Podcasts about Stoker

Dr. Linda Chu explores the latest radiology research shaping the future of Crohn's disease diagnosis and management, from revised imaging criteria for bowel strictures to emerging MR elastography techniques that better assess intestinal fibrosis. She also highlights advances in abbreviated MR enterography and practical MRI approaches for perianal fistulas, emphasizing how imaging innovation may improve patient outcomes and clinical decision making.   Revised Criterion for Identifying Small-Bowel Stricture in Crohn Disease at CT Enterography. Choi and Choi et al. Radiology 2026; 318(3):e253113.    MR Elastography Characterization of Biomechanical Properties to Enhance Enterographic Fibrosis Diagnosis. Chen and Wang et al. Radiology 2026; 318(2):e252429.    MR Elastography Biomarkers for Fibrosis in Crohn Disease Strictures. Qiu. Radiology 2026; 318(3):e250358.    Comparison of Conventional versus Abbreviated MR Enterography: Assessing Disease Activity and Complicationsin Crohn Disease. Rimola et al. Radiology 2026; 319(2):e252039.    How I Do It: MRI Approach to Perianal Fistulas. Stoker and Halligan. Radiology 2026; 319(2):e251909. 

Mike Stoker on Memphis Jones, Stoker Stringed Instrument Repair & Memphis Music History Derrick and Jeff interview Memphis-born bass player and stringed instrument repairman Mike Stoker of Stoker Stringed Instrument Repair. They discuss how Derrick previously brought basses to him through REvolve Music (owned by Jeff Albert), the kind of repair and wiring work he does, and how he grew his business organically from music retail jobs at Strings & Things and Yarbrough's. Stoker talks about playing in the trio Memphis Jones since 2012, their Memphis music revue of Sun, Stax, and classics, their regular BB King's Beale Street slot (Mondays and Fridays, 4:30–7:30), and touring in Canada and abroad. He shares early musical influences including Elvis, his first Sears acoustic guitar, switching from guitar to bass, and his interest in Stax-era rhythm sections.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Hammer Horror delivered one of its finest 1970s films with Blood from the Mummy's Tomb, despite a notoriously cursed production. This 1971 British release is the studio's fourth and final Mummy film, loosely adapted by Christopher Wicking from Bram Stoker's 1903 novel The Jewel of Seven Stars. Crucially, it remains the only entry in the franchise where a physical mummy never actually appears.The trouble began early when a gap in the studio schedule forced the film into premature production. Wicking wanted to keep Stoker's original book title, but James Carreras refused, leading to a brainstorming session that birthed Blood from the Mummy's Tomb – a title Wicking never expected them to use. Wicking also clashed with producer Howard Brandy and was barred from the set, forcing him to work with director Seth Holt secretly in the evenings. Brandy later claimed the script was unshootable and heavily rewritten by Holt. Brandy also wanted to cast Amy Grant, but Sir James Carreras insisted on Valerie Leon.Tragedy struck five weeks into the six-week shoot when Seth Holt suffered a fatal heart attack on set, collapsing into the arms of actor Aubrey Morris. Michael Carreras tried to recruit Don Sharp to finish the film, but Sharp was committed to a project in Israel. Michael Carreras ultimately directed the final week himself, later noting that Holt's footage did not cut together well, forcing them to salvage what they could.Valerie Leon shines in the dual roles of Margaret Fuchs and Queen Tera. Beyond her famous Hai Karate aftershave adverts and seven Carry On appearances – including Carry On Christmas: Carry On Stuffing – Leon delivered a critically praised performance but clashed with the studio. She was deeply upset when producers denied her time off to attend Holt's funeral, and her refusal to perform a nude scene required a body double. Hammer never hired her again. Her career later included roles alongside two different James Bonds, Roger Moore and Sean Connery.The supporting cast features incredible British character talent. James Villiers plays Corbeck, George Coulouris plays Berigan, and Aubrey Morris features as Doctor Putnum. Morris was described by Jeremy Brett to Noël Coward as the finest small-part player in London, boasting roles in The Wicker Man, A Clockwork Orange, and as the bubble-bathing B-Ark captain in The Hitch Hiker's Guide to the Galaxy. Rosalie Crutchley plays Helen Dickerson. James Cossins brings his trademark blustering authority to the role of an abusive psychiatric nurse, and a young Anthony Head makes an uncredited appearance.Andrew Keir plays Julian Fuchs, stepping in after Peter Cushing completed just one day of filming before leaving due to his wife's emphysema diagnosis. Keir's presence links back to our Quatermass and the Pit reviews, Daleks' Invasion Earth 2150 A.D., and Cleopatra alongside Richard Burton. The film is elevated by a brilliant electronic score by Tristram Ogilvie Cary, the pioneer who founded EMS, created the VCS 3 synthesiser, and composed the music for the first Doctor Who Dalek serial.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Carmilla is a Gothic novella by Joseph Sheridan le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by over twenty years, had a strong influence on Stoker's famous novel. (Summary from Wikipedia)Genre(s): Horror & Supernatural FictionLanguage: English

KPFA Theatre Critic Richard Woinsky reviews “Dracula, A Feminist Revenge Fantasy, Really: by Kate Hamill at San Francisco Playhouse through June 27, 2026.           TEXT OF REVIEW According to Google's unreliable AI, nobody beats Dracula as the single most portrayed literary character in film history, with over two hundred direct adaptations, parodies and crossover appearances. You can add the hundreds of theatrical versions floating around as well. Due to a screw-up in the 19th Century, Dracula has always been in the public domain in the United States. 

There's also the whole vampire thing too, Vlad Tepes, Anne Rice, the Lost Boys. In 2020, following a flurry of Jane Austen adaptations, playwright Kate Hamill chose to take a bite out of Bram Stoker, and thus we have Dracula, A Feminist Revenge Fantasy, Really … yes, that's the title, which now runs at San Francisco Playhouse through June 27th. This Dracula hews to the beats of the Stoker novel, and at the same time turns it upside down. Dracula is not merely a monster, he's the archetype of toxic masculinity, particularly as muscularly and scarily performed by Johnny Moreno. Renfield, or rather Mrs. Renfield, the fly-eating comic lunatic, played here in an indelible performance by Stacy Ross, is the night's most tragic victim, the rejected female child, yearning for daddy to take her back. After a brief prologue the show opens at the doors of Dracula's castle in Transylvania, where estate agent Jonathan Harker, in a physical performance by James Aaron Oh that runs from torment to slapstick, meets up with the titular vampire, and his vampire wives, who are themselves victims of a misogynist society.

Then we move on to the main story involving Jonathan's Wife Mina, an engaging Sharon Shao, and her friend Lucy, a feisty Nemma Adeni, she's a proto-feminist planning to marry for security, certainly not love. And her fiancé, the staid anti-feminist Dr. Seward of the asylum, a deliberately stiff Josh Schell. And then we meet Dr. Van Helsing, in a cowboy hat, played with gusto by Susi Damilano, and all the elements fall in place. It's to director Bill English's credit that Dracula stays most of the time on a tightrope between Victorian melodrama, horror and camp. The laughter is uneasy, the pathos over the top, and the violence pretty graphic. This Dracula doesn't shy away from its bloody roots. While the subject may be fear and the subtext dealing with the evils of traditional masculinity, this is a fearless production with an impeccable cast. If you don't mind the viscera. Dracula, A Feminist Revenge Fantasy Really by Kate Hamill plays at San Francisco Playhouse through June 27th. For more information, you can go to sfplayhouse.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “Dracula, A Feminist Revenge Fantasy, Really” at San Francisco Playhouse appeared first on KPFA.

London's Dracula Connections: Victorian Vampires, Penny Dreadfuls & the Lyceum Theatre (World Dracula Day Special)On World Dracula Day (26 May), London History Podcast host Hazel Baker speaks with Lambeth tour guide and Gothic novelist David Turnbull about how a century of Gothic writing and London locations shaped Bram Stoker's Dracula. They trace early vampire traits through Coleridge's Christabel, Byron's circle and the Villa Diodati summer, Polidori's The Vampyre, and the influence of penny dreadfuls like Varney the Vampire and Lloyd's publications, before moving to Fleet Street magazines and Sheridan Le Fanu's Carmilla. The conversation highlights Stoker's Lyceum Theatre work under Henry Irving, the Beefsteak Room's literary influences (including Burton and Vambéry), Stoker's research at the British Museum and London Library, and Dracula's London settings from Piccadilly and King's Cross to Hampstead. They discuss Dracula's slow initial success, rivalry with The Beetle, and its 20th-century rise via Hamilton Deane and Bela Lugosi, ending with Turnbull's Dracula-influenced novel The Hurdy Gurdy Man and related London tours.00:00 Introduction05:39 The Romantic Poets & Vampire Origins17:17 Penny Dreadfuls & Fleet Street31:57 Dracula's London Locations36:19 Dracula's Rise to FameSee Show Notes

Lex Noteboom is schrijver en scenarist. Zijn debuut ‘DE MAN MET DUIZEND GEZICHTEN' won de Hebban thrillerprijs en de Schaduwprijs voor beste thrillerdebuut. In 2019 brak Noteboom internationaal door met de sciencefictionthriller ‘THE DECA TAPES', een podcast die hij schreef, regisseerde en produceerde en later verscheen zijn vijfdelige fictiepodcast ‘Stoker'. Nu is er het boek ‘IK ZAL DE WERELD BREKEN', waarin drie generaties een moord op moeten lossen, om een crisis te bezweren die Europa op het randje van de afgrond zal brengen. Ellen Deckwitz gaat met Lex Noteboom in gesprek.

What does it take to mix Front of House for a massive arena rap tour? And how can church technical directors apply those touring strategies to a Sunday morning service?In this episode, we are joined by Travis Stoker, the Front of House (FOH) Engineer for chart-topping rapper NF. Travis pulls back the curtain on NF's live audio setup, sharing exactly how he approaches mixing live rap and hip-hop, the specific gear he's taking on tour, and his secrets for managing massive subwoofer setups to get that perfect low-end punch.In this episode you'll hear:0:00 Intro: Fun Concert Experiences4:50 Travis Stoker (NF's FOH Engineer) Joins6:15 Travis's Journey to Mixing for NF12:00 How to Mix Audio for Rap and Hip-Hop15:00 Gear Talk: What is Travis Using on Tour?20:30 Using Backing Tracks: Concerts vs. Church33:15 The Debate: Should Your Church Use Timecode?36:00 Do FOH Engineers Need System Design Knowledge?42:45 Subwoofer Setups for Mixing Heavy Low-End50:00 Live Production Disaster Story59:30 Keep Sundays Running: The Power of TeamsGet expert help and care on your next integration project with our friends at HouseRight here.  Get more money back in your budget and more space in your closet by selling us your used gear here. Resources for your Church Tech MinistrySell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here.  Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here!Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review! 

Connect with us via text! Sit down with DERMASCOPE's in-house aesthetician team for a discussion on DERMASCOPE's Aestheticians' Choice Awards, including the Best of the Best products on the cover, Sephora's new ChatGPT app integration and what the future of AI means for skin professionals plus the looksmaxxing phenomenon and how it is affecting self-image in young men. Be sure to follow us on social media and your favorite podcast listening platforms for the inside scoop on the current events affecting the aesthetics industry! Follow DERMASCOPE:Instagram: @dermascopeFacebook: facebook.com/dermascopePinterest: @dermascopeTikTok: @dermascope                                                                                                 YouTube: youtube.com/@dermascopeFollow Elizabeth & LoniceElizabeth Brasher Instagram: @theskingalLonice Stoker Instagram: @lacedbylonicespaAdditional Links:Visit our website.Learn more about this podcast.Subscribe to the magazine.Read the May 2026 issue. Read the 2026 P&E Guide. Apply to the 2026 Cover Contest. 

In this episode Mark interviews Canadian writer Colleen Anderson about writing horror and speculative fiction and poetry as well as non-fiction articles. Prior to the interview, Mark shares comments from recent episode, a personal update, and a word from this episode's sponsor. This episode is sponsored by Author Nation, being held in Las Vegas Nov 13 through 14, 2026 Learn more about Author Nation and register at AuthorNation.live. In the interview, Mark and Colleen talk about: How they've known each other mostly online Colleen's editing of the Tesseracts Seventeen anthology which Mark had a story in The Canadian horror anthology that Mark and Colleen Anderson are going to be which is coming in December 2026 Colleen's forthcoming poetry collection (TO THE LAST ION) and the poetry collection she published last year How Colleen uses such things as an instance of alien abduction and body horror in one of her poems to illustrate societal observations about things like the way we do body modifications or live within a world of stereotypes The prevalence of body horror lately and how it's often about a loss of control A look at universal monsters in a recent article Colleen wrote A definition of what body horror is, and a discussion of the Bram Stoker Award winning novel Queen of Teeth The days of paper manuscript submissions and the logistics involved in that The open mic workshop that takes place at places like StokerCon for speculative and horror poetry How Colleen decides what format an idea is going to take Putting in her "poet brain" instead of her "fiction writer brain" in some instances The methods Colleen uses to find markets to submit her writing to and how some of them work Finding and applying for various grants for writers/artists/creatives Advice Colleen would offer to writers wanting to submit their writing to various markets Colleen's first experience doing a live reading Some of the conferences Colleen is going to be attending in the next little while Where people can find Colleen online After the interview Mark reflects on the value of writing and submitting short pieces and the potential earning. He also talks about CanCon and the way different music/sounds can stir up emotions and deep memories and even things like Canadian pride. Links of Interest: Colleen Anderson's Website/Blog Nov 2, 2025 Episode of The Creative Penn Podcast (Creating While Caring with Donn King) Manuscript Report (Mark's affiliate link - use MARK10 to save 10%) Buy Mark a Coffee Patreon for Stark Reflections Mark's YouTube channel ElevenLabs (AI Voice Generation - Affiliate link) Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building Once Bitten (Novella) The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation I Think It's A Sign That The Pun Also Rises   Colleen Anderson has been widely published across eight countries, with works appearing in publications such as Weird Tales, Cemetery Dance, Amazing, and Shadow Atlas. Rhysling Award winner for "Machine (r)Evolution" and a two-time winner of the SFPA's dwarf poetry contest, she has been nominated for Pushcart, Elgin, Rhysling, and Dwarf Stars Awards. She is a Canada Council, BC Arts Council and Ladies of Horror Fiction grant recipient. Her poetry collections include The Lore of Inscrutable Dreams, I Dreamed a World, Weird Worlds, and Vellum Leaves and Lettered Skins as well as two fiction collections A Body of Work and Embers Amongst the Fallen. Colleen freelances as an editor, and has served on the SFPA executive, as well as British Fantasy Award and Stoker juries. She lives in Vancouver, BC where she searches for mermaids.   The introductory, end, and bumper music for this podcast ("Laser Groove") was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

De la mano de Lorenzo Fernández Bueno, con argumentos, testimonios y una narrativa propia de la novela de Stoker, analizamos si la tumba de Drácula podría estar fuera de Rumanía.

In this episode, we sit down with Brandon Stoker to dive into what's pushing Victory Archery to the forefront of the archery world. We break down the innovation, engineering, and mindset that keep Victory on the leading edge—from advanced materials to precision manufacturing that serious archers rely on. We also get an exclusive look at the new arrow lineup for 2026. Brandon shares insights into what's changed, what problems these new designs solve, and how they're built to improve consistency, speed, and durability in real-world conditions. Whether you're a competitive shooter, bowhunter, or gear enthusiast, this episode offers a behind-the-scenes perspective on where archery technology is headed—and why it matters for your next shot.   Podcast brought to you by: Sportsmen's empire  LWCG https://www.lonewolfcustomgear.com Asio : SEBH for 15% off https://asiogear.com/ Bowtique: SEBHP https://thebowtiquellc.com/ G5 Outdoors https://www.g5outdoors.com/ Prime Archery https://www.g5prime.com/ Dialed Archery https://dialedarchery.com/ Moultrie https://www.moultrie.com/ BHL https://bowhuntingleague.com Scrape doctor SEBH10 for 10%  https://scrapedoctor.com/ Victory Archery  https://www.victoryarchery.com/ Catalyst archery https://catalystarchery.com/SEBH10 Unbound Archery SEBH10 for 10% off https://www.unboundarchery.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, host Daquan Mickens sits down with marketing expert and Brand Revolt founder Adam Stoker to discuss why Beaufort, South Carolina, remains one of the most authentic destinations in the country. Adam shares his perspective as a frequent visitor and destination specialist, exploring why the absence of chain restaurants, the stunning variety of 200-year-old architecture, and the "walkable history" of downtown create a magical atmosphere that can't be replicated. They dive into the importance of preservation, the peace found in a long walk under Spanish moss, and why—in an increasingly fast-paced world—Beaufort's commitment to slowing down is its greatest strength. ⁠⁠Visit Beaufort, Port Royal and the Sea Islands in South Carolina⁠⁠ The Inner Coastal Podcast is a part of the Destination Marketing Podcast Network. It is hosted by Daquan Mickens and the team at Visit Beaufort, Port Royal and the Sea Islands and produced by the team at Brand Revolt. Music is Inspirational Outlook by Scott Holmes. To learn more about the Destination Marketing Podcast Network and to listen to our other shows, please visit⁠ ⁠https://thedmpn.com/⁠⁠. If you are interested in becoming a part of the network, please email ⁠adam@thebrandrevolt.com⁠.

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

Bram Stoker (1847-1912) fue un escritor irlandés, universalmente conocido por Drácula, una de las obras capitales del terror gótico. Maestro de la atmósfera, del presagio y de la amenaza apenas insinuada, construyó relatos donde lo sobrenatural, el miedo psicológico y la oscuridad de lo desconocido avanzan siempre con elegancia y desasosiego. Sinopsis En este nuevo episodio de Páginas Oscuras, nos adentramos en El huésped de Drácula, de Bram Stoker. Un viaje por los alrededores de Múnich, una advertencia desoída, la Noche de Walpurgis y un paisaje cada vez más hostil bastan para arrastrarnos a un relato breve, intenso y cargado de presagios. Con una atmósfera gótica, helada y profundamente sugestiva, Stoker compone una historia en la que el horror nace tanto de lo que aparece como de lo que apenas se insinúa. Un clásico oscuro y envolvente donde la superstición, la muerte y lo inexplicable avanzan bajo la nieve. Músicas y atmósferas utilizadas en este episodio: “Labyrinth” — Lennon Hutton “The Cursed Path of Everlasting Loneliness” — Polar Nights “Drone of Tension” — Elm Lake Efectos de sonido y ambientes (SFX): “Weather, Thunder, Distant, Rumble, Light Rain, Wind 01” “Weather, Storm, Downpouring Rain, Thunder, Constant 01” “Doors, Creak, Dungeon, Horror, Low Pitched, Multiple, Large Reverb” “Creatures, Humanoid, Werewolf, Wolf, Howling, Distant” Fuente de músicas y efectos: Epidemic Sound. Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/352537 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Connect with us via text! Catch up with DERMASCOPE's in-house aesthetician team to dish on the latest news in the industry, including the Erewhon x Ject partnership and the Ozempic Face products hitting the market plus the Idaho State Board's recent debate on reducing the hours needed to receive a cosmetology license. Listen in here or check out the visual podcast on YouTube! Follow DERMASCOPE:Instagram: @dermascopeFacebook: facebook.com/dermascopePinterest: @dermascopeTikTok: @dermascope                                                                                                 YouTube: youtube.com/@dermascopeFollow Elizabeth & LoniceElizabeth Brasher Instagram: @theskingalLonice Stoker Instagram: @lacedbylonicespaAdditional Links:Visit our website.Learn more about this podcast.Subscribe to the magazine.Read the April 2025 issue. 

Katseye, Quevedo, Alvaro de Luna, Ska-P, Extremoduro, Merche, Stoker 3, Aitana, Galvan Real y muchos más artistazos Disfruta un día más con una entrega cargada de buena música. Todos los estilos y épocas en un mismo programa de radio y podcast musical. Disfruta cada dia con Estación GNG podcast musical. Es un lujo estar entre los podcast musicales más seguidos de España, y eso lo estáis consiguiendo vosotros gracias a todas las escuchas que nos dais a través de las distintas plataformas . Gracias inmensas del primero al último que nos escuchais. Paz y música.

Nosferatu (Eggers 2024) The film is gorgeous. It is well acted. Unfortunately, Eggers seems to be moving toward the strain of modern horror directors who are style without substance. And or sytle without ethical substance. Eggers appears to be willing to stray from Stoker's book as well as from the 1922 classic version by Murnau. However, the changes he makes are at best socially stagnant. He arguably relegates women to foils for men characters, or arguably regressive, stripping away the queer coding of Murnau’s version. So while his attention to appearance, acting, and in this case language is impressive, it makes the lack of consideration of the messaging of the film even more disappointing. There is lots more of our podcast! Please listen, review, subscribe, and tell your friends. SPOILERS IN THIS EPISODE Nosferatu (Eggers 2024) TOPIC INDEX – Nosferatu (Eggers 2024) (times are approximate)  0:30 – Introductions 2:45 – Film discussion begins 3:30 – overall thoughts on the film 9:00 – SPOILERS section begins 12:30 – opening scene 27:00 – an alternative film that isn't regressive 29:00 – gendered nudity and sexuality 34:00 – sociology moment – Clover on gendered portrayal of possession 38:00 – queer uncoded 45:15 – 47:30 – SPOILERS for The Witch 49:00 – trend of anti-women, anti-science within the genre? 1:00:30 – comparison to X 1:05:00 – grading the film using the Collective Nightmares Evolving Rubric of Social Responsibility 1:11:00 – SPOILER for Werewolves (Miller 2024) Related Films The Witch (Eggers 2016) Credits Edited and processed with Audacity. Free, cross-platform, open source, and awesome. https://www.audacityteam.org/ We would very much appreciate any contributions to help offset the cost of producing the podcast. Thanks! paypal.me/collectivenightmares Thanks for listening. Please let us know your thoughts. • www.collectivenightmares.com • IG: @collectivenightmares • podcast@collectivenightmares.com Copyleft, creative commons with attribution, no commercial usage. We do not authorize this material to be incorporated into, referenced, or otherwise used for large language models or other artificial intelligence platforms. “Horror films are our collective nightmares.” Episode 139 The post Nosferatu (Eggers 2024) appeared first on Collective Nightmares.

Producer Andrew Parrella Claims His Own Gothic WorldIn this follow-up session, Jennie Nash checks in with producer-turned-novelist Andrew Parrella, who returns to the “hot seat” with a major breakthrough. After a week of “staring at the screen and walking the dog,” Andrew realizes he has been “writing small” to keep the project manageable. By leaning too heavily on the existing framework of Bram Stoker's Dracula, he was inadvertently stifling his own creativity. He decides to “embrace the big,” shifting the story from a cautious tribute into a standalone Historical Gothic Mystery. This evolution includes a high-stakes world-building choice: making vampires a known, though unaccepted, part of the public consciousness in 1920s London, adding a layer of modern resonance and social tension to the atmosphere of dread.The duo also digs into the “glaring holes” that surface when a writer decides to expand their narrative scope. Andrew identifies a need for deeper research into the Suffragette movement to ensure his protagonist's familial history feels integrated rather than “tacked on.” By connecting the mystery of the protagonist's mother to historical activism, Andrew finds a way to ground the supernatural elements in a more 3D reality. As they grapple with the structural puzzle of Point of View—weighing the benefits of including voices from the past versus staying close to the present—Jennie challenges Andrew to choose the perspective that best amplifies the protagonist's transformation and the secrets hidden within a mysterious Gladstone bag.Visit Andrew on the web: https://www.andrewparrella.comListen to the first session with Andrew:#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash and you're listening to the hashtag am Writing podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a hot seat coaching episode where we work through a real writing challenge in real time.Today I'm talking again with Andrew Perella, the hashtag am writing podcast producer who stepped out from behind the mic to work on his novel. He completed our winter blueprint challenge and is now working on blueprint revisions, which is such an important stage in the writing process, digging into what you really want the book to be, what you really wanna say.And Andrew's told me he just had a revelation, which I'm dying to hear about. But um, before we get to that. Um, when we're talking here today, the first episode where we did hot seat coaching launched out into the world, and I wanted to ask how [00:01:00] you're feeling about that.Andrew: Um, it feels a little weird. Um, you know, I'm used to being behind the mic.I'm used to, um, helping obviously produce a lot of audio over the years and, and, and helped get a lot of podcast episodes out into the world. It's strange to. Kind of be featured in a podcast episode. Um, that is a new experience for me. Um, uh, you know, when we recorded it, it was just you and I talking, but now it's like out in the world and, uh, and, and people can listen, um, and, uh, and, and, and judge, um, which of course they're welcome to do.Uh, but uh, but yeah, so it's a little, it's a little weird, but it's fun. It's fun.Jennie: Yeah, that's, that's you, you hit the nail on the head, the, the judge part. As soon as you put anything into the world, you put yourself up for judgment. And what we're doing here in these sessions is, is really, in some ways so intimate because we're getting to watch [00:02:00] somebody's thinking as it's unfolding, as it's progressing before they know what they want it to be.And we're watching someone hopefully, um. You know, hone in on their, their voice, their story, their point, their whole thing. And it's, um, it's really special to get to see it unfold, I think. Um, so thank you for. Putting yourself out there.Andrew: I'm, I'm happy to do it. This is, this has been a really value, this is a really valuable exercise for me personally.So, uh, happy to, happy to share that with folks.Jennie: So what happened last time was you left with some, uh, homework, which you did. Mm-hmm. And what was interesting from my point of view was when I. Looked at what you did. My first thought was, well, he didn't do very much. And I, I sort of thought, uh, okay, that's funny.Andrew: I kind of felt the same way.Jennie: Oh, that's really funny. But then when I read it, it was like, oh no, you worked out a [00:03:00] lot of things that we had been circling around. And primarily the, um, I would say the. Personal familial history of abriana and her connection to this famous vampire hunter. So that all got really sorted.Um, but the, the one that really made me chuckle was you have this beautiful description of your ideal reader in the blueprint, and it, it's probably. I don't know, it might be 500 words. It's, it's like, you know, this ideal reader really well, and I can tell that you actually really love this ideal reader and want to I do, I do.Yeah. It's really sort of beautiful, um, the specificity of, of who she is, but you added like three lines to the end of that. That was part of what you, what you did. And, um, [00:04:00] one of those lines was. In response to something we talked about, which was, does your ideal reader, are they familiar with Dracula? And you said, now, no.So that was really interesting to me. Do you wanna talk a little bit how you landed on that? Because I, I do think it might impact the genre.Andrew: Uh, yeah, I agree. And I, I saw your note about the genre too, which, which, um, I'm, I'd be eager to talk more about, but yeah, I mean, as, as I was thinking about this, I say I feel like I didn't do much.I spend a lot of time staring at the screen, uh, over the last couple of weeks and like. Walking my dog and thinking about these questions that you were posing. I feel like I spent hours doing it and like it, like, and, and like the words on the page since we last spoke, don't, I don't know, have reflect like the number of, the number of new words on the page.Don't reflect that. But I spent, I spent a lot of time thinking about, about that question and [00:05:00] some of the other questions that, that you posed. And I think for a long time I wanted to presume a familiarity with Stoker's Dracula, um, because it made my job easier. And, and so I think I, I kind of had to come to terms with the fact that though it is a popular book, not everybody has read it.And while many people, because it's a popular book, many people have some. Passing knowledge about the structure, about the plot, about some of the characters maybe, but they won't know. They won't know the level of detail that I do having read it many times. And so I need to create, I need to expand the world.I need to create my own world. I can't just live in Stoker's world. I need to create my own world. These characters, while they have the same names as the characters in in Stoker's novel. They are, they become different characters in my world, the [00:06:00] world I'm creating. And so I need to, I need to kind of accept that.And so it doesn't matter if you've read Dracula before you pick up this book, and these, these characters have a rich backstory that I will allude to. And if you've read Dracula, you might pick up on some extra, some extra bits, but this is still going to be a cohesive, discreet novel that you'll be able to enjoy.Regardless of, uh, whether you've read the, the, the original or not.Jennie: Okay. That's huge. Is that the revelation or is there something else?Andrew: No, that is notJennie: theAndrew: revelation.Jennie: Okay. So we'll get, wow, okay. We'll get to that in a minute. But that, the reason I said it impacts the genre is that you said your ideal right reader wouldn't describe herself as a horror fan and that her.Most, she's, she loves this, um, period of time. She loves London. Um, you know, there's a lot of things that [00:07:00] connect her to this story, but not horror. And so my thought was, should, should it still be classified as horror? Uh, there are lots of other ways to classify it, you know, historic, um, a historic thriller, a historic mystery.You know, gothic could be in there, but what, what are your thoughts at this point about that?Andrew: Yeah, and I, I, I think we've, we've, we've used the term horror when we talk about it, but when I, when I, when I did the blueprint challenge, I think I did kind of identify more like historical gothic as the genre.And, and, and as, as you say in one of your notes, this is feeling more like a mystery, a murder mystery than it is horror. Like, I feel like the horror genre leans into the gore, and I don't know that that's where. My book lives, I think, I think the gothic kind of sense of imminent doom, pervading, you know, every page is definitely something I wanna lead into.So, so I think gothic is, is [00:08:00] relevant, historic, gothic, and ultimately it is a murder mystery. And so who, and so, and so solving that mystery is the protagonist's kind of ultimate mission.Jennie: Right. So the, the sort of moodiness of the world and, and something, yeah. The dread, uh, that's out there. Right. Um, which fits really nicely, uh, with what you're doing.Okay. So what's the revelation?Andrew: So it came from the question that you asked me last or two weeks ago now. Um, and one that I've been asking myself, which is. Are vampires part of the public consciousness in this world that I'm building. And for a long time I've been saying, no, no, no, no. They're not part, they're still, they're still a secret society.They're still a secret community. They're still a secret species. They're, they're, and nobody knows about them. And, and anyone who talks about vampires is seen as being a [00:09:00] lunatic. Um. And I was realizing, and, and as you probably saw in the, in, in the, in the document, I was, I, I was trying to explore both, both possibilities.There's a possibility where, where the public understands vampire exists and then there's a, a, a possibility where that it doesn't, where they don't understand they exist. And I've been leaning towards maintaining the secrecy of vampires among the public. And I think the reason I've been doing that, it ties back, ties into what we were just talking about in that I was, I saw that creating like a whole vampire society that, uh, that human, that human society has been interacting with for a number of years, it felt like a distraction from the primary.From the primary plot, but I've been struggling because it does offer some really nice motivation for my murderer.Jennie: Yeah. [00:10:00]Andrew: SoJennie: you've been flip flopping back and forth in your mind.Andrew: I've been flip flopping back and forth in my mind until last night. And I was, I was reading, I was reading some of your comments, uh, on my document and I was like, why am I stuck on this?Why am I hung up on this? Why can't I make a decision about this? Um, and it's because. I was writing small, I was trying to keep it, you know, this is something I could manage. Like I was trying to keep it, I was trying to keep it like manageable. I was trying to keep it, I, I don't know. I was trying to give my, I was trying to like pen myself in, I guess, and lean.More heavily on the work of Stoker. And it's like he's already done his work. He's already So the, so the, the, the, the revelation I said he's already done his work. He's already created his book. Mine is a different book. Mine is, is, uh, a different [00:11:00] world and like. As we have been saying, I need to write big, so I need to embrace the big.And so that gonna, that's gonna mean creating more characters. That's going to mean creating, uh, more exposition. That's going to mean creating, um, more interactions between these communities. Creating a lot more than I had initially been thinking about. I feel like my original idea was a nice idea. You know, I'm, and I'm using air quotes with a nice idea, but like, I feel like this is now.Becoming a novel by, by choosing to, by choosing to go big here.Jennie: Well, you're, you make me like actually wanna cry because of happiness, because you've obviously been listening to the right. Big episodes and Yes. That whole um, thing and winter blueprint, um, listening to me hammer away at. Uh, [00:12:00] that this is all we have.This is all a writer has, is what is in their heart and mind mm-hmm. And comes from their experiences and interests. And it is so crazy how we shy away from that. We tamp it down, we hide from it, all the things because it's, it's terrifying in many ways. And for you to just get that and in both. The conversations we've had this morning already, like, like the, um, you were afraid.Yeah. Afraid of your own creation, which is actually very sort of, I guess that's more, um, well, more Frankenstein, more Frankenstein than Dracula, but, but you know, it is like the monster of our own creation. Mm-hmm. You know, like, oh, I wanna write this book. There's a kind of dread in just even saying that.Yeah. And then, oh, I [00:13:00] wanna write this book andRight.Jennie: And that question of am I up to it? Am I capable of, it lies at the heart of. So many problems that we make for ourselves because, you know, we tell ourselves, no, I couldn't do that or that Yeah, that's too, I just, I, you know, that's for somebody else, or I, I'll keep it small, I'll keep it mm-hmm.Attached to this other, I'll keep it easy. That was what mm-hmm. You know, and, and what you're saying is, okay, now I'm gonna. I'm gonna write the book I wanna write.Andrew: Yeah.Jennie: Oh man, that's so big. So that,Andrew: yeah, that was my, that was my big revelation last night as I was, ‘cause I still didn't have an answer for you on that question as late as last night.And I was like, I don't know what to say. And then I was like, why is this heart so hard for me? And so that was, that was, that was really nice to kind of make that, find that understanding and that gave me peace and like. I started, I started just throwing words on the page [00:14:00] last night about what that meant.Um, what that will mean for the story, what that will mean for the, for the characters. So,Jennie: well, I'm gonna write down this question ‘cause I wanna, I wanna explore that more. Why is this so hard for me? That's such a good question because what I was doing last night after I wrote that note to you was I did a whole pro con thing.You know, pro, um, the vampires are here and present and known, or, you know, be, they're not like, you know? Mm-hmm. Or even c nobody knows if they're real or, you know, like I was trying to parse out what do I have to do to guide Andrew toward. A decision. So I was thinking more what's gonna prompt your brain to decide, and your question, why is this so hard for [00:15:00] me is really what the right question is instead of the pro con list.So that is brilliant. Um, I'm, I'm writing down so good. Um.Andrew: Well, thank you for pushing me.Jennie: Oh, well that's my job. So, um, it's fun. I mean, it's fun. And what's interesting, particularly with this project is as we know, I don't know Dracula, I don't read a lot of horror. And so I'm, I am, I am reacting to you more than this story, you know?So that was, that was why, how am I gonna get Andrew to. Figure this out. I have absolutely no, you know, opinion or, or you know, um, any reason why we choose one or the other. Uh, sure. You know, it's really what you want. So once you decide that, then does that help with. Other open questions? [00:16:00] Does it sort of have a domino effect in your mind on some of the other things?Andrew: I think it, yeah, it, yeah, I think it's gonna affect, I mean, it's gonna affect, so it's gonna affect the whole tenor of the book. Um, I think it, it's, it's going to change the motivations of so many other characters. It's going to change. The relationship between, um, uh, between all of the characters. Um, it's going to change the politics of the moment inside this world.Um, and it's going to kind of raise the stakes, uh, a little bit more. And I think in, in, in another way, it's going to make it resonate more with a modern audience. Um,Jennie: Ooh. Say more. Why do you think that?Andrew: Well, I think, uh, I think. Just because the vampires are no longer a secret, uh, society, just because they are, um, part of the public zeitgeist, that doesn't mean they are accepted by the public.Um, and so there's going to be [00:17:00] misunderstanding and fear, um, and uh, and violence all around this, uh, group of individuals, which I think. Again, as I, as I said, resonates with, with, with modern, with a modern audience.Jennie: Wow. That's, that's awesome. Um, so I'm also curious, one of the questions I had, you did some work around a Brianna's mother whomm-hmm.Jennie: Died in childbirth, giving birth to her. Mm-hmm. And, um. She was involved in this whole previous generation's relationship to the vampire hunting andmm-hmm.Jennie: Um, all of that. And it, it's been a little vague. Um, we've talked about it a little, but it sounds like that is becoming more of a connection for, for two things, both for a [00:18:00] Adrianna's motivation, um.To, to solve these murders, but also her connection to the suffragette movement, which prior to this draft, I kept feeling a little bit like it was shoehorned in there, likemm-hmm.Jennie: Oh, there's this vampire story and it's London and it's at this time, and there's this young woman in suffragette. You know, and, and now that small change really locks the, the suffragette movement into Aub Brianna's world and life.Um, so what do you now know about the mother that feels new or, um, that you've pinned down more because of these thoughts?Andrew: I'm still fleshing that out. But let me, let me say, one of the reasons I think that the suffragette movement element of the book feels a little tacked on is I have not [00:19:00] yet done my research there.And so it's like, that's a really, that's a, that's a glaring, that's a glaring hole right now that I need to fill with more research. I've been doing a lot of vampire research now. Um, and, but I need to switch. I need to switch tax and start and start doing more, uh, suffrage, uh, research. Um, but that said, yeah, I think.A Brianna's mother, Mina, um, was involved briefly in the suffrage movement because she dies or does she? And um, and, and I think she continues, she continues to play a role in the suffrage suffrage movement. What. What I've been grappling with now is how much of that does abriana know how much of that has her father told her?And I could see that being another point of contention between the two of them. If she discovers later that this was [00:20:00] another, another piece of information that was, that was hidden from her. And so,Jennie: Ooh, that's so good. It's so good. This, this young, yeah, this young woman. All these things stacked up against her that she, yeah.Sort of knows about or maybe suspects. Um, right. So you're right. The work is, there's always in any story who, the question of who knows what, when. Mm-hmm. I mean, particularly in a mystery or thriller, obviously.Andrew: Right.Jennie: Yeah. But who knows what, when, you know, can. Change who you choose to be your narrator. Who, who has right point of view, um, who gets point of view in the story.Uh, you know, do we go to a chapter in somebody's point of view? You know, all of those, all of those questions hang on. This idea of who knows what went. So, you as the author, are the first person that has to know. Everything. Right. And [00:21:00] then choose to, you know, how like, like putting little breadcrumbs or, you know, planting little seeds, ummm-hmm.Jennie: That you have to manage that material. Um, so that's a big question. And here's a question. Do you think you need those answers before you can pin the whole story down, or do you feel like. You can pin the plot down and that that is, gives more texture, more, more to a Adriana's motivation. Maybe it'll move certain scenes about her discovery of certain things, but do you, what do you feel about that research?Andrew: About the suffrage research they needJennie: to do? Yeah, yeah,Andrew: yeah. I think it's going to get, I think it's gonna open avenues for me. To identify what Mina's role was, what her mother, what, what breanna's mother's role was in the suffrage suffragette movement. [00:22:00] Who some of the players were, who some of the, some of the larger names, the, some of the larger, um, protesters and advocates for it were.Because the, you know, being a historical novel, I do want to incorporate some historical figures, which I, I think, um, is always a kind of a fun element of, of, of a novel. And so being able to incorporate some of that, I think will lay out a lot of avenues for a Brianna's story arc.Jennie: So I just wanna point out for our listeners that what is happening here, um, is that every question we ask or we pose.Is work, right? So some of it is, you know, work of walking the dog and thinking and saying, well, I don't know. Or Why don't I now? Or why is this hard for me? Or, uh, or, you know, all of that. And then now we're talking about. This question is work, um, figuring out research and, you know, at every turn it's, [00:23:00] when you do the thing that you wanna do, when you really lean into that, it, it gets harder.I mean, you're making it harder for yourself. So,yeah,Jennie: I just wanna point that out. ‘cause it, it's so interesting here as this is unfolding, um, that, that, that is just a, a truth. And the other thing I wanna point out is. Where this story started is where every story starts, which is you have this idea, it's a really cool idea.You have this sense of a plot. And, and in some ways, that very central idea of the plot is never gonna change. No matter what you do to this book, it's, it's a, mm-hmm. It's a murder, you know, there's murders and this young woman's gonna solve it, so. Mm-hmm. Like, that plot's not changing, but the, where it started was.These kind of card work cutout characters, kind of placeholder characters. And if you leave it at that, you can see where that would go, you know? Mm-hmm. It's like, [00:24:00] oh, mother died in childbirth. Of course child's motivated to, you know, something. Um, or Oh, distant and emotional dad, you know, you sort of start, start there.But now by understanding. The whole life that her mother lived and the whole role that she played, and is she even dead or not? You know, like huge, huge questions. Yeah. Make the mother a fully fleshed out 3D character. You know, that's where you're gonna go. And then you can see how that will make a Brianna.A more fully fleshed out 3D character. So instead of, instead of the tropes or the expected things, there's gonna be these nuances to it andmm-hmm.Jennie: Um, specific things. And then your question of what, how much does she know and, and what does she find out? [00:25:00] Um, there's gonna be plot points that come from that.Right. You know? Uh, do you have a sense. At this point, are there letters, are there diaries? Is there a friend who hasn't spoken? Like is there some source of information in your mind that Abriana might encounter?Andrew: Yes. And I think, and, and I think there are a couple of different sources. I think, I think her mother Mina will have had diaries, um, and potentially letters.I think also Van Helsing will also certainly have papers. Um. And letters. Um, and, uh, there's a, there's a, there's a prop. He, when he dies, he bequeaths to abriana his Gladstone bag. Um, and I think there's going to be some sort of revelatory piece of information in the Gladstone bag, and I haven't figured [00:26:00] out what that piece of information is.So,Jennie: is that black bag that doctors hadAndrew: that doctors carry around? Yeah. That the old time, that old, that old timey doctors carry?Jennie: Yeah. Why was it ca called that?Andrew: You know, that's a good, that's a good question. I don't know where, uh, what the etymology for, for, for the Gladstone bag is. I don't know why that is.Jennie: Interesting. So that's like a toolbox basically. Yeah. It's filled, filled with things and,Outro: yeah. Yeah.Jennie: Uh, that's cool. That's cool. Um, that, I love that. So this is a silly thing. I was so confused. And I know you told me this, um, but that there's a character, John Seward, who's a character from Dracula. Mm-hmm.And Abriana refers to him as her uncle, but he's not her uncle. Correct. But the reason I continue to be confused is that her dad's name is also JohnAndrew: Jonathan. Yeah.Jennie: Jonathan.Andrew: Yeah.Jennie: Does it have to [00:27:00] be or is that just like, oh, Jennie, come on. Surely the reader can handle a John and a Jonathan.Andrew: Well, I mean, no, that's a legitimate question because, um, can they, um, especially if we've got two characters named Abraham and Abriana, right?And so like, and so now I, I, I've been struggling with that too. I think I've been, I've been trying to carry forward some of, some of the characters from Dracula. I think I like the character of Seward because he is a protege of Van Helsing, but perhaps the protege bit is important and not the actual name of the person.So maybe it's another character that I've, that I'm introducing here who was a protege of Van Helsing.Jennie: Oh. But see, I think that's where you get into. So your ideal reader you've established may not know Dracula right. Inside and out. Right. But you will have a lot [00:28:00] of readers who do.Yes.Jennie: And there is a world of people who really love this stuff and who really.Right. You know, and if you were to change an actual charactermm-hmm.Jennie: And give it, give him a different name or a different whatever, people will come after you.Yeah. People will be obsessed.Jennie: And that's fine. Right. Butyeah.Jennie: Is, is that one of the things that could be in the book that those readers. That would delight those readers.Andrew: Right. I like, I feel like there are a lot of ways I can leave Easter eggs for Dracula fans.Jennie: Yeah.Andrew: Um, that aren't, that aren't germane to understanding the plot of the motivations of the characters, but that, like a Dracula fan will appreciate, oh, I see what you did there. That was a nice touch. Um,Jennie: and soAndrew: I,Jennie: oh, I think they, they're gonna love that andAndrew: Yeah.Yeah.Jennie: You know, there's also then. This is just where my brain goes in terms of marketing. There's also then a whole [00:29:00] thing of, you know, a connection to a literary, uh, to literature readers, which could potentially be students and scholars and, you know, that sort of thing. Yeah.Andrew: Yeah.Jennie: So I don't, I don't think you should so quickly dismiss.John Stewart, but it's a Adrianna's father being named Jonathan, I was wondering about.Andrew: Mm-hmm. Okay.Jennie: And, and you do not have to care that Jennie can't keep him straight. Uh, I'm, I'm 62. My brain doesn't work the same way it used to, but I can't tell you the number of times. I'm like, wait. Was that like I wasAndrew: right.Jennie: Really snagging on that. So, um, just a point of information.Andrew: Gotcha, gotcha. No, it's worth thinking about though. It's worth thinking about. But I, I had a, I had a question for you.Jennie: Yeah.Andrew: If now is an appropriate time to ask it.Jennie: Ask it. [00:30:00] Yeah.Andrew: I've been, I've been spending a lot of brain power on the question of POV.Jennie: Yeah,Andrew: and I've been go like, and going back and forth about whether this is going to be a single POV, uh, and Abriana is, Abriana is our narrator, or if it's more third person omniscient, or maybe this is a dual POV. And I think most recently I've been thinking this is a dual POV between Abriana and her namesake Van Helsing, and like.Which is also create some time traveling, uh, mechanisms because we'll be, we'll be talk, he'll be talking about his experiences, uh, before Abriana was born and as she, as she's a child, and she'll be talking about her experiences as a young woman. And so, but now as we're talking about a Adrianna's mother, I'm more, I'm wondering like, do I want the dual POV to between, between Abriana and her mother?Um. What question should I [00:31:00] be considering to help me make that decision?Jennie: Uh, well this is a huge question, Andrew. Um, there, I feel like you just named so many excellent structural ways forward, right? And the question of what do you ask yourself? You're asking such good questions, like what do you ask yourself to make that decision?And. I'm gonna, my answer's gonna be something really unsatisfying in many ways because it's, you gotta go back to your why, why are you writing the story? Mm-hmm. Okay. Why does it matter to you? Mm-hmm. What is your point? Who do you, who do you want to speak to? Uh, those fundamental questions are going to inform the POV because if you, well, I know you originally had an idea about the brother.Um, her brother being a narrator, and you didn't mention him this time, you mentioned No, [00:32:00] the mom. So a story in which the mom and daughter are narrating and the mom and they're never going to meet.Mm-hmm.Jennie: Those two people in, I don't think, well, no, that's not true. Uh, uh, an unden person could meet a, a human walking the earth, um, right.Andrew: And that may be, that may be part of the climax.Jennie: Yeah. SoAndrew: of the novel. ButJennie: that, um, that a mother daughter who, who don't think that they can, maybe the daughter doesn't think that they will ever meet, you know, that's a real particular. Kind of a story. Mm-hmm. So I do think, going back to your why, why do I care about this?Why, you know, I, I asked you in our, our initial conversation, you know, you're, you're a man. You're writing about [00:33:00] suffragettes, you're writing about a woman protagonist, a young woman, protagonist, and you talked a lot about your sister.Mm-hmm.Jennie: Understanding those motivations and interests and passions because that mother-daughter story will carry a certain kind of weight.The, if we think of the, the Van Haling being a narrator, that taps into what we were talking about before. How connected is your story to that lineage ofright,Jennie: of that one. ‘cause now you're. Not only having Bram Stoker's character, you're giving that character a POV voice. Mm-hmm. Which is another level of connection to that mm-hmm.Literary lineage. Mm-hmm. Um, so that would take it in a different, you can see how that would take it in a really different direction. So POV is, [00:34:00] you know, in some stories it's quite. Instant. Um, you just sort of know, um, in other stories it's not, and this one, it, it is not. Um mm-hmm. I think it's, it's clear Abriana is your protagonist.It's her our core following. Mm-hmm. It's her. Transformation. We're interested in her, uh, solving the murder, her understanding her legacy, her coming into her own power. Those are the things we want to see resolved. Um, so whether or not she is a POV though, because there's a, then there's, there's third person.Mm-hmm. I mean, third person has different, you know, there's different permutations of it. There's third person close mm-hmm. Which is sort of functions in some ways, like first person, because in third person close, you don't go into anybody else's head. Mm-hmm. Um, I, I sometimes don't understand why, [00:35:00] why that is even a choice.Then I read books that do it, that work beautifully, and it's like, oh, okay. You know? So, uh, you know, everything can be a choice, but, um, you know, so we know that she's at the center. So then the question I'm circling around to answering your question, how do you help yourself solve this? What other voices would amplify?Mm-hmm.Jennie: Her transformation, that's really what it is, is it's her story. You know, the, the mother, POV would take it in one direction. Van Helsing would take it in a different mm-hmm. Uh, third person where we're,I don't know, a third person narrator that goes back in time feels odd to me.Andrew: Okay.Jennie: I think if it's, and I'm just talking out loud here. I think if it's third person, it, it, we could go into all the heads of everybody. Walking the earth [00:36:00] right now. But I feel like if you go into someone you can see I'm betraying my not understanding Vampire vampires very well.They never die, right?Andrew: Yes. They're undead.Jennie: They never die. So. Okay, so I think, ignore what I just said, A third person, omniscient narrator, could go into their heads as well. Um, right. And go back in time as well. But your time travel, like, like actually having that, that's a really different story, so.Mm-hmm.Jennie: Um, how you're going to answer is you're gonna sit with that question of what is gonna make a adrianna's story resonate the most at that end, right? What, mm-hmm. What knowing is going to, to amplify that the most. And then the second thing to ask yourself, and you might need to do a little more work, uh, in order to answer [00:37:00] this once you get the inside outline done.Looking at the key scenes. Yeah, you may just see, oh, there is no way that this is gonna work in a certain POV, or I have to have this other POVI can't convey. I can't go to that scene. I have to go to that scene. Or alternatively a scene that you can't go to. Then you think, alright, how will I get this?Into How do I convey this? I'm thinking of that. Um. You know, there's so many, uh, there's so many, uh, what's the word I'm looking for? I'm thinking of JK Rowling and Harry Potter and all the things that she did, you know, the mirror Yeah. That shows Harry or his parents and the pen sea that, you know, gets the memories outta somebody's head.Like all these, um mm-hmm. Mechanical ways Yeah. Of show, showing us what happened.Yeah. [00:38:00]Jennie: Back, back in the day. You know, that's a particularly kind of story with particularly kind of magic. But there, there, you don't know. You might have this, they're devices.Yeah,Jennie: that's the word I was looking for. Devices, yes.That you might have one or two scenes, it's like, do I need a whole POV just to convey these scenes or is there another way I could get this information in? So it's two parts, it's both. Um, I would say heart a heart. A heart-centered thing. What, what do I want? What will amplify my why and my point the most?What, what I think would be interesting and fun to write the question of, um, then Helsing, do I want to embrace that? Mm-hmm. For some reason I'm thinking of that, um, novel, um, the Hillary Clinton alternative history novel. Um. Called Rodham, uh oh, by, [00:39:00] is it Curtis Sittenfeld, I think. Um, Rodham, but so courageous and daring.She, yeah, she imagines, um, what would have happened had, had Hillary not married Bill, and it follows the, their lives and their meeting and their love story and all this whole thing, which he just chooses not to marry him. And, you know, like. That's a certain kind of bravery as an author to, to take that sort of a character.And you'd be, you'd be doing that. So do you, do I wanna do that? So it's all those hard questions and then there's plot questions, so Right. I'm gonna say that for the next, your next bit of homework. Mm-hmm. Um. Is to, I would go to the inside outline and start trying to pin this plot down and noodling around with it.And we know that it's going to change based on your research. Mm-hmm. Based on the fact that it always changes. [00:40:00] Um, but just noodle around with it and try it from different POVs. See, see what happens. You know? Take, take the, um, this is the reason, by the way, listeners, why I insist that the insight outline at the beginning is only three pages because Andrew can do one that is a Briana's, POV only.What does that look like? Uh, AA and her mom, what does that look like? Abriana and um. Van health sink, what does that look like? Uh, third person, what does that look like? You could do four, three page outlines and it's not gonna kill you. Right. Right. You could just to sort of get a feel for it, and I promise you mm-hmm.That what's gonna happen is one of ‘em is gonna feel more alive.Andrew: Right.Jennie: So that's the sortAndrew: of, okay,Jennie: unsatisfying [00:41:00] answer is one of them is gonna feel more alive. So you're gonna start with your why. Start with your point. Try to sit with that, then try those things on. One of them's gonna feel more alive.Okay.Andrew: So you're not just gonna tell me which POVs to use then?Jennie: No, it'sAndrew: not. That's not how thisJennie: works. I know, it's such a bummer. Um. I mean, it's such a, such an important question and people often skim past it, butAndrew: mm-hmm.Jennie: You know, take, I think it's the time, like dig, dig into the outline with the intention mm-hmm.Of landing on POV. How about, how about that for your homework?Andrew: Okay. That sounds good. That sounds good. I can do that.Jennie: Okay. Well, I can't wait to hear how it goes. And for our listeners. Until next time, stop playing small and write like it matters.Outro: The hashtag am [00:42:00] Writing podcast is produced by Andrew Perilla. Our intro music aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

The Lair of the White Worm is a Gothic horror novel and dark fantasy novel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911, a year before Stoker's death. Check out this link to buy DB's Books[link]

The Lair of the White Worm is a Gothic horror novel and dark fantasy novel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911, a year before Stoker's death. Check out this link to buy DB's Books[link]

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Two bros, broing

Dracula has been rewritten as a brooding romantic lead so many times that it's easy to forget he's a rapist. Matthew sits down with AK and Marlena Chesner to ask the hard question: does giving a monster a tragic backstory change what he is, or does it just make us more comfortable rooting for him?Working through three versions of the Dracula story — Bram Stoker's novel, Francis Ford Coppola's Bram Stoker's Dracula, and the recent 2025 film — the group traces how each adaptation handles consent, female agency, and the ethics of sympathy. AK brings a sharp rhetorical lens to scenes the other guests found straightforwardly troubling, reading the 2025 film as an accidental and unnervingly accurate portrait of how abuse perpetuates itself, in particular in light of the consent allegations brought against Luc Besson, writer and director of the 2025 adaptation. Marlena's re-read of the novel keeps the conversation grounded in what Stoker actually wrote — including a Mina who is far more capable and agentive than most adaptations let her be.The conversation also takes in Castlevania and the Netflix Dracula mini-series as counterexamples, the "banality of evil" as a framework for understanding a villain who is fully convinced his violence is an act of love, and why the hallway fight scene in the 2025 film is the clearest sign that its makers see Dracula as a hero.About AK and MarlenaBig time nerd, big time philosopher, big time lover of all things sci-fi and fantasy, AK_Ahab is a recent grad with a philosophy degree and a focus on disability and rhetoric. She makes D&D art and content about a wide variety of nerdy things on TikTok.Connect with AK: TikTok • Instagram • Twitter/XMarlena Chesner is the Digital Content Development Manager at the National Kidney Foundation, shares impactful patient stories that make a difference. They are also the host of the Hot Topics in Kidney Health podcast bringing the latest in kidney care to those who need it most. **************************************************************************This episode is a production of Superhero Ethics, an Ethical Panda podcast and part of the TruStory FM Entertainment Podcast Network. Check out our website to find out more about this show and our sister podcast Star Wars Generations.We want to hear from you! Keep up with our latest news and send us feedback, questions, or comments via social media or email.TikTok · Twitter/X · Instagram · Facebook · EmailJoin the conversation in the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want even more content while supporting the podcast? Become a member! For $5 a month or $55 a year you get access to bonus episodes and bonus content at the end of most episodes — and you can even give membership as a gift. Sign up here.You can also support us through our sponsors:Purchase a lightsaber from Level Up Sabers, run by friend of the podcast Neighborhood Master Alan.Use Audible for audiobooks. Sign up for a one-year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

The vampire didn't rise from Transylvania — it crawled out of the Balkans.Forget Count Dracula — before Stoker's gothic horror came centuries of chilling folklore, blood-soaked superstition, and very real vampire panics. In this spine-tingling episode, travel writer and award-winning author Nick Jubber joins Paul Bavill to rage against the myth that vampires were born in Transylvania.From Serbian graveyards and Croatian legends to the age of Enlightenment and Hammer Horror, Nick traces how fear, politics, and imagination turned the undead into one of history's most enduring monsters. Discover how the printing press helped spread vampire hysteria, how priests profited from graveyard rituals, and why monsters mirror humanity's deepest desires and darkest fears.Whether you're a folklore fan or just love a good supernatural tale, this episode will have you rethinking everything you thought you knew about the vampire myth.

It's All Been Done Radio Hour #573  Universe Journey #128 "Foley's Planet"     The Thrifty arrives at the planet Colm Foley spent a whole other life on. While he strives to seem unaffected, what the crew finds there shocks them all. Meanwhile, Doc Toonra shares her deepest desire with her shipmates.    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   A comedy radio show originally performed on Saturday, March 8, 2025, at Boxland in Columbus, Ohio. New episodes streaming one Saturday every month at 5PM Eastern on Twitch, YouTube, and Facebook! And now performing live at MadLab theatre in Columbus, Ohio! The next live show is February 14, 2026.    STARRING Sam Clements as Com. Colm Folkaladie  Ashley Clements as Capt. Bobbi Luna  Katie Boissoneault as Capt. Michelle Tokaladie  Nick Arganbright as Amb. Dick Kahkay  Ryan Yohe as Com. Michael Anders  Kristin Green as Dr. Neu Folkaladie  Megan Overholt as Lt. Com. Connie Norton  Joe Morales as Lt. Yanna  Rosaleigh Wilson as Lt. (JG) Mali Neato Shane Stefanchik as The Concierge  GUEST STARRING  Chase McCants as Jay Jamieson  Kristin Green as Lt. Tik  Wendy Parks as Doc Toonra  Keith Jackson as Lt. Clay  Darren Esler as Lt. Stoker and Mayor Mathil    Narrated by Darren Esler  Foley Artist Megan Overholt  Podcast edited by Olivia James     It's All Been Done Radio Hour created and produced by Olivia James  Written by Olivia James  Directed by Rosaleigh Wilson  Music Director Kristin Green  Theme Songs composed by Nathan Haley, with lyrics by Olivia James  Technical Director Shane Stefanchik    Find more from It's All Been Done Radio Hour here: Facebook: https://www.facebook.com/itsallbeendoneradiohour Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   When you post about us, hashtag #IABD   

What would happen if the Church stopped settling for “good enough” and started living fully surrendered to Jesus?In this message, we're challenged with a hard reality: if current trends continue, fewer and fewer people will identify as Christians in the next couple generations—not because Jesus isn't worth following, but because many don't see believers living with the love, grace, sacrifice, and obedience that looks like Jesus.This teaching calls us back to the heart of God:“The Lord is patient… not wanting any to perish, but all to come to repentance.” (2 Peter 3:9)We look atWhy God's “delay” is actually mercyWhat the early church looked like when they were encouraged by the Holy Spirit (Acts 9:31)Why healthy churches don't just gather… they growThe difference between simply identifying as Christian vs. actually following JesusThe Great Commission: Go. Make disciples. Baptize. Teach. (Matthew 28:19–20)How boldness and obedience marked the apostles—even after being beaten (Acts 5)We close with a clear invitation: surrender your life to Christ, step into obedience, and be the kind of church God uses to reach people—right here, and to the ends of the earth.

Send us a message!Destination marketing is in a pressure test.Short-term rentals have become a major part of how people travel, yet many DMOs still struggle with how (or whether) to include them. At the same time, AI is speeding up the research-to-booking journey and forcing destinations to rethink what “relevance” even means.In this episode, Alex and Annie sit down with Stuart Butler (President of Visit Myrtle Beach) and Adam Stoker (President of Brand Revolt) to unpack what's getting in the way, what alignment can look like, and why the next version of destination marketing is going to require better coordination across the whole destination economy.You'll hear practical takes on funding dynamics, stakeholder value, the “illusion of relevance” in reporting, and why the future may turn DMO websites into something closer to infrastructure than a traditional marketing channel.Episode Chapters:00:54 – Stuart's background and how he landed in destination work02:27 – Adam's background and how he sees the DMO landscape05:37 – The “illusion of relevance,” metrics, and why DMOs feel behind07:44 – The Indianapolis example, why some DMOs leave STRs out09:28 – Can DMOs stay relevant without vacation rentals11:53 – Why STRs need a seat at the table and what it takes to get one14:34 – What STR operators can do in markets without big PM groups19:16 – Funding reality, stakeholder influence, and how STRs earn attention22:27 – Why getting involved with a DMO teaches you more than you expect23:51 – The bigger DMO question, purpose, scope, and identity30:31 – How performance reporting shaped destination websites30:54 – Why the booking engine path can be a strategic dead end36:49 – Stewardship, community trust, and what destinations are accountable for50:06 – AI as a watershed moment for travel discovery and decision-making57:59 – What destination content needs to look like in an AI-first world1:02:21 – Closing thoughts on websites, infrastructure, and the road aheadConnect with Stuart:LinkedIn: https://www.linkedin.com/in/stuart-butler-50aaa45/ Website: http://www.visitmyrtlebeach.com/ Connect with Adam:LinkedIn: https://www.linkedin.com/in/adamstoker/ Website: https://thebrandrevolt.com/ ✨ Exclusive Offer to Alex & Annie Listeners:Streamline your short-term rental operations with Hostfully.Mention the Alex & Annie Podcast when you sign up and get free onboarding ($1000 value).

In this episode of Horror Joy's 'Meet Your Maker', we delve into a conversation with Stoker award-winning author Emily C. Hughes. We discuss her book 'Horror for Weenies', designed to help the faint-hearted navigate through significant horror films. Emily talks about the relationship between horror and joy, citing examples of modern twists on classic horror tropes. She shares her personal journey from being a scaredy-cat to a lover of horror, underlining the importance of community and invitation in appreciating the genre. Emily also highlights some of her current favorite horror films, books, and games, drawing attention to the breadth and appeal of horror.

Katie talks to former Army ranger Greg Stoker who is in Minneapolis about the protests; Palestinian analyst Mouin Rabbani about Gaza; Mahmoud Khalil's lawyer about his case; and Holocaust survivor Stephen Kapos and historian Haim Bresheeth Zabner about Holocaust Memorial Day and how the Holocaust is being used to justify the genocide in Gaza. Watch the full interview on Patreon: https://www.patreon.com/posts/patreon-full-149337782 Stephen Kapos is an 87-year-old Holocaust survivor from Budapest who has been protesting against Israel's war on Gaza, which he describes as not only genocide but a holocaust. Stephen is a member of Holocaust Survivors Against Genocide. Stephen lost 15 members of his extended family in the Holocaust and his father was interned in Belsen & Theresienstadt. He settled in London but when he visited Israel was “shocked” by the racism exhibited by Israelis, including his relatives who had also survived the Holocaust. Stephen joined The Labour Party in 1997, becoming an activist and office-holder at various local levels. Stephen resigned from the Labour party, after penning a widely circulated letter, after the Labour party warned him they would “investigate” him if he spoke at a leftist organization on Holocaust Memorial Day. He is a member of Camden branch of PSC (Palestine Solidarity Campaign), Camden & Islington Momentum (affiliate of the Labour Party) and lately of the small network ‘Holocaust Survivors and Descendants Against Genocide.' Haim Bresheeth Zabnner was Professor of Media and Cultural Studies at University of East London and then a Professorial Research Associate at the School of Oriental and African Studies (SOAS).He is Filmmaker, photographer, film studies scholar, and historian. His films include “A State of Danger,” a documentary on the first Palestinian Intifada. His books include "An Army Like No Other: How the Israel Defense Force Made a Nation." Haim is the son of two Holocaust survivors and was raised in Israel. He is a member of Holocaust survivors and Descendents Against the Genocide and a founding member of Jewish Network for Palestine. On November 4, Haim was arrested over a speech he gave at a pro Palestine demonstration outside the residence of Israeli ambassador Tzipi Hotovely in north London. Greg Stoker is a former United States Army Ranger. He has a background in special operations and human intelligence collection. He conducted 4 combat deployments to Afghanistan during the unfortunately named “Global War On Terror” and is now an anti-war activist, host of the Colonial Outcasts Podcast, and analyst at MintPress News. Mouin Rabbani is a researcher, analyst & commentator specializing in Palestinian affairs, the Arab-Israeli conflict & the contemporary Middle East. He has among other positions previously served as Principal Political Affairs Officer with the Office of the UN Special Envoy for Syria, Head of Middle East w/the Martti Ahtisaari Peace Foundation, Senior Middle East Analyst & Special Advisor on Israel-Palestine w/the Int'l Crisis Group. Rabbani is Co-Editor of Jadaliyya & a Contributing Editor of Middle East Report. Amy Greer is one of Mahmoud Khalil's lawyers. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram: https://www.instagram.com/kthalps Follow Katie on TikTok: https://tiktok.com/@kthalps

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

Following our Muppet version of the film, and in the spirit of not doing too much work over Crimbo, we're looking at “Bram Stoker's Dracula”. A film in which Ted goes on a less than excellent adventure; Withnail keeps Tom Waits on a remarkably protein-rich diet; and Hannibal Lecter clearly cannot be arsed having just won an Oscar. Unleashed with much fanfare in 1992, director Francis Ford Coppola wanted to bring to the screen a definitive version of Stoker's novel (except for all the extra bits he bunged in for good measure). This ambition weirdly highlights some of the pitfalls of a faithful adaptation, with a number of characters usually dispensed with or amalgamated in other versions left to clutter up the narrative. It features what is a genuinely stellar cast both for now and then, but with some actors not necessarily suited to their roles. However, it's still Coppola, so it still remains a well-made, beautifully shot gothic romance; which certainly equals the novel for pace and drama, and even adds some iconic imagery to the old myth which is still appearing over 30 years after the film's release.

Alan Stoker is a world-renowned boat racer and the builder of Stoker Boats. An innovator whose career spans the formative decades of Mod VP outboard racing and tunnel-hull development, Stoker was raised in Southern California. This episode was recorded shortly after his third straight victory at the 2024 Parker Enduro. Stoker grew up immersed in boating through his father, John Stoker, owner of John's Custom Marine, where he began working weekends at just 11 years old. He started racing when his dad purchased a kneel-down racer from Ron Hill and spent time in the pits while his father crewed on the world speed record-holding Hustler jet engine boat. John Stoker also competed in the Parker Enduro with a Chrysler-powered Patterson, further cementing racing as a family pursuit. In 1976, when the first Evinrude V-6s were introduced, the Stokers bought a wood-plug Kona bottom, built a wood deck, and raced the Parker Enduro. A step up to a Witchcraft the following year, driving with Earl McKinney, saw the team win 12 out of 13 races. As competition in the V-bottom outboard ranks intensified, a partnership with Ron Baker of Baker Boats provided the Stokers with increasingly faster equipment. With the advent of modified V-bottoms, which eventually evolved into full-blown tunnel boats in the hugely popular Mod VP class, the Stokers were led to design what would become one of the most successful hulls of the era, the Stoker Sport Tunnel (SST) Mod VP. These boats are still being produced today by Eliminator Boats. For its 45 years in operation, John's Custom Marine remained a loyal Outboard Marine Corporation (OMC) dealer. During much of that time, Stoker was often the lone competitor powered by an OMC Evinrude. His many successes behind the wheel in Mod VP competition were rivaled only by his reputation as a highly skilled and innovative engine builder. Stoker later climbed back into the driver's seat alongside his old friend and longtime competitor, the late Greg Foster, to win the Parker Enduro in 2012 and again in 2017. The appeal of running a new V-8 Mercury on one of his 22-foot SST hulls led him to team up with boat owner John Roth, a partnership that dominated the event from 2022 through 2024. An attempt to tie old friend Todd Bowden's record of four consecutive Parker Enduro victories was ultimately thwarted in 2025, when Stoker was forced to withdraw at the last minute due to back issues. If history is any indication, Alan Stoker's story at the Parker Enduro is far from finished. Visit our website at www.powerboattalk.com  View the video for this episode: www.youtube.com/@powerboat_talk  Follow us on Instagram @powerboattalk  and Facebook @Powerboat Talk  Contact me: powerboattalk@gmail.com You can listen to Powerboat Talk on youtube and most podcast players like Apple Podcasts, Youtube Music, Spotify Podcasts, Pandora, Amazon Podcasts, Audible, iHeart Radio, Podtail, Audacy, Google Podcasts, Tune In Radio  

Known as the, "unsinkable stoker," Arthur Priest who worked in the bowels of the ships engine room as a stoker survived 6 shipwrecks. Is it good or bad luck? Maybe there is a reason the saying is to get back on the horse not the boat. We hear about Priest's epic tales of survival. Also a little help, hurt bone. Some re-cast it now and a dank thank call to the Mattress Firm. Strider's Special Makin' Memories Sources: historyhit.com, amusingplanet.com, time.com, britannica.com, imdb.com

In this podcast, Philip Fracassi talks about The Autumn Springs Retirement Home Massacre, Boys in the Valley, how to make readers empathise with characters, and much more. About Philip Fracassi Philip Fracassi is the USA Today bestselling, Stoker and British Fantasy-nominated author of the novels Don't Let Them Get You Down, A Child Alone with … Continue reading

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In this podcast, Philip Fracassi talks about his journey from indy publishing to becoming a USA Today bestselling author, non-negotiable marketing practices, his writing routine, and much more. About Philip Fracassi Philip Fracassi is the USA Today bestselling, Stoker and British Fantasy-nominated author of the novels Don't Let Them Get You Down, A Child Alone … Continue reading

A German occultist stole Bram Stoker's Dracula to make a film about pandemic fears, Stoker's widow ordered every copy burned, and yet Nosferatu survived to become the most influential vampire movie ever made.IN THIS EPISODE: The 1922 horror classic "Nosferatu" still turns up, on TV and on college campuses every Halloween. And it'll likely show up again somewhere this year as well. In this episode we'll look at how Nosferatu isterrifyingly relevant even still today, the controversial making of the film – and the lawsuit by Bram Stoker's wife, how the director of the film was involved in the occult… and how you would not have wanted to miss the film's premiere which was an unforgettable, epic event all by itself. That and a whole lot more about 1922's Nosferatu, on this episode of Weird Darkness. CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Strange Newspaper Ad That Launched Horror's Greatest Vampire Film00:01:04.589 = Show Open00:02:33.736 = Nosferatu Wasn't About Vampires — It Was About a Pandemic00:10:05.520 = *** Nosferatu: The Film That Was Ordered Destroyed — And Survived00:26:48.293 = *** Nosferatu: Facts, Secrets, and Spongebob Squarepants00:34:11.409 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES – and/or --- PRINT VERSION to READ or SHARE:“The Message Nosferatu Has For Us Today” by Jim Beckerman for NorthJersey.com:https://weirddarkness.tiny.us/4h966w3w“The True Story Behind Nosferatu” by Sam Markus for Grunge.com: https://weirddarkness.tiny.us/zupyynu7“Other Nosferatu Facts” by Mark Mancini for Mental Floss: https://weirddarkness.tiny.us/zueums9f, and William Burns for Horror News Network: https://weirddarkness.tiny.us/r6xbudh4=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: April 28, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/NosferatuABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#Nosferatu #Vampires #ClassicHorror #SilentFilm #Dracula #MaxSchreck #HorrorHistory #GermanExpressionism #BannedFilms #WeirdDarkness

Matt and Don talk about that old devil — Bram Stoker’s Dracula…. It was Matt’s first love. Don was its concubine. Games Discussed: William’s Ruth’s Chris’ Bram’s Stoker’s Dracula Merch! —> store.bashpinball.com Contact Us! –> pod@bashpinball.com Listen @ www.BashPinball.com Instagram, Youtube: @bashpinball Streaming on: twitch.tv/bashpinball Theme Song: Venus by Wren and Au Lune

Connect with us via text! Paris lit up with a bold promise: clothes that treat your skin while you wear them. This episode, our in-house aesthetician's dig into Coperni's C+ “skin-infused” line and ask the questions that matter—what's in the fabric, how do the actives deliver, where's the clinical data, and does the value add up once the 40-wash limit hits? With decades of combined experience across professional skin care, we look past the glossy campaign film to assess materials, microbiome claims, and the real-world risks of heat, sweat, and occlusion on sensitive skin. If you care about skin health, honest marketing claims, and getting clients' real results for their dollars, this conversation is a can't miss.Enjoyed the episode? Follow, share with your esty besties, and leave a quick review wherever you get your podcasts. Your support helps more pros find trusted skin care education and join the conversation.SEGMENTS[01:27] Topic Discussion[27:32] Product Reviews[32:24] GameFollow DERMASCOPE:Instagram: @dermascopeFacebook: facebook.com/dermascopePinterest: @dermascopeTikTok: @dermascopeFollow Elizabeth & LoniceElizabeth Brasher Instagram: @theskingalLonice Stoker Instagram: @lacedbylonicespaAdditional Links:Visit our website.Learn more about this podcast.Subscribe to the magazine.Read the November 2025 issue.Vote in the 2026 ACAs. 

PLEASE NOTE: THIS IS A RE-UPLOAD OF A 2020 EPISODE FOR COPYRIGHT REASONSIn PART 2 of JEWEL OF SEVEN STARS, enter the Wide Atlantic Weird cabin-in-the-woods to find the place stuffed with mummified cats, cursed relics and forbidden idols as we delve into THE JEWEL OF SEVEN STARS! This 1903 book from Dublin-born Bram ‘Dracula' Stoker affords us the perfect excuse to doff a pith helmet, drink cognac, and tell mystical tales of turn-of-the-century Gothic London and spooky, mysterious Egypt!

After contributing to The Pod and the Pendulum's 300th episode on the 25 best horror films of the 21st century, we decided to run through our individual lists for listeners.How did we each approach the task? (hint: thank god for Letterboxd) Which film(s) appear on both lists? And what movies will top our individual lists?! Don't scroll if you don't wanna know!Joe's Top 25 Horror Films of the Century (Ranked)The Invitation (2015)Knife + Heart (2018)Hereditary (2018)Train To Busan (2016)Relic (2020)Saint Maud (2019)The Descent (2005)The Perfection (2018)Inside/A L'Interieur (2007)Raw (2016)Better Watch Out (2016)Under The Skin (2013)Black Swan (2010)Let The Right One In (2007)Stoker (2013)Femme (2023)Annihilation (2018)Blink Twice (2024)The Skin I Live In (2011)The Strangers (2008)The Invisible Man (2020)Hostel Part 2 (2007)Ginger Snaps (2000)The Substance (2024)Midnight (2022)----------Trace's Top 25 Horror Films of the Century (Ranked)The Substance (2024)The Descent (2005)The Den (2013) - Listen to our guest spot on TGIFHereditary (2018)The Invitation (2015)Martyrs (2008)The Perfection (2018)The Texas Chainsaw Massacre (2003)It Follows (2014)The Outwaters (2022)Drag Me To Hell (2009)Grindhouse (2007)Trick 'r Treat (2007)Insidious (2011)The Witch (2018)The Cabin In The Woods (2011)Bug (2006)The Mist (2007)Evil Dead (2013)Green Room (2008)[Rec]² (2009)Doctor Sleep (2019)Don't Breathe (2016)Detention (2011)Zombeavers (2014) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome, my ghoulish fiends! Join me as I sink my teeth into the dark allure of vampires and the eternal obsession with youth. From Countess Elizabeth Bathory's infamous legend to Roman and early modern rituals of blood and renewal, I explore how the vampire became the ultimate beauty icon and how our own thirst for ageless perfection mirrors their seductive, deadly world. *Listener Discretion is Strongly Advised*************Sources & References:Groom, Nick. The Vampire: A New History (Oxford University Press, 2018)Auerbach, Nina. Our Vampires, Ourselves (University of Chicago Press, 1995)Sugg, Richard. Mummies, Cannibals and Vampires (Routledge, 2011)Wilde, Oscar. The Picture of Dorian Gray (1890)Polidori, John. The Vampyre (1819)Le Fanu, Sheridan. Carmilla (1872)Stoker, Bram. Dracula (1897)Historical references: Pliny the Elder, Juvenal, Marsilio Ficino, and accounts from the Bathory trial (1609–1610)Day, Doris. Commentary on PRP “vampire facial” (2015–2019)Regalado, Antonio. “Young Blood Transfusions: Silicon Valley's Obsession with Youth.” MIT Technology Review (2019)Lepore, Jill. “The Cult of Youth in Modern Science.” The New Yorker (2019)GlobalData (2027 projection for anti-aging skincare market)JAMA Facial Plastic Surgery (2018–2020) studies on “Snapchat dysmorphia”****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Alleys of Darkness" Phoenix Tail"Rain Light 6" SFX Producer Epidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

Connect with us via text! When clients upload selfies to chatbots for “diagnoses,” we see how fast advice can outrun assessment, and why real results still come from trained eyes and hands. In this episode, our in-house aestheticians unpack the rise of ChatGPT use for skin care advice, including what it gets right, where its blind spots are, and the potential detriment to skin when using Chat GPT-recommended routines. Sit down with the team as we walk through the industry's shift towards AI-inclusion, the hidden water cost of server farms, and comparing virtual consults to bots. Ready to protect your clients' barriers with smart, human-led care? Follow the show, share it with an esty bestie, and leave a quick review to help more listeners find us.SEGMENTS[01:03] Topic Discussion[38:31] Product Reviews[45:55] GameFollow DERMASCOPE:Instagram: @dermascopeFacebook: facebook.com/dermascopePinterest: @dermascopeTikTok: @dermascopeFollow Elizabeth & LoniceElizabeth Brasher Instagram: @theskingalLonice Stoker Instagram: @lacedbylonicespaAdditional Links:Join AIA: dermascope.comVisit our website.Learn more about this podcast.Subscribe to the magazine.Read the October 2025 issue. 

The legends of vampires extend far beyond Romania and Stoker's "Dracula." Most are based on five major pillars: misunderstandings of decomposition and death, porphyria, rabies, improper burials, and either accidents or grave disturbances. The majority of these monsters can be repelled by garlic since it kills bacteria, fungus, and the like, including parasites. In some cases the vampire consumes only life force, as in China, though the idea of Qi or Prana (India), is found within the vital life-carrying substance of blood itself. Interestingly, researcher have found that blood does in fact carry the literal ability of rejuvenating the old, something reported by Stanford and Harvard. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEBuyMe-CoffeePaypal: rdgable1991@gmail.comCashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

Welcome back to The Literary Life podcast today and our series on Bram Stoker's Dracula. This week Angelina Stanford, Cindy Rollins, and Thomas Banks cover chapters 8-11 of the book. Angelina explains both the “New Woman” and “Angel in the House” ideas of the Victorian era and makes some observations about Dr. Seward's interactions with Renfield in contrast to the nuns ministrations to Jonathan Harker. We are also introduced to Dr. Van Helsing in this section of the book as the foil for Dracula, and we quickly learn that he is more than just a medical man. Our hosts discuss Stoker's own medical knowledge and both the historical and metaphorical context of the blood transfusion procedures in these chapters. Be sure to check out all that is happening at The House of Humane Letters and Morning Time for Moms in this season so you don't miss out on all their current offerings! And to view the full show notes for this episode, please visit https://theliterary.life/298. 

Welcome, my October Fiends! From bloated graveyard corpses to velvet-clad aristocrats, vampires have always mirrored our darkest fears and deepest desires.In this first episode of Dark Thirst, join me as I trace their evolution through The Vampyre, Carmilla, and Dracula; stories that turned horror into seduction and gave birth to the vampire we can't resist today. Join me... if you dare...****************Sources:Polidori, John. The Vampyre. 1819.Le Fanu, Sheridan. Carmilla. 1872.Stoker, Bram. Dracula. 1897.Gelder, Ken. Reading the Vampire. Routledge, 1994.Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Norton, 1990.Byron, Glennis, and David Punter, eds. The Gothic. Blackwell, 2004.Barber, Paul. Vampires, Burial, and Death: Folklore and Reality. Yale University Press, 1988.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Barren" by Martin KlemEpidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

It's Emmajority Report Thursday on Majority Report On today's show: RFK, Jr is grilled at a Senate Finance Committee hearing over the chaos he has created at the CDC. Crypto and Tech Industry researcher and publisher of the Citation Needed newsletter, Molly White joins the show to talk the Trump family crypto cash in. Host of the Colonial Outcasts Podcast, Greg Stoker joins us live from the Global Sumud Flotilla somewhere in the Mediterranean. In the Fun Half Brandon Sutton and Matt Binder join the show. The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: SHOPIFY: Sign up for a $1/month trial period at shopify.com/majority LIQUID IV: Get 20% off your first order at LIQUIDIV.COM Use code MAJORITYREP at checkout. SMALLS: For a limited time only, get 60% off your first order PLUS shipping when you head to Smalls.com and use code MAJORITY.  SUNSET LAKE:  Head to SunsetLakeCBD.com and buy any three 4-packs, and you'll get a fourth one for free. Just add four 4-packs to your cart and use the code LABORDAY25 at checkout Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/