Podcasts about Manderley

Brea and Mallory give tips on interacting with authors in person, test out a bookish candle, and recommend plot driven books to keep your attention. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Discord channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!www.maximumfun.org/joinDracula DailyManderly CandleBooks Mentioned -Dog Flowers by Danielle GellerThe Night Guest by Hildur Knuttsdotir, translated by Mary Robinette KowalEveryone in My Family Has Killed Someone by Benjamin Stevenson

Découvrez Daphné du Maurier, l'écrivaine qui se cache derrière "Manderley for ever" de Tatiana de Rosnay

One of the most-legendary filmmakers of all time only directed one movie to a Best Picture Oscar…and Rebecca was it. Alfred Hitchcock slickly portrays the brutal treatment of the victimized newlywed Joan Fontaine. She's a target for everyone in the film, especially a vicious housekeeper played by Judith Anderson and a neglectful and possibly homicidal husband played by Laurence Olivier. But did Hitch enjoy what Fontaine's character goes through...or does he sympathize with her? And just how much of a compromise is the censored version of the unseen title character's fate in this stylish, gothic thriller? So throw the 648th edition of Have You Ever Seen into those holes in the sides of your head as we head to Manderley and whisper about what's going on in Rebecca. Feel free to write as many memos as you want like the control freak David Selznick used to do, but jotting all those notes down would be aided by sipping Sparkplug Coffee. Go to "sparkplug.coffee/hyes" and get yourself a 20% discount. Review our podcast and give us a rating, but also subscribe. Do the same on YouTube, under our hyesellis location on the 'Tube (comment, like, etc). Respond to us by emailing (haveyoueverseenpodcast@gmail.com), tweeting (@moviefiend51 and @bevellisellis) or Blueskying (ryan-ellis and bevellisellis). 

We speak with Cathy Olmedillas, founder of independent children’s publishing house Studio Anorak, about the company’s new food title for kids, ‘Chew’. Plus: Rebeka Russell from Manderley Press, a publisher dedicated to out-of-print books inspired by houses and places. And: Xavier Encinas from Sixteen World, a platform and magazine celebrating the power of photography See omnystudio.com/listener for privacy information.

En el duodécimo episodio de Manderley —en el que contamos con la participación de Carlos Balbuena y Víctor Esquirol— hablamos de LA PISCINE (LA PISCINA) de Jacques Deray de 1969 y del remake libremente basado en ella que realizó Luca Guadagnino en 2015, A BIGGER SPLASH (CEGADOS POR EL SOL). En el primer bloque, dedicado a la película de Deray, hablamos de la importancia de su guionista Jean-Claude Carrière y su montaje. También del reparto (que incluye a Jane Birkin y Maurice Ronet) y en detalle del contexto de la relación de Alain Delon y Romy Schneider más allá de las imágenes de ficción del relato; de los vínculos de la cinta con el polar francés, el «thriller» erótico y el concepto de «huis-clos»; y por último, de las conexiones con otras «summer movies» como El nadador (Frank Perry, 1968), Muerte bajo el sol (Guy Hamilton, 1982), Swimming Pool (François Ozon, 2003) o Holiday (Isabella Eklöf, 2018). En la segunda parte, en la que abordamos la producción de Guadagnino, comentamos las diferencias fundamentales entre la aproximación dramática del cineasta italiano en su narrativa y la perspectiva psicológica de la original, así como en su planteamiento formal; también entre las distintas versiones de los personajes que encarnan en este caso Ralph Fiennes, Tilda Swinton, Dakota Johnson y Matthias Schoenaerts. Exploramos además las influencias del director italiano a través de su contenido temático relacionado con el hedonismo, la alienación y el (doble) triángulo amoroso presente, con las referencias al neorrealismo a través de otros títulos como los de la trilogía de la incomunicación de Michelangelo Antonioni (La aventura, La noche, El eclipse) o de Roberto Rossellini (Te querré siempre, Stromboli).

Our dark academia adjacent title for this season is one of Sophie's favourite books. ‘Rebecca' by Daphne du Maurier is a masterclass in Gothic suspense and it's something that we've needed to tackle on the podcast for a very long time. On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.This is going to be Sarah's first read of this novel and we're so excited to head to Manderley for an adventure into the Gothic - a foundation of dark academia.In this episode we discuss:Villains and sympathising with villainsMaxim's obsession with Mrs De Winter's youth and innocenceWe discuss the power of weather and seasons acting as a character

« J'ai rêvé la nuit dernière que je retournais à Manderley... »Victoire, Pascale, Jeanne et Marianne comparent le roman de Daphné du Maurier, Rebecca, à son adaptation en film réalisée par Alfred Hitchcock avec Laurence Olivier, Joan Fontaine et Judith Anderson. Une jeune femme rencontre Maxim de Winter, un riche veuf en vacances à Monte-Carlo : après une cour expéditive, il l'épouse et l'emmène dans son manoir de Manderley en Cornouailles. Mais là-bas, l'ombre de Rebecca, la première Madame de Winter, continuer de hanter les lieux...Le film d'Alfred Hitchcock est-il fidèle au livre dont il est tiré ? Réponse dans l'épisode !3 min 29 : On commence par parler du roman Rebecca de Daphné du Maurier, paru en 1938.58 min 39 : On enchaîne sur l'adaptation en film sortie en 1940 et réalisée par Alfred Hitchcock avec Laurence Olivier, Joan Fontaine et Judith Anderson. :l1 h 42 min 38 : On termine sur nos recommandations autour des films de Daphné du Maurier, Hitchcock et des manoirs hantés.Avez-vous lu ou vu Rebecca ?Recommandations :L'Affaire Charles Dexter Ward, écrit par H. P. Lovecraft (1941)Hitchcock, réalisé par Sacha Gervasi (2012)Manderley for ever, écrit par Tatiana de Rosnay (2015)Fenêtre sur Cour, réalisé par Alfed Hitchcock (1954)Les Oiseaux, réalisé par Alfred Hitchcock (1963)Mexican Gothic, écrit par Silvia Moreno-Garcia (2020)L'ombre d'Emily, réalisé par Paul Feig (2018)Crédits : Main Theme - Franz Waxman (tiré de la bande-originale Rebecca) - © 1940

Rebecca is #244 on IMDB's Top 250 Movies as of August 2024 (the number may differ based on when you listen). In this episode, we unravel the gothic romance and psychological intrigue of Hitchcock's first American film and his only film to win the Best Picture Oscar. It explores themes of jealousy, identity, and the haunting presence of the past, all set against the eerie backdrop of the Manderley estate. We also touch on the tension between Hitchcock and producer David O. Selznick during production, the visual style, performances, and so much more! Follow us @poppourreview, click around https://www.poppourreview.com, and become a member of our Patreon at patreon.com/poppourreview!!!  We do not own the rights to any audio clips used in the podcast.

En el undécimo episodio de Manderley —en el que contamos con la participación de Carlos Losilla y Fernanda Solórzano— hablamos de LA MUJER PANTERA (CAT PEOPLE), la película de 1942 dirigida por Jacques Tourneur, y de su remake de 1982 a cargo de Paul Schrader, estrenado en España bajo el título de EL BESO DE LA PANTERA. Detallamos los orígenes del productor Val Lewton y su relación con Tourneur, que les llevó a realizar juntos una serie de largometrajes de serie B que trascienden cualquier etiqueta. En la primera parte, analizamos el filme original y sus claves estéticas y visuales, así como los vínculos con el cine negro, el expresionismo alemán, el terror gótico de la Universal y el melodrama. Después recorremos sus puntos de contacto con la brujería y la relevancia de la figura del psiquiatra en el panorama fílmico de la época y en este largometraje, repasando la perspectiva psicológica de su narración. En el segundo bloque, dedicado al remake de Schrader, contrastamos los principales cambios respecto a la original: la pérdida de la ambigüedad y la explícita idea de la sexualidad monstruosa; la subrayada importancia del mito originario y la dualidad de su protagonista; y la elevada importancia de la transformación, que encaja el filme dentro del subgénero del body horror.

Cette nuit jʹai rêvé que je retournais à Manderley. Cette phrase en voix off ouvre la première œuvre américaine dʹAlfred Hitchcock. Ce film, cʹest Rebecca, sorti en 1940, lʹadaptation de Daphné du Maurier. Le roman, énorme succès de librairie, sort en 1938. Tout de suite, cette histoire qui raconte lʹemprise dʹune morte, Rebecca, sur son entourage et sur son mari, fascine. Car celui-ci, veuf peu éploré, se remarie un an après sa mort. Mais la nouvelle épouse, en tous points différentes, a fort à faire pour effacer le souvenir de la défunte dans la demeure sinistre de Manderley, dans la tête du mari et surtout dans le cœur de la gouvernante, Madame Sanders, une horrible bonne femme qui adulait Rebecca. Alors que la guerre débute en Europe, Alfred Hitchcock et sa famille arrivent à Hollywood, dans le sérail du très puissant producteur David O Selznick. David O Selznick est en train de terminer la superproduction dʹAutant en Emporte le vent et cherche à réitérer le même succès, du moins le même engouement avec un nouveau film. Cʹest pourquoi il va chercher pour lʹadaptation dʹun roman anglais un réalisateur anglais talentueux. Mais la manière de travailler dʹHitchcock et celle de Selznick sont aux antipodes. Les relations entre les deux hommes ne seront pas tout repos. Et puis, la guerre inquiète beaucoup Hitchcock à qui lʹon reproche dʹavoir quitté lʹAngleterre. Mais le film se fait quand même avec Joan Fontaine et Laurence Olivier et plait beaucoup au public. Il gagne lʹOscar du meilleur film en 1940 qui va dans la poche, non pas de Hitchcock mais de Selznick. Pour vous raconter tout ça, nous avons à disposition les merveilleux entretiens entre Alfred Hitchcock et François Truffaut, nous avons le livre référence de Donald Spoto, la Face cachée dʹun génie, et plein dʹautres choses. Dès lors plongeons dans lʹunivers de Rebecca, un classique de lʹhistoire du cinéma. REFERENCES En 1962, