Podcast appearances and mentions of Norma Shearer

Send us a textToday's episode is my conversation about the 1929 film Their Own Desire. I'm joined by Maria Banson from the Brunello Bombshell newsletter and we talk about Norma Shearer's place as an inspiration for women in Hollywood of the time, the portrayal of a young athletic woman on screen, and a special bond between father and daughter that is a throughline in the film. You can watch Their Own Desire on YouTube or rent it from Amazon and be sure to check out Maria's newsletter.Other films mentioned in this episode include:Sunset Boulevard directed by Billy WilderThe Last of Mrs. Cheyney directed by Sidney FranklinThe Hollywood Revue of 1929 directed by Charles F. ReisnerThe Private Life of Helen of Troy directed by Alexander Korda (partially lost film)The Patriot directed by Ernst Lubitsch (lost film)Wonder of Women directed by Clarence Brown (lost film)A Woman of Affairs directed by Clarence BrownMadame X directed by Lionel BarrymoreThe Big House directed by George HillRomance directed by Clarence BrownCoquette directed by Sam TaylorThe Divorcee directed by Robert Z. LeonardAnora directed by Sean BakerOther referenced topics:Their Own Desire (novel) by Sarita FullerThe Crown (series)Letterboxd reviews from Chris Hughes and GentryTerry Sherwood writing on Stardust and ShadowsSupport the show

We're thrilled to welcome author and film professor Marsha Gordon to Front Row Classics for a deep dive into one of the most daring and progressive films of the pre-Code era: 1930's The Divorcee. Join Brandon and Marsha as they explore this groundbreaking MGM production, directed by Robert Z. Leonard, which challenged societal norms and redefined female agency on screen. At the heart of the film is the luminous Norma Shearer, whose Oscar-winning performance remains a landmark in cinematic history. We'll also shine a light on the film's stellar supporting cast and the bold themes that made The Divorcee a trailblazer in Hollywood storytelling.

La divorciada (The Divorcee, 1930, EE. UU), de Robert Z. Leonard, con Norma Shearer, Chester Morris y Conrad Nagel. Presentador: Manuel Arias Maldonado Cuando Jerry (Norma Shearer) descubre que su marido Ted (Chester Morris) le ha sido infiel, ella decide vengarse de la misma manera. El filme fue considerado uno de los más escandalosos de la época por su tratamiento del adulterio y el divorcio, y por ofrecer una mirada femenina sobre el desengaño. El guion está basado en la exitosa novela homónima, publicada anónimamente solo un año antes por la escritora Ursula Parrott. Norma Shearer fue galardonada con el Óscar a mejor actriz por su interpretación en la película. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

EPISODE 101 -  “UNCOVERING URSULA PARROTT: DR. MARSHA GORDON ON THE LOST LITERARY STAR” - 8/18/25 This week, we are thrilled to welcome film professor and author DR. MARSHA GORDON to discuss the life, career, and lost legacy of early feminist writer URSULA PARROTT. Parrott was a colorful character — a prolific and best-selling author, Hollywood screenwriter, and consistent headline-grabber during her avant-garde, unconventional life. Dr. Gordon, an expert on Parrott, discusses Parrott's books, Hollywood deals, marriages and divorces, and run-ins with the law that made this writer such a fascinating subject.  To learn more about the work of Dr. Marsha Gordon, check out her website at https://www.marshagordon.org/ SHOW NOTES:  Sources: Becoming The Ex-Wife (2023), by Marsha Gordon; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Divorcee (1930), starring Norma Shearer, Chester Morris, & Conrad Nagel; Gentleman's Fate (1931), starring John Gilbert, Louis Wolheim, Lelia Huams, & Anita Page; Strangers May Kiss (1931), starring Norma Shearer, Robert Montgomery, & Ray Milland; Leftover Ladies (1931), starring Claudia Dell & Marjorie Rambeau; Love Affair (1932), starring Humphrey Bogart & Dorothy Mackail; The Woman Accused (1933), starring Cary Grant & Nancy Carroll; There's Always Tomorrow (1934), starring Binnie Barnes, Robert Taylor, Alan Hale, & Frank Morgan; Next Time We Love (1936), starring Margaret Sullavan & James Stewart; Brilliant Marriage (1936), starring Joan Marsh, Ray Walker, & Hugh Marlowe; There's Always Tomorrow (1956), starring Barbara Stanwyck, Fred MacMurray, & Joan Bennett; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matinee Theater || (13) Smilin' Through || January 14, 1945Featuring: Victor Jory; Claire Niesen; Jane Powell; Basil Rathbone; Richard Sanville; Norma ShearerSponsored by: Vicks. England a moonlit summer night in the year 1914. An old man John Carteret sits alone in his garden. Strange tales are told of this garden and of the ways of its owner on nights such as this. He talks they say to the ghost of Munian Clair. #JanePowell #BasilRathbone #NormaShearer: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

Send us a textToday's episode is my conversation about the 1929 film The Last of Mrs. Cheyney. I'm joined by Shawna Carroll from the "Notes From Post" newsletter and we talk about some interesting visual choices from the director and cinematographer throughout the film, incredible costumes (especially on Norma Shearer's Fay Cheyney), and how the plot of the film doesn't quite land in the third act. You can watch The Last of Mrs. Cheyney on YouTube and be sure to check out Shawna's newsletter.Other films mentioned in this episode include:Who's the Boss? (series)Charlie and the Chocolate Factory directed by Tim BurtonA League of Their Own directed by Penny MarshallThe Patriot (lost) directed by Ernst LubitschThe Last of Mrs. Cheyney (1937) directed by Richard Boleslawski, George Fitzmaurice and Dorothy ArznerThe Law and the Lady directed by Edwin H. KnopfCamille directed by George CukorMrs. Miniver directed by William WylerThe Divorcee directed by Robert Z. LeonardDracula directed by Tod BrowningSkyscraper directed by Howard HigginThe Leatherneck directed by Howard HigginOther referenced topics:The Last of Mrs. Cheyney (play) by Frederick Lonsdale (read for free online at fadedpage.com)"The first Oscars lasted 15 minutes — plus other surprises from 95 years of awards" by Mandalit del Barco from NPRThe Maid of the Mountains (play) by Frederick LonsdaleDracula (play) by Hamilton Deane and John L. BalderstonNew York Times reviewLos Angeles Times reviewJackson Upperco on That's Entertainment!Support the show

EPISODE 95 -  “VIRGINIA GREY: Classic Cinema Star of the Month” - 7/07/25 If VIRGINIA GREY is remembered at all, the blue-eyed, blonde-haired beauty is probably best remembered as the caustic perfume counter girl in The Women (1939), who sees right through the gold-digging ways of Crystal Allen, played by JOAN CRAWFORD. In these brief scenes, she is so charismatic and saucy, she really shows how to deliver a zinger of a line. She may also be remembered as the good luck charm of producer ROSS HUNTER, who put her in many of his popular movies of the mid-1950s and 1960s. But there was so much more to this talented actress. This week, we explore her life and career as we honor her as our Star of the Month.  SHOW NOTES:  Sources: “Virginia Grey, a Veteran of 100 moves, dies at 87,” August 6, 2003, New York Times; Robert Taylor: The Man WIth the Perfect Profile (1973), by Jane Ellen Wayne; “The Girl Who Won Gable Back,” November 1951, by Linda Griffin, Modern Screen magazine; “An Interview With Virginia Grey,” by Mike Fitzgerald, www.westernclippings.com; “Virginia Grey,” briansdriveintheater.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; Uncle Tom's Cabin (1927), starring James B. Lowe; Dames (1934), starring Ruby Keeler, Dick Powell. & Joan Blondell; Secret Valley (1937); starring Richard Arlen & Virginia Grey; Test Pilot (1938), starring Clark Gable & Myrna Loy; Rich Man, Poor Girl (1938), starring Lana Turner; Dramatic School (1938) starring Luise Rainer & Paulette Goddard; The Hardy's Ride High (1939), starring Mickey Rooney & Lewis Stone; Idiot's Delight (1939), starring Clark Gable & Norma Shearer; Broadway Serenade (1939), with Jeanette MacDonald & Lew Ayres; Another Thin Man (1939), starring William Powell & Myrna Loy; Hullabaloo (1940), starring Frank Morgan; The Big Store (1941), starring the Marx Brothers; Blonde Inspiration (1941), starring John Shelton; Tarzan's New York Adventure (1942), starring Johnny Weissmuller & Maureen O'Sullivan; Whistling in the Dark (1941), starring Red Skelton & Ann Rutherford; Bells of Capistrano (1942), starring Gene Autry & Virginia Grey; Sweet Rosie O'Grady (1943), with Betty Grable & Robert Young; Strangers in the Night (1944), starring William Terry & Virginia Grey; Blonde Ransom (1945), with Virginia Grey; House of Horrors (1946), with Robert Lowery & Virginia Grey; Unconquered (1947), starring Gary Cooper & Paulette Goddard; Leather Gloves (1948), with Cameron Mitchell; Mexican Hayride (1948), starring Abbott & Costello; Jungle Jim (1948), Starring Johnny Weissmuller & Virginia Grey; Highway 301 (1950), with Steve Cochran & Virginia Grey; Slaughter Trail (1951), starring Gig Young & Virginia Grey; Three Desperate Men (1951), with Preston Foster & Virginia Grey; Captain Scarface (1953), with Leif Erickson & Virginia Grey; The Forty-Niners (1955), with Wild Bill Elliott & Virginia Grey; All That Heaven Allows (1955), starring Jane Wyman & Rock Hudson; The Rose Tattoo (1955), starring Anna Magnani & Burt Lancaster; Jeanne Eagles (1957), starring Kim Novak; Portrait In Black (1960), starring Lana Turner; Back Street (1961), starring Susan Hayward; Flower Drum Song (1961), starring Nancy Kwan; The Naked Kiss (1964), starring Constance Tower; Love Has Many Faces (1965), starring Lana Turner, Cliff Robertson & Hugh O'Brien; Airport (1970), with Burt Lancaster & Dean Martin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 87 -  “2025 TCM FILM FESTIVAL WRAP UP” - 5/12/2025 For the second year in a row, Steve and Nan were honored to be invited to cover the Turner Classic Movies Film Festival as part of the press corp. After four glorious days of non-stop film action, this episode is dedicated to the Festival and the fantastic movies shown this year. Steve and Nan will be discussing their favorite films, as well as giving a behind-the-scenes look at the festival and all the movie lovers who come annually to bow at the altar of Eddie Muller, Ben Mankiewicz and the TCM gang.   SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, Montgomery Clift, Mercedes McCambridge, & Albert Dekker; The Divorcée (1930), starring Norma Shearer, Chester Morris, Robert Montgomery, & Conrad Nagel; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Enchanted Cottage (1945), starring Dorothy McGuire, Robert Young, Herbert Marshall, Mildred Natwick, Spring Byington, & Richard Gaines; Daisy Kenyon (1947), starring Joan Crawford, Dana Andrews, & Henry Fonda; Rhapsody in Blue (1945), starring Robert Alda, Joan Leslie, Alexis Smith, Oscar Levant, Morris Carnovsky, Rosemary DeCamp & Charles Coburn; Gunman's Walk (1958), starring Van Heflin, Tab Hunter, James Darren, Kathryn Grant, Burt Convy & Edward Platt; We're No Angels (1955), starring Humphrey Bogart, Joan Bennett, Peter Ustinov, Aldo Ray, Leo G,. Carroll, Gloria Talbot, & Basil Rathbone; The Big Combo (1955), starring Cornel Wilde, Jean Wallace, Richard Conti, Helen Walker, Brain Donlevy, Lee Van Cleef, Earl Holliman,  All This and Heaven Too (1940), starring Bette Davis, Charles Boyer, Barbara O'Neil, Virginia Weidler, Jeffry Lynn, Harry Davenport, & June Lockhart; Diamond Jim (1935), starring Edward Arnold, Jean Arthur, Binnie Barnes, Ceasar Romero, William Demarest, and Eric Blore;  The Talk of the Town (1942), starring Jean Arthur, Cary Grant, Ronald Colman, Edgar Buchanan, Glenda Farrell, Emma Dunn, Rex Ingram, & Charles Dingle; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 83 - “TCM FILM FESTIVAL 2025 PREVIEW” - 4/14/2025 It's that time of years again. Time for the 2025 Turner Classic Movies Film Festival, which takes place April 24-27 in Hollywood California. This year, the theme is “Grand Illusions: Fantastic Worlds on Film.” This week, Steve and Nan offer a fun preview of the highlights of the upcoming festival and they discuss the films they are most excited to see, including great titles such as BEN HUR, SUDDENLY LAST SUMMER, GUNFI*GHT AT THE OKAY CORRAL and A GUY NAMED JOE.  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Empire Strikes Back (1980), starring Mark Hamill, Carrie Fisher, & Harrison Ford; The Fabulous Baker Boys (1989), starring Jeff Bridges, Michelle Pfeiffer, & Beau Brides; Cooley High (1975), starring Lawrence Hilton Jacobs & Glenn Turman; Car Wash (1976), starring Richard Pryor, Bill Duke, & George Carlin; Greased Lightning (1977), starring Richard Pryor, Pam Grier, & Beau Bridges; Which Way is Up (1977), starring Richard Pryor & Lonette McKee; Bustin' Loose (1981), starring Richard Pryor & Cicely Tyson; Sgt. Pepper's Lonely Hearts Club Band (1978), starring Peter Frampton & The Bee Gees; The Last Dragon (1985), starring Taimak & Vanity; Krush Groove (1985), starring Russell Simmons & LL Cool J; Beau Geste (1926), starring Ronald Colman; The Freshman (1925), starring Harold Lloyd; Misery (1990), starring Kathy Bates & James Caan; The Rocky Horror Picture Show (1975), starring Tim Curry, Susan Sarandon, & Barry Bostwick; Babe (1995), starring James Cromwell; The Enchanted Cottage (1945), starring Robert Young & Dorothy McGuire; Jaws (1975), starring Richard Dreyfuss, Robert Shaw, & Roy Scheider; Blue Velvet (1986),starring Kyle McLaughlin, Laura Dern, Dennis Hopper, & Isabella Rossellini; We're No Angels (1955), starring Humphrey Bogart & Joan Bennett; Gunfight At The Okay Corral (1957), starring Burt Lancaster & Kirk Douglas; Cape Fear (1962), starring Robert Mitchum, Gregory Peck and Polly Bergen; The Ritz (1976), starring Rita Moreno & Treat Williams; Gunman's Walk (1958), starring Van Heflin, James Darren, & Tab Hunter; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Divorcée (1930), starring Norma Shearer & Robert Montgomery; Talk of The Town (1942), starring Cary Grant, Jean Arthur, & Ronald Colman; Moonlight & Pretzels (1933), starring Leo Carrillo & Mary Brian; A Guy Named Joe (1943) starring Spencer Tracy, Irene Dunne, & Van Johnson; Ben Hur (1959), starring Charlton Heston & Stephen Boyd; Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, & Montgomery Cliff; Brigadoon (1954), starring Gene Kelly & Syd Charisse; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES:  Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson;  These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH:  Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

An encore presentation of Peter Lorre's dive into the horrors of silent cinema! Revisit the unforgettable moments of this legendary actor's fight for eternal peace after Matthew and Vincent force him into a devil's bargain to review silent movies for a return to the afterlife! You'll relive all your favorite moments - Pierre the wily rodent! The beloved bucket of fish heads! The inexorable descent into madness!Marvel at Mr. Lorre's reviews of the following classics: The Phantom of the Opera (1925); The Mystic (1925, dir. Tod Browning); The Unknown (1927, dir. Tod Browning feat. Lon Chaney, Joan Crawford); He Who Gets Slapped (1921, dir. Victor Sjöström feat. Lon Chaney, Norma Shearer, John Gilbert); The Man Who Laughs (1928, feat. Conrad Veidt); The Golem: How He Came Into the World (1920, photography of Karl Freund); The Cabinet of Dr. Caligari (1920) feat. Conrad Veidt); Metropolis (1927, dir. Fritz Lang); Faust (1926, dir. F.W. Murnau); Dr. Jekyll and Mr. Hyde (1920, feat. John Barrymore); The Hunchback of Notre Dame (1923, feat. Lon Chaney); The Unholy Three (1925, dir. Tod Browning feat. Lon Chaney); The Lost World (1925, feat. Wallace Beery).Thrill in the audio glow of Mr. Lorre's famous filmography, with trailers for Mad Love; Casablanca; The Maltese Falcon; Invisible Agent; Trilogy of Terror; 20,000 Leagues Under the Sea; The Comedy of Terrors; The Raven (1963); and The Beast With Five Fingers.Thanks for joining us friends in this celebration of silent horror and the immortal Peter Lorre. We'll see you next time for the movie that inspired Gojira - The Beast from 20,000 Fathoms (1953) with special effects by Ray Harryhausen!If you enjoy the podcast, please leave a rating and review. Or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.Camp Kaiju: Monster Movie Podcast. Silent But Deadly: Monster Movies from the Silent Era (2024). Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced, written, and performed by Vincent S. Hannam. Additional performance by Joshua English Scrimshaw. © 2024 Vincent S. Hannam, All Rights Reserved.

Just about every woman at MGM  found a role in this slapstick comedy about toxic friendships and what (we'd like to hope) are archaic gender dynamics. SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

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The Film Freaks gladly go back to the hard-boiled and raunchy 1930s when Hollywood was making movies that adults flocked to see—gritty films full of violence, sex, drug abuse, questioning religion, and giving it to the system…you know, like college. But as talkies came in, the studio writers decided to have fun with this new thing called dialogue so these flicks crackle with quips, come ons, and frank talk about infidelity and breaking the law. The Great Depression was happening so audiences looking for escape embraced these bawdy, raw movies and enjoyed the wild, reckless rides it took them on. Soon to be famous directors like Frank Capra, William Wellman, and Mervyn LeRoy helmed rising stars like Bette Davis, Humphrey Bogart, Barbara Stanwyck, and Norma Shearer in these classic pieces of "Forbidden Hollywood." So, when you're done at the speakeasy swilling bathtub gin, give the Film Freaks latest episode a listen and you'll be one dizzy hepcat, see? This episode is sponsored by: Libro.fm (FILMFREAKSFOREVER) | 2 audiobooks for the price of 1 when you start your membership The Writer's Bone Podcast Network

Un film con sole donne che parlano continuamente di uomini che non vediamo mai. Il regista George Cukor con questa commedia satirica, in originale "The Women", prende di mira l'alta società e i suoi vizi, con un occhio critico verso le relazioni coniugali, l'amicizia femminile e la superficialità. Un grande cast: Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, per un film che ha gettato le basi per il genere "queer" e "camp" e ha ispirato registi come Pedro Almodovar e John Waters. Ne parliamo insieme a Massimiliano Bolcioni.

The Stars Shine in our review of six new Blu-rays from the Warner Archive. To begin, George Feltenstein takes us through the intricate process of restoring the 1940 Technicolor epic "Northwest Passage," starring Spencer Tracy, discussing the hurdles of working with nitrate negatives and the impressive results. This cinema classic from King Vidor brims with adventure and beautiful landscapes that look better than ever.Our reviews continue as we spotlight Clark Gable and Norma Shearer's unforgettable performances in the 1939 MGM classic "Idiot's Delight." George explains director Clarence Brown's anti-war messaging and details the inclusion of both the international and American endings to the film.Next, we review the 1965 musical "Harum Scarum" starring Elvis in a comedy set in the deserts of Arabia. Gorgeous sets filled with beautiful women plus Elvis' trademark rock'n'roll songs make this a pop hit for Elvis fans.  Finally, we shine a light on three forgotten gems that deserve a second look.  We start with the 1995 period drama "The Stars Fell on Henrietta" starring Robert Duvall in an unforgettable performance and supporting actors Aidan Quinn, Frances Fisher, and Brian Dennehy.  Next, we highlight Sissy Spacek's powerful role in the 1985 film "Marie, A True Story." Directed Roger Donaldson, this film has a terrific script and a wonderful supporting cast that includes Jeff Daniels, Morgan Freeman, and Fred Thompson. And finally, there is the heartwarming 1994 Irish film "War of the Buttons," a gem of a family film that deserves a wider audience.Tune in for an episode brimming with film reviews, restoration insights, and a profound appreciation for cinematic history!  As always, we provide a full review of each film, a detailed explanation of the HD restoration, and background on all of the included extras.NORTHWEST PASSAGE (1940) IDIOT'S DELIGHT (1939)HARUM SCARUM (1965)MARIE: A TRUE STORY (1985)THE STARS FELL ON HENRIETTA (1995)WAR OF THE BUTTONS (1994) The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

MGM's 1931 film A Free Soul and Norma Shearer's role as Jan is the topic of this episode of Window Dressing. This film fits neatly into my season two theme: American Trash and National Treasures. Shearer is the treasure, addiction is the undercurrent, and trash is how Clark Gable's character Ace treats her in this classic film costumed by Adrian.

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 43 - “Favorite Classic Films of the 1930s” - 07/08/2024 During the golden era of old Hollywood, each decade brought forth exciting films that helped define the motion picture industry. In a new feature, Steve and Nan will discect each decade and highlight movies that resonated with them as they started their individual study of film. Beginning with the 1930s, listen as they discuss film that made an impact not only on them, but on the film industry as a whole. And yes, a few of the film they discuss are from that magic year of 1939. SHOW NOTES:  Sources: Pursuits of Happiness: The Hollywood Comedy of Remarriage (1981), by Stanley Cavell; The Screwball Comedy Films: A History and Filmography 1934-1942 (2022), by Grégoire Halbout; The Art of the Screwball Comedy (2013), by Doris Milberg; Wiliam Holden: A Biography (2010), by Michelangelo Capua; The Life and Loves of Barbara Stanwyck (2009), by Jane Ellen Wayne; The Lonely Life: An Autobiography (2017), by Bette Davis; Leslie Howard: The Lost Actor (2013), by Estel Eforgan; Jean Arthur: The Actress Nobody Knew (1997), by John Oller; The Films of Frank Capra (1977), by Victor Scherle and William Turner Levy; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Mary Poland, Joan Fontaine, Lucille Watson, Virginia Pohvah, Virginia Weidler, Marjorie Main, Virginia Grey, Hedda Hopper, Ruth Hussey, and Mary Beth Hughes; The Petrified Forest (1936), starring Leslie Howard, Bette Davis, Humphrey Bogart, Porter Hall, Genevieve Tobin, Dick Foran, Joe Sawyer, Charley Grapewin, and Paul Harvey; Mr. Smith Goes To Washington (1939), starring James Stewart, Jean Arthur, Thomas Mitchell, Claude Rains, Edward Arnold, Beulah Bondi, and Guy Kibbee; Easy Living (1937), starring Jean Arthur, Ray Milland, Edward Arnold, Luis Alberni, Franklin Pangborn, Mary Nash, William Demarest, and Esther Dale; My Man Godfrey (1936), starring William Powell, Carole Lombard, Gail Patrick, Alice Brady, Eugene Pallette, Jean Dixon, Misha Auer, and Alan Mowbray; The Awful Truth (1937), starring Cary Grant, Irene Dunne, Ralph Bellamy, Cecil Cunningham, Molly Lamont, Alexander D'Arcy, Joyce Compton, and Esther Dale; Stage Door (1937), starring Katharine Hepburn, Ginger Rogers, Lucille Ball, Ann Miller, Andrea Leeds, Eve Arden, Gail Patrick, Adolphe Menjou, Franklin Pangborn, Samuel S. Hinds, and Constance Collier; Golden Boy (1939), starring Barbara Stanwyck, William Holden, Adolphe Menjou, Lee J. Cobb, Joseph Calleia, Edward Brophy, and Sam Levene; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the Rarified Heir Podcast, we are talking to Hugo Morley, grandson of  actor Robert Morley. Depending on what age you are and what country you grew up in, you might know Robert Morley for different things. If you are an American, you know him from his stint as the spokesman for British Airways or possibly the film Who Is Killing The Great Chef's of Europe with George Segal and Jacqueline Bisset. It was fascinating to find out from Hugo, that Robert actually had a lot of leeway in the BA commercials direction. But if you grew up in England or Australia, you might know Robert Morley from the stage where he performed in about 100 films and starred in/wrote many plays. His career spanned more than sixty years and in fact, his first film role garnered an Academy Award nomination in 1939 as King Louis XVI in Marie Antoinette, starring Norma Shearer and Tyrone Power. That's one hell of a debut. Hugo was open with us and told us about (free) trips he took with his grandfather and family thanks to British Airways, of meals he shared with him and time spent in Robert Morley's back garden. There was swimming and cigars….for Robert, not Hugo. We also learn about Hugo's theater critic/actor father, Sheridan Morley who was quite well known in England. We learn about his influence on the musical Les Miserables, how an interview with Carol Channing led to Hugo becoming her Godmother and how Yul Brenner played a part in their relationship. Along the way we talk about everyone from Eli Wallach to David Tomlinson, Griff Rhys Jones, to Joanna Lumley and more. This is the Rarified Heir Podcast and everyone has a story.

The sixth episode of our season on the awesome movie year of 1939 features Josh's personal pick, George Cukor's The Women. Directed by George Cukor from a screenplay by Anita Loos and Jane Murfin and starring Norma Shearer, Rosalind Russell, Joan Crawford, Paulette Goddard, Mary Boland and Joan Fontaine, The Women was based on the hit 1936 Broadway play by Clare Boothe.The contemporary reviews quoted in this episode come from Mildred Martin in the Philadelphia Inquirer, Mae Tinee in the Chicago Tribune, and Katherine Howard in the Fort Worth Star-Telegram.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring a special Valentine's Day pick, Leo McCarey's Love Affair.

In this episode, we go back to the 3rd Academy Awards in 1930.We discuss the winners of the three major awards and explore 94 years later if others would have been more deserving. All Quiet On the Western Front won the Outstanding Production Award. Was it the best?George Arliss and Norma Shearer won in the acting categories. Were they the best?Click and listen!

In our fifth film review for Season 3, we cover The Divorcee, which was released on April 30, 1930. Based on the shocking novel Ex-Wife, this film is the epitome of pre-code indulgence. Infidelity, sexual escapades, double-standards, and (perhaps?) sexual liberation.  Norma Shearer won the Academy Award for Best Actress for her portrayal of Jerry.After a brief rundown of sexual politics and divorce law of the 1920s and 30s, we also have some fun baseball history trivia to indulge in!Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

In our continuing investigation into the Six Degrees of Robert Evans, this episode focuses on his years from 1956 through 1961. Robert begins as an actor and will end this five year period with an ex-wife, a fortune, and a new production career in Hollywood. Connected into this episode: Norma Shearer, Jimmy Cagney, David O. Selznick, Darryl Zanuck, Ernest Hemingway, Ava Gardner, Errol Flynn, Lana Turner, and many others. All sources can be found at doneanddunne.com.Continue your investigation with ad-free and bonus episodes on Patreon!This episode is sponsored by Factor. Head to factormeals.com/dunne50 and use code dunne50 to get 50% off America's #1 ready-to-eat meal delivery service!To advertise on Done & Dunne, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/DoneDunne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In our continuing investigation into the Six Degrees of Robert Evans, this episode focuses on his years from 1956 through 1961. Robert begins as an actor and will end this five year period with an ex-wife, a fortune, and a new production career in Hollywood. Connected into this episode: Norma Shearer, Jimmy Cagney, David O. Selznick, Darryl Zanuck, Ernest Hemingway, Ava Gardner, Errol Flynn, Lana Turner, and many others. All sources can be found at doneanddunne.com. Continue your investigation with ad-free and bonus episodes on Patreon! This episode is sponsored by Factor. Head to factormeals.com/dunne50 and use code dunne50 to get 50% off America's #1 ready-to-eat meal delivery service! To advertise on Done & Dunne, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/DoneDunne. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joan Crawford (born Lucille Fay LeSueur; March 23, 190?[Note 1] – May 10, 1977) was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".

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WVFP EP56 (clip) Writer and NYC Author Stephanie LaCava and Chloe Pingeon talk about botheok 'I Fear My Pain Interests You', the curated self online, actress Norma Shearer, being a changling, celebrity now vs then, dialing into the zeitgeist as an artist, the nepo baby, reissuing french translations on Small Press, supporting local artists and writing verses publishing with host Nathan Gene. Full Episode Available on Patreon WVFP

Here it is Group 2 of our films from 1930. We meet back up to discuss an interesting group of films. The Marx Brothers classic Animal Crackers; an adaptation of a Eugene O'Neil play, Anna Christie; a Ukranian silent film, Earth; Lon Chaney's final performance, The Unholy Three; and the Best Picture Nominee starring Norma Shearer, The Divorcee. What's on Top? What's on Bottom? The answers may surprise you. Animal Crackers - 5:09 Anna Christie - 45:25 Earth - 1:08:27 The Unholy Three - 1:28:54 The Divorcee - 1:54:10 Contact info: Twitter: @theflyingcowpod Instagram: @theflyingcowpod Email: theflyingcowpod@gmail.com Facebook: The Flying Cow Check out our new Patreon Patreon.com/TheFlyingCow Don't forget to check out FCL Flashback, Movie Battles, and the Livestreams on our YouTube Channel The Flying Cow

What if I told you that in 1929, a woman in NYC wrote a best seller, made a fortune during the great depression and then went on to write over 20 books, and screenplays - many of which became Hollywood films - only to tell you that no one knows her name?Today in the Confessional, I'm thrilled to chat with Marsha Gordon, a Professor in Film Studies at North Carolina State University in the USA who stumbled across a forgotten historical figure just by chance and made it her mission to bring this story into the light.Ursula Parrott was, by any standards, quite an extraordinary woman and thanks to Marsha's incredible research, she may finally receive the respect she so deserves. Marsha's latest book Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (2023) is an incredible expose of a woman who in the 1920s lived her life on her own terms, writing best-selling novels, and being a sought after columnist for high-end magazine publications.Parrott's first novel, Ex-Wife, was published anonymously in 1929. A popular sensation, it sold more than 100,000 copies in nine editions. MGM paid $20,000 for the film rights as well. Ex-Wife was subsequently adapted for film as The Divorcee (1930) starring Norma Shearer, who won an Oscar for her role. Shearer also starred in an adaptation of Strangers May Kiss, published in 1930. Her novel Next Time We Live was adapted for film as Next Time We Love in 1936.As a writer, Parrott was most successful between 1929 and 1940. Her son estimated that she earned around $700,000 ($14.6 million in 2022 dollars) during that period of time. In December 1942, Parrott became the subject of national coverage when she was brought up on federal charges of attempting to help the jazz guitarist Michael Neely Bryan escape from the Miami Beach Army stockade, but was found innocent by the jury at her trial.Ursula Parrott wrote about many things, including being a single mother and woman in a man's world. Yet, she was often thought of a romance novelist. She married and divorced several times. She was a genuine player in the world of both literature and Hollywood, and yet somewhere along the way, Ursula became another forgotten woman in these industries. There is no Hollywood star on the Walk of Fame, no plaque to suggest she created so many thought provoking works in her life.I am thrilled to chat with Marsha, who's curiosity and passion for Ursula's story culminated in her incredible book. I for one am so blown away that, until Marsha's book, I had never heard of Ursula. I really hope Ursula Parrott will now be spoken about often as she paved the way for so many women to follow in her footsteps.You can follow Marsha Gordon here:marshagordon.orgwww.instagram.com/marshagordon99Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (2023) is available at good book stores:-The Good Girl Confessional is the award-winning Podcast of WB40 - Women Beyond Forty, a platform for women 40, 50, 60 and beyond. Join the revolution:www.wb40.comhttps://www.instagram.com/womenbeyondfortyhttps://www.instagram.com/thegoodgirlconfessional https://www.facebook.com/thegoodgirlconfessionalWb40 and The Good Girl Confessional Acknowledge the Traditional Owners of the land we record this podcast on, the Wurrundjeri Woi Wurrung people of the Kulin Nations and pay out respect to their elders, past, present, and emerging.

In this 1939 comedy full of insults, manicures, and designer gowns, Joan Crawford and Norma Shearer face off over a man we never see on screen.   Or, as Sara succinctly puts it, "Bitches be bitches, end of story!"*Spoilers Ahead* The Women (1939) - IMDb Joan Crawford - The Women confrontation! - YouTube Illuminating Reno's Divorce Industry | Reno Divorce History Theme Music:  Happy Way to Start the Day By Pressmaster – license purchased on AudioJungle   

We dive into the extraordinary life and career of Norma Shearer, a trailblazing actress whose name became synonymous with Hollywood glamour and resilience. From her humble beginnings to her reign as the "First Lady of MGM," Shearer's journey is an inspiring tale of determination, talent, and breaking barriers. Join us on this mesmerizing journey through the life of Norma Shearer—a woman who defied expectations, shattered glass ceilings, and left an enduring legacy in the annals of Hollywood. Her captivating story serves as an inspiration for all those who dare to dream and strive for greatness in the face of adversity.

Heavy Head season three episode five, "Are They Supposed To Be As Sick As You And Me." is written and produced by Tanner Hinds.    - Henri LaFerve voiced by Loren Hutton   - Katy Kruelly and Vicki Vola voiced by Gretchen Schultz   - Engla Schey and Norma Shearer voiced by Erica Russel   - Lucille Fletcher and Loretta Young voiced by Terra Kavindu   - Dr. McCormick and Kenny Baker voiced by Tanner Hinds   - Narration/Art Design by Evan Verrilli   Award winning original music by Real Blue Heartache Kids. Their music is available wherever you buy or stream music. Follow Real Blue Heartache kids on Instagram using the handle: @realblueheartachekids.   TRIGGER WARNING: This episode contains adult language, situations, and graphic depictions of progressed mental illness, stigmatizing language, racism, assault and institutionalization that may be a trigger for some listeners. Listener discretion is advised.   If you or a loved one is experiencing a psychiatric emergency and live in the United States, please call or text 988 or text HOME to 741741 for free and confidential support 24/7/365 from the National Suicide Prevention Lifeline and The Crisis Text Line.   Follow us on Facebook, Twitter, and Instagram using the handle: @heavyheadpod. You can follow creator Tanner Hinds using the handle: @thindscomic. Be sure to subscribe to our official YouTube channel, Heavy Head Podcast. You can email us at heavyheadpod@gmail.com. Please be sure to rate and review us on iTunes. If you enjoy the show, please share us with a loved one!   Merch is available online at https://heavyhead.bigcartel.com

Mail Call was an American radio program that entertained American soldiers from 1942 until 1945, during World War II. Lt. Col. Thomas A.H. Lewis (commander of the Armed Forces Radio Service) wrote in 1944, "The initial production of the Armed Forces Radio Service was 'Mail Call,' a morale-building half hour which brought famed performers to the microphone to sing and gag in the best American manner." The program featured popular entertainers of that day, such as Bob Hope, Bing Crosby, Judy Garland, and Dinah Shore, performing musical numbers and comedy skits to boost the morale of soldiers stationed far from their homes. Lewis added, "To a fellow who has spent months guarding an outpost in the South Seas, Iceland or Africa a cheery greeting from a favorite comedian, a song hit direct from Broadway, or the beating rhythm of a hot band, mean a tie with the home to which he hopes soon to return Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Mindi brings us Norma Shearer and Judy Garland on our chronological radio journey with Judy!

The Women (1939) ​ The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.  The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Marjorie Main and Phyllis Povah also appear, reprising their stage roles from the play. Ruth Hussey, Virginia Weidler, Butterfly McQueen, and Hedda Hopper also appear in smaller roles. Fontaine was the last surviving actress with a credited role in the film; she died in 2013. It is also important to note that even the animals and pets are all female.  The film continued the play's all-female tradition—the entire cast of more than 130 speaking roles was female. Set in the glamorous Manhattan apartments of high society evoked by Cedric Gibbons, and in Reno, Nevada, where they obtain their divorces, it presents an acidic commentary on the pampered lives and power struggles of various rich, bored wives and other women they come into contact with.  Filmed in black and white, it includes a six-minute fashion parade filmed in Technicolor, featuring Adrian's most outré designs; often cut in modern screenings, it has been restored by Turner Classic Movies. On DVD, the original black-and-white fashion show, which is a different take, is available for the first time. ​ The Opposite Sex (1956)   The Opposite Sex is a 1956 American musical romantic comedy film shot in Metrocolor and CinemaScope.[3][4] The film was directed by David Miller and stars June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, and Ann Miller, with Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, and Sam Levene. ​ The Opposite Sex is a remake of the 1939 comedy film The Women. Both films are based on Clare Boothe Luce's original 1936 play. ​ Unlike the 1936 play and the 1939 film adaptation, The Opposite Sex includes musical numbers and features male actors who portray the husbands and boyfriends, whose characters were only referred to in the previous film and stage versions.[6] This alters the structure and tone of the base storyline significantly.   Opening Credits; Introduction (.37); Background History (42.13);The Women (1939) Film Trailer (44.51); The Original (48.16); Let's Rate (1:43.07); Amazing Design (1:59.54); Introducing a Remake (2:01.07); The Opposite Sex (1956) Film Trailer (2:01.41); The Remake (2:05.22); How Many Stars (2:44.07); End Credits (2:58.26); Closing Credits (3:00.39)   Opening Credits– Epidemic Sound – copyright 2021. All rights reserved   Closing Credits:  There's Always A Woman – by Kaye Ballard and Sally Mayes  Taken from the album Unsung Sondheim. Copyright 1993 Varese Sarabande ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used with Kind Permission   All songs available through Amazon Music.

Girrrl... get yo' man! Joan Crawford vs. Norma Shearer for the title of Mrs. High Valued Man! YouTube Facebook

In this episode, I speak with the President and Chair Rick Miller as he shares with us the story of the Canadian Women In Film Museum and the three women it represents. During the first four years of the Academy Awards, the Best Actress Oscar went to three Canadian-born women who found their way to Hollywood, namely Mary Pickford (1929), Norma Shearer (1930), and Marie Dressler (1931). Doug Hess is the Creator/Producer/Host!

https://notesonfilm1.com/2022/07/21/thinking-aloud-about-film-cinema-rediscovered-round-up-day-1-2022/ We continue our discussion of Cinema Rediscovered 2022 with a round-up of the first full day of programming and two of the events that kicked off the program yesterday: The Philip French Memorial Lecture with Samira Ahmed and the UK premiere of the restored version of Lost Highway. We touch on two key strands of the program. The first is  Pre-Code Hollywood: Rules are Made to be Broken, curated by Pamela Hutchinson and Christina Newland, with  two of the five films that kickstart that strand: Blonde Crazy with James Cagney and Joan Blondell, one of the great couples of classic cinema, shown at their characteristic AND best as hotel workers turned wisecracking swindlers: urban, beautiful, loose of limb and tongue, a joy to watch at every turn. We also take in A Free Soul,  an emblem of a 1931 version of female sexual emancipation and modernity, a full-blown courtroom melodrama with Norma Shearer at her chicest and sexiest, if not always at her acting best. We also discuss two films by Sarah Maldoror, Sambizanga, and also A Dessert for Constance, part of the other strand of the program under discussion today:  Karen Alexander's Black Paris: Josephine and Beyond Programme. A day full of films and discussion on films in which the Rewriting Film History (With the Women in It) and Pre-Code Hollywood: Rules Are Made to Be Broken are particular standouts. A fantastic start to the festival.

In late 1931 F. Scott Fitzgerald traveled to Hollywood for a second attempt to crack the lucrative movie market. While there he attended a party at the home of MGM studio chieftain Irving Thalberg and his wife, Norma Shearer, at which he performed a bit of drunken doggerel and embarrassed himself. Never one not to avail himself of autobiographical material, he quickly shaped a story about an emotional triangle between a "hack" screenwriter (Joel Coles) and a charismatic director (Miles Calman) and his actress/Pygmalion figure/wife (Stella). Because it addressed the theme of adultery frankly, the Saturday Evening Post rejected "Crazy Sunday," as did the somewhat racier Cosmopolitan, fearing the wrath of publisher William Randolph Hearst (who had his own "interest" in Hollywood, of course). Instead, the story appeared in H. L. Mencken's influential journal American Mercury, where it become the second of only two Fitzgerald stories to appear there. In this episode we explore the Hollywood background, connect "Crazy Sunday" to Fitzgerald's eventual attempt at a Hollywood novel (The Last Tycoon), note the prominence of psychoanalysis in the plot, and even speculate what Fitzgerald's disastrous lyrics to "Dog"---the poem he performed at that fateful party---might have sounded like with a little musical accompaniment. (Of course, it would have sounded craz-eee!).   

MGM's THE WOMEN has such a big cast, we had to bring in a special guest for help! Darin Barnes, family friend and Norma Shearer expert joins us to talk all things Norma, Joan Roz, Paulette, and so many more.  Series art and logo by Gabo. Visit him at https://www.instagram.com/galvosaur/ Original series music by Joshua Hale Fialkov. Check out all our various creative projects here: https://linktr.ee/Lmmpodcast

The talented and amazing Kristin Battestella joined me to discuss this fairly obscure Shakespeare adaptation. We also found time to reflect on Under Capricorn, Kristin's surprising dissatisfaction with Claudette Colbert, Leslie Howard's work as a spy, John Barrymore being awful and when Rita Hayworth's career took off. Surprisingly, we were somewhat opposed when it came to the film at hand. Norma Shearer causes me to take unreasonable stances. Twitter https://twitter.com/vampfamwriter https://twitter.com/thereforereview https://twitter.com/300Passions https://twitter.com/Zita_Short Letterboxd https://letterboxd.com/CatherineShort/ Grant Zepernick provided the artwork for this podcast. Please rate and review the podcast in order to increase its visibility. Thanks for listening.

Book Vs Movie: “The Women” The Clare Booth Luce Vs. the 1939 George Cukor Film (Plus, the 2001 Broadway Revival!) In 1936, the Clare Booth Luce play The Women debuted on Broadway to rave reviews and packed audiences which featured 45 speaking parts for women, while no man is either seen or heard. (Though all of the husbands are spoken about constantly!) The plot revolves around a group of privileged women who live in New York City and busy themselves with shopping, spa days, and gossip. (60 years before Sex & the City!) Keeping husbands happy unless they “fall in love” with a salesgirl, these women fight for what is theirs.  Back in the day, one could move to Reno, Nevada for six weeks to gain residency and garner a quickie divorce. (Check out the Trashy Divorces podcast to learn all of the old rules for ending matrimony.) Our lead Mary (Mrs. Haines) dearly loves her husband but he is having an affair with a perfume salesgirl, Crystal Allen which means he has to make a choice. Stay with the wife and daughter or remarry ASAP and give his wife a huge settlement.  Off in Reno, Mary and a gaggle of friends and other women meet to gain residency and commiserate in this farcical look at marriage and friendship.  The 1939 film directed by Book Vs Movie alum George Cukor has over 130 speaking parts for women (even the animals were females!) Led by Norma Shearer, Joan Crawford, Rosalind Russell, and Paulette Goddard it happened to come out in an insanely good year for movies (Gone With the Wind, Mr. Smith Goes to Washington, The Wizard of Oz, Of Mice and Men to name a few) it did earn any Academy Award nominations--but the film has become a classic along with several Broadway revivals.  So between the original play and the film--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The life of Clare Booth Luce and the world of NYC socialites in the middle of the 20th Century.  The unique style of the play & the 2001 star-studded version that was a huge success The Technicolor fashion show (yay or nay?)  The behind-the-scenes gossip and trivia The cast: Norma Shearer (Mary,) Joan Crawford (Crystal Allen,) Rosalind Russell (Sylvia,) Mary Boland (Flora,) Paulette Goddard (Miriam,) Joan Fontaine (Peggy,) Lucile Watson (Mrs. Morehead,) Virginia Weidler (Little Mary,) and Marjorie Main (Lucy.)  Clips used: Sylvia and Miriam fight The Women trailer  Sylvia & Peggy meet Crystal Allen Mary gets marriage advice from her mother Countess De Lave meets Mary and Miriam Edith (Jennifer Goodwin) gets schooled by her nurse (Adina Porter) 2002 Jason Alexander in the PBS 2002 special viewing Miriam meets Crystal Outro Music by David Snell & Edward Ward Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Welcome to It's A Wonderful Podcast!! Pre-Code March comes to a raucous end on this week's episode as Morgan is joined by Jeannine to talk THE DIVORCEE (1930) starring Norma Shearer, Robert Montgomery & Chester Morris!! A best actress Oscar for Ms. Shearer for a role that played her against type. A movie that celebrates women's choices, freedoms and sexuality. An incredibly direct, frank portrayal of infidelity. A movie that, as usual with pre-code, leaves you smiling!! The It's A Wonderful Podcast Theme by David B. Music. Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST SHIRTS: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support