Podcasts about Silvers

We discuss how the new world order is led by Long John SilversFrank finds an eye witness accountPooty's moving somewhere new

Brandon Silvers talks about what it's like to play for Ricky Proehl, being excited for training camp, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A short episode, this one, but we pack a lot in. Ed gets a match report from Silvers on Saturday's creditable away point at Fleetwood, we hear Rhys' take on the news that the Dragons will seek to help County stay at Rodney Parade if relegation happens, and we preview Tuesday's game by chatting to our usual Tranmere correspondent Ethan. We also mention in passing a characteristically insightful match report on Saturday's game from The Venerable Mark Vickery (from whom we also stole the picture for this week's episode artwork).Do check out our shiny new website and drop us a line on the socials if you have anything to tell us, including feedback on our new theme tune (the original 1973 recording of Run Lads, Shoot Lads). Thanks as ever to the Riverside Sports Bar for their support of the pod.We'll be back with a deep dive into the Tranmere and Colchester games, hopefully featuring an Ian Street match diary. Until then, look after yourselves and each other, and above all Keep It County. Hosted on Acast. See acast.com/privacy for more information.

Brennen Schulz is a commercial fisherman and fishing guide who grew up in Ketchikan. In this episode we talk about the transition from gear fishing to fly fishing, flies, proper hook sets, conservation and the life of being a guide.  Check out the On Step Alaska website or subscribe on Substack for articles, features and all things Alaska. Thanks to the sponsors: Sagebrush Dry (Alaskan-owned business that sells the best dry bags you can buy.) Alpine Fit (Premium outdoor layering from another Alaskan-owned business.) Backcountry Hunters and Anglers  

Scathing Article Highlights The Problems With The NBA Since Adam Silvers Took Over From David Stern Visit ⁠https://prizepicks.onelink.me/LME0/CLNS⁠ and use code CLNS and get $50 in lineups when you play your first $5 lineup! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Travis Chappell sits down with Seth Silvers, founder and CEO of Story On, one of the premier podcast production agencies helping businesses build authority through storytelling. Seth and his team work with top-tier creators and brands—including Alex Hormozi, Leila Hormozi, and Patrick Lencioni—and support numerous Top 100 business podcasts. Seth shares his journey from taking on almost any marketing work he could find to building a premium podcast agency, along with hard-earned lessons on pricing, positioning, and why podcasting is one of the most powerful long-term branding tools available today. On this episode we talk about: How Seth accidentally turned podcasting into a full-time business Using podcasts to build trust and credibility (even without massive downloads) Why most podcasters struggle to monetize—and a better path forward Structuring service offers and pricing without racing to the bottom The future of podcasting: video, branding, and podcasts as a business asset Top 3 Takeaways: Podcasting creates a “transfer of trust.” When people see you show up with quality, they assume you bring that same standard to everything you do. Pricing clarity changes everything. Seth credits implementing ideas from Profit First as a major turning point in getting out of debt and building a sustainable business. Premium clients care more about results than price. Solving higher-level problems for established businesses beats competing on cost every time. Notable Quotes “People see you show up in a quality way, and they transfer that trust to everything else you do.” “If you want us to actually do it for you, it's going to be a premium—but we also have resources for every level.” “Podcasting isn't a quick customer-acquisition tool. It's a multi-channel brand that builds trust over years.” Connect with Seth Silvers: LinkedIn: https://www.linkedin.com/in/sethsilvers/ Website: storyon.co Blog: https://storyon.co/blog Travis Makes Money is made possible by HighLevel – the All-In-One Sales & Marketing Platform built for agencies, by an agency. Capture leads, nurture them, and close more deals—all from one powerful platform. Get an extended free trial at gohighlevel.com/travis Learn more about your ad choices. Visit megaphone.fm/adchoices

Jay Silvers is a broadcast veteran with over 30 years of experience across on-air, production, music direction, programming, and operations management. Throughout his career, Jay has worn many hats, building a deep understanding of audio storytelling from both the creative and technical sides of the industry. His voice and production work have been heard on major radio and television networks including FOX, NBC, and American Urban Radio Networks. In addition to his broadcast work, Jay has covered some of the most iconic entertainment events in the world, including the Grammy Awards, American Music Awards, Image Awards, SAG Awards, and the Oscars. Recording from red carpets and press rooms, his audio has been featured in specialty shows and news programming nationwide. With specialties spanning audio engineering, producing, voice-over performance, acting, and photography, Jay brings a rare versatility to the craft. In this episode of Trailblazers, Jay shares his journey through decades of industry evolution, what it takes to stay relevant in a changing media landscape, and how passion, adaptability, and technical mastery have shaped his career. This conversation offers valuable insight into what it truly means to be a Trailblazer in sound and broadcast media. Listen in and find out how you can become a trailblazer too!

Send us a textIn Episode 250, Russell and Adam dive into one of the spiciest conversations of the season — should OKC make a play for Giannis, and is the NBA heading for a team-building arms race?They also unpack the new “Silvers /8” concept and whether this kind of manufactured scarcity actually helps collectors… or just adds confusion.The lads get into the ethics of community pricing, why collectors feel more pressure than ever, and whether some sellers are crossing the line between fair market and opportunism.Plus: • the Hawks without Trae Young • market psychology • collectors chasing narratives vs value • why some teams thrive with addition-by-subtractionA sharp, honest look at team identity, hobby culture, and how much influence collectors really have.

In this conversation, Garson Silvers shares his extensive journey in real estate, from his early experiences in Texas to his current focus on sustainable and socially conscious investments. He discusses the impact of personal loss on his career direction, the importance of sustainability in real estate, and innovative building technologies that can help communities. Garson emphasizes the need for resilience in the face of climate change and his commitment to making a positive impact through his work.   Professional Real Estate Investors - How we can help you: Investor Fuel Mastermind:  Learn more about the Investor Fuel Mastermind, including 100% deal financing, massive discounts from vendors and sponsors you're already using, our world class community of over 150 members, and SO much more here: http://www.investorfuel.com/apply   Investor Machine Marketing Partnership:  Are you looking for consistent, high quality lead generation? Investor Machine is America's #1 lead generation service professional investors. Investor Machine provides true 'white glove' support to help you build the perfect marketing plan, then we'll execute it for you…talking and working together on an ongoing basis to help you hit YOUR goals! Learn more here: http://www.investormachine.com   Coaching with Mike Hambright:  Interested in 1 on 1 coaching with Mike Hambright? Mike coaches entrepreneurs looking to level up, build coaching or service based businesses (Mike runs multiple 7 and 8 figure a year businesses), building a coaching program and more. Learn more here: https://investorfuel.com/coachingwithmike   Attend a Vacation/Mastermind Retreat with Mike Hambright: Interested in joining a "mini-mastermind" with Mike and his private clients on an upcoming "Retreat", either at locations like Cabo San Lucas, Napa, Park City ski trip, Yellowstone, or even at Mike's East Texas "Big H Ranch"? Learn more here: http://www.investorfuel.com/retreat   Property Insurance: Join the largest and most investor friendly property insurance provider in 2 minutes. Free to join, and insure all your flips and rentals within minutes! There is NO easier insurance provider on the planet (turn insurance on or off in 1 minute without talking to anyone!), and there's no 15-30% agent mark up through this platform!  Register here: https://myinvestorinsurance.com/   New Real Estate Investors - How we can work together: Investor Fuel Club (Coaching and Deal Partner Community): Looking to kickstart your real estate investing career? Join our one of a kind Coaching Community, Investor Fuel Club, where you'll get trained by some of the best real estate investors in America, and partner with them on deals! You don't need $ for deals…we'll partner with you and hold your hand along the way! Learn More here: http://www.investorfuel.com/club   —--------------------

A pod of two halves for you again, in what has been a momentous week for Newport County. In Part 1, Ed asks Jamie for his initial reaction to County's new manager announcement, and we also rifle through listeners' reactions to the appointment of Christian Fuchs. Then, in Part 2, Ed reports from an ultimately dispiriting loss at Oldham, catching up along the way with Ollie, Mark, Jane & Silvers. Whilst being as positive as they can about what the new manager might bring, there's also no sugar-coating just how desperate things look for a County side rooted to the bottom of the Fourth Division, and now five points from safety.We'd welcome your thoughts, as always, so do contact us via your social media platform of choice. If you like what we do as a podcast and want to support it, please visit our ko-fi page to either buy some 1912 Exiles Bovril Spice, or to throw in a few pounds towards our #WhitmoresWarnings fund. Thanks to Tinty & The Bucket Hats for letting us use Discoland as our theme tune, and to the Riverside Sports Bar (the home of great sport and burgers in Newport) for their support of the pod.We'll be back next weekend, but in the meantime look after yourselves and each other, and above all - as always - Keep it County! Hosted on Acast. See acast.com/privacy for more information.

Today… we got someone BIG in the house! I wanted to share my Vlogging experience from yesterday. But when I started recording, I noticed my energy was low. I only got 4 hours of sleep after our trip last night. You'll hear more about it in the episode that drops soon! Deff do not miss it! So instead... I'm bringing you one of my favorite interviews with one of the top producers in the world right now! We've been chasing him for years (okay, okay—maybe we're exaggerating… but not really). He's one of the best podcast producers in the game—working with Alex & Leila Hormozi, real estate shows, even a podcast about parking! (Yup. Parking.

How a Niche Marketing Strategy Is Helping Lawn and Landscaping Businesses Scale Smarter In the competitive world of lawn care and landscaping, marketing can be the game-changer between a struggling company and a thriving one. Aiden Silvers, founder of Green Marketing and coach with the Seven Figure Agency, has built a powerhouse niche agency that's helping lawn and landscape business owners across the country achieve scalable growth. Drawing from a recent in-depth conversation on the Local SEO Tactics podcast, we're sharing key insights from Aiden that lawn care and landscaping pros can use to grow smarter, avoid burnout, and actually enjoy the process. What You'll Learn  Why niching down in your marketing (and operations) creates unbeatable results for your business How to prepare your landscaping company to actually handle rapid growth The truth about using AI in local SEO and how to do it without hurting your rankings Tune into the full episode with Aiden Silvers and Robert Brennan to hear how Green Marketing is transforming landscaping companies across the country with insights you can apply today. https://www.localseotactics.com/scaling-landscaping-business-aiden-silvers/  

Over the past few weeks, we've explored the story of Prizm from every angle — its rise, its impact, and its meaning to collectors.In this final episode of the trilogy, Brett brings it all home. He talks about the psychology behind why we chase, the ritual of collecting, and how Prizm became more than a product — it became culture.From the early Silvers and Golds to Black Finites and Gold Vinyl, this conversation is about legacy, community, and the connection that keeps collectors coming back long after the boxes are gone.Prizm might be changing hands, but what it built still lives on every time we flip a card under the light.Get your free copy of Collecting For Keeps: Finding Meaning In A Hobby Built On HypeStart your 7 day free trial of Stacking Slabs Patreon Today[Distributed on Sunday] Sign up for the Stacking Slabs Weekly Rip Newsletter using this linkFollow Stacking Slabs: | Twitter | Instagram | Facebook | Tiktok ★ Support this podcast on Patreon ★

Forstjóri PCC á Bakka segist ekki sjá betur en að versta sviðsmynd varðandi framtíð kísilverksmiðjunnar sé að raungerast. Hann býst ekki við að hægt verði að hefja rekstur aftur fyrr en í fyrsta lagi í lok sumars 2026. Um 20 manns verða við störf á Bakka í vetur. Mikið er rætt um skólamál og ungmenni í fjölmiðlum. Sú umræða er oftar en ekki undir neikvæðum formerkjum en hvað finnst krökkum sem eru að ljúka grunnskóla um hana? Verða þeir varir við ofbeldi í skólum, eru þeir öruggir þar? Símanum er oft kennt um ýmislegt sem miður fer og hafa reyndar verið bannaðir í mörgum skólum. Sakna nemendur þeirra og hvað um einkunnagjöfina?

