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4 episodes with dead world
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2 episodes with dead world
2 episodes with dead world
2 episodes with dead world
4 episodes with dead world
2 episodes with dead world
2 episodes with dead world
Send us a textA group of friends become convinced they are not alone after moving into a new Rough House in the suburbs. When the original owners return, all hell breaks loose! On Episode 658 of Trick or Treat Radio we have a return engagement a long time in the making as we meet up with the Rough House Publishing boys to find out what they've been cooking up. We also discuss the film Presence from director Steven Soderbergh! There is much reminiscing, shenanigans, and plenty of uncrustables humor! So grab your camera with the 14mm lens, a medical grade vomit bag, and strap on for the world's most dangerous podcast!Stuff we talk about: BUFF, Boston Underground Film Festival, Reanimator 4K Remaster, Gabe Bartolos, Rough House Publishing, Derek Rook, Steve Van Samson, Gore Shriek Resurrectus Vol 3, Tom Skulan, Mike Wasion, Silver Scream, Mark Bloodworth, weird westerns, The Nowhere Man, Ravenous, Randy Carter Dies A Lot, FantaCo, Slaygoth, Lucio Fulci's Zombie, Scare-A-Con, Jack-o-Lantern breasts, hottest Quint ever, Corpse Monger, This Slaughterhouse Earth, Marz Attacks, Slaughtered Kingdom, Death Mask, Newbury Comics, Bull Moose, Strawberries, The Brady Bunch, That's Entertainment, Capital Toy, Turning Page, Faust, Dead World, Garbage Pail Kids, Fangoria, Satanic Panic, 18” singing Rob Zombie doll, Trollenberg, The Dead Omnibus, Redneck Zombies, Clutch of Personalities Podcast, oil painting of uncrustables, Forbidden Planet, John Carpenter, The Real Ghostbusters, Retro Ridoctopus, The Crow, Throbbos, Dead of Winter Film Fest, Slanging and Banging, O.J. Samson, MZ the booth babe, Cinema Box, Prevue Network, The 4k77 Project, Steven Soderbergh, Presence, Lucy Liu, David Cronenberg, Knock Knock, Eli Roth, House Humpers on the brain, Done and Doner, Companion, Sophie Thatcher, Jack Quaid, The Passion of the Christ, Black Dynamite, Cedric Yarbrough, Too Many Cooks, Robot Chicken, 12 Oz. Mouse, Aluminum Falcon, and A-Thrilla The Hun.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
December 11, 2024Paranormal Mysteries PodcastDead World, The Visitors & Sleep ParalysisEpisode 410 CONTACTWebsite: https://paranormalmysteriespodcast.comTell Your Story: https://bit.ly/46IC6Qv Social Media: https://tinyurl.com/mr36jseePodcast Source: https://bit.ly/3YywlTDSUPPORTPatreon: https://bit.ly/46BQc6n BuyMeACoffee: https://bit.ly/3yk2ROI PayPal: https://bit.ly/3AhFzcMMy Wife's Sleep and Relaxation PodcastYouTube: https://bit.ly/3LZw0Sw Apple Podcasts: https://apple.co/3aOsZoy Spotify: https://spoti.fi/3zwS29T
Week 8 in the NFL and we start with the Fastest 2 Minutes. We then talk about every game from Sunday (00:00:00-00:10:26) Bears 15, Commanders 18 (00:10:26-00:42:48) Browns 29, Ravens 24 (00:42:48-00:51:28) Eagles 37, Bengals 17 (00:51:28-00:57:44) Falcons 31, Bucs 26 (00:57:44-01:03:35) Packers 30, Jags 27 (01:03:35-01:11:52) Cardinals 28, Dolphins 27 (01:11:52-01:18:48) Patriots 25, Jets 22 (01:18:48-01:31:16) Texans 23, Colts 20 (01:31:16-01:34:51) Lions 52, Titans 14 (01:34:51-01:43:26) Bills 31, Seahawks 10 (01:43:26-01:48:27) Chiefs 27, Raiders 20 (01:48:27-01:53:05) Broncos 28, Panthers 14 (01:53:05-01:57:44) Chargers 26, Saints 8 (01:57:44-02:00:43) Niners 30, Cowboys 24 (02:00:43-02:04:23) We talk World Series and who's back of the week. (02:04:23-02:17:00)You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/pardon-my-take
The post Servants of Life in a World of Death – The Life of Elisha : Life in a Dead World appeared first on Woodland Hills Church of Christ.
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We Explored A Dead World. It Wasn't As Dead As We Thought | Sci-Fi Creepypasta Story Hosted on Acast. See acast.com/privacy for more information.
Howdy! In this episode of Getting Stoned I read Mind War by William S. Burroughs, and the poems Blood on a Dead World, Quietly, and The Bad Old Days by Kenneth Rexroth. Thanks for listening! Peace & Love, Stone --- Send in a voice message: https://podcasters.spotify.com/pod/show/stonepetoskey/message
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Not your standard zombie apocalypse fare, author Jacqueline Druga has created a special series here, something Jim thinks people should really check out. This is quite well done. But yes, there are definitely zombies. #SFF #sciencefiction #fantasy #books #zombies #SciFi #Booktube #Booktuber #zombieapocalypse We hope you'll Like and Subscribe! Join us on Discord: https://discord.gg/jMWyVJ6qKk Support us on Patreon: https://www.patreon.com/FantasyForTheAges Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheages Rate & review us at Apple Podcast or wherever you download content. Email us: FantasyForTheAges@gmail.com. Find us on social media: Mastodon: @FantasyForTheAges@nerdculture.de Twitter: https://twitter.com/Fantasy4theAges Instagram: fantasy_for_the_ages Facebook: https://www.facebook.com/FantasyForTheAges
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The Metal Exchange Podcast guys present an exclusive conversation with Nevermore's Jeff Loomis and Van Williams! In this very special episode, Jeff and Van discuss all things Nevermore including the early days of the band, the making and recording of "Dead Heart in a Dead World", and reflect back on the album after 23 years! Jeff and Van also talk about their new project currently in the works! *Become a Member of our Patreon* https://www.patreon.com/TheMetalExchangePodcast *Join us at The Metal Exchange* https://linktr.ee/MetalExchange https://www.facebook.com/TheMetalExchangePodcast https://www.facebook.com/groups/metalexchanges https://www.instagram.com/themetalexchangepodcast https://twitter.com/MetalExchangePd https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o https://www.reddit.com/r/MetalExchangePodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/themetalexchangepodcast/support
The Metal Exchange Podcast guys discuss Nevermore's 2000 release, "Dead Heart in a Dead World". Justin's Recommended Track: Believe in Nothing Chris' Recommended Track: Evolution 169 Listen to "Dead Heart in a Dead World": https://open.spotify.com/album/1v1hdLXVBjFel9srMX8paD *Other Band Mentions* Metalite: https://www.metalite.se/ & https://www.facebook.com/metalitemetal Alterium: https://www.alterium.band/ & https://www.facebook.com/alterium.band Skyblazer: https://skyblazer.bandcamp.com/ & https://www.facebook.com/skyblazingpower Blackbriar: https://www.blackbriarmusic.com/ & https://www.facebook.com/blackbriarmusic Axenstar: https://axenstar.com/ & https://www.facebook.com/AxenstarTheOfficialSite Blind Guardian: https://www.blind-guardian.com/ & https://www.facebook.com/blindguardian Tesla: https://teslatheband.com/ & https://www.facebook.com/TeslaBand Steel Panther: https://steelpanther.com/ & https://www.facebook.com/steelpanther *Become a Member of our Patreon* https://www.patreon.com/TheMetalExchangePodcast *Join us at The Metal Exchange* https://linktr.ee/MetalExchange https://www.facebook.com/TheMetalExchangePodcast https://www.facebook.com/groups/metalexchanges https://www.instagram.com/themetalexchangepodcast https://twitter.com/MetalExchangePd https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o https://www.reddit.com/r/MetalExchangePodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/themetalexchangepodcast/support
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Get ready for an explosive episode of CHRIS AKIN PRESENTS! Join Chris and guest host Joshua Toomey as they dive into a thrilling conversation with Rifft mainman Trey Suiter. Brace yourself for an exclusive discussion about their latest EP "Dead World Wanderer," the highly anticipated 12 Volt Negative Earth reunion, and the challenges of navigating a world that doesn't fully embrace their unique style of music. Delve into the depths of creativity, passion, and the relentless pursuit of musical expression. Don't miss out on this electrifying episode filled with insightful revelations and captivating music insights. Subscribe now and rock out with CHRIS AKIN PRESENTS! -------------------- BECOME A VIP: https://bit.ly/cms-vip GET A FREE RUMBLE ACCOUNT: https://rumble.com/register/classicmetalshow/ GET A FREE ODYSEE ACCOUNT: https://odysee.com/$/invite/@ClassicMetalShow:a Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Get all our episodes at www.chrisakin.net. Facebook: www.facebook.com/chrisakinpresents Instagram: www.instagram.com/chrisakinpresents Twitter: www.twitter.com/realchrisakin Youtube: https://www.youtube.com/@chrisakinpresents?sub_confirmation=1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message
Get ready for an explosive episode of CHRIS AKIN PRESENTS! Join Chris and guest host Joshua Toomey as they dive into a thrilling conversation with Rifft mainman Trey Suiter. Brace yourself for an exclusive discussion about their latest EP "Dead World Wanderer," the highly anticipated 12 Volt Negative Earth reunion, and the challenges of navigating a world that doesn't fully embrace their unique style of music. Delve into the depths of creativity, passion, and the relentless pursuit of musical expression. Don't miss out on this electrifying episode filled with insightful revelations and captivating music insights. Subscribe now and rock out with CHRIS AKIN PRESENTS!
Want to play Z-LAND yourself? Head to whatiszland.com to pick up your own copy and begin the challenge to survive! ►Airing every month on www.youtube.com/@ryconroleplays ►Playlist: bit.ly/z-land In Season One of Campaign Two our cast is as follows: Rycon/Scott: Returning as myself from Campaign One Witchy: Returning as himself from Campaign One Dan: Playing as his in-game son Jack with Dan remaining in Limbo with Max Kellen: Returning as themself from the One-Shot Z-LAND: Redeye And of course our fantastic GM running the game is Schalk "Izak" Tait from Stormforge Productions! Unfortunately Vedant has been unable to re-join us this season after his move overseas but he's still alive in Limbo with the rest of the survivors who made it through Campaign One. Find me on Social Media ►Facebook: https://www.facebook.com/RyconRoleplays ►Twitter: https://twitter.com/RyconRoleplays ►Instagram: https://www.instagram.com/rycon.roleplays ►Subreddit: https://www.reddit.com/r/RyconRoleplays/ ►Snapchat: ryconroleplays ►Steam Group: http://steamcommunity.com/groups/ryconroleplaysteamgroup ►Discord: https://discord.gg/TxMaWm2 This is Z-LAND where humanity is no longer the top of the food chain, where every day could be your last. Hunger, Thirst, Sleep and Exposure all wear down on you in a battle of attrition with the unstoppable Dead. Find the answer to the question "just how long would I survive" as you and your friends attempt to do just that. What makes Z-LAND unique is we take the survival aspect of survival-horror very seriously. You will see your character weaken as sleep deprivation, hunger & thirst slowly whittle them down. But that is where the choice comes in, will you just take it? Or will you do anything & everything necessary to survive? How much of yourself can you retain in your battle to survive? In the early days of the outbreak with panic settling in, you will decide your fate. Hunker down and horde as many supplies as you can or try and flee the cities with thousands of others? Your decisions in the early days will greatly effect the path of survival you take. Will you group up with other survivors and put your trust in them? Or will try and make it on your own, unable to trust the fast changing face of human-kind. All that is good and well but with the constant threat of the “living dead” you might not have the luxury of choice. They are quick and relentless, they do not suffer the penalties of hunger & thirst and have little need for sleep. They are the living nightmare that will never stop hunting your kind. You will lose people along the way, friends, family and it won't be easy but survival never is. This is your story and you will decide it's end... Original music tracks composed and produced by CO.AG. ## CO.AG Facebook https://www.facebook.com/COAG-Music-146339785905623/ ## CO.AG YouTube Channel https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA ## CO.AG Patreon https://www.patreon.com/user?u=3550597
Hello to Whitehorse, Yukon, Canada!Patreon: www.patreon.com/jdfmccann Hosted on Acast. See acast.com/privacy for more information.
USBets.com Managing Editor Eric Raskin and Senior Analyst Jeff Edelstein analyze March Madness betting projections and how they compare to the Super Bowl, New York iCasino hopes being very nearly dead for 2023, and the appeal of premade parlays to the “lazy sucker” set, plus they talk to World Jai Alai League COO Scott Savin about Ray Lewis joining the WJAL Board of Directors, whether there are jai alai betting sharps, and how (relatively) affordable a WJAL franchise is. Find us on Twitter @US_Bets or go to USBets.com for more. Learn more about your ad choices. Visit megaphone.fm/adchoices
USBets.com Managing Editor Eric Raskin and Senior Analyst Jeff Edelstein analyze March Madness betting projections and how they compare to the Super Bowl, New York iCasino hopes being very nearly dead for 2023, and the appeal of premade parlays to the “lazy sucker” set, plus they talk to World Jai Alai League COO Scott Savin about Ray Lewis joining the WJAL Board of Directors, whether there are jai alai betting sharps, and how (relatively) affordable a WJAL franchise is. Find us on Twitter @US_Bets or go to USBets.com for more. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.
Wherein Eric, flying solo, takes a bit of a chronological detour, examining the heavy metal of the 21st century in smaller, bite-sized chunks. On the inaugural journey of this new bonus series of HM101 mini-episodes, Eric takes a look at some of the finest music of a brand new century, way back in 2000-2001. These 20th Century Curmudgeon's Guide to 21st Century Heavy Metal bonus episodes will be periodic short, sweet, and particularly goofy discussions of more recent bands, trends, albums, and songs in heavy metal. assigned listening #1: Vader- "Wings" https://www.youtube.com/watch?v=lQM4A41weqA assigned listening #2: Converge- "Distance and Meaning" https://youtu.be/H_Ida5HP714 suggested albums from this episode: 2000: Dio- Magica, Halford- Resurrection, King Diamond- House of God, Iron Maiden- Brave New World, Immolation- Close to a World Below, Nile- Black Seeds of Vengeance, Decapitated- Winds of Creation, Enslaved- Mardraum: Beyond the Within, , Nevermore- Dead Heart in a Dead World, Electric Wizard- Dopethrone, Deftones- White Pony, In Flames- Clayman, Children of Bodom- Follow the Reaper, Vader- Litany 2001: Ensiferum- Ensiferum, Windir- 1184, My Dying Bride- The Dreadful Hours, Devin Townsend- Terria, Kreator- Violent Revolution, Pig Destroyer- Prowler in the Yard, Neurosis-A Sun That Never Sets, Tool- Lateralus, Opeth- Blackwater Park, System of a Down- Toxicity, Converge- Jane Doe Visit us at: https://anchor.fm/heavymetal101podcast (you can leave us a voicemail if you're so inclined!) Contact us at: heavymetal101podcast@gmail.com Social media: https://www.facebook.com/HeavyMetal101Podcast https://twitter.com/heavy_101 https://www.instagram.com/heavymetal101podcast/ Regular new episodes of Heavy Metal 101 are released monthly on the 3rd Monday of each month. See ya again soon!!! --- Send in a voice message: https://anchor.fm/heavymetal101podcast/message
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S3E24 - Enter scene, Hamburger Hills. A silent wind passes over you (almost like a quiet fart, because my life is a fart). Finn and Jake embark on this awesome adventure and help out some friends make it to their final destination...the 50th Dead World!
Originally posted last night but had edit issues.... Takeoff dead at age 28. Thursday Night Football between Philly && Houston amid the current 118th World Series featuring....Philly && Houston
This week on Record Club we discuss the legendary Brooklyn post-hardcore outfit Gospel and their jazz and prog-inflected 2005 masterpiece The Moon Is a Dead World, which remained their sole release until this year's equally fantastic The Loser. Join us as we discuss what makes this band special and their debut one of the great masterpieces of heavy music in the 2000s. Watch the video version of this episode and subscribe to the channel on YouTube.
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Ron and Matt talk to Matt Messina of Sunken Temple Records, Fake Piss and formally of Helen Of Troy about his pick Gospel - The Moon Is A Dead World
Well look what we have here. 2000s vintage metal. Very nice.
Coincidence and synchronicity brought this episode together. Sitting down and having a chat with the man behind Dead World Radio (who I didn't know I knew until we started talking on IG) turned out to be one of my favorites so far. Open your mind, people. That's what this one's all about. We got into just about every aspect of the evil that's been afoot over the last several years and beyond. For fans of free thinking and questioning everything. Don't let these lizard brained overlords get away with an out of place fart, let alone world domination. Peace, love and, ENJOY THE VOID! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
JAWNS - Body Breaker DROELOE - Aurora ANGELZ - $HEZMU Shahay - Overdrive San Pacho - Pride IMANU, Pham & josh pan - Somehow We Lost It All MASF - Tippin Qlank - The 5th Dr. Fresch - Let's Go G JONES & EPROM - ON MY MIND Hypho x PAV4N (Foreign Beggars) - Shades Of Amaranth Flume feat. Oklou - Highest Building ENiGMA Dubz - Bump in the Night - VIP Alix Perez - VTRN 7Kidz - Bandit's Secret XL Mad, Lapo - Real Reggae Music (Lapo Dub Version) LSDREAM & INZO - BLASTA Watch The Ride x Nia Archives - Mash up the Dance M-zine - Obverse BCee - Thought I Knew (Bladerunner Remix) Alibi & Dunk - Rockers
We have life in a dead world that knows nothing of what it worships. Christ can only be comprehended by the Spirit. We need living waters drawn out by Him. John 17:2-6; John 1:10-12; Acts 17:20 Speaker(s): Thomas Schaller Sermon 12306 11:00 AM on 5/22/2022
Cap Jones and Zack, Dead World Radio, join me to discuss how they have joined forces to break the spell that's enslaved the world, all hip hop no wack sh*t. They taught us about IPFS, shared their insights into how music is tuned to 440hz instead of 432hz, authenticity and the manipulated message in hip hop, and how the internet has the solutions. tune into Dead World Radio Here:and be sure to check out Cap Jones' New Album; Doom World. https://capjonesmusic.bandcamp.com/https://deadworldradio.mypinata.cloud/ipfs/QmSNeeMPryjWzTj2kDu59srUhL9uBtb89T1Yax869yYPV6/index.htmlShare This Episode:Join us on TelegramLeave me a message On Telegram!For Exclusive My Family Thinks I'm Crazy Content: Only 3$ get 50+ Bonus Episodes, Sign up on our Patreon For Exclusive Episodes. Check out the S.E.E.E.N.or on Rokfin@MFTICPodcast on Twitter@myfamilythinksimcrazy on Instagram, Follow, Subscribe, Rate, and Review we appreciate you!https://www.myfamilythinksimcrazy.comhttps://altmediaunited.com/my-family-thinks-im-crazy/Listen to Every AMU Podcast with this link. https://lnns.co/pI5xHeyFdfgGET A NEW PODCASTING APP! https://podcastindex.org/appsMUSICAL CREDITSIntro Song by Destiny Lab IntroMusic: Pep TalkBy xJWillOutroMusic: Old SkoolBy Ghost BeatzMusic: Crayzie By Daniel MustoReleased under a Creative Commons Attribution International 4.0 License Thanks To Soundstripe★ Support this podcast on Patreon ★
LA HORA DEL ROCK.164 Crystal Ball - Crysteria (2022)12 - Crystal Heart (Bonus Track). Crystal Ball - Crysteria (2022)2 - You Lit My Fire. Kreator - Hate Über Alles (Single) (2022)1 Hate Über Alles. Jolly Joker Loud & Proud1 I Don´t Care. The Poodles2006 - Metal Will Stand Tall (Japanese Edition)3. Night of Passion. Persefone - Metanoia (2022)2 - Katabasis. RED SHARK7 - THE DEATH RIDES. Serious Black - Vengeance Is Mine (2022)5 Ray of Light.m Jevo-06-Plandemia LA CIFRA NEGRA Palacio de Sombras 06 no vamos bien Solarus - A Dance With Tragedy (2021)1 - Waking Mind. Wendy O. Williams - Live To Rock (Compilation)Disc One7. Bump and Grind. Scream Maker - Bloodking2 - Scream Maker - Mirror, Mirror (Studio). Chris Holmes - Unbearable Influences (2021)7. I Am What I Am. Steve Vai - Inviolate (2022)5 - Apollo In Color. 4 BAJO ZERO PRESA O RIVAL. Battle Beast2022 - Circus of Doom6. Russian Roulette. TalaioT-Repressio i Revolta Copia DigitalTalaiot - II Repressio i Revolta CD_06 Infiltrat. Feuerschwanz - Memento Mori (Deluxe Version) (2021)CD22 - Warriors of the World United Feat. Angus Mcfife, Saltatio Mortis, Melissa Bonny Battle Beast2022 - Circus of Doom5. Eye of the Storm. Ashes Of Ares - Emperors And Fools (2022)9 The Iron Throne. KLASSIK _78 - Phantoms (2022)Klassik _78 - 04 - Queen of Hearts. MAGNUN The Monster Roars7 - That Freedom Word Dekta - When Everything Burns (2021)Dekta - When Everything Burns (2021)3 - Dekta - These Walls. RONNIE ATKINS UNSUNG HEROES. Hypocrisy - Worship (2021)4. Dead World. Saxon - Carpe Diem (2022)1 - Carpe Diem (Seize the Day). Saltimbankya - Pomba Gira's Vision (2021)2 - Asylum.
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The conclusion to this 4 part series! --- Support this podcast: https://podcasters.spotify.com/pod/show/skumcast/support
Part 3 of a 4 part series! --- Support this podcast: https://podcasters.spotify.com/pod/show/skumcast/support
Part 2 of a 4 part series! --- Support this podcast: https://podcasters.spotify.com/pod/show/skumcast/support
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Part 1 of a 4 part series! --- Support this podcast: https://podcasters.spotify.com/pod/show/skumcast/support
World Beyond continues it's run of terrific episodes this week (and Strand continues his mustache twirling over on Fear), and we're joined by Daphne Backman to talk it out! You can also hear Daphne and the Run For Your Lives Podcast: https://pod.link/runforyourlives Support: patreon.com/jasoncabassi or buymeacoffee.com/cabassi for a one-time donation (thank you!) Contact: (650) 485-3323 or brains@podcastica.com Social media: facebook.com/podcastica and twitter.com/jasonandkaren Rate us on Apple Podcasts: walkingdeadcast.com Other shows: podcastica.com Support the show: https://patreon.com/jasonandkaren See omnystudio.com/listener for privacy information.
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The Everblack Podcast caught up with the one and only Peter Tägtgren from Hypocrisy to talk about the new album ‘Worship', the extraterrestrial themesbehind the concept of the record, the song ‘Dead World' that his son Sebastian wrote, His personal beliefs and theories about the paranormal and conspiracies and more!Hypocrisy - ‘Worship' is out on November 26th via Nuclear Blast.PRE-ORDER and PRESAVE Worship here:https://www.hypocrisyband.com/worship (Local physical will be available) ***EVERBLACK PODCAST***SUBSCRIBE and STREAM HERE: https://linktr.ee/EverblackPodcastwww.everblack.com.auwww.facebook.com/Everblackmedia Thanks to : Deathwish Hotrods & KustomsRW Promotion Blacklight AD Screenprinting Electric WitchEverblack intro theme by Jaymes Jackson
Happy Halloween! We're joined by comics scribe Daniel "D.G." Chichester to talk about the history of horror comics, Marvel's return to the genre in the early 1990s, and the macabre anti-hero Terror (whom Chichester co-created). ----more---- Issue 18 Transcript Mike: [00:00:00] It's small, but feisty, Mike: Welcome to Tencent Takes, the podcast where we dig up comic book characters' graves and misappropriate the bodies, one issue at a time. My name is Mike Thompson, and I am joined by my cohost, the Titan of terror herself, Jessika Frazer. Jessika: It is I. Mike: Today, we are extremely fortunate to have comics writer, Daniel, DG Chichester. Dan: Nice to see you both. Mike: Thank you so much for taking the time. You're actually our first official guest on the podcast. Dan: Wow. Okay. I'm going to take that as a good thing. That's great. Mike: Yeah. Well, if you're new to the show, the purpose of our [00:01:00] podcast as always is to look at the weirdest, silliest, coolest moments of comic books, and talk about them in ways that are fun and informative. In this case, we looking at also the spookiest moments, and how they're woven into the larger fabric of pop culture and history. Today, we're going to be talking about horror comics. We're looking at their overall history as well as their resurrection at Marvel in the early 1990s, and how it helped give birth to one of my favorite comic characters, an undead anti-hero who went by the name of Terror. Dan, before we started going down this road, could you tell us a little bit about your history in the comic book industry, and also where people can find you if they want to learn more about you and your work? Dan: Absolutely. At this point, people may not even know I had a history in comic books, but that's not true. Uh, I began at Marvel as an assistant in the mid-eighties while I was still going to film school and, semi quickly kind of graduated up, to a more official, [00:02:00] assistant editor position. Worked my way up through editorial, and then, segued into freelance writing primarily for, but also for DC and Dark Horse and worked on a lot of, semi-permanent titles, Daredevil's probably the best known of them. But I think I was right in the thick of a lot of what you're going to be talking about today in terms of horror comics, especially at Marvel, where I was fiercely interested in kind of getting that going. And I think pushed for certain things, and certainly pushed to be involved in those such as the Hellraiser and Nightbreed Clive Barker projects and Night Stalkers and, uh, and Terror Incorporated, which we're going to talk about. And wherever else I could get some spooky stuff going. And I continued on in that, heavily until about 96 / 97, when the big crash kind of happened, continued on through about 99 and then have not really been that actively involved since then. But folks can find out what I'm doing now, if they go to story maze.substack.com, where I have a weekly newsletter, which features [00:03:00] new fiction and some things that I think are pretty cool that are going on in storytelling, and also a bit of a retrospective of looking back at a lot of the work that I did. Mike: Awesome. Before we actually get started talking about horror comics, normally we talk about one cool thing that we have read or watched recently, but because this episode is going to be dropping right before Halloween, what is your favorite Halloween movie or comic book? Dan: I mean, movies are just terrific. And there's so many when I saw that question, especially in terms of horror and a lot of things immediately jumped to mind. The movie It Follows, the recent It movie, The Mist, Reanimator, are all big favorites. I like horror movies that really kind of get under your skin and horrify you, not just rack up a body count. But what I finally settled on as a favorite is probably John Carpenter's the Thing, which I just think is one of the gruesomest what is going to happen next? What the fuck is going to happen next?[00:04:00] And just utter dread. I mean, there's just so many things that combined for me on that one. And I think in terms of comics, I've recently become just a huge fan of, and I'm probably going to slaughter the name, but Junji Ito's work, the Japanese manga artist. And, Uzumaki, which is this manga, which is about just the bizarreness of this town, overwhelmed with spirals of all things. And if you have not read that, it is, it is the trippiest most unsettling thing I've read in, in a great long time. So happy Halloween with that one. Mike: So that would be mango, right? Dan: Yeah. Yeah. So you'd make sure you read it in the right order, or otherwise it's very confusing, so. Mike: Yeah, we actually, haven't talked a lot about manga on this. We probably should do a deep dive on it at some point. But, Jessika, how about you? Jessika: Well, I'm going to bring it down a little bit more silly because I've always been a fan of horror and the macabre and supernatural. So always grew up seeking creepy media as [00:05:00] a rule, but I also loves me some silliness. So the last three or so years, I've had a tradition of watching Hocus Pocus with my friend, Rob around Halloween time. And it's silly and it's not very heavy on the actual horror aspect, but it's fun. And it holds up surprisingly well. Mike: Yeah, we have all the Funkos of the Sanderson sisters in our house. Jessika: It's amazing watching it in HD, their costumes are so intricate and that really doesn't come across on, you know, old VHS or watching it on television back in the day. And it's just, it's so fun. How much, just time and effort it looks like they put into it, even though some of those details really weren't going to translate. Dan: How very cool. Mike: Yeah. Jessika: Yeah. So, but I also really like actual horror, so I'm also in the next couple of days is going to be a visiting the 1963 Haunting of Hill House because that's one of my favorites. Yeah. It's so good. And used to own the book that the movie was based on also. And seen all the [00:06:00] iterations and it's the same storyline the recent Haunting of Hill house is based on, which is great. That plot line has been reworked so many times, but it's such a great story, I'm just not shocked in the least that it would run through so many iterations and still be accepted by the public in each of its forms. Mike: Yeah. I really liked that Netflix interpretation of it, it was really good. Dan: They really creeped everything out. Mike: Yeah. There's a YouTuber called Lady Night, The Brave, and she does a really great summary breakdown explaining a lot of the themes and it's like almost two hours I think, of YouTube video, but she does these really lovely retrospectives. So, highly recommend you check that out. If you want to just think about that the Haunting of Hill House more. Jessika: Oh, I do. Yes. Mike: I'm going to split the difference between you two. When I was growing up, I was this very timid kid and the idea of horror just creeped me out. And so I avoided it like the plague. And then when I was in high [00:07:00] school, I had some friends show me some movies and I was like, these are great, why was I afraid of this stuff? And so I kind of dove all the way in. But my preferred genre is horror comedy. That is the one that you can always get me in on. And, I really love this movie from the mid-nineties called the Frighteners, which is a horror comedy starring Michael J. Fox, and it's directed by Peter Jackson. And it was written by Peter Jackson and his partner, Fran Walsh. And it was a few years before they, you know, went on to make a couple of movies based on this little known franchise called Lord of the Rings. But it's really wild. It's weird, and it's funny, and it has some genuine jump scare moments. And there's this really great ghost story at the core of it. And the special effects at the time were considered amazing and groundbreaking, but now they're kind of, you look at, and you're like, oh, that's, high-end CG, high-end in the mid-nineties. Okay. But [00:08:00] yeah, like I said, or comedies are my absolute favorite things to watch. That's why Cabin in the Woods always shows up in our horror rotation as well. Same with Tucker and Dale vs Evil. That's my bread and butter. With comic books, I go a little bit creepier. I think I talked about the Nice House on the Lake, that's the current series that I'm reading from DC that's genuinely creepy and really thoughtful and fun. And it's by James Tynion who also wrote Something That's Killing the Children. So those are excellent things to read if you're in the mood for a good horror comic. Dan: Great choice on the Frighteners. That's I think an unsung classic, that I'm going to think probably came out 10 years too early. Mike: Yeah. Dan: It's such a mashup of different, weird vibes, that it would probably do really, really well today. But at that point in time, it was just, what is this? You know? Cause it's, it's just cause the horrifying thing in it are really horrifying. And, uh, Gary Busey's son, right, plays the evil ghost and he is just trippy, off the wall, you know, horrifying. [00:09:00] Mike: Yeah. And it starts so silly, and then it kind of just continues to go creepier and creepier, and by the time that they do some of the twists revealing his, you know, his agent in the real world, it's a genuine twist. Like, I was really surprised the first time I saw it and I - Dan: Yeah. Mike: was so creeped out, but yeah. Dan: Plus it's got R. Lee Ermey as the army ghost, which is just incredible. So, Mike: Yeah. And, Chi McBride is in it, and, Jeffrey Combs. Dan: Oh, oh that's right, right. right. Mike: Yeah. So yeah, it's a lot of fun. Mike: All right. So, I suppose we should saunter into the graveyard, as it were, and start talking about the history of horror comics. So, Dan, obviously I know that you're familiar with horror comics, Dan: A little bit. Mike: Yeah. What about you, Jess? You familiar with horror comics other than what we've talked about in the show? Jessika: I started getting into it once you and I started, you know, talking more on the [00:10:00] show. And so I grabbed a few things. I haven't looked through all of them yet, but I picked up some older ones. I did just recently pick up, it'll be more of a, kind of a funny horror one, but they did a recent Elvira and Vincent Price. So, yeah, so I picked that up, but issue one of that. So it's sitting on my counter ready for me to read right now. Mike: Well, and that's funny, cause Elvira actually has a really long, storied history in comic books. Like she first appeared in kind of like the revival of House of Mystery that DC did. And then she had an eighties series that had over a hundred issues that had a bunch of now major names involved. And she's continued to have series like, you can go to our website and get autographed copies of her recent series from, I think Dynamite. Jessika: That's cool. Mike: Yeah. Jessika: Nice. Mike: Speaking of horror comedy Elvira is great. Jessika: Yes. Mike: I recently showed Sarah the Elvira Mistress of the Dark movie and she was, I think really sad that I hadn't showed it to her sooner. Jessika: [00:11:00] That's another one I need to go watch this week. Wow. Don't- nobody call me. I'm just watching movies all week. Dan: Exactly. Mike: It's on a bunch of different streaming services, I think right now. Well it turns out that horror comics, have pretty much been a part of the industry since it really became a proven medium. You know, it wasn't long after comics became a legit medium in their own, right that horror elements started showing up in superhero books, which like, I mean, it isn't too surprising. Like the 1930's was when we got the Universal classic movie monsters, so it makes a lot of sense that those kinds of characters would start crossing over into comic books, just to take advantage of that popularity. Jerry Siegel and Joel Schuster, the guys who created Superman, actually created the supernatural investigator called Dr. Occult in New Fun Comics three years before they brought Superman to life. And Dr. Occult still shows up in DC books. Like, he was a major character in the Books of Magic with Neil Gaiman. I think he may show up in Sandman later on. I can't remember. Jessika: Oh, okay. Dan: I wouldn't be surprised. Neil would find ways to mine that. [00:12:00] Mike: Yeah. I mean, that was a lot of what the Sandman was about, was taking advantage of kind of long forgotten characters that DC had had and weaving them into his narratives. And, if you're interested in that, we talk about that in our book club episodes, which we're currently going through every other episode. So the next episode after this is going to be the third episode of our book club, where we cover volumes five and six. So, horror comics though really started to pick up in the 1940s. There's multiple comic historians who say that the first ongoing horror series was Prized Comics, New Adventures of Frankenstein, which featured this updated take on the original story by Mary Shelley. It took place in America. The monster was named Frankenstein. He was immediately a terror. It's not great, but it's acknowledged as being really kind of the first ongoing horror story. And it's really not even that much of a horror story other than it featured Frankenstein's monster. But after that, a number of publishers started to put out adaptations of classic horror stories for awhile. So you had [00:13:00] Avon Publications making it official in 1946 with the comic Erie, which is based on the first real dedicated horror comic. Yeah. This is the original cover to Erie Comics. Number one, if you could paint us a word picture. Dan: Wow. This is high end stuff as it's coming through. Well it looks a lot like a Zine or something, you know it's got a very, Mac paint logo from 1990, you know, it's, it's your, your typical sort of like, ooh, I'm shaky kind of logo. That's Eerie Comics. There's a Nosferatu looking character. Who's coming down some stairs with the pale moon behind him. It, he's got a knife in his hand, so, you know, he's up to no good. And there is a femme fatale at the base of the stairs. She may have moved off of some train tracks to get here. And, uh, she's got a, uh, a low, cut dress, a lot of leg and the arms and the wrists are bound, but all this for only 10. cents. So, I think there's a, there's a bargain there.[00:14:00] Mike: That is an excellent description. Thank you. So, what's funny is that Erie at the time was the first, you know, official horror comic, really, but it only had one issue that came out and then it sort of vanished from sight. It came back with a new series that started with a new number one in the 1950s, but this was the proverbial, the shot that started the war. You know, we started seeing a ton of anthology series focusing on horror, like Adventures into the Unknown, which ran into the 1960s and then Amazing Mysteries and Marvel Tales were repurposed series for Marvel that they basically changed the name of existing series into these. And they started doing kind of macabre, weird stories. And then, we hit the 1950s. And the early part of the 1950s was when horror comics really seemed to take off and experienced this insane success. We've talked about how in the post-WWII America, superhero comics were kind of declining in [00:15:00] popularity. By the mid 1950s, only three heroes actually had their own books and that was Superman, Batman, and Wonder Woman. Which, I didn't realize that until I was doing research. I didn't, I just assumed that there were other superhero comics at the time. But we started seeing comics about horror and crime and romance really starting to get larger shares of the market. And then EC Comics was one of those doing gangbuster business during this whole era. Like, this was when we saw those iconic series, the Haunt of Fear, the Vault of Horror, the Crypt of Terror, which was eventually rebranded to Tales from the Crypt. Those all launched and they found major success. And then the bigger publishers were also getting in on this boom. During the first half of the 1950s Atlas, which eventually became Marvel, released almost 400 issues across 18 horror titles. And then American Comics Group released almost 125 issues between five different horror titles. Ace comics did almost a hundred issues between five titles. I'm curious. I'm gonna ask both of you, what [00:16:00] do you think the market share of horror comics was at the time? Dan: In terms of comics or in terms of just like newsstand, magazine, distribution. Mike: I'm going to say in terms of distribution. Dan: I mean, I know they were phenomenally successful. I would, be surprised if it was over 60%. Mike: Okay. How about. Jessika: Oh, goodness. Let's throw a number out. I'm going to say 65 just because I want to get close enough, but maybe bump it up just a little bit. This is a contest now. Dan: The precision now, like the 65. Jessika: Yes. Mike: Okay. Well, obviously we don't have like a hard definite number, but there was a 2009 article from reason magazine saying that horror books made up a quarter of all comics by 1953. So, so you guys were overestimating it, but it was still pretty substantial. At the same time, we were also seeing a surge in horror films. Like, the 1950s are known as the atomic age and media reflected [00:17:00] societal anxiety, at the possibility of nuclear war and to a lesser extent, white anxiety about societal changes. So this was the decade that gave us Invasion of the Body Snatchers The Thing from Another World, which led to John Carpenter's The Thing eventually. Um, and the Creature from the Black Lagoon. Hammer horror films also started to get really huge during this time. So we saw the beginning of stuff like Christopher Lee's, Dracula series of films. So the fifties were like a really good decade for horror, I feel. But at the same time, violent crime in America started to pick up around this period. And people really started focusing on juvenile criminals and what was driving them. So, there were a lot of theories about why this was going on and no one's ever really come up with a definite answer, but there was the psychiatrist named Frederick Wortham who Dan, I yeah. Dan: Oh yeah, psychiatrist in big air quotes, yeah. Mike: In quotes. Yeah. [00:18:00] Yeah. And he was convinced that the rise in crime was due to comics, and he spent years writing and speaking against them. He almost turned it into a cottage industry for himself. And this culminated in 1954, when he published a book called Seduction of the Innocent, that blamed comic books for the rise in juvenile delinquency, and his arguments are laughable. Like, I mean, there's just no way around it. Like you read this stuff and you can't help, but roll your eyes and chuckle. But, at the time comics were a relatively new medium, you know, and people really only associated them with kids. And his arguments were saying, oh, well, Wonder Woman was a lesbian because of her strength and independence, which these days, I feel like that actually has a little bit of credibility, but, like, I don't know. But I don't really feel like that's contributing to the delinquency of the youth. You know, and then he also said that Batman and Robin were in a homosexual relationship. And then my favorite was that Superman comics were [00:19:00] un-American and fascist. Dan: Well. Mike: All right. Dan: There's people who would argue that today. Mike: I mean, but yeah, and then he actually, he got attention because there were televised hearings with the Senate subcommittee on juvenile delinquency. I mean, honestly, every time I think about Seduction of the Innocent and how it led to the Comics Code Authority. I see the parallels with Tipper Gore's Parent Music Resource Center, and how they got the Parental Advisory sticker on certain music albums, or Joe Lieberman's hearings on video games in the 1990's and how that led to the Electronic Systems Reading Board system, you know, where you provide almost like movie ratings to video games. And Wortham also reminds me a lot of this guy named Jack Thompson, who was a lawyer in the nineties and aughts. And he was hell bent on proving a link between violent video games and school shootings. And he got a lot of media attention at the time until he was finally disbarred for his antics. But there was this [00:20:00] definite period where people were trying to link video games and violence. And, even though the statistics didn't back that up. And, I mean, I think about this a lot because I used to work in video games. I spent almost a decade working in the industry, but you know, it's that parallel of anytime there is a new form of media that is aimed at kids, it feels like there is a moral panic. Dan: Well, I think it goes back to what you were saying before about, you know, even as, as things change in society, you know, when people in society get at-risk, you know, you went to Invasion of the Body Snatchers, Right. Which is classically thought to be a response to communism, you know, and the feelings of communist oppression and you know, the different, you know, the other, and it's the same thing. I think every single one of these is just a proof point of if you want to become, suddenly well-known like Lieberman or Wortham or anything, you know, pick the other that the older generation doesn't really understand, right? Maybe now there are more adults playing video games, but it's probably still perceived as a more juvenile [00:21:00] thing or comics or juvenile thing, or certain types of movies are a juvenile thing, you know, pick the other pick on it, hold it up as the weaponized, you know, piece, and suddenly you're popular. And you've got a great flashpoint that other people can rally around and blame, as if one single thing is almost ever the cause of everything. And I always think it's interesting, you know, the EC Comics, you know, issues in terms of, um, Wortham's witch hunt, you know, the interesting thing about those is yet they were gruesome and they are gruesome in there, but they're also by and large, I don't know the other ones as well, but I know the EC Comics by and large are basically morality plays, you know, they're straight up morality plays in the sense that the bad guys get it in the end, almost every time, like they do something, they do some horrific thing, but then the corpse comes back to life and gets them, you know, so there's, there's always a comeuppance where the scales balance. But that was of course never going to be [00:22:00] an argument when somebody can hold up a picture of, you know, a skull, you know, lurching around, you know, chewing on the end trails of something. And then that became all that was talked about. Mike: Yeah, exactly. Well, I mean, spring boarding off of that, you know, worth them and the subcommittee hearings and all that, they led to the comics magazine association of America creating the Comics Code Authority. And this was basically in order to avoid government regulation. They said, no, no, no, we'll police ourselves so that you don't have to worry about this stuff. Which, I mean, again, that's what we did with the SRB. It was a response to that. We could avoid government censorship. So the code had a ton of requirements that each book had to meet in order to receive the Comics Code Seal of Approval on the cover. And one of the things you couldn't do was have quote, scenes dealing with, or instruments associated with walking dead or torture, which I mean,[00:23:00] okay. So the latter half of the 1950's saw a lot of these dedicated horror series, you know, basically being shut down or they drastically changed. This is, you know, the major publishers really freaked out. So Marvel and DC rebranded their major horror titles. They were more focused on suspense or mystery or Sci-Fi or superheroes in a couple of cases, independent publishers, didn't really have to worry about the seal for different reasons. Like, some of them were able to rely on the rep for publishing wholesome stuff like Dell or Gold Key. I think Gold Key at the time was doing a lot of the Disney books. So they just, they were like, whatever. Dan: Right, then EC, but, but EC had to shut down the whole line and then just became mad. Right? I mean, that's that was the transition at which William, you know, Gains - Mike: Yeah. Dan: basically couldn't contest what was going on. Couldn't survive the spotlight. You know, he testified famously at that hearing. But had to give up all of [00:24:00] that work that was phenomenally profitable for them. And then had to fall back to Mad Magazine, which of course worked out pretty well. Mike: Yeah, exactly. By the end of the 1960s, though, publishers started to kind of gently push back a little bit like, Warren publishing, and Erie publications, like really, they didn't give a shit. Like Warren launched a number of horror titles in the sixties, including Vampirilla, which is like, kind of, I feel it's sort of extreme in terms of both sex and horror, because I mean, we, we all know what Vampirilla his costume is. It hasn't changed in the 50, approximately 50 years that it's been out like. Dan: It's like, what can you do with dental floss, Right. When you were a vampire? I mean, that's basically like, she doesn't wear much. Mike: No, I mean, she never has. And then by the end of the sixties, Marvel and DC started to like kind of steer some of their books back towards the horror genre. Like how some Mystery was one of them where it, I think with issue 1 75, that was when they [00:25:00] took away, took it away from John Jones and dial H for Hero. And they were like, no, no, no, no. We're going to, we're going to bring, Cain back as the host and start telling horror morality plays again, which is what they were always doing. And this meant that the Comics Code Authority needed to update their code. So in 1971, they revised it to be a little bit more horror friendly. Jessika: Scenes dealing with, or instruments associated with, walking dead or torture shall not be used. Vampires, ghouls and werewolves shall be permitted to be used when handled in the classic traditions, such as Frankenstein, Dracula, and other high caliber literary works written by Edgar Allen Poe, Saki, Conan Doyle, and other respected authors whose works are read in schools around the world. Mike: But at this point, Marvel and DC really jumped back into the horror genre. This was when we started getting books, like the tomb of Dracula, Ghost Rider, where will finite and son of Satan, and then DC had a [00:26:00] bunch of their series like they had, what was it? So it was originally The Dark Mansion of Forbidden Love, and then it eventually got retitled to Forbidden Tales of the Dark Mansion. Like, just chef's kiss on that title. Dan: You can take that old Erie comic and throw, you know, the Dark Mansion of Forbidden Love as the title on that. And it would work, you know. Mike: I know. Right. So Dan, I'm curious, what is your favorite horror comic or comic character from this era? Dan: I would say, it was son of Satan, because it felt so trippy and forbidden, and I think comics have always, especially mainstream comics you know, I've always responded also to what's out there. Right. I don't think it's just a loosening the restrictions at that point, but in that error, what's going on, you're getting a lot of, I think the films of Race with the Devil and you're getting the Exorcist and you're getting, uh, the Omen, you know, Rosemary's baby. right. Satanism, [00:27:00] the devil, right. It's, it's high in pop culture. So true to form. You know, I think Son of Satan is in some ways, like a response of Marvel, you know, to that saying, let's glom onto this. And for a kid brought up in the Catholic church, there was a certain eeriness to this, ooh, we're reading about this. It's like, is it really going to be Satanism? And cause I was very nervous that we were not allowed even watch the Exorcist in our home, ever. You know, I didn't see the Exorcist until I was like out of high school. And I think also the character as he looks is just this really trippy look, right. At that point, if you're not familiar with the character, he's this buff dude, his hair flares up into horns, he just wears a Cape and he carries a giant trident, he's got a massive pentacle, I think a flaming pentacle, you know, etched in his chest. Um, he's ready to do business, ya know, in some strange form there. So for me, he was the one I glommed on to the most. [00:28:00] Mike: Yeah. Well, I mean, it was that whole era, it was just, it was Gothic horror brought back and Satanism and witchcraft is definitely a part of that genre. Dan: Sure. Mike: So, that said, kind of like any trend horror comics, you know, they have their rise and then they started to kind of fall out of popularity by the end of the seventies or the early eighties. I feel like it was a definite end of the era when both House of Mystery and Ghost Writer ended in 1983. But you know, there were still some individual books that were having success, but it just, it doesn't feel like Marvel did a lot with horror comics during the eighties. DC definitely had some luck with Alan Moore's run of the Swamp Thing. And then there was stuff like Hellblazer and Sandman. Which, as I mentioned, we're doing our book club episodes for, but also gave rise to Vertigo Comics, you know, in the early nineties. Not to say that horror comics still weren't a thing during this time, but it seems like the majority of them were coming from indie publishers. Off the top of my head, one example I think of still is Dead World, which basically created a zombie apocalypse [00:29:00] universe. And it started with Aero comics. It was created in the late eighties, and it's still going today. I think it's coming out from IDW now. But at the same time, it's not like American stopped enjoying horror stuff. Like this was the decade where we got Friday the 13th, Nightmare on Elm street, Evil Dead, Hellraiser, Poltergeist, Child's Play, just to name a few of the franchises that we were introduced to. And, I mentioned Hellraiser. I love Hellraiser, and Dan, I know that you have a pretty special connection to that brand. Dan: I do. I put pins in my face every night just to kind of keep my complexion, you know? Mike: So, let's transition over to the nineties and Marvel and let's start that off with Epic Comics. Epic started in the eighties, and it was basically a label that would print, create our own comics. And they eventually started to use label to produce, you know, in quotes, mature comics. So Wikipedia says that this was your first editorial job at Marvel was with the [00:30:00] Epic Line. Is that correct? Dan: Well, I'll go back and maybe do just a little correction on Epic's mission if you don't mind. Mike: Yeah, yeah. Dan: You know, first, which is it was always creator owned, and it did start as crude. And, but I don't think that ever then transitioned into more mature comics, sometimes that just was what creator-owned comics were. Right. That was just part of the mission. And so as a creator-owned imprint, it could be anything, it could be the silliest thing, it could be the most mature thing. So it was always, you know, part of what it was doing, and part of the mission of doing creator-owned comics, and Archie Goodwin was the editor in chief of that line, was really to give creators and in to Marvel. If we gave them a nice place to play with their properties, maybe they would want to go play in the mainstream Marvel. So you might get a creator who would never want to work for Marvel, for whatever reason, they would have a great Epic experience doing a range of things, and then they would go into this. So there was always levels of maturity and we always looked at it as very eclectic and challenging, you know, sometimes in a good [00:31:00] way. So I'll have to go back to Wikipedia and maybe correct them. My first job was actually, I was on the Marvel side and it was as the assistant to the assistant, to the editor in chief. So I would do all of the grunt work and the running around that the assistant to the editor in chief didn't want to do. And she would turn to me and say, Dan, you're going to go run around the city and find this thing for Jim Shooter. Now, then I did that for about five or six months, I was still in film school, and then left, which everyone was aghast, you don't leave Marvel comics, by choice. And, but I had, I was still in school. I had a summer job already sort of set up, and I left to go take that exciting summer job. And then I was called over the summer because there was an opening in the Epic line. And they want to know if I'd be interested in taking on this assistant editor's job. And I said, it would have to be part-time cause I still had a semester to finish in school, but they were intrigued and I was figuring, oh, well this is just kind of guaranteed job. [00:32:00] Never knowing it was going to become career-like, and so that was then sort of my second job. Mike: Awesome. So this is going to bring us to the character of Terror. So he was introduced as a character in the Shadow Line Saga, which was one of those mature comics, it was like a mature superhero universe. That took place in a few different series under the Epic imprint. There was Dr. Zero, there was St. George, and then there was Power Line. Right. Dan: That's correct, yep. Mike: And so the Shadow Line Saga took his name from the idea that there were these beings called Shadows, they were basically super powered immortal beings. And then Terror himself first appeared as Shrek. He's this weird looking enforcer for a crime family in St. George. And he becomes kind of a recurring nemesis for the main character. He's kind of like the street-level boss while it's hinting that there's going to be a eventual confrontation between the main character of St. George and Dr. Zero, who is kind of [00:33:00] a Superman character, but it turns out he has been manipulating humanity for, you know, millennia at this point. Dan: I think you've encapsulated it quite well. Mike: Well, thank you. So the Shadow Line Saga, that only lasted for about what a year or two? Dan: Probably a couple of years, maybe a little over. There was about, I believe, eight to nine issues of each of the, the main comics, the ones you just cited. And then we segued those over to, sort of, uh, an omni series we call Critical Mass, which brought together all three characters or storylines. And then try to tell this, excuse the pun, epic, you know story, which will advance them all. And so wrapped up a lot of loose ends and, um, you know, became quite involved now. Mike: Okay. Dan: It ran about seven or eight issues. Mike: Okay. Now a couple of years after Terror was introduced under the Epic label, Marvel introduced a new Ghost Rider series in 1990 that hit that sweet spot of like nineties extreme with a capital X and, and, you know, [00:34:00] it also gave us a spooky anti heroes like that Venn diagram, where it was like spooky and extreme and rides a motorcycle and right in the middle, you had Ghost Rider, but from what I understand the series did really well, commercially for Marvel. Comichron, which is the, the comic sales tracking site, notes that early issues were often in the top 10 books sold each month for 91. Like there are eight issues of Ghost Rider, books that are in the top 100 books for that year. So it's not really surprising that Marvel decided to go in really hard with supernatural characters. And in 1992, we had this whole batch of horror hero books launch. We had Spirits of Vengeance, which was a spinoff from Ghost Rider, which saw a Ghost Rider teaming up with Johnny Blaze, and it was the original Ghost Writer. And he didn't have a hellfire motorcycle this time, but he had a shotgun that would fire hell fire, you know, and he had a ponytail, it was magnificent. And then there was also the Night Stalkers, [00:35:00] which was a trio of supernatural investigators. There was Hannibal King and Blade and oh, I'm blanking on the third one. Dan: Frank Drake. Mike: Yeah. And Frank Drake was a vampire, right? Dan: And he was a descendant of Dracula, but also was a vampire who had sort of been cured. Um, he didn't have a hunger for human blood, but he still had a necessity for some type of blood and possessed all the attributes, you know, of a vampire, you know, you could do all the powers, couldn't go out in the daylight, that sort of thing. So, the best and worst of both worlds. Mike: Right. And then on top of that, we had the Dark Hold, which it's kind of like the Marvel equivalent of the Necronomicon is the best way I can describe it. Dan: Absolutely. Yup. Mike: And that's showed up in Agents of Shield since then. And they just recently brought it into the MCU. That was a thing that showed up in Wanda Vision towards the end. So that's gonna clearly reappear. And then we also got Morbius who is the living vampire from [00:36:00] Spider-Man and it's great. He shows up in this series and he's got this very goth rock outfit, is just it's great. Dan: Which looked a lot like how Len Kaminsky dressed in those days in all honesty. Mike: Yeah, okay. Dan: So Len will now kill me for that, but. Mike: Oh, well, but yeah, so these guys were all introduced via a crossover event called Rise of the Midnight Sons, which saw all of these heroes, you know, getting their own books. And then they also teamed up with Dr. Strange to fight against Lilith the mother of demons. And she was basically trying to unleash her monstrous spawn across the world. And this was at the same time the Terror wound up invading the Marvel Universe. So if you were going to give an elevator pitch for Terror in the Marvel Universe, how would you describe him? Dan: I actually wrote one down, I'll read it to you, cause you, you know, you put that there and was like, oh gosh, I got to like now pitch this. A mythic manifestation of fear exists in our times, a top dollar mercenary for hire using a supernatural [00:37:00] ability to attach stolen body parts to himself in order to activate the inherit ability of the original owner. A locksmith's hand or a marksman, his eye or a kickboxer his legs, his gruesome talent gives him the edge to take on the jobs no one else can, he accomplishes with Savage, restyle, scorn, snark, and impeccable business acumen. So. Mike: That's so good. It's so good. I just, I have to tell you the twelve-year-old Mike is like giddy to be able to talk to you about this. Dan: I was pretty giddy when I was writing this stuff. So that's good. Mike: So how did Terror wind up crossing into the Marvel Universe? Like, because he just showed shows up in a couple of cameos in some Daredevil issues that you also wrote. I believe. Dan: Yeah, I don't know if he'd showed up before the book itself launched that might've, I mean, the timing was all around the same time. But everybody who was involved with Terror, love that Terror and Terror Incorporated, which was really actual title. Love the hell out of [00:38:00] the book, right. And myself, the editors, Carl Potts, who was the editor in chief, we all knew it was weird and unique. And, at one point when I, you know, said to Carl afterwards, well I'm just gonna take this whole concept and go somewhere else with it, he said, you can't, you made up something that, you know, can't really be replicated without people knowing exactly what you're doing. It's not just another guy with claws or a big muscle guy. How many people grab other people's body parts? So I said, you know, fie on me, but we all loved it. So when, the Shadowline stuff kind of went away, uh, and he was sort of kicking out there is still, uh, Carl came to me one day and, and said, listen, we love this character. We're thinking of doing something with horror in Marvel. This was before the Rise of the Midnight Sons. So it kind of came a little bit ahead of that. I think this eventually would become exactly the Rise of the Midnight Sons, but we want to bring together a lot of these unused horror characters, like Werewolf by Night, Man Thing, or whatever, but we want a central kind of [00:39:00] character who, navigates them or maybe introduces them. Wasn't quite clear what, and they thought Terror, or Shrek as he still was at that point, could be that character. He could almost be a Crypt Keeper, maybe, it wasn't quite fully baked. And, so we started to bounce this around a little bit, and then I got a call from Carl and said, yeah, that's off. We're going to do something else with these horror characters, which again would eventually become probably the Midnight Sons stuff. But he said, but we still want to do something with it. You know? So my disappointment went to, oh, what do you mean? How could we do anything? He said, what if you just bring him into the Marvel Universe? We won't say anything about what he did before, and just use him as a character and start over with him operating as this high-end mercenary, you know, what's he going to do? What is Terror Incorporated, and how does he do business within the Marvel world? And so I said, yes, of course, I'm not going to say that, you know, any quicker and just jumped into [00:40:00] it. And I didn't really worry about the transition, you know, I wasn't thinking too much about, okay. How does he get from Shadow Line world, to earth 616 or whatever, Marcus McLaurin, who was the editor. God bless him, for years would resist any discussion or no, no, it's not the same character. Marcus, it's the same character I'm using the same lines. I'm having him referenced the same fact that he's had different versions of the word terrors, his name at one point, he makes a joke about the Saint George complex. I mean, it's the same character. Mike: Yeah. Dan: But , you know, Marcus was a very good soldier to the Marvel hierarchy. So we just really brought him over and we just went all in on him in terms of, okay, what could a character like this play in the Marvel world? And he played really well in certain instances, but he certainly was very different than probably anything else that was going on at the time. Mike: Yeah. I mean, there certainly wasn't a character like him before. So all the Wikias, like [00:41:00] Wikipedia, all the Marvel fan sites, they all list Daredevil 305 as Terror's first official appearance in. Dan: Could be. Mike: Yeah, but I want to talk about that for a second, because that is, I think the greatest villain that I've ever seen in a Marvel comic, which was the Surgeon General, who is this woman who is commanding an army of like, I mean, basically it's like a full-scale operation of that urban myth of - Dan: Yeah. Mike: -the dude goes home with an attractive woman that he meets at the club. And then he wakes up in a bathtub full of ice and he's missing organs. Dan: Yeah. You know, sometimes, you know, that was certainly urban myth territory, and I was a big student of urban myths and that was the sort of thing that I think would show up in the headlines every three to six months, but always one of those probably friend of a friend stories that. Mike: Oh yeah. Dan: Like a razor an apple or something like that, that never actually sort of tracks back. Mike: Well, I mean, the thing now is it's all edibles in candy and they're like, all the news outlets are showing officially [00:42:00] branded edibles. Which, what daddy Warbucks mother fucker. Jessika: Mike knows my stand on this. Like, no, no, nobody is buying expensive edibles. And then putting them in your child's candy. Like, No, no, that's stupid. Dan: No, it's the, it's the, easier version of putting the LSD tab or wasting your pins on children in Snickers bars. Jessika: Right. Dan: Um, but but I think, that, that storyline is interesting, Mike, cause it's the, it's one of the few times I had a plotline utterly just completely rejected by an editor because I think I was doing so much horror stuff at the time. Cause I was also concurrently doing the Hellraiser work, the Night Breed work. It would have been the beginning of the Night Stalkers work, cause I was heavily involved with the whole Midnight Sons work. And I went so far on the first plot and it was so grizzly and so gruesome that, Ralph Macchio who was the editor, called me up and said, yeah, this title is Daredevil. It's not Hellraiser. So I had to kind of back off [00:43:00] and realize, uh, yeah, I put a little too much emphasis on the grisliness there. So. Mike: That's amazing. Dan: She was an interesting, exploration of a character type. Mike: I'm really sad that she hasn't showed back up, especially cause it feels like it'd be kind of relevant these days with, you know, how broken the medical system is here in America. Dan: Yeah. It's, it's funny. And I never played with her again, which is, I think one of my many Achilles heels, you know, as I would sometimes introduce characters and then I would just not go back to them for some reason, I was always trying to kind of go forward onto something new. Mike: Yeah. Jessika: Is there anything about Terror's character that you related to at the time, or now even. Dan: Um, probably being very imperious, very complicated, having a thing for long coats. Uh, I think all of those probably, you know, work then and now, I've kind of become convinced weirdly enough over time, that Terror was a character who [00:44:00] and I, you know, I co-created him with Margaret Clark and, and Klaus Janson, but I probably did the most work with him over the years, you know? So I feel maybe a little bit more ownership, but I've sort of become convinced that he was just his own thing, and he just existed out there in the ether, and all I was ultimately was a conduit that I was, I was just channeling this thing into our existence because he came so fully formed and whenever I would write him, he would just kind of take over the page and take over the instance. That's always how I've viewed him, which is different than many of the other things that I've written. Mike: He's certainly a larger than life personality, and in every sense of that expression. Jessika: Yes. Mike: I'm sorry for the terrible pun. Okay. So we've actually talked a bit about Terror, but I [00:45:00] feel like we need to have Jessika provide us with an overall summary of his brief series. Jessika: So the series is based on the titular character, of course, Terror, who is unable to die and has the ability to replace body parts and gains the skill and memory of that limb. So he might use the eye of a sharpshooter to improve his aim or the arm of an artist for a correct rendering. And because of the inability for his body to die, the dude looks gnarly. His face is a sick green color. He has spike whiskers coming out of the sides of his face, and he mostly lacks lips, sometimes he has lips, but he mostly lacks lips. So we always has this grim smile to his face. And he also has a metal arm, which is awesome. I love that. And he interchanges all of the rest of his body parts constantly. So in one scene he'll have a female arm and in another one it'll sport, an other worldly tentacle. [00:46:00] He states that his business is fear, but he is basically a paid mercenary, very much a dirty deeds, although not dirt cheap; Terror charges, quite a hefty sum for his services, but he is willing to do almost anything to get the job done. His first job is ending someone who has likewise immortal, air quotes, which involves finding an activating a half demon in order to open a portal and then trick a demon daddy to hand over the contract of immortality, you know, casual. He also has run-ins with Wolverine, Dr. Strange Punisher, Silver Sable, and Luke Cage. It's action packed, and you legitimately have no idea what new body part he is going to lose or gain in the moment, or what memory is going to pop up for him from the donor. And it keeps the reader guessing because Terror has no limitations. Mike: Yeah. Dan: was, I was so looking forward to hearing what your recap was going to be. I love that, so I just [00:47:00] want to say that. Jessika: Thank you. I had a lot of fun reading this. Not only was the plot and just the narrative itself, just rolling, but the art was fantastic. I mean, the things you can do with a character like that, there truly aren't any limits. And so it was really interesting to see how everything fell together and what he was doing each moment to kind of get out of whatever wacky situation he was in at the time.So. And his, and his quips, I just, the quips were just, they give me life. Mike: They're so good. Like there was one moment where he was sitting there and playing with the Lament Configuration, and the first issue, which I, I never noticed that before, as long as we ready this time and I was like, oh, that's great. And then he also made a St. George reference towards the end of the series where he was talking about, oh, I knew another guy who had a St. George complex. Dan: Right, right. Right, Mike: Like I love those little Easter eggs. Speaking of Easter eggs, there are a lot of Clive Barker Easter eggs throughout that whole series. Dan: [00:48:00] Well, That's it. That was so parallel at the time, you know. Mike: So around that time was when you were editing and then writing for the HellRaiser series and the Night Breed series, right? Dan: Yes. Certainly writing for them. Yeah. I mean, I did some consulting editing on the HellRaiser and other Barker books, after our lift staff, but, primarily writing at that point. Mike: Okay. Cause I have Hellraiser number one, and I think you're listed as an editor on it. Dan: I was, I started the whole Hellraiser anthology with other folks, you know, but I was the main driver, and I think that was one of the early instigators of kind of the rebirth of horror at that time. And, you know, going back to something you said earlier, you know, for many years, I was always, pressing Archie Goodwin, who worked at Warren, and worked on Erie, and worked on all those titles. You know, why can't we do a new horror anthology and he was quite sage like and saying, yeah. It'd be great to do it, but it's not going to sell there's no hook, right? There's no connection, you know, just horror for her sake. And it was when Clive Barker [00:49:00] came into our offices, and so I want to do something with Archie Goodwin. And then the two of them said, Hellraiser can be the hook. Right. Hellraiser can be the way in to sort of create an anthology series, have an identifiable icon, and then we developed out from there with Clive, with a couple of other folks Erik Saltzgaber, Phil Nutman, myself, Archie Goodwin, like what would be the world? And then the Bible that would actually give you enough, breadth and width to play with these characters that wouldn't just always be puzzle box, pinhead, puzzle box, pinhead, you know? And so we developed a fairly large set of rules and mythologies allowed for that. Mike: That's so cool. I mean, there really wasn't anything at all, like Hellraiser when it came out. Like, and there's still not a lot like it, but I - Jessika: Yeah, I was going to say, wait, what else? Mike: I mean, I feel like I've read other books since then, where there's that blending of sexuality and [00:50:00] horror and morality, because at the, at the core of it, Hellraiser often feels like a larger morality play. Dan: Now, you know, I'm going to disagree with you on that one. I mean, I think sometimes we let it slip in a morality and we played that out. But I think Hellraiser is sort of find what you want out of it. Right. You go back to the first film and it's, you know, what's your pleasure, sir? You know, it was when the guy hands up the book and the Centobites, you know, or angels to some demons, to others. So I think the book was at its best and the movies are at their best when it's not so much about the comeuppance as it is about find your place in here. Right? And that can be that sort of weird exploration of many different things. Mike: That's cool. So going back to Terror. Because we've talked about like how much we enjoyed the character and everything, I want to take a moment to talk about each of our favorite Terror moments. Dan: Okay. Mike: So Dan, why don't you start? What was your favorite moment for Terror [00:51:00] to write or going back to read? Dan: It's a great question, one of the toughest, because again, I had such delight in the character and felt such a connection, you know, in sort of channeling him in a way I could probably find you five, ten moments per issue, but, I actually think it was the it's in the first issue. And was probably the first line that sort of came to me. And then I wrote backwards from it, which was this, got your nose bit. And you know, it's the old gag of like when a parent's playing with a child and, you know, grabs at the nose and uses the thumb to represent the nose and says, got your nose. And there's a moment in that issue where I think he's just plummeted out of a skyscraper. He's, you know, fallen down into a police car. He's basically shattered. And this cop or security guard is kind of coming over to him and, and he just reaches out and grabs the guy's nose, you know, rips his arm off or something or legs to start to replace himself and, and just says, got your nose, but it's, but it's all a [00:52:00] build from this inner monologue that he's been doing. And so he's not responding to anything. He's not doing a quip to anything. He's just basically telling us a story and ending it with this, you know, delivery that basically says the guy has a complete condescending attitude and just signals that we're in his space. Like he doesn't need to kind of like do an Arnold response to something it's just, he's in his own little world moments I always just kind of go back to that got your nose moment, which is just creepy and crazy and strange. Mike: As soon as you mentioned that I was thinking of the panel that that was from, because it was such a great moment. I think it was the mob enforcers that had shot him up and he had jumped out of the skyscraper four and then they came down to finish him off and he wound up just ripping them apart so that he could rebuild himself. All right, Jessika, how about you? Jessika: I really enjoyed the part where Terror fights with sharks in order to free Silver Sable and Luke Cage. [00:53:00] It was so cool. There was just absolutely no fear as he went at the first shark head-on and, and then there were like five huge bloodthirsty sharks in the small tank. And Terror's just like, what an inconvenience. Oh, well. Mike: Yeah. Jessika: Like followed by a quippy remark, like in his head, of course. And I feel like he's such a solitary character that it makes sense that he would have such an active internal monologue. I find myself doing that. Like, you know, I mean, I have a dog, so he usually gets the brunt of it, but he, you know, it's, it is that you start to form like, sort of an internal conversation if you don't have that outside interaction. Dan: Right. Jessika: And I think a lot of us probably relate to that though this pandemic. Mike: Yeah. Jessika: But the one-liner thoughts, like, again, they make those scenes in my opinion, and it gave pause for levity. We don't have to be serious about this because really isn't life or death for Terror. We know that, and he just reminds us that constantly by just he's always so damn nonchalant. [00:54:00] Dan: Yeah. He does have a very, I'm not going to say suave, but it's, uh, you know, that sort of very, I've got this, you know, sort of attitude to it. Mike: I would, say that he's suave when he wants to be, I mean, like the last issue he's got his whiskers tied back and kind of a ponytail. Dan: Oh yeah. Jessika: Oh yeah. Dan: Richard Pace did a great job with that. Mike: Where he's dancing with his assistant in the restaurant and it's that final scene where he's got that really elegant tuxedo. Like. Dan: Yeah. It's very beautiful. Mike: I say that he can be suave and he wants to be. So I got to say like my favorite one, it was a visual gag that you guys did, and it's in issue six when he's fighting with the Punisher and he's got this, long guns sniper. And he shoots the Punisher point blank, and Terror's, like at this point he's lost his legs for like the sixth time. Like he seems to lose his legs, like once an issue where he's just a torso waddling around on his hands. And so he shoots him the force skids him back. [00:55:00] And I legit could not stop laughing for a good minute. Like I was just cackling when I read that. So I think all of us agree that it's those moments of weird levity that really made the series feel like something special. Dan: I'm not quite sure we're going to see that moment reenacted at the Disney Pavilion, you know, anytime soon. But, that would be pretty awesome if they ever went that route. Mike: Well, yeah, so, I mean, like, let's talk about that for a minute, because one of the main ways that I consume Marvel comics these days is through Marvel unlimited, and Terror is a pretty limited presence there. There's a few issues of various Deadpool series. There's the Marvel team up that I think Robert Kirkman did, where Terror shows up and he has some pretty cool moments in there. And then there's a couple of random issues of the 1990s Luke Cage series Cage, but like the core series, the Marvel max stuff, his appearance in books like Daredevil and Wolverine, they just don't seem to be available for consumption via the. App Like I had to go through my personal [00:56:00] collection to find all this stuff. And like, are the rights just more complicated because it was published under the Epic imprint and that was create her own stuff, like do you know? Dan: No, I mean, it wouldn't be it's choice, right. He's probably perceived as a, if people within the editorial group even know about him, right. I was reading something recently where some of the current editorial staff had to be schooled on who Jack Kirby was. So, I'm not sure how much exposure or, you know, interest there would be, you know, to that. I mean, I don't know why everything would be on Marvin unlimited. It doesn't seem like it requires anything except scanning the stuff and putting it up there. But there wouldn't be any rights issues. Marvel owned the Shadow Line, Marvel owns the Terror Incorporated title, it would have been there. So I'm not really sure why it wouldn't be. And maybe at some point it will, but, that's just an odd emission. I mean, for years, which I always felt like, well, what did I do wrong? I [00:57:00] mean, you can find very little of the Daredevil work I did, which was probably very well known and very well received in, in reprints. It would be like, there'd be reprints of almost every other storyline and then there'd be a gap around some of those things. And now they started to reappear as they've done these omnibus editions. Mike: Well, yeah, I mean, you know, and going back the awareness of the character, anytime I talk about Terror to people, it's probably a three out of four chance that they won't have heard of them before. I don't know if you're a part of the comic book historians group on Facebook? Dan: I'm not. No. Mike: So there's a lot of people who are really passionate about comic book history, and they talk about various things. And so when I was doing research for this episode originally, I was asking about kind of the revamp of supernatural heroes. And I said, you know, this was around the same time as Terror. And several people sat there and said, we haven't heard of Terror before. And I was like, he's great. He's amazing. You have to look them up. But yeah, it seems like, you know, to echo what you stated, it seems like there's just a lack of awareness about the character, which I feel is a genuine shame. And that's part of the [00:58:00] reason that I wanted to talk about him in this episode. Dan: Well, thank you. I mean, I love the spotlight and I think anytime I've talked to somebody about it who knew it, I've never heard somebody who read the book said, yeah, that sucks. Right. I've heard that about other things, but not about this one, invariably, if they read it, they loved it. And they were twisted and kind of got into it. But did have a limited run, right? It was only 13 issues. It didn't get the spotlight, it was sort of promised it kind of, it came out with a grouping of other mercenary titles at the time. There was a new Punisher title. There was a Silver Sable. There was a few other titles in this grouping. Everyone was promised a certain amount of additional PR, which they got; when it got to Terror. It didn't get that it like, they pulled the boost at the last minute that might not have made a difference. And I also think maybe it was a little bit ahead of its time in certain attitudes crossing the line between horror and [00:59:00] humor and overtness of certain things, at least for Marvel, like where do you fit this? I think the readers are fine. Readers are great about picking up on stuff and embracing things. For Marvel, it was kind of probably, and I'm not dissing them. I never got like any negative, you know, we're gonna launch this title, what we're going to dismiss it. But I just also think, unless it's somebody like me driving it or the editor driving it, or Carl Potts, who was the editor in chief of that division at that point, you know, unless they're pushing it, there's plenty of other characters Right. For, things to get behind. But I think again, anytime it kind of comes up, it is definitely the one that I hear about probably the most and the most passionately so that's cool in its own way. Mike: Yeah, I think I remember reading an interview that you did, where you were talking about how there was originally going to be like a gimmick cover or a trading card or something like that. Dan: Yeah. Mike: So what was the, what was the gimmick going to be for Terror number one? Dan: What was the gimmick going to be? I don't know, actually, I if I knew I [01:00:00] can't remember anymore. But it was going to be totally gimmicky, as all those titles and covers were at the time. So I hope not scratch and sniff like a, uh, rotting bodies odor, although that would have been kind of in-character and cool. Mike: I mean, this was the era of the gimmick cover. Dan: Oh, absolutely. Mike: Like,that was when that was when we had Bloodstrike come out and it was like the thermographic printing, so you could rub the blood and it would disappear. Force Works is my favorite one, you literally unfold the cover and it's like a pop-up book. Dan: Somebody actually keyed me in. There actually was like a Terror trading card at one point. Mike: Yeah. Dan: Like after the fact, which I was like, shocked. Mike: I have that, that's from Marvel Universe series four. Dan: Yeah. we did a pretty good job with it actually. And then even as we got to the end of the run, you know, we, and you can sort of see us where we're trying to shift certain aspects of the book, you know, more into the mainstream Marvel, because they said, well, we'll give you another seven issues or something, you know, to kind of get the numbers up. Mike: Right. Dan: And they pulled the plug, you know, even before that. So, uh, that's why [01:01:00] the end kind of comes a bit abruptly and we get that final coda scene, you know, that Richard Pace did such a nice job with. Mike: Yeah. I mean, it felt like it wrapped it up, you know, and they gave you that opportunity, which I was really kind of grateful for, to be honest. Dan: Yeah. and subsequently, I don't know what's going on. I know there was that David Lapham, you know, series, you did a couple of those, which I glanced at, I know I kind of got in the way of it a little bit too, not in the way, but I just said, remember to give us a little created by credits in that, but I didn't read those. And then, I know he was in the League of Losers at one point, which just didn't sound right to me. And, uh. Mike: It's actually. Okay. So I'm going to, I'm going to say this cause, it's basically a bunch of, kind of like the B to C listers for the most part. And. So they're called the Legal Losers. I think it's a really good story, and I actually really like what they do with Terror. He gets, she's now Spider Woman, I think it's, Anya Corazon, but it was her original incarnation of, Arana. And she's got that spider armor that like comes out of her arm. And so she [01:02:00] dies really on and he gets her arm. And then, Dan: That's cool. Mike: What happens is he makes a point of using the armor that she has. And so he becomes this weird amalgamation of Terror and Arana's armored form, which is great. Dan: Was that the Kirkman series? Is that the one that he did or. Mike: yeah. That was part of Marvel Team-Up. Dan: Okay. Mike: it was written by Robert Kirkman. Dan: Well, then I will, I will look it up. Mike: Yeah. And that one's on Marvel unlimited and genuinely a really fun story as I remembered. It's been a couple of years since I read it, but yeah. Dan: Very cool. Mike: So we've talked about this a little bit, but, so
A Dead World by W.J. Stanton-Pyper
The Colorado metal scene is currently experiencing a lush and fertile era, bolstered by a strong community that looks out for each other that makes efforts to check elitism at the door. With a new record out now, Denver's Oryx has injected a fresh feel into their sound by utilizing the massive amount of talent present in the area (we're talking Many Blessings, Cthonic Deity, AND Blood Incantation members all guesting on the record). Tommy and Abbey delve into their beginnings in Las Cruces, New Mexico and how their DIY ethics made them a perfect fit in Colorado, along the way touching on Spice World VHS tapes, layers of Earth, when From Ashes Rise took a head shot to their pride, taking a firm stance against algorithmic commercialization and gatekeeping, reflect on the barbarism of the human race, Jus Oborn's absinthe fueled brisket binge, the dynamics of being married in a band, and the spectrum of what is heavy music. Support Oryx. Lamenting a Dead World is available for purchase on their Bandcamp and over at Translation Loss Records. Track featured is "Last Breath" off of Lamenting a Dead World. Photograph by Alvino Salcedo
In this episode I speak on the effects of the modern world on our pure souls. As a collective understanding ourselves is only going to create a better civilisation for us and our future. Being aware of your thoughts and feelings really impact the state of your reality, if this is something your interested in stay in tune...WHAT TO EXPECTTime loops, free will, planting seeds, pure awareness, healing, confidence, single tasking and more...“Why would I be focusing on death when I can focus on growth” SOCIAL MEDIAInstagram: https://www.instagram.com/martha.gatwech/?hl=enTwitter: https://mobile.twitter.com/MGatwechEmail: brokenrhythm22@gmail.comTAKE CARE OF YOUR MIND.(Eric Thomas, world’s number 1 motivational speaker)https://youtube.com/c/etthehiphoppreacher(Neville Goddard Lecture- I Changed my Mind & My Reality Changed!)https://youtu.be/oWMehMCDxS4(Russ’s Audiobook- It’s all in your head)https://youtu.be/b_Uob-cv2oUI love you thank you for your support.
Welcome back Firesiders! With the release of Zack Snyders Army of the Dead, we thought it would be fun to grab Buz from the Living Corpse and talk about Zombie Related comic events you should check out when you finish. Join Mendte, Maurer, Mashko, and the aforementioned zombie/comic guru, Buz, as they break down some of the best zombie stories in comics. From which books are recommend, what influenced Buz, Dead World, Walking Dead, and so much more. Welcome… to… Fir…Brainssss…
In episode 59 of The Cast That Ends Creation, I interview Dead World Reclamation! https://deadworldreclamation.bandcamp.com/album/aura-of-iniquity https://www.facebook.com/deadworldreclamation https://www.instagram.com/deadworldreclamation/ https://twitter.com/DWROfficialband https://www.youtube.com/channel/UCfSVv2qlxPbEZUgMgdp5WuQ Arizona Breakdown - https://www.youtube.com/user/BloodoftheCosmos - - - https://www.youtube.com/thecastthatendscreation https://www.facebook.com/thecastthatendscreation https://www.instagram.com/thecastthatendscreation https://www.twitch.tv/thecastthatendscreation https://www.twitter.com/thecastthatends https://thesoundthatendscreation.bandcamp.com
Resenha: Dead World Reclamation - Aura of Iniquity (Technical Death Metal/Deathcore Americano)
Abbey discusses her love for true crime documentaries, opening up for Electric Wizard, how she got into drumming, if she'd rather hang out with Ozzy Osborne or Alice Cooper, writing the new Oryx album Lamenting a Dead World and more!
Covenant Methodist Woodlands | Weekly Inspiration for Christian Living
Like the sunflower, we are to turn our faces to the Son. God made us alive in Christ. By grace, you have been saved through faith
Covenant Methodist Woodlands | Weekly Inspiration for Christian Living
Like the sunflower, we are to turn our faces to the Son. God made us alive in Christ. By grace, you have been saved through faith
Jackie's search for Emelia leads her into a post-collapse timeline; a dead world. But perhaps a familiar one? Campbell and Silvers also chase after Jackie, with Gash tagging along and Cragg after Emelia, who tries to decipher some cryptic clues… What...
In our latest episode we review Patty Jenkin's highly anticipated DCEU sequel, Wonder Woman 1984. We also interview one of the stars of The Walking Dead: World Beyond Nicola Cantu, who plays Elton Ortiz and discuss our favourite announcements from the Walt Disney Investor Day - enjoy! 00:00:00 - 00:22:12 Intro, AHWTH & Disney Investor Day Discussion 00:22:12 - 00:41:21 Wonder Woman 1984 Spoiler-Free Special 00:41:21 - 00:52:24 Interview with The World Beyond star Nicolas Cantu00:52:24 - 00:55:09 Outro Follow We Have a Hulk: Twitter - twitter.com/wehaveahulkpod Instagram - instagram.com/wehaveahulkpod Facebook - facebook.com/wehaveahulkpod YouTube - youtube.com/c/wehaveahulk News and Reviews Website - wehaveahulk.co.uk Music By HeatleyBros - youtube.com/user/HeatleyBros
Boteco do Metal Episódio Iron Maiden, Nevermore, Miwa, Master Boot Record - Boteco Recomenda #14 - 26/11/2020 Neste boteco recomenda: - The Nights of the Dead, The Legacy of the Beast, Live in Mexico City, IRON MAIDEN - Dead Heart In a Dead World, Nevermore - Hell Is Real, MIWA - Floppy Disk Overdrive, MASTER BOOT RECORD O Iron Maiden precisava de mais um álbum ao vivo? Achamos que 1 é pouco! E também discutimos o que o The Nights of the Dead traz para os fãs da Donzela de ferro. Nevermore marca presença com o álbum Dead Heart In a Dead World, Warrel Dane impressiona um dos nossos bebedores! O 4 trabalho do Nevermore e a discussão sobre que estilo é essa banda. Duas surpresas: 1) Miwa, cantora japonesa lançando um álbum, sempre recheado de participações, como Chris Slade (ex AC/DC), Billy Sheehan (Mr. Big, Sons of Apolo, Winery Dogs) 2) Master Boot Record, trabalho diferente do que estamos acostumados a trazer aqui. Meio sintetizado, mas ainda pesado, com pitadas de jogos 8 bits (Nintendo, Master System). Nossos botequeiros de velha guarda são também ex-meninos de computador, eles foram à loucura com o nome das faixas que lembram muito os disquetes de emergência do MS-DOS (exemplos: HIMEM.SYS, EDIT.EXE, FDISK.COM) Escute as músicas deste episódio: https://music.youtube.com/playlist?list=PLThWyVq79DzxiwfYTfbf86JsqnMbQiHJL Comenta aí o que você achou deste episódio! Sobre o que quer ouvir no próximo? Um brinde de Plinio, Rodrigo, Cristiano e Leandro! Siga BOTECO DO METAL nas redes sociais: https://twitter.com/botecodometal https://www.instagram.com/botecodometal/ https://www.facebook.com/Boteco-do-Metal-115676903597206/ ASSINE NOSSO PODCAST Anchor FM - https://anchor.fm/botecodometal Spotify - https://open.spotify.com/show/3wz83HYy7eBd8o6T6YeILB Apple Podcast - https://podcasts.apple.com/podcast/id1532780388 YouTube - https://www.youtube.com/channel/UClYwOXr0pxgC5g1MOmCUC6w Google Podcast - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8zNWEwY2FiNC9wb2RjYXN0L3Jzcw== Overcast - https://overcast.fm/itunes1532780388/boteco-do-metal Pocketcasts - https://pca.st/jvq1navt Castro FM - https://castro.fm/podcast/8ad7ecd5-535c-4fc0-af16-757e3adf95a2 Breaker - https://www.breaker.audio/boteco-do-metal Radio Public - https://radiopublic.com/boteco-do-metal-WxRN2O RSS Feed - https://anchor.fm/s/35a0cab4/podcast/rss
Cuatro adolescentes criados durante el apocalípsis zombie abandonan su comunidad. La entrada The Walkind Dead: World Beyond se publicó primero en Escenas Eliminadas.
להיות טרו מטאל. מכירים את המונח הזה נכון? בשנות השבעים זה היה מאוד קל, כי כל אוהב רוק שהיה בעניינים היה טרו. בשנות השמונים היו 10 ואחכ 20 ואחכ 30 להקות מרכזיות בכל העולם, ומספיק שהיית פוקד מספיק את חנויות התקליטים ודואג להכיר אותן, ואולי גם דופק איזה ג'קט ג'ינס עם פאצ'ים, והיית סופר טרו. בשנות התשעים התחילו להופיע כבר כמויות של עשרות אלבומים בכל חודש, והחלו לקום ז'אנרים שונים, והתחילו הוויכוחים הפנימיים של מי טרו? אלו שדבקים באולד סקול של שנות השמונים או אלו שהמשיכו להתקדם עם התפתחות המוזיקה לכיוונים שונים. ואז, אז הגיעה התקופה החדשה, בה אנחנו נמצאים גם עכשיו, תקופה בה כמות הלהקות והאלבומים היא פיזית על הגבול הבלתי אפשרית למעקב, וזאת למרות הקלות שאפשר להגיע למידע, בלחיצת כפתור בכף היד. ההאזנה איננה מצריכה מגע אישי, אינה מצריכה לצאת מהבית, להכנס לחנות, לשים את האוזניות על האוזניים ואין את החיבור הקסום הזה שהיה פעם בין מאזין ללהקה, שחווה את הריח של האלבום והעטיפה, וקנה מכסף שחסך אלבום לאוסף שלו. וכך הקלות הזו של היום, הביאה איתה גם איזו הוזלה מסויימת והרגשה שעידן המטאל האמיתי כבר חלף. אבל זו רק הרגשה. מת על מטאל מביאה לכם את החלק השלישי והאחרון בסיכום 50 שנים למטאל, ובו נעסוק בתקופה של שנת 2000 ועד סוף שנת 2019, השנים בהם המטאל צמח לגדלים בלתי נתפסים, הגיע לכל מקום בעולם, הצמיח ז'אנרים על ז'אנרים והביא המוני אנשים חדשים למוזיקה הזו, קהלים חדשים ואף גרף הכרה עולמית בתחרויות מוזיקה, מצעדים חשובים והפך לטוב ולרע, ממשהו מחתרתי שחי בצל, לתחום מוזיקלי גדול וצומח ובמדינות מסוימות אפילו מוביל. בואו להאזין לתוכנית מושקעת וארוכה במיוחד הסוגרת את טרילוגיית סיכום 50 השנה למטאל, שלאחריה אנחנו יוצאים לפגרה וחוזרים אליכם בתוכנית "טקס פרסי מת על מטאל 2020", שתסכם את השנה הנוכחית! » עשרים שירים מתוך 20 האלבומים המייצגים של 2000 ועד 2019 «2000 – Nevermore – The Heart Collector (Dead Heart in A Dead World)2001 – Arch Enemy – Ravenous (Wages of Sin)2002 – Bloothbath – Like Fire (Resurrection Through Carnage)2003 – Swallow The Sun – Swallow (The Morning Never Came)2004 – Lamb of God – Now You've Got Something to Die For (Ashes of the Wake)2005 – Gojira – From The Sky (From Mars to Sirius)2006 – Melechesh – Rebirth of the Nemesis (Emissaries)2007 – Dimmu Borgir – The Serpentine Offering (In Sorte Diaboli)2008 – Scar Symmetry – Morphogenesis (Holographic Universe)2009 – Powerwolf – Werewolves of Armenia (Bible of the Beast)2010 – Ghost – Satan's Parayer (Opus Eponymous)2011 – Septic Flesh – Pyramid God (The Great Mass)2012 – Testament – True American Hate (Dark Roots of Earth)2013 – Black Sabbath – End of The Beggining (13)2014 – Behemoth – Ora Pro Nobis Lucifer (The Satanist)2015 – Tribulation – Melancholia (The Children of the Night)2016 – Metallica – Moth into Flame (Hardwired…to Self-Destruct)2017 – Beast In Black – Beast in Black (Berserker)2018 – Parkway Drive – Absolute Power (Reverence)2019 – Shadow of Intent – Melancholy (Melancholy)
Series: Is there a Prophet in Israel?: Stories from the life of ElishaService: Gospel MeetingType: Gospel MeetingSpeaker: Daniel Broadwell
"Dead Talk" Live: We're Discussing The Start Of The Zombie Apocalypse In The Walking Dead Universe!
"Dead Talk" Live: We're Discussing The Start Of The Zombie Apocalypse In The Walking Dead Universe!
Jonathan Canady of Deathpile, Dead World, Blunt Force Trauma and so much more joins us to discuss a milestone in the world of noise and industrial—“Information Overload Unit” by SPK. Jonathan came prepared to go deep on all aspects of this album. In addition, we talk about Jonathan’s time working for Relapse as well as his early days of sound making. The overload has begun.
In this episode Phil does a deep dive on one of his favourite metal vocalists Warrel Dane Tracks played; Serpent’s Knight - Disturbing Your Peace - Released from the Crypt (1983) Sanctuary - Die For My Sins – Refuge Denied (1988) Sanctuary – Future Tense – Into The Mirror Black (1990) Nevermore – CBF – Nevermore (1995) Nevermore – Next In Line – Politics Of Ecstasy (1996) Nevermore – Dreaming Neon Black – Dreaming Neon Black (1999) Nevermore - We Disintegrate - Dead Heart, in a Dead World (2000) Nevermore – Enemies Of Reality - Enemies Of Reality (2005) Nevermore – Sentient 6 – This Godless Endeavor (2005) Warrel Dane – Let You Down - Praises to the War Machine (2008) Nevermore –The Obsidian Conspiracy - The Obsidian Conspiracy (2010) Warrel Dane – Madame Satan – Shadow Work (2018) Nevermore - The Year of the Voyager - Dead Heart, in a Dead World (2008) Host; Phil Wadey Contact us at philsbreakfastmetal@gmail.com Facebook page; www.facebook.com/Philsbreakfastmetal/?fref=ts Twitter; @BreakfastMetal
Original Air Date: May 25, 2014 The Cool Kids had a few technical difficulties on this episode, so please cut them some slack as they try to power through. Discussed in this week's episode are a pair of the tightest scripts in Adventure Time's history, sentient ham sandwiches, Jessica Chastain, and Ooo's version of the afterlife. Get on it. Episodes Covered: “Marceline's Closet” (Season 3, Episode 21) “Paper Pete”(Season 3, Episode 22) “Another Way” (Season 3, Episode 23) “Ghost Princess” (Season 3, Episode 24)
Welcome to Season 5, everybody! This time, I chose 'Dead World' by Jack Douglas, a COPYRIGHT FREE e-book to read for you guys to enjoy. You can find many copyright free books on Project Gutenberg, an online based website that is dedicated to finding and compiling copyright free e-books for anyone to enjoy. So, in this episode of Science Fiction Anonymous, I'll be reading the book 'Dead World' by Jack Douglas. So, kick back, relax, and enjoy! Music: 1. Futuristic Sci-fi Background Music inspired by - Apollo 11 https://www.youtube.com/watch?v=wSpKSDTfZHg 2. Dark Haunting intro Music - The Broken World https://www.youtube.com/watch?v=-mxmbuJ50VQ Project Gutenburg Book Copyright/Terms of use: http://www.gutenberg.org/wiki/Gutenberg:Terms_of_Use Book: https://www.gutenberg.org/files/27631/27631-h/27631-h.htm --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sciencefiction/support
Prog rock drumming ace Vinny Roseboom talks the origins of his band Gospel & the cult like following with their ’05 album The Moon is a Dead World(recorded w/ Kurt Ballou), /their sold out show at St Vitus, smoking too much, drinking too much, the process of recording TMIADW, not being the best at drum tuning, returning to playing with the band after not playing for nearly a decade, working shit jobs, blowing money on skins, hemorrhaging money on tours, altered dolphins, playing bum fuck towns to no one, his first monstrous kit, drummers not getting laid, Mitch Mitchell as an influence, premature edrumulation, and plans for recording their next record! https://www.youtube.com/watch?v=3Q7H7U73QI4
This Thursday: Gamer Works coming at ya! Josh and David expand on a simple weird thought Josh had. What kind of game could we make in a world where Necromancy was the norm? For those in the USA, Happy 4th of July! Thank you to everyone who listens! Don't forget to tell your friends. Episode Release Schedule: Thursdays @ ~6PM Pacific Time Saturdays @ 12PM Pacific Time
Abi and Bill are here to mix up cocktails! Well, you don’t really /need/ to mix it if it’s just one flavor, but it’s the thought that counts, right? Right? If you want to send us more than thoughts then …Read more »
Join Bill as he relentlessly tastes bevs with Abi! It’s great! DUNK YOUR GULLET IN IT, AMERICA. Thanks to They Might Be Giants for the use of our theme song, Exquisite Dead Guy
MAWP Tacoma presents MAWPCAST 1 Radio Program, Episode 26: Safety Not Guaranteed Hosted by Potter, Sound Man Chris & Ashley Marie It's the show that brings you all the sounds of Tacoma. This week; sonic extravaganza. We talk about pot farms, birds nesting in our vents, humidity, Disney films, locking keys in your car, the legend of Potter's Sweater, slot machines, and many more random topics... and as always we play music from the greater Pierce County region of the Pacific Northwest... This show features these songs from the following bands: "Mooner" Mico De Noche, Pick-Up (Bandcamp) "Resurrection" Lotus Lynn (ReverbNation) "Condenser" Sleeper Cell, Strumming the Umbilical Chord (Bandcamp) "Underwater Man" The Legend of Bigfoot, The Legend of Bigfoot EP (Bandcamp) "Robots Don't Have Feelings" The Breaklites, Robots and Daytons (Bandcamp) "Sep-er-a-tion" Utterance (ReverbNation) "Laundromat Boogie" The Rusty Cleavers, The Rusty Cleavers (Bandcamp) "The Accuser" Dieselharp, Monochrome (Bandcamp) "Big Green Man" Spuj, All Over Ewe "My Brain" Explicit, Mental (Bandcamp) "Lorelei" Heather Lum (Bandcamp) "The Untrue" Fear Itself "Turn Off the Radio" Point Defiance, Low (ReverbNation) "Venus" The Fleetwoods "Megacrush" My Name, Megacrush "JRNY" Kid Genius, JRNY (Bandcamp) "Erased" Tony Delusio "Zombats" Zombats, Dead Bat Society (Bandcamp) "Said + Done" Ring, 7" "Ocean of Dust" Preacher, Dead Men, Dead World (Bandcamp) "Fuck Yer Shit" Giant Pacific Apparition, Damp (Bandcamp) "We Could" Sweltercacklebush, 7" "For Me!" Nayra, Break (Bandcamp) "Somewhere Else" Nothing Sounds Good (Facebook) "Friend" Oblivion, Haunt (Bandcamp) "The Big One" Si Si Si (Bandcamp) If you would like to support MAWP Tacoma you can visit our Patreon page. You can also check out the MAWP Tacoma website! Tweet us on Twitter! Follow us on Facebook! Look at us on Instagram Produced and Edited by Potter Video Recorded by Chris Pederson & Potter Audio Recorded by Chris Pederson Executive Producer Ken Johnson, Chris Pederson Technical Engineers Rick Casson, Chris Pederson © 2019 MAWP Tacoma
This week, Andre and Connor from Dead World Reclamation join to us to talk everything from hardcore dancing, mosh pits, my rap phase and much more!
MAWP Tacoma presents MAWPCAST 1 Radio Program, Episode 14: Brokeback Mountain Hosted by Potter & Sound Man Chris An enthralling look in to the majestic sonic landscape of local music in the greater Tacoma area. Who are you to resist it? This show features these songs from the following bands: "Silver" the Centre Cannot Hold (Bandcamp) "Fog & Leaves" :novemthree:, Fog & Leaves (Bandcamp) "Rescue Me" Psycho 78, Desperate Times (Bandcamp) "White Shoes" A Leaf, A Leaf (Bandcamp) "Edge of Night" Eastern Star (Available on Soundcloud) "The Eel in the Room" Lovely Bodies, Demo (Bandcamp) "Rig" Poppa Wheelie, Super Jet Cycle (Bandcamp) "Undertow" IX Lives (Bandcamp) "You Know That It's Cool, Pops Spoiler and his Deadbeats, Red Shift Comp "Shimmer" Lo' There, Shimmer (Bandcamp) "Little Green Aliens" The Cutwinkles, The Leaf Green Album (Bandcamp) "Frontline" Natural Causes (Available on Soundcloud) "Nic" Ash Bib, Post Nick Era (Bandcamp) "Gloom" Larroux, Nothing Feels the Same (Bandcamp) "Moon Child" The Ventures, In Space (Website) "Chinaski Drinks a Beer" Jesus on the Moon, Strange Torpedoes: Vault o' Noise Volume 1 (Bandcamp) "Last Words" Ergo I Exist, Demo (Bandcamp) "Killerz in the Shed" Mister Master (ReverbNation) "Never Really Seen it All" The Rhino Humpers "Tumult" Swelter, Black Ass Master (Bandcamp) "DFEAT" Scorn Dog, Slackjaw (Bandcamp) "Drive" Shebear, Shebear EP (Bandcamp) "Wicked Hearts" Preacher, Dead Men, Dead World (Bandcamp) "Love is What We Are" Big Wheel Stunt Show, Raygun Draygun (Bandcamp) If you would like to support MAWP Tacoma you can visit our Patreon page. You can also check out the MAWP Tacoma website! Tweet us on Twitter! Follow us on Facebook! Look at us on Instagram! Produced, Recorded and Edited by Potter Audio Recorded by Chris Pederson Executive Producer Ken Johnson Technical Engineers Rick Casson, Chris Pederson © 2019 MAWP Tacoma
Tonight we talk a bit about Monster Hunter World Winter Star Event and how maddening the Tempered Kirin is. From there we talk about the closing of MMOs and specifically the loss of Wildstar. Several of us have returned to Final Fantasy XIV as is often the case at the end of an expansion. We briefly talk about some frustrations with World of Warcraft and then go into a discussion about puzzle games you can zone out while playing specifically Tetris Effect in VR and the amazing Lumines. Topics Discussed Monster Hunter World Winter Star Event Tempered Kirin Talking about Various Weapons Closing of MMOs The Last Hours of Wildstar Star Wars Galaxies City of Heroes Games being Bought Returning to FFXIV Main Story Quest Palace of the Dead World of Warcraft Issues Tetris Effect in VR Lumines Bejeweled Peggle Loot Missing Game Forums
This week we're talking Fallout 76, Je t'aime, je t'aime, and Rogue Moon. Show music by Reed Love and OGRE. Support the show!
What would you do if you were trapped and only had 10 albums that you could listen to? This episode, Chris and J talk about their desert island top ten albums. This episode features a clip from the song "Necromancers" by Amorphia. Our picks of the week: J - Amorphia - Arms to Death; Chris - Overkill - Live in Overhausen (Blu Ray/CD) Our Desert Island Top Ten Albums: J: Havok - Conformicide; Fear Factory- Demanufacture; Anthrax - Among the Living; Iron Maiden - Number of the Beast; Megadeth - Countdown to Extinction; Ozzy - Diary of a Madman; Pantera - Vulgar Display of Power; NIN - Downward Spiral; Type O Negative - Life is Killing Me; Slayer - Haunting the Chapel, Chris: Fates Warning - A Pleasant Shade of Gray, Iced Earth - The Dark Saga; Rush - 2112, Paradise Lost - Draconian Times; Bruce Dickinson - Accident of Birth; My Dying Bride - A Line of Deathless Kings; Nevermore - Dead Heart in a Dead World; Queensryche - Operation Mindcrime; Redemption - Snowfall on Judgment Day; King Diamond - Abigail How to Subscribe to the show: Itunes Google Play Stitcher Spotify Follow The Heavy Metal Hangover on Social Media: Instagram Facebook
My interview with Laluzi, author of A Dead World. https://www.fanfiction.net/s/8601250/… https://forums.spacebattles.com/threa… MrBtongue’s The Shandification of Fallout: https://www.youtube.com/watch?v=wvwlt… You can also find this podcast on iTunes and Google Play Podcasts, or on tidbitspodcast.blubrry.net
On this very sleepy episode we talk about A Lot Of Things. At least one of those things might be the game we played!
John and Frank are back, they talk about E3 2017, Elegy for a Dead World, John doles out some terrible, terrible advice and then they wax poetic on Guardians of the Galaxy Volume 2.
This week, Petey is still in Austin as Patrick has kept him captive just to discuss Seattle Metal unit Nevermore and their 2000 album "Dead Heart In A Dead World". What did the guys think of this metal offering? Hit play and find out!
This week, Ziba Scott returns to the volcano to discuss his work with Dejobaan games, makers of Drunken Robot Pornography and the upcoming Elegy for a Dead World. In addition to discussing the YOLO naming of DRP, we ponder whether we really want smart AI, what we're doing with our PC games, and whether crowd-sourced content is exploitative.[MP3 AUDIO]Ziba on TwitterElegy for a Dead WorldDejobaan Games[LINK] Maybe We Can't Handle Smart Enemies in Our Games[LINK] When a Successful Game is a Failure[LINK] We're Buying More PC Games Than We Can Play[LINK] Comcast isn't letting customers watch HBO Go on PlaystationFor a video of this episode go to: http://youtu.be/qdP8QrWHmUQ
A brief update, and a story.
Ichiro Lambe is founder of Dejobaan Games, developers of Elegy for a Dead World, AaaaaAAaaaAAAaaAAAAaAAAAA!!! A Reckless Disregard for Gravity, and many more. This is audio of his guest speaking for http://gamkedo.club Music by Danny Baranowsky
Our trio return to the bandit - I mean bear - cave. What will they find in a darkness below Badman Roost?
*Warning* Episode 161 of Trick or Treat Radio features the return of insane Dynamo ranting. Marvel as his voice goes up four octaves! Picture the Image of how red his face was! In addition to his near heart attack inducing break down we hang out in studio with super talented horror artist and comic book creator, Derek Rook from Rough House Publishing! Derek gives us the 411 on all his upcoming comics including the incredible looking Dead Omnibus. We wrap the night up with a review of the flick Final Girl starring Abigail Breslin! So grab your Alice Cooper collection, crack open your near mint copy of Howard the Human and strap on! Topics discussed: MonsterZero's lips, Dead World, Live Leak, da Fahgo movie, The MonsterZero shirt, Saga, Secret War, Moon Knight, Ravenshadow’s epic hashtag, hot alcohol drinks, the Tom C Trivia Challenge, MonsterZero's bible costume, Wes Bentley, Pacific Rim, Fear the Walking Dead, kissing on the lips, creepy pandas, what does trending mean?, Derek Rook, The Gift, City of the Living Dead, Ravenshadow's internet stupidity, Tyler Shields, Fargo, turtlenecks, Gore Shriek, Howard the Human, The Dead, Final Girl, Crisis on Infinite Earths, Abigail Breslin, Jonathan Hickman's Avengers run, The Chocolate Beast, Kumiko the Treasure Hunter, fear-induced drugs, “I want to ride my bicycle”, Joe Quesada’s asshole, "the kid’s not yours" , Everly, Rough House Publishing, The Crossed, Mike Waison, Tim Vigil and Faust, Ralph and Stu, Tiny's Gunfighters in Hell subscription, Poison Elves, Rock & Shock, That's Entertainment, alternate covers, treating the comic audience right!, Escape from New York, Zombie, Mike Broom, City of The Living Dead remake, Derek’s Halloween comic, Gun Woman, The Thing, heavy metal horror, Vince Locke and Mr. Bill.Support the show (https://www.patreon.com/trickortreatradio)
The Mappers deal with the loss of technology and hope in the only way they know how: deep existential crisis and how it informed criticism. Good thing they’ve finally stumbled across a game that is willing to compete with them for who can be the most fatalistic, even if it means doubling down on prescriptive ideas of what educational/artistic games should be. Also, we talk about lore for almost a half an hour and nobody makes a Star Trek joke, so it’s all a minor miracle today in this post-computer episode of this post-computer podcast.You can get our podcast on iTunes, on Stitcher, or you can download it directly by clicking here.This Month’s Game Club: Elegy for a Dead WorldNext Month? TBD, sorry!Games Discussed: Elegy for a Dead World, Pokemon Art Academy, Rock Band, Resident Evil HD, Even The Stars, Mass Effect, Mass Effect 2, Skyrim, Dragon Age: Origins, Dishonored, Alan Wake, Final Fantasy XIII-2, Battlefield: Hardline, Monster Hunter 4 Ultimate, Dark SoulsMusic This EpisodeBlown Away by Kevin McLeodGame Over from Sega Rally ChampionshipRock the Dragon by Shuki Levy and Kussa MahehiWicked Child by Kinoyu YamashitaAll I Want by Offspring
לעיתים נדירות יוצא להתקל באלבום שנצרב בלב, שלא יוצא מהראש, ופשוט מזיז בנו משהו. בעבורנו אנשי מת על מטאל אחד האלבומים הברורים ביותר שעונה להגדרה הזו הוא Dead Heart In A Dead World של Nevermore. בדיוק כשהגעגוע ללהקה הזו התחיל לנקר וכאילו בהזמנה, סולן Nevermore האגדי Warrel Dane מגיע לישראל לבצע בפנינו את כל האלבום המצויין הזה על הבמה, ואנחנו מנצלים את ההזדמנות להתכונן להופעה ולהתענג עליו יחד אתכם מהתחלה ועד הסוף. » רשימת השירים « 01. Narcosynthesis 02. We Disintegrate 03. Inside Four Walls 04. Evolution 169 05. The River Dragon Has Come 06. The Heart Collector 07. Engines of Hate 08. The Sound of Silence 09. Insignificant 10. Believe in Nothing 11. Dead Heart in a Dead World
Notre avis sur le jeu épisodique République (iOS, Android) de Camouflaj, le jeu dont vous contez l'aventure Elegy for a Dead World (PC, Mac et Linux) de Dejobaan Games, le tactical RPG Ambition of the Slimes (Vita, iOS et Android) d'Altair Works et enfin le reste de l'actualité de la semaine (l'annonce d'HoloLens de Microsoft, le Club Nintendo qui tire sa révérence...)
An Elegy for a Dead World is written for the ages by Will O'Neill, Christopher, Patrick, and Rob. The post Indie MEGACAST – Episode 63 – Elegy for a Dead World appeared first on Indie MEGABOOTH.
Special guest Brayton Cameron joins Nick and Gary to talk about a coupla duds with a lot to recommend about them. Check out these duds! Also, check out Teenage Dirtbags, also on the network.
Welcome to show 257. It's been a busy week for the VG crew and this week we played, South Park, Elegy for a Dead World, DOTA 2, Dead Island Epidemic, Titanfall, Shadow Warrior, A Dark Room, Leo's Fortune, Titan Attacks and Hotline Miami. In Chinny's news this week we covered, Apple rejecting Papers Please due to pornogrphic content, Last Guardian development progessing, Xbox One doing well and a father who made his son play through video game history. We round out with the usual social media stuff and emails. Enjoy. Send Speakpipes to www.speakpipe.com/veterangamers Follow us on twitter @veterangamersuk and if you have any opinions or questions, send emails to: podcast@veterangamers.co.ukGamertags Chinny – 360 ChinChinny, PS3 Chinny1985 The Daddy – 360 Big Daddy Blast, Steam BigDaddyBlaster, PS3 xXBig-DaddyX Duke – 360 DukeSkath, PS3 DukeSkath, Steam DukeSkath
The Married Gamers return to talk about the games and people Chris met at this year's PAX East 2014. What does he think of games like Evolve, Roundabout, Loves in a Dangerous Spacetime, Orcs Must Die Unchained, Catalateral Damage, There Comes An Echo, Elegy for a Dead World, and more? Kelly and Chris also dive into a discussion about a Titanfall community game night and the hijinks of a woman in search of her Titan. All this and more in episode 331 of The Married Gamers podcast. Check out The Married Gamers Facebook Fan Page or if you have a comment, send it to us at marriedgamers@outlook.com. Want to leave a message? Call the show at 559-286-0919. Follow us on Twitter: http://www.twitter.com/marriedgamers The Married Gamers Libsyn app is available on Windows 8, WindowsPhone, iOS (iPhone/iPad) and Android for $1.99
TimeArtistSongAlbum 4:04 PMIron MaidenPurgatoryKillers 4:09 PMEdge of SanityTwilightPurgatory Afterglow 4:12 PMPain of SalvationStressEntropia 4:16 PMScar SymmetryDeviate From the FormPitch Black Progress 4:30 PMTexturesMillstoneDrawing Circles 4:31 PMTwilightningAt the ForgeDelirium Veil 4:33 PMIced EarthStand AloneSomething Wicked This Way Comes 4:35 PMPersefoneTrain of ConsequencesCorerotation 4:37 PMSteve VaiDown Deep Into The PainSex & Religion 4:46 PMIron MaidenRun To the HillsA Real Dead Onerequest 4:53 PMAmon AmarthFree Will SacrificeTwilight of the Thunder God 4:56 PMDream EvilInto The MoonlightThe Book of Heavy Metal 4:56 PMNevermoreDead Heart in a Dead WorldDead Heart in a Dead World 5:09 PMDimmu BorgirCataclysm ChildrenDeath Cult Armageddon 5:17 PMPagan's MindAegean ShoresCelestial Entrance 5:20 PMDream EvilTiredThe Book of Heavy Metal 5:24 PMAmoralNervasionReptile Ride 5:28 PMBlind GuardianCarry The Blessed HomeA Twist in the MythAudio ArchivesRecent Playlist Archive: Melting Point @ WRMC Melting Point Podcast Subscribe Podcast feed Audio Archives
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