of the pandemic on their work, where the field of immersive is going, and includes questions from the audience. Note: the audio was recorded live, and we recommend NOT using headphones or earphones for this episode due to a few rare audio issues that are sprinkled through the recording. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Satie's speeldoos' Over Erik Satie (https://www.nporadio4.nl/componisten/1f6e0dff-7fcc-4a85-adc4-91747aea4f4b/satie-erik) Meer zien? Klik hier  Erik Satie (https://www.nporadio4.nl/componisten/1f6e0dff-7fcc-4a85-adc4-91747aea4f4b/satie-erik) Gymnopedie nr.1 Claire Chevallier, piano (Erard, 1905) Erik Satie (https://www.nporadio4.nl/componisten/1f6e0dff-7fcc-4a85-adc4-91747aea4f4b/satie-erik) Gymnopedie nr.1 Reinbert de Leeuw (piano) Erik Satie (https://www.nporadio4.nl/componisten/1f6e0dff-7fcc-4a85-adc4-91747aea4f4b/satie-erik) Gymnopedie nr.1 Francis Poulenc (piano, opname: 1950) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer. 

"208 ist da, wo Escher hinterm Sofa sitzt und dann unterhalten wir uns mit Putzi und Thetis" - Corry, 2022“Werq”, “Gymnopedie”, “Pride”, “Parting of the Ways”, “Sovereign”, “Rains Will Fall”, “Sad Trio”, “Crypto”, “Heartwarming”, “Eighties Action” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Fireworks”, “Winter” by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons: By Attribution 4.0 License

Während Doc ihren (?) administrativen Aufgaben nachgeht, kann Maurice die wiederaufblühende Romanze zwischen Doktor o'Dullahan und Doktor Flowers beobachten.“Werq”, “Gymnopedie”, Leopard Print Elevator”, “ Aerosol of my Love”, “Deliberate Thought”, “Clear Waters”, “Airport Lounge”, “Pride” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Fireworks”, “Winter” by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons: By Attribution 4.0 License

In dieser Folge kommt es zur längst überfälligen Aussprache bezüglich Davids Gefühlen zu Maurice. Außerdem mal wieder in einer Sprechrolle: BORT!“Werq”, “Clear Waters”, “Brandenburg No4-1”, “Gymnopedie”, “Touching Moments Three”, “There is Romance”, “Wounded”, “Sad Trio” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Fireworks”, “Winter”  by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons: By Attribution 4.0 License“Chopin Nocturne No. 20  in C sharp minor ” performed by Aya Higuchi (imslp.org)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Spotify: https://open.spotify.com/show/4ddtKTMUUKPOS3YpC9MMfF?fbclid=IwAR2ahnAOofvzKs2bLJ7Zapc5WWburwTHfLSlF2TLFCyW83devbGexPsAsTY Deezer: https://www.deezer.com/es/show/2816092 Instagram: https://www.instagram.com/yo.te.lo.narro/ Youtube: https://www.youtube.com/channel/UCXjBZ3Wn52x7lQ52sUEPt9w Música: Gymnopedie no1 - Satie #narracion #declamacion #literatura #lectura #poesia #arte #literatura_hispanoamericana #arts #poetry #poem #AlbertoCortez #Argentina #Lavejez ---- Me llegará lentamente y me hallará distraído probablemente dormido sobre un colchón de laureles. Se instalará en el espejo, inevitable y serena y empezará su faena por los primeros bosquejos. Con unas hebras de plata me pintará los cabellos y alguna línea en el cuello que tapará la corbata. Aumentará mi codicia, mis mañas y mis antojos y me dará un par de anteojos para sufrir las noticias. La vejez... está a la vuelta de cualquier esquina, allí, donde uno menos se imagina se nos presenta por primera vez. La vejez... es la más dura de las dictaduras, la grave ceremonia de clausura de lo que fue la juventud alguna vez. Con admirable destreza, como el mejor artesano le irá quitando a mis manos toda su antigua firmeza y asesorando al galeno, me hará prohibir el cigarro porque dirán que el catarro viene ganando terreno. Me inventará un par de excusas para amenguar la impotencia, "que vale más la experiencia que pretensiones ilusas", me llegará la bufanda, las zapatillas de paño y el reuma que año tras año aumentará su demanda. La vejez... es la antesala de lo inevitable, el último camino transitable ante la duda... ¿ qué vendrá después?... La vejez... es todo el equipaje de mi vida, dispuesto ante la puerta de salida por la que no se puede ya volver. A lo mejor, más que viejo seré un anciano honorable, tranquilo y lo más probable, gran decidor de consejos o a lo peor, por celosa me apartará de la gente y cortará lentamente mis pobres, últimas rosas. La vejez... está a la vuelta de cualquier esquina, allí, donde uno menos se imagina se nos presenta por primera vez. La vejez... es la más dura de las dictaduras, la grave ceremonia de clausura de lo que fue la juventud alguna vez. ----

Like floating on a cloud... Sheets (p. 1-4): https://musopen.org/music/8010-3-gymnopedies/ Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

We move on to a new musical era spotlighting an eccentric composer who was ahead of his time, Erik Satie, and his most famous work, Gymnopedie #1. We discuss non-wicked stepmothers, naked Spartans, and Janet Jackson. TRY A FREE 2-MONTH PRIMEPHONIC TRIAL: https://account.primephonic.com/ref/160b849a17c37560071d475ec Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Xordox, "Endeavor" (Omniverse) 2021 Editions Mego 2. Kid Millions and Jan St. Werner, "Sorrows and Compensations" (Imperium Droop) 2021 Thrill Jockey 3. Will Beeley, "Pitch Black Sky" (1970 Sessions) 1970 Thompkins Square 4. Mimasuya Kachiguri, "Shiokumi Kasatsukashi [Collecting Water]" (Sound Storing Machines: The First 78rpm Records from Japan, 1903-1912) 1906 Sublime Frequencies 5. Alexandra Spence, "Waves" (A Necessary Softness) 2021 Room40 6. Vladislav Delay, "Rakkn" (Rakka II) 2021 Cosmo Rhythmatic 7. AZITA, "Online Life" (Glen Echo) 2021 Drag City 8. Causa Sui, "Laetitia" (Szabodelico) 2020 El Paraiso 9. Bewider, "Gymnopedie 1" (Gymnopedies Rework) 2021 Wider Studio 10. Tine Surel Lange, "Muorjegarggu" (Works For Listening 1-10) 2021 Sofa 11. Kilbey Kennedy, "Holiday" (Jupiter 13) 2021 Foghorn 12. Ian William Craig and Daniel Lentz, "Joyce" (FRKWYS Vol. 16: In a Word) 2020 RVNG Intl. * Sendung vom 4. April 2021 ## Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

00:00:00 Baudouin Oosterlynck - Refuge 00:00:30 Piet Du Congo - Congolian Bootleg 00:02:30 M.D.C. - Hail Satan 00:05:16 Vorpal - Gymnopedie_v1.0 00:07:50 Spinal & Steen - Mijn Huise 00:11:00 K:unt - Renegade My Ass 00:15:50 Les Secretions Romantiques - La Classe 00:19:25 Milan À Boire 00:22:20 Bande Berne Crématoire - Trinity Teste 00:23:25 Jingle - Congolian Jingle 00:25:34 Clara Luciani - La Grenade 00:27:10 Ptose - Boule 00:32:10 Anklepants - Icky Wicky Lolly Pop 00:35:10 And - Hilton Orbital Hotel 00:37:40 Super Ninja Robot Fighter - Darth Vader Craziest Ninja Alive 00:39:40 Devnull - Goblin 00:42:00 Les Louises Michels - Non Non 00:44:50 Pryapisme - Un Druide Est Giboyeux 00:49:50 Ankelplants - Ilikeyourfaceheadshooesanddick 00:56:55 Aie Aie Aie - ???

Giulio Andreetta, Lavarone, sala del Centro Congressi.

Episode 510: April 4, 2021 playlist: Xordox, "Endeavor" (Omniverse) 2021 Editions Mego Kid Millions and Jan St. Werner, "Sorrows and Compensations" (Imperium Droop) 2021 Thrill Jockey Will Beeley, "Pitch Black Sky" (1970 Sessions) 1970 Thompkins Square Mimasuya Kachiguri, "Shiokumi Kasatsukashi [Collecting Water]" (Sound Storing Machines: The First 78rpm Records from Japan, 1903-1912) 1906 Sublime Frequencies Alexandra Spence, "Waves" (A Necessary Softness) 2021 Room40 Vladislav Delay, "Rakkn" (Rakka II) 2021 Cosmo Rhythmatic AZITA, "Online Life" (Glen Echo) 2021 Drag City Causa Sui, "Laetitia" (Szabodelico) 2020 El Paraiso Bewider, "Gymnopedie 1" (Gymnopedies Rework) 2021 Wider Studio Tine Surel Lange, "Muorjegarggu" (Works For Listening 1-10) 2021 Sofa Kilbey Kennedy, "Holiday" (Jupiter 13) 2021 Foghorn Ian William Craig and Daniel Lentz, "Joyce" (FRKWYS Vol. 16: In a Word) 2020 RVNG Intl. Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

From Erik Satie via Debussy to a famous pavane to Lennon/McCartney to Carlos Santana!

Erik Satie and Dark SoulsEpisode #5 Type: Head to HeadIn this “Head to Head” episode, we'll be comparing the composition of both Gymnopedie no. 1 by Erik Satie and Firelink Shrine from Dark Souls by Motoi Sakuraba and showing how the two pieces from different time periods achieve the same mood and styling in both similar and different ways.Segment 1: What's in a chord?How chords are built Segment 2: GymnopedieAmbient, but why? Segment 3: Firelink ShrineA video game connection to Satie? Music Credits: Gymnopedies no. 1 by Erik Satie at 1:45-3:30 https://www.youtube.com/watch?v=2WfaotSK3mI&ab_channel=Rousseau (Recording) https://musescore.com/classicman/scores/4766391 (Score) https://www.britannica.com/topic/Trois-gymnopedies (History) Firelink Shrine by Motoi Sakuraba at 6:30-9:00 https://www.youtube.com/watch?v=M2dptA3AIBY&ab_channel=MotoiSakuraba-Topic (Recording) https://musescore.com/user/14949861/scores/4869555 (Score) Hopewell Valley Student Publications Networkhttp://www.hvspn.com (www.hvspn.com) Subscribe to our PodcastApple Podcasts Spotify Google Podcasts   Stitcher    Connect with us on Social MediaTwitter https://twitter.com/HVRhapsody (@HVRhapsody) https://twitter.com/thehvspn (@thehvspn)   

 Hello Beautiful Listeners!  Today's story is a childhood memory of mine, it is my personal experience with perfume.  If you are new to the podcast, check out my website for more information about my work: www.somnirosae.com  You can test my app here: https://www.somnirosae.com/serenaLETTERS for this podcast can be sent via the website or at thepinkmoonpodcast@gmail.com TWITTER, INSTAGRAM & TIKTOK: @SomniRosae   SUPPORT THE SHOW: https://www.patreon.com/somnirosae  SOUNDS AND MUSIC:   Licenses were purchased so that it can be used on this episode "Irish Fairytale Pack" https://audiojungle.net/item/irish-fairytale-pack/20110688"Gymnopedie" by Kevin MacLeod (Royalty Free)https://freemusicarchive.org/music/Kevin_MacLeod/Classical_Sampler/Gymnopedie_No_1Rain Sounds by Somni Rosae EPISODE TIME STAMPS: 00:00:00 "Gymnopedie No. 1" by Kevin MacLeod00:00:30 Welcome Remarks 00:02:44  Thank you for the reviews! 00:05:12 Somni's App!00:07:40 Story Introduction00:09:44 Somni needs your feedback 00:10:44 Upcoming Mini Moon episodes 00:10:58 Send your synesthesia questions00:11:57 Story Introduction (Part 2) 00:13:08 "The Pink Moon Breath" 00:13:54 "The Lady" by Somni Rosae00:23:36 Patreon 00:23:53 Closing RemarksSupport the show (https://www.patreon.com/somnirosae)

This week, RJ talks with Alex Skolnick, who at age 16 joined the band Testament, which would become one of the bands that defined the thrash metal scene of the late 1980s. Alex talks about studying with Joe Satriani, touring the world with some of the leading metal bands, and changing his life completely by moving to New York, studying jazz, and forming the Alex Skolnick Trio, which is still playing jazz today. We also discussed his new podcast, Moods & Modes, which is now part of the Osiris family. After the interview, you’ll hear Alex play Unbound, Gymnopedie, and Beth by KISS. You can see the videos of Alex’s performances on our show page, and a Spotify playlist based on this episode.Sunset Lake CBD! Go to sunsetlakecbd.com and enter the promo code PPFL15 for 15% off your order. Past, Present, Future, Live! is brought to you by Osiris Media. Hosted and Produced by RJ Bee. Executive Producers are Adam Caplan and Kirsten Cluthe. Production, Editing, Mixing, and original theme music by Brad Stratton. Show logo by Liz Bee Art & Design. See acast.com/privacy for privacy and opt-out information.

Ein neuer Morgen bricht an im Sankt Fleurs, doch der Schein trügt; Im Institut arbeitet man mit Hochdruck daran, Stripey Woman zu finden. Musik: “Werq”, “Gymnopedie”, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “Fireworks” by Alexander Nakarada ( www.serpentsoundstudios.com ( https://www.serpentsoundstudios.com ) ) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Theresa chats to NHS psychotherapist, mindfulness coach and bestselling author of Siting in the Stillness, Martin Wells, about the beautiful simplicity and joy of being clear and present.To find out more about Martin and contact him visit: http://nondualmindfulness.simpl.com/index.htmlEmail: martinwells4@me.comTo order Martin's book, Sitting in the Stillness visit: https://www.amazon.com/Sitting-Stillness-Freedom-Personal-Story-ebook/dp/B084GF4FL6/ref=cm_cr_arp_d_product_top?ie=UTF8To find out more about Theresa’s bestselling dream, afterlife, heaven, angel, and spiritual titles and mission, visit: Www.theresacheung.comYou can contact Theresa via her author pages on Facebook, Instagram and Twitter and you can email her directly at: angeltalk710@aol.comTo find out about the theme music used in White Shores visit: www.cluainri.com The music performed at the end by Robert Cheung is Satie's Gymnopedie no.1 White Shores is edited and produced by Robert Cheung.

Electronic arrangements of the music the piano music of Erik Satie. Pamelia Stickney, Gymnopedie, from the album Gymnopedie (2000) Satie: Gymnopédies No.1 - Cagedbaby Remix (2017) Café Del Mar – Classic, Gymnopedie No. 1 (2002) Gary Numan, Gymnopedie No. 1, (1980) Kurt Riemann, Gymnopedie No. 1, from Electronic Nightworks, 1983 Veetdharm Morgan Fisher, Gymnopedie No. 1 (Festival Soft Fanfare Synthesizer), from Inside Satie (1985) Veetdharm Morgan Fisher, Gymnopedie No. 1 (Sugar Plum Piano/Water Bell Synthesizer), from Inside Satie, (1985) Sky, Gymnopedie No. 1, from Sky (1979) Rod Argent ‎– Gymnopédies No. 1, single (1977) Sweet Female Attitude, Flowers (Solomon's Precious Mix), (2000). Anamanaguchi, Interlude (Gymnopedie No. 1), Endless Fantasy (2013) Patricia Escudero, Gymnopedie No. 3, from Satie Sonneries, (1987) William Basinski and Richard Chartier, Divertissement part 1, (2015) This episode's Archive Mix. These two records are played simultaneously and are not manipulated in any way, leaving all audio and musical interactions to chance. The Camarata Contemporary Chamber Group, Time-Honoured and Instantaneous Hours (1970) + Bayāte Esfahān playing the Nay flute from the album Santur, Tunbuk, and Tar: Music and Drum Rhythms from Iran (1968)

Hoy es el día grande de Santiago de Compostela, y los peregrinos llegados de lejos, se apostan frente a su magnífica catedral. Historias de ese camino que les lleva hasta ahí, algunas contadas por los propios peregrinos, es de lo que versa “Vieiras e vieiros”, el reciente disco de Luar Na Lubre que empezamos a escuchar la semana pasada y en el que hoy profundizamos un poco más. El grupo gallego actúa además en Santiago hoy, así que también seguimos anunciando otros conciertos de otros artistas de nuestra ibérica. Esta es la propuesta para este día grand: Luar Na Lubre, “Benvido” (con Miguel Ríos), “Camiño dos celtas”, y “O peregrino agochado”; Mara Aranda, “Na carenza al bel cors avinen; Sara Águeda, “La llorona”; Juan José Robles, “Geosmina”; Luis Delgado y Cuco Pérez, “Gymnopedie nº 1” y “Entry of the Gladiators”; Los Músicos de Urueña, “Viva tú y viva yo”; y La Banda Morisca, “Whirija” Escuchar audio

Las piezas más icónicas de la música clásica que definitivamente debes conocer. Las mejores canciones instrumentales que todos conocen, pero nadie sabe el nombre, a pesar de que casi todos los días las escuchamos en programas de televisión o en anuncios. Mozart, Chopin, Beethoven, Tchaikovsky y mucho más. ¡Esto es realmente clásico! Temas: 1)00:00 - Tchaikovsky, Swan lake, Dance of little Swans (or cygnets) 2)00:19 - Rossini, The barber of Seville 3)00:26 - George Bizet, Toreador song 4)00:38 - Vivaldi "Four seasons", Summer 5)00:54 - Edvard Grieg - In the hall of the Mountain King 6)1:15 - Chopin, Nocturne in C#m 7)1:36 - Tchaikovsky, Dance of the sugar plum fairy 8)1:48 - Beethoven, Fur Elise 9)2:00 - Johann Strauss II, Wiener Blut 10)2:13 - Dvorak, Symphony no 9 11)2:26 - Richard Strauss, Also sprach Zarathustra 12)2:39 - Mozart, Symphony no 40 13)2:48 - Chopin, Nocturne in Eb op 9 no 2 14)3:08 - Bach, prelude in C 15)3:23 - Erik Satie, Gymnopedie no 1 16)3:38 - Leo Delibes, Flower duet 17)3:48 - Giuseppe Verdi, libiamo ne' lieti calici 18)4:03 - Bach, Orchestral suite no 2 19)4:18 - Boccherini, minuet 20)4:30 - Tchaikovsky, The Nutcracker: Russian dance 21)4:38 - Mozart, Eine kleine Nachtmusic 22)4:55 - Erik Satie, Gnossienne no 1 23)5:15 - Chopin, Nocturne in Bbm 24)5:32 - Johann Strauss II, The Blue Danube 25)5:47 - Chopin, "Minute Waltz" 26)6:00 - Beethoven "Ode to Joy" 27)6:14 - Modest Mussorgsky, Night on bald mountain 28)6:39 - Tchaikovsky, 1812 Overure 29)6:51 - Mozart, Lacrimosa 30)7:09 - Chopin, "Funeral March" 31)7:29 - Tchaikovksy, Waltz of the Flowers 32)7:44 - Jacques Offenbach, "Orpheus in the Underworld" 33)7:58 - Mozart, Rondo Alla Turca 34)8:12 - Bach, Air on the G string 35)8:28 - Johann Strauss II, Tales from Vienna Woods 36)8:44 - Vivaldi, Four Seasons: Autumn 37)9:02 - Rossini, William Tell Overture 38)9:28 - Richard Wagner, Ride of the Valkyries 39)9:35 - Chopin, Revolutionary Etude 40)9:45 - Tchaikovsky, The Nutcracker March 41)9:56 - N. Rimsky-Korsakov, Flight of the Bumblebee 42)10:09 - Beethoven, Symphony no. 5 43)10:25 - J.S.Bach – Toccata and Fugue in D minor, BWV 565 44)10:35 - Felix Mendelssohn – Wedding March (from “A midsumer Night’s Dream”) 45)10:46 - P.I. Tchaikovsky – swan lake: act I: No.2 Valse 46)11:07 - Leo Delibes – Pizzicato (from “Sylvia”) 47)11:20 - W.A. Mozart – Piano Concerto no.21 in C major (II Movement) 48)11:31 - Johann Strauss II – Kunstlerleben (Artist’s life) op. 316 49)11:46 - Antonin Dvorak – Serenade for strings (II. Menuetto: Allegro con moto) 50)12:10 - G.F.Handel – Messiah (HWV 56) 51)12:18 - Edvard Grieg – Morning Mood 52)12:25 - Antonin Dvorak – Humoresque Op. 101, No.7 53)12:43 - Giuseppe Verdi – La donna e mobile 54)13:04 - Georges Bizet – Habanera 55)13:20 - Jahannes Brahms – Hungarian Dance no.5 in F sharp minor 56)13:31 - Johann Strauss II – “Fruhlingsstimmen” Op 410 (Voices of Spring) 57)13:44 - Georges Bizet – Prelude to Act 1 for “Carmen” 58)13:57 - Antonio Vivaldi – the Four seasons “Spring” (I: Allegro) 59)14:13 - P.I. Tchaikovsky – swan lake, Act II: No.10 Scene (Moderato) 60)14:33 - Franz Liszt – Liebestraume no. 3 in A flat major 61)14:42 - Claude debussy – Clair De lune (from Suite bergamasque) 62)15:07 - Erik Satie – Gnossienne No.3 63)15:32 - Frederic Chopin – Prelude Op.28, no.4 64)15:56 - Ludwig van Beethoven – Moonligh Sonata

Más de 3,5 horas de las grabaciones de música clásica más famosas y reconocibles. ¡Lo mejor de la música clásica para estudiar, leer, relajarse y (sobre todo) disfrutar! Temas: 0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato) 02:42 Edvard Grieg – Morning Mood 06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor) 08:51 Frederic Chopin - Nocturne in C-sharp minor 12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle") 14:58 W.A. Mozart - Rondo alla Turca ("Turkish March") 18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2) 23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto) 26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy 28:10 Federic Chopin – Prelude Op.28, no.4 30:44 Gioachino Rossini – Overture to “The Barber of Seville” 36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment) 37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major) 42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068) 45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro) 51:44 Erik Satie – Gymnopedie no.1 54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring") 1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1 1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance 1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie) 1:09:07 Gioachino Rossini – William Tell Overture 1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco) 1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers 1:31:47 Richard Wagner – Ride of the Valkyries 1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile) 1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314 1:49:19 Erik Satie – Gnossienne No.1 1:52:42 Edvard Grieg – In the Hall of the Mountain King 1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2 1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro) 2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major 2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement) 2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment) 2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque") 2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan) 2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March) 2:28:25 Edvard Grieg - Notturno, Op.54, No.4 2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”) 2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen” 2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro) 2:43:36 Erik Satie – Gnossienne No.3 2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316 2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12) 2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275) 2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor) 2:57:53 Richard Strauss – Also sprach Zarathustra 2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz") 3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto). 3:04:29 Modest Mussorgsky – Night on Bald Mountain 3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354 3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565 3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section) 3:18:14 Leo Delibes – Pizzicato (from “Sylvia”) 3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre) 3:29:33 W.A. Mozart – Requiem in D minor 3:33:01 J.S.Bach – Prelude in C major

Today, we are exploring Alexander Scriabin Etude Op. 42, No. 4 in F-sharp Major. Could you see any color or any scent with this piece? I would love to hear from you. To leave a voice or a written comment to the podcast, please go to Jeeyoon's WebsitePlease consider to be a supporter of the show! Please go to http://www.patreon.com/journeythroughclassicalpianoSubscribe to my newsletter and get latest posts directly to your inbox! I write bi-weekly newsletter with some thoughts, life lessons and interesting articles I discovered during those weeks. http://www.pianistnewsletter.comJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me my Funday Live (live streaming Sunday at 2 p.m.PST) Jeeyoon's official website; http://www.jeeyoonkim.com Instagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianistTwitter:https://twitter.com/jeeyoon_pianist?lang=enTo buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Today, we are exploring Nikolai Medtner - Forgotten Melodies Op.38 No.8 - Alla ReminiscenzaWhat could you imagine with this piece? Any scenario to tell if you were a videographer? Any story comes in your mind listening? Please share it with me! I would love to hear from you! To leave a voice or a written comment to the podcast, please go to Jeeyoon's WebsiteCreating a podcast requires lots of time and efforts…Please consider to be a supporter of the show! Please go to http://www.patreon.com/journeythroughclassicalpianoSubscribe to my newsletter and get latest posts directly to your inbox! I write bi-weekly newsletter with some thoughts, life lessons and interesting articles I discovered during those weeks. http://www.pianistnewsletter.comJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me my Funday Live (every Sunday at 2 pm PST during COVID 19) Jeeyoon's official website; http://www.jeeyoonkim.com Instagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianistTwitter:https://twitter.com/jeeyoon_pianist?lang=enTo buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Today, we are exploring Impromptu Op. 90, No. 3 in G-flat Major by Franz Schubert. What could you imagine with this piece? What were you thinking while listening? Did you receive the message from it? Any story comes in your mind listening? Please share it with me! I would love to hear from you! To leave a voice or a written comment, please go to Jeeyoon's WebsiteCreating a podcast requires lots of time and efforts…Please consider to be a supporter of the show! Please go to http://www.patreon.com/journeythroughclassicalpianoJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me my Funday Live (every Sunday at 2 pm PST during this quarantine time at my Youtube Channel! Jeeyoon's official website; http://www.jeeyoonkim.com Instagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianist To buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

********************************************************************* ...................#.102................ By Elder Almeida http://www.filefactory.com/file/rqvk1vnlq8h/102.mp3 Collaboration with a Fly I put that word on the page, but he added the apostrophe. Lydia Davis ********************************************************************* 01 – Akira Rabelais – “Gymnopedie” (00:21) 02 – Bjork and Akira Rabelais – “Bath” (09:59) 03 – Sylvain Chauveau – “Nu devant un fantôme III” (14:06) 04 – Keaton Henson – “Impromptu On A Theme From Six Lethargies ft. Ren Ford” (13:58) 05 – Radiohead – “Codex” (16:17) 06 – Thomas Feiner – “Ave Maria” (20:33) 07 – Stars of the Lid – “JPRIP (Carte De Visite)” (23:42) 08 – Jon Hopkins & Rick Holland – “I Remember (Rick Holland Poem)” (28:00) 09 – Ryuichi Sakamoto – “Diabaram” (32:50) 10 – Robert Wyatt – “At Last I Am Free” (36:52) 11 – Thomas Feiner – “Guide for the Perplexed (Instrumental Piano Version)” (41:05) 12 – Winter Family – “Delightful Blindness” (44:43) 13 – Winter Family – “Ikea” (47:27) 14 – Gavin Bryars and Tom Waits – “Jesus' Blood Never Failed Me Yet” (50:36) 15 – Zazie Von Einem Anderen Stern – “Raum ohne Zeit” (54:24) A photo by Anne Rose Pretorius Total Time: 00:59:39 ********************************************************************* Please visit my blog and podcast at: http://ondasdamusica.blogspot.com/ http://efmalmeida.podomatic.com/ My videos on YouTube: https://www.youtube.com/channel/UCyeuqR69vKfjn4W85cX3ohQ/videos *********************************************************************

Today, we are exploringChopin Nocturne Op. 27, No. 2 in D-flat Major What could you imagine with this piece? Can you think of new title? What were you thinking while listening? Any story comes in your mind listening? Please share it with me! I would love to hear from you! To leave a voice or a written comment, please go to Jeeyoon's WebsiteDo you love the show and love to be a supporter of the show? Please head over to Patreon! http://www.patreon.com/journeythroughclassicalpianoJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me my Funday Live (every Sunday at 2 pm PST during this quarantine time at my Youtube Channel! Jeeyoon's official website; http://www.jeeyoonkim.com Instagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianistTo buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

As I spend these days walking slowly along the ocean's edge, I find myself subsumed by the presence of the sea--its power and vastness. Now in this time of great change and flux, a new life can be born...not so much from "making it happen," but by being formed and moved, in surrender to a force and presence greater than myself. Piano music: "Gymnopedie" by Erik Satie, performed by Jessica Roemischer

We hope all our listeners are doing well during social distancing and to make your lives feel a little more normal, social, and dare we say intimate, we invade your space (or at least you air waves) for an hour with a very special episode featuring all your favorite things about our show. Covid 19 will not stop the muse from speaking or us from talkin' bout art slides. Tune in to learn how we are spending our time in quarantine and for our suggestions/imperatives on how you should be spending yours. As always, we use wonderfully funky music by Kevin MacLeod under Creative Commons and the tunes in this episode are the usuals, Sweeter Vermouth, Gymnopedie no. 1 and Enchanted Journey (you can check them out and many more at incompetech.com)

Today, we are exploring Pagodes (Pagodas) from Estampes by Claude Debussy.What could you imagine with this piece? What were you thinking while listening? I know we can't travel now with COVID-19, but could you be able to make a trip with the piece mentally? Any story comes in your mind listening? Please share it with me! I would love to hear from you! To leave a voice or a written comment, please go to Jeeyoon's WebsiteCreating a podcast requires lots of time and efforts…Please consider to be a supporter of the show! Please go to http://www.patreon.com/journeythroughclassicalpianoJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me my Funday Live (every Sunday at 2 pm PST during this quarantine time at my Youtube Channel! Jeeyoon's official website; http://www.jeeyoonkim.com Instagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianistTo buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Today, we are exploring Mozart Twelve Variations on "Ah vous dirai-je, Maman"-("Twinkle, Twinkle, Little Star" ) K. 265/300eWhat could you imagine with this piece? What were you thinking while listening? Any story comes in your mind listening? Please share it with me! To leave a voice or a written comment, please go to Jeeyoon's WebsiteJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me this Sunday YouTube Live there at 2 p.m. (PST) on April 12th 2020. To Support the podcast, please go to http://www.patreon.com/journeythroughclassicalpianoJeeyoon's official website; http://www.jeeyoonkim.comInstagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianist To buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Pubblichiamo la presentazione del prof Brandalise del libro di poesie “Gymnopedie” di Michele Bordoni, tenutasi il 13 maggio scorso presso la libreria padovana Il mondo che non vedo. A questo link l'evento originale. Buon ascolto!

Today, we are exploring Erik Satie's Gymnopédie No.1What could you imagine with this piece? What were you thinking while listening? Any story comes in your mind listening? Please share it with me! To leave a voice or a written comment, please go to Jeeyoon's WebsiteJeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc! AND! Join me this Sunday YouTube Live there at 2 p.m. (PST) on March 29th, 2020. To Support the podcast, please go to http://www.patreon.com/journeythroughclassicalpianoJeeyoon's official website; http://www.jeeyoonkim.comInstagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianist To buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Het is 1945 geworden en de reis gaat naar Friesland. Tijdens de evacuatie heeft Marie, de vrouw van Evert, een dagboek bijgehouden. Evert leest daaruit voor. De dames van het gezin reizen op karren met hun bagage. De heren moesten lopen en kwamen later. Bekijk de route die Evert en zijn familie hebben gelopen naar Oude Bildtzijl: https://goo.gl/maps/iHHu5XgTBFVFe83CA Muziek Music by Kevin MacLeod (https://incompetech.com) "Night Vigil" Music by Alexander Nakarada (https://www.serpentsoundstudios.com/) "For The Last Time" "Cheezy Piano Medley” Music by Sascha Ende (https://www.sascha-ende.de) "Gymnopedie" "Cinematic Suspense Series Episode 005" Music by by Rafael Krux (https://www.orchestralis.net/) "Cornfield Chase " License music: CC BY (http://creativecommons.org/licenses/by/4.0/)

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在公众号【365读书】发布 。QQ：927742433 背景音乐：1. 周佼佼 - 妻；2. Brad Jacobsen - Solitary Road；3. Yuko Ikoma - 1ere Gymnopedie；4. Piano i - 보고싶다 친구야；5. 云の泣 - 妻书。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在公众号【365读书】发布 。QQ：927742433 背景音乐：1. 周佼佼 - 妻；2. Brad Jacobsen - Solitary Road；3. Yuko Ikoma - 1ere Gymnopedie；4. Piano i - 보고싶다 친구야；5. 云の泣 - 妻书。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在公众号【365读书】发布 。QQ：927742433 背景音乐：1. 周佼佼 - 妻；2. Brad Jacobsen - Solitary Road；3. Yuko Ikoma - 1ere Gymnopedie；4. Piano i - 보고싶다 친구야；5. 云の泣 - 妻书。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在公众号【365读书】发布 。QQ：927742433 背景音乐：1. 周佼佼 - 妻；2. Brad Jacobsen - Solitary Road；3. Yuko Ikoma - 1ere Gymnopedie；4. Piano i - 보고싶다 친구야；5. 云の泣 - 妻书。

Roses aren't Black, but violets are Blou, we have some special content for you! Ever wonder what is the origin of Valentine's Day? The true meaning of love? Look no further to find out! This episode features original love poems and 60 minutes of two best friends affirming their platonic love for each other and for art slides on this very special holiday. Once again, all music used is by Kevin MacLeod under Creative Commons. This episode features Sweeter Vermouth, Enchanted Journey, Gymnopedie no. 2 and Lobby Time. Check out these sweet funky tunes in their entirety at incompetech.com.

W 21. odcinku podkastu ODBIORNIK poruszamy tematy dla dorosłych. Rozmawiamy o miłości w czasach Tindera i Grindra, ogłoszeniach towarzyskich i audio pornografii. „Fajna misiaczka pozna faceta na drinki, saunę, basen. Jestem świecącym brokatkiem do zabawy i szminką do malowania ust starszego, czułego. Mam lakierki”. O ogłoszeniach towarzyskich zamieszczanych w gazetach opowiada Marta, prowadząca instagramowy profil @anonse_for_real. Słuchacze, którzy chcieliby poznać kogoś w ten sposób, mogą zajrzeć do wciąż ukazującego się miesięcznika matrymonialno-towarzyskiego "Kontakt". Z Dickiem Twitchem, producentem audiopornografii, rozmawiamy o queerowym i feministycznym porno. Dick jest współtwórcą projektu „Fuck me in the ear”. Podczas warsztatów organizowanych na festiwalach pornografii uczestnicy nagrywają podkasty, z których część dostępna jest online. Dziękujemy naszym bohaterkom i bohaterom za zaufanie i podzielenie się swoimi historiami: Ewie, Oldze, Pani Profesor od Tindera, Bowiemu, Mai i Stefanowi. Dziękujemy Katarzynie Nowak i Bartoszowi Mazurowi za użyczenie głosów, a Polsko-Japońskiej Akademii Technik Komputerowych i Mateuszowi Krautwurstowi za udostępnienie studia na nagrania. Wykorzystałyśmy utwory autorstwa Kevina MacLeoda „Port Horizon”, „Bossa Antigua”, „Gymnopedie” ze strony https://filmmusic.io na licencji Creative Commons Uznanie autorstwa 4.0 Podkast na licencji Creative Commons Uznanie autorstwa (3.0). Audycję można kopiować i rozpowszechniać w dowolnym miejscu i na wybrany przez siebie sposób oraz remiksować i używać w ramach własnych utworów, także komercyjnych, o ile zaznaczy się autorki i tytuł oryginału. Więcej info na stronie Dwutygodnika: https://www.dwutygodnik.com/system/artykuly/edycja/8731

Pianist Henrik Kilhamn attempts an analysis of Satie's emblematic and relaxing Gymnopedie no. 1. The music doesn't behave the way we expect it to; it moves around in modal ways, meandering through constantly shifting tonal centers. It's hard to even decide what key it's in, because of the initial oscillation between two Maj7 chords. Analysis and performance (15:54)

On a special episode of our podcast, Supercluster's own Jamie Carreiro is joined by team members and fellow space fans Amanda Burtnett and Tristan Dubin to explore the amazing story of the Apollo Soyuz Test Project, the first time the USA and Soviet Union worked together on a mission in outer space. This episode features the songs "Lobby Time" and "Oppressive Gloom" written and performed by Kevin MacLeod, as well as “Gymnopedie” composed by Erik Satie and “Clair de Lune” composed by Claude Debussy, both of which are in the public domain, also performed by Kevin MacLeod. (https://incompetech.com/music/) Used under Creative Commons license: https://creativecommons.org/licenses/by/4.0/

The word ‘soundscape’ seems to get lobbed around haphazardly, kind of like a half deflated football picked up out of a sense of obligation around the Thanksgiving season. However, the idea of a ‘soundscape’ seems to have a bit more vigor when applied more literally to an immersive experience. Especially when the lens -or maybe more appropriately, the voicing- of an immersive experience, the original impetus, comes from a musician. Someone who’s first artistic language is not visual. Andrew Hoepfner, the prolific and determinately resourceful creator of House World, Bottom of the Ocean, Waves, and co-creator of Whisperloge, approaches immersive experience design in exactly this way. Sound and music are not just another layer in Andrew’s experience composition, but rather are the core, the engine that overtly drives much of what he creates. Right now, Andrew Hoepfner is hard at work in his Brooklyn creative space, Gymnopedie and preparing for the next iteration of the show, Bottom of the Ocean in December. More immediately, he joins us to discuss his path into and through the world of immersion. Selected Links:WavesGymnopedieHouseworld-Instagram -Facebook -TwitterWhisperlodgeShow Notes:Fictional world Andrew wants to live in [2:53]Emotional dynamic range [4:33]Creating the opportunity for peak experiences [6:09]House World, Whisperlodge, BOTO, and Waves [7:49]Curious origins of immersive interaction [10:33]The path from Michigan to NYC [13:55]When life gives you a 25 room mansion... [15:49]Melinda Lauw, and new things for Whisperlodge [20:01]

Join Sam and Tim for more classical pod treats. In their latest episode they discuss an Arthurian legend, Estonian choral music and the new album from pianist Vanessa Wagner. PLUS Tim talks to Apollo5 founding member Clare Stewart about their latest album ‘O Radiant Dawn'. Music Credits: Eric Satie, Gymnopedie 1 performed by Brandon J. Acker Tchaikovsky, ‘Love Theme from Romeo and Juliet with ‘Hey Jude' by Lennon & McCartney, performed by Timmy Fisher Eric Satie, Gymnopedie 1 performed by Timmy Fisher Thomas Tallis, Te lucis ante terminum, performed live by The Gesualdo Six Coldplay ‘Clocks' with ‘Hey Jude' by Lennon & McCartney, performed by Sam Poppleton & Timmy Fisher Moondog, ‘Für Fritz' (Chaconne in A Minor) performed by Vanessa Wagner Fraser Wilson, ‘Wishes' performed by Apollo5 for the album ‘O Radiant Dawn' Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ Read about Music for Dementia 2020: https://www.musicfordementia2020.com/ Gesualdo Six's website: http://www.thegesualdosix.co.uk/ Lucia Lucas' review in Tulsa World: https://www.tulsaworld.com/entertainment/review-tulsa-opera-s-don-giovanni-delivers-a-unique-take/ Concert programme for ‘Blossomings' at the Estonian Music Days Festival: https://www.worldmusicdays2019.ee/en/event/blossomings/Stream and order Vanessa Wagner's ‘Inland' here: https://idol.lnk.to/Inland Pre-oder Apollo5's ‘O Radient Dawn' here: https://orcd.co/oradiantdawn

Ein Skandal, jede Menge Feinde und ein Gerichtsverfahren - hätte Satie geahnt, was da alles auf ihn zukommt... So aber sagte der Komponist zu, als sein Freund Jean Cocteau ihn im April 1916 bat, die Musik für ein Ballett zu schreiben. Durch die Premiere mitten im 1. Weltkrieg fühlten sich Frankreichs Patrioten provoziert: zu wenig Pathos. Doch viele Musiker der Avantgarde des 20. Jahrhunderts erkoren Satie anschließend zu ihrem Helden - zu Recht, findet Autor Michael Lohse.

Joseph Kallinger was a monster whose terror stretched as far as he could. Join Ellie and learn more about this beast. Email: talesof2citiespodcast@gmail.com Instagram: Talesof2Citiespodcast Twitter: @Talesof2citiesp Facebook: @Talesof2Citiespodcast Website: talesof2citiespodcast.com MERCH: www.teepublic.com/?ref_id=6180 Parabox Code: TWOCITIES Music is Gymnopedie no1 by Satie

The world is a cruel and unfair place. Rachel Hall is determined to make sure we retain kindness and love for one another with her piece, Forgiveness. It is more for you than whoever offended you. But then, what do you do when trust is broken? What someone hurts you so much, you stay sane hoping you'd never have to face them again? Woodzy feels the world is changing too fast and now we live at a time where we talk more with our fingers and emojis than our eyes and mouths. When it feels like the world is going to shits, where is your Happy Place? Background music for Forgiveness by, Chris Zambriskie, NirvanaVEVO Background music for Happy Place by Satie, Gymnopedie_no1 --- Send in a voice message: https://anchor.fm/okoyomoh--egbekhuwa/message

As a young child, I kept a diary and devoted my writings to the beloved storybook character, "The Little Prince." In writing to the Little Prince, I found comfort and companionship amidst tragic circumstances. This evocative journey into the inner experience of a child is interspersed with piano music selections, My Wild Irish Rose, Be Thou My Vision, Mozart's Sonata K. 331 ad Erik Satie's "Gymnopedie 1," performed by Jessica Roemischer

Is cryptocurrency capitalist or socialist? Libertarian or liberal? Individualist or collectivist? Join me as we explore our tendency to box everything into categories – and why the decentralization revolution is too big to be boxed. *** Some songs are original improvisations, but two are me playing Sergei Rachmaninoff (Preludes 10 and 11, in B minor and B major, from his Op. 32 set of preludes), plus two public domain performances included of Gymnopedie no. 3 by Erik Satie and the Allemande from French Suite no. 2 by J.S. Bach. All songs used by permission. Theme song written and performed by Joseph Dickinson (audiojungle.net/user/jdmusic). --- Support this podcast: https://anchor.fm/bitgenstein/support

"Cuando creiste que era tu alma gemela pero todo lo que te hacía verlo así se va cayendo, muriendo, desapareciendo... Simplemente se diluye hasta que no queda nada..."Diciembre, 2017.Texto y voz: Sandra Corcuera Música: Gymnopedie 1, Satiewww.sandracorcuera.com

As the Weatherlight comes under attack, its newest crew members bond over their unique, yet not dissimilar, origins. Original Story: https://magic.wizards.com/en/articles/archive/magic-story/return-dominaria-episode-4-2018-04-04 Voice Credits: Lyra Dawnbringer: Inrezairo http://www.youtube.com/c/inrezairo Tiana: Emily "Haz" Dahms http://hazoretspartyfavors.tumblr.com/ Afra: Sidney Hinds III Cleric 1: Gamer Dragon https://www.youtube.com/channel/UCZi0rNlmMuEf6ILtnOBoElg Cleric 2: Sarah Brown https://twitter.com/Synaes Hadi: Ercman013 Farim: Michael Lanier https://onemanandhisbanjo.wordpress.com/ Mari: Tsukino Kage https://www.youtube.com/channel/UC7ZP8DIMHLrSZyBCEIRDHfg Arvad: Keo https://twitter.com/Keofire Worker: Abzanascendancy https://abzanascendancy.tumblr.com/ Tien: Penny https://mardu-lesbian.tumblr.com/ Sound Credits: Sound Editing by Grace Nua "errigal" "willow and the light" "ritual" "Dance of Questionable Tuning" "Hit the streets" "Virtues Vocis" "Overheat" "River Fire" "Silver Flame" "Relent" "Gymnopedie" "Cambodian Odyssey" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Voice of All is unofficial Fan Content permitted under the Wizards of the Coast Fan Content Policy. Portions of the materials used are property of Wizards of the Coast LLC.

First off, can I just say what a beautiful day Saturday was!!! Millions of people around the world connecting to stand up for justice and equal rights. It's regrettable what had to occur to galvanize the effort but still, the outpouring is no less impressive. Regardless of how anyone voted, those gatherings should be seen as positive affirmation that there are a lot of people out there trying to do the right thing.   Now, to the beautiful music. I thought we needed a sharp turn from the more uptempo mixes we've had on the last few episodes. It's a quiet one then a loud one. A quiet one then a loud one. (#41) There's some jazz, some classical, some Americana, and a bunch of other stuff I have no idea how to label. Basically a whole bunch of really gorgeous and moving pieces of music. Let it take you away.   Thanks for listening and don't forget to support the artists,   Aaron @ActListMusic   Tracklist (links to buy) 1.Easy Living by Clifford Brown on The Best Of CliffordBrown 2.Elegy For The Arctic by Ludovico Einaudi on Elegy For TheArctic 3.Together We Will Live Forever by Clint Mansell on TheFountain OST 4.1ieme , Premiere , Primera , 1ª Gymnopedie ft. FalkRichter by Erik Satie on 1ieme , Premiere , Primera , 1ª Gymnopedie Single 5.River Flows in You by Yiruma on The Best - Reminiscent10th Anniversary 6.I Give Up by Elijah Bossenbroek on Carpe Lumen 7.Wingbeats (Radio Edit) by Hidden Orchestra on Wingbeats 8.Near Light by Ólafur Arnalds on Living Room Songs 9.Brian by Espen Eriksen Trio on Never Ending January 10.Vattensaga by Tingvall Trio on Vattensaga 11.Suspended Variation II by Tomaz Stanko Quartet onSuspended Night 12.Waltz for J. B. by Brad Mehldau on 10 Years Solo Live 13.Travels by Pat Metheny Trio on Trio 99-00 14.Pretty Polly by Bill Frisell on Bill Frisell, Ron Carter,Paul Motian 15.Swamped by Floratone on Floratone 16.Midnight Blue by Kenny Burrell on Midnight Blue (The RudyVan Gelder Edition)

I had not planned on doing another piano mix so soon after the last one in November 2015.  Then Piano Day happened.  On March 28th of this year a group founded by Nils Frahm celebrated the piano and everything around it. This was the second year for the event. In addition to music released for Piano Day and live events, the Piano Day website, pianoday.org, has this awesome random note generator.  I highly recommend playing around with it.  You can record your noodlings and play it back on the site.  It works great with a tablet where you can hit several notes simultaneously.   The website piano player is what got me started on this mix.  I made an audio recording of my random notes and then messed with it by mixing it with a backwards version and a slowed down version and adding a bit of reverb.  The result is very listenable.  Not an exact composition per se with now structure but it works pretty well as an ambient piano track. That's a long winded way of saying that is where this mix started.  Next I stumbled across an amazing recording on SoundCloud here... https://soundcloud.com/hey-exit/every-recording-of-gymnopedie-1 Brendan Landis, recording as Hey Exit, took every recording he could find of Satie's Gymnopedie #1 and played them all at the same time, layered on top of each other, timestretched to the length of the longest recording.  The 60 plus recordings combine to create an ethereal, phasing shifting version the famous Gymnopedie #1.  I knew immediately that I had to include this in any piano mix. A couple of quick notes on other tracks... The mix starts of with Fleeting Smile by Roger Eno.  A cut that owes a lot to Satie's Gymnopedies but is still beautiful on it's own.  It had been years since I listened to this track and after hearing it again I immediately added to a playlist I have called The Most Beautiful Recordings Ever. There is another sort of random notes type of piece in the mix and it's from Akria Rabelais.  The tracks full name is "Every Tone Is the Prism as Words, Any Unexpected Corners Must Be Slipped Away."  It's a 42 minute piece with LOTS of dead air in between notes.  I decided to remix it a bit by layering it to eliminate much of the silence.  I know this goes totally against the original intent of the track but I was just experimenting with the randomness of rearranging the notes and ended up liking how it sounded. I hope you enjoy these piano moments.  Maybe next year I'll have a piano mix ready on Piano Day.  In the meantime go visit the site... pianoday.org Enjoy T R A C K L I S T : 00:00 Roger Eno - Fleeting Smile 02:24 Hey Exit - every recording of gymnopedie 1 06:50 Hey Exit - every rec of gymnoedie 1 slowly 08:23 pianoday.org + Low Light - Piano Day web player remix 15:15 Steve Roach & Robert Logan - Moments Notice 20:30 Akira Rabelais - every tone is the prism(layered remix) 28:30 Harold Budd - Templar 37:30 Roedelius - Roedelius plays piano part 11 40:05 Nils Frahm - Mi 43:54 Unknown - random pno 47:27 Mark Lyken & Emma Dove - fishing for rigs pt. 1 49:05 Howard Skempton - piano piece 1969 50:30 Roedelius - Roedelius plays piano part 1 52:33 Chris Walla - Introductions 60:14 Hey Exit - every recording of gymnopedie 1 slowly 62:20 end

The 185th of a series of weekly radio programmes created by :zoviet*france: First broadcast 23 January 2016 by Resonance 104.4 FM Thanks to the artists and sound recordists included here for their fine work. track list 01 Hey Exit - Every Recording of Gymnopedie 1 02 Shanyio - Blizzard 03 Slavek Kwi and Linda O'Keeffe - Hotcold_Abstrakta 09.01.2016 Kwi 04 Multumult - Dedal 05 Venetian Snares - Earth 06 :zoviet*france: - RevPul 07 Jazzfinger - Wooden Fireworks 08 Corruption - VIII IX 09 Otto Luening - Invention in Twelve Tones 10 The Gateless Gate - Gaki 11 Naoyuki Sasanami - 18:33 Opacity