Welcome to Autumn-ish Book Club! In this flash analysis series, we take an academic approach to some of the most talked-about books in Romantasy and fantasy today. With over 13 years of combined academic literary training, we bring a critical lens to fandom favorites while keeping the discussion fun, thought-provoking, and accessible. In this episode, we're discussing Red Queen by Victoria Aveyard. We explore how Aveyard blends dystopian and fantasy elements to craft a world divided by blood—where the powerful Silvers rule over the oppressed Reds. Through Mare Barrow's transformation from street thief to symbol of rebellion, we analyze themes of power, privilege, and identity, and how Aveyard uses her heroine's voice to interrogate systems of inequality and control. We also dive into the novel's exploration of class revolution, propaganda, and betrayal, and examine how Red Queen established itself as one of the most influential YA fantasy series of the 2010s. This episode is perfect for fans searching for a Victoria Aveyard Red Queen analysis or a deep-dive book discussion on one of the most iconic YA fantasy and dystopian romantasy series of the last decade. We explore Mare Barrow's character arc, the story's themes of class rebellion and power, and how Aveyard's world continues to inspire conversations across BookTok and fantasy podcast communities. This season, we'll be covering: The Hunger Games by Suzanne Collins A Cruel Thirst by Angela Montoya When the Moon Hatched by Sarah A. Parker Where the Shadows Meet by Patrice Caldwell Blood of Hercules by Jasmin Mas Blood Over Bright Haven by M.L. Wang Red Queen by Victoria Aveyard The Jasad Heir by Sara Hashem And when book club wraps up, get ready—our next full literary analysis will dive into Heir of Fire by Sarah J. Maas. If you're new here, we also have full seasons analyzing A Court of Thorns and Roses, A Court of Mist and Fury, A Court of Wings and Ruin, A Court of Frost and Starlight, House of Earth and Blood, House of Sky and Breath, Throne of Glass, and Crown of Midnight. Go back and check those out to see how we break down metaphors, symbolism, narrative structure, and character arcs through multiple literary lenses. If you love Sarah J. Maas, Victoria Aveyard, and deep Romantasy analysis, you're in the right place. The Subtext Society Journal: ⁠⁠⁠https://thesubtextsocietyjournal.substack.com/⁠⁠⁠  We're thrilled to announce our newest venture: The Subtext Society Journal—the first of its kind, dedicated to Romance, Romantasy, and fandom with an academic yet accessible voice. We're publishing original essays and thought pieces, and we encourage listeners to submit their own articles for a chance to be featured. Sponsor: Vionic Use code BOOKTALK at checkout for 15% off your entire order at www.vionicshoes.com when you log into your account. 1 time use only. Sponsor: Factor Meals Eat smart at FactorMeals dot com SLASH BOOKTALK50OFF and use code BOOKTALK50OFF to get 50% off your first box, plus Free Breakfast for 1 Year. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Raconteur, trader, and expert in all things financial plumbing Vince Lanci returns (again) to the podcast to give us an important breakdown of what is happening in the silver markets, how what is happening is different than gold, and ultimately why London is the real target of everything Trump is doing.Show Notes:Vince on XVBL's GoldfixEpisode #154 - Vince Lanci and Gold is the New BlackTom on XGold, Goats 'n Guns on Patreon 

10-08-25 - BR - WED - w/Bret - The Avg Size And Weight Today For Men And Women - Vid Of Jerry Jones Flipping Off Jets Fans - Long John Silvers Changing Its Logo From A Fish To ChickenSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

10-08-25 - BR - WED - w/Bret - The Avg Size And Weight Today For Men And Women - Vid Of Jerry Jones Flipping Off Jets Fans - Long John Silvers Changing Its Logo From A Fish To ChickenSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode I sit down with my Pod Pal Seth Silvers to chat about all things podcast growth and individual platform optimization for Apple Podcasts, Spotify, and Youtube. Should you consider using a unique strategy for EACH platform? Check out this episode! Connect with Seth: https://www.storyon.co/   Links mentioned in this episode: Explore my coaching options or sign up for a Discovery Call to discuss working together: https://www.podcastingbusiness.school/   Want more strategies for podcast launch, growth, and how to leverage your podcast to get more clients? Get my FREE weekly Podcasting Business School Newsletter every Thursday! https://www.podcastingbusiness.school/news   *********************  

Welcome to Episode 083 of the Beyond the Diagnosis Podcast. In this episode we're introducing you to the Histiocytosis Association's brand new Executive Director, Jen Silvers, as we continue on in our staff highlight series!  Listen in as we learn about Jen's hobbies, background and what led her to this role.  You might find yourself surprised! Let us know what you think! Leave us a review, drop us a comment or share an idea for a future podcast with us at podcast@histio.org.   Take a screenshot and tag us @histiocytosis_association on Instagram. We'd love to hear your feedback!  Be sure to subscribe so you can be notified the moment a new episode of Beyond the Diagnosis is released.  Resources mentioned in the podcast: Follow the Histiocytosis Association on social media: Facebook: https://www.facebook.com/histio Twitter: @histiocytosis Instagram: histiocytosis_association YouTube: https://www.youtube.com/@Histiocytosis  Music: “Heroes” by Noah Smith 

Anthony welcomes Adam Mares back into The Lounge to talk Clippers stuff, with even more information coming out now about the efforts to keep Aspiration above water long enough to (allegedly) pay Kawhi Leonard. Next, the guys turn their attention to the Nuggets, who are both of their title favorites heading into the season. Finally, Anthony asks Adam about the summer of Skinny Luka. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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It's getting closer to Friday as we say good morning and get our feet settled for a jam packed show.

Runnin’ down the show!! Back from the Fraser and wow… September silvers and the first full month of hunts! // Regional Roundup: Hooknose coho just in time for Derby Season! Tuna pushing in closer and closing the coastal salmon window // Dave Miller: Chairman of the EverettcohoDerby.Com Who's fishin’ the Edmonds derby today! // Picks of the week!

One Piece chapter 1158 is out and this week we talk all about GECKO MORIA BEING FROM WANO?! We also talk about how cool Rocks is and how Blackbeard could not be further from him in the cool scale.

I've been saying for over a decade that 50% of downloads are lies. The truth came out when the IOS 17 update hit, and everyone realized the Emperor had only half of his clothes.But Analytics? Those are GOLD!Seth Silvers from storyon.co shares the importance of analytics and metrics in measuring success. We go into the significance of retention rates, the need for experimentation in formats and the first 5 minutes of an episode, and how he communicate all this to their clients.Our conversation highlights the challenges of understanding downloads versus plays, the role of completion rates, and the long-term benefits of nurturing an audience. Key moments:Seth emphasizes the importance of analytics in podcastingRetention rates are more important than downloads for measuring successClients should be willing to experiment with their podcast contentThe first 30 seconds of a podcast are crucial for retaining listenersSpotify says the first 5 minutes is crucial to their recommendation enginePaid advertising won't fix a bad podcast or businessFeedback loops in podcasting can be long and challengingIt's essential to track metrics weekly to make timely adjustmentsPodcasts serve best as a middle-of-funnel marketing toolQuality content leads to organic growth and audience retentionUnderstanding the difference between downloads and plays is vital for podcastersResources:Apple's Analytics: https://podcastsconnect.apple.comSpotify's Analytics: https://creators.spotify.comAmazon Music Analytics: https://podcasters.amazon.comAbout Seth Silvers:Seth is the founder and lead strategist of Story On Media, a podcast strategy and production agency working to help businesses launch and grow podcasts. His team has worked with some of the leading podcasts and creators in the country along with helping launch successful podcasts in micro-niche business industries. Find more at www.storyon.co______________________________Tools we used:*Riverside.fm to RECORDWe used Riverside to record this episode. It also created an outline and list of key takeaways that helped us finalize the show notes.Oh, and we used Riverside's Ai Tools for making the "Video Lite" version of the episode for YouTube. *Captivate.fm for our podcast MEDIA HOSTWe use Captivate to host the podcast. Captivate offers amazing features for a low monthly price, including full control of dynamic insertion, embedded chapters, and Blocks/Shortcodes to quickly add content to show notes (either static or dynamically!)*Use of the above affiliate links may earn us a commission, which is used to support the efforts of this show. Thank you in advance for your support!______________________________Mentioned in this episode:Learn how to be a Podcast EditorGet access to Tutorials, Support, Sales Scripts...these are just a few of the things available inside the Podcasts Editor Academy. Interested in learning more about the back end of podcasting? Or how to

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Fantastic Four: First Steps Is this, the 4th attempt at bringing the Marvel Universe‘s “First Family” to the big screen actually as fantastic as it purports to be? Well, we have finally settled on a look and feel that best suits the classic super hero squad: and it’s ‘60s Retro-futurism all the way for one and all!!! It’s a whole new universe of Marvel stories starring Omni-daddy Pedro Pascal, serving C&%t Vanessa Kirby, Joseph “i’m on fire!” Quinn and Ebon Moss Bacharach (or baccarat as Quinny thinks he’s called) as the truly Fantastic Four! In this film we kick of Marvel‘s Phase 6 and usher in a new style and direction of storytelling, but is it actually good?  Listen in and find out! These fantastic four reviewers are here for this one, so it’s all hands on deck as we hit this faster than light! https://youtu.be/ZkJszcpuQwQ A huge shout-out to the fantastic flexible friends and their robot helpers who join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to drop some crushed up planet juice in the tip jar. Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You ALL rock! If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you and making more emotes! (there may need to be some for the rating system soon!) Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/18QQWa5MEcs?si=ZuzrC0i80qHjiz4n https://youtu.be/cLFDV72pa-s?si=VHolgiDlJZWBk0I0 https://youtu.be/_rRoD28-WgU?si=nISYKo7MGY4MpUE9 https://youtu.be/WEhgwDqYqWM?si=Tx-FIPgv23qichZv ERRATA: It seems Quinny’s HERBIE history lesson was incorrect and entirely apocryphal… https://youtube.com/shorts/KHyTOUSk6Rw?si=FCmt1FKY-Grdhs7D   WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/   Full text transcript Dion  Ohh hello and welcome to the pairing Table of Awesome. It is time for a foursome of a different kind on today. The Tuesday. What time? What time is it?  Speaker 3  What time is it?  Speaker 6  Blame on us? Yeah, it’s it’s.  Speaker 3  Fun it’s it’s podcasting time.  Dion  Butter in time. Wait, that doesn’t quite work. I don’t know. And right now, Pete, which she was invisible. Yeah. Yeah, well done.  Speaker 6  oh  Speaker 3  Sorry.  Quinny  Very well done. I love the feeling now, really. She’s.  Dion  Hold on. Yeah, yeah, yeah. Embrace hope. She’s yeah, probably. Still there. Can you hear?  Jill  Really gone. Just gone.  Dion  Us in the void.  Peta  I’m invisible. I’m not silent.  Speaker  Yeah. Yes.  Dion  That’s true. They didn’t use that enough in the film. I don’t think they’re just having Sue just kind of being like, what are you guys talking about and freaking people out because, you know, I do, if I were the Invisible Man.  Jill  Yeah, she’s not seen, not heard woman.  Dion  Yeah, not seen, not heard. Wow. Hello. Back after a week. Off. Off. Yeah, yeah. Small, small break.  Quinny  Wow. Hey, I said, everybody feeling enthused and like, upbeat and stuff.  Jill  It was nice. To have a little break to be honest.  Dion  Yeah, yeah, I hate those months with the five Tuesdays. What? What weirdness is that ********? And now? Ohh, it’s it’s gone. You’ve gone all glowy and.  Peta  Yeah, I’ve, I’ve. I’ve smudged the camera so.  Quinny  And ohh well. Yeah, I know. She’s she’s actually doing the exact effect from the movie where it’s just a little.  Jill  Yeah, yeah. The Vaseline lens. Yeah.  Speaker 3  Bit of.  Quinny  Now, now pets. No.  Dion  Can I stretch my hand over here?  Quinny  Pun. Serve absolute can’t with your face while you.  Jill  Do that. Yeah, there it is.  Dion  There you go. Perfect.  Speaker 3  And now I’m going to do some cooking, OK?  Dion  Ohh dear and you know what I hope for everyone. Hello to everyone in the chat mainly for. I hope you all got to do the home.  Speaker  Hey.  Dion  Work.  Jill  Yeah. Did everyone enjoy the movie? I.  Dion  This particular day.  Quinny  Mean I could. See it? Yeah, Tari looks like that. She hasn’t seen it yet. She’s saying that she that please be good. Ohh. Interesting.  Speaker  Oh.  Speaker 6  Ohh.  Dion  Fascinating. What?  Jill  Yeah.  Dion  Look. Yeah, we Fantastic Four has been out since last Thursday. Officially, we saw it last week which? Was quite fun.  Jill  Yeah, there’s even some early screenings on Wednesday for the public.  Dion  Yeah. Yeah, yeah, yeah. It’s out. It’s part of Marvel’s Phase 266.  Quinny  Yep. First film of Save 6. First film of, say Phase 6. God, that’s.  Speaker 6  Dion  Why couldn’t have made it the first film of Phase 4?  Quinny  Because that was quite some time.  Dion  And then it. Would have been. Ago. Right. OK. Look, the fourth attempt at the Fantastic Fours and I I include in that the the 1994. 1. Which was never released except IS is is hovered around. Yes, there was a 1994 one.  Jill  That would make this the 5th 1 then.  Dion  Yeah. No, no, it’s it’s, it’s, I say this as in the fourth go at it because there were two with the same cast. So you have the, yeah.  Speaker 6  Ohh OK.  Dion  What are you talking about? This is. Our fourth thing. We have had, yes, it’s the fourth thing, you know, Michael Chiklis did a great job getting covered in rubber.  Quinny  That is true, Yep.  Peta  Yeah.  Dion  You know, and then you know, we’re up to this one.  Jill  Can’t remember the other guy.  Quinny  That’s gonna get off in the life. And remember who played the thing in Fan 4? Stick. Ohh my.  Dion  God fan 4 stick.  Jill  I know.  Quinny  That was, that’s what it’s called.  Jill  Fan Fant Fant 4 stick.  Quinny  I don’t know, but I I just.  Jill  Yeah, I think that a was in the. Middle not at the start.  Quinny  Ohh OK, I just call it fan 4 stick because it’s it’s easier to say.  Dion  Ohh, that’s right, it’s Jamie Bell.  Quinny  Ohh God that’s.  Dion  Right, you remember.  Speaker 2  Whoops.  Quinny  He was the young.  Dion  Billy Elliot.  Speaker 3  Yes.  Quinny  And and the young, chipper guy out of of the first king or the the King Kong movie that Peter Jackson did.  Dion  And he was also tin tin. But that was who made.  Quinny  It so not really who you would think. Yeah, would fit in a giant thing.  Jill  Memorable.  Dion  That he was the. Thing, yes.  Quinny  And Karina makes a good point, a arresting piece to Julian McMahon, who was the 1st Doctor Doom actually. Sorry, 2nd Doctor Doom.  Speaker  Yeah. Yeah.  Dion  Yes, because there was a doom.  Jill  I did rewatch the 2005 version on the weekend just for a bit of nostalgia. Yeah, I like those trashy ones. They’re great. They’re so campy and stupid.  Speaker  Did you?  Quinny  What did you think of it?  Speaker  Yeah.  Jill  And I look back on them. And I’m like, wow, the simpler times where we did comic book films. And we really, really did make them comic bookie.  Speaker  Yeah, man. Yeah.  Dion  And finally.  Jill  Well, we weren’t going. For all of the realism and stuff.  Quinny  Yeah. And they didn’t have to fit in with some. Gigantic *******. Thing.  Jill  I will tell you practical effects. Thing I don’t know I like. Yeah, CGI 1 is like that, feels like. A cheap cop out.  Quinny  Right. OK. OK. Fine, no suit.  Jill  With balls on it and not put in. Any effort and? Just animate it.  Quinny  You know what?  Dion  Wait, do you mean wait?  Peta  The fine effort.  Jill  Hey, it’s a different kind of effort. I’m like, let’s get our hands dirty and make a ******* stinky suit out of foam expanding. Foam or something like that and. Of course, some lung disease. Let’s get into.  Dion  I’m I’m going to like, I’m just going to take it on part of the actors there. Sometimes I’m just going to be like, yeah, maybe they don’t.  Jill  It.  Quinny  This is Jeff.  Dion  Want that? Maybe they don’t want to spend 16 hours in a makeup chair to to to do. Yeah.  Speaker 6  As a cosplayer, I I would agree, but I would also disagree because I think it would be fun to make it.  Dion  Sure. I mean ultimately it’ll be that great thing of like they make someone do that and then they just go oh.  Quinny  I’m. I’m just.  Dion  We’re just gonna CGI it.  Quinny  Well, The thing is, there was a there was a lot of the thing in this one that was actually practical. Like there’s quite believe it or not, there’s there’s shots that they hired a a pretty big wrestler to be the body for it. So on set. A lot of the time there was a practical suit, dude of roughly the right size. Is.  Jill  So we’re not talking about a guy that’s just standing in there in a green zentai.  Quinny  No, I mean when when they’re doing it with Evan Moss, Baccarat, then he was in the uh, whatever the **** he said. Backup, backup, backtrack.  Dion  Doctor rap. No. Baccarat. That’s a.  Quinny  Alright.  Dion  Game I know.  Quinny  Dion  Know you’re in a casino in Monte. Carlo yes, guys.  Quinny  Anyway, when he was on set, yeah, they they had this entire certain stuff like that. But there were quite a lot of it that was shot any time they needed, like a wide shot and everything. They actually had a dude in a suit with the. Ohh head and everything. Cool. Alright. Yeah, I’ve I’ve seen the the pictures of that, but I’ve also in the chat just put a link to the 1994 one and the thing in that Jill, you would love that one because the the suit actually looks more like the comic book character than any of the others have.  Jill  I love the terrifying dead. Eyes.  Speaker 3  I know.  Dion  I mean, it’s great. It’s yeah, it’s very thingy.  Jill  That’s. Yeah, that’s.  Speaker 6  Look at that thingy over there. That thingy.  Dion  Yeah, that, that, that is definitely something I’d go. What is that thing? If I saw it in a in a thing?  Jill  With that young man with fake grey sideburns.  Quinny  I know, right?  Dion  Yeah. Hey guys. I’m trying hard here, Joe. What?  Quinny  Honestly, if you could find that film. Like this. This is I love this one because my my thing with Fantastic Four it it started with this film because I was one of those ******* nerds who heard that there was a film that got made and was never released. So I then went and hunted.  Speaker  For.  Quinny  It and I, you know, back in the days of VHS trading, got somebody to send me a *******. VHS of this film that had never been released, and I’ve watched it. It’s terrible, but it’s actually got a lot of, like, it’s trying really hard.  Jill  And. Nice.  Quinny  To do all of the things that are fantastic, four movie should do just with no budget. Hmm. So yeah, like it’s got Doctor Doom. It’s got the mole, man. It’s it’s got them all doing their powers. But like Reed, stretchy arms are like pool noodles with a with a *******. A glove on the end.  Jill  I mean that’s still image alone is giving vibes of like 70s Italian Spiderman.  Dion  Yes, got a bit of that. I mean, you’ve gotta. What’s what’s the what’s the the crossover slash league like the Marvel Group, you know, secret wars thing. It’s the 1989 Punisher. Dolph Lundgren. It’s the the Captain America film. It’s the Fantastic Four film.  Quinny  Hmm.  Dion  You know, it’s all of those ones Pre Marvel Universe. Mashed together. And you’re like, what is this strain? ******* place, but we don’t. Here, we’re in a different, strange place this time. We’re in much more budget, some bigger names and some.  Quinny  Yeah.  Dion  Finally, they sort of kind of got people who give a ****. Quinny  Yeah, yeah.  Dion  About doing something fun.  Quinny  Yeah.  Jill  And that’s nice. Surprising what you’re going to accomplish when you put in some time and effort.  Speaker  Yeah, isn’t it?  Dion  Isn’t it’s kind of like oh.  Quinny  And when you? And when you’ve had three goes at it before and gotten it wrong three times. You kind of go. Well, **** it. We’re gonna hold off on this one because, I mean, Fantastic Four has always been seen as Marvel’s first family. Like, you know, they’re they’re one of the very earliest Marvel superhero groups. And you know, we’re what, 40, you know, 39 films in now something.  Speaker 5  Sure.  Dion  More, I don’t know 112 where 112 films in now. That’s how many there are. I I won’t be fact checked.  Quinny  And we’ve, yeah, and now we’ve just introduced the very first Fantastic Four stuff. So yeah, it’s it’s an interesting one. I mean, obviously they were tied up in rights for. A long time.  Dion  But yeah, I mean. Look, it’s fine. We’re just going to ignore the rest of those fan 4 test. Stick, whatever it is.  Quinny  Can’t ignore them.  Dion  We have to stick, then forget stick. That’s what I. Yeah, we’re gonna ignore that.  Quinny  Not. The autistic fans.  Dion  We’re going to, we’re going to ignore that. Michael B Jordan, he’s also Johnny Storm. Yes, I know, right. No, he’s not Killmonger. He’s definitely Johnny storm. We’re also going to ignore that Captain America.  Quinny  Ohh yeah yeah, he was one of them.  Speaker  Yeah.  Jill  Was also Johnny Storm and Captain America.  Dion  Was also. Stone. Yeah. Yes, exactly. We’re going to ignore all of those things and focus very.  Speaker  Yeah.  Dion  Much in Comic Daddy and his family and Pedro Pascal’s not not happy just being space Daddy, Apocalypse Daddy and General General Daddy.  Jill  Yeah. Thanks, daddy.  Dion  Now he’s also comic Daddy.  Quinny  Hmm.  Speaker  Yeah.  Dion  Yeah, along with.  Quinny  Is there anything he can’t, daddy?  Dion  You know what? Hollywood will not let him. Not daddy something. He’s in there now forever. Like. Yeah, he will just. He will just keep doing it until everyone collectively gets sick of him. And I’ll be able to return to an anonymity.  Quinny  Hmm. I just realized it is the summer of Pedro, it’s.  Jill  Summer picture.  Dion  Yeah.  Speaker  Been just realized.  Dion  Multiple summers.  Quinny  It was another ******* attempted Fantastic Four.  Dion  Oh. Have you? Yes, grey tailed.  Quinny  Well, technically. There was another Reed Richards. Ohh John Krasinski but that.  Jill  Yes. Yeah, that’s right.  Dion  That’s in Multiverse of Madness, which is so the. But that’s not the Fantastic Four.  Quinny  Yes, from. Marvel Universe. He’s one of the breeds.  Jill  He was. He’s Mr. fantastic.  Dion  Is he though?  Jill  Yes.  Quinny  He’s Mr. spaghetti by the end of. It but anyway.  Dion  Yeah, like I mean, yeah, that’s just on film, but it it, it wasn’t the Fantastic Four and this is what we want to focus on. It’s about these group of people and. How they’re represented in cinema? Yeah. What you’re not.  Jill  Capturing in the audio is our eye rolls.  Quinny  Massive massive eye roll.  Dion  Come on.  Quinny  Beyond wiping away John Krasinski from the from the entire multiverse of of anything, and we’re all going. No, no, no.  Jill  Yeah, that’s because they don’t. Can’t do a convincing cosplay of John Krasinski’s Mr. Fantastic. You can only do the Pedro.  Dion  No, I cannot.  Jill  Dion  Yeah, yeah, yeah. Yeah, and if you squint, the Ian Crawford one.  Speaker 6  You’re clean shaven for that one.  Quinny  I’ve just had an eye. Yeah, my eyes are not that ******* blind.  Dion  OK, then fine. I’ll go with this one if this. If he’s part of the Fantastic Four Canon, you need to cast the other three members of the Fantastic Four in those universes. Who is it going?  Jill  That’s true. OK. Oh my God. Yeah. Can we come back to this at the?  Dion  No immediate. OK. We’ll give you time. Time. Yeah, time.  Jill  End of the show. We’ll be here for 15.  Dion  Minutes. Yeah. Yeah. So if if if John Krasinski’s Mr. Fantastic and chat go and throw some something we.  Quinny  Man. Need to sleep? Yeah.  Speaker 6  ******* Emily Blunt. I would go. Emily Blunt force.  Jill  Storm.  Quinny  **** yeah. Yep, Yep. You down to?  Dion  That yeah, Karina, just like gonna get to the. Synopsis yet guys.  Speaker  Yeah.  Peta  You know, keep getting pushed.  Speaker  Push.  Speaker 6  Push by the chat. Let’s go.  Speaker 2  Yeah, that’s a wow.  Quinny  I’m being bullied by the test.  Peta  This film about.  Quinny  What is this film about it? No, I’m not gonna. I’m not gonna do the synopsis now because I’ve been told. I have to.  Jill  No. Ohh yes.  Speaker 6  Jesus.  Dion  Christ.  Jill  That sounds like me energy.  Dion  Peta  Settling into that demand avoidance there.  Dion  Come on. Tony, have you got? Have you got some synopsis?  Peta  Yeah.  Quinny  For us it is. I have got a. Synopsis for everyone but Karina.  Peta  To be fair to Karina, it’s been 20 minutes.  Jill  Can you do it in a Brooklyn accent? OK.  Speaker 3  Forced ohh. Forced to balance their roles as heroes with the strength of their family bond, the Fantastic Four must defend Earth from a ravenous space God called Galactus and his enigmatic herald the Silver Surfer. And guess what? It’s clubber and die this.  Quinny  Ohh, cool, that’s it. That’s the whole book. Was an opposite. Trust me, there was an even shorter one.  Speaker  Is that it?  Speaker 6  Yeah. Wow.  Dion  I love sofas, yeah.  Speaker 6  Silvers, soyfer yeah, soyfer.  Dion  Some some more continents and vowels in there that I remember from.  Speaker 3  Hey, I’m going down the street and I’m going to start some some flights. Yeah, yeah, yeah.  Dion  Yeah, that’s about it.  Quinny  Hey, get that man some cookies. Thank you. I.  Dion  Would love some cookies. That’s kind of what the movie is about and I’m, I’m I’m with it like this isn’t one of those films that you went and saw and you’re like, oh, great, we get to have an origin story of how did they get their powers, how did. They do this like how do we go through that? They were like, no, you know what?  Quinny  Ohh thank God.  Jill  Yes, we just got a tidy. Little vignette, and that’s all we needed.  Dion  Yep. Quite a long vignette really explaining like how they fit into the world and how suddenly the the brokers of World Peace and everyone looks up to them and they’re the world’s family.  Quinny  Yep.  Jill  Yeah, I kind of love it.  Dion  I mean, OK.  Jill  They’re. They’re paragons.  Quinny  Yeah. And we, the the important thing to note is that we’re in a different world here we are in. We’re not in the regular Marvel Universe. We are in a weird kind of quasi 60s future pop, yeah, different reality.  Speaker  Mm-hmm.  Speaker 3  It’s.  Dion  It’s 60s futurism, so it’s just it’s there’s a divergent.  Speaker  Hmm.  Dion  From our history to where it has ended up in this Earth history, and I’m I dig it, I dig the style, imagine in the 60s if four people got shot into space and came back and had all these powers and solved a bunch of problems.  Speaker  Hmm.  Dion  And a bunch of other things happen. That’s how that kind of goes. It’s like, yeah, well, you know.  Quinny  Yeah. And the difference.  Speaker  I mean.  Quinny  Not actually stated what year this is, is it?  Dion  No, no, it’s just the different earth.  Quinny  Yeah, right.  Dion  And what that is. But people don’t have.  Jill  Yeah, it could be current day 2. 616 Earth we don’t.  Quinny  Yeah, yeah.  Jill  Know that’s just what this earth.  Dion  Yeah. Looks like there’s big. There’s big kind of LED screens, but no cell phones.  Speaker  Slide.  Peta  Yep, well, it’s kind of like they’ve kind of gone. We don’t need to put energy into making TV screens flat. We’ll just have giant non flat TV screens and faster than light space travel. Yeah, yes. But we’re gonna do with that extra energy.  Dion  There’s there’s like.  Quinny  No.  Dion  You know. Yeah.  Peta  We don’t need to put energy into like inventing MP threes. We’ll just keep records. Yeah, yeah, yeah, yeah. And teleporting.  Dion  Yeah. Yeah, yeah, yeah, yeah.  Peta  Think of what we could have done as humanity.  Quinny  I didn’t know.  Dion  Exactly all of our computerisation goes on tape.  Jill  Yeah, I mean. Yeah, we invented cassettes and then CD’s and then digital format music. And now we’re back to ******* records again.  Quinny  So yeah, but they just didn’t bother leaving the the records. Yeah, because they realized it was the the superior format from the start, especially if you print them in.  Dion  Yes. Gold. And if you haven’t got a troop of players in your lounge room. You know, yeah. Eventually we’ll get to there, won’t we, like? Oh, this is my 9 musicians that follow me around and. Play music to me.  Speaker  Yeah.  Quinny  Yeah. I mean, yeah. Karina and Casper both kind of make the point. It’s very jetsons.  Dion  Yeah. And that’s kind of great because that’s very familiar to the people who knew fantastic for for when they were growing up based on the cartoon, which is the the sort of.  Peta  So jetsons.  Dion  The carry over of where people would sit from the Saturday morning kind of cartoon and. You know it it it sets the tone that everyone could easily get into and I went, I’m here. I immediately know what’s going on. It has a different Marvel logo, it has a different kind of a soundtrack. It’s setting itself in a in a particular period and I was like, I’ll go with this. This is totally different to every ******* thing else. This isn’t a dark and gritty reboot. This isn’t. Anything really to do with the rest of the Marvel Universe? Yeah, kinda. Which makes me happy. And I was like, I’ll go with this. I’m immediately just going to be like, all right, what do you got?  Jill  Yeah. I think the thing that’s so immersive about it is the visual language that they’ve lent into so strongly and so thoroughly like the the set design and production. All the set pieces, the costumes, everything like that was like. Beautiful, like there was such attention to detail and there was not like a wasted moment on screen. It was so interesting that we’re talking about like, how like futuristic retro it is but. Like the. Costuming wasn’t futuristic. That was still like grounded in 60s fashion.  Speaker  Hmm yeah.  Dion  I had a really good time just watching the sets and the costumes. I was like they have actually paid a lot of detail to the costuming, not only of the signature folk, but the people around them too. Looked sharp as ****, I gotta say.  Quinny  And.  Jill  Yeah, like the the space suits and their hero suits were were still like. Grounded within like that 60s, like retro futuristic style, but had like the the strong 60s fashion elements as well in terms of like the textures of the fabrics and things that they used but the the colour theory throughout was fantastic and yeah just the the visual language that they. Used in this film was just so Cohen.  Peta  It’s a joy for. The arts, hmm.  Dion  Joy for the eyes until we get to the failure of the film.  Quinny  Wow. Jesus. OK, so, so just a reminder folks, the deal also sat through Superman and huffed.  Speaker  Go further on.  Dion  I did. I did half. He did half I wanna also. Caveat that I did see Fantastic Four, but beforehand I had.  Speaker 6  So.  Dion  To watch. Beforehand I had to win. The Avatar trailer 17 times. I don’t. I don’t know how to explain that in terms of everything else, but I had to sit through the Avatar trailer. Too many ******* times, and that may have influenced my decision. And how I enjoyed that film slightly too many times.  Jill  Anyway, yeah, it’s almost like they strapped you to that chair and made you watch them 17 times.  Dion  They kind of did. Yeah. You know, because you know, as we all know, in those kind of cinema things, the seats are gold. And if you leave one, you’re done. It’s going coming back but anyway.  Speaker 3  Yeah.  Dion  OK, enough of that. Fantastic for what? What are your first four impressions?  Quinny  I just wanna know why you’re getting ready to throw it.  Speaker 2  Hello.  Quinny  Under the bus. To you ohh.  Speaker 2  No, no.  Quinny  Like there have been a couple of times that you’ve already kind of started. Coming out of. Swinging. I wanna know why the big.  Speaker  There is.  Dion  Rubber punches out. Well, first, I mean, we all hate John Krasinski. And. No, I’m just joking. That’s. Three just threw that out there for.  Peta  Come on for John Krasinski. And he’s not like.  Jill  He can’t even defend himself.  Quinny  He’s such a nice guy. Everybody talking.  Dion  About, I’m talking about how effusively I love the costuming, the design, the aesthetic, the way that it just kind of moves the story along really, really quickly. It throws in some amazing nods and references to the historical stuff, like there’s covers of famous Fantastic Four issues thrown in very quickly. I know you’ve got.  Quinny  Oh my God, that made me so happy.  Dion  Classic villains like Mole Man and the Red Ghost. Yeah. Ish red. Red ghost off.  Speaker 3  Well, sort of.  Dion  Like all of that stuff is kind of great. Herbie is amazing. The fantastic car, which I think often gets ignored. Quinny  Yeah.  Jill  Uh-huh.  Dion  In, in a lot of, this is part of the fun about the Fantastic Four is all of the bits and pieces that Reed comes up with. That’s all kind of themed Herbie, as I said. Yeah. And he was.  Quinny  Great. OK. Does everybody know the history of why Herbie exists?  Jill  No.  Quinny  OK, this is my my favorite stupid piece of ******* history. So in the 60s, when the Fantastic Four was being turned into a cartoon, they went OK we’re going to do the Fantastic Four and the standards people of America went hang on. One of the characters is on fire.  Speaker  Tell.  Quinny  We can’t have a children’s TV show where the children want to emulate the heroes and have a character be on fire. Why not so? In the 60s cartoon of Fantastic Four. Johnny Storm is removed entirely and is replaced by Herbie. This is where Herbie came from. Wow.  Speaker  Oh. Yeah.  Quinny  So the fact that, like the fact that he’s in the movie is ******* hilarious. But his history is even better.  Jill  That’s wild.  Quinny  And I’m pretty sure he actually talked in the animated series, but yeah, and didn’t just make bleeps and.  Speaker 6  Wheels. I like the Droid vibe it was.  Dion  Didn’t. Yeah, it didn’t sound like. Yeah, it didn’t sound like a 60s frickin B.  Speaker  Yeah.  Dion  I just. I just remembered something. Thing when we get this Sue storm into the proper Marvel Universe, she’s going to have to come up against Namor, yes.  Quinny  Hmm.  Dion  And and that’s a lot of that’s a that’s a whole. Jean Grey, Wolverine, Cyclops thing going to happen right there anyway. That’s right.  Jill  That’s something we can work on.  Dion  Later. Yeah, there’s a lot of smart in that one anyway, yeah.  Speaker  Yes.  Quinny  And apparently on on the set all the time, Vanessa Kirby is like, So what? What’s going on with Namal? Pedro’s like, for ***** sake, right?  Dion  Here she knows what’s going on. She gets all the cast members.  Quinny  Mm-hmm.  Speaker 3  Yeah.  Dion  Yeah. Look, I. Had a great time with it, like, you know, really good introductions to quick introductions to characters. Everyone got a little bit of ability to show who they were as characters very rapidly. Like, you didn’t have to pay to. Much there, but I also really appreciated how much they felt like a family and they felt caring and it was showing them in a particular way, which it wasn’t like, oh, these are conflicted people. They don’t know how to, you know, where’s the drama? I mean, the drama isn’t in the family. The drama is external forces. And I think they got that really well because there was a really cool vibe to sort of be like ohh this is, this is cool kind of family like like I I would take children to watch it and be like see, this is how you’re nice to each other. You don’t have to hit each other. You know.  Quinny  Don’t set each other on fire.  Dion  Don’t set each other on fire. Try stop working so hard.  Quinny  Pete Jew talk to me.  Jill  Oh my God. Ohh feels like so long ago but it was only Friday.  Dion  Four days ago that you saw it.  Jill  Ohh my goodness, I really liked the film. I had a good time. I saw it well. I mean, all the things that I said about the costume and set design and all that stuff was just fabulous. I thought like the story pacing was good. Like they they got to the point and they, you know they executed ABC. You know, here’s what’s happening. Here’s our problem. And here’s how we overcome. It, like they did that. UM. I thought the action bats were good. But again, I’m just not getting my **** blown off. Guys. The jet film. We’re back to the **** rating scale. OK0 **** means it was ******* amazing because they blew them both off, but two **** is bad because it doesn’t mean that I didn’t like the movie.  Quinny  Back to. Rating system.  Jill  It just didn’t **** **. Way and it made me start to think that there was something wrong with me. Like am I not finding enjoyment out of these movies anymore? Like is it becoming passe? Is it like over saturation? Like what’s the issue? I think what the issue is is that too many movies. Are just safe. They’re in a safe zone. They do what they do on the box and they do no more than that.  Speaker  Hmm.  Jill  I’m not getting any like thrill, danger, excitement from these movies anymore. It feels really middle of the road and pedestrian and that’s not to say that Fantastic Four was a bad movie. It was a good movie because it did its job, but it didn’t go above and beyond. And become an exceptional film. And I just, I feel that way about Superman as well. That was not exceptional to me, and it just kind of feels like every time we go and see a big blockbuster, I come out like feeling it was it was middling level.  Speaker  Yes.  Quinny  I agree, but I want to keep Pete’s. Take on it? Sure.  Peta  I think it’s very well constructed, beautifully made. Film, I mean, we’ve talked about the production design and the look of it already, which is great. You know, we’ve talked about the the structure which is logical and probably better constructed than Superman. And and I do think it’s funny that I’ve kind of liked the exposition. Free tool here that I hated so much and electric state, same tool, different vibe. It’s it’s easy to get into and you want it to be because there are some plot points that that, that require a very high level of suspension of disbelief. Even for a comic book movie, you know, usually I I I I try to give the the Budweiser and the ********* like. A bit of a break in in certain genres, but I struggled a bit with a couple of the plot points that very much drove some parts of the story. Because it was a bit wibbly wobbly. Sciency want see? Yes. Yeah, like, don’t.  Jill  Get into the proton stream, but get into the proton stream, yeah.  Dion  Yeah, you’re Superman.  Peta  That was and, and I think the issue is I I I get I I have a tendency to get a little bit distracted if I can’t. If that suspension of disbelief gets interrupted, and I think that these particular plot points were distracting enough that even though I was enjoying the film, I still. Got kind of. Kicked out of this story a. Little bit by thinking? Yeah, but Nah.  Quinny  Are these things that need to be talked about in spoilery territory or?  Peta  Ohh, everything needs to be talked about in spoiler territory. It’s it’s just and if they weren’t plotted drivers.  Dion  OK, alright, fair enough.  Peta  It would have felt a little bit different as well, but it it did kind of feel like as well constructed and entertaining and beautiful as the film is. I kind of agree with Jill that you kind of I didn’t personally come out of the end of it going like. **** yeah. Amazing superhero film. It was just kind of like, ohh, that was like really well constructed and good looking and entertaining. And yeah, Pedro.  Quinny  I I have, I agree very much with with everything you guys have said. My biggest problem with it is that. The movie didn’t have its next gear up like all the way through it puddled along at an enjoyable kind of pace. It was doing what was needed, you know, things were kind of getting, you know, you had your action beats and stuff like that. But then when you get to your climax. It doesn’t have the next gear, it can’t shift it back a cog. And really. Go ****. Let’s go. It didn’t have that it, you know, the the climax I kind of was like and oh, OK, right. We’re done. ****. OK. Huh. And that’s. Kind of implementing of the whole film that it’s really well made as as we’ve all said, well made, well shot, lovely costumes, lovely everything.  Jill  Great performances, everybody was on their a game.  Quinny  But nothing that made me go ****. That was a moment. Like, you know, there was nothing. There was no moment like.  Speaker  Yeah.  Quinny  The thors hammer. With that, America, there was no kind of really emotional beat of.  Speaker  Yeah.  Quinny  Vision saying you know that love is just pain. You know, whatever. I can’t even remember the quote. But you know those those those really like deep seated moments that make you go ohh. That got me right in the heart.  Speaker  Hmm.  Peta  Which Thunderbolts did for me, and that, you know, I. I guess if if if you’re going to hold it up against superhero films we’ve seen this year from a.  Speaker  Hmm.  Peta  Is it a good movie?  Speaker  Hmm.  Peta  Mm-hmm. You know, well-rounded perspective, I would still put Thunderbolts ahead of this, regardless of how beautifully. Thought out the world was.  Quinny  Yeah, like there, there were lovely moments and their lovely ideas. I love the idea of the whole world pulling together to go **** we’ve got. Eight months to build something or, you know, and we’re all going to pull in this together and we’re all going to come together over something. It’s a great concept, but it just never felt like it had those that, that personal danger of what we saw in Thunderbolt and. A lot of people who are doing the, which one did you like more, Superman or or fantastic? 4. I personally thought the Superman took more risks. You know, it was weirder. It was.  Peta  Well, it was more. It was more current in in its messaging and the. The risks that it. Was taking in that messaging as well, and I think also you kind of.  Dion  Hmm.  Peta  This is a bit of an imbalance, I suppose in the rate that one escalates because you can kind of attempt to escalate the stakes to the highest possible point and the escalate them so high that the audience cannot believe. That. That jeopardy is going to come to pass in that context, which actually, which actually kind of destroys that moment, is kind of gotta be like a believable, worst case scenario that they’re facing. Not like, well, of course, they’re trying to find a way to avert that. There’s gonna be a little part of you that’s like.  Quinny  Hmm.  Peta  Ohh, they might fail, which I kind.  Speaker  Hmm.  Peta  Of felt in this.  Quinny  Yeah, yeah. Yeah, like.  Peta  Otherwise, you don’t feel the jeopardy, you know, the way that you should.  Speaker  Hmm.  Quinny  Yeah, and and I don’t know, I feel like something like Superman has has more of a an alter kind of vision behind it. Like, you know, that felt like James Gunn saying something and his whole thing about found family and his whole thing about being outsiders and, you know, he. He has a particular thumbprint that is all over that. This one I couldn’t tell you. A thumbprint it was.  Peta  Which is funny because it is tonally and structurally much more consistent.  Quinny  Absolutely.  Jill  Yeah, it’s a. Package. Yeah, it has an aesthetic and it, you know, executes that, but yeah.  Quinny  Yeah. And and like.  Jill  There’s there’s special sauce.  Quinny  Yeah. And and I don’t. Know what it is because. I was wanting to get excited. I was super wanting to get excited and it just never quite hit me. And even when big things happened, I was like.  Jill  Karina made a good point that she thought we were going to see them fail. Based on what we saw in the post credit scene of Thunderbolts and I want to make a point where I kind of wish that that scene never existed because it coloured my expectations.  Speaker  Hmm.  Jill  This film I was going in.  Quinny  Yes, I’m.  Peta  I forget what that scene.  Jill  Was ohh that’s actually it was it was there. There was like ohh we can. We’re picking up something on our radar and then they zoom into space and they see the Fantastic Four ships flying through space and that bit. Yeah. Yeah. So I had a different expectation of what I was expecting in this film. And so I’m like.  Speaker 6  It’s just.  Dion  Just a a rocket ship in the sky. Kind of, or if it is, we don’t know.  Jill  Just on the edge of my seat the whole time, thinking. Well, how are they gonna get to our earth? When are we gonna see that? When are we gonna see that? And. And I’m like, so I wasn’t in the moment with everything else that was happening because I was anticipating something else to.  Quinny  Yeah. Yeah. And and maybe that’s that, that other cog that.  Speaker  Happen.  Quinny  I was expecting. Maybe that’s the the the next thing up is that you know, they do like, fail or they do something that that then took it to a different level.  Speaker  Yeah.  Jill  That causes them to and then this is how we get to this moment. But like now that we’re not going to have The Avengers doomsday film until another 18 months.  Quinny  Jill  I’m like, wow, how are they going to get our butts in the seats for that one?  Quinny  Yeah.  Jill  Because after watching this movie, I’m like. Ah, I don’t really know where we’re going.  Quinny  Neller.  Peta  At the end, do you feel safe now with your opinion to share?  Dion  I mean, my opinion is based on Fantastic Four and how I enjoyed this movie or didn’t.  Quinny  Which is a really difficult thing to do to to take the movie entirely on its own. Yeah, been its own value and.  Speaker 2  What?  Quinny  So aside from my expectation, aside from the other movie I watched a week and a half before, yeah, aside from.  Dion  Yeah.  Quinny  All of that, yeah.  Dion  Look there. This is the thing. Like I I really like to to throw this through. I really enjoyed Thunderbolts because it broke expectations that I had. I was there for it to say, what are you gonna do with this? And I was. Like wow, that is a great movie. I had certain expectations about Superman or I was wondering what was going to go, and I felt it wasn’t as good as I thought. It’s going. And I went to Fantastic Four. Saying how is this going to go? And I thought, yeah, I had a little bit of the same thing the the ending. Thing towards the end and some of the reasoning and stuff I was a bit like oh, this doesn’t make sense and I don’t understand where it does or doesn’t fit and I feel like they’re going to have to for some reason do another one in that universe for some reason. And I’m just a bit confused. I feel like it just kind of didn’t. You’re right, had that. Where’s that gear? Where’s the gear? Range. Where does it go up? Where do the stakes get bigger? Where does it become really important? But really I liked it because it. Was you can see across the entire movie from start to finish. It was a love letter to the time of the original Fantastic Four. Like all of the Kirby, all of the weird stories are just written into it. So it is made with a lot of reverence and a lot of love. And I really liked that because there was good messaging that was in there.  Speaker  Hmm.  Dion  The execution or some of the reasoning is just I don’t know how this fits. In the rest, like I love that it’s an outsider film, but I also don’t then. But what’s are we are we going to follow these people? Is that the point or is it just having a second one? Like I don’t. Know like it’s another Fantastic Four is like.  Quinny  Yeah.  Dion  Will we see him?  Jill  Yeah. Are we making this movie just to make a sequel? Just so we can make? Money.  Quinny  Yeah. Well, or are we making this one just because we needed to have a really good bad guy for the MCU. We’ve already announced who that bad guy. So we really had to have this film before doomsday could happen.  Jill  Yeah. There’s a lot of very upset people in. Our screening at the end of this movie.  Quinny  Yeah, yeah, there was.  Dion  Yeah, Speaking of bad guys, how do we feel about the villain aspects of this one?  Speaker  Hmm.  Jill  I was curious to how I would ever see Galactus executed on film, and I think it. Up to a point, it was well done.  Dion  Is it? Is it better than the giant cloud?  Speaker 6  Ohh yeah, we don’t need.  Dion  So the.  Jill  Some amorphous cloud like I want to see an actual Galactus and like how?  Dion  So.  Jill  Do you do? That I mean, especially after we had the Eternals where, you know, we have things God like beings in space, it’s like, OK, well now how do we make a Galactus?  Speaker  Hmm.  Jill  That was really cool, but then there was a moment where I thought it was. Not cool. Maybe I’ll talk about that in sport.  Dion  How? How did you feel about Charlotte Owl?  Jill  I thought it was sick. I’m like, yeah, let’s go back to the original Silver Surfer. Yeah. People will be surprised to know the original Silver Surfer was not a dude.  Quinny  I I knew that Michelle label was an alternate, but I didn’t realize that. Jill  I think the original Silver Surfer was a woman, and then it was her lover that begged Galactus to trade places with her.  Quinny  Yeah, yeah. Entry.  Dion  Interesting, yeah.  Jill  And disappointed we didn’t get the what if Aunt May was the Herald for Galactus and we didn’t get the golden oldie.  Dion  What are you talking about? Marisa? To me, isn’t that old?  Quinny  I I think.  Speaker 3  No.  Quinny  I think there were there were sequences in there watching the the Silver Surfer surfing through.  Speaker  Ohh.  Quinny  Like Kirby Crackle, ******* cosmic power surfing through black holes where I was like, **** yeah, this is cool. You know, surfing around curving laser beams and ****. I was like.  Dion  Well, grab. Yeah.  Speaker 3  Yes.  Dion  ******* hell yeah, that’s that’s the weird success stuff. That was the bitter.  Speaker  Hmm.  Dion  Was like, oh, this is great. Like, how do you put the Silver Surfer in? Why does it doesn’t even make sense. And it’s like, yeah, it does. If you lean into that. Crazy kind of 60s vibe that it originally was about. It’s like, yeah, I’m just gonna surf, like, through cosmic waves, man, it’s. Like. Cool. That’s fun. Yeah, it helps if you take LSD.  Quinny  Hmm.  Speaker  Yeah.  Dion  You know.  Quinny  Like there was something so ******* cool with all of that visual stuff. Yeah, that up until now, we’ve never really gotten because the only other time we’re seeing the Silver Surfer, he was on Earth, so it didn’t have that real cosmic kind of.  Dion  Maybe. He was the T1000 man.  Jill  Thing, yeah.  Speaker  Hmm.  Dion  He just kind. Of morphed around as needed for the plot.  Quinny  Your thoughts on on the Silver Surfer?  Peta  Neutral. Cool. I I don’t have a lot of feelings about the Silver Surfer as a character, but I thought she was. I thought it it was cool execution.  Dion  Yeah.  Quinny  Hmm. Yeah, look cool. And I like the the human eyes too. I thought that was kind of cool. Yeah, cause you I feel like you still need something to latch onto for a motion, yeah.  Speaker  Mm-hmm.  Quinny  I thought that was smart.  Speaker  And. Look, there’s look.  Dion  There’s lots of fun stuff in there. Standouts for me. I I I need to say I really annoyed that they didn’t rename it the fantastic six because to be honest, there are 6 characters in this movie. By the end of it, you’re watching it like there’s not just four, there’s more. Who you’re following through with, which was a bit of a surprise because I was like, OK, right. You’re just going to lean very heavily into the entire thing. Sure. I really. Kirby, I love that they went into galactic space because that’s kind of that’s that kind of that’s really fun. Like Reed Richards is that kind of character who, you know, is your prototypical 50s, you know, American Americanized painting, you know, of, like, it’s a pipe and slippers and, you know. Dad’s home.  Jill  Yeah. The Norman Rockwell. Yes. Please looking forward.  Dion  Yeah, absolutely. 100% The Rockwell and it it. But presented in that very conservative way, but he’s not a conservative. Like you know, it’s kind of like I’m just going to learn how to fold matter and bend this, and then we’re going to space. All right, everyone, safety third. Let’s go. That’s kind of Reed riches. Like he built a thing called the Ultimate Nullifier. And it kills anything in the known Marvel Universe. And then he’s just like ohh someone.  Quinny  He’s.  Dion  Like.  Speaker  Like.  Dion  ******** Reed, you know like.  Quinny  One thing you you said to me afterwards too.  Jill  Yeah, I mean. He just casually solved teleportation in this.  Dion  Yeah, yeah.  Jill  Film or whatever.  Quinny  Whatever. Whatever one thing you said to me too, and I agreed like they’ve always struggled to get Reed Richards powers looking good on screen. Like it’s very hard to do stretchy guy without it looking dumb, but one of the things that is kind of sad is that in the.  Dion  Yes.  Quinny  The comics and everything. Quite often you’ll see him, and that stretchiness of his body is a. Is. A all about echoing who he’s mentally. Yeah. So his arms are over here. You know, riding on the blackboard and his other arms over here, smoking a pipe and his head is, you know, stretched out over here, looking at the, you know, out the window or something like that. And there wasn’t much of that. It was very much like, this is traditionally handsome Pedro.  Peta  Yeah.  Jill  It’s it’s tiny. Yeah, it’s a tiny bit like he was doing. A little bit of the blackboard. Stuff and the catching things, but.  Speaker 6  Yeah, I don’t.  Jill  I don’t think we really got to see him actually use his powers much in the film as a whole.  Quinny  Nope. Nope.  Dion  It’s very, very expensive to animate Pedro Pascal.  Peta  It’s it’s a dump power.  Speaker 3  Pete. Pete, in there, it’s true.  Jill  I mean, it might be a time you. Would change your mind.  Speaker  Yeah.  Speaker 3  Blubbering time, no.  Quinny  Should we rate it because we are, we’re going on a.  Peta  Yes, yes.  Quinny  Long time. Ohh good.  Jill  Oh my goodness. I don’t know. I’m gonna pick a number.  Dion  How many tips off Jim?  Speaker 6  Yeah, the tip scale. Yeah, yeah, yeah.  Jill  Yeah. The two tip film, but.  Quinny  I mean, I’m gonna. I will change the rating system if I have to, but it’s gonna really.  Dion  I had some I had some issues with it, but I did enjoy. I had a fun time. I’m gonna give it a 75. No 70. I’m gonna go 70. Sorry. I’m. I’m back down a little bit mainly because I really loved.  Quinny  On the website.  Dion  The scenic I love the the the characters together. They didn’t quite mesh as much and I felt like some of them were lost like I think Ben Grimm’s the thing.  Speaker 6  Hmm.  Dion  Totally kind of lost in the hole as much to do. No, I I didn’t get enough of that thing because one of the most important things I know about Ben Grimace, he’s the real heart of the team. And while that was great, like I loved, you know, uncles, you’ve got uncles going on there. I loved it. You know, Johnny and and Ben are totally down for, you know, being uncles. I just thought he got a little bit lost and I have big issues with some of the purple headed warrior of the lactose, which I’ll talk about in spoilers, but yeah, overall fun time. Not a long time.  Quinny  Fair enough, Pete. Number.  Peta  I’m going to say I’m going to say I’m going to say 76 because I do think that it was. Really well put together but. The the I mean I’ll have some stuff to say when we spoil some things. Yeah, I’ll try to keep it brief. Actually, there was one point I think I said to you guys that I’d nearly walked out of there with more tips. Than I started with.  Quinny  I’m still wanting to know how that works.  Peta  Luckily, luckily I I didn’t have to go full rage out on it.  Quinny  So I’m very impressed.  Peta  Umm. But yeah, it’s just those kinds of like those those plot points that that just didn’t quite work for me were just a little bit kind of too conveniently driving the plot. And I didn’t quite buy even in the world of the story, that really kind of helped me back from from. Losing any tips at all?  Quinny  So so number of tips is 2. Hmm but. Peta  Ohh, also the young Kelly’s Uncanny Valley baby was distressed.  Quinny  Though apparently that they had a live baby on set 99% of the time.  Peta  In some shots, I was gonna say you, but you can tell the. Shots that aren’t, yeah.  Dion  Yeah, yeah. Babies don’t look like babies on screen. You gotta pay. They yeah.  Peta  I mean, either it was a fully uncanny valley baby or they were doing something to kind of make the baby look like it was looking, but there was something. Yeah. And whenever whenever Ben Grimm’s holding the baby, it’s like. That ain’t no real.  Jill  Baby, what number did you give it, Pete, 7676.  Dion  Yeah, we all know.  Quinny  And Dion, still at 70, isn’t.  Dion  He. Yes, I’m still there.  Quinny  Yeah, Dan, how many tips have you got left by?  Dion  The way? Yeah, just one tip.  Quinny  Wanted.  Jill  Only go off 1.  Dion  I only want it. Yeah, I mean, well. I mean, I don’t know. It’s moved. Maybe the **** moved like it. It’s not in the same place it started out, but it hasn’t gone completely off. It’s around the side visiting the armpit.  Jill  You can’t. But I gave Superman.  Quinny  I can probably look it up if you want.  Jill  Yeah.  Peta  See, I just kind of take it on a mood basis. It’s on a day by day basis.  Dion  Briefly.  Quinny  Hmm.  Dion  Phil was right. I mean, I think. One of the telling things long rated.  Peta  Never compare my ratings for one movie to another movie.  Quinny  Superman 65.  Speaker  Oh.  Dion  While while Jill is thinking, I mean it’s fair enough. Remember, she only saw it like 4 days ago and it feels like.  Jill  OK, here’s the weird thing though. Like after I watched Superman, I kind of wanted to see it again, but I don’t know if that was to try and enjoy it more or like to get the things that I didn’t really get about it. But this one I’m not really like in a rush to go back. To the movie for it.  Quinny  Hmm.  Jill  But. I did like it more than Superman. Then. I think I’m going to give it. 69.  Speaker 3  Nice.  Dion  Nice.  Jill  It was just a nice movie.  Quinny  Yeah, 69 and still 2 tips.  Peta  Yeah.  Dion  Quinny, what have you.  Quinny  Yeah. Got. I’m very similar to you know, I’m I’m probably I’m probably more in line with the pizza like. Yeah, 70. I’m going to go 77. I don’t know why. Yeah. Actually.  Peta  Just feels like a 77.  Speaker  Vibe.  Quinny  Like I I was a bit more warm on Superman whereas this. Like it’s it’s a perfectly fun, pleasant film. Like there’s nothing wrong with it, but it also just to me, felt like it. Was. Didn’t have much, particularly to say. Other than you know, wouldn’t it be nice if we could all work together and yeah. But also, maybe that’s what we needed at the moment is something that wasn’t too dangerous or whatever and. I don’t know. Yeah, it’s it’s 77 for me, but I just find it so.  Dion  Weird. We’ve, we’ve, we’ve, we’ve focused a lot on the non spoilery side and we’re running rapidly running out of time. So let’s go to the dinner clip to find out why they’re all such a nice blending together, then come back and see how much we. Can jam pack into spoil it section?  Peta  Leave if you haven’t seen it, because I’m going to spoil the very, very, very end of the film.  Speaker  Dion  Pete is thrown down. Here you go, alright?  Speaker 5  What are you doing? You mean what am? I. Doing and then you’re gonna ruin your appetite. I’m hungry, but never late for Sunday dinner. Should we wait?  Speaker  I guess you’re late. What I what do you?  Speaker 5  Mean. What do you mean? What do I mean?  Speaker  You’re late for dinner. Ohh yes we are. We’re late for. By single minute.  Speaker 5  Dinner. Yes, we were just just had to.  Speaker  Some aloe iodine on my shoulder. We got. Do his shoulder and.  Speaker 5  Why is that breakfast cereal in the dinner table? Why are you being?  Speaker  Weird. Not not being. Acting. Weird. Well, I’m doing that weird thing with your face, so. Oh, we don’t know what you’re talking about.  Speaker 5  Are you pregnant?  Speaker  Jimmy at the pregnant.  Speaker 5  Yes, yes.  Speaker  You know, I know he just cannot.  Speaker 1  That have you looked at your husband’s face?  Speaker  Keep his secret.  Speaker 5  What, really, yeah.  Speaker 2  What you are going to be the best mom? Oh, my God.  Speaker  And you are going. To be the best dad. Just kidding. You are out of your depth, but we. We’re going to be the best uncles ever. OK, we should eat.  Dion  Oh, there you go. Yes, that is exactly the kind of thing that we loved about the film. It’s really nice. Spoiler logos up, Pete. Destroy away. Oh, wait. Sorry. She has been there at the beginning. She will be there at the end. We here. Peter.  Quinny  ETA.  Peta  It’s not even my biggest complaint. It’s just that there was a moment at the end where I was like, I am going to have to have another full on rant about killing off female characters via self sacrifice and doing it to two female characters in one scene. UM.  Quinny  Thank God.  Peta  They recovered. They did recover. They recovered from it a bit and it didn’t really feel like it wasn’t going to recover. But for a moment there I was like, oh, oh, we are going to throw down.  Jill  I don’t believe you didn’t realise the magic baby was gonna save the day.  Speaker 3  Sacrifice.  Peta  I did. It did, but there was a part of me that was kind of like you better ******* not.  Dion  Yeah, yeah, there was a little bit of that was it? It’s like, don’t you ******* dare? Jesus Christ, he’s not a. Defibrillator. He’s a baby.  Jill  I mean, you don’t have a. Magic mcguffin. The whole time and then not? Yeah.  Speaker 3  Yeah.  Dion  True, although, but as as we all.  Peta  My biggest my my bigger complaints.  Dion  Know Franklin Richards. The monster.  Peta  My bigger complaints were were the iffy plot points like I’m like, correct me. I’m not a linguist, but I’m pretty sure you cannot translate an entire language with three words like I don’t. I don’t know that that’s possible. The Rosetta Stone had more than than than 3 words.  Speaker 3  Yeah. Hmm.  Dion  Now.  Peta  I I don’t see how I don’t see how.  Dion  Important to understand that this is in the Universe 8 to 8 where things can exist a little differently and they are not this bog standard and it was one of those.  Peta  Oh.  Speaker 6  But it’s it’s.  Jill  Things are like super.  Peta  It’s not the kind of plot point that you can explain away in your brain with that kind of reasoning like it’s not, but.  Dion  It has to be because that’s why I was. I was ******** about it and I yelled at Quinney until it came up to the thing. It’s like, but it’s not the real Galactus. And I’m like. Oh yeah, **** everything in this movie is not the real one from our universe. What? I’m getting angry at can easily be retconned by an executive who doesn’t like the feedback form.  Speaker  Yeah. Yeah, yeah. Yeah.  Jill  But this is also a universe where Reed is a super genius that can solve teleportation and like, move a planet. That’s.  Speaker  Hmm.  Peta  It just like the jump between ohh, I’ve managed to do it to an egg.  Jill  Come on.  Peta  Let’s do it to a planet. Nothing will go wrong. I actually, I almost thought that, like, that’s where it was gonna get interesting. Like, that was gonna be this universe is snap moment when they, like, accidentally. Left half the people behind or something.  Quinny  That that’s what I that’s. What I was kinda hoping for like.  Jill  Yeah, there weren’t really many stakes.  Quinny  No, I ******* love the idea of them actually going *******. We’re gonna teleport the whole planet and.  Dion  And ******* it.  Quinny  Up what? Could something goes wrong like they they go to the wrong place or they find themselves in the ******* negative zone.  Jill  Like that ******* DC convergence where the two planets had to merge together.  Peta  Or and that’s the thing.  Dion  They do. How did they do faster than life travel, but. Not work out how radar. Exists stop the fact that Silver Surfer was coming to blow up all of their teleportation machines that that shaped.  Quinny  Me. She’s very fast.  Peta  And in your hand it just kind of looked like a regular size spaceship. I don’t know why they couldn’t have just muted it or something like it’s like felt like a lot of like ohh The thing is coming very slowly. This is the only thing we can think of.  Dion  That was my big ***** point that I will get my big boy britches on and have a whinge about. Galactus’s ******* world eating ship is just a giant space grinder and. And I didn’t like that because if you’re gonna go to, like the extent that they went to, which was really curvy, whole super 60s kind of thing.  Speaker  Right.  Dion  Make the spaceship ******* weird. Make it the giant machines that don’t. You don’t understand the purpose of what they do like. Have something that’s in there.  Speaker 3  Hmm.  Jill  Yeah. What happened to like the? Big straw that he just shoves in the. Planet and like sucks it up like.  Dion  Yeah, all of that. But I mean, just like have the weird like, Kirby was great for drawing like. Contraptions that you love on the contraption, and they don’t. You don’t know why or how they work, or they have like extra bits that go off and they crackle with energy that you don’t understand how it sort of goes. He didn’t care about making it look well built. He cared about making something cool and stupid. And then they put Galactus. Fair enough, looked pretty good, you know, for a big.  Quinny  I look I. Liked big man collectors. I was down.  Jill  For that, yeah. I didn’t like how his. Height fluctuated with convenience.  Peta  Say he wasn’t that big in the end. Though was he he? He looked.  Jill  The lost, yeah.  Dion  A bit of juice out the back of the tube and then he got a bit.  Quinny  Maybe.  Speaker 6  So then he went and shrunk a bit.  Dion  Yeah. Yeah, yeah. Yeah, yeah, yeah, yeah, yeah.  Quinny  OK, let’s go with that, yeah.  Jill  He’s like ohh, now he can fit in this big circle on the ground that he like, would have Godzilla crushed the moment ago.  Dion  Crush. Sure.  Peta  Confused if planet size or if Godzilla size.  Dion  Yeah. Also how would sue push if 2?  Quinny  Because her push is not based on size, it’s based on willpower.  Dion  No, but push, baby. Ohh no. OK, recover. Push, galactus. Big baby. Oh, no much.  Peta  Is is based on magic mummy power?  Quinny  Yeah, yes, yeah. Like that. That big kind of finale stuff. I was like when he started to climb back out. I was like, ohh. OK now.  Dion  No. Well.  Quinny  We’re gonna get some shoes.  Jill  Yeah, I was like. Oh ****, I jumped.  Quinny  Yeah. Yeah. I was like, ******* sweet. Great. OK, now we’re gonna really ******* now, now we’re gonna wrap it up, but Nope. That’s just that’s it. Cool. Everybody get home. I would love to have seen them do something real. ******* ballsy. I would have loved to have seen them lose the earth, you know? Yeah. So that that’s why this Fantastic Four, like instead of. Yeah, that’s the run like this.  Jill  On the run on the. Sleeper on.  Peta  I’m not sure that Marvel is doing its answer to the trolley problem properly.  Quinny  Why not teleport the ******* baby and the family to another end of the universe, or to a different ******* dimension or whatever?  Jill  Because they answered that in the slack with pocket holes does.  Speaker  Yeah. Yes.  Dion  I mean. I look I I I I really got that like I enjoyed the bit where they were like, no, this is it honestly. Like we we we may be the people that everyone looks up to on the Earth and that’s a bit problematic to put that much. Responsibility. On four people who were there, but at least they always did it with heart, honesty, integrity and overall admission of failure. To the world.  Speaker  Hmm.  Dion

Josh Kirkman is CEO for Surfers for Climate - an Australian charity dedicated to turning the tide on climate change. In this chat, Josh gives an insight into the group's various campaigns - and how to better empower tradespeople, politicians and the public to help make a better world. Useful links:Josh on LinkedIn (here)Surfers for Climate (here)For further information about Ocean Protect, check us out at www.oceanprotect.com.au Hosted on Acast. See acast.com/privacy for more information.

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In this episode of FYI – For Your Innovation, Brett Winton and ARK analyst Nemo Despot sit down with Generate Biomedicines CEO Mike Nally and CFO Jason Silvers to explore how generative AI is transforming the discovery and development of protein-based therapeutics. Founded in 2018 by Flagship Pioneering, Generate Biomedicines is building a “self-driving lab” that combines machine learning, cryo-electron microscopy (cryo-EM), and high-throughput wet lab automation to dramatically accelerate drug development. The conversation dives into how Generate is reimagining protein therapeutics — going beyond trial-and-error methods to a data-first, design-driven model for creating novel medicines. The team discusses the company's proprietary approach to integrating structural biology with functional data, the economic implications of reducing time-to-market from 13 years to under 9, and how their platform could unlock treatments for diseases that have been historically undruggable. They also touch on strategic partnerships, scalability, and how AI is shifting the biotech business model from artisanal science to an industrialized, data-driven enterprise.Key Points From This Episode:00:01:30 Why Generate Biomedicines is rethinking protein drug discovery from first principles00:04:40 How their structure-first approach differs from peers like AbSci and Recursion00:07:04 Using cryo-EM to build proprietary protein interaction datasets00:10:57 Traditional drug discovery is random, expensive, and inefficient — here's how Generate is changing that00:16:58 From concept to clinic in 18–24 months: Accelerating timelines through AI00:20:47 Going beyond efficiency: Unlocking access to undruggable biology00:24:48 Turning cryo-EM into a high-throughput data engine for model training00:31:20 The long-term vision: Patient-specific protein therapeutics00:40:00 Why scalability gives Generate an edge over traditional biotech00:47:52 The future of biotech as a research & development (R&D) sharing economy00:54:19 Adapting fast: Keeping pace with generative AI advances across the stack01:00:16 The KPI (key performance indicator) for platform success: Rate of improvement

Patti Silvers used to keep an active lifestyle, but after raising kids for 20 years, she realized she needed to live that life again. After picking up exercise again in her 40s, she has participated in races in every state (including Alaska and Hawaii), proving that age is just a number when it comes to fitness. To Patti, it's not exercise, it's living life.

Send Us a Text MessageThe podcasting industry is changing fast; what worked just one year ago won't cut it today! Thankfully, there's a smart approach you can take to stay ahead. In this episode, Seth Silvers and Alex Sanfilippo explain how to position for future success as a podcast host or podcast guest. From platform updates to new audience behaviors, they reveal what hosts and guests can expect in the future. Get ready for a look at where podcasting is headed and how to make sure you don't get left behind!MORE FROM THIS EPISODE: HTTPS://PODMATCH.COM/EP/329Chapters00:00 Introduction and Background02:23 State of Podcasting: Current Trends and Data06:15 The Competitive Landscape of Podcasting11:30 The Role of Video in Podcasting15:13 Improving Show Quality and Guest Preparation19:24 Understanding Podcast Analytics23:13 Retention Strategies and Listener Engagement27:56 Final Thoughts on Audience ConnectionTakeawaysThe podcasting industry is becoming more competitive and maturing.Only 400,000 out of 4 million podcasts are considered active.YouTube is gaining traction in the podcasting space with significant viewership.Podcasters need to improve show quality and be unique in their premise.Analytics should focus on listener behavior and audience growth, not just downloads.Shorter intros can lead to better listener retention.Guests should invest in quality gear for better audio and video.Hosts should control their own audio quality and set expectations for guests.Understanding your audience is crucial for podcast growth.Building rapport between hosts and guests enhances listener connection.MORE FROM THIS EPISODE: HTTPS://PODMATCH.COM/EP/329

On Eavesdroppin' comedy podcast this week, Geordie and Michelle look at the cult of JACKIE (no, not from MAFS Australia

Development with Anora's Award season budget, The Another Simple Favor SXSW Premiere was awkward and Kevin Bacon hates one Wedding song staple. Plus Stephanie Silvers, CEO of Dress for Success Twin Cities, is in to talk about an amazing event they have coming up and some of the great work the organization does. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Development with Anora's Award season budget, The Another Simple Favor SXSW Premiere was awkward and Kevin Bacon hates one Wedding song staple. Plus Stephanie Silvers, CEO of Dress for Success Twin Cities, is in to talk about an amazing event they have coming up and some of the great work the organization does. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, TV writer/producer/showrunner Nancey Silvers describes her southern Mom's grits and fried chicken, eating deli food with her father, the magnificent comedian Phil Silvers, being required to help with the household chores, & eating fresh, at her mom's insistence, right from the stove. She remembers movie star tour busses stopping for lunch on their Beverly Hills front lawn and being served wine on holidays as a kid. She also talks about why she became a writer, and the joy of grandparenting. A lively and heartfelt visit with this prolific and successful writer.Don't forget to follow all of the social media!  @Sarandon_Chris on Twitter @TheOfficialChrisSarandon on Instagram Chris Sarandon on Facebook  ⁠www.chrissarandon.com⁠ ⁠linktr.ee/theofficialchrissarandon⁠Subscribe on YouTube at https://youtube.com/shorts/-vGUyj0TK-Q

We've been chasing this episode for a long time, and it's finally here! Join us as we chat with the incredible Seth Silvers, the mastermind behind Alex and Leila Hormozi's podcasting empire and CEO of Story On Media. In this episode, we dissect the intricate world of business podcasting. Here's a sneak peek of what you'll discover: - The THREE types of podcasts and why knowing which to choose is crucial for your business stage. - Unlocking the secret metrics in Spotify and the golden insights they offer to supercharge your growth! - Why the middle of the funnel might just be your podcast's sweet spot. - Seth's insights on AI podcasting – innovation or imposter? Embark on your podcasting journey focusing on data, audience clarity, and content mastery! Enjoy! Connect with Seth Silvers: Website http://www.storyon.co/ Instagram https://www.instagram.com/sethsilvers/ LinkedIn https://www.linkedin.com/in/sethsilvers Timestamped Overview: 00:00 Podcast Strategy and Data Insights 03:36 Contrasting Business Shows: Alex vs. Leila 06:55 "Intentional Podcast Launch Strategy" 11:29 "Podcast Success: Fun vs. Revenue" 14:20 Podcasting's Role in Sales Funnel 16:25 "Early Stage Business Growth Challenges" 19:30 Lack of Lead Capture Systems 23:17 Podcast as Business Expansion Tool 27:43 Frictionless Growth and Resource Optimization 31:24 Podcast Listener Data Insights Released 35:31 Podcast Binge Listening Boosted by RSS 39:01 Podcast Discovery Challenges 42:12 "Short Form Content's Crucial Role" 45:23 Podcast Production vs. Promotion Efforts 49:16 "Effective Marketing Follows Quality Content" 50:48 Assessing Show Quality Through Downloads 52:59 Podcasting: Craft vs. Tool Debate 56:24 Podcasting Done Right Guidance Connect with Fonzi: Facebook Instagram LinkedIn Twitter Connect with LUISDA: Facebook Instagram LinkedIn Twitter Subscribe to the podcast on Youtube, Apple, Spotify, Google, Stitcher, or anywhere you listen to your podcasts. You can find this episode plus all previous episodes here. If this episode was helpful, please don't forget to leave us a review by clicking here, and share it with a friend.

February 25: In this episode of TownHall, Albert Villarin, MD, VP and CMIO at Nuvance Health, Christine Silvers, MD, Healthcare Executive Advisor at Amazon Web Services, Praveen Meka, MD, Senior Physician/Hospitalist at Dana-Farber Cancer Institute, and Qing Liu, Senior Solutions Architect (Healthcare) at Amazon Web Services explore the transformative impact of AI in healthcare. They discuss real-world applications such as AI for patient referrals, document processing, diagnostic tools, and personalized medicine. Examples include the development of ConsultBot for interpreting complex blood tests and the use of AI for remote patient monitoring in underserved areas. How can AI improve patient outcomes and reduce errors in clinical settings? They also address challenges like data security, ethical considerations, and bridging the technology adoption gap among clinicians. What are the biggest hurdles in implementing AI in everyday medical practice? The episode underscores the potential of AI to enhance clinical outcomes, reduce errors, and improve patient satisfaction. Subscribe: This Week HealthTwitter: This Week HealthLinkedIn: This Week HealthDonate: Alex's Lemonade Stand: Foundation for Childhood Cancer

Chris Danton, the Co-Founder & Chief of Ideas of IN GOOD CO, adds her page to the Marketing Playbook. Hear why you should consider Substack, how to understand your competitors, how generative AI (Artificial Intelligence) will transform retail, how to reposition your brand, and Chris's predictions for the year ahead in retail. Subscribe to GOOD THINKING on Substack and connect with Chris on LinkedIn and at WeAreInGoodCo.com

Tonight we talk to Cal Gymnast Jayden Silvers. We discuss how she balances being a student and athlete, recaps her freshman and sophomore seasons, and ends the episode talking about the 2025 season so far, and what the team needs to do to have a chance to compete for a National Championship.

NBA commissioner Adam Silver floated an idea to limit the wear and tear on players in the league that involves a little less basketball.

Brooke and Tyler are joined by Steve Pond (@thecosmerenaut), Joy Allen, and Seth Tye (@the.cosmere.academy) for the Cosmere 401 panel at Dragonsteel Nexus 2024. Take a seat in the Scadrial room and get out your notebooks for the deepest of dives into the vast sea of definitions and opinions on what exactly are Splinters, Silvers, Avatars, and Cognitive Shadows. #NoWaTSpoilers This episode contains absolutely no spoilers for Wind and Truth. Audience Q&A begins at 44m0s. Follow these cool people: Steve Pond (@thecosmerenaut) (https://www.youtube.com/@TheCosmerenaut) Seth Tye (@the.cosmere.academy) (https://linktr.ee/cosmere_academy) Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

Papa & Silver Hour 2: Greg Silver & Mike Silver (in for Papa) talk with Marcus Thompson about the Kuminga/Butler/Lebron trade rumors, & the Silvers also bring you their real & sarcastic End of the Year NFL Awards showSee omnystudio.com/listener for privacy information.

#5: Let's go to an exciting theme park!