Podcast appearances and mentions of joel mcneely

In today's episode, we are extremely honored to be joined by Carl Schultz, who is one of the most talented and distinguished Australian directors of all time. In his first ever exclusive Young Indy interview, he reminisces about some of his most memorable behind-the-scenes stories from directing Passion for Life, Spring Break Adventure, Love's Sweet Song, Treasure of the Peacock's Eye, and Mystery of the Blues. During this casual and compelling conversation, he discusses the early stages of casting, his incredible expeditions in Kenya and Thailand with native tribes, and how he brought jazz music to life with Joel McNeely. Opening music excerpt was composed by Joel McNeely and is titled "Countryside Courtship"

A TELJES ADÁS MP3 FORMÁTUMBAN: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view Spotify playlist a hallott dalokról: https://open.spotify.com/playlist/5DV1BGW8HwBTo7PWl20B8r?si=3e4fc7fab3684152 A Tune Up Radio 255. adását hallgathatjátok, melyben 2023 (szerintünk) legjobb filmzenéiről beszélgetünk. Résztvevők: Ákos, András Intro (0:00) Joby Talbot & Neil Hannon: Wonka (0:16:18) Stephen Barton & Gordy Haab: Star Wars Jedi: Survivor (0:32:32) Lorne Balfe: Dungeons & Dragons: betyárbecsület (0:51:06) Natalie Holt: Loki 2. évad (1:09:35) John Debney & Joel McNeely & Andrew Cottee & Kevin Kaska & Bruce Broughton: Orville (1:25:38) Joe Hisaishi: A fiú és a szürke gém (1:41:20) Masayoshi Soken: Final Fantasy XVI (1:50:32) Ludwig Göransson: Oppenheimer (2:04:50) Kevin Kiner: Ahsoka (2:19:58) Sonya Belousova & Giona Ostinelli: One Piece (2:38:14) Daniel Pemberton: Pókember: A pókverzumon át (2:57:22) Legjobban várt zenék 2024-ben (3:11:11) Támogass minket Patreonon: https://www.patreon.com/radiotuneup SOUNDCLOUD https://soundcloud.com/radiotuneup SPOTIFY https://open.spotify.com/show/6g69TlNlr7jk0ojcM05aAb APPLE PODCASTS https://podcasts.apple.com/hu/podcast/tune-up-radio-podcast/id1460229855?fbclid=IwAR0kyH86OgonL8mzsAfFnDCQHDIVEvQcyUX8wD8BA-vL5h5Lk9di3Dp12Ko MP3 LINK: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view A Tune Up Radio Soundboardot a Google Play Store-ban találjátok, vagy ezen a linken keresztül tudjátok letölteni: https://play.google.com/store/apps/details?id=com.B13Soft.tuneupradio_soundboard Webes változat: https://bbbotond.github.io/tuneup-soundboard/ Facebook: https://www.facebook.com/radiotuneup/ Twitter (X): @radiotuneup Ákos Twitter (X) fiókja: @lennoxasaki András Twitter (X) fiókja: @AndrasUp E-mail: tuneup314@gmail.com

Welp, it took me almost 8 months to get this done, but here it is. This is the final part of my four-part journey through the scores of 2022. On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods presents his top five favourite scores in 2022. You'll hear music from Grant Kirkhope, Gareth Coker, Yoko Shimomura, Abel Korzeniowski, Bruce Broughton, Joel Mcneely, Kevin Kaska, Simon Franglen, and Bear McCreary. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The Orville: New Horizons soundtrack has arrived, and we talk to The Orville composer Joel McNeely about his work on the season (and recording an orchestra in a pandemic), collaborating with Seth MacFarlane, and more! Join us each week for a discussion of the themes, morals and messages in each episode of "The Orville." Follow @ML_TheOrville on Twitter and be sure to check out podcasts.roddenberry.com

It's surprise listener request week! We were lined up to cover James Newton Howard's score for the Devil's Advocate when we received a listener email with a list of requested films we really should be covering, one of which was of course the Avengers! In gratitude, we decided to shift our schedule and take it on, so please, please enjoy The Avengers, with music by Joel McNeely!

We're getting deep into the Battle of Hoth today! This is minutes 26-30 of The Empire Strikes Back with composer/orchestrator Dominic Sewell. The quickie topic is a primer on the anatomy and function of a score.  To follow along with the visuals in this episode, I recommend checking out the video version (or just spot checking the areas you want to see): https://youtu.be/oOvHkaciOVk  Timestamps: 00:00 - Hello there! 2:10 - What stands out to you about the Battle of Hoth? 8:26 - Who is the greatest 20th century composer? 10:30 - Quickie topic: Anatomy and function of a score. 16:05 - Start of these minutes. 18:51 - Contrapuntal fudge. 28:18 - Frank Lehman's breakdown of the Battle of Hoth themes from a-z. 32:46 - Cool things about octatonic scales and John Williams's use of them. 45:42 - Military preparation theme (e) 48:00 - "One is okay, two is memorable, three is too much." 54:05 - Optimistic Walton-esque theme (h) 1:01:07 - Increasing rhythm, momentum, texture before big crescendo. 1:03:35 - Start of 3M3 "The Snow Battle" 1:10:30 - Pitch class sets, Forte numbers, using the pitch-class set calculator. 4-19, 6-z19, 5-32, 8-28, etc... 1:26:29 - “Fingers are not to be despised: they are the great inspirers, and, in contact with a musical instrument, often give birth to subconscious ideas which might otherwise never come to life.” -Stravinsky 1:29:10 - Alpha chords. 1:38:47 - What JW wrote about this cue in the liner notes ("bizarre, mechanical, brutal...") 1:49:10 - "The rub" + Why are minor seconds and major sevenths "the same?" 2:00:14 - "Into the Maw" from Solo: A Star Wars Story. 2:06:13 - Cluster splurge. 2:13:33 - Diverging outline. 2:19:01 - Filigree, frills, and trills. 2:23:41 - 6-20 classic hexatonic set. 2:31:40 - Philosophical question: how do you decide the boundaries of the set you're analyzing? 2:36:46 - The Hoth sequence contains nearly all of John Williams's action hallmarks. 2:45:38 - SWMM Questionnaire References: Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Analysis Through Composition - Principles of the Classical Style (book by Nicholas Cook) - https://searchworks.stanford.edu/view/3425258 Vaughan Williams: Fantasia on a theme by Thomas Tallis Orb and Sceptre (William Walton) - https://youtu.be/v6qjUdaDE_Q Crown Imperial March (William Walton) - https://youtu.be/1M9xZlA2zn8 Dominic's video intro to pitch class set theory: https://youtu.be/Am2KLFMGuvw Pitch-Class Set Calculator: https://www.mta.ca/pc-set/calculator/pc_calculate.html List of set classes: https://en.wikipedia.org/wiki/List_of_set_classes Petrushka (Stravinsky) - https://youtu.be/jeSC0vtdn3g David Matthews piece: The Golden Kingdom song cycle, "Spell of Creation" movement - https://www.fabermusic.com/shop/the-golden-kingdom-p3081 Mussorgsky: Night on Bald Mountain - https://youtu.be/SLCuL-K39eQ Mickey Mouse (2013) series, music by Christopher Willis - https://www.youtube.com/watch?v=yNdhDq-DF8k&list=PLIUzyJZLGeBM2mB9MaXtfzCxHRZ6s8PIl Mark Richards's film scoring courses: https://filmmusicnotes.com/all-courses/ https://en.wikipedia.org/wiki/Mickey_Mouse_(TV_series) The Music of The Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores (by Doug Adams) - https://www.goodreads.com/en/book/show/8882617 Check out Dominic Sewell's channel to see more analysis with video walkthroughs of these cues: 3M2 Leia's Instructions (final segment) - https://youtu.be/DThcEWb_CoE 3M3 The Snow Battle - https://youtu.be/fIHn1e521DY 3M4/4M1 Luke's First Crash - https://youtu.be/dfKjTX7gpNs  Cues in these minutes: 3M2 "Leia's Instructions" 3M3 "The Snow Battle" 3M4/4M1 "Luke's First Crash" Musical Themes: 2. Rebel Fanfare 18) Descending Heroic Tetrachords 1a. Main Theme (A Section) 13. Droids Where are we in the soundtrack(s)?: "The Battle Of Hoth (Ion Cannon/Imperial Walkers/Beneath the" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Transporting. Transforming. Transcendental. 2. What's something related to Star Wars music or sound that you want to learn more about? Dom would like to talk to John Williams about what his teachers taught him. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Lord of the Rings - Howard Shore Doctor Who (TV series) - Murray Gold The Orville (TV series) - Bruce Broughton (main theme), Joel McNeely, Andrew Cottee, John Debney, and Kevin Kaska Death of Stalin - Christopher Willis --------------- Guest: Dominic Sewell Website: https://dominicsewell.co.uk YouTube: https://www.youtube.com/c/DominicSewellMusic Twitter: https://twitter.com/dominicsewell Patreon: https://www.patreon.com/DominicSewellMusic ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

In today's episode, we are extremely honored to be joined by René Manzor, who is an outstanding French director, screenwriter, and novelist. In this captivating interview, he reminisces about some of his most memorable behind-the-scenes stories from directing Verdun, 1916 and Paris, 1908. During this casual and compelling conversation, he discusses the importance of visual storytelling in order to emphasize the theme of a script, his incredible collaboration with Rick McCallum to recreate the battle scenes of Verdun, and how an unexpected accident became the best deleted scene of his career. Opening music excerpt was composed by Joel McNeely and is titled "Remembering Verdun"

Synopsis “This highway leads to the shadowy tip of reality: you're on a through-route to the land of the different, the bizarre, the unexplainable... Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination…” Next stop The DATEBOOK Zone. OK, all kidding aside, but “submitted for your approval” as Rod Serling would say, this is the COMPOSERS DATEBOOK for September 30th. I'm John Birge. On today's date in 1960, the second season of “The Twilight Zone,” — the legendary TV series created by Mr. Serling — began airing on CBS. For this, the producers added a new signature theme written by Marius Constant, a Romanian-born French composer. Constant had studied composition with Olivier Messiaen, Arthur Honegger, and Nadia Boulanger and had a very respectable career as a composer and teacher, but he's best known for his brief, but iconic, “Twilight Zone” theme. During its five-season run, that show also employed the talents of other famous composers, including Jerry Goldsmith, Leonard Rosenman, Fred Steiner, and Franz Waxman. And in case you're wondering who wrote the theme for the FIRST season of “The Twilight Zone,” well, that was another famous Hollywood composer by the name of Bernard Herrmann. Music Played in Today's Program Marius Constant (1925-2004): The Twilight Zone Main Theme (2nd version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087) Bernard Herrmann (1911-1975): The Twilight Zone Main Theme (1st version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087)

Tracklist :Brandy - Top of the World ft. Ma$eTristesse Contemporaine - EnglandJockstrap - Greatest HitsRochelle Jordan - Lay (Machinedrum Remix)Overture (North by Northwest) - Bernard Herrmann, Joel McNeely & Slovak National Symphony OrchestraAndre Bratten - The Little Things, Fools and KingsRiuchi Sakamoto - A Hearty BreakfastRiuchi Sakamoto - The SeedRiuchi Sakamoto - Ride, Ride, Ride (Celliers' Brother's Song)Riuchi Sakamoto - Merry Christmas Mr.LawrenceThe Kinks - Sunny Afternoon Matia Bazar - Solu TuLa Femme - Sur la planche 2013Major Lazer & Major League - Koo Koo Fun ft. Tiwa Savage, DJ MaphorisaMadonna - Like A PrayerABBA - SOS Serge Gainsbourg - RequiemPour Un ConDiplo, Niska - Boom Bye ByeBad Bunny - Callaita Burna Boy - Last Llast Diplo, Morgan Wallen - Heartless Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

RÉUPLOAD — Émission initialement mise en ligne le 30 juin 2022.Le flux de Hommage Collatéral hébergera désormais son podcast "cousin" dédié aux œuvres marquantes de notre enfance ou adolescence. En attendant les nouveaux épisodes à la rentrée, retrouvez tous les anciens numéros ici même, au rythme d'un par jour. Bonne écoute !Hello ! En attendant un retour en force tranquille à la rentrée, on termine la saison 4 (qui s'est étendue sur les deux dernières années, cherchez pas) avec un sujet que je voulais étudier depuis un moment : Star Wars. Pas les films (ça c'est déjà fait dans un numéro de Hommage Collatéral dédié à Lucas) mais tout le reste ou presque (sauf les jeux vidéo, puisque déjà traité dans les numéros 17 et 26 de ce programme). Surtout les romans et les comics, donc. Mais attention, on n'évoque ici que les titres précédant la grande purge transmedia apportée par Lucasfilm depuis sont rachat par Disney, dans le but de proposer une nouvelle timeline, simplifiée et présentée comme plus cohérente avec les nouvelles productions. Voilà qui donne un numéro un peu spécial de trois heures, avec une première partie classique où j'interroge mes comparses du jour, puis une seconde où l'on revient ensemble sur bon nombre de récits de ce qu'on appelle désormais l'univers Légendes ! On entend au micro : Clémence , alias Twin Sun Leader ou Jainas ; directrice artistique et fan artist Alexandre, aka Booster Terrik ; consultant sur les conditions de travail dans l'environnement professionnel Nicolas, avocat et historien, membre de Conspiracy Watch, auteur de d'essais sur la Seconde Guerre Mondiale… et d'une fanfictionin titulée La Doctrine Tarkin sous le nom de plume de Dark Cador, si | Adrien, dit LainAnksoo , ingénieur et responsable de la section Littérature du site StarWars-Universe.com À noter également, à mi-parcours, l'ajout d'une séquence préenregistrée avec une invitée de marque en la personne de Lucile Galliot , directrice de la collection Star Wars aux éditions Pocket Imaginaire. Playlist : 01 - Joel McNeely & The Royal Scottish National Orchestra - The Seduction of Princess Leia | Star Wars : Shadows of the Empire Original Score © 1996 Varese Sarabande Records 02 - Kevin Kiner - Thrawn's web | Star Wars Rebels Season 3, episode 5 : “Hera's Heroes” 03 - Samuel Kim - Vode An | Star Wars : Republic Commando 04 - Joel McNeely & The Royal Scottish National Orchestra - Xizor's Theme | Star Wars : Shadows of the Empire Original Score © 1996 Varese Sarabande Records Extraits : The Star Wars Expanded Universe : Past, Present and Future : vidéo hommage à l'ancien univers étendu et annonce d'u ne nouvelle vague de titres. Spot publicitaire sur le roman Vecteur Prime de R.A. Salvatore, avec Mark Hamill. On n'est pas trop vieux pour ces conneries est un podcast du label Bonus Tracks. Très bel été et bonnes vacances !

In today's episode, we are extremely honored to be joined by Simon Wincer, who is one of the most talented and distinguished Australian directors. In his first ever exclusive Young Indy interview, he reminisces about some of his most memorable behind-the-scenes stories from working on Oganga: The Giver and Taker of Life, Trenches of Hell, Adventures in the Secret Service, and Daredevils of the Desert. During this casual and compelling conversation, he discusses some of the most important elements of cinematography to achieve such an iconic epic style, the importance of great screenwriting in order to create captivating characters, and some of the best advice he ever received from George Lucas. Opening music excerpt was composed by Joel McNeely and is titled "Morning"

La serie que conquistó a los trekkies ha afrontado su tercera temporada alejándose de su inicial tono de parodia y confirmando un nivel excelente. La comentamos, episodio a episodio, atendiendo a su multitud de referencias (trekkers o no) y elucubramos sobre la posibilidad de su continuación. Anterior programa sobre The Orville en Marcianos en un Tren: https://www.ivoox.com/marcianos-101-the-orville-esta-parodia-va-en-audios-mp3_rf_33171442_1.html Escucha los recaps de The Orville en valenciano de Samu Gascó en: https://www.ivoox.com/podcast-boig-pel-podcast_sq_f11458926_1.html Únete a nosotros en Telegram: t.me/marcianosenuntren Con Jose Ceballos, Sergio Valencia y Samu Gascó Edición: Jose Ceballos Música de John Debney, Joel McNeely, Andrew Cottee, Kevin Kaska y Bruce Broughton + un fragmento de The Orville Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In today's episode, we discuss Joel McNeely's extravagant score for The Scandal of 1920. Join us as we discuss the musical techniques, tones/styles, instrumentation, and how the orchestration in this episode perfectly creates this atmospheric setting for the roaring twenties. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "Somebody Loves Me"

Hello ! En attendant un retour en force tranquille à la rentrée, on termine la saison 4 (qui s'est étendue sur les deux dernières années, cherchez pas) avec un sujet que je voulais étudier depuis un moment : Star Wars. Pas les films (ça c'est déjà fait dans un numéro de Hommage Collatéral dédié à Lucas) mais tout le reste ou presque (sauf les jeux vidéo, puisque déjà traité dans les numéros 17 et 26 de ce programme). Surtout les romans et les comics, donc. Mais attention, on n'évoque ici que les titres précédant la grande purge transmedia apportée par Lucasfilm depuis sont rachat par Disney, dans le but de proposer une nouvelle timeline, simplifiée et présentée comme plus cohérente avec les nouvelles productions. Voilà qui donne un numéro un peu spécial de trois heures, avec une première partie classique où j'interroge mes comparses du jour, puis une seconde où l'on revient ensemble sur bon nombre de récits de ce qu'on appelle désormais l'univers Légendes ! On entend au micro : Clémence , alias Twin Sun Leader ou Jainas ; directrice artistique et fan artist  sur jainas.deviantart.com  Alexandre, aka Booster Terrik ; consultant sur les conditions de travail dans l'environnement professionnel Nicolas, avocat et historien, membre de Conspiracy Watch ,  auteur de d'essais sur la Seconde Guerre Mondiale… et d'une fanfictionin titulée La Doctrine Tarkin sous le nom de plume de Dark Cador, si | Adrien, dit LainAnksoo , ingénieur et responsable de la section Littérature du site StarWars-Universe.com |   À noter également, à mi-parcours, l'ajout d'une séquence préenregistrée avec une invitée de marque en la personne de Lucile Galliot , directrice de la collection Star Wars aux éditions Pocket Imaginaire. Playlist :  01 - Joel McNeely & The Royal Scottish National Orchestra - The Seduction of Princess Leia | Star Wars : Shadows of the Empire Original Score © 1996 Varese Sarabande Records 02 - Kevin Kiner - Thrawn's web | Star Wars  Rebels Season 3, episode 5 : “Hera's Heroes” 03 - Samuel Kim - Vode An | Star Wars : Republic Commando 04 - Joel McNeely & The Royal Scottish National Orchestra - Xizor's Theme | Star Wars : Shadows of the Empire Original Score © 1996 Varese Sarabande Records Extraits : The Star Wars Expanded Universe : Past, Present and Future : vidéo hommage à l'ancien univers étendu et annonce d'u ne nouvelle vague de titres. Spot publicitaire sur le roman Vecteur Prime de R.A. Salvatore, avec Mark Hamill. On n'est pas trop vieux pour ces conneries est un podcast du label Bonus Tracks. Très bel été et bonnes vacances !    

When thinking back to the music of many of our childhood, the scores of Joel McNeely instantly come to mind: Iron Will, Flipper, Return to Never Land, Holes, among many others, including a number of Disney direct-to-video animated features. He's an Emmy Award-winning composer behind the early 90s television series The Young Indiana Jones Chronicles. More recently he has composed for shows including The Orville and American Dad. On this episode of Notably Disney host Brett Nachman talks with Joel about his career, work with Disney, and spotlight two of his spectacular scores: Iron Will and Return to Never Land.  Check out Joel's work by visiting his website (JoelMcNeely.com) and follow him on Twitter (@joelsephmc). Feel free to reach out to Brett via Twitter @bnachmanreports, subscribe to the podcast, and send your feedback at notablydisney@gmail.com 

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 21, The Scandal of 1920. During his trip to New York City, Indy works as a stage manager for a prolific broadway musical and also befriends composer George Gershwin. Meanwhile, Indy gets caught up in the romance of the roaring twenties as he falls in love with three different women in as many days, which leads to one ceremonious night of mayhem and music! Opening music excerpt was composed by Joel McNeely and is titled "Harem Dance / Beachball Dance"

Sound Teams est un podcast qui réunit les équipes de Third Éditions et Wayô Records pour décrypter la musique de jeu vidéo... et de films ! Ce onzième numéro s'intéresse aux musiques de la tétralogie Indiana Jones, mais aussi de ses produits dérivés, en tête la série Les Aventures du jeune Indiana Jones. Au même titre que celui consacré à la filmographie des Wachowski, ce onzième numéro Sound Teams s'aventure sur les terres de la musique de film. Et quels films ! Monument de la pop culture, la saga Indiana Jones compte aussi l'une des musiques les plus emblématiques de l'histoire du cinéma, la fameuse The Raiders March, communément considérée comme le thème d'Indiana Jones. Mais le travail de John Williams ne s'arrête pas à ce morceau héroïque hors du commun, et la richesse de ses partitions n'a d'égale que l'enthousiasme débordant qu'elles génèrent ! Des bandes originales intenses, magiques, épiques, qui ont marqué à jamais le septième art. Indiana Jones, c'est aussi une franchise transmédia, et le célèbre professeur d'archéologie a eu notamment droit à une série dédiée à sa jeunesse, mise en musique avec brio par les talentueux Laurence Rosenthal et Joel McNeely. Pour discuter de ces musiques symphoniques virevoltantes, mystiques et romantiques, Romain Dasnoy, auteur du livre Indiana Jones. Explorateur des temps passés, s'est entouré des experts Alexandre Poncet (journaliste chez Mad Movies, réalisateur de documentaires, compositeur) et Vivien Lejeune (ancien rédacteur en chef de la revue Cinéfonia spécialisée dans la musique de film, coauteur du livre Guide des compositeurs de musique de film, auteur du livre Les Visions de Dune publié chez Third). Au sommaire de ce numéro : - 0:00 | Introduction - 4:30 | Présentation de John Williams - 18:05 | Les Aventuriers de l'arche perdue - 35:00 | Indiana Jones et le Temple maudit - 48:43 | Indiana Jones et la dernière croisade - 01:01:50 | Indiana Jones et le Royaume du crâne de cristal - 01:12:20 | Les Aventures du jeune Indiana Jones - 01:28:17 | L'actualité des intervenants Ce numéro est disponible sur : - Deezer - Spotify - Google Podcasts - Apple Podcasts - SoundCloud - Flux RSS N'hésitez pas à nous faire part de vos retours sur les réseaux sociaux ! Générique composé par Hiroki Kikuta

In today's episode, we discuss Joel McNeely's impressive score to Mystery of the Blues. Join us as we discuss the musical techniques, tones/styles, instrumentation, and many of the behind-the-scenes details about this journey through the jazz era. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "12th Street Rag"

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 20, Mystery of the Blues. As Indy begins his collegiate studies at the University of Chicago, he spends his weekends working as a waiter at Colosimo's restaurant, where he learns the art of jazz from Sidney Bechet. Later, Indy reunites with Ernest Hemingway as they work together to solve a murder during the height of the prohibition era, which leads to an encounter with Al Capone. Opening music excerpt was composed by Joel McNeely and is unofficially titled "Police Station / Patatoe Blooz"

In today's episode, we celebrate the 30th anniversary of The Young Indiana Jones Chronicles, which first premiered on March 4th, 1992! To honor this monumental occasion, we rank our top thirty favorite characters from the series. We discuss the incredible casting for the show, some of the famous actors who played iconic minor roles, and the fantastic interpretations of many historical figures from the 20th century. Join us for this exciting and spontaneous episode to celebrate the best television series of all time! Opening music excerpt was composed by Joel McNeely and is titled "Tally Ho"

In today's episode of THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST, we celebrate the Halloween season once again by highlighting horror score re-recordings including selections from THE NIGHTMARE BEFORE CHRISTMAS (Elfman), BRAM STOKER'S DRACULA (Kilar), CREATURE FROM THE BLACK LAGOON (Mancini), HOUSE OF FRANKENSTEIN (Salter), ED WOOD (Shore), WORLD WAR Z (Beltrami) and many more. Featured artists include Erich Kunzel, Dirk Brosse, Antoni Wit, John Morgan, William T. Stromberg, Joel McNeely, Lynda Kavina, and Nic Raine. Featured performing groups include The Cincinnati Pops, The London Philharmonic, The Polish National Radio Symphony, Cracow Philharmonic Chorus, The Mancini Pops, The Moscow Symphony Orchestra, The Brussels Philharmonic and The City of Prague Philharmonic. Enjoy! Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Kadya, Elizabeth & Claytemple Media. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Shadows of the Empire!!! In the first episode of Season 2, Josh & Ben delve into the movie without a movie, taking place between Empire Strikes Back and Return of the Jedi. They talk merch, music, composer Joel Mcneely, Prince Xizor's villainy, Dash Rendar's scoundreling, the N64 game and dreaded Nintendo 64 controller, and the Dark Horse comics. New episodes the first Wednesday of every month. You can find us on Twitter @BespinIce You can email us: BespinIceCreamPod@gmail.com Find out more at https://bespin.pinecast.co

In today's episode, we discuss Joel McNeely's romantic score to Demons of Deception. Join us as we discuss the musical techniques, tones/styles, instrumentation, and how the orchestration perfectly represents the themes of love during Paris in the 20th century. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "L'Affaire d'Amour"

Welcome to part two of episode 29 of THE ARCHIVE WITH JASON DRURY on the CINEMATIC SOUND RADIO NETWORK. The show opens with the "Prologue and Main Title" from the classic 1971 thriller DIRTY HARRY (ALEPH RECORDS) composed by Lalo Schifrin. Jason then plays a suite from the 1974 Paranoia thriller THE PARALLAX VIEW (CINEMA PARADISO RECORDS) by Michael Small which celebrated a recent vinyl reissue. Then comes music from the recent INTRADA RECORDS release from the 1991 action comedy thriller COMPANY BUSINESS by Michael Kamen, selections from James Paterson wonderful award-winning score for the martial arts drama THE RED CANVAS (MOVIESCORE MEDIA)  and finishes part two in the same way part one started with a suite from the episode of THE ORVILLE SEASON 2 (LA LA LAND RECORDS) "Identity" this time with music by Joel McNeely! Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Now that we have finished cataloging the scores to the Skywalker Saga, I thought we would do something a little bit different. In 1996, Lucasfilm created a multimedia campaign aimed at filling in the gap between The Empire Strikes Back and Return of the Jedi. This was called Shadows of the Empire. In this story, our heroes attempt to save Han Solo before he is delivered to Jabba the Hutt, while the evil Prince Xizor seeks to murder Luke Skywalker in order to discredit Darth Vader in the eyes of the Emperor. Scottish composer Joel McNeely creates this unique score which is based on the novelization of this story as opposed to a film. Join with me as we discuss the results. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pageturnerstheywerenot/support

Welcome back to the final installment of our 3-part interview series with composer Joel McNeely. In #FilmMusicFocus episode 21, Joel talks about his friendship with Seth MacFarlane and their work together, how continuing to learn …

In episode 20, we have the second part of the three-part interview series with Emmy Award-winning composer Joel McNeely. Today he talks about his friendship with Jerry Goldsmith, working with him on Air Force One …

In today's episode, we discuss Joel McNeely's extraordinary score to Attack of the Hawkmen. Join us as we discuss the musical techniques, tones/styles, instrumentation, and renditions of famous traditional pieces used in the score. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is unofficially titled "Dogfight with the Red Baron"

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 12, Attack of the Hawkmen. Now working for French Intelligence, Indy joins the Lafayette Escadrille flying squadron with Raoul Lufbery and Charles Nungesser. During his next mission, Indy is tasked with persuading Anthony Fokker to work for French Intelligence as an aircraft designer. Opening music excerpt was composed by Joel McNeely and is unofficially titled "Photographic Session"

In today's episode, we discuss Joel McNeely's emotional score to Oganga: The Giver and Taker of Life. Join us as we discuss the musical techniques, tones/styles, instrumentation, and comparisons to works by J.S Bach. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "Schweitzer Says Goodbye"

In our tenth #StayHomeStaySafe episode, American composer Joel McNeely gives us an incredible look into his past, from being inspired by Elmer Bernstein, to working as an orchestrator, and composing music for The Young Indian …

In today's episode, we'll be discussing the novel "Trek of Doom" which is a book adaptation to the Young Indiana Jones episode German East Africa, 1916. We'll talk about how the screenplay was adapted for the book, the changes in Major Boucher's character, and much more! Opening music excerpt was composed by Joel McNeely and is titled "Desert Trek"

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 11, Oganga: The Giver and Taker of Life. Now a captain, Indy is tasked with obtaining a shipment of weapons by making a daring trek across the African desert. Later, Indy meets Albert Schweitzer and becomes inspired by his ideas about reverence for life. Opening music excerpt was composed by Joel McNeely and is titled "Arrival at Port Gentil / Death of Bartelomy"

In today's episode, we discuss Joel McNeely's triumphant score to The Phantom Train of Doom! Join us as we discuss the musical techniques, tones/styles, instrumentation, and how this score is similar to other works by John Williams. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "Indy Hijacks the Balloon"

Desgraciadamente, no pocos grandes compositores no sólo no han recibido un Oscar, sino que ni siquiera han sido nominados en la categoría de mejor score original. La lista es larga, por lo que este es el primer programa en el que les rindo un homenaje. Hablo de los siguientes músicos: Abel Korzeniowski, Angelo Badalamenti, Basil Poledouris, Carl Davis, Christopher Gordon, Christopher Young, Cliff Eidelman, Cyril J. Mockridge, David Arnold, Edward Shearmur, Harry Gregson-Williams, Jean-Claude Petit, Joe Hisaishi y Joel McNeely. ¿Las películas?Animales nocturnos – Terciopelo azul, La caza del Octubre Rojo – La mujer del teniente francés, Master and Commander - Huracán Carter, Star Trek VI - El hombre que mató a Liberty Valance, 007: Casino Royale - Las alas de la paloma, Marte - Cyrano de Bergerac, El viaje de Chihiro – Mil maneras de morder el polvo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato

Desgraciadamente, no pocos grandes compositores no sólo no han recibido un Oscar, sino que ni siquiera han sido nominados en la categoría de mejor score original. La lista es larga, por lo que este es el primer programa en el que les rindo un homenaje. Hablo de los siguientes músicos: Abel Korzeniowski, Angelo Badalamenti, Basil Poledouris, Carl Davis, Christopher Gordon, Christopher Young, Cliff Eidelman, Cyril J. Mockridge, David Arnold, Edward Shearmur, Harry Gregson-Williams, Jean-Claude Petit, Joe Hisaishi y Joel McNeely. ¿Las películas?Animales nocturnos – Terciopelo azul, La caza del Octubre Rojo – La mujer del teniente francés, Master and Commander - Huracán Carter, Star Trek VI - El hombre que mató a Liberty Valance, 007: Casino Royale - Las alas de la paloma, Marte - Cyrano de Bergerac, El viaje de Chihiro – Mil maneras de morder el polvo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 10, The Phantom Train of Doom. Now in Africa, Indy joins the 25th Royal Fusileers to help capture a German artillery train and Colonel Paul Von Lettow. Opening music excerpt was composed by Joel McNeely and is titled "The Old & The Bold"

In today's episode, we discuss Joel McNeely's fantastic score to Verdun, 1916. Join us as we discuss the musical techniques, tones/styles, instrumentation, and similarities to works by Beethoven that are embedded into the score. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled “Nocturnal Mission"

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 9, Demons of Deception. Now at the Battle of Verdun, Indy is a motorcycle courier for the Belgian army and makes a dangerous decision to protect thousands of fellow soldiers. Later, Indy travels to Paris and gets seduced by Mata Hari. Opening music excerpt was composed by Joel McNeely and is titled "Visiting Remy"

In today's episode, we begin discussing the soundtrack from Young Indiana Jones! We start off by taking a look at the musical score from Love's Sweet Song. In each soundtrack review, we'll talk about the instrumentation, musical techniques, and our general opinions about each track from the episode. We'll also play samples of the music so you can follow along with our discussion! Opening music excerpt was composed by Joel McNeely and is titled "War of Words"

In today's episode, we dive into our next character studying by talking about Anna Jones and Ms. Seymour. We breakdown each of their back stories, the significance of their roles in Young Indy, and how they have impacted Indy's childhood. Opening music excerpt was composed by Joel McNeely and is titled “Oxford"

Welcome to Part 1 of episode 19 of THE ARCHIVE WITH JASON DRURY on CINEMATIC SOUND RADIO. Jason starts the show with a tribute to the late Barrington Pheloung by playing the composer’s beloved theme for the classic detective series INSPECTOR MORSE Then, hot of the press, Jason gives you the broadcast premiere of music from Varese Sarabande’s new Deluxe Edition soundtrack to AIR FORCE ONE by Jerry Goldsmith with additional music by Joel McNeely. GHOST STORY by Phillipe Sarde follows. Then Jason features composer Gerard Schumann in the Best of British segment with the recently released re-recorded music of his score for the period Adventure DOCTOR SYN, ALIAS THE SCARECROW. Part One rounds off with a suite from Hans Zimmer’s exciting and rousing score to the 1991 thriller, BACKDRAFT. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 2 of episode 18 of THE ARCHIVE WITH JASON DRURY on CINEMATIC SOUND RADIO. Part 2 resumes the show in exiting style with the "End Credits" from the 2009 reboot of STAR TREK with music by Michael Giacchino. Then Jason features selections from James Horner’s score to PROJECT X. Varese Sarabande Records recently release their re-recording of 1992's THE LAST OF THE MOHICANS with music by Trevor Jones and Randy Edelman on vinyl. Joel McNeely conducts the Royal Scottish National Orchestra. The show ends by celebrating the 30th anniversary of John Williams’ classic score to the Oliver Stone's Vietnam war epic, BORN ON THE FOURTH OF JULY. Enjoy! Just a note, this show was recorded back in May of 2018. Sorry for the delay (very busy summer) and I have to apologize to Jason for not getting this up sooner. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 1 of episode 18 of THE ARCHIVE ON CINEMATIC SOUND RADIO. Your host Jason Drury starts the show with music from ROBOCOP 2 by Leonard Rosenman. He then moves on to play selections from the 2004 Stephen King horror film DREAMCATCHER with music by James Newton Howard. Jason’s BEST OF BRITISH segment features Academy Award-winning actor Sir Anthony Hopkins as a film composer with a delightful suite of his score for the 1996 drama, AUGUST. Part one rounds of with selections from Joel McNeely’s dramatic score to the 1994 period adventure film, IRON WILL. Enjoy! Just a note, this show was recorded back in May of 2018. Sorry for the delay (very busy summer) and I have to apologize to Jason for not getting this up sooner. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In today's episode, we continue our discussion of the television show The Adventures of Young Indiana Jones with Chapter 2, Passion for Life. As Indy travels to Africa, he befriends a young boy named Meto and learns about ecology from Teddy Roosevelt. Then, Indy travels to Paris where he meets Pablo Picasso and a young Norman Rockwell. Opening music excerpt was composed by Joel McNeely and is titled "Arrival in Paris"

This week, we sit back and discuss all the Star Wars Gaming news from E3 in California, including.. -Jedi Fallen Order gameplay trailer and our thoughts and hopes for the game. -Lego Star Wars - The Skywalker Saga teaser trailer and the joy that LEGO games bring. -The announcement from 'Limited Run' about the release of older Star Wars games in partnership with LucasArts.   VISIT http://mightyheroes.com.au?aff=3 for your action figure needs!!! Intro Sample from "Life's Midnight" by Bliss N Eso from the 2013 album, Circus in the Sky. Outro Music by:Joel McNeely and the Royal Scottish National Orchestra Find US around the holonet. Instagram - @starwarsgofigureFacebook - facebook.com/star warsgofigureYoutube - search 'starwarsgofigure' Email - starwarsgofigure@gmail.com ALSO CHECK OUT OUR INDIVIDUAL PLACES INSTAGRAMJesse - @TheforceiswithjesseLachy @shorty11989 FACEBOOKfacebook.com/theforceiswithjesseyoutube.com/theforceiswithjesse PUNCH IT CHEWIE!

This week we are joined by Disney expert Ms. Dis to explore the magical realm of the Disney Princess franchise. How does one become a Disney princess? Who qualifies and who doesn't? Why is there a discrepancy between the theme park rules and the toy line rules? The song "When You Wish Upon A Star" is the property of Leigh Harline, Ned Washington, and The Walt Disney Company. Music and audio from "Ralph Breaks The Internet" is the property of Henry Jackman, Clark Spencer, Dorothy McKim, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Tangled" is the property of Alan Menken, Roy Conli, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Cinderalla III: A Twist in Time" is the property of Joel McNeely, Margot Pipkin, Walt Disney Pictures, DisneyToon Studios, DisneyToon Studios Australia, and Toon City Animations. Music and audio from "Robin Hood (1973)" is the property of George Bruns, Wolfgang Reitherman, and Walt Disney Productions. Music and audio from "Moana" is the property of of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Black Panther" is the property of of Ludwig Goransson, Kevin Feige, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

The Planetary Union Network is pleased to welcome award winning composer Joel McNeely to the PUNcast! Co-host Michael (because a thunderstorm made Joe mute his mic far too much) chats with Joel about previous career experience, working with Seth MacFarlane, and his work scoring on The Orville. Joe and Michael then discuss S02E04 Nothing Left on Earth Excepting Fishes. Fans have one week left to enter our contest with La-La Land Records for one of 5 copies of the season 1 soundtrack album. You can follow Joel on Twitter. Be sure to follow Planetary Union Network: The Orville Fan Podcast on Facebook, Twitter, Instagram, and hit the website at PlanetaryUnion.net.

Un paseo por algunos de los scores más notables no sólo de Joel McNeely sino también de las últimas décadas. Entre ellos Flipper, Star Wars: Sombras del imperio, Jóvenes aventureros, Campanilla, La súplica del amante o Los Vengadores.

Un paseo por algunos de los scores más notables no sólo de Joel McNeely sino también de las últimas décadas. Entre ellos Flipper, Star Wars: Sombras del imperio, Jóvenes aventureros, Campanilla, La súplica del amante o Los Vengadores.

On this week’s episode of CINEMATIC SOUND RADIO, we will be shining the spotlight again on film, TV and video game re-recordings. Back in August of 2016, we presented a similar re-recording program. We also featured John Williams re-recordings, James Horner re-recordings, Elmer Bernstein re-recordings, and an entire tribute to Charles Gerhardt. Today you will hear selections from EL HOMBRE ESPONJA (THE MAN SPONGE) by Fernando Velazquez, JULIUS CAESER by Miklos Rozsa, SOMETHING WICKED THIS WAY COMES by Geroges Delerue, A STREETCAR NAMED DESIRE by Alex North, A TIME TO KILL by Elliot Goldenthal, UNDER SUSPICION and WHEN THE WHALES CAME by Christopher Gunning, BLUE VELVET, INSIDE THE ACTORS STUDIO and THE TORCH THEME FROM THE BARCELONA SUMMER OLYMPIC by Angelo Badalamenti, and BATTLESTAR GALACTICA by Stu Phillips. Featured conductors include Bruce Broughton, Jerry Goldsmith, Dirk Brosse, Joel McNeely, and Rumon Gamba. Featured orchestras include The Royal Scottish National Orchestra, The National Philharmonic Orchestra, Orquesta Sinfonica de Euskadi, The BBC Philharmonic Orchestra, and The Brussels Philharmonic. And when you are done, check out CINEMATIC SOUND RADIO’s countdown of the top 14 re-recordings of all time by going to http://www.cinematicsound.net/14th-anniversary/ Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Attack of the Killer Soundtrack - Episode 47 This week we talk with composer Erich Stem about the music he was influenced by, as well as the challenges you face when trying to break into the field as a working film composer. And as we discuss all the fun of alcoholism and early death, we also bring up... horrible MIDI, entering the NBA, The Texas Chain Saw Massacre, an eleventh hour process, Alcatraz, musical sentences and sound worlds, Japanese internment camps, young composers, you've gotta MacGuyver this thing, I was always very interested in tearing apart the music that I learned, I would write her the hard parts, my dream as a composer is to do my own thing, a makeshift skateboard, the soprano saxophone part, Joel McNeely, write for orchestras in different cities, you are kind of combining a lot of different things - and putting a new stamp on it, the music being the guide to the film, and you could be crazy, I saw the movie and immediately thought… what a really interesting job, I just would spend hours at the piano writing music, a piece is very much like a film. You have that kind of shape, the early days of the internet, Mason Bates, Bainbridge Island, it could be anything that you wanted it to be, a compiled library of music, feeding me new styles or sounds, poverty inspires creativity, pretty amazing and chilling at the same time, changing my language based on my new exposures, violin duets, hope that you can still do more music, you and your stupid talent, you're basically asked to write these wonderful pieces, that move a lot of people, post-minimalism, John Dugan, using sound, making it into one language and train sets. "I believe that as a composer, and maybe this is true of filmmakers too, you're giving your unique stamp to your art... but you are, in a way, an amalgamation of your experiences. And your reactions to those experiences."

On this week’s episode of CINEMATIC SOUND RADIO, I will be celebrating the 21st anniversary of the program. With each anniversary program, I try to present a topic or theme that I haven’t explored in the past. With that in mind, I thought it might be interesting to present for you a few of my personal custom film music suites that I like to edit together in my spare time. I don’t create suites for every score in my collection but I have roughly 75-80 specially edited suites, which combine multiple cues into one easy to digested track that ranges from roughly 4 minutes in length to as long as 10 minutes. It’s a fun exercise and I hope you enjoy listening to my creations as much as I do. On today’s program you are going to hear 12 of those suites, which features music from THE AVENGERS by Joel McNeely, THE PROMISE by Klaus Badelt, BATMAN FOREVER by Elliot Goldenthal, PAYCHECK by John Powell, THE THREE MUSKETEERS by Michael Kamen, PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF by Christophe Beck, PETER PAN by James Newton Howard, THE ROCKETEER by James Horner, GODZILLA by David Arnold, SKY CAPTAIN AND THE WORLD OF TOMORROW by Edward Shearmur, THE KARATE KID PART I AND II by Bill Conti and WARRIORS OF VIRTUE by Don Davis. Also, stay tuned for a BONUS TRACK at the end of the program! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Over the past few years, we hear at CINEMATIC SOUND RADIO have been paying our respects to two-time Academy Award winning composer James Horner with various radio specials including a four hour plus special produced a few days after his death. We also produced a two-part series last year featuring some of his lesser known film scores. Jason Drury has also been producing an epic three-part radio documentary in Horner’s honour. The third and final part of that program is scheduled to be released next week right here on CINEMATIC SOUND RADIO. James Horner was part of a holy trinity of film composers I grew up with admiring. The others were John Williams and Jerry Goldsmith. Those three brought me into the world of film music with their timeless and classic scores and made me a fan of this art form for life. Todays program is dedicated to re-recorded James Horner music. Fans of the show know of my love for re-recordings or new recordings of previously existing scores so I thought this would be a unique way to mark the 2nd anniversary of James Horner’s passing. Today’s program will include performances by The City of Prague Philharmonic, The Cincinnati Pops Orchestra, The Boston Pops Orchestra, Royal Liverpool Philharmonic Orchestra and the Royal Scottish National Orchestra. Solo performers include flutist Sara Andon, pianist Jean-Michel Bernard, pianist Dan Redfeld, and violinist Mari Samuelsen. Conductors include Nic Raine, John Scott, John Williams, Erich Kunzel, David Arnold, Joel McNeely and John Debney. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On May 25, 1977 Star Wars was released and proceeded to become one of the most popular and most profitable films of all time. To honour the 40th anniversary of this ground-breaking film CINEMATIC SOUND RADIO is proud to present music from all seven of John Williams’ film scores – STAR WARS, THE EMPIRE STRIKES BACK, RETURN OF THE JEDI, THE PHANTOM MENACE, ATTACK OF THE CLONES, REVENGE OF THE SITH and THE FORCE AWAKENS. We will also be featuring music from Joel McNeely’s score to the 1996 novel SHADOWS OF THE EMPIRE, Kevin Kiner’s score to the 2008 3D animated film STAR WARS: THE CLONE WARS, and two separate STAR WARS related video games – THE FORCE UNLEASHED, and KINECT STAR WARS. And we’ll end off the program with a suite of music from Michael Giachino’s ROGUE ONE. As we did with our RAIDERS OF THE LOST ARK 30th ANNIVERSARY program we will be presenting alternate recordings of John Williams’ music from the seven films he has scored thus far. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

In this volume, Kristen Romanelli, Erik Woods, and Christopher Coleman a new set of six stories from the soundtrack world: The Guardians of the Galaxy Vol. 1 vs Vol. 2 twitter poll, The Orville with music by Bruce Broughton an Joel McNeely, The death of the MP3, The Star Trek; Legacy mashup, Henry Jackman on Jumanji and Jerry Goldsmith finally gettin his star on the Walk of Fame. Episode Highlights 00:00 - Burnin' the Six Mix - Intro 03:29 - #1 - Guardians Volume-Off, Bro 24:13 - #2 - The Orville Crew: Broughton and McNeely 34:36 - #3 - MP3: Dead of Alive? 47:39 - #4 - Star Trek: Punked 55:53 - #5 - Jackmanji 62:19 - #6 - Jerry Goldstar 72:02 - Wrap up Music Selections 00:00 - "Guardians Inferno - (Guardians of the Galaxy: Mixtape Vol 2) by The Sneepers 23:22 - "Lost in Space" - (Lost in Space) by Bruce Broughton 46:57 - "The Game Has Changed" (Tron: Legacy) by Daft Punk 50:05 - "The Enterprise" (Star Trek: The Motion Picture) by Jerry Goldsmith 55:21 - "The Exorcism of Jonah Hill" (This is the End by Henry Jackman 61:29 - "It's a Long Road" (First Blood) by Jerry Goldsmith 72:29 - "Mr. Blue Sky - 8-Bit Version" (8-Bit Chip Shwang) by 8-Bit Universe Notes: Guardians of the Galaxy Vol. 1 vs Vol. 2 Twitter Poll Broughton and McNeely on The Orvville Is the MP3 Dead? Star Trek: Legacy Henry Jackman on Jumanji Jerry Goldsmith - Walk of Fame Follow Kristen Romanelli on Twitter - @kbfornow Film Score Monthly Online Follow Erik Woods on Twitter. - @cinsoundradio Cinematic Sound Radio Follow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccoleman Find our Spotify Companion Playlist here! - https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDj Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com - http://bit.ly/amazonsoundtracks Subscribe and More Info aCAST GOOGLE PLAY iTUNES RSS FEED STITCHER RADIO TUNEIN RADIO The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals. The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

Today’s broadcast is Episode 9 for Theme Thursday May 4th 2017. Today’s Theme is Star Wars music on a program we're calling "May the 4th be with You".   Tracklist - Track#, Track Name, Game, System, Composer, Timestamp:   01: Intro - 0:00 02: Star Wars - NES - Main Theme - c: John Williams / a: Marshall Parker - 01:56 03: Star Wars: KOTOR - PC - Taris Apartments - Jeremy Soule - 03:10 04: Star Wars: Republic Commando - PC - Vode An - Jesse Harlin - 04:31 05: Star Wars: The Force Unleashed - Multi - Juno Unleashed - Mark Griskey - 08:03 06: Star Wars: Shadows of the Empire - N64 - Battle of Hoth - c: John Williams / a: Joel McNeely - 09:08 07: Star Wars: Dark Forces - PC - Kyle Katarn’s Theme - Clint Bajakian - 11:27 08: Star Wars Arcade - 32X - High Scores (Cantina) - c: John Williams / a: Jeffery Tveras, Dave Delia - 14:31 09: Star Wars: The Force Unleashed II - multi - Terror Aboard The Salvation - Mark Griskey - 15:27 10: Star Wars - Mastersystem - Options Menu - c: John Williams / a: Matt Furniss - 25:33 11: Star Wars Episode 1 Racer - PC/N64/Dreamcast - Main Theme (Duel of the Fates) - John Williams - 26:53 12: Star Wars Return of the Jedi - SNES - Speeder Chase - c: John Williams / a: Paul Webb - 28:13 13: Star Wars KOTOR2 - PC - Rebuilt Jedi Enclave - Mark Griskey - 31:56 14: Star Wars Empire Strikes Back - NES - Imperial Death March - c: John Williams / a: Paul Webb - 34:20 15: Star Wars: Millenium Assault - C64 - In-Game Music - c: John Williams / a: Tonka - 34:58 16: Star Wars Battlefront - Multi - Sabotage Theme - Gordy Haab - 38:01 17: Super Star Wars - SNES - Ending Theme - c: John Williams / a: Paul Webb - 39:25 18: Outro - 41:46   Music Block Runtime: 39:53, Total Episode Runtime: 48:24   Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights   If you wish to subscribe to the Nerd Noise Radio - Channel 1 Music block podcast, there are two options:   Option 1: Subscribe right here to the "Nerd Noise Radio Network - All Channels" podcast feed. Feed will include Channels 1, 2, 3, and any future channels not yet planned. Feed will also include podcasts in high quality, stereo where applicable, and episodes will never expire off the feed.   Option 2: If you're ONLY interested in Channel 1 episodes, and not in any of the other channels, there is a Channel 1-specific feed. But it's hosted on a free account, rather than an upgraded account like the "All Channels Feed" with lower quality sound (mono, I believe), a maximum 2hrs per month of content (so if the month's episodes run longer than that, they may need to be trimmed), and episodes expire off the feed forever after 90 days. If this is what you want instead, here's the RSS:    http://www.buzzsprout.com/77944.rss   Our episodes will also appear on our Nerd Noise Radio YouTube Channel - just search for Nerd Noise Radio, you'll find us! Here's today's episode:   https://youtu.be/FOmDN3xK9nk   You can also find us on The Retro Junkies Network: www.retrojunkies.com You can find us (and all of our episodes) as "Nerd Noise Radio" on Archive.org and can also find us and join the conversation on both our Nerd Noise Radio Network Facebook, Google+, and Twitter pages, as well as our Facebook and Google+ "Nerd Noise Radio - Easy Mode" and "Nerd Noise Radio - Expert Mode" groups.    https://archive.org/details/@nerd_noise_radio https://twitter.com/NerdNoiseRadio https://www.facebook.com/NerdNoiseRadioNetwork/ https://www.facebook.com/groups/276843385859797/ https://www.facebook.com/groups/381475162016534/ https://plus.google.com/u/0/116712079232328588606 https://plus.google.com/u/0/b/115513825710696980758/116712079232328588606?pageId=115513825710696980758 Lastly, we share our episodes as well on our blog at nerdnoiseradio.blogspot.com. This specific episode can be found here: http://nerdnoiseradio.blogspot.com/2017/05/nerd-noise-radio-channel-1-podcast.html   As always, your feedback and input is DEEPLY appreciated, so we cheerfully invite you to "blow up the comments section", or you can always reach us by e-mail at nerdnoiseradio@gmail.com as well as all the aforementioned social media outlets.   Hope you enjoy the episode! Join us again May 22nd for C1E10 (Channel 1, Episode 10), and wherever you are - Fly the N!   Cheers!

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from STAR WARS scores not composed by John WilliamsWe open the program with music from Michael Giacchino’s new score to ROGUE ONE: A STAR WARS STORY. We’ll also be featuring music from CARAVAN OF COURAGE: AN EWOK ADVENTURE by Peter Bernstein, SHADOWS OF THE EMPIRE by Joel McNeely and STAR WARS: THE CLONE WARS by Kevin KinerWe’ll also be playing music from three video games scores; THE FORCE UNLEASHED by Mark Griskey, STAR WARS: THE OLD REPUBLIC by Gordy Haab, Lennie Moore & Mark Griskey and STAR WARS KINECT by Gordy Haab and Kyle Newmaster. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On episode seven of CINEMATIC SOUND RADIO ON WROCK we will be playing music from two brand new film scores. You'll hear selections from Mark Mothersbaugh's delightful score to the newest Pee Wee Herman adventure called PEE WEE'S BIG HOLIDAY. You'll also hear new action music from the sequel to OLYMPUS HAS FALLEN called LONDON HAS FALLEN composed by Trevor Morris.Our John Williams album of the week comes from the 1985 Steven Spielberg anthology TV series AMAZING STORIES - we'll be playing selections from the episode THE MISSION. Our Golden Age score of the week is Dimitri Tiomkin's iconic score to the 1956 film, GIANT. Our video game score of the week is Lorne Balfe's fantastic score to BEYOND TWO SOULS. Our re-recording of the week, as voted by YOU, is Bernard Herrmann's classic score to Alfred Hitchcock's NORTH BY NORTHWEST featuring conductor Joel McNeely and the Slovak National Symphony OrchestraAnd we'll end the program with our end title suite featuring the music by the late Elmer Bernstein, who would have turned 94 on April 4th. You'll hear four selections from NATIONAL GEOGRAPHIC PRESENTS, THE BIRDMAN OF ALCATRAZ, STRIPES and SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE IN 3-D.We'll also be paying tribute to composer Terry Plumeri, who died tragically and senselessly on April 1st. We are going to featuring music from my favourite Plumeri score, MR. ATLAS, at the top of program.Cinematic Sound Radiohttp://www.cinematicsound.netCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.com

Entre otros, Scores de Joel McNeely, John Fritzzell, Ilan Eshkeri, Henry Jackman, James Horner y Thomas Newman.

Entre otros, Scores de Joel McNeely, John Fritzzell, Ilan Eshkeri, Henry Jackman, James Horner y Thomas Newman.

Cinematic Sound Radio turns 17 this month so as I do every year (except last year) I make a valiant attempt at coming up with a topic or theme that I have never before explored on the show. This year I’m going to play for you some of my favourite end credit cues. These are by no means the definitive best of the best but I think this show features a fine selection of end credit cues from the most iconic to the more obscure. So, on this special three hour program you will hear music Alan Silvestri, James Horner, John Debney, John Williams, Joel McNeely, David Shire, David Arnold, Mark Snow and many others. Special thanks to David Coscina who composed the NEW Cinematic Sound Radio’s fanfare. We have retired the 20th Century Fox fanfare and will now be opening up all programs with Coscina’s new theme. And a big special thanks goes out to film music journalist and historian Jon Burlingame for his invaluable assistance on this show.

Cinematic Sound Radio turns 17 this month so as I do every year (except last year) I make a valiant attempt at coming up with a topic or theme that I have never before explored on the show. This year I’m going to play for you some of my favourite end credit cues. These are by no means the definitive best of the best but I think this show features a fine selection of end credit cues from the most iconic to the more obscure. So, on this special three hour program you will hear music Alan Silvestri, James Horner, John Debney, John Williams, Joel McNeely, David Shire, David Arnold, Mark Snow and many others. Special thanks to David Coscina who composed the NEW Cinematic Sound Radio’s fanfare. We have retired the 20th Century Fox fanfare and will now be opening up all programs with Coscina’s new theme. And a big special thanks goes out to film music journalist and historian Jon Burlingame for his invaluable assistance on this show.

Cinematic Sound Radio turns 17 this month so as I do every year (except last year) I make a valiant attempt at coming up with a topic or theme that I have never before explored on the show. This year I’m going to play for you some of my favourite end credit cues. These are by no means the definitive best of the best but I think this show features a fine selection of end credit cues from the most iconic to the more obscure. So, on this special three hour program you will hear music Alan Silvestri, James Horner, John Debney, John Williams, Joel McNeely, David Shire, David Arnold, Mark Snow and many others. Special thanks to David Coscina who composed the NEW Cinematic Sound Radio’s fanfare. We have retired the 20th Century Fox fanfare and will now be opening up all programs with Coscina’s new theme. And a big special thanks goes out to film music journalist and historian Jon Burlingame for his invaluable assistance on this show.