Subscribe (iTunes)Subscribe (Stitcher) We learn about learning, as we discuss game literacy, broken games and the world of theatre Built to Play learns about learning in our 50th episode. We don't know how we did it, except through willful ignorance of the heavenly signs and our friends and family. At this rate, Built to Play will never die, although we offer no guarantees.  People often forget about game literacy, like this article did in the previous paragraph. Once you know how to read or write, the expectation is that's the norm. How quickly we forget that near 100 per cent literacy is a recent phenomenon, and only then became fundamental part of our societies. When we run into people who are lacking these skills it can be shocking, and the first arrogant impulse is to blame it on their own lack of interest. It's equally surprising when we see someone who's never used an Xbox controller, or is intimidated by the sheer number of keys on a keyboard. Even between cultures, there's been some confusion. Just as the Japanese read right to left, for them bottom-most face button means cancel, while in North America it means accept. While not entirely detrimental, it's worth noting that even experienced players run into the limits of their literacy, if only to justify why some of us had such a hard time playing Japanese RPGs. As games and technology become a bigger part of how we express ourselves, it's important to remember that not everyone grew up with a Super Nintendo, and the annual blockbusters, which focus on action and destruction, aren't universally appealing to all people. Some people aren't literate in games not because games aren't suited to them or because they aren't interested in them, but because games can be scary. They're active experiences, and so they need some level of introduction. Without that, games are just graphics on a screen and a gamepad filled with 10 plus buttons which could feasibly do anything.  So this time, we're talking about game literacy with Sagan Yee and her Game Curious program, before discussing ways games can approach more people through performance. Then Jon Remedios tells us about his learning process in designing his own game. Here are our show notes: Sagan Yee tells us about the Game Curious program she ran in the Toronto Reference Library, plans for the future, and why games are stigmatised. Special thanks to Al Donato, Cheryl Clarke, Amelia Nelson, and Amala Johnson. This segment starts 0:40 into the show.   Then in the news, we discuss the end of the G4 television channel, thehacking of the 3DS, and why Assassin's Creed Unity, Halo Master Chief Collection, and DriveClub are so glitched out messes. **The news kicks in at 12:50. ** Deirdre "Squinky" Kiai tells us about Coffee: A Misunderstanding, which merges the mediums of game and performance closer than ever before. Hear Squinky explain who's the player when humans are both the instigators and the avatars around 34:00. Jon Remediosexplains the progress he's made on his local multiplayer party game, theShoot Shoot Mega Pack, and how he's changed his process over the last four months. We talked to him back at Gamercamp in October, and before that in May at the Bit Bazaar. Hear Jon discuss his work-life balance and the future of local multiplayer at 42:55.  Game Curious on October 18 Game Curious continues every Saturday at the Toronto Reference Library until December 2.  Thanks to the Free Music Archive for the following music. Our Opening theme was "Computer" By State Shirt. We also used "The Falls" By Podington Bear, "La ere Gymnopedie" by Peter Johnson, "Big Head" by Orthotonics, "El Rio Dels Ptals" By Violeta Pivnkakkara, "Praise Book" by Bleak House and "The Telepathics of Bomb Shelter" by Fields of Ohio. BUILT TO PLAY IS A PRODUCT OF THE SCOPE AT RYERSON RADIO STATION IN THE HEART OF DOWNTOWN TORONTO. IT WAS PRODUCED AND EDITED BY ARMAN AGHBALI AND WRITTEN BY DANIEL ROSEN. IF YOU LIKE THE SHOW PLEASE SUBSCRIBE AND RATE US ONLINE. IT HELPS MORE PEOPLE FIND THE SHOW AND GIVES US AN IDEA HOW WE'RE DOING. FEEL FREE TO COMMENT DOWN BELOW.

I know, I know, I am the worst person in the world. Right now my life is far too hectic - I just haven't got the time to sit at the piano.That kind of sounds like "I haven't got the time to breathe" to a part of me, but I really don't. There is too much going on at Casa Caela for such indulgences...So here's one I prepared earlier - yes, I am turning into Janet Ellis - a not very polished recording of Claude Debussy's Clair de Lune. I used to dislike this piece greatly, which begs the question, "why do I bother with it?" - but it has grown on me.Good music, shame about the pianist...(Ellie is working towards a school concert at the end of May and I hope to sneak a few recordings from her. She's doing two Bach and a Beethoven.)C.

I haven't been able to update here as many times as I would've liked; too busy, too few excuses, and so on.Two of my Christmas concerts have been; the big charity deal was a phenomenal success and we raised far more than we could have ever hoped for.Anyway, a Merry Christmas to you. I hope you have a wonderful one, and a happy new year.C.

It's now only fourteen sleeps til Christmas...This "White Christmas" isn't very me at all; I recorded it when I was up to my eyeballs with classical music, so it's gone in quite a different direction! Hope you like it all the same.C.

Silver bells, silver bells, it's Christmas time ...Ahem.As promised, another Christmas song. Next update: probably Wednesday.

Christmas is on its way, and I intend to upload new Christmassy pieces every few days over the next couple of weeks. For now, this is "Christmas" (December) from Tchaikovsky's Seasons.More at the weekend ...C.

It's now ... count them ... 41 sleeps until Christmas, and although I'm not going full pelt on the Christmassy music, I'm stepping in that direction.This is the Winter Fairy (Act1, No16) from Sergei Prokofiev's ballet Cinderella. The recording quality is not quite as good as it could be - Ellie changed a few settings and I have no idea how to put everything back to how it was (oops...) so until we've got that fixed it's not CD quality. It's not far off - but not 100%. And that is why five year olds aren't allowed to touch things!Have a lovely weekend.C.

Another weekend, another daughter's birthday; my little one will be one tomorrow. I have decided against posting the pieces I composed when she was giving me the worst pregnancy known to mankind, and instead give you one of Chopin's nocturnes. I love Chopin very much indeed, and like to think that Composition for Ginger Baby has a vague Chopinesque air to it.Anyways, this piece is genuine Frederic; the third nocturne (and most popular) of the set. Time will not allow me to perfect all of Chopin's work for solo piano (at least until the children are all away at university...) and for now I really must concentrate on my Christmas music, but it does seem vulgar playing carols before even Hallowe'en...

It is (my daughter) Ellie's birthday tomorrow, so I've decided to upload this short piece from her first concert. She's very young and this was the first time she'd played in front of anyone aside from family, and she did very well. (I would say that - I'm her mother!)Anyway, a little post for a little piece.More later...CPS - How awesome am I?! I've done this without help :P

Apologies; it has taken me two months to update my podcast, instead of the two weeks I had intended. I have probably forgotten how to do this - my list of instructions from Rory and Trevor is very dog-eared and some points which were clear as day back in August are now confusing. Who knows if I can get this to work?!Anyway, this is a piece of Tchaikovsky's Seasons: October (the Autumn song). It is my favourite of all of Tchaikovsky's work aside from his ballets, and I really enjoy playing it.I have renewed intentions to update twice a month, but have a few pressing musical engagements. I am leading the SAC end of term concert, which will be bursting with pianoness and numerous very talented students at the school, and am playing at two other Christmas concerts. One is a private affair, the other is on sale now :)Anyway, enjoy October!

Thanks to my dearest darlings Rory and Trevor (always happy to indulge a pianist), I am rewiring this blog as PIANO BLOG ONLY. Non-pianists are more than welcome, of course, but aside from the occasional Ellie piece, you may find it deathly boring. If you like the piano and / or classical music, well it's not deathly boring at all!Rory, my self-styled music man, is trying to persuade iTunes to stock my album. Until then, I will attempt to leave you with my podcast - yes, I have a podcast now - and cry to Trev if it doesn't work...If it does work, it's Bortkiewicz's consolation number 4 in D flat.Click here to download.

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English| Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English| Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English|Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English| Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English| Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lullaby for Babies ❤ Mother Humming Lullabies ❤ Sound Sleep Music ❤ Relaxing Bedtime MusicSupport this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lullaby for Babies ❤ Mother Humming Lullabies ❤ Sound Sleep Music ❤ Relaxing Bedtime MusicSupport this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lullaby for Babies ❤ Mother Humming Lullabies ❤ Sound Sleep Music ❤ Relaxing Bedtime MusicSupport this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lullaby for Babies ❤ Mother Humming Lullabies ❤ Sound Sleep Music ❤ Relaxing Bedtime MusicSupport this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

STORYTIME |Bedtime Fairy Tale Stories for Kids & Teenagers in English| Support this podcast at — https://redcircle.com/once-upon-a-time-out/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy