Podcasts about Lantern

Can we really call something a proper holiday if Rankin/Bass didn't make a television special for it? Today we're digging up one of the stranger corners of Rankin/Bass history with Jack O'Lantern, the wonderfully weird 1972 Halloween installment of Festival of Family Classics. It's new to Lyle, relatively new to Meghan, and packed with pumpkins, witches, warlocks, scarecrows, supernatural mayhem and enough aggressively stage-Irish folklore to make Meghan — after living in Ireland with her Irish husband and spending rather a lot of her academic life specializing in Irish and British history — want to apologize to the entire country. Tá brón orm, a chairde! We also get into the genuinely fascinating Irish traditions behind the jack-o'-lantern, including why the “turnips” carved in Ireland and Scotland are what Americans would generally call rutabagas, and discover that the real folklore is considerably creepier than Rankin/Bass's version. So grab your pumpkin, mind the witches overhead, and join us for a wonderfully peculiar bit of vintage Halloween television. 41 days until Halloween! Watch it here: LINK Follow The Halloween Podcast: Website: http://www.thehalloweenpodcast.com/ Facebook: www.Facebook.com/TheHalloweenPodcast Instagram: www.Instagram.com/TheHalloweenPodcast Email: Info@TheHalloweenPodcast.com Haunt Line: 731-400-0472 Support the show on Patreon to get the full countdown experience including exclusive shows and giveaways, early listening access, and behind-the-scenes content: www.Patreon.com/TheHalloweenPod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chad chats with Dan Stong and Nathaniel Yamaguchi,the brains behind Cryptozoic's new Green Lantern Corps Deck Building game, as we enter the final days of their kickstarter! Be sure to email us your thoughts or call/text us on our voice-mail at 708-LANTERN.

Send us Fan MailI'm so happy to be welcoming Kyle back to the show this week, and he's with me for a HUGE review of one of Heaven Hill's most sought-after and well-beloved annual limited releases. The Parker's Heritage Collection brings some of the more experimental and unique side of Heaven Hill's catalogue to the table, and with a bourbon made with rye backset, this year's entry is no different! But, does it live up to the hype or does it fall flat? It's a great time with two pals! Enjoy.Become a patron of the show at http://www.patreon.com/mybourbonpodcastLeave us a 5 star rating and review on your podcast app of choice!Send us an email with questions or comments to thisismybourbonshop@gmail.comSend us mail to PO Box 22609, Lexington, KY 40522Check out all of our merch and apparel: http://bourbonshop.threadless.com/Leave us a message for Barrel Rings at 859.428.8253Facebook: https://www.facebook.com/mybourbonpod/Twitter: https://twitter.com/mybourbonpodInstagram: https://www.instagram.com/mybourbonpod/YouTube: https://www.youtube.com/thisismybourbonpodcastSubstack: https://mybourbonpod.substack.comPayPal, if you feel so inclined: PayPal.me/pritter1492Link to our Barrell Rye Armagnac Finished Pick: https://shop.whiskeyinmyweddingring.com/products/barrell-private-release-rye-1a03Support the show

Lanterns just blew up the Hal and John partnership — Chanel, Brandon & Sharmane recap "Lights Out," the 2016 story's explosive climax.

Hey there! Welcome back to the pod. Hopefully we can finish this episode before the robots destroy us. TONIGHT...football is back, the Emmys just wrapped up, My Chemical Romance MIGHT be making a new album, the Wolverine game apparently sucks, Lanterns is still Lantern-ing, Hope is absolutely bonkers, and Cody went outside for once to watch the latest season of the Creep Tapes.

On The Lanterns Podcast (via DC Studios Podcast and  ⁨@MultiverseOfColor⁩ ) @Keeks and Kyle from  ⁨@thefilmreelistspodcast⁩  get together to break down episode 5 of HBO’s Lanterns! Listen to the audio version below or click here to see the video! Logline: The series follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, earth-based mystery with cosmic ties as they investigate a murder in the American heartland. Cast: Kyle Chandler, Aaron Pierre, Kelly Macdonald, […] The post Lanterns Podcast – Season 1, Episode 5: “Lights Out” appeared first on Multiverse Of Color.

The Crew discusses Lanterns Ep. 4, Dark Matter S2 and Lioness Ep. 6. We also talk some football, discuss Fat Joe and Game's new albums and the Kefe D Trial.

¡Esta semana en Crossover vamos al proximo nivel con los relanzamientos de Legion of Super-Heroes, Teen Titans y Doom Patrol, y el one shot de Deadshot de DC Next Level, más el nuevo Archie de Oni Press y mas!Hoy hablamos de- The Doom Patrol #1- Doomquest #4- Archie #1- Crowbound #1- Batman: Bad Seeds – Gotham Central #1- Next Level: One Shot #1- Legion of Super-Heroes #1- Teen Titans #1- Green Lantern Corps #19-20

Juan esta desaparecido esta semana, pero invitamos a Alex de Panico Press para hablar de los eventos recientes Comic Blast de Plaza Carolina y Tampa Bay Comic Con. No hay comic de la semana, pero si muchisimos pulls: Legion of Super Heroes #1, Archie #1, Teen Titans #1, Doom Patrol #1 y Crowbound #1 entre otros. Transmitido el 15 de septiembre, 2026.

This week, Da7e and Neil are caught in the darkness cloud of an episode that feels like a season finale, even though they know that Lanterns must carry on for three-ish more hours.In The Calm [05:36], they discuss the Very True Detective Thing of doing a midseason action finale. And they say goodbye (probably) to several of their multi-color Lantern theories. Then in The Storm [48:30], your faithful hosts construct several new theories for what's in store in the final three episodes, at least one of which espouses radical ideology about Manhunter healthcare.Next week, Lanterns continues with an episode that blips back to the 2026 timeline and promises to bring another familiar face into the fray.To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil.You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Dark watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil

It's time for the latest issue of GL Corps, before we diverge into GL Sales and Lanterns Episode Four! Be sure to email us your thoughts or call/text us on our voice-mail at 708-LANTERN.

Logan Janis is joined by George Doerr, Jules Deboe and Scotty Scoop to break down the first four episodes of Lanterns. The crew digs into the slow-burn mystery, the relationship between Hal Jordan and Jon Stewart, the strange behavior of the Guardians, the Manhunter mystery, Rushville, Zoe, Sinestro and the looming arrival of Guy Gardner. There are plenty of theories along the way — including whether Hal Jordan is really dead, what's going on with the sheriff, why Jon was chosen, what the Guardians are actually planning and how far this new DCU could take the Green Lantern mythology. The group also looks ahead to the final four episodes and talks about what they want to see next, from Guy Gardner and Sinestro to bigger cosmic stakes and the possibility of a Green Lantern team-up. Timestamps: 00:00 — Welcome to the Lanterns discussion 02:39 — Rewatching Lanterns and catching the details 03:34 — Introducing the Mostly Superheroes crew 04:52 — The first four episodes of Lanterns 06:19 — Jules' thoughts on Lanterns and Jon Stewart 09:05 — Jon Stewart's upbringing and the show's deeper themes 11:14 — Scotty's take: Is Lanterns the best new DCU series? 13:29 — Hal and Jon's complicated relationship 15:42 — Is Zoe really a Manhunter? 16:13 — Green Lantern basics and the Jon Stewart origin 18:04 — What's up with the Guardians? 19:31 — Why was Jon handpicked for the ring? 19:51 — Is Hal Jordan actually dead? 21:09 — Rushville, Manhunters and the bigger mystery 23:20 — Sinestro and the cosmic side of Lanterns 25:14 — The strange sheriff and Gotham connections 27:21 — Why everyone in this town feels suspicious 28:24 — Breaking down the show's timelines 30:18 — What is really going on with the Manhunters? 31:04 — Hal Jordan's history and Jon's family 32:21 — What we want from the final four episodes 33:18 — Guy Gardner, Kilowog and Green Lantern possibilities 33:54 — Jules' predictions 35:11 — Scotty's Lanterns theories 36:37 — The different Lantern colors and their powers 37:47 — What could the back half of the season reveal? 39:11 — Final thoughts and the growing DCU watch listen subscribe support at mostlysuperheroes.com/support ©2026 Carrogan Studios

Brooke Pardue from the Parks Alliance of Louisville and local artist Josh Bleecker detailed the massive jack-o-lantern show coming to Iroquois Park October 1-November 1. Thousands of incredible pumkin designs will be on display.Josh even put Terry's goofy mug on the front of a massive gourd.Tickets and info for this incredible Halloween month tradition can be found at: jackslanterntrail.org

Bravo We're Black x I Ken Not returns to the DCU to break down Lanterns Episode 4!Kaya and Kendrick get into the growing tension between Hal Jordan and John Stewart, Sinestro's warning, John potentially becoming the new Green Lantern, Hal secretly submitting bad progress reports about him, the Rushville mystery and the episode's Manhunter reveal.We also discuss why Hal may be more afraid of being replaced than he wants to admit, why Aaron Pierre and Kyle Chandler are such a strong pairing, and how Lanterns continues to feel more like True Detective and a buddy-cop mystery than a traditional superhero series.Plus: Black moms, relationship reconnaissance, Green Lantern oaths, Xbox revenge, “Granny Hot Pants,” and the usual Bravo We're Black x I Ken Not chaos.Where does Episode 4 rank for you so far—and are you Team Hal or Team John?DONATE TO THE SICKLE CELL FUNDRAISER HERE:https://gofund.me/14561751bFollow Kendrick: https://www.instagram.com/withkendricktucker/Subscribe: https://podcasts.apple.com/us/podcast/i-ken-not-with-kendrick-tucker/id1525311067Kendrick's Youtube: https://www.youtube.com/@withKendrickTuckerTIMESTAMPS:0:00 Lanterns episode four begins1:34 Recapping the previous episode4:20 Advice that has stuck with us 10:47 Recon stories and relationship investigations 18:07 The compound, Liana, and the Green Lantern dilemma23:12 Breaking into the weapons room 26:34 Revenge fantasies and ridiculous threats34:29 Hal and John's car crash — plus car wreck stories41:11 Ranking Lanterns episodes one through four50:35 Sickle cell awareness fundraiser and final sign-offFOLLOW US ON INSTAGRAM HERESUBSCRIBE TO OUR PATREON HEREOH YEAH WE ON THREADS HEREWHAT? YOU WANT OUR FACEBOOK? I GOT YOU RIGHT HEREYOU WANT SOME VISAULS??? CHECK OUT THE YOUTUBE BABY: https://www.youtube.com/channel/UC3K-oo9Q2_B1jWpVq41fS6w

Kimchi One from Brightcore – Health Starts in the Gut Get 25% off – Use Code: AWK at https://brightcore.com/AndWeKnow Or call (888) 317-9941 for up to 50% OFF your order and Free Shipping!  ————— Visit Dr. Kelly Shockley today: https://chlabs.link/awk and get your road to real health ————— Protect your investments with And We Know http://andweknow.com/gold Or call 720-605-3900, Tell them “LT” sent you. ————————— ➜ Our AWK Website: https://www.andweknow.com/ ➜ AWK Shirts and gifts: https://shop.andweknow.com/ ------- *DONATIONS SITE: https://bit.ly/2Lgdrh5 *Mail your gift to: And We Know 30650 Rancho California Rd STE D406-123 (or D406-126) Temecula, CA 92591 ➜ AWK Shirts and gifts: https://shop.andweknow.com/ ➜ Audio Bible https://www.biblegateway.com/audio/mclean/kjv/1John.3.16 Connect with us in the following ways:

We focus on the controversial third episode of the Lanterns show, before discussing the horrible new Kyle figure and Coyote vs Acme! Be sure to email us your thoughts or call/text us on our voice-mail at 708-LANTERN.

On The Lanterns Podcast (via DC Studios Podcast and  ⁨@MultiverseOfColor⁩ )  ⁨@AndyBehbakht⁩ , and Kyle from  ⁨@thefilmreelistspodcast⁩  get together to break down episode 4 of HBO’s Lanterns and several DCU news items! Listen to the audio version below or click here to see the video! Check out @JediMike7’s beautiful episode 3 reaction! Logline: The series follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, earth-based mystery with cosmic ties as they investigate a […] The post Lanterns Podcast – Season 1, Episode 4: “The Weenie” appeared first on Multiverse Of Color.

Hello Lantern Corps! We have jumped onboard the Waverrider and followed the life of John Stewart and his family. They man has been raised like no other to be the man he is today. True to the comic origin, the ring visited several people before choosing Hal Jordan.  Here we learn that the ring visited John Sr. The fears of being there for his family and being a black man in society caused him to be passed over. His wife, Bernadette, does not believe him until Lianna shows up.  She is a Guardian in disguise. She offers a huge diamond in compensation for the loss of the ring. But her conversation with Bernadette helps her to learn why John Sr. has fear in his heart.  She hints that John Jr. could be a Lantern if raised right. Bernadette and John Sr. begin training John not to have fear.  He is separated from society and even his brothers. He is repeatedly tested by having apples shot off his head. He is dropped in the ghetto and must find his way home. He is told the birds are spies for the Guardians. Bernadette tries to communicate with the Guardians. John makes the mission his own. He follows his father into the Marine Corps and becomes an expert sniper. He spends 9 months on mission, only to have Hal Jordan ruin it.  He takes the blame on behave of the U.S. government and is dishonorably discharged. He is drifting until Bernadette enrolls him in art school. He has always had a talent for art and incredible skill. But it has taken a backseat to his training. At school he is approached by a Guardian in disguise and asked to draw the building from memory. He does it with the skill of a gifted artist and architect. He is then given a Green Lantern ring and asked to create his dad's watch. He creates a working copy. The interview really starts as he is portaled to an abandoned mall. He is forced to wait overnight by Lianna. She then questions him about his past, his mission that was ruined by Hal and much more. She finds in him the perfect candidate to replace Hal Jordan. They Lanterns can't control him and he is too close to Sinestro. Hal meets John's parent about training before John can get there.  John is there to replace Hal and Hal thinks he is training John.     Contact Information: If you want to join in the discussion, you can submit feedback via email to TomorrowsLegendsPodcast@gmail.com or at at https://www.speakpipe.com/TomorrowsLegends . Please submit all feedback by 7:00 pm eastern on Friday. You can also join the Facebook group at www.facebook.com/groups/tomorrowslegends. Answer all the questions and agree to the group rules to be accepted. You can follow us on X (formerly Twitter) @tomorowslegends, on Instagram  and Threads @TomorrowsLegendsPodcast. We are also on Blue Sky at @TomorrowsLegends .  You can support the show on our Patreon page! https://www.patreon.com/TomorrowsLegends You will get access to bonus content like advanced releases, extra questions answered, hang-out sessions, bonus episodes, and merchandise of course!

We're back for Episode 2 of Lanterns, “Trust Fall,” and things are getting weird fast. Hal is trying to train John, John gets kidnapped, and the mystery surrounding the suspicious town and the Manhunters has us wondering who or what we can actually trust. We dive into our theories about the Bird, Atrocitus, Kerry Kane, and where the show might be taking Green Lantern lore, while also questioning some of the show's stranger choices. Plus, we discuss the questionable design of the Lantern power battery itself, the missing green aura, Sinestro's “space meth” look, and just how whelmed we really are.

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Sanna Wani's debut poetry collection, My Grief, the Sun, won the 2023 Trillium Book Award for Poetry. Now, she's returned with her follow-up, Lantern. Sanna sits down with guest host Garvia Bailey in the Q studio to discuss the new book and read one of its poems.

Special Free Bonus Episode!Hi, friends, my apologies for taking an extended period of time away from broadcasting to deal with some health and family issues, I will be back with new episodes soon. In the meantime,I am making this previously premium member only episode free to give you an indication of what you could be missing by not upgrading to a premium membership.The scientific discipline known as cybernetics derives from the operations research from World War II and has been extensively used to engineer modern society. It also underlies the philosophy of transhumanism...www.alchemicaltechrevolution.com

In this episode, we continue with our weekly recaps of the latest superhero television series from HBO Max and the DC Universe, starring Aaron Pierre, Kyle Chandler, and Kelly Macdonald, titled Lanterns. We discuss our reactions to learning the background of how John was selected to become a Lantern, and we debate whether his mother and father’s parenting style was more beneficial to them or to him.See omnystudio.com/listener for privacy information.

GLP got in a Lanterns Power Battery crafted by Prop Culture TV. You can check out their instagram page here: https://www.instagram.com/propculturetv/If you are interested in purchasing one of these bad boys you can peep the etsy link here and wait for him to restock: https://www.etsy.com/shop/PropCultureTV?ref=nla_listing_detailsAnd if you want to just grab the files to print your own, he has them here: https://makerworld.com/en/models/3174441-lanterns-power-battery-2026#profileId-3589396And lastly, his youtube can be found here: https://www.youtube.com/@propculture_tv

Welcome Back! Your go-to for the latest in movies, TV shows, and video games news, reviews, and rants all in one place! & this week we are reviewing "Lanterns" and looking into the GTA 6 Extended Look ==========================Lets Connect

We hold our nose and review the latest craptastic GL issue, before discussing Episode 2 of Lanterns! Be sure to email us your thoughts or call/text us on our voice-mail at 708-LANTERN.

On The Lanterns Podcast (via DC Studios Podcast and  ⁨@MultiverseOfColor⁩ )  ⁨@AndyBehbakht⁩ , and Kyle from  ⁨@thefilmreelistspodcast⁩  get together to break down episode 3 of HBO’s Lanterns and several DCU news items! Listen to the audio version below or click here to see the video! Logline: The series follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, earth-based mystery with cosmic ties as they investigate a murder in the American heartland. Cast: Kyle […] The post Lanterns Podcast – Season 1, Episode 3: “OutKast” appeared first on Multiverse Of Color.

Send us Fan MailThe Green Lantern Corps has finally arrived!

As August winds down, we bemoan the end of summer and the fact that the stores are filled with Back to School and Halloween merchandise, there's really only one thing to be happy about…the return of so many great TV shows! This week, Dave and Barry discuss the shows they have watched recently, what they are watching now and what they are looking forward to in the coming months. Shows like Reacher, Lioness and Lantern are just a few of the great shows on now. There's also a discussion about Star Trek Strange New Worlds as we pass the halfway point of the season. All that, plus a rare Regular Joes Rant and more. And dont forget to check out this weeks sponsors, Fanboy Collectibles, Danger Island Models and From Dave's Workshop, links in the description below. Also, there is still time to help "Land the Shuttle" by supporting the campaign with donations or by purchasing merch from the link below. As always, thanks for watching and listening! Links: Fanboy Collectibles - fanboycollectibles.com Danger Island Models - dangerislandmodels.com From Dave's Workshop - fromdavesworkshop.com Land the Galileo Store - land-the-shuttlecraft-galileo.backerkit.com Reach Out: e-mail: podcast@regularjoes.com Facebook: facebook.com/RegularJoesPodcast Instagram: instagram.com/theregularjoespodcast Leave us a review on iTunes or Spotify

Twenty years before Lanterns, WB tried to make a Green Lantern comedy with Jack Black, written by Robert Smigel aka Triumph the Insult Comic Dog. We dive into Smigel’s take on the mythos and how this script actually legitimately adapts the Green Lantern lore! Comment on whether you would have wanted to see Jack Black swear the oath and become a Lantern! Ben Wan’s comics, Alter Ego and Musashi & Son: https://www.amazon.com/stores/Ben-Wan/author/B0CZBKYPF3 Website: http://www.benwanwriter.com YT Channel: @benwan4141   Scripted Podcasts Written by Ben Wan Ben Wan’s […] The post The Unmade Green Lantern Comedy Starring Jack Black appeared first on Multiverse Of Color.

Hello Lantern Corps!  The action this week was between two towns instead of time periods. We had some mysteries answered but more questions raised. Join us as we cover Lanterns "Trust Fall." Hal rudely awakens Jon for a flying lesson.  The instructions are fly. John does not even move. But he creates a live bird construct from the ring. Hal has already booked him a plane ticket to Coast City to pick up the Lantern to charge the ring up. So all he really wanted to do was get John out of town. With John gone, he heads to main street finding everyone in a town hall. After a disagreement with Sheriff Kane, and a request to leave town from his lawyer, he heads to the morgue. He steals all the alien bodies.  He has found out that the metal detectors are really alien detectors. He does not listen to Sheriff Kane and questions Will about the tech and targeting aliens. He is told to leave town, but refuses and gets shot. He is taken to the hospital and questioned by Kerry after he wakes up from surgery. The hospital is brand new and has no other people there being treated. John is followed to Coast City and to Hal's mansion. A rich guy gave it to him for saving his son, but it is barely lived in. John recovers the lantern from the pocket dimension and feeds John's alien plant Earl. But he is kidnapped by the aliens. They are led by Antaan or is it Atrocitus the future Red Lantern. Their planet was devastated by Manhunters. Manhunters are shapeshifting robots made by the Guardians. After they failed, the Guardians moved to create the Lantern Corps. The aliens are in town because they believe Abin Sur had a Manhunter with him when he crashed. The believe he is hiding in town. They give John an ultimatum, let them know the identity of the Manhunter or they blow up the town. John reports all this to Hal. He also still has his bird construct with him. A feat that takes a lot of will power. Hal files to the Lantern prison to ask rebel Green Lantern, Sinestro, about the Manhunters. He says they are the 2nd biggest threat Hal is facing.   Contact Information: If you want to join in the discussion, you can submit feedback via email to TomorrowsLegendsPodcast@gmail.com or at at https://www.speakpipe.com/TomorrowsLegends . Please submit all feedback by 7:00 pm eastern on Friday. You can also join the Facebook group at www.facebook.com/groups/tomorrowslegends. Answer all the questions and agree to the group rules to be accepted. You can follow us on X (formerly Twitter) @tomorowslegends, on Instagram  and Threads @TomorrowsLegendsPodcast. We are also on Blue Sky at @TomorrowsLegends .  You can support the show on our Patreon page! https://www.patreon.com/TomorrowsLegends You will get access to bonus content like advanced releases, extra questions answered, hang-out sessions, bonus episodes, and merchandise of course!

Good Enough to Keep Watching, Not Good Enough to Stop Complaining This week on the podcast, Brian and Darryl take a somber look back at three icons we lost this week with Dolly Parton, Tim Curry, and Peter Cullen, and the massive mark each left on pop culture. Then it's back to the weekly watchlist as Ted Lasso tries to bring the Greyhounds together, Reacher digs deeper into an increasingly dangerous conspiracy, and Lanterns pushes Hal Jordan and John Stewart further into a mystery that is getting a whole lot more cosmic. Episode Index Intro: 0:07 Celebrity Deaths This Week: 4:46 Ted Lasso Season 4 Episode 4: 16:20 Reacher Season 4 Episode 5: 24:40 Lanterns Season 1 Episode 2: 3240 Celebrity Deaths Dolly Parton January 19, 1946 – August 25, 2026 | Age 80 Country music icon, songwriter, actress, businesswoman, and philanthropist Dolly Parton died August 25 after what her representatives described as a brief battle with cancer. Her six-decade career produced classics including “Jolene,” “9 to 5,” and “I Will Always Love You,” while her film career included 9 to 5 and Steel Magnolias. Parton's legacy extends far beyond music. She helped build Dollywood into one of Tennessee's biggest attractions and founded the Imagination Library, which has provided hundreds of millions of free books to children. Dollywood announced that the park would remain open following her death, honoring her belief that “the show must go on.” Infamous angle: One of those genuinely rare celebrities who seemed to transcend genre, politics, generations, and even celebrity culture itself. Tim Curry April 19, 1946 – August 25, 2026 | Age 80 Actor, singer, and voice performer Tim Curry died peacefully at his Los Angeles home following a period of ill health. Curry became a cultural icon as Dr. Frank-N-Furter in The Rocky Horror Picture Show, but his ridiculously versatile career also included Clue, It, Home Alone 2, Muppet Treasure Island, Legend, The Three Musketeers, and decades of stage and voice work. He received three Tony nominations and continued working after suffering a major stroke in 2012 that left him using a wheelchair. For an entire generation of genre fans, Curry was basically the patron saint of unforgettable villains and weirdos. Peter Cullen July 28, 1941 – August 26, 2026 | Age 85 Legendary Canadian voice actor Peter Cullen died peacefully at his Los Angeles home surrounded by family. No cause of death has been announced. Cullen became inseparable from Optimus Prime, originating the character’s voice in the 1984 Transformers animated series and returning repeatedly across animation, games, and the live-action films. He also voiced Eeyore in Winnie the Pooh and contributed memorable vocal work to Predator, Knight Rider, G.I. Joe, and numerous animated series. The voice and personality he created for Optimus were inspired in large part by his older brother Larry, a decorated Marine veteran, whose advice to Peter was essentially that a real hero should be strong enough to be gentle. That philosophy became fundamental to Optimus Prime. Infamous angle: For anybody who grew up in the ’80s, this one hits differently. Optimus Prime wasn’t merely a cartoon voice. Ted Lasson (Apple TV) Network: Apple TV Genre: Comedy / Sports / Drama Developed By: Jason Sudeikis, Bill Lawrence, Brendan Hunt, Joe Kelly Starring: Jason Sudeikis, Hannah Waddingham, Juno Temple, Brett Goldstein, Brendan Hunt, Jeremy Swift Season: 4 Episode: 4 Episode Title: “Greyhounds’ Day Off” Release Date: August 26, 2026 Episode Summary Ted, Beard, and Coach Alice try to break up the cliques developing within the new team by canceling practice and sending everyone out for some forced bonding, eventually leading the group to pub trivia and considerably more trouble than Ted probably planned. Meanwhile, Rebecca and Keeley attend a women’s football business summit where they encounter eccentric sports investor Zelda Southport, played by Tracey Ullman. Zelda’s aggressive approach to investing in women’s sports gets Keeley’s attention while Rebecca remains considerably more skeptical. Roy and Keeley’s increasingly complicated relationship also continues, with Keeley challenging Roy to actually date other women before the two seriously consider getting back together. Rating Out of 5, Boots Ain’t Messing Around Brian: 3.3/5 Darryl: 3.1/5 Reacher (Amazon Prime) Network: Prime Video Genre: Action / Crime / Thriller Based On: Gone Tomorrow by Lee Child Developed By: Nick Santora Starring: Alan Ritchson, Sydelle Noel, Agnez Mo, Christopher Rodriguez-Marquette, Kevin Corrigan Season: 4 Episode: 5 Episode Title: “Bridge” Release Date: August 26, 2026 Rating: TV-MA Series Summary A seemingly random encounter aboard a Philadelphia subway pulls Jack Reacher into a conspiracy involving a missing flash drive, government operatives, hired killers, and information powerful people are desperate to keep buried. Season four adapts Lee Child's Gone Tomorrow and drops Reacher into an increasingly tangled political and intelligence conspiracy. Episode Summary After a misunderstanding turns Reacher into Philadelphia's most wanted man, he spends much of the episode doing what Reacher does best: escaping situations that should probably be impossible to escape. Meanwhile, Jacob, Tamara, and Plum recover the flash drive Anna mailed before her death, along with her phone, but their attempt to finally get some answers turns into a violent confrontation with Lila and Amisha. Jacob gets his first genuine opportunity to strike back at the people responsible for his sister's death. The recovered evidence also starts bringing the larger conspiracy into focus. A photograph connects Congressman Sampson to a disgraced Indonesian general, but Reacher suspects another person in the image may actually be more important to the mystery. Anna's phone also gives the group stronger evidence tying Lila directly to the killings. By the end, Reacher and Tamara's investigation leads them toward another confrontation while Jacob is taken hostage, leaving Tamara with a pretty awful decision to make. And this one definitely supports the subtitle vibe we were talking about: there's plenty of entertaining Reacher insanity here, but the season is getting increasingly dependent on everyone accepting some wildly convenient and increasingly ridiculous shit to keep the plot moving. Rating Out of 5, How Many Ways Can One Person Escape the Police? Brian: 3.2/5 Darryl: 3.25/5 Lanterns (HBO Max) Lanterns Network: HBO / HBO Max Genre: Drama / Sci-Fi / Action / Mystery Created By: Chris Mundy, Damon Lindelof, Tom King Starring: Kyle Chandler, Aaron Pierre, Kelly Macdonald, Garret Dillahunt, Poorna Jagannathan, Laura Linney, Jason Ritter Season: 1 Episode: 2 Episode Title: “Trust Fall” Release Date: August 23, 2026 Rating: TV-14 Series Summary Veteran Green Lantern Hal Jordan is assigned to train former Marine and newly recruited Lantern John Stewart. Their relationship begins badly enough before the two are dragged into an investigation surrounding a bizarre killing in rural Nebraska. What initially resembles an Earthbound murder mystery steadily exposes a much larger extraterrestrial conspiracy connected to the history of the Green Lantern Corps. Episode Summary Hal and John investigate a deadly shooting in an attempt to prove that an alien force was responsible, with their investigation increasingly pointing toward one of the Green Lantern Corps’ oldest mistakes: the Manhunters. The episode digs deeper into the mystery surrounding Rushville while separating Hal and John enough to develop both characters individually. Sheriff Kerry also reveals that she originally came from Gotham, quietly expanding the show’s connections to the larger DCU.And then the episode drops the considerably bigger comic-book bomb: Sinestro, played by Ulrich Thomsen. The imprisoned former Lantern is positioned almost like the show’s Hannibal Lecter, someone Hal doesn’t trust but may need because Sinestro understands both Hal and the threat they are facing better than almost anyone. Rating Out of 5, I Want My Bird (In Micky Roark Weird Russian Accent) Brian: 3.4/5 Darryl: 3/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Lanterns (HBO) This episode, we fly into the first two episodes of Lanterns, HBO’s ambitious new DC mystery series that takes one of comics’ oldest cosmic institutions and creates the construct of: “What if intergalactic space cops were dropped into the middle of True Detective?” Starring Kyle Chandler as Hal Jordan and Aaron Pierre as John Stewart, Lanterns follows the veteran Green Lantern and his new recruit partner as they investigate a mystery that may be bigger, stranger, and more alien than it first appears. Whether the series is destined to join the ranks of great comic book adaptations or end up floating through deep space with abandoned storylines, you’ll have to wait week by week and find out like the rest of us. The Green Lantern mythos stretches back to 1940, has spawned multiple Lantern Corps, plenty of emotional-spectrum chaos, and enough continuity rewrites to power a ring for centuries. Naturally, we take the scenic route through that history while unpacking what the show’s opening episodes are building toward. Along the way, Jill brings her DC insight, Dion attempts to keep one foot grounded on Earth, and Quinny disappears down several glowing rabbit holes of really goddamn obscure Green Lantern lore. Expect discussions about Hal Jordan, John Stewart, JLU, the wider DC Universe, Lantern history, cosmic conspiracies, and probably a few tangents that even the Guardians of the Universe couldn’t predict. So charge your power rings, recite your oath of choice, and join us for a spoiler-filled exploration of whether this new DC saga is burning bright or flickering in the dark. Official Synopsis (IMDb): Lanterns follows new recruit John Stewart and Lantern legend Hal Jordan, two intergalactic cops drawn into a dark, Earth-based mystery as they investigate a murder in the American heartland. https://youtu.be/baDDu-lN9sk A huge shout-out to the grumpy old timers and fresh faced young punks who join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to drop some cnstruct made dollar bills in the tip jar. Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You are our brightest day! If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you and making more emotes! Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/7UIBOsuUwc4?si=euEc_U1XfzjzMvzm WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/

Van & X talk John "Birdman" Stewart and Lanterns. Plus - the latest on the Warner Bros/Paramount Merger, The Batman - Part II set reveals, Yahya Abdul-Mateen II speaks on Wonder Man's cancellation, Spider-Man: Brand New Day surpasses Avengers: Endgame at the box office, and more on Black Variant. Tap in!Subscribe to Patreon: https://www.patreon.com/theblackvariantrncFollow The Black Variant on Twitter: twitter.com/BlackVariantRNCFollow Van: twitter.com/1017VanFollow X: twitter.com/XTheExiledFollow Syd: twitter.com/SydSlidePark

Teague Hunter sits down with Rick Hayduk, general manager of The Lantern Hotel Columbia, to talk about the hotel's inclusive hiring model, his personal journey, and how his two children with disabilities inspired him to find a way to help them live independent but also fulfilling lives.  At the center of the conversation is The Lantern's partnership with the University of South Carolina's LIFE program, where nearly a third of the team has special needs. Teague meets Mac Watson and Rick's daughter Jamison Hayduk, both part of that program, along with assistant general manager Sofia, who helps lead the team that makes it work. It's a conversation about compassion, patience, tolerance, and love and proving that purpose-driven hiring and five-star hospitality can go hand in hand.

A Darker Green Lantern Mythology Emerges Introduction HBO's Lanterns follows new recruit John Stewart and Lantern legend Hal Jordan as two intergalactic cops drawn ... Read More The post Episode 75: Lanterns Episode 2 – Trust Fall appeared first on Welcome To Your Doom Show.

Jong and Michael are back for another edition of the podcast. Before the duo get to their weekly review of Lanterns they first discuss the news that a new DC series is coming to HBO Max, "The People vs Gorilla Grodd" which will be a mockumentary docuseries. That's cool an all but Jong wants to know, where's the DCU's Batman? Then the guys dive into a spoiler filled discussion on episode 2 of Lanterns, joined by a late arriving Chalice Williams of Reel Movie Junkie... oh why is she late? Oh you know doing awesome things like interviewing the cast of The Paper on Peacock. The group discuss Kyle Chandler's love for Hal Jordan, how he's been able to potray the disgruntled Lantern, why his suit up sequence wasn't done with much fanfare, why John's demonstration with the rings shows he was born for this, what the reveal of Antaan means for the series, Hal's investigation methods, Manhunters, and more! Follow Chalice as she continues her "Road to Doomsday" series on social media, @HeyChalice on Instagram, Threads, and TikTok. For the latest in film/TV coverage visit Reel Movie Junkie online and subscribe to the Reel Movie Junkie YouTube channel, @ReelMovieJunkie where she'll also be posting her video series. Rate, review, like, and/or subscribe to Comicast on whatever podcast app you're using; Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or whatever your podcast app of choice is!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com 

Just Spitballin Podcast Season 8 Episode 288: Defending the Worst Takes on the InternetWe're back with another episode of the Just Spitballin Podcast! This week, we're jumping from DC lore to some of the worst takes the internet has ever produced.

In blackest night, Paul, Jason, June, and Paul Rust went to see 2011's Green Lantern starring Ryan Reynolds and Blake Lively. Then, in brightest day, they all reunited to figure out what the hell happened. They discuss the awful CGI, the soap opera quality sets, the ultra-quippy dialogue, how you can simultaneously be a Lantern and hold a lantern, and so much more. Plus, the crew read listener submitted versions of the Green Lantern's oath. (Ep. #14 Originally Released 7/12/2011) • Go to hdtgm.com for tour dates, merch, FAQs, and more• Leave us a voicemail at speakpipe.com/hdtgm• Submit your Last Looks theme song here• Join our Discord at discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer• Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John Stewart's Lantern training goes sideways when he can't fly but somehow conjures a small green bird that survives after the ring powers down. Jason and Rosie break down what that means for John's powers, plus the episode's real crisis: Antonna gives Hal 48 hours to help hunt down the Manhunter hiding in town, or the aliens blow the whole place up themselves. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Hall Jordan and John Stewart take separate paths as their investigation uncovers advanced technology, a hidden alien agenda, and a deadly 48-hour ultimatum. Jay dives into Episode 2 "Trust Fall" with John's transformation into Green Lantern, Surprise reveal of Sinestro, and his chilling warning that John may be the greater threat

Mal and Jo are back to dive deep into the second episode of ‘Lanterns,' “Trust Fall.” They talk about everything from Hal's detective work to our first look at Sinestro! (00:00) Intro(08:15) Opening Snapshot(22:58) 2016(32:06) Cold open(46:30) Hal works the case(53:14) A very harried Sheriff Kerry(01:01:57) Of corpses and mansions and super suits(01:17:58) Hello, Earl!(01:20:05) John (and his bird) get Lantern-napped(01:23:29) Kerry and Hal team up(01:32:41) Of Manhunters and Red Lanterns???(01:40:33) Sheriff Kerry's very wary(01:48:24) Trust is running very thin in Rushville, Nebraska(01:57:28) Enter Sinestro(02:02:08) Rapid-fire Theory and Comic Spoilers Corner Hosts: Joanna Robinson and Mallory RubinProducer: Carlos ChiribogaProduction Assistant: Scott LeeStudio Production: Jacob CornettSocial: Jomi AdeniranAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: Welcome to part two of our discussion of the poems of Elizabeth Bishop. We are currently about. Oh, I'm okay. I'm proud of us. We're just about halfway through the Moose. That's not bad compared to our usual record. We're not halfway through stanza one. We're going. You know, it's about a bus trip. It's encouraging us to pick up the pace a little bit and get to our next stop. So we were just going to pick up with the woman in stanza 13 climbing into the bus. 0:41 Wes: Before you say that, I just want to make one little observation. 0:44 Erin: Oh, sure. 0:45 Wes: Just that we get right as soon as the light goes out, it's then that we get the barking of a dog and the smell of salt. First it's the smell of salt hay and then it's the barking of a dog. So smell is introduced. And is that the first time sound is really introduced in any. You know, we get the bus starting and all that, but I think that's right. It's very visual up to that point, I think. And then as soon as we lose the light, we get these new sensory modalities. The collie just supervised this dog, gives us a nice bark, and presumably we can't even see him. We just hear him. So I just love that. I just. I love the transition into darkness. It's so. 1:26 Erin: Yeah. 1:26 Wes: I don't know how else to say it. 1:28 Erin: Yeah. 1:28 Wes: And it's then that we. This really is the midpoint of the poem because now we're going to make this transition into the world of the bus, I guess. As the woman climbs in, we have 1:41 Erin: the ship's port lantern, as you said, being an indication that it's now nearly or fully dark outside. 1:47 Wes: She says red light swims through the dark. 1:50 Erin: Yeah. I'm assuming that at this point a bus would have some form of illumination, at least for when it's stopped and the doors open for people getting on and off the bus. Right. It would. It would light up on the inside interior. Yeah. 2:03 Wes: Yeah. 2:03 Erin: Or at least maybe it would stop, certainly if it were stopping at a station or a little, you know, whatever those things are called. Those little. Yeah, there's a word for it. 2:14 Wes: We need something to see the freckles by. 2:16 Erin: Right. We need something. Exactly. But wherever they would be stopping would have some form of street light illumination or something of that order. Anyway. 2:26 Wes: But it's interesting you say this, because I didn't picture a bus station at any point in this. And I just imagine people along the side of the road. 2:34 Erin: Right. But if it were a course, it 2:38 Wes: couldn't be that way. 2:39 Erin: Well, I don't think it's a station. I think it would be a stop with a. You know, like a lean to. You know, what are those things that just. 2:44 Wes: Yeah, sure. 2:45 Erin: That just protect you from the elements. 2:47 Wes: Yeah. Bust down. 2:48 Erin: Right. 2:48 Wes: Yeah. 2:49 Erin: And that would probably have at least a street light. But anyway, then we get the moonlight. Maybe my favorite. Oh, it's so hard to say, but maybe my favorite image in the poem is the hairy, scratchy, splintery moonlight and mist caught in them like lambswool on bushes in a pasture. Just. There's nothing. There's no image greater than that. That's unbelievable. 3:13 Wes: There's kind of a more wildness to this. Right. The image now, the hairiness and scratchiness and splinteriness. It's a bit less Domesticated, I guess, than the previous part of the poem. 3:27 Erin: That's a really good point. I hadn't thought of that. Even a suggestion of danger, like the lamb running. 3:34 Wes: I just thought, this is where the hobbits are entering Fangorn Forest. 3:39 Erin: Yes. Yeah, yeah, the New Brunswick. 3:41 Wes: But you go a little bit more. It's a little wilder and more primal. I think once you. Even if you're on a bus, once you get into the woods, there's something different about it. 3:52 Erin: That's right. 3:53 Wes: But yeah, you're right. The idea that the moonlight could get caught in that. That's a great image. 3:59 Erin: Something giving chase to the lamb would cause it potentially to get a little ensnared in the chase. 4:06 Wes: It's as if Lambswool has, you know, a lamb is brushed up on the bramble or whatever and left its will so that. So the moonlight, instead of making this cosmic journey and landing on articulating the environment, has been subordinated to the environment. Right. It's become. It's been captured by these hairy woods. It's caught on it and, you know, a piece of it has come off from being caught on something that's scratchy and splintery. So that. That. Yeah, this is the great reversal. And that's the place where you can really get some good sleeping. Yes, right. 4:44 Erin: Yes. And where dreamy things can happen. 4:47 Wes: Divagation. Yeah, wanderings. 4:51 Erin: I looked that up. Wandering, straying or digressing from a main course, path or topic. So like a digression as long as 4:59 Wes: the bus stays on track. 5:00 Erin: Yeah, that's right. 5:01 Wes: You do whatever you want with your mind. 5:02 Erin: That's right. And the night. I just looked on Google Maps while I was writing my little notes in the margins. And if you were to take a bus today from Great Village to Boston, it would take like 10 hours. So it definitely is a, yikes, full course of the night on this night bus. So I love what happens in stanza 16, which begins in the creakings and noises, an old conversation not concerning us, but recognizable somewhere back in the bus. So I really love that it's grandparents voices, she says, uninterrupted talking. This is where the I becomes an us. And this is a characteristic of a bishop. I think she's rather reluctant to use an I, capital I in a poem. She's more likely to use a we or an us. And here it's as if they're all part of the same family now in the bus and the adults. It's almost like everybody on the bus who isn't a grandparent is a child and the adults in the back are talking and we are all, oh, that doesn't concern us. Just go to sleep. It's none of your business. Just stop eavesdropping on us. Right, so there's some community that's been formed already by the people who are not the grandparents talking. Do you get that impression? 6:20 Wes: Yeah, it's a bit confusing. So, yeah, let's try to figure it out. Because it. So it begins. A dreamy navigation begins in the night. She doesn't say, I started dreaming or they started dreaming or we started dreaming. Although it seems almost like it's collective. Right. So that the bus is dreaming or everyone on the bus is dreaming together, which kind of lines up with the not concerning us later on, the gentle auditory slow hallucination. So that's a very interesting idea. Right. The dream is usually associated with subjectivity. Right. The cogito and Descartes. Right. The dream tells us that we might have trouble distinguishing reality from what's in our own minds. And we in our own minds are very potentially cut off from reality. But it's a. It's an alienated individual position here. The dream is. Seems to be collective. And perhaps it's collective because it's partly real. Right. Is that the conversation? I thought, okay, there's a conversation going on in the back of the bus and it is old people talking. But as you're lying back, you could sort of. You can't hear exactly what they're saying. And you might have that kind of half dream, Right. Where you're. The dream is kind of lined up with or intertwined with what's going on in reality. So she's hearing in the conversation of the old people, her grandparents voices. Is that the way you took this? Or. Or they, they're hearing the grandparents voices or. Yeah. How do we, how do we interpret this? 7:54 Erin: I interpreted it as, you know, people of the age of grandparents having a real conversation. But the idea that one could be having an auditory. I mean, we are given the word auditory slow hallucination. So the idea that there could be an auditory hallucination or kind of half dream of one's own grandparents having a conversation, or it may be superimposed on a real conversation kind of inaudible going on on the bus. I never noticed this before. The G in grandparents is capitalized. So it does seem to sit to suggest the speaker's particular grandparents rather than. 8:30 Wes: Oh, I was going to. I thought you were going to say archetypal grandparents. 8:34 Erin: Oh, yeah, I suppose it could be yeah, it could be read that way, too. I think all of these things are true, right? 8:40 Wes: Yeah. 8:40 Erin: I mean, the image works because of the, shall we say, universal particularity of this experience. 8:47 Wes: The ordinary way to write the poem would be to. And a much simpler way would be to put this in her point of view and not try to put it into a collective point of view. But that seems to be what she's doing. 8:59 Erin: Yes. The effectiveness, though, I think is the. And it could just be the speaker's perception of it, but the atmospheric quality, because everyone on the bus is going to share an experience shortly, but already they are sharing an experience and a kind of atmosphere that they're all listening to the hum and having that. You know, when you're in the car and you. Maybe when you're a kid and you put your ear up against, like, the. The car door or the window or something, and you hear orchestral music. I don't know if you ever had that. I used to always hear classical music when I would put my head up. 9:38 Wes: Yeah, I don't think I have that. 9:40 Erin: All kinds of. And I always think, like, I should write this down. But you always have, like, a hallucination of an orchestra playing songs. Different songs. Sometimes like fantastical songs. Yeah. You know, my particular experience maybe doesn't quite get at the. Yeah. The sense that this is shared. 9:57 Wes: Well, you're put into a kind of dreamy state, and yet you're getting at the auditory hallucination part. I mean, for me, I think, as a child, and this, I think, is very evocative of childhood. It's something about being half asleep or falling asleep. You're on a journey and there are adults in the car and there's some. Maybe some sense of safety, I think is very relevant to this poem. But being ensconced in the world of adults and not quite alone when you do this thing, which is potentially very lonely, which is go to sleep. And of course, a lot of kids don't want to go to sleep because that loneliness factor. But it's a much different experience if you're traveling. You're all on the way to something together. And of course, you're with people who are awake and, you know, are going 10:45 Erin: to be awake, maybe because the kids are falling asleep. Their. Their voices are lowered and softer. And maybe that also contributes Right. To the. The way in which. That lulls the children in the back simply because they're aware of not wanting to talk too loudly. Certainly that would be the case on a bus like this, where they're Having a conversation where they're talking in. In lower voices and maybe actually inducing that calm and hum for sleep in the people, the other people in the bus who aren't talking. 11:15 Wes: And the question is, what are the adults doing with their talk? Right. It's not going to work if your parents are just fighting. In this case, it's the grandparents. Voices are clearing things up and I guess bringing certain things to resolution, coming to terms with these losses. But a lot of it does sound a bit gossipy and not necessarily like the most comforting. 11:39 Erin: Yes. Yeah. 11:39 Wes: Sort of talk we could imagine. Yeah. 11:41 Erin: Well, you know, in a situation like this where you might be a child in this car, could be that you're coming back from whatever, like a, like a late night and then the adults in the car are working through whatever has just happened over the course of the night. And. Oh no, she was the one who had that long. Yeah. Who had the criminal record because of that thing, remember where they. Oh, yeah, yeah. That was like 20 years ago. So you sort of get that. But for an entire family history going back ages and ages, talking in eternity. Deaths, deaths and sicknesses. The year he remarried, the year something happened. Oh, yeah, what year was that? Right. Something about the journey afterwards or maybe away from home. If these people are also. If their home is Nova Scotia and they're departing it, you know, then there's that backwards looking quality where something about the idea of the journey and moving away from the place is giving the opportunity to then take stock and look back. So there's this sort of like dual action happening in the poem where the further the bus goes, the further back they're kind of looking from deaths and sicknesses to then remarriage and then childbirth. Son lost when the schooner found her. 12:58 Wes: These are all very blue collar tragedies, right? 13:00 Erin: Yes. 13:01 Wes: He was arrested for insider trading. 13:04 Erin: No, but I mean, you know, there's a reverse order to what's happening, you know, so we get. We have death, then sickness, then remarriage, then dying in childbirth. So there's a rewind is what I mean. Yeah. 13:17 Wes: Well, we come back in the end to death. The way it's all summed up. 13:20 Erin: Insider trading. Sorry. 13:23 Wes: Huh? 13:24 Erin: Sorry, Just insider trading. That really is funny. 13:31 Wes: And he had an affair. No. A sharp indrawn breath. Half grown, half acceptance. That means life's like that. We know it. Also death, you know, and then the question, what does also death mean there? Death knows it, we also know death. But it, you know, it made me wonder at various points I wondered. Well, Is this an element here of a journey to the underworld or to the afterlife? Maybe it's a job not claiming that that's strong thematic part of this, but maybe a hint of that type of thing. Because the journey, I mean, and it does seem like journeys are good places for this or like when I travel, it produces in me a very different state of mind. And I do find it very calming in a way, you know, especially actually being on the train or something like that, because you're in between two different locations and you maybe you're not caught up in the expectations or the constricting qualities of any particular location. If I'm at home, I have to do this and that work, or if I'm at a destination, then I'm dealing with relatives or I have to be a tourist or something like that. But there's something liberating about being in between two locations. So it does seem like a place for this type of dreamy hallucination or this reflection or this clearing of things up. It's almost like therapy. Right? That's what all of this sounds like. People are talking through their problems, but where is it that they get to in the end here? The half grown, half acceptance. So it's not fully acceptance. It sums things up with this, maybe a degree of resignation. So yeah, I don't know. What do you make of the stanza? 15:15 Erin: Well, they're traveling west significantly. Right. I do take a lot of this to be a kind of, say, pre figurement of death, even though at the same time the fact that they're in the woods, the fact that not to jump ahead too much, the fact that the moose will come out of the woods and appear notably in the middle of the road, there is a suggestion of middle age or middleness, or midway in the journey of our life, I found myself within a dark forest. So I think it works both ways, or perhaps it's working in several ways simultaneously for the various passengers. So maybe the speaker is experiencing something more akin to the Dante esque middle of the journey on the bus. And something about the bus journey is also, symbolically speaking, a kind of final bus journey for some of the other passengers. And that intersection seems significant, but I don't know how, just in the sense that there's a retrospective quality happening or maybe even a reversion to childhood that goes on for the speaker and the other people in the bus by virtue of the propinquity to these old people at the end of their life's journey. Because there is very little about middleness Here, come to think of it, other than the moose appearing in the middle of the road. Right. It seems that the other people on the bus are like children and the grandparents are the adults. 16:50 Wes: I mean, I think part of what's comforting when we're children is that feeling that adults know the answers and that adults know how to cope with all the dangers and have experience doing that and therefore can protect us. The reality, of course, as we realize as we get older, is that that's not true. So what they may have is more of this acceptance that's sort of highlighted in this stanza, which is potentially a good thing, but maybe a double edged sword because it does seem to be a form of dying. It does seem to be a form of the very thing that we want to be protected from. 17:30 Erin: There's also, though, that. What I used to call my mom, the external hard drive. I used to say back before she. 17:42 Wes: She liked that. 17:44 Erin: I think now it would make her sad because she'll say, you know, very openly that she. Her memory is gone. But it used to be that she knew all the, you know, you could ask her who said that at that one. You know, there's that kind of. I mean, that's a sort of jokey, gossipy scorekeeping thing that she would keep tabs on. But there's also just the idea of long memory being the history keeper, the record keeper, the, you know, and there's sort of settling accounts over the course of this conversation. Oh, right, it was that year. Okay. And then this happened and then, then that happened. And that's important too, I think, for, you know, it situates children in a context. Not just say this idea of death that you're referring to, but also how to situate oneself in a life. 18:34 Wes: Right. 18:34 Erin: There's a. There's a sort of frame that the grandparents or the elder relatives have that whole history up until you enter the narrative and where you fit within that. We mentioned in part one a little bit about Bishop's family history just to kind of prefigure the types of story that she inserts, I think very significantly into the poem, particularly about poor Amos who just wouldn't stop praying in the store and had to be. Had to be put away. Right. Of course she does a gender swap, but yeah, we all have family stories like this, of this kind of unruly behavior or madness of some kind or other or some sort of family drama. 19:19 Wes: Yeah. So it's universal. But the way she captures it is very clever with this talk that we don't quite know whether it's just the conversation of the people, the old people at the back of the bus, or whether it's her dream or whether it's both or somewhere in between. They're interlaced, those two things. And that. That interlacing gets at this aspect of universality. Although I think by the time we get to the stanza where she's fantasizing about the grandparents and the featherbed, this, it start. Seems to become inescapably personal, which is why I think of the. The point of view is getting more and more focused. Right. With. With time. Yeah. And potentially it's still universal, but it seems almost like a personal memory. Right. So talking the way they talked in the old feather bed. Right. The way they. Her. Her grandparents presumably in the old feather bed, peacefully on and on. Dim lamp light in the hall, down in the kitchen, the dog tucked in her shaw. Shawl. Yeah, get another. And get another dog here. 20:28 Erin: I love this. 20:29 Wes: The collie, the barking dog. And. Yeah, so this, this stanza is wonderful. And it gets at exactly this thing that you've been talking about, which is the, like, comfort of being a kid overhearing adults talking. It really, despite this talk of death. Right. A reconciliation with death. This is the point. Seems to be the point of view of a child who finds this very comforting. And. Right. She'll say in the next stanza, now it's all right now even to fall asleep, just as on all those nights, the way in which the adult world and the safety of protective figures can make sleep okay to do. And then suddenly that's interrupted. 21:07 Erin: But I love too. I mean, yes, it's so particular, but it also just in this one stanza does so many things in miniature that the poem is doing all along, this telescoping in again to a scene which. Which even as a child, if it were her childhood in particular that she's referencing, she couldn't possibly know or see. She wouldn't be able to see the grandparents in their featherbed. She would have to be picturing them in the featherbed and she wouldn't be able to see the dog in the hall. And also I wonder if this. If the stanza in its operation is kind of doing. I mean, this is just occurring to me now, but maybe it's doing that kind of hallucinatory work that has prior been described where we actually get a remix of, you know, this is the third dog in the poem. But it's also the elements in the stanza are a kind of recapitulation of the light, the red light swimming, the port Lantern becomes the lamp light in the hall. We get the dog barking now becomes the dog curled up in the shawl. And then maybe even because we also get kitchen, maybe the shawl is even a kind of transposition of the table, tablecloth shook out. Right. So there's something actually in the stanza which has that hallucinatory quality that she's describing where these three elements swim in the imagination and then become the lamplight and the dog and the shawl in this half asleep kind of dream space. Maybe that's pushing things too far, but it does seem to be. It's the dreamiest stanza perhaps in the whole poem. Maybe the following one. Now it's all right now even to fall asleep. But this gets interrupted that next stanza. So this one, I think is the real depth of the dreamy or borderline dreamy or hallucinatory moment. 23:00 Wes: Yeah, this is great because it really underlines the way deviation creates the capacity for stasis or for comfort. So the deviation of a bus trip or of the dreaming. Right. Which is movement, which is dynamic and has that momentum, forward momentum that we were talking about, sort of underwrites or grounds this ability to. For stasis, for stopping, for going to sleep, for feeling comforted as a child and safe, I think. And I keep repeating that word because of the. What's going to happen. The use of the word that's going to happen in this poem later. But yeah, I'm not sure if you were saying that explicitly, but that's what came to mind my mind as you were talking. This. The way in which this journey, devigation, motion can ground something that's going to be more static or stationary, which is what we're going to get in the moose. Because it interrupts the. It explicitly interrupts the motion of the bus and the external line of the poem in a way that parallels the comfort that's produced by the dreaming. 24:08 Erin: Yeah. In stanza 22 is where we have that break that you're describing. The moose finally appears. Well, the moose doesn't appear until stanza 23 finally appears. 24:21 Wes: We've been waiting for you. 24:22 Erin: We've been waiting for you. The title has promised that you would come and then here you are. It is foretold of your coming. 24:29 Wes: Comes through the curtains, takes his bow. Right. 24:32 Erin: We get nights, just as on all those nights. And then the moose's appearance, the lights turn on. And that rhyme you get, I mean, it's a very basic, simple rhyme. Right. But there's that sort of sudden jolt which is then also visualized where in the middle of night we have this appearance, this bright because of the headlights on it. Appearance of the moose. And it looms and sniffs at the bus's hot hood, which I'm assuming means that it thinks that the bus might be a boy moose. 25:06 Wes: No. Well, it's a very hot bus, I'll say that. 25:10 Erin: Ow. Ow. 25:14 Wes: That enamel. And it's dented and, you know, depends on if you like bad buses. No, just kidding. 25:21 Erin: Dented from its last encounter with a girl bus. 25:25 Wes: Yeah. It's funny because I wrote in my notes, but was just reading it stanza by stanza. And the previous stanza I'd said, okay to sleep, even with death looming. Looming for all of us, you know, all day one. You know, one day we all die. Blooming in that sense. And then suddenly the moose is looming, standing there, looming. And I thought, whoa, that's really interesting 25:45 Erin: that I. Oh, yes, chose. 25:48 Wes: Chose that word before I even got to the next stanza. Not to give some, you know, obvious rote sort of identification of the moose with death or the experience of the moose as having something to do with that. But obviously they're coming into contact here with something quite primal and important. It's not just, oh, look, there's a nice moose, but is he sniffing or she's sniffing the buses hot hood because she thinks it might be another moon. That hadn't actually occurred to me. 26:21 Erin: I must have been infected with that reading at some point that this was a frisky moose, that it otherwise doesn't seem frisky at all. It seems pretty. Like a pretty staid, respectable moose. 26:34 Wes: But frisky and ditzy. 26:39 Erin: That's right. Hello. 26:41 Wes: What? 26:41 Erin: Oh, look, I seem to be in the middle of the road. Pardon me. 26:46 Wes: So, towering, antlerous, high as a church, homely as a house. We're safe as houses, a man's voice assures us. Perfectly harmless. Which you presume, right, that the. The man making that assurance is. Precedes the idea of it being homely as a house and safe as houses. Even though. So. So she interestingly puts the associations before her associative responses before the actual stimulus. Right. I don't think she's the one who is thinking about how they must be safe and. And he's saying something. I mean, as far as I know. I don't know back then. But you were warned about bison and mooses, right? Or is it mooses or moose? I think we're warned because they don't. They. They seem harmless, but they're not. And so I was quite surprised by this stanza. And I thought this idea, okay, safe as houses. Well, yeah, houses ought to be safe, but they're not always safe. The bus, the moving container of the bus turns out to be, in a way safer and more conducive to reverie and dreaming and all of that. 27:59 Erin: No matter how you slice it, whether you see the moose as harmless, truly, or not so harmless, this has got to be just a little bit of a wink, right? A man's voice assures us. 28:09 Wes: I mean, I think we're definitely meant to be skeptical. 28:12 Erin: Yeah. 28:13 Wes: This perfectly harmless line, it's not there for us to nod our heads in agreement. 28:20 Erin: Oh, yeah, he's right, right, right. I think it's more like, oh, here's another mansplainer. 28:26 Wes: He's moose splaining. 28:28 Erin: Mooseplaining this woman moose to moose splaining. Just out for a good time, having her existence commented upon by another man's voice. Probably a podcaster. One of those male podcasters has a manosphere podcast. 28:45 Wes: Girl mooses are. 28:49 Erin: Then we get these childish again. The passengers are like children and having this childlike response to the appearance of the moose, including. It's awful, plain sad. So much judgment of women's bodies. 29:04 Wes: I mean, they're not good looking creatures. Let's just. They're, you know, put that on the table. Come on. They are in an ugly sort of way. 29:11 Erin: Yeah. I mean, okay, I guess they don't follow, you know, classical proportions. They don't represent the golden mean. 29:21 Wes: They're not into beauty society societal beauty standards. All right. 29:28 Erin: They are like cartoon characters. 29:29 Wes: They're miss Positive is what they are. 29:35 Erin: Well, what I love though, about the description, you know, we get several, I suppose. Yeah. Contradictory descriptions of the moose in a way, because we get homely as a house or safe as houses. We get awful plane. But then she looks the bus over grand otherworldly, so she has some gravitas. She's like a great character actress who. Who may not be beautiful in that leading lady way, but she's Kathy Bates. Yes. Yeah, well, that's maybe a bit insulting to Kathy Bates, who I do think is a very attractive woman, but. 30:19 Wes: Sorry, Kathy. 30:20 Erin: I know, I love her. 30:21 Wes: Come on the show sometime, please. 30:24 Erin: Oh my gosh, I would die. I love Kathy Bates anyway. And then we get curious creatures. Well, first we get the idea that it inspires joy and then we get curious creatures. So there's a. The joy is then immediately undercut by a kind of ambivalence. Right. So there's just all of these descriptions of the moose combine to create a kind of ambivalent portrait, such as it is, of the animal. 30:47 Wes: Are we going to be able to answer this question? Why? Why do they feel the sweet sensation of joy? I mean, I think I would probably feel it. 30:57 Erin: Why? Why do we all feel it? I mean, they have. Well, they've successfully done what I couldn't see a moose in real life. So they're like one up on Erin. Can't wait to go back and tell her we saw moose. Yeah, I've seen certain things. I can't think of a specific example of this, but I've had plenty of instances. Whether it is a wild animal or, I don't know, like a sunset or a really spectacular natural event of some kind or other. You do get that feeling of joy, kind of excitement. 31:28 Wes: Yeah. Unfortunately, most of my encounters with large animals are at zoos. I did see a bear once. I was going to the bathroom. My mom had a house in Front Royal, Virginia, at the beginning of the Appalachian Mountains. And it was up high on a. We called it a mountain, but it was, I guess, more of a hill. But so it was out, you know, it was kind of. There was a bear on the mountain, let's just put it that way. And, yeah, I was going to the bathroom one day and looking out the window. There's a window right. You know, above the toilet. And suddenly there's bear's face looking at me. Wow. What the. So, but that, you know, and. And that was majestic. No, just kidding. That it was. I. It was surprising. 32:13 Erin: Yeah. 32:14 Wes: And there's an element of fear that involved. Even if you're, you know, even if, you know, black bears are harmless and there's a wall between you. Some. Something scary about it. I didn't have time to feel like it's majestic. Yeah. You know, like you have had these experiences in. In nature, but I can't think of a encounter like this. But it. I seem sure that if I had an encounter like this, I would feel exactly the same way. So. Yeah. What is otherworldly about it? What is majestic about it? It's a big, dumb beast. And I say that with love, without any criticism in the sense that. Right. It's an encounter with something primal. And I think we have to take into account the size of the animal as well. I mean, it is interesting to run into a fox or something like that, but it's also a matter of scale here. But. Yeah. What is otherworldly about it? I mean, I think the most. The most obvious part of this is that you know, we have lost something in our humanity and becoming language using creatures and becoming self conscious creatures. And sometimes when we're confronted with an animal like this, we're confronted with that loss. We're not as connected to the environment because of the intermediation of something like language, which poetry of course tries to overcome. It tries to put language into a disintermediating. Sorry to use these business terms. I don't know why this is happening. Into a disintermediation. 33:46 Erin: Actualize. Yeah, yeah. 33:49 Wes: When it. Yeah, right. Synergize it's agenda. Often where language might put distance between us and the world. Poetry, I think, can undo that distance. Like I was saying, with the very vivid imagery, I can undo that distance with figurative language. And maybe that distance is also undone to some extent by the dreaming or the half dreaming hallucinatory state that she was in. And the comfort of that, the return to childhood, which is also a simpler time. I don't know. I'm thinking out loud here. But yeah, I wanted to try to get more at this, you know, the otherworldly status of the moose and the joy that comes from encountering it. 34:34 Erin: I was thinking to myself, is the moose's gaze really clearly encapsulated? And then I thought, yes, she regards us amicably. And then I was like, no, no, that's the passenger who gets on the bus. 34:44 Wes: Right. Does the moose have freckles? Yeah, that'd be an interesting twist, right? 34:50 Erin: But yeah, but there is one. 34:51 Wes: Turned her into a moose. 34:53 Erin: Well, I would think that this would be a more garden variety animal encounter and maybe even a more, to use a word, I don't like, problematic poem in terms of its relationship with the animal. If it were to focus on the gaze of the animal. Because I think that is the thing which is often at the core of these interactions with animals in which we project or hope to have a kind of meaningful encounter. You want to meet the gaze of the animal and in so doing understand it. Right. And of course you don't realize that you're just projecting onto it a kind of maybe mutual regard. She regards us amicably. That you are seeing it and it is seeing you. And there's an acknowledgement and there's this, you know, spiritual encounter that you have with this animal. And all of that, of course, is often quite silly. It's often quite reductive and fanciful and unrealistic. But I am thinking of an encounter that springs to mind is in Utah. I hiked the same trail almost every day. And I Would often hike it late in order to escape the full heat of the desert sun. Which is a little dangerous, right? Because sometimes the sun would be setting and then all kinds of things come out. And one time I was trying to get back to my car before it got completely dark. And what I thought was a wolf, but what must have been a coyote. And the coyotes in Utah are huge. They look like wolves and completely white. Came out from over a hill, crossed my path, turned, looked at me in the eyes for a very long time, turned and went over on the other side of the hill. I mean, curiously, then, of course, I got to the car and I actually found out that a beloved family member, an elderly family member of mine, had passed away. And I said, I think I just saw her. You know, I had this feeling of, like. I don't know, the sense of this connection, inherent connection between these two. This woman who was dear to me and this encounter. But, of course, that's all silliness. And the idea that I was having a sort of interaction through the gate. Some sort of reciprocal. Right. Interaction with this animal was also entirely just my own projecting onto the animal. However, I will say that that's an instance in which I felt fear. But then there was also this, like, joy at the encounter, I think fear because it was dark. Because I wasn't actually sure if this was a wolf because it blocked my path. It was far enough away that I didn't feel as threatened as I might have. But it was definitely a mixed perception. 37:28 Wes: You didn't shoot it and then hang it around your neck. No, because I was thinking. I just suddenly thought of the albatross poem. 37:37 Erin: Rime of the Ancient Mariner. 37:38 Wes: Rime of the Ancient Mariner. And that sort of relationship to the natural world where. I mean, I forget what we said about it, but maybe I said something about envy and wanting to kill the albatross for. Because of its freedom or something like that. I don't. I don't know. But I think it's important because, yeah, this is part of something about the encounter with the natural world. Whether it's a big moose or something else. Yes. Is otherworldly. Strangely enough, it's otherworldly to us, even though it's where we come from. It's uncanny, maybe. And Freud actually, in the German, I think uncanny is sort of like unhomelike is what the German sounds like. And Freud made a lot out of this. I think it's home, but it's a home from which we've become alienated. We're animals, we're something more than animals. And so that primal encounter brings us back to that foundation, that natural foundation in us, but we can't fully come to terms with it. And I think the other aspect of this, I think the death. Right. So there is a link to death. Just. And I was thinking about that when you described thinking of it as seeing. As seeing your departed loved one. Because if we could regress to that animal state, it would be a kind of death. I think that the association with the movement to the pre. Linguistic, natural foundation is something like the movement towards dying, but there's something comforting. 39:07 Erin: Yes. 39:07 Wes: Right. And we encounter that when we encounter the gaze. To have a. Have a gaze returned by an animal like that usually like, like our internal. Our entire psychological structure, what makes us self. Self conscious is the internalization of a human gaze. Right. To the extent that we. We get an animal gaze, I think we are returned to that more primal part of ourselves. And it does seem to me to have something to do with being reconciled to mortality. Right. Which is part of what the function of that dialogue between the elderly people is doing. 39:44 Erin: You're leading me into the one, say, reading of the moose that I wanted to get to. And I just want to say that I think the great thing about Bishop and about this poem and all her poems is that the moose is a moose. It's not a symbol. I hesitate to offer any kind of 40:03 Wes: direct reading, but that's her job on this podcast, though. 40:05 Erin: I know, I know. It's. Yeah. In the letters with Robert Lowell when he's writing to her about her poem at the fish houses, he says, alas, all my fish just become symbols. 40:16 Wes: Ah, very good. 40:17 Erin: I hesitate to reduce. I think what you've just said makes me think that it's the maternal, the mother. 40:25 Wes: Which also brings us back to the house. 40:28 Erin: Yes, the house. Yeah. It's something that comes like the clapboard churches, like clamshells seem to arise out of the ground, if you will, or are directly compared to these native creatures. The houses are then in turn used as comparisons for the moose, the maternal. The idea that this is something that returns us to nature, that this is the encounter that we would have presumably upon death. It's the loved one that is somehow comforting, maternal, and is a female moose. It's moose mom. I don't know. I don't know. Something going on there. 41:04 Wes: Moose mom. 41:05 Erin: Natural and strange at the same time, not us. And I guess that's why I. That's why I mentioned that the story of my grandfather at the beginning, because I don't know why I wanted so badly to see a moose right after my grandfather's death. But there was something, like, logical about it to me. And I was familiar with this poem, but I very much did not have. You know, it was not something that was the forefront of my mind at all. But I think there is this inherent connection, and it's silly. You know, I kind of can't believe I'm saying this, but I do. I do think there is this kind of connection between this desire that I felt to see this animal. Like the particular kind of primordial itch that the moose in particular seems to be scratching for me in that moment. For Bishop, in this poem, something that is at once safe and comforting and from another world, natural in that kind of elemental way. 42:00 Wes: Yeah. 42:01 Erin: That all kind of coalesce in that image. 42:04 Wes: Very good. 42:05 Erin: Okay. I think that's it, Wes. All we're left with is the dim smell of moose and an acrid smell of gasoline. 42:12 Wes: Oh, you know, we should have talked about that. Maybe we can start with that on our next Bishop recording. We'll. We'll begin with the smells, the smells and the significance of that image at the end. 42:25 Erin: Nice. 42:25 Wes: That smellage at the end. 42:26 Erin: Smellage. All right. Thank you. 42:29 Wes: Thank you.

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Lanterns just introduced a legendary DC villain — Chanel, Brandon & Sharmane recap "Trust Fall" and that jaw-dropping Sinestro reveal.

On The Lanterns Podcast (via DC Studios Podcast and  ⁨@MultiverseOfColor⁩ )  ⁨@AndyBehbakht⁩ , and Kyle from  ⁨@thefilmreelistspodcast⁩  get together to break down episode 2 of HBO’s Lanterns and several DCU news items! Listen to the audio version below or click here to see the video! Logline: The series follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, earth-based mystery with cosmic ties as they investigate a murder in the American heartland. Cast: Kyle […] The post Lanterns Podcast – Season 1, Episode 2: “Trust Fall” appeared first on Multiverse Of Color.

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Check out our brand new show, ⁠Bedtime Horror Stories⁠ on ⁠⁠⁠Spotify⁠⁠⁠ and ⁠⁠⁠Apple Podcasts⁠⁠⁠ – no sound effects, just relaxing rain sounds to help you relax and fall asleep. A man wakes up in the middle of the night and sees something massive standing over him in the dark. He looks to the place where his wife should be, but there is no one there. The thing in front of him is big enough to be a bear, but too silent and too calculated to be one. It lunges before he can understand what it is. He fights back in the dark, wounded and half-awake, as the cabin fills with smoke and the walls begin to burn. By the time he escapes, the things that came for them have vanished into the snow. Now he's staggering through a Montana blizzard, half-frozen and bleeding, toward a valley filled with hundreds of buried shapes. And something is moving down there among them. Huge thanks to our sponsors: BetterHelp: Sign up now and get 10% off at ⁠betterhelp.com/dns⁠. Shopify: You don't need anyone's approval to make a living. Build your own business with a free trial at shopify.com/dns Author: Matt Doggett * * * CONTENT DISCLAIMER: This episode contains explicit content not limited to intense themes, strong language, and depictions of violence intended for adults. Parental guidance is strongly advised for children under the age of 18. Listener discretion is advised.  #drnosleep #scarystories #horrorstories #doctornosleep #creepypasta #horror Learn more about your ad choices. Visit megaphone.fm/adchoices

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 Visit my website: https://www.driftoffpodcast.com/Hello, sleepy listeners, and welcome.WELCOME TO DRIFT BACK SUNDAYEvery Sunday evening, I unlock a favorite classic journey from my archive to help you release the thoughts of the weekend and ease into the new week.TONIGHT'S STORYTonight, we drift back to The Queen of Lantern Land by Henry Beston, first shared here in 2021. This enchanting tale invites us into a world of quiet wonder, glowing lanterns, and gentle imagination, making it the perfect story to accompany you as another weekend comes to a peaceful close.As the story unfolds, allow its calm, comforting rhythm to quiet your thoughts, soften the end of the day, and gently carry you toward a restful night's sleep.So settle in, get comfortable, and let tonight's soothing narration guide you into peaceful dreams.Sweet dreams,Joanne