Podcasts about film cinema

Sting and Infested are two films that released in the past month involving arachnid horror so I had to check them both out to see which one comes out one top as the overall better film. #Sting #Infested #horror #moviereview #spiders #podcast #arachnidhorror #monstermovies Sting: After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly transforms into a giant, flesh-eating monster. Infested: Passionate about exotic animals, Kaleb brings a venomous spider home, but it accidentally slips away. Soon, residents of the apartment building are battling an army of deadly, rapidly reproducing spiders. ---------------------------------------------------------------- Check us out on our Social Media sites below:

Melbourne born cinematographer Greig Fraser talks about his work on the biggest film on the planet right now, Dune: Part Two. Palestinian filmmaker Lina Soualem on Bye Bye Tiberias, an intimate film about her mother Hiam Abass, a famous actress, and four generations of women and their shared legacy of separation. Plus, producer Nadim Cheikhrouha discusses  inventive Oscar nominated documentary Four Daughters, about a Tunisian woman whose two eldest daughters were radicalised by Islamic extremists. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Isabella TropianoExecutive producer, Rhiannon Brown

Going behind the scenes on the biggest film on the planet, Dune:Part Two, plus, an intimate new Palestinian film and Oscar nominated doc Four Daughters.

Melbourne born cinematographer Greig Fraser talks about his work on the biggest film on the planet right now, Dune: Part Two. Palestinian filmmaker Lina Soualem on Bye Bye Tiberias, an intimate film about her mother Hiam Abass, a famous actress, and four generations of women and their shared legacy of separation. Plus, producer Nadim Cheikhrouha discusses  inventive Oscar nominated documentary Four Daughters, about a Tunisian woman whose two eldest daughters were radicalised by Islamic extremists. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Isabella TropianoExecutive producer, Rhiannon Brown

Going behind the scenes on the biggest film on the planet, Dune:Part Two, plus, an intimate new Palestinian film and Oscar nominated doc Four Daughters.

In 1927, Paramount Studies hired Richard Kline, a 21 year old profesional strongman, to start and run their studio gym. Hear about Kline's career with the military, exercises on the beach, developing gym equipment, and how he went on to become the first "Trainer to the Stars."

Brent has presented their research at museums, cultural centers, and universities across Asia, Europe, and North America. Recent books include Religion and Film: Cinema and the Re-Creation of the World, A History of Religion in 5 ½ Objects, and the co-edited Routledge Handbook of Material Religion. They are the Executive Director of  the Association for Public Religion and Intellectual Life, otherwise known as APRIL, editor of the 70-year-old journal CrossCurrents, and Board Member of the Interfaith Coalition of Greater Utica, NY.​ In this episode, Brent and I discussed the profound interplay between spirituality and tangible objects. We explore how material culture has shaped and continues to influence religious practices, rituals, and beliefs. Brent offers valuable insights into the historical significance of religious artifacts, shedding light on their role in preserving and transmitting spiritual traditions. 

This week Brett Parker of Dissect that Film enters the Matrix with me one last time to talk about The Matrix Revolutions, the final entry in the Matrix trilogy. #TheMatrix #KeanuReeves #theMatrixrevolutions #Matrixtrilogy #action #scifi #moviereview #podcast The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith. ------------------------------------------------------------------------ Find Brett Parker and Dissect That Film at the links below: Youtube: @DissectThatFilm Twitter: https://twitter.com/parkerdissects Twitter: https://twitter.com/dissectthatfilm Instagram: https://www.instagram.com/dissectthatfilm Website: https://linktr.ee/dissectthatfilm Check us out on our Social Media sites below:

This week Brett Parker of Dissect That Film returns to the show to help celebrate 20 years of The Matrix Reloaded! #TheMatrixReloaded #TheMatrix #KeanuReeves #20thanniversary Freedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army. In their quest to save the human race from extinction, they gain greater insight into the construct of The Matrix and Neo's pivotal role in the fate of mankind. --------------------------------------------------------------------------------------------------------------------------- Find Dissect That Film at the links below: Youtube: @DissectThatFilm Twitter: https://twitter.com/dissectthatfilm Instagram: https://www.instagram.com/dissectthatfilm/ Website: https://linktr.ee/dissectthatfilm Check us out on our Social Media sites below:

"Many of his fellow officers considered him the most dangerous man alive - An honest cop" This week on the show Brett Parker of Dissect That Film joins me to celebrate the 50th Anniversary of the 1973 Al Pacino classic, Serpico. An honest New York cop named Frank Serpico blows the whistle on rampant corruption in the force only to have his comrades turn against him. --------------------------------------------------------------------------------------------------------------------------- You can find Brett Parker and Dissect That Film at the links below: Youtube: @DissectThatFilm

A volte una sola stanza può contenere intere storie.

This is the 8th installment of MOVIE TIME WITH C-DUBZ where BJ talks cinema with his buddy and LA-based cinematographer Chris Warren (aka C-Dubz). In this episode they discuss the Jordan Peele collection: Get Out, Us & Nope. Please follow C-Dubz on Instagram @cwdp112 Website: ChrisWarrenDP.com Album: The Infinite Struggle by Neutral Row https://open.spotify.com/album/66NEN0kWIkA6vVOexAoim6?si=9i7turPnQKmDYoZFh-YaPw Please be sure to subscribe to the podcast so you never miss an episode. And please see the show notes below to take advantage of special promos discussed in this episode to help support this content. SHOW NOTES: - Newsletter: Signup for BJ's free email newsletter at BJGaddour.com - To get 15% off your next ManBabyCBD.com order, use the coupon code: Babycast15 - To get 15 off your next SleevesSoldSeparately.com order, use the coupon code: Podcast15 - I asked Athletic Greens to provide me with a special offer you can redeem here: athleticgreens.com/bjgaddour You can get a 1-year supply of Vitamin D supplement plus 5 free travel packs of their best-in-class greens powder with your purchase. --- Send in a voice message: https://anchor.fm/bj-gaddour/message

This is the 7th installment of MOVIE TIME WITH C-DUBZ where BJ talks cinema with his buddy and LA-based cinematographer Chris Warren (aka C-Dubz). In this episode they talk about the THOR franchise, specifically the insane physique transformation of Chris Hemsworth for Love and Thunder. Please follow C-Dubz on Instagram @cwdp112 Website: ChrisWarrenDP.com Album: The Infinite Struggle by Neutral Row https://open.spotify.com/album/66NEN0kWIkA6vVOexAoim6?si=9i7turPnQKmDYoZFh-YaPw Please be sure to subscribe to the podcast so you never miss an episode. And please see the show notes below to take advantage of special promos discussed in this episode to help support this content. SHOW NOTES: - Newsletter: Signup for BJ's free email newsletter at BJGaddour.com - To get 15% off your next ManBabyCBD.com order, use the coupon code: Babycast15 - To get 15 off your next SleevesSoldSeparately.com order, use the coupon code: Podcast15 - I asked Athletic Greens to provide me with a special offer you can redeem here: athleticgreens.com/bjgaddour You can get a 1-year supply of Vitamin D supplement plus 5 free travel packs of their best-in-class greens powder with your purchase. --- Send in a voice message: https://anchor.fm/bj-gaddour/message

https://notesonfilm1.com/2022/07/21/thinking-aloud-about-film-cinema-rediscovered-round-up-day-1-2022/ We continue our discussion of Cinema Rediscovered 2022 with a round-up of the first full day of programming and two of the events that kicked off the program yesterday: The Philip French Memorial Lecture with Samira Ahmed and the UK premiere of the restored version of Lost Highway. We touch on two key strands of the program. The first is  Pre-Code Hollywood: Rules are Made to be Broken, curated by Pamela Hutchinson and Christina Newland, with  two of the five films that kickstart that strand: Blonde Crazy with James Cagney and Joan Blondell, one of the great couples of classic cinema, shown at their characteristic AND best as hotel workers turned wisecracking swindlers: urban, beautiful, loose of limb and tongue, a joy to watch at every turn. We also take in A Free Soul,  an emblem of a 1931 version of female sexual emancipation and modernity, a full-blown courtroom melodrama with Norma Shearer at her chicest and sexiest, if not always at her acting best. We also discuss two films by Sarah Maldoror, Sambizanga, and also A Dessert for Constance, part of the other strand of the program under discussion today:  Karen Alexander's Black Paris: Josephine and Beyond Programme. A day full of films and discussion on films in which the Rewriting Film History (With the Women in It) and Pre-Code Hollywood: Rules Are Made to Be Broken are particular standouts. A fantastic start to the festival.

Orit Fouks Rotem, Israeli film maker & Director of the film Cinema Sabaya (English Interview) about her unique project

#nosferatu #vampire #vampires #draculaExamining the connections of the vampire Nosferatu and historic antisemitism/antisemitic stereotypes and how they are connected to Jews and their history. VIDEO VERSION - https://youtu.be/_qC2hZ3w4Hk JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

This is the first installment of MOVIE TIME WITH C-DUBZ where BJ talks film with his buddy and LA-based cinematographer Chris Warren (aka C-Dubz). In this episode we talk about the Matrix Trilogy before the release of the highly anticipated 4th film nearly 2 decades since the ground-breaking original release. Please follow C-Dubz on Instagram @cwdp112 Website: ChrisWarrenDP.com Please be sure to subscribe to the podcast so you never miss an episode. And please see the show notes below to take advantage of special promos discussed in this episode to help support this content. SHOW NOTES: - Newsletter: Signup for BJ's free email newsletter at BJGaddour.com - To get 15% off your next ManBabyCBD.com order, use the coupon code: Babycast15 - To get 15 off your next SleevesSoldSeparately.com order, use the coupon code: Podcast15 - I asked Athletic Greens to provide me with a special offer you can redeem here: athleticgreens.com/bjgaddour You can get a 1-year supply of Vitamin D supplement plus 5 free travel packs of their best-in-class greens powder with your purchase. --- Send in a voice message: https://anchor.fm/bj-gaddour/message

Today's guest is Mary Wild, Freudian Cinephile and host of the Projections series held at the Freud Museum, London, as well as co-host of Projections Podcast with Sarah Cleaver. https://www.projectionspodcast.com Mary Wild is presenting Sunday, September 12, 2021, 2:00 PM – 4:00 PM EDT: Psychoanalysis, Art and the Occult: Mary Wild on “Taxidermy in Alfred Hitchcock's Psycho” and Discussion with Anna Biller, Writer and Director of “The Love Witch” & “Viva”: https://www.morbidanatomy.org/events/2021/7/15/psychoanalysis-art-and-the-occult-mary-wild-on-taxidermy-in-alfred-hitchcocks-psycho-and-discussion-with-anna-biller-writer-and-director-of-the-love-witch-amp-viva See the entire series of PsychArtCult events at Morbid Anatomy online, Sundays in September, here: http://psychartcult.org Join Mary at Patreon: https://www.patreon.com/marywild Follow her at Twitter: https://twitter.com/psycstar And Instagram: https://www.instagram.com/psycstar/ PROJECTIONS is psychoanalysis for film interpretation. PROJECTIONS empowers film spectators to express subjective associations they consider to be meaningful. Expertise in psychoanalytic theory is not necessary – the only prerequisite is the desire to enter and inhabit the imaginary world of film, which is itself a psychoanalytic act. MARY WILD, a Freudian cinephile from Montreal, is the creator of PROJECTIONS. https://www.freud.org.uk Upcoming Projections course Women in Horror, October 30-31, 2021: https://www.freud.org.uk/event/projections-women-in-horror-films-livestream-2/ Mikita Brottman mentioned in this episode: https://mikitabrottman.com You can support the podcast at our Patreon: https://www.patreon.com/vanessa23carl Thank you so much for your support! Rendering Unconscious Podcast is hosted by psychoanalyst Dr. Vanessa Sinclair: http://www.drvanessasinclair.net Visit the main website for more information and links to everything: http://www.renderingunconscious.org Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry (Trapart 2019): https://store.trapart.net/details/00000 The song at the end of the episode is “Solitude (Realm of the Shadow)” from the album "Follow my voice" by Vanessa Sinclair and Per Åhlund. https://vanessasinclairperhlund.bandcamp.com Many thanks to Carl Abrahamsson, who created the intro and outro music for Rendering Unconscious podcast. https://www.carlabrahamsson.com Image: Mary Wild at Patreon: https://www.patreon.com/marywild/

The 2nd part of my conversation with Adie, in this episode he talks about the future on cinema, online film sites and streaming with lots if recommendations

Federica e Aldo si concentrano su "Borat - Seguito di film cinema", il ritorno di Sacha Baron Cohen alla satira politicamente devastante. A un certo punto viene citato un pezzo di Indiewire: eccolo: https://www.indiewire.com/2020/10/borat-2-pranks-ranked-investigated-1234594827/

Nella puntata di questa settimana di CineFacts Podcast diciamo la nostra su: Borat Subsequent Movie Film, o in italiano Borat Seguito di Film Cinema, il ritorno dell'autorevole giornalista kazako interpretato da Sacha Baron Cohen e La Regina degli Scacchi, con la splendida ed eccezionale Anya Taylor-Joy che fa scacco matto su Netflix... questo e la solita dose di novità, recensioni, approfondimenti e tanto, tantissimo non-sense su Cinema e Serie TV, serviti a voi senza spoiler e con tanta sana passione dalla redazione di CineFacts.it!

Ma anche The Wolf of Snow Hollow, Il processo ai Chicago 7 e Love and Monsters. Puntata monstre di un'ora e mezza, ma il periodo è denso di uscite interessanti e tanto non c'è molto da fare. Sarà riuscito Sacha Baron Cohen a dare un seguito dignitoso al suo successo più grande? (Spoiler: sì). Sarà riuscito Ben Wheatley a uscire incolume dal confronto con Hitchcock? (Spoiler: no). Queste e altre domande fondamentali troveranno risposta in puntata. [2:00] Borat - Seguito di film cinema [25:10] Rebecca [35:30] The wolf of Snow Hollow [47:45] Il processo ai Chicago 7 [1:04:30] On the rocks [1:13:45] Love and monsters per contattarci gliincompetenti [at] gmail.com

Alessandro Bruni e Gabriele Laurino tornano alla guida del Q&A POP di Everyeye.it, spazio dedicato alle vostre domande su anime, manga, fumetti, film, serie TV, LEGO, Funko Pop, giochi da tavolo, cultura Pop e Nerd. Per partecipare in diretta seguiteci su Twitch: https://www.twitch.tv/everyeyeit!

In deze aflevering bespreken we de 'Business of Film', the future of film en van de bioscopen en streamingdiensten. We hebben met Marlene Wickel en Rene Mioch twee echte filmkenners in de show die ons voorzien van hun visie. Waarom heeft James Cameron een gouden hand? We introduceren 'The Generation Challenge' waarmee we een film uit verschillende tijden bespreken. Wat doet COVID-19 met het bioscoopbezoek? Wat is de strategie van Disney met Disney+? Zal bioscoop als medium overleven of trekken streamingdiensten als Netflix, Amazon Prime en Disney+ uiteindelijk toch aan het langste eind? Dit en meer in deze nieuwe aflevering. Bakkie Media is uiteraard ook te vinden op social media: Twitter: @bakkiemedia Instagram: @bakkiemediapodcast Facebook: facebook.com/bakkiemedia Of kijk op onze website: www.bakkiemedia.nl. Shownotes: https://www.youtube.com/c/BingeTalks https://abcnews.go.com/Entertainment/kate-winslet-nude-titanic-sketch-sold-highest-bidder/story?id=13311716 https://www.youtube.com/watch?v=w4WtFRufSis&feature=emb_title https://edition.cnn.com/2020/08/20/media/amc-theatres-reopen-coronavirus/index.html https://www.indiewire.com/2020/08/hollywood-movies-no-longer-king-1234579572/ https://www.wired.co.uk/article/netflix-buying-cinemas https://www.geekwire.com/2020/netflix-leads-studios-24-oscar-nominations-amazon-gets-one-nod-foreign-film/ https://www.businessinsider.com.au/what-disney-mulan-decision-could-mean-for-movie-future-2020-8 https://fortune.com/2020/07/29/amc-universal-shorter-theatrical-window-video-on-demand-streaming/ https://www.michigandaily.com/section/arts/revisting-twilight-i https://variety.com/2017/biz/news/cinepolis-junior-jungle-gym-theater-kids-1202003872/

In his book Rock ’n’ Film: Cinema’s Dance with Popular Music, music historian David James explores how rock’s capacity for cultural empowerment and its usefulness as a driver of commerce and profit have been reproduced in various kinds of cinema: independent documentaries and concert films including Monterey Pop and Gimme Shelter; narrative films, such as King Creole and Privilege; and the experimental cinema of artists, like Kenneth Anger.In a June 22, 2019, lecture at the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA), James explored the rich legacy of cinema’s dance with popular music. Illustrating his talk with clips from classic rock films like Blackboard Jungle, A Hard Day’s Night, and many others, James shared with his BAMPFA audience how rock music was distinctive from other cultural developments of its era because of its multiracial appeal, anticipating and helping to precipitate the utopian ideals of the civil rights era and other left-wing movements.These transformative energies, James said, were channeled into a growing body of films that became important to the development of rock music — not just as delivery mechanisms of the new sound, but as engines for its production. Marquee musicians like Elvis and the Beatles found themselves able to experiment with new forms of creative expression in films that captured the exciting and transgressive spirit of their musical moment.James’ lecture was delivered in conjunction with an ongoing film series at BAMPFA inspired by his work, It’s Only Rock ‘n’ Roll, which runs through Aug. 31. For more information, visit bampfa.org/program/its-only-rock-n-roll.Read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

Here are my top film highlights with dates they're added to look out for at the cinema in January 2019. Can You Ever Forgive Me, Green Book, Alita: Battle Angel, The Lego Movie 2 and Instant Family are all discussed! Additionally are all the potential films I'll see/honourable mentions. Make sure to subscribe, favourite, follow and share and find me on Instagram @tmftspodcast

Here are my top film highlights with dates they're added to look out for at the cinema in January 2019. The Favourite, Welcome To Marwen, Stan and Ollie, Glass, Beautiful Boy and Vice are all discussed! Make sure to subscribe, favourite, follow and share and find me on Instagram @tmftspodcast

In this episode I discuss all the good I have to say about the latest Transformers film Bumblebee! I don't review films, I say what's good about films I like and that I want to recommend! Make sure to subscribe, favourite, follow and share and find me on Instagram @tmftspodcast

In this episode I discuss all the good I have to say about the Disney film Mary Poppins Returns! I don't review films, I say what's good about films I like and that I want to recommend! Make sure to subscribe, favourite, follow and share and find me on Instagram @tmftspodcast

In this episode I discuss all the good I have to say about the Marvel animation, Spiderman: Into the Spiderverse! I don't review films, I say what's good about films I like and that I want to recommend! Make sure to subscribe, favourite, follow and share and find me on Instagram @tmftspodcast

In this episode James and Jerry ramble about professional athlete salaries, technology and the internet.

Il Film Il concerto (Le concert) è un film del 2009 del regista rumeno-francese Radu Mihăileanu. Ambientato fra Mosca e Parigi, il film è girato in russo e francese. Il film ci lascia degli interrogativi: Cosa dona unità alla mia vita? Qual è la musica che parla al mio cuore? Qual è quella cosa che è tanto importante per me, che mi spinge a portarla a termine? Qual è quella bellezza che posso portare al mondo?

Il Film Il concerto (Le concert) è un film del 2009 del regista rumeno-francese Radu Mihăileanu. Ambientato fra Mosca e Parigi, il film è girato in russo e francese. Il film ci lascia degli interrogativi: Cosa dona unità alla mia vita? Qual è la musica che parla al mio cuore? Qual è quella cosa che è tanto importante per me, che mi spinge a portarla a termine? Qual è quella bellezza che posso portare al mondo?

As each frame of a film goes by we witness a new world that is situated in space and time. This process of worldmaking happens through the cinematic lens but also through the myths and rituals of religious traditions. Or so argues S. Brent Plate, Visiting Associate Professor of Religious Studies at Hamilton College, in his book Religion and Film: Cinema and the Re-Creation of the World (Wallflower Press, 2008). In this short work Plate sets out to create a “critical religious film theory” and demonstrates how understanding religion and film can help us comprehend the other in more nuanced ways. Through a close examination of mise-en-scene, editing, and cinematics we discover the interrelationship of the world we live and the one on the screen. Plate reveals that film serves many of the same functions myth and ritual do in defining space and time. Both Hollywood blockbusters and avante-garde films present a way of understanding the world and reveal a new visual ethics for understanding reality. Plate also tells us what happens when film leaves the movie theatre and re-ritualizes contemporary experience. In our conversation we discuss film techniques, Star Wars, Blue Velvet, The Matrix, Chocolat, Rocky Horror Picture Show, sensual aspects of religion, the altar and the screen, ethics, aesthetics, myth, ritual, and Plates role in developing new features in the Journal of the American Academy of Religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

As each frame of a film goes by we witness a new world that is situated in space and time. This process of worldmaking happens through the cinematic lens but also through the myths and rituals of religious traditions. Or so argues S. Brent Plate, Visiting Associate Professor of Religious Studies at Hamilton College, in his book Religion and Film: Cinema and the Re-Creation of the World (Wallflower Press, 2008). In this short work Plate sets out to create a “critical religious film theory” and demonstrates how understanding religion and film can help us comprehend the other in more nuanced ways. Through a close examination of mise-en-scene, editing, and cinematics we discover the interrelationship of the world we live and the one on the screen. Plate reveals that film serves many of the same functions myth and ritual do in defining space and time. Both Hollywood blockbusters and avante-garde films present a way of understanding the world and reveal a new visual ethics for understanding reality. Plate also tells us what happens when film leaves the movie theatre and re-ritualizes contemporary experience. In our conversation we discuss film techniques, Star Wars, Blue Velvet, The Matrix, Chocolat, Rocky Horror Picture Show, sensual aspects of religion, the altar and the screen, ethics, aesthetics, myth, ritual, and Plates role in developing new features in the Journal of the American Academy of Religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

As each frame of a film goes by we witness a new world that is situated in space and time. This process of worldmaking happens through the cinematic lens but also through the myths and rituals of religious traditions. Or so argues S. Brent Plate, Visiting Associate Professor of Religious... Learn more about your ad choices. Visit megaphone.fm/adchoices