Podcasts about Greig Fraser

SMFM2016500期节目的时候，有听友许愿想听五个人聚齐聊奥斯卡，你看，这不就来了么（央视主持范儿）。这期我们聊了聊10部提名奥斯卡最佳影片的作品，也顺便给大家推荐了几部，我们认为更值得的作品。我们吵了个痛快，也希望大家听个开心~04:05 今年的奥斯卡提名综述10:30 《艾米莉亚·佩雷斯》36:24 《魔法坏女巫》42:33 《粗野派》1:29:18 《无名小辈》1:37:23 《秘密会议》1:56:55 《阿诺拉》2:36:57 《沙丘2》2:39:52 《某种物质》2:45:39 《我仍在此 》2:49:33 《五分钱男孩》2:54:25 虽然没入围最佳影片，但是我们更推荐它们3:03:08 大家的一些预测「什么电苔」出了全新付费专辑《有什么好笑的？》，大家可以直接选择点击如下链接购买完整专辑，收听所有后续更新，https://www.xiaoyuzhoufm.com/podcast-topic/673ac195f373fe5d4d1f7d2f开头bgm：Dreaming by Blondie《阿诺拉》插曲结尾bgm：El Mal by Zoe Saldana/Karla Sofia Gascon/Camille 《艾米莉亚·佩雷斯》想做嘉宾，联系我们：whatfmmovie@163.com孔老师微博@做着学生的孔老师王老师微博@浩浩很含蓄什么电台官方微博@什么电苔某老师B站：什么电苔孔老师 本期阵容：什么电苔 全体主播第97届奥斯卡完整入围名单最佳男主角● 阿德里安·布洛迪 – 《粗野派》● 提莫西·夏勒梅 – 《无名小辈》● 科尔曼·多明戈 – 《监狱剧院》● 拉尔夫·费因斯 – 《秘密会议》● 塞巴斯蒂安·斯坦 – 《飞黄腾达》最佳男配角● 尤里·鲍里索夫 – 《阿诺拉》● 基兰·库利金 – 《真正的痛苦》● 爱德华·诺顿 – 《无名小辈》● 盖伊·皮尔斯 – 《粗野派》● 杰里米·斯特朗 – 《飞黄腾达》最佳女主角● 辛西娅·艾莉沃 – 《魔法坏女巫》● 卡拉·索菲亚·加斯孔 – 《埃米莉亚·佩雷斯》● 米基·麦迪逊 – 《阿诺拉》● 黛米·摩尔 – 《某种物质》● 费尔南达·托雷斯 – 《我仍在此》最佳女配角● 莫妮卡·巴巴罗 – 《无名小辈》● 阿丽安娜·格兰德 – 《魔法坏女巫》● 费莉西蒂·琼斯 – 《粗野派》● 伊莎贝拉·罗西里尼 – 《秘密会议》● 佐伊·索尔达娜 – 《埃米莉亚·佩雷斯》最佳动画长片 ● 《猫的奇幻漂流》 – Gints Zilbalodis, Matīss Kaža, Ron Dyens 和 Gregory Zalcman● 《头脑特工队2》 – Kelsey Mann 和 Mark Nielsen● 《蜗牛的回忆》 – Adam Elliot 和 Liz Kearney●《超级无敌掌门狗：企鹅的复仇》 – Nick Park, Merlin Crossingham 和 Richard Beek● 《荒野机器人》 – Chris Sanders 和 Jeff Hermann最佳动画短片● 《毛发再生的男人》 – Nicolas Keppens 和 Brecht Van Elslande● 《柏树树荫下》 – Shirin Sohani 和 Hossein Molayemi● 《魔糖》 – Daisuke Nishio 和 Takashi Washio● 《漫步至仙境》 – Nina Gantz 和 Stienette Bosklopper● 《噫！》 – Loïc Espuche 和 Juliette Marquet最佳摄影● 《粗野派》 – Lol Crawley● 《沙丘2》 – Greig Fraser● 《埃米莉亚·佩雷斯》 – Paul Guilhaume● 《玛丽亚·》 – Ed Lachman● 《诺斯费拉图》 – Jarin Blaschke最佳服装设计● 《无名小辈》 – Arianne Phillips● 《秘密会议》 – Lisy Christl● 《角斗士2》 – Janty Yates 和 Dave Crossman● 《诺斯费拉图》 – Linda Muir● 《魔法坏女巫》 – Paul Tazewell最佳导演● 《阿诺拉》 – Sean Baker● 《粗野派》 – Brady Corbet● 《无名小辈》 – James Mangold● 《埃米莉亚·佩雷斯》 – Jacques Audiard● 《某种物质》 – Coralie Fargeat最佳纪录片长片● 《黑箱日记》 – Shiori Ito, Eric Nyari 和 Hanna Aqvilin● 《唯一的家园》 – Basel Adra, Rachel Szor, Hamdan Ballal 和 Yuval Abraham● 《瓷器战争》 – Brendan Bellomo, Slava Leontyev, Aniela Sidorska 和 Paula DuPre’ Pesmen● 《政变的配乐》 – Johan Grimonprez, Daan Milius 和 Rémi Grellety● 《甘蔗》 – Julian Brave NoiseCat, Emily Kassie 和 Kellen Quinn最佳纪录片短片● 《死亡数字》 – Kim A. Snyder 和 Janique L. Robillard● 《我准备好了，典狱长》 – Smriti Mundhra 和 Maya Gnyp● 《事件》 – Bill Morrison 和 Jamie Kalven● 《心跳的仪器》 – Ema Ryan Yamazaki 和 Eric Nyari● 《 爱乐唯她：纽约爱乐首位女团员》 – Molly O'Brien 和 Lisa Remington最佳剪辑● 《阿诺拉》 – Sean Baker● 《粗野派》 – David Jancso● 《秘密会议》 – Nick Emerson● 《埃米莉亚·佩雷斯》 – Juliette Welfling● 《魔法坏女巫》 – Myron Kerstein最佳国际影片● 巴西 – 《我仍在此》● 丹麦 – 《拿针的女孩》● 法国 – 《埃米莉亚·佩雷斯》● 德国 – 《神圣无花果之种》● 拉脱维亚 – 《猫的奇幻漂流》最佳化妆与发型设计● 《不同的男人》 – Mike Marino, David Presto 和 Crystal Jurado● 《埃米莉亚·佩雷斯》 – Julia Floch Carbonel, Emmanuel Janvier 和 Jean-Christophe Spadaccini● 《诺斯费拉图》 – David White, Traci Loader 和 Suzanne Stokes-Munton● 《某种物质》 – Pierre-Olivier Persin, Stéphanie Guillon 和 Marilyne Scarselli● 《魔法坏女巫》 – Frances Hannon, Laura Blount 和 Sarah Nuth最佳原创音乐● 《粗野派》 – Daniel Blumberg● 《秘密会议》 – Volker Bertelmann● 《埃米莉亚·佩雷斯》 – Clément Ducol 和 Camille● 《魔法坏女巫》 – John Powell 和 Stephen Schwartz● 《荒野机器人》 – Kris Bowers最佳原创歌曲● 《El Mal》 – 选自《埃米莉亚·佩雷斯》；音乐：Clément Ducol 和 Camille；歌词：Clément Ducol, Camille 和 Jacques Audiard● 《The Journey》 – 选自《六三八》；音乐和歌词：Diane Warren● 《Like A Bird》 – 选自《监狱剧院》；音乐和歌词：Abraham Alexander 和 Adrian Quesada● 《Mi Camino》 – 选自《埃米莉亚·佩雷斯》；音乐和歌词：Camille 和 Clément Ducol● 《Never Too Late》 – 选自《埃尔顿·约翰：永不嫌晚》；音乐和歌词：埃尔顿·约翰, Brandi Carlile, Andrew Watt 和 Bernie Taupin最佳影片● 《阿诺拉》 – Alex Coco, Samantha Quan 和 Sean Baker, 制片人● 《粗野派》 – 提名待定● 《无名小辈》 – Fred Berger, James Mangold 和 Alex Heineman, 制片人● 《秘密会议》 – Tessa Ross, Juliette Howell 和 Michael A. Jackman, 制片人● 《沙丘2》 – Mary Parent, Cale Boyter, Tanya Lapointe 和 Denis Villeneuve, 制片人● 《埃米莉亚·佩雷斯》 – 提名待定● 《我仍在此》 – 提名待定● 《五分钱男孩》 – 提名待定● 《某种物质》 – 提名待定● 《魔法坏女巫》 – Marc Platt, 制片人最佳美术指导● 《粗野派》 – 美术指导：Judy Becker；布景装饰：Patricia Cuccia● 《秘密会议》 – 美术指导：Suzie Davies；布景装饰：Cynthia Sleiter● 《沙丘2》 – 美术指导：Patrice Vermette；布景装饰：Shane Vieau● 《诺斯费拉图》 – 美术指导：Craig L；布景装饰： Beatrice Brentnerová● 《魔法坏女巫》- 美术指导：Nathan Crowley; 布景装饰: Lee Sandales最佳真人短片●一个外星人 – Sam Cutler-Kreutz 和 David Cutler-Kreutz●阿努贾 – Adam J. Graves 和 Suchitra Mattai●我不是机器人 – Victoria Warmerdam 和 Trent● 最后的游骑兵 – Cindy Lee 和 Darwin Shaw● 无法沉默的人 – Nebojša Slijepčević 和 Danijel Pek最佳音效● 无名小辈 – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey 和 David Giammarco● 沙丘2 – Gareth John, Richard King, Ron Bartlett 和 Doug Hemphill● 埃米利亚·佩雷斯 – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz 和 Niels Barletta● 魔法坏女巫 – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson 和 John Marquis● 野生机器人 – Randy Thom, Brian Chumney, Gary A. Rizzo 和 Leff Lefferts最佳视觉效果● 异形：罗慕路斯 – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin 和 Shane Mahan● 更好的人 – Luke Millar, David Clayton, Keith Herft 和 Peter Stubbs● 沙丘2 – Paul Lambert, Stephen James, Rhys Salcombe 和 Gerd Nefzer● 猩球王国 – Erik Winquist, Stephen Unterfranz, Paul Story 和 Rodney Burke● 魔法坏女巫 – Pablo Helman, Jonathan Fawkner, David Shirk 和 Paul Corbould最佳改编剧本（Writing – Adapted Screenplay）● 无名小辈 – 编剧：James Mangold 和 Jay Cocks● 秘密会议 – 编剧：Peter Straughan● 埃米利亚·佩雷斯 – 编剧：Jacques Audiard；与 Thomas Bidegain, Léa Mysius 和 Nicolas Livecchi 合作● 五分钱男孩 – 编剧：RaMell Ross & Joslyn Barnes● 监狱剧院 – 编剧：Clint Bentley, Greg Kwedar；故事：Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield最佳原创剧本● 阿诺拉 – 编剧：Sean Baker● 粗野派 – 编剧：Brady Corbet, Mona Fastvold● 真正的痛苦 – 编剧：Jesse Eisenberg● 九月五日 – 编剧：Moritz Binder, Tim Fehlbaum；联合编剧：Alex David● 某种物质 – 编剧：Coralie Fargeat

Table of Contents: CINEMATOGRAPHY01:38 - “The Brutalist” - Lol Crawley02:52 - “Dune: Part Two” - Greig Fraser04:36 - “Emilia Pérez” - Paul Guilhaume06:48 - “Maria” - Ed Lachman09:08 - “Nosferatu” - Jarin BlaschkeORIGINAL SCORE10:29 - “The Brutalist” - Daniel Blumberg11:18 - “Conclave” - Volker Bertelmann13:04 - “Emilia Pérez” - Clément Ducol and Camille14:20 - “Wicked” - John Powell and Stephen Schwartz15:39 - “The Wild Robot” - Kris BowersSOUND18:06 - “A Complete Unknown” - Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco19:41 - “Dune: Part Two” - Gareth John, Richard King, Ron Bartlett and Doug Hemphill20:57 - “Emilia Pérez” - Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta22:59 - “Wicked” - Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis24:26 - “The Wild Robot” - Randy Thom, Brian Chumney, Gary A. Rizzo and Leff LeffertsThis past year featured some of the most stunning, innovative, and groundbreaking work in the categories of Cinematography, Original Score, and Sound. And since we've been diligently interviewing the artists and teams who have received Academy Award® nominations in those categories, we offer you this special round-up episode — to help give some greater insight into how to cast your final votes. The soundbites in this episode are mere snippets from the discussions we've been conducting through the past several months. If you'd like to take a deeper dive:FULL EPISODES, BY CATEGORY:= CINEMATOGRAPHY =“The Brutalist”237 - Lol Crawley and the Cinematography of The Brutalist - Feb 10th, 2025YouTube: https://youtu.be/d342-st5dvgSpotify: https://open.spotify.com/episode/0Txxk3xNAcmItPwsm9GquPApple Podcasts: https://podcasts.apple.com/us/podcast/237-lol-crawley-and-the-cinematography-of-the-brutalist/id1549901182?i=1000690773442“Dune: Part Two”189 - Greig Fraser and the Cinematography of Dune: Part Two - March 5th, 2024YouTube: https://youtu.be/39p8wPkhmtMSpotify: https://open.spotify.com/episode/5WMtD1WbGGVBgrlQtSFzONApple Podcasts: https://podcasts.apple.com/us/podcast/189-greig-fraser-and-the-cinematography-of-dune-part-two/id1549901182?i=1000648108720“Emilia Pérez”220 - The Making of Emilia Pérez - Dec 4th, 2024YouTube: https://youtu.be/VZruPNqHv3wSpotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480“Maria”236 - Ed Lachman and the Cinematography of Maria - Feb 7th, 2025YouTube:

Dune: Prophecy, the six-episode prequel series to the Dune films, now streaming on Max, delves into the origins of the Bene Gesserit. The series is set 10,000 years before the events of the movies. Bringing this ancient future to life was just one of the challenges faced by cinematographer Pierre Gill, CSC, a veteran of science fiction and period pieces alike. Pierre, who has a deep affinity for the sci-fi genre, sees it as a close cousin to historical dramas. “It's like another type of period piece,” he explains, citing the importance of costumes, lighting, and set design in creating an immersive world. His experience in science fiction is extensive, having served as additional and second unit cinematographer on Denis Villeneuve's Dune, Arrival, and Blade Runner 2049. This prior experience proved invaluable for Dune: Prophecy. “On Dune: Prophecy, the challenge is there's not really a lot of light source in the concept of the universe,” Pierre notes. The goal was to respect the established aesthetic of Villeneuve's Dune, avoiding an overabundance of typical sci-fi lighting. During his initial interview for the series, Pierre emphasized his understanding of the Dune look, a perspective informed by his work on the first film. He felt the series should align with the films, potentially even enhancing viewers' appreciation of the cinematic universe. However, Pierre was also determined to bring his own artistic vision to the project. “At the same time,” he admits, “it's difficult because as a cinematographer, I don't want to recreate what Greig Fraser, the master, did. I don't want to copy him.” Pierre's approach for Prophecy involved strong, wide shots with splashes of bold color. After extensive lens and camera testing, Pierre chose to shoot with the Arri Alexa 35. He also used two Steadicams to maximize efficiency during the action-packed shoot. Pierre favored a centered camera, even in close-ups, and faced the significant hurdle of lighting the massive sets. Time constraints limited pre-lighting opportunities, forcing Pierre to find innovative solutions. He employed mobile softboxes and book lighting to sculpt the actors' faces, creating soft bounce light. The presence of ceilings on some of the sets allowed for lower camera angles and the inclusion of more background detail. He was also able to use many practical lighting sources throughout the set. Dune: Prophecy has been picked up for a second season and Pierre is excited to explore the Dune universe further. “Season 2 will be even more powerful, I think,” he predicts. You can see Dune: Prophecy on Max. https://www.max.com/shows/dune-prophecy-2024/57660b16-a32a-476f-89da-3302ac379e91 Find Pierre Gill: Instagram @pierregill_dp Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Season 4 Finale! I'm so happy to welcome Greig Fraser, ACS, ASC on the podcast to talk about his work on Dune as well as plenty more. We're gonna take a couple weeks off for the holidays and then we're back at it in January with Season 5! Enjoy! Visit https://www.frameandrefpod.com for everything F&R https://www.patreon.com/frameandrefpod Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery.He also is currently shooting Michael Mann's biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher's The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher's passion project Mank, chronicling the screenwriter Herman Mankiewicz's turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt's meticulous and striking black and white recreation of the period's aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher's hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Dispatch is back after a week off! A nice full show today, with entertainment, science, archaeology, and sports!- ENTERTAINMENT -Music:(02:25) • Tyler the Creator's next up is CHROMOKOPIA, and the rollout is going splendidly.(07:30) • Ab-Soul announces SOUL BURGERTelevision:(08:11) • RICK AND MORTY renewed for seasons 11 & 12, with season 8 on the docket for next year.(09:55) • DUNE: PROPHECY set for a November 17 premiere + DEATH BY TELEVISION update.(11:00) • DAREDEVIL: BORN AGAIN set for a March 4, 2025 premiere.Movies:(12:50) • Tom Holland cast in Christopher Nolan's next film alongside Matt Damon.(15:18) • Colman Domingo set to make directorial debut with SCANDALOUS.(16:18) • Robert Pattinson potentially eyeing a role and producing credit on A24 film inspired by TO CATCH A PREDATOR.(17:37) • Alana Haim joins the casts of THE DRAMA, starring Robert Pattinson and Zendaya, and THE MASTERMIND, starring Josh O'Connor.(18:37) • Greta Lee fills in for Sandra Hüller in upcoming Willem Dafoe picture: LATE FAME.(19:29) • JOHN WICK prequel anime film in the works.(21:16) • THE DAY THE EARTH BLEW UP, a Looney Tunes movie will be released February 2025 in theaters.(23:23) • WONKA 2 has been green lit, with production slated for 2026.(23:56) • DUNE: MESSIAH slated to begin production in early 2026, potentially freeing up Greig Fraser to photograph both it and THE BATMAN 2.(25:57) • Hans Zimmer's DUNE PART TWO score has been disqualified from awards contention.(29:01) • Luca Guadagnino set to direct a new adaptation of AMERICAN PSYCHO + the fancast nightmare of Patrick Bateman.(33:42) • James Gunn posts sentimental caption about his own dog, Ozu, to announce the presence of Krypto in his SUPERMAN film.(36:47) • David Corenswet has been cast as John Tuggle in football flick MR. IRRELEVANT.Reviews:(37:45) • SATURDAY NIGHT review(41:48) • WE LIVE IN TIME review- SCIENCE & ARCHAEOLOGY -Space:(48:13) • SpaceX launches starship and catches it in MECHAZILLA.(50:30) • Europa Clipper launched! Satellite heading for a moon of Jupiter with the highest likelihood of life beyond Earth.(57:16) • World Science Festival speaker suspects human life is the most bizarre, out-there species in the universe.Earthbound:(1:00:30) • New messages discovered in Temple of Luxor hieroglyphics.- SPORTS -Baseball:(1:06:38) • Yankees vs Dodgers in the World Series, and why that's a bittersweet reality.Basketball:(1:10:35) • New York Liberty dubbed WNBA Champions.(1:11:08) • NBA Tip-off Week. The chip on Jayson Tatum's shoulder. The special moment Lebron and Bronny took the court together.Football:(1:17:07) • NFL Week 8 picks.

This week, Jeanette and special guest, Oscar Martinez, continue their journey of Greig Fraser cinematography series to talk about the 2012 political action thriller film, Zero Dark Thirty. Inspired by true events, the film dramatizes the nearly decade-long international manhunt for Osama bin Laden, leader of the terrorist network Al-Qaeda, after the September 11 attacks. This search leads to the discovery of his compound in Pakistan and the U.S. military raid where bin Laden was killed on May 2, 2011. While this is a controversial film of Fraiser's career, Oscar and Jeanette delve into his input and depiction of the raw scenes unfolding in front of the characters eyes. Special thanks to Oscar Martinez for taking part in this unique episode.

Hello classmates!Greig Fraser is a busy man, Rapid Fire news from Joseph, and Fangoria announces their 2024 Chainsaw award nominees   Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/IpvTVJp1n6Mhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenJoseph Navarro     Pete Abeyta and Tyler NoeStreaming Picks:The Conspiracy - https://youtu.be/YwdJK0ykI2Q?si=yU5CTuAjjXVrkLX-The Big Lebowski - Prime VideoFilth - Peacock, Prime Video, Roku, Hoopla, Kanopy, Vudu, Crackle, Plum, PlexAlong Came Polly - NetflixBig Daddy - NetflixSleepy Hollow - Prime Video, Fubo, MGMSilent Hill - Hulu, TubiDawn of the Dead (2004) - Peacock Project Grizzly - Roku, TubiAmerican Movie - Prime Video, Roku, TubiMiami Connection - Fandor, Freevee, Fubo, Roku, Plex, Flix FlingManFish (2022) - Shudder, AMC, Hoopla, Tubi, DistroTV, Public Domain MoviesDeadtectives - Shudder, AMC, HooplaI Used to be Funny - Netflix

A new episode of The Dispatch has hit the airwaves, and a good one it is:ENTERTAINMENT:- Shogun dominates the Emmy's (2:08)- Ready or Not 2 in the works (8:50)- Black Mirror S7 Cast announced (10:00)- Tyler, the Creator joins the Timothee Chalamet Ping Pong Player biopic (12:20) - MICKEY 17 Trailer released (14:17)- Baz Luhrmann's JOAN OF ARC film in the works (17:34)- STAR WARS: PIRATES reportedly in the works (21:00)- Mark Waid accidentally reveals a characters presence in James Gunn's SUPERMAN film (23:44)- BATMAN 2 or DUNE: MESSIAH, which will book Greig Fraser? (25:44)- Dave Bautista's THE KILLER'S GAME review (28:11)- AGATHA ALL ALONG begins! (31:35)SCIENCE- Earth's new temporary moon (47:50)SPORTS:- Shohei Ohtani's record breaking evening (50:08)- NFL Week 2 Recap & Week 3 Picks (56:45)

Danny Bishop interviews Cinematographer Greig Fraser ASC ACS and A Camera & Steadicam Operator Jason Ewart ACO about their work together on the epic Dune Part 2.   Special thanks to the ACO (Association of Camera Operators) for allowing us to share their work.   Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert

SEASON 2 - EPISODE 100 - Colour - with Donald Mowat & Greig Fraser In this special entry of the Team Deakins Podcast, we're celebrating the 100th episode of our second season by sharing our conversation about colour in film with former guests (and good friends) cinematographer Greig Fraser and makeup artist Donald Mowat. Greig discusses his endless search for the right lighting and camera combination to achieve a complexity and depth in skin tones he sees in 1970s-era American cinema, and we reminisce about the consistency in results born from the compatibility between tungsten lights and film stock designed for tungsten lighting. Donald also recalls the “Magenta Scare” when the red-adjacent colour became a point of fixation for filmmakers, and we consider the value of relying on the experts with whom we work. Throughout our winding discussion, some of the topics we cover include: actors' skin tones changing under stress, the evolving politics of the makeup department, the diverse (and distressing) settings and screens in which dailies are viewed, the trouble with painting a set grey, the varying qualities of LED lights, the varying qualities of coloured gels, how Greig tests for skin tones, how Donald sneaks reference photos for his department, and watching really bad films while on a shoot. Also included: Technicolor-era trivia from Roger.   A huge thank you to everyone still listening to the podcast! - This episode is sponsored by Aputure

Jonathan Freeman, ASC faced a unique challenge on Netflix's sci-fi series 3 Body Problem. The books, written by Cixin Liu, are extremely intellectually dense novels. Translating them into visually compelling television seemed like a daunting task. Show creators DB Weiss and David Benioff had worked with Jonathan previously on Game of Thrones, and they leaned into filmmaking that was motivated by impactful storytelling rather than just "cool shots." A key reveal moment in particular was achieved simply by pushing in on a photo of one of the characters in the first episode, revealing how the stories were interconnected. Together, they decided on the look of the show and chose three distinct visual styles for 1960s China, modern London, and the virtual world of a videogame. The 2:3:5 aspect ratio and ARRI ALFA lenses helped differentiate these environments. The lenses were prototypes that Greig Fraser was developing on The Batman. “They had exactly all that beautiful bokeh that you would expect, but the center was optically pure,” says Jonathan. “They also had these chromatic aberrations to them. These distorted, stretchy little bits in the edges of the frame just looked funky and kind of otherworldly. I just like the idea that it could be interpreted as sort of an alien's point of view.” Filming the virtual world within a limited physical space required innovation. Jonathan's "low-res volume" stage concept used a massive wall of SkyPanels and strategically placed lighting to create a realistic, immersive environment for actors. “Each (panel) was almost like a pixel, so we created an array of 110 feet by 45 wide wrapped around 180 degrees.” says Jonathan. “It was a very complex system, but overall the intent was to recreate these live environments the way you might be able to do in a regular volume. Then, there was the lighting on top, similar to the skylight, where we programmed animated lights to recreate sunrise, sunset, dusk, and dawn. It was quite complicated, but we were able to use a real space and transition in camera. It took a lot of minds to put it together, but I thought it was really successful.” Find Jonathan Freeman: http://freemandp.com/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

A könyv, amiről még sokat fogunk hallani Telex     2024-06-03 19:01:37     Könyv Családregény, felnövéstörténet, atipikus love story, virtuóz nyelvi megoldások, a Színművészeti elfoglalásának krónikája, az alkotói lét sanyarúsága, a belpesti értelmiség köldöknézegetése. Nem hibátlan, okkal megosztó, de emlékezetes és különleges. Kritika Kemény Lili Nem című önéletrajzi regényéről. Tíz kihagyhatatlan nyári színházi bemutató kultura.hu     2024-06-03 17:33:02     Színpad Színház A kedves bohóságok, felhőtlenül szórakoztató, habkönnyű vígjátékok mellett musicalklasszikusok várják a nézőket szerte az országban. Némelyek egyszeri és megismételhetetlen szereposztást kínáló egynyári produkciók, mások ősszel bekerülnek a kőszínházi repertoárba. De az igazi rajongók akkor sem várhatnak az évadkezdésig! A Dűne 2 forgatása alatt zajló ritka csillagászati jelenség végül a filmbe is bekerült Hamu és Gyémánt     2024-06-04 06:24:01     Film Mozi Világűr Az idei év talán legnagyobb mozis eseményének számító Dűne: Második részt Denis Villeneuve és operatőre, Greig Fraser szinte az utolsó képkockáig megtervezte. Egy nagyon hangsúlyos részlet azonban csupán a véletlennek köszönhetően került bele a film végső változatába – ugyanis a csapat egyáltalán nem számított arra, hogy forgatás pont egybeesik maj Jordán Tamás reméli, hogy mielőbb kikerül a kórházból Librarius     2024-06-04 07:59:09     Színpad Jordán Tamás Jordán Tamás azt nyilatkozta, hogy bár még mindig kórházban van, sokkal jobban érzi magát, és reméli, hogy hamarosan hazatérhet.   12 színész, akit egy hajszál választott el attól, hogy ő legyen a Harry Potter egyik főszereplője Joy     2024-06-03 20:30:00     Film Harry Potter Daniel Radcliffe Emma Watson Ma már el sem tudjuk képzelni Daniel Radcliffe, Emma Watson és a többiek nélkül a Harry-Potter-filmeket, azonban egy hajszálon múlott csak, hogy nem más színészek kapták a szerepet. Mutatjuk kik ők! Úgy tűnik, a Venom harmadik része lesz az utolsó és mi ezt egyáltalán nem bánjuk Player     2024-06-03 20:42:07     Film Mozi Sony Spider Man Pókember A Sony a Pókember nélküli Pókember-mozijaival úgy kihúzta nálunk a gyufát, hogy már tűkön ülve várjuk a napot, amikor végre felhagynak a kínos erőlködéssel. Az angol királynő fekete, Hollywood színvak 24.hu     2024-06-03 18:18:03     Film Moszkva Anglia Hollywood Most épp az Egy úr Moszkvában című sorozat ürügyén zajlanak viták arról, hogy tényleg bármilyen szerepet rá lehet bízni színes bőrű színészekre, vagy igenis van jelentősége annak, hogy fehér vagy más bőrszínű színész alakít egy karaktert. A gyásznak teremt nyelvet Cristina Rivera Garza Pulitzer-díjas kötete Könyves Magazin     2024-06-03 17:56:02     Könyv Pulitzer-emlékdíj Felkavaró és zavarba ejtő olvasmány a Liliana legyőzhetetlen nyara. Bár a szerző húgának meggyilkolása körül gravitál a szöveg, megismerhető belőle a szeretet természetrajza, és arra is rávilágít, hogy a gyász sohasem jelent magányt. Ez a hét könyve. Meleg karaktereket csak meleg színészek játszanak? Rebel Wilson határozottan állást foglalt a kérdésben Mafab     2024-06-03 17:36:02     Film Rebel Wilson Rebel Wilson szintén kifejtette a véleményét azzal a kérdéssel kapcsolatban, miszerint egy homoszexuális karaktert csakis homoszexuális színész játszhatna el. Az egyik karakter alig szerepelt a Csillagok háborúja első forgatókönyvében in.hu     2024-06-04 09:47:02     Könyv Star Wars Bár nem sokat beszél, de fájó lett volna, ha kihagyják a Star Wars-univerzumból.A Csillagok háborúja több olyan szereplőt is felvonultat, akik nem emberi nyelven kommunikálnak. Ilyen például R2D2, aki gépi pittyegéssel és sípolással beszél, és csak abból következtethetünk arra, hogy mit mond, ahogy C3PO válaszol neki.Ott van továbbá Csubakka, Han S Benkő László fia elégtételt vesz a kocsmáját leromboló városvezetésen Story     2024-06-04 10:00:09     Bulvár Balaton Omega Benkő László Az Omega zongoristája hónapokon át harcolt, hogy megmentse a fia Balaton-parti büféjét, mégis porig rombolták. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Különleges bolygóegyüttállás lesz ma napközben Mínuszos     2024-06-04 07:33:15     Tudomány Világűr Kedden szoros együttállásban lesz látható a Naprendszer legnagyobb és legkisebb planétája, a Jupiter és a Merkúr. A bolygóegyüttállás a nappali égen csak csillagászati távcsővel lesz látható és a Nap közelsége miatt komoly odafigyelést igényel majd a planéták megtalálása – írták a közleményen. A két bolygó a nap során szoros, hét Hamarosan hazánkban is elrajtol a Google hasznos újdonsága PCW     2024-06-04 06:59:20     Infotech Google A Készülékkereső-hálózat nevű szolgáltatás napokon belül elérhetővé válik Magyarországon is. Szivárognak az infók a Realme GT6-ról Android Portál     2024-06-04 08:32:10     Mobiltech Kína Jelenleg még Realme GT6, de néhány héten belül úgy néz ki, hogy két különálló készülék is megjelenik ugyanezen a néven, de mégsem lesznek ugyanazok. Összezavarodtál már? A GT6 globális verzióját június 20-án mutatják be, ahogy azt a múlt héten egy Realme alelnök elárulta. A pletykák szerint ez a kínai Realme GT Neo6 átnevezése lesz. De Lefújták a Hold körüli utat, ami mérföldkő lehetett volna a civil űrutazás történetében Rakéta     2024-06-04 06:24:08     Tudomány Világűr Elon Musk SpaceX Elon Musk 2018-ban jelentette be, hogy Maezava Juszaku lesz az első ember, aki a SpaceX Starship-rakétájával megkerülheti a Holdat, ezzel együtt pedig az első civil asztronauta is, aki ilyen messzire eljutott. Ezekből a tervekből azonban most már biztosan nem lesz semmi, ugyanis Maezava némileg váratlanul néhány napja lemondta az utat. A legjobban várt iOS 18 MI-funkció csak 2025-ben jön el? ITBusiness     2024-06-04 05:15:35     Mobiltech Apple Okostelefon iPhone iOS Az Apple a következő héten bemutathatja termékeinek MI-jövőjét, amelynek középpontjában az iPhone és az iOS 18 áll. A vállalat sok tekintetben felzárkózik a riválisokhoz azáltal, hogy MI-funkciókat épít az operációs rendszereibe – utóbbiaknak már az iPadOS 18-tól és a macOS 15-től is elérhetőnek kell lenniük. A beszámolók szerint az Apple testre sz Rideg tény, hogy radikálisan nőni fog a mesterséges intelligenciával előállított tartalom mindenhol Tudás.hu     2024-06-04 05:45:14     Infotech Mesterséges intelligencia Az reménytelen, hogy a tartalomgyártók jelezzék, termékük részben vagy egészben mesterséges intelligencia eredetű. Pedig elemi szükség lenne erre, nehogy az MI-kimenetet ismét bemenetként hasznosítsák, ugyanis az ilyen "visszatáplálás" a tartalmak minőségének gyors és látványos romlásához vezet. Vagy mégsem? A szabatosság kedvéért leszögezzük, hogy Szabályos lépést is alig tudnak tenni sakkban az MI-modellek Bitport     2024-06-04 15:00:00     Infotech Sakk A mostanság már a közbeszédet is eluraló nagy nyelvi modellek képességeinek korlátjait mutatja, mennyire gyengén szerepeltek egy sakkfeladványokhoz kötődő teszten. Több milliárd évvel ezelőtti esőre bukkantak 24.hu     2024-06-04 09:30:10     Tudomány A kutatók ősi ásványokat elemezve kérdőjelezték meg a korai Földről kialakított képet. A jövő reklámjai világítanak a forgalmas hazai utak mentén Startlap Vásárlás     2024-06-04 06:03:45     Infotech Vas Szombathely Reklám Kitűnnek a környezetükből, ám annál inkább illeszkednek egy modern városképbe a CityNext ledfalai, amikkel számos autós találkozhatott már Budapesten és Szombathelyen. Az eszközökön kereskedelmi reklámok és közcélú tartalmak jelennek meg, lassan animált kreatívokkal. Horváth Mártont, a CityNext Média Zrt. tulajdonos-vezérigazgatóját kérdeztük a dig Már a Föld felé tart a kínai Csang'o-6 holdszonda Liner     2024-06-04 11:20:21     Tudomány Kína A kínai Csang'o-6 holdszonda sikeresen megkezdte visszaútját a Föld felé, miután kőzetmintákat gyűjtött a Hold túlsó, vagy más néven sötét oldaláról. Bankkártya-tulajdonosokat érintő súlyos bejelentés érkezett Infostart     2024-06-04 04:48:00     Gazdaság Mesterséges intelligencia Bankkártya A Mastercard jelezte, hogy generatív mesterséges intelligencia segítségével duplázza meg a potenciálisan veszélyeztetett kártyák felderítésének sebességét, tovább védve ezzel a kártyabirtokosokat és biztosítva az ökoszisztémát. A Dűne 2 forgatása alatt zajló ritka csillagászati jelenség végül a filmbe is bekerült Hamu és Gyémánt     2024-06-04 06:24:01     Film Mozi Világűr Az idei év talán legnagyobb mozis eseményének számító Dűne: Második részt Denis Villeneuve és operatőre, Greig Fraser szinte az utolsó képkockáig megtervezte. Egy nagyon hangsúlyos részlet azonban csupán a véletlennek köszönhetően került bele a film végső változatába – ugyanis a csapat egyáltalán nem számított arra, hogy forgatás pont egybeesik maj Dodo, az intelligens gyepkarbantartó robot GépMax     2024-06-04 08:11:00     Mezőgazdaság Cégvilág Hulladék Robot Elektromos hajtású, autonóm gyepápolórobot, amely megkülönbözteti a hulladékot például a levelektől, vagy a rovaroktól. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

A könyv, amiről még sokat fogunk hallani Telex     2024-06-03 19:01:37     Könyv Családregény, felnövéstörténet, atipikus love story, virtuóz nyelvi megoldások, a Színművészeti elfoglalásának krónikája, az alkotói lét sanyarúsága, a belpesti értelmiség köldöknézegetése. Nem hibátlan, okkal megosztó, de emlékezetes és különleges. Kritika Kemény Lili Nem című önéletrajzi regényéről. Tíz kihagyhatatlan nyári színházi bemutató kultura.hu     2024-06-03 17:33:02     Színpad Színház A kedves bohóságok, felhőtlenül szórakoztató, habkönnyű vígjátékok mellett musicalklasszikusok várják a nézőket szerte az országban. Némelyek egyszeri és megismételhetetlen szereposztást kínáló egynyári produkciók, mások ősszel bekerülnek a kőszínházi repertoárba. De az igazi rajongók akkor sem várhatnak az évadkezdésig! A Dűne 2 forgatása alatt zajló ritka csillagászati jelenség végül a filmbe is bekerült Hamu és Gyémánt     2024-06-04 06:24:01     Film Mozi Világűr Az idei év talán legnagyobb mozis eseményének számító Dűne: Második részt Denis Villeneuve és operatőre, Greig Fraser szinte az utolsó képkockáig megtervezte. Egy nagyon hangsúlyos részlet azonban csupán a véletlennek köszönhetően került bele a film végső változatába – ugyanis a csapat egyáltalán nem számított arra, hogy forgatás pont egybeesik maj Jordán Tamás reméli, hogy mielőbb kikerül a kórházból Librarius     2024-06-04 07:59:09     Színpad Jordán Tamás Jordán Tamás azt nyilatkozta, hogy bár még mindig kórházban van, sokkal jobban érzi magát, és reméli, hogy hamarosan hazatérhet.   12 színész, akit egy hajszál választott el attól, hogy ő legyen a Harry Potter egyik főszereplője Joy     2024-06-03 20:30:00     Film Harry Potter Daniel Radcliffe Emma Watson Ma már el sem tudjuk képzelni Daniel Radcliffe, Emma Watson és a többiek nélkül a Harry-Potter-filmeket, azonban egy hajszálon múlott csak, hogy nem más színészek kapták a szerepet. Mutatjuk kik ők! Úgy tűnik, a Venom harmadik része lesz az utolsó és mi ezt egyáltalán nem bánjuk Player     2024-06-03 20:42:07     Film Mozi Sony Spider Man Pókember A Sony a Pókember nélküli Pókember-mozijaival úgy kihúzta nálunk a gyufát, hogy már tűkön ülve várjuk a napot, amikor végre felhagynak a kínos erőlködéssel. Az angol királynő fekete, Hollywood színvak 24.hu     2024-06-03 18:18:03     Film Moszkva Anglia Hollywood Most épp az Egy úr Moszkvában című sorozat ürügyén zajlanak viták arról, hogy tényleg bármilyen szerepet rá lehet bízni színes bőrű színészekre, vagy igenis van jelentősége annak, hogy fehér vagy más bőrszínű színész alakít egy karaktert. A gyásznak teremt nyelvet Cristina Rivera Garza Pulitzer-díjas kötete Könyves Magazin     2024-06-03 17:56:02     Könyv Pulitzer-emlékdíj Felkavaró és zavarba ejtő olvasmány a Liliana legyőzhetetlen nyara. Bár a szerző húgának meggyilkolása körül gravitál a szöveg, megismerhető belőle a szeretet természetrajza, és arra is rávilágít, hogy a gyász sohasem jelent magányt. Ez a hét könyve. Meleg karaktereket csak meleg színészek játszanak? Rebel Wilson határozottan állást foglalt a kérdésben Mafab     2024-06-03 17:36:02     Film Rebel Wilson Rebel Wilson szintén kifejtette a véleményét azzal a kérdéssel kapcsolatban, miszerint egy homoszexuális karaktert csakis homoszexuális színész játszhatna el. Az egyik karakter alig szerepelt a Csillagok háborúja első forgatókönyvében in.hu     2024-06-04 09:47:02     Könyv Star Wars Bár nem sokat beszél, de fájó lett volna, ha kihagyják a Star Wars-univerzumból.A Csillagok háborúja több olyan szereplőt is felvonultat, akik nem emberi nyelven kommunikálnak. Ilyen például R2D2, aki gépi pittyegéssel és sípolással beszél, és csak abból következtethetünk arra, hogy mit mond, ahogy C3PO válaszol neki.Ott van továbbá Csubakka, Han S Benkő László fia elégtételt vesz a kocsmáját leromboló városvezetésen Story     2024-06-04 10:00:09     Bulvár Balaton Omega Benkő László Az Omega zongoristája hónapokon át harcolt, hogy megmentse a fia Balaton-parti büféjét, mégis porig rombolták. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Különleges bolygóegyüttállás lesz ma napközben Mínuszos     2024-06-04 07:33:15     Tudomány Világűr Kedden szoros együttállásban lesz látható a Naprendszer legnagyobb és legkisebb planétája, a Jupiter és a Merkúr. A bolygóegyüttállás a nappali égen csak csillagászati távcsővel lesz látható és a Nap közelsége miatt komoly odafigyelést igényel majd a planéták megtalálása – írták a közleményen. A két bolygó a nap során szoros, hét Hamarosan hazánkban is elrajtol a Google hasznos újdonsága PCW     2024-06-04 06:59:20     Infotech Google A Készülékkereső-hálózat nevű szolgáltatás napokon belül elérhetővé válik Magyarországon is. Szivárognak az infók a Realme GT6-ról Android Portál     2024-06-04 08:32:10     Mobiltech Kína Jelenleg még Realme GT6, de néhány héten belül úgy néz ki, hogy két különálló készülék is megjelenik ugyanezen a néven, de mégsem lesznek ugyanazok. Összezavarodtál már? A GT6 globális verzióját június 20-án mutatják be, ahogy azt a múlt héten egy Realme alelnök elárulta. A pletykák szerint ez a kínai Realme GT Neo6 átnevezése lesz. De Lefújták a Hold körüli utat, ami mérföldkő lehetett volna a civil űrutazás történetében Rakéta     2024-06-04 06:24:08     Tudomány Világűr Elon Musk SpaceX Elon Musk 2018-ban jelentette be, hogy Maezava Juszaku lesz az első ember, aki a SpaceX Starship-rakétájával megkerülheti a Holdat, ezzel együtt pedig az első civil asztronauta is, aki ilyen messzire eljutott. Ezekből a tervekből azonban most már biztosan nem lesz semmi, ugyanis Maezava némileg váratlanul néhány napja lemondta az utat. A legjobban várt iOS 18 MI-funkció csak 2025-ben jön el? ITBusiness     2024-06-04 05:15:35     Mobiltech Apple Okostelefon iPhone iOS Az Apple a következő héten bemutathatja termékeinek MI-jövőjét, amelynek középpontjában az iPhone és az iOS 18 áll. A vállalat sok tekintetben felzárkózik a riválisokhoz azáltal, hogy MI-funkciókat épít az operációs rendszereibe – utóbbiaknak már az iPadOS 18-tól és a macOS 15-től is elérhetőnek kell lenniük. A beszámolók szerint az Apple testre sz Rideg tény, hogy radikálisan nőni fog a mesterséges intelligenciával előállított tartalom mindenhol Tudás.hu     2024-06-04 05:45:14     Infotech Mesterséges intelligencia Az reménytelen, hogy a tartalomgyártók jelezzék, termékük részben vagy egészben mesterséges intelligencia eredetű. Pedig elemi szükség lenne erre, nehogy az MI-kimenetet ismét bemenetként hasznosítsák, ugyanis az ilyen "visszatáplálás" a tartalmak minőségének gyors és látványos romlásához vezet. Vagy mégsem? A szabatosság kedvéért leszögezzük, hogy Szabályos lépést is alig tudnak tenni sakkban az MI-modellek Bitport     2024-06-04 15:00:00     Infotech Sakk A mostanság már a közbeszédet is eluraló nagy nyelvi modellek képességeinek korlátjait mutatja, mennyire gyengén szerepeltek egy sakkfeladványokhoz kötődő teszten. Több milliárd évvel ezelőtti esőre bukkantak 24.hu     2024-06-04 09:30:10     Tudomány A kutatók ősi ásványokat elemezve kérdőjelezték meg a korai Földről kialakított képet. A jövő reklámjai világítanak a forgalmas hazai utak mentén Startlap Vásárlás     2024-06-04 06:03:45     Infotech Vas Szombathely Reklám Kitűnnek a környezetükből, ám annál inkább illeszkednek egy modern városképbe a CityNext ledfalai, amikkel számos autós találkozhatott már Budapesten és Szombathelyen. Az eszközökön kereskedelmi reklámok és közcélú tartalmak jelennek meg, lassan animált kreatívokkal. Horváth Mártont, a CityNext Média Zrt. tulajdonos-vezérigazgatóját kérdeztük a dig Már a Föld felé tart a kínai Csang'o-6 holdszonda Liner     2024-06-04 11:20:21     Tudomány Kína A kínai Csang'o-6 holdszonda sikeresen megkezdte visszaútját a Föld felé, miután kőzetmintákat gyűjtött a Hold túlsó, vagy más néven sötét oldaláról. Bankkártya-tulajdonosokat érintő súlyos bejelentés érkezett Infostart     2024-06-04 04:48:00     Gazdaság Mesterséges intelligencia Bankkártya A Mastercard jelezte, hogy generatív mesterséges intelligencia segítségével duplázza meg a potenciálisan veszélyeztetett kártyák felderítésének sebességét, tovább védve ezzel a kártyabirtokosokat és biztosítva az ökoszisztémát. A Dűne 2 forgatása alatt zajló ritka csillagászati jelenség végül a filmbe is bekerült Hamu és Gyémánt     2024-06-04 06:24:01     Film Mozi Világűr Az idei év talán legnagyobb mozis eseményének számító Dűne: Második részt Denis Villeneuve és operatőre, Greig Fraser szinte az utolsó képkockáig megtervezte. Egy nagyon hangsúlyos részlet azonban csupán a véletlennek köszönhetően került bele a film végső változatába – ugyanis a csapat egyáltalán nem számított arra, hogy forgatás pont egybeesik maj Dodo, az intelligens gyepkarbantartó robot GépMax     2024-06-04 08:11:00     Mezőgazdaság Cégvilág Hulladék Robot Elektromos hajtású, autonóm gyepápolórobot, amely megkülönbözteti a hulladékot például a levelektől, vagy a rovaroktól. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Dune's Oscar-winning cinematographer Greig Fraser returns to the show with Oscar-winning editor Joe Walker to discuss the making of Dune: Part Two and their collaborations with Denis Villeneuve. We get details on shooting Feyd-Rautha's introduction on Giedi Prime with infrared lighting, cutting Paul Atreides and Feyd's final fight, and more. Stay tuned. We have more interviews on the making of “Dune: Part Two” coming! ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Cinematographer Oren Soffer sits down with us to discuss his influences, being mentored by Greig Fraser, IMAX, and his work on Gareth Edwards' THE CREATOR. It is a very entertaining and informative hour with Oren. oren_disscussion.mp3File Size: 53531 kbFile Type: mp3Download File [...]

Analisamos "Duna: Parte 2" (2024), de Denis Villeneuve, continuação da adaptação do clássico da ficção científica escrito por Frank Herbert. Discutimos onde o filme melhora em relação ao primeiro, seu ritmo, os novos personagens e a evolução da jornada do "herói" Paul Atreides. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Lançado pouco mais de dois anos após o primeiro filme, "Duna: Parte 2" retoma a história logo após Paul Atreides se juntar aos Fremen, com quem ele segue seu treinamento em meio à crença de que é o "escolhido" que colocará fim à guerra e guiará o povo de Arrakis à salvação. Porém, uma nova investida dos Harkonnen, agora liderados pelo psicótico Feyd-Rautha, pretende dominar de vez o planeta e escravizar seus habitantes. O roteiro foi escrito por Villeneuve em parceria com Jon Spaihts. A trilha sonora é novamente assinada por Hans Zimmer. A fotografia é de Greig Fraser e a montagem é de Joe Walker. O elenco de "Duna: Parte 2" tem o retorno de Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Javier Bardem, Dave Bautista, Stellan Skarsgård e Charlotte Rampling. As novidades são Austin Butler, Florence Pugh, Christopher Walken e Léa Seydoux. Sentam-se à mesa conosco para analisar "Duna: Parte 2": Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; Larissa Vasconcelos, jornalista, crítica e redatora do cinematório; Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do livro "Introdução ao Roteiro para Cinema", que pode ser baixado na bio do seu perfil Insólito Audiovisual. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast!

Cinematographer Greig Fraser, ACS, ASC doesn't see Dune: Part Two as a sequel, but as simply the second half of the Dune story. Shooting the second movie made Greig feel “emboldened, to make decisions that we may not have made in the first instance. We weren't necessarily considering how to outdo ourselves. I think the fact that we were kind of riding a wave- no pun intended- but a wave of success for that last movie.” Dune: Part Two was shot digitally on the ARRI ALEXA 35 and the ALEXA Mini LF then printed to 70 mm film in post production for the final print. Greig prefers the look of film to that of raw digital, but he doesn't feel like he has to shoot on film. He used a small set of spherical lenses that were easily transportable. Lighting for the movie included plenty of hard light and open shade, since most of Dune: Part Two takes place in the harsh desert sands of Arrakis. Greig chose to uplight in order to illuminate faces, because harsh sunlight would naturally bounce off the ground and reflect upwards onto the characters. “I think that the most important thing in this movie is that everything feels honest. When you're going to extremes in a story, if you're running a thousand foot long sandworm in the middle of the movie, which is obviously fantasy, then you've got to also fill it with reality and honesty. You can tell Denis' direction with the actors was absolutely honest. I needed to make sure that I had the same kind of approach for the lighting.” The production featured a massive crew, shooting in four countries: Budapest, Italy, Jordan and Abu Dhabi. The second unit was essential for staying on schedule. Greig also relied on his DIT to help him match shots across different locations, sometimes months apart. He often had to choose whether to shoot on the sound stage or outside on location for the desert sequences. Though filming outside was best for daylight, the reality is that real sand is messy, uncontrolled, and harsh on equipment. The huge sandstorm sequence was shot on the soundstage, which was pumped full of atmospheric haze and color graded in post to be sand colored. Greig enjoyed testing and using infrared black and white film for the gladiator-style fight scenes on Giedi Prime. He used a modified ARRI ALEXA 65 to shoot infrared. Since the people there have very pale white skin, he imagined that Giedi Prime has only infrared light from the sun, and no visible sunlight. Greig partnered with actor Josh Brolin to create a beautiful art book of photography called Dune: Exposures. It features photos he took on the set of Dune and Dune: Part Two, with prose written by Josh Brolin. You can find it at Insight Editions or on Amazon. Find Greig Fraser: Instagram: @greigfraser_dp Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

This week on the Cinematography Salon Podcast, we interview Greig Fraser, ASC, ACS, cinematographer behind "Dune" and "The Batman”. He discusses collaborating with directors, the challenges of adapting source material, and his innovative approach to integrating visual effects into storytelling. Through thought-provoking insights into Dune: Part Two and other highly regarded films in his repertoire, Greig touches on the creative and logistical challenges of bringing complex worlds to life through cinematography. If you are enjoying the podcast, please consider supporting our efforts on Patreon. Greig's Instagram | Website Peter's Instagram | Website Ava's Instagram | Website This episode is sponsored by Sandisk, Laowa and Fujifilm, with special thanks to AbelCine.

It's March, so that means it's time for the AIPT Movies podcast's “Get Your Ass to March” series! Where we cover movies that relate to the planet Mars and/or the 1990 sci-fi classic, Total Recall! In this week's episode, Alex, Tim, and Matt kick off the series by discussing another film set on that mysterious and alluring red planet, John Carpenter's 2001 space-action-horror flick Ghosts of Mars!Shocking deaths and beheadings! A deeply misguided attempt to impress a girl with one's can-opening skills! A flashback within a flashback within a flashback! Creepy Mars vibes and visuals that evoke the fear of a nightmare on a dead planet! Hot Topic space-zombies with muppet voices! A possibly-miscast Natasha Henstridge! Pam Grier! Young Jason Statham with some degree of hair! Ice Cube having a lot of fun at least! A somewhat misunderstood attempt at a crowd-pleasing blockbuster from legendary director John Carpenter, that continues his impressive and distinctive work as a composer, even if it's occasionally a little too metal for its own good!In addition, Tim and Alex share their spoiler-free thoughts on Dune 2, while Alex talks about another late-career John Carpenter joint, Escape from L.A.!Also, if you want to help support an exciting new movie from the director of Psycho Goreman and Manborg, check out the Kickstarter for Steve Kostanski's Deathstalker movie!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.

This week the boys discuss ‘Dune 2' a week after digesting Denis Villeneuve's epic film, we offer a few brief Oscars thoughts, then head back to film school for ‘Adaptation': Films of 2002. They discuss Charlie Kaufman writing himself into his script, Spike Jonze blessing the script during the filming of ‘Being John Malkovich'- How did he have time to read a script while directing a movie??-  John's close connection to Jonathan Demme's former producing partner, Jeff's college essay on the film, Brad Pitt's self-tape for the Chris Cooper role, Meryl Streep winning an AARP award, Nic Cage giving his two best performances, and whether or not Dave thinks the film is crap. We drink beer and keep it positive! 

Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro + ‘Dune 2'; 17:52 Oscars Reflections; 22:05 2002 in Film + ‘Adaptation'; 01:10:37 What You Been Watching?; 01:16:19 Next Week's Episode Teaser Additional Cast/Crew: Timotheé Chalomet, Zendaya, Rebecca Ferguson, Javier Bardem, Josh Brolin, Austin Butler, Hans Zimmer, Stellan Skarsgård, Charlotte Rampling, Léa Seydeux, Christopher Walken, Dave Bautista, Florence Pugh, Roger Yuan, Frank Herbert, Greig Fraser, Meryl Streep, Nicolas Cage, Brian Dennehy, Chris Cooper, Susan Orlean, Maggie Gyllenhaal, John Malkovich, Spike Jonze, Judy Greer, Curtis Hanson, David O'Russell, Litefoot, Doug Jones.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The Lion King, Pivot, Ross, Friends, Couch, NASA, Killers of the Flower Moon, Leonardo DiCaprio, Robert DeNiro, Martin Scorcese, Lily Gladstone, Jesse Plemmons, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.    

In this episode of Scenecraft, we break down the "Riding the Sandworm" sequence from Dune: Part Two (2024), directed by Denis Villeneuve. We are also joined by Greig Fraser, Cinematographer on the film, for his "Pro Take" at the end of the episode! Drop us a line at contact@scenecraftpodcast.com, or follow us on Instagram, X, TikTok, and Threads @scenecraftpodcast for the latest news on the show. YouTube soon to launch! — Show Notes — Quick Takes ~ 00:00:56 Drive Away Dolls (2024), Shortcomings (2023), The Piano Teacher (2001), Atlanta (2016-2022), Wonka (2023), Nyad (2023) Dune: Part Two (General Review) ~ 00:16:00 Scene Selection ("Riding the Sandworm") ~ 00:24:39 Pro Take (Greig Fraser – Cinematographer) ~ 00:53:26 Thanks for listening!

2-time Academy Award®-winning composer Hans Zimmer joins us on the podcast to discuss his work on “Dune: Part Two,” after winning an Oscar for his score to the first installment of the sci-fi franchise, directed by Denis Villeneuve. And like Denis, Hans had been dreaming about working on these films since he was a boy. And he also knew he wanted to take them in a less traditional direction, sonically:“These were the things which probably had been on my mind ever since I read the book. It's just… I never had the opportunity to try them. I could never understand why, in a science fiction movie — I loved them all — but why we would hear a sort of a European orchestral sound. Why the strings? Why the French horns? Everything else looked futuristic. Everything else was different. Except the music still stuck to the rules of the romantic period. I'm not criticizing it. There's nothing I love more than ‘Alien' or ‘Star Wars.' They're phenomenal things. But I saw my duty very much as going beyond that.”—Hans Zimmer, Composer, “Dune: Part Two”Be sure to check out “Dune: Part Two,” now in theaters, in Dolby Vision® and Dolby Atmos®, where available.Don't miss our previous episode this week, with “Dune” cinematographer Greig Fraser, available in our podcast feed. You can subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

The SOS VHS crew reviews Dune Part Two 0:00 Dune Popcorn Buckets & First Dune Movie Recap5:40 Jodorowsky's Dune9:52 Timothee Chalamet, Zendaya, & Christopher Walken13:55 Dune vs Dune 215:48 IMAX Opening Night17:18 Greig Fraser, The Batman, Rogue One20:32 Austin Butler's Feyd Rautha22:45 Lady Jessica, Worms, & the Water of Life28:08 Religious Symbolism, Lawrence of Arabia30:25 What is Spice?33:50 Denis Villeneuve, Hans Zimmer37:22 Our Favorite Scenes42:18 Paul Atreides vs Luke Skywalker46:12 Carlos Casted in Dune 349:44 David Lynch, Hawat, Colosseum Fight55:18 Television is Ruining Movies???57:50 Nicole Kidman's New AMC Ad59:23 Prisoners, Sicario, Arrival1:01:16 Best Sci-Fi Movie of the Century?1:03:29 Why You Should Go See Dune Part Two in Theaters Holler-out on SOS VHS at: https://holler.baby/sosvhs Join the 7EQUIS Discord: ⁠https://discord.gg/954zkYtPv8⁠ Follow Andres Rosende (aka Fancy from Bad Friends): ⁠https://www.instagram.com/fancyb.1⁠ Catch Andres every week on Bad Friends: youtube.com/@badfriends  Send us your SOS VHS  fan mail!SOS VHS c/o 7EQUIS LLCP.O. Box 5154Glendale, CA 91221 BUY THE EQUIPMENT WE USE!MICROPHONE: https://amzn.to/3WcEZnACAMERA: https://amzn.to/3ohqT7WHEADPHONES: https://amzn.to/3IqGY1PTRIPODS: https://amzn.to/3ohIigwSWITCHER: https://amzn.to/42eSyEs This is a 7EQUIS PRODUCTION ⁠https://www.7equis.netSee omnystudio.com/listener for privacy information.

Melbourne born cinematographer Greig Fraser talks about his work on the biggest film on the planet right now, Dune: Part Two. Palestinian filmmaker Lina Soualem on Bye Bye Tiberias, an intimate film about her mother Hiam Abass, a famous actress, and four generations of women and their shared legacy of separation. Plus, producer Nadim Cheikhrouha discusses  inventive Oscar nominated documentary Four Daughters, about a Tunisian woman whose two eldest daughters were radicalised by Islamic extremists. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Isabella TropianoExecutive producer, Rhiannon Brown

On this special LIVE episode of The Geek Buddies, John Rocha, Michael Vogel and Shannon McClung Spoiler Review DUNE PART TWO from director Denis Villenueve and Warner Bros. They'll talk all the acting, direction, storylines, directing, cinematography, score and what worked for them and didn't work for them. The film stars TIMOTHÉE CHALAMET, ZENDAYA, FLORENCE PUGH, JAVIER BARDEM, REBECCA FERGUSON, AUSTIN BUTLER, DAVE BAUTISTA, LEA SEYDOUX and JOSH BROLIN. The film is in theaters now! #duneparttwo #dune #warnerbros ____________________________________________________________________________________ Chapters: 0:00 Intro and Overall Thoughts on Dune Part Two 8:44 Paul Atreides's Storyline and Timothée Chalamet's Performance 15:55 Chani's Storyline and Zendaya's Performance 21:44 Jessica and Stilgar's Storylines with Rebecca Ferguson and Javier Bardem 30:20 Overall Storyline, Plot Points and Themes 43:41 Austin Butler, Florence Pugh, Christopher Walken and Anya Taylor Joy 56:10 Hans Zimmer's Score 1:00:02 Denis Villenueve's Direction and Greig Fraser's Cinematography 1:14:34 Streamlabs and Superchat Questions 1:40:34 Final Thoughts on Dune Part Two FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Learn more about your ad choices. Visit megaphone.fm/adchoices

Academy Award®-winning Director of Photography Greig Fraser, ACS, ASC, returns to the podcast to discuss his work on “Dune: Part Two.” The film is a stunning achievement, from both the technical and artistic standpoints, which benefitted greatly from being a continuation of his work from part one:“Whenever you do a movie, you've got to solve a series of problems... And a lot of the technical stuff had been solved for us in advance, because we'd done part one. So this allowed us the opportunity to dream a little bit. And I wouldn't say, ‘dream bigger.' But it allowed us to dream with more opportunity… We felt empowered that we were doing the right thing. At least, people were appreciating the job that we had done. And instead of having that paralyze us... We were able to make bold decisions and bold choices. Like the infrared photography on Giedi Prime and the eclipse scene. So we were able to do that a little bit more boldly.“—Greig Fraser, ACS, ASC, Director of Photography, “Dune: Part Two”Be sure to check out “Dune: Part Two,” now in theaters, in Dolby Vision® and Dolby Atmos®, where available.Don't miss our upcoming episode with “Dune” composer Hans Zimmer, by subscribing to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Previous podcast episodes with Greig Fraser:118 - Best Cinematography Nominees: Academy Awards 2022YouTube - https://youtu.be/9frtE4gEoy8Apple Podcasts - https://podcasts.apple.com/gb/podcast/118-best-cinematography-nominees-academy-awards-2022/id1549901182?i=1000554057034Spotify - https://open.spotify.com/episode/6OqK3Gl6rZcmfA6heBRYZa117 - The Cinematography of The BatmanYouTube - https://youtu.be/S2GkwC6neiUApple Podcasts - https://podcasts.apple.com/si/podcast/117-the-cinematography-of-the-batman/id1549901182?i=1000553525163Spotify - https://open.spotify.com/episode/5J1z9srezZiiAEAHln0GCpLearn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Why Do Hacks Feel the Need to Destroy Everything This week on the podcast, Brian and Darryl review the live-action Avatar: The Last Airbender Series from Netflix and the Warner Bros. feature film Dune: Part 2. Episode Index Intro: 0:07 AtLAB: 5:44 Dune Part 2: 37:28 Avatar the Last Airbender (Season 1) (Netflix) Out of 10 This Really is the Story of the Ember Island Players Darryl: 4.5/10 Brian: 4/10 Summary In the live-action adaptation of “Avatar: The Last Airbender” on Netflix, Aang, a young Airbender who has been frozen in an iceberg for 100 years, awakens to find the world ravaged by the Fire Nation. As the Avatar, the only individual capable of mastering all four elements (Water, Earth, Fire, and Air), Aang embarks on a journey to restore balance to the world. He joins forces with siblings Katara, a water bender, and Sokka, a talented Southern Water Tribe warrior, and together they face challenges and adventures as Aang trains to hone his bending abilities and fulfill his destiny. This remix of the beloved animated series bastardizes the core elements of the original story while presenting it through a live-action lens. Cast: Main Characters: – Aang: Gordon Cormier – Katara: Kiawentiio Tarbell – Sokka: Ian Ousley – Prince Zuko: Dallas Liu – Uncle Iroh: Paul Sun-Hyung Lee – Azula: Elizabeth Yu – Fire Lord Ozai: Daniel Dae Kim Supporting Characters: – Suki: Maria Zhang – Yukari (Suki’s mother): Tamlyn Tomita – Gran Gran (Katara and Sokka’s grandmother): Casey Camp-Horinek – Jet: Sebastian Amoruso – The Mechanist: Danny Pudi – Commander Zhao: Ken Leung Episodes Episode 1 Title: Aang Directed By: Michael Goi Written by: Albert Kim & Michael Dante DiMartino & Bryan Konietzko Episode 2 Title: Warriors Directed By: Michael Goi Written By: Joshua Hale Fialkov Episode 3 Title: Omashu Directed By: Michael Balfry Written By: Christine Boylan Episode 4 Title: Into the Dark Directed By: Albert Kim Written By: Keely MacDonald Episode 5 Title: The Southern Air Temple Directed By: Lauren Lynex Written By: Lauren Lynex Episode 6 Title: The Spirit World Directed By: Arun A. Mylvaganam Written By: Katie Lovejoy Episode 7 Title: Siege of the North Directed By: Bharat Nalluri Written By: Nicole Yoo Episode 8 Title: Crossroads of Destiny Directed By: Albert Kim & Jabbar Raisani Written By: Albert Kim & Katie Lovejoy Production Produced by (activist) Albert Kim Production Companies Netflix and Rideback Top Production Notes: Positives: Cinematography and Visual Effects: The live-action portrayal of the world is visually stunning, with impressive bending effects and detailed set design. Casting Choices: Some viewers find certain actors, particularly the young leads, to be well-cast and embody the characters’ personalities effectively. Negatives: Pacing and Storytelling Choices: Some critics found the pacing of the first season to be slow and felt the show condensed plot points from the original series, potentially hindering character development and impacting the overall story flow. Deviation from the Source Material: While some viewers appreciate the show’s attempt to adapt the story for a live-action format, others felt certain changes to the narrative or character arcs were unnecessary and took away from the essence of the original. Budget The budget for the live-action adaptation of “Avatar: The Last Airbender” on Netflix is reported to be $15 million per episode. This means the entire first season, consisting of eight episodes, reportedly cost $120 million to produce. Dune: Part 2 (2024) Out of 10 Why Did Lady Jessica Go Full Super-Villains Darryl: 6.25/10 Brian: 4/10 Summary Picking up after the events of the first film, Paul Atreides seeks refuge with the Fremen, the indigenous people of the harsh desert planet Arrakis. He continues to develop his prophetic visions and abilities, while also forming a bond with Chani, a young Fremen warrior. Meanwhile, the Harkonnens, House Atreides’s bitter rivals, remain in control of Arrakis and continue to exploit its valuable resource, spice. Paul grapples with the weight of his destiny and the potential for a violent future. He must navigate complex alliances and face difficult choices as he ponders the potential consequences of his actions. The film explores themes of revenge, destiny, and the struggle for power. It delves deeper into the intricate world-building of Frank Herbert’s original novel, introducing new characters and factions. Cast and Crew Director: Denis Villeneuve, who also co-wrote the screenplay with Jon Spaihts based on Frank Herbert’s novel. Main Cast: – Timothée Chalamet returns as Paul Atreides, the young heir who embraces his destiny among the Fremen. – Zendaya reprises her role as Chani, the Fremen warrior who becomes Paul’s love interest. – Rebecca Ferguson is back as Lady Jessica, Paul’s Bene Gesserit mother. – Javier Bardem returns as Stilgar, the leader of the Sietch Tabr Fremen tribe. – Josh Brolin portrays Gurney Halleck, Paul’s loyal warrior mentor. New additions to the cast include: – Austin Butler as Feyd-Rautha Harkonnen, the cunning nephew of Baron Harkonnen. – Florence Pugh as Princess Irulan, the Emperor’s daughter with a complex role to play. – Christopher Walken joins the cast in an undisclosed role. – Léa Seydoux as Lady Fenring. Other notable crew members: – Hans Zimmer returns to compose the score, building upon the unique soundscape established in the first film. – Greig Fraser serves as the cinematographer, capturing the vast landscapes and intricate details of Arrakis. Dune: Part Two – Production and Budget Production: – Development for Dune: Part Two began after Legendary Entertainment acquired the film and television rights for Dune in 2016. – Director Denis Villeneuve signed on in 2017 with the intention of making a two-part adaptation due to the novel’s complexity. – Originally, production contracts were only secured for the first film. The green light for the sequel depended on the first film’s success. – Despite Villeneuve’s concerns about the sequel’s green light due to the first film’s hybrid release (theatrical and HBO Max), it received the go-ahead, allowing them to move forward. – Filming for Dune: Part Two took place primarily in Jordan, Italy, and Hungary, with additional locations utilized as needed. Budget: – The estimated budget for Dune: Part Two is $190 million, which is significantly higher than the first film’s $165 million budget. – This increased cost can be attributed to several factors, including: – Expanding the scope of the story and world-building compared to the first film. – Bringing in new and established actors with higher salaries. – Creating complex visual effects and sets to bring the fictional universe to life. Infamous Shirts for Naked Bodies… You’ll feel “shirty” when you buy our gear from the Flying Pork Apparel Co. Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

On this SPECIAL EDITION of The Movie Podcast, Daniel and Anthony are joined by Academy Award-winning Cinematographer Greig Fraser for a discussion on all things DUNE: PART TWO. Greig is an acclaimed Australian cinematographer known for his visually stunning work on films such as "Lion" (2016), "Rogue One: A Star Wars Story" (2016), and "Dune" (2021), for which he won the Academy Award for Best Cinematography. He reunites with Director Denis Villeneuve for Dune: Part Two which is now playing exclusively in theatres by Warner Bros. Pictures. GET 50% FACTOR MEALS WITH CODE "MOVIEPOD50" (U.S. ONLY) Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.ca SUPPORT THE MOVIE PODCAST ON PATREON! Get a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcast Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Rotten Tomatoes, and Letterboxd Shahbaz on X, Instagram, Rotten Tomatoes, and Letterboxd Anthony on X, Instagram, Rotten Tomatoes, and Letterboxd The Movie Podcast on YouTube, X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-winning cinematographer Greig Fraser joins us for the release of Dune: Part Two! We are honored to welcome Greig on the show to not only discuss the making of Dune and its sequel, but the many incredible works from across his career. We go behind the scenes of the now iconic Darth Vader scene in Rogue One: A Star Wars Story, he details using The Volume on Matt Reeve's The Batman and so much more. ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greig Fraser, ACS, ASC, (born 3 October 1975) is an Australian cinematographer who studied at the RMIT University. His most well-known work includes the films Zero Dark Thirty (2012), Lion (2016), Rogue One (2016), Vice (2018), Dune (2021), The Batman (2022) and The Creator (2023). For his short film Cracker Bag he was nominated for Best Cinematography at the 2003 AFI Awards. For his work on Lion, he won the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases and AACTA Award for Best Cinematography and received Academy Award and BAFTA Award nominations. Fraser shot Rogue One on the Arri Alexa 65 large format digital camera and Panavision lenses from the 1970s, making it the first feature film shot entirely with the Alexa 65. Fraser said of working with the Alexa 65, "The images are sharper and have more resolution, and those things are an advantage, but for me it is about the depth of the image -- there is a three-dimensionality to it. Often the beauty came from the texture; we found that the camera excelled when we were filming something with texture; it really enhanced the quality of picture." Fraser returned to the Star Wars franchise with the 2019 television series The Mandalorian. In 2020, for his work on the series, Fraser won the Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series (Half-Hour). For his work on Dune he won his first Academy Award for Best Cinematography in 2022. Fraser said a feature of his work in that film was intentionally using simple compositions, "We tried to simplify the frames as much as we could. By doing that, we've been able to give the viewers that absorption of story and experience" and colour palette: "We tried quite hard to make sure that it all sat within a certain tone."

Production designer James Chinlund (THE BATMAN, THE AVENGERS, REQUIEM FOR A DREAM) joins us on this episode of the Team Deakins Podcast. Reflecting on his childhood, James recalls to us noting the relationship between crowds of worshipers and the inner sanctum of the Cathedral of St. John in New York while squirreled up above in its attic. While discussing James' earlier work, we consider the balance a set or location needs between stripping it to its bare essence for the scene while avoiding an overly minimal design more appropriate for the theater. As avid fans of THE BATMAN, we ask James how he worked with director Matt Reeves and cinematographer Greig Fraser over three years and through a global pandemic to bring Gotham to the screen in all its gloomy glory. James also reveals how he learned to overcome his mistrust of VFX while working on THE AVENGERS, and we ponder the future of production design amidst the current and looming advances in technology. - This episode is sponsored by Fiilex Instagram: @fiilexled

Oren Soffer explains shooting The Creator with Greig Fraser and Gareth Edwards.This episode is brought to you by Voice123, the best place to find voice actors for your projects:https://voice123.co/3LAb4BwOren Soffer is a rapidly rising cinematographer behind the stunning sci-fi film, The Creator.We brought him onto The FILM CRUX Podcast with Host DiAnté Jenkins to explain how he did the job without ever holding the camera, all in partnership with cinematography master Greig Fraser.OREN TALKS ABOUTHow he was brought onto The Creator with Greig Fraser.How they shot the movie like Gareth Edwards' first film, Monsters.How to make sci-fi feel real.Lighting the whole set, rather than just a shot.The inspirations for The Creator.Shooting an $80 million movie on the Sony FX3.How the director Gareth Edwards held the camera the whole time.What Oren would like to see in the future for cameras and lighting.His style, versus his taste.Still photography versus cinematography.Films every cinematographer should watch.And lots more...Subscribe so you don't miss our in-depth talks with the best filmmakers and creators in the world.And if you want to see some of the best AI tools for creators, check out this must-have list:https://voice123.co/3sBl47bIN THIS VIDEOVoice123Find the perfect voice actors for your projects:https://voice123.co/3LAb4BwFILM CRUX+Everything you need to make better films, all for just $10 a month:https://www.filmcrux.com/plus

In this inspiring episode, we sit down with Oren Soffer, the brilliant co-DP behind one of the most talked-about films of 2023, "The Creator." Oren takes us on a mesmerizing journey through the art of cinematography, sharing his insights from the film and discussing how his unique role as a co-DP came about. From his early inspirations to his work on this groundbreaking project, Oren delves into the creative process that shaped what eventually became "The Creator." Oren also discusses the unique and effective collaboration he had on this project with Greig Fraser and Gareth Edwards. We also address some burning fan questions with Oren!

It's the Born to Watch dynamic duo for 2022's The Batman. Whitey and Damo will take you to a place that feels familiar but by the end you will realise it's brand new. ENJOY"The Batman," directed by Matt Reeves and released in 2022, plunged audiences into a dark, rain-drenched vision of Gotham that feels both timeless and distinctly modern. This rendition of the iconic superhero sees Robert Pattinson donning the cowl as a brooding and introspective Bruce Wayne, a younger, rawer version of the character than we've seen in previous adaptations.Pattinson brings a nuanced vulnerability to the role, with his portrayal of Wayne as a reclusive and obsessive detective rather than a playboy millionaire, offering a fresh take that aligns well with the film's gritty aesthetic. This Batman is more of a methodical investigator than a seasoned crime fighter, and the film pays homage to classic noir films with its emphasis on detective work and mystery unraveling.The supporting cast delivers compelling performances, particularly Zoë Kravitz as Selina Kyle/Catwoman, whose chemistry with Pattinson is palpable and provides a dynamic counterpoint to Batman's brooding intensity. Jeffrey Wright as James Gordon serves as Batman's ally in a corrupt police force, and the duo's relationship is one of the film's strengths, rooted in mutual respect and shared goals.Paul Dano's Riddler is a highlight, reimagined as a chilling and sadistic serial killer whose riddles come with a deadly edge. The character's updated look and modus operandi reflect contemporary fears, and Dano's performance is deeply unsettling, standing out even in the crowded pantheon of Batman villains.The production design deserves special mention. Gotham City is rendered with such meticulous detail that it becomes a character in its own right, with the architecture and cityscapes creating a sense of claustrophobia and decay that complements the film's darker themes. The cinematography by Greig Fraser is exceptional, using shadow and light to create a hauntingly beautiful backdrop for the action.Michael Giacchino's score adds to the film's intense atmosphere, with a haunting theme for Batman that perfectly encapsulates the character's sense of mission and torment. The action sequences are well-crafted, particularly a high-octane car chase that stands as one of the film's most memorable set pieces.However, the film is not without its weaknesses. At over three hours, the runtime might feel excessive to some, and the film's pacing suffers at times, occasionally getting bogged down in its own complexity. Some viewers might also find this version of Batman's world to be overwhelmingly bleak, lacking the moments of levity or hope often found in superhero films.Overall, "The Batman" offers a deep dive into the psyche of its titular character and presents a version of Gotham that feels more realistic and threatening than ever. It's a film that's sure to resonate with fans who prefer their superhero tales moody, atmospheric, and introspective. This is not just another Batman movie; it's a compelling exploration of justice, corruption, and the thin line that separates heroes from villains.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

Garth Davis is a director from Melbourne whose credits include the 6-time Oscar nominated Lion (2016), Mary Magdalene (2018), episodes of Jane Campion's show Top Of The Lake, and most recently Foe (2023). This episode we chatted about his beginnings in directing commercials, his first documentary feature in 2000 (one of Greig Fraser's first projects as DOP), his long-standing collaboration with previous Sound Perspective guest Robert Mackenzie, and his newest film, Foe: a heady blend of sci-fi and drama starring Paul Mescal and Saoirse Ronan in a dystopian future Earth. Foe is currently in cinemas in Australia, and will soon be streaming on Amazon Prime. Follow me on Instagram and Letterboxd @alfiefaber Follow the Sound Perspective Podcast on Facebook https://www.facebook.com/soundperspectivepodcast

Welcome to another exciting episode of "In Love with the Process." Today, we take a deep dive into the spectacular success of a Hollywood film built on an original intellectual property. This film not only pushed the boundaries of CGI effects but also sought to create an environment that could capture the lightning of inspiration. Returning to the show is the talented co-cinematographer of the epic sci-fi masterpiece, "The Creator," Oren Soffer. In this conversation, Oren shares the remarkable story of how he was brought into this project by his mentor, the renowned Greig Fraser, ACS, ASC, for a venture that was truly groundbreaking in the world of cinematography. We go beyond the technical details that often dominate discussions about filmmaking. Instead, we explore director Gareth Edwards' mission, which was to prioritize finding the most authentic performances. The journey took us to the lush landscapes of Thailand for a grueling 90-day shoot that felt more like an indie film than a blockbuster epic. In a departure from other podcasts, we don't ask Oren about the specific camera equipment used in the film. Instead, we aim to transport our listeners to that once-in-a-lifetime experience. Join us as we delve deep into the sensations, emotions, and experiences of being on the set, and the immense creative process behind crafting a modern-day cinematic masterpiece. Tune in to get an insider's perspective on the magic of "The Creator" and discover how it feels to be part of a project that redefines the boundaries of visual storytelling and filmmaking. --------------------------------- Go to inlovewiththeprocess.com to see trailers and clips! ►The Creator: https://www.20thcenturystudios.com/movies/the-creator ►Oren's Instagram: https://www.instagram.com/orensofferdp/ ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music from: ►Mitch Murder ►Code Elektro The Episode is Sponsored by ► bokehrentals.com/ ► Puget Systems: https://puget.systems/go/ILWTP ► Fotodiox: fotodioxpro.com/ ► FujiFilm: fujifilm-x.com/ ► FujiFilm Shop: bit.ly/3Q2zTHw ► FujiFilm Refurb: bit.ly/3I9NLh4 ► FujiFilmX-H2S: bit.ly/3i22hN5 ► Black Magic: www.blackmagicdesign.com/

Filmmaker Gareth Edwards and co-cinematographers Greig Fraser and Oren Soffer embraced the unconventional while making the new science fiction movie The Creator. From the camera used, to how it was shot, to the visual effects, the team brought together film techniques both new and old. It's rare to have two cinematographers working on the same film, but Greig Fraser had a set date to begin prepping for Dune and could not be on location in Thailand for shooting The Creator. Gareth was the co-writer, director and camera operator on the film, and Greig knew Gareth needed support prepping the camera and lighting each location. Greig enjoyed the close collaboration with another cinematographer while shooting the series The Mandalorian and he knew having a second DP would be the ideal situation for shooting The Creator. Cinematographer Oren Soffer was brought in, and Oren, Gareth and Greig all prepped the film together, discussing in detail how Gareth wanted to tell the story. Once shooting began, Greig was tasked with managing the LUT and screening the dailies in a Los Angeles theater, while Gareth and Oren managed the day to day on set. Oren and Greig would talk every day about lighting setups, and they both appreciated having another DP around for feedback and ideas. With a collaborator, they both felt like working on the film was less stressful and it led to better creativity. As Greig told us in his interview with The Cinematography Podcast in 2022, The Creator was shot on a Sony FX3. The FX3 is a very affordable, small, lightweight camera that Gareth was familiar with. It was easier for him to move around handheld, explore his shots, and have the freedom to interact with his actors. Gareth's approach to The Creator was documentary-style, much like his first film, Monsters, but it was important to him that it still looked composed like a film. The FX3 could deliver a quality image at the level they needed for color grading and for visual effects company Industrial Light & Magic to add VFX. Oren points out that if a camera can deliver an image quality that looks like what you want, and fits the technical specifications you need, then any camera the director or DP chooses is the right tool. The images shot on the FX3 did have a lot of digital noise at higher ISOs, but this was a look they embraced for its similarity to film grain. The tools a cinematographer uses will continue to evolve and unlock more creativity. With advances in post production and lighting technology, how the image is made matters a lot less. The most important thing to consider is how does the audience respond to the film? Is the cinematographer doing their job as the storyteller? For his part, Greig likes to know about all the tools available to tell the story, and he wants to have enough knowledge about what's possible to pass on to a director when he's asked. While shooting The Creator, Gareth would let the crew know the general story beats they needed for the day, but he would not share the shot list- it was a reference he kept for himself, so that he could shoot on the fly in an improvisational manner. As the operator, he didn't need to spend a lot of time explaining the shots he needed to get, or rely on storyboards. Since the visual effects were designed after the footage was shot, the storyboards only acted as a reference. Gareth wanted all of the pieces, including the action, to have the energy of spontaneity. Oren was able to “set up the sandbox for him and the actors to play in. It meant lighting more broadly, but we would know which direction he'd be shooting, and augmenting it on a shot by shot basis with small LED lights or a helios tube on a boom pole. It was like growing a film in a pot of dirt in your backyard.” For the visual effects on The Creator, Gareth chose to be very sparing in his use of 3D special effects., spending the budget only when it was needed to render detailed objects like the robots.

Send us your fan mail :)The Creator directed by Gareth Edwards is one of my most anticipated films of the year. With big names like Greig Fraser and Hans Zimmer also being involved it's one of the most unique and probably overlooked films of 2023.X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Hey everyone... its been a couple of weeks but I am back with a review of the latest (and first in a while) ORIGINAL Sci-Fi blockbuster - The Creator - directed by the director of Rogue One and Godzilla. This is a film that has been on my radar ever since they 20th Century Studios put out the first trailer because I was just stunned by the visuals and that Disney and 20th Century genuinely let Gareth Edwards make an original, big budget film. It's also partially shot where I live! The film has now released in theaters worldwide and in this episode, I'll be giving you all my thoughts on it. Enjoy! The Creator: Directed by: Gareth Edwards Screenplay by: Gareth Edwards, Chris Weitz Story by: Gareth Edwards Produced by: Gareth Edwards, p.g.a., Kiri Hart, Jim Spencer, p.g.a., Arnon Milchan Music by: Hans Zimmer Cinematography by: Greig Fraser, Oren Soffer Edited by: Hank Corwin, Scott Morris, Joe Walker Casting by: Jina Jay Production Design by: James Clyne Cast: John David Washington, Gemma Chan, Ken Watanabe, Sturgill Simpson, Madeleine Yuna Voyles, Allison Janney Synopsis: Amid a future war between the human race and the forces of artificial intelligence, Joshua, a hardened ex-special forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war—and mankind itself.

Welcome to Multiverse News, Your one-stop-shop for Information about all your favorite fictional universes. As of Sunday, the Writers Guild reached a tentative agreement with the Alliance of Motion Picture and Television Producers to end its strike after nearly five months. The parties finalized the framework of the deal Sunday when they were able to untangle their stalemate over AI and writing room staffing levels. This is welcome news to everyone involved no doubt and hopefully means the actor's strike will soon follow suit. The first trailer for the upcoming three-episode Doctor Who 60th Anniversary Special has premiered to excited Whovians everywhere. The trailer features David Tennant portraying a reincarnation of his Tenth Doctor who reunites with his companion Donna Noble played by Catherine Tate, as well as Jemma Redgrave reprising her role as Kate Lethbridge-Stewart, and Neil Patrick Harris will play The Toymaker, an all-powerful villain who first appeared in 1966. We also get a short glimpse of the new Fifteenth Doctor, played by Rwandan-Scottish actor Ncuti Gatwa. The special series begins streaming in November. For reasons unknown to many, a reboot of the U.S. version of The Office is rumored to be in the works. Original creator Greg Daniels is reportedly returning and has previously hinted at bringing the show back, but with different actors in the roles. Daniels has also been quoted as saying he envisioned it as a quote “extension of the universe…but I don't know if that would be something people want…” end quote. In a recent podcast interview, screenwriter David S. Goyer let loose some interesting info about the Christopher Nolan Batman films, stating that he vouched for Jake Gyllenhaal to portray the titular character of Bruce Wayne/Batman. Goyer continued to tantalize saying that he is pretty sure there is test footage laying around somewhere of Gyllenhaal's audition in a Batman costume. We also could have had a Leonardo DiCaprio version of The Riddler, if an unnamed Warner Bros. executive had gotten their way. The Dark Knight trilogy is often lauded as some of the best feature films of the Caped Crusader. Amazon has announced that its Prime Video service will feature limited ads beginning in early 2024 and the ad tier will be the default option for Prime Video. The company says the price of a regular Prime subscription won't rise next year, but users who want to continue watching Prime Video without commercials will have to pay an extra $2.99 per month. Paramount has set a release date for its untitled sequel to the surprise horror hit Smile. It will be released Oct. 18, 2024. Paramount also set a date for the musical adaptation of Mean Girls, which will debut on Jan. 12, 2024. It previously was intended for Paramount+ but has been upgraded to a theatrical release. Lionsgate has released a new trailer for The Hunger Games prequel film Hunger Games: The Ballad of Songbirds and Snakes. The film is set to hit theaters on November 17th, despite the ongoing actor's strike. During what is expected to be the worst weekend for theatrical ticket sales so far this year, Expendables 4 landed only $8.3 million in its opening weekend, representing the worst opening for a film in the franchise. It was narrowly bested by The Nun II, which continues its reign at the September box office. Gareth Edwards' hotly anticipated sci-fi epic The Creator has finally been unveiled for its first audience, with a press screening taking place last week. Judging by the early social media reaction from journalists and critics, there is almost universal praise for the way The Creator looks and the stunning work of cinematographers Oren Soffer and Greig Fraser. Many of those who saw the film last Monday described it as one of 2023's best films. The movie releases this week on September 29th.

Merriam-Webster's Word of the Day for September 23, 2023 is: tenebrous • TEN-uh-brus • adjective Tenebrous is a formal word that is often used as a synonym of gloomy. It also can be used to describe dark, unlit places (as in “the tenebrous abyss”) or things that are difficult to understand (as in “a tenebrous tangle of lies”). // The neighborhood children made sure never to approach the abandoned mansion, which sat tenebrous and foreboding at the top of the hill. // A horror film seems incomplete without someone running through a tenebrous forest or alley. See the entry > Examples: “On the heels of Greig Fraser's spectacular work on Dune, the cinematographer gives the film a moody, tenebrous look to match the tortured pit of Batman's soul, and production designer James Chinlund's world-building is first-rate, weaving together elements from real cities and sets to form a Gotham that resembles New York while establishing its own gritty, gothic identity, pulsing with menace and mystery.” — David Rooney, The Hollywood Reporter, 28 Feb. 2022 Did you know? Tenebrous can mean both “obscure” and “murky,” but its history is crystal clear. Etymologists know that the word comes from the Latin noun tenebrae, meaning “darkness.” Tenebrous has been used in English since the 15th century, and in subsequent centuries has been joined by some interesting and even less common relations. Tenebrionid is the name that may be given to any of at least 20,000 species of mostly nocturnal beetles, also called darkling beetles, many of whom love inhabiting dark places. Tenebrism refers to a style of painting—associated especially with the Italian painter Caravaggio—in which most of the figures are engulfed in shadow while some are dramatically illuminated by concentrated light. And let's not forget the terrific tenebrific, a tenebrous synonym.

On this episode of the Team Deakins Podcast, we're sharing the rest of our previously live-streamed conversation between Team Deakins and cinematographer Greig Fraser diving into his work on THE BATMAN. We start by talking all things lighting, and Greig shares how he and his team used non-film light fixtures to achieve a natural look in the film. We later discuss the importance of on-set chemistry and how a great attitude can outweigh experience when crewing. Greig shares how his team worked to match the menace of the Batmobile with the truck in Steven Spielberg's DUEL and how closely he worked with the art department during production. Greig also reveals which light best complimented Zoë Kravitz's makeup, and he pulls into focus the potential applications of an adjustable depth of field in the Volume lighting system.   A link to the images mentioned in the episode can be found here. - This episode is sponsored by Dallas Film Commission & Falca Instagram: @dallasfilmcommission & @falcagram

On this episode of the Team Deakins Podcast, we're sharing the first half of our live-streamed conversation between Team Deakins and cinematographer Greig Fraser focusing on his work on THE BATMAN. Greig describes to us what drew him to work on the project in the first place and how, even with COVID delays, he and director Matt Reeves still needed more time to prep. Greig reveals the early conversations he had with Matt about the potential applications of the Volume lighting system and how the interactivity of their intended lighting design precluded the use of bluescreen. We later consider the emotional impact of time of day and, in the face of recent technological advances, the irreplaceability of real actors. We discuss the film's strength as a character piece and how those characters informed Greig's design decisions, and we also pull back the cowl on the practicality of superhero capes.   A link to the images mentioned in the episode can be found here. - This episode is sponsored by Falca & Dallas Film Commission Instagram: @falcagram & @dallasfilmcommission

On this episode: The gang weighs in on their Oscar prediction, and Tyler gives us the downloads on The Razzies. PLUS! The reboot movie that none of us expected, and not another Teen cartoon movie?? In news: Truancy, Mountain Dew, N-word pass, 2023 Oscars, Angela Bassett, Black Panther: Wakanda Forever, Hong Chou, The Whale, Kerry Condon, The Banshees of Inisherin, James Lee Curtis, Everything Everywhere All At Once, Stephanie Hsu, Brendan Gleason, Ke Huy Quan, Bryan Tyree Henry Causeway, Judd Irish, The Fabelman's Barry Keoghan, Cate Blanchett, Tar, Ana De Armas, Blonde, Andrea Riseborough, To Leslie, Michelle Williams, Michelle Yeoh, Auston Butler, Elvis, Colin Farrel, Brendan Fraser, Paul Mescal, Aftersun, Bill Nighy, Living, Eddie Murphy, The Nutty Professor, Martin McDonagh, Daniel Kwan, Daniel Scheinert, Steven Spielberg, Todd Field, Ruben Ostlund, Triangle of Sadness, Interesting Ball, Pockets, All Quiet on the Western Front, Avatar: The Way of Water, Top Gun: Maverick, Women Talking, Hugo, The Artist, Slide fight, The Batman, Greig Fraser, Anya Taylor Joy, Emma Stone, Jennifer Lawrence, The Razzies, Jake Lloyd, Star Wars, Ryan Kiera Armstrong, Firestarter, Blonde, Marilyn Monroe, Jared Leto, Morbius, Tom Hanks, Adria Arjorna, Machine Gun Kelly, Colson Baker, Mod Sun, Good Mourning, Andrew Dominik, Netflix, The Room, Bob Odenkirk, Johnny, Tommy, Slash Film, James Franco, Bob Odendirk, AmFar, The Room, Teenage Mutant Ninja Turtles: Mutant Mayhem, Into the Spiderverse, Seth Rogan, Nicholas Cantu, The amazing World of Gumball, Brady Noon, Mighty Ducks, Good Boys, Shaman Brown Jr. Micah Abbey, Jackie Chan, Giancarlo Esposito, John Cena, Paul Rudd, Natasha Demitrio, What We do in the Shadows, Rose Byrne, Post Malone, Hannibal, Ice Cube, Maya Rudolph, Ibris Elda, The Office, The Dark Tower, Puss in Boots: The Last Wish, Quentin Tarantino, Vanilla Ice, Michael Bay, Beau is Afraid, Super Mario BrothersVisit the Indie GoGo for Joseph's new project: Raven's Landing https://www.indiegogo.com/projects/raven-s-landing#/ http://www.MCFCpodcast.comhttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/ Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:Javier  Listener Stephen: The Maple Syrup Don  Joel Shinneman  Linda McCalister  Heather Sachs  https://twitter.com/DorkOfAllDorks  Ryan  CorbinJason  https://www.forcefivepodcast.com/  Brendan BealChris GeigerJoseph Navarro    Pete Abeytaand Tyler Noe    Streaming Picks:Puss in Boots: The Last Wish - PeacockLittle Women - StarzThe Madalorian - Disney+Cobra - HBO MaxWe Have a Ghost - NetflixThe Man From U.N.K.L.E. - HBO MaxMarcel The Shell with Shoes on - Showtime

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery. He also is currently shooting Michael Mann's biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher's The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher's passion project Mank, chronicling the screenwriter Herman Mankiewicz's turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt's meticulous and striking black and white recreation of the period's aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher's hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.

The new Showtime series Let the Right One In expands on the ideas introduced in the now-classic 2008 Swedish horror movie and the American remake. A man, Mark Kane (Demián Bichir) and his tween daughter, Ellie (Madison Taylor Baez) move in to a New York City apartment, where she befriends the lonely, bullied boy down the hall. But she has a huge secret that her father helps her keep- she is a child vampire who must survive on blood and can't go outside in the daytime. The series Let The Right One In explores the relationships and conflicts within families, the horror of vampires, and brings in new characters, crimes and mysteries to add layers to the story. Cinematographer Eric Branco had seen the original Let The Right One In, shot by legendary DP Hoyte van Hoytema, as well as the American version, Let Me In, lensed by none other than Greig Fraser, and it remains one of Eric's favorite movies. He was thrilled to have the opportunity to bring his own look and feel to the story and make it his own. Eric focused on the idea that for the young vampire girl, the indoors is safe and the outdoors is not, so the home features very warm light with lots of yellows, while outside is a shadowy, cool blue and green. He also played with the natural contrast of light between night and day. At night, it was important to play up the danger and horror elements with action taking place in shadows and tunnels, with yellow streetlights selectively showing bits and pieces, building suspense. Let The Right One In is much wider in scope than the movies, featuring many other storylines and locations, which created its own challenges. Eric and the crew had to work within the time constraints for the child actors, especially at night. Planning, blocking and rehearsal became an essential part of some shoot days. When they were shooting the pilot, they had to wait until dark, during the summer solstice- the longest day of the year. That left them with about 2 ½ hours to shoot with the lead actress, Madison Taylor Baez. The most challenging day for Eric was when they did a night shoot at Coney Island with very limited time on the Wonder Wheel with the actors. He and the camera department planned extensively and strategically placed cameras all over to cover all of the action, after several scouts and extensive rehearsals before dark. Eric says that when you have to work with that many cameras and with so much riding on timing and coordination, it becomes more like a team sport and it feels amazing to pull it all off. Eric also likes to have an open, trusting relationship with the actors and let them have more freedom of movement within the frame to explore their characters and enhance their performances. Eric thinks the trust is built on the DP's end, especially when you're shooting something in an unconventional way like on Let The Right One In. Let The Right One In is currently on Showtime. https://www.sho.com/let-the-right-one-in Find Eric Branco- Instagram: @ericbranco Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep189/ Hear Eric's previous interview on The Cinepod: https://www.camnoir.com/ep95/ Sponsored by ARRI: https://www.arri.com/en Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Mark Mangini and Theo Green dive into the intricate layers of building the sound for Dune and how they helped create a science-fiction universe grounded in reality… In this episode, we talk about… Getting the Blade Runner band back together  What it was like experiencing sand dunes for the first time   Running reconnaissance for sound team members and resources The multiple layers of editing production sound and actors' dialogue  Creating the structure of language and sound palette for Dune  The process of building the ancestral skill of the Bene Gesserit voice  Beauty of discovery and finding balances for clouds of voices  Documentary realism and a universe that we acoustically recognize  Creating 3200 bespoke sounds to achieve analog reality Thematic approach to universe building and communication  How worm vocalizations were born and developed   Links to Resources:  Previous Mark Mangini Episode: https://megaphone.link/NNLLC2924908228 Episode with Greig Fraser and Joe Walker (dp and editor of Dune) https://megaphone.link/BLU5444028269 Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube  https://www.youtube.com/user/nofilmschool  Instagram https://www.instagram.com/nofilmschool   Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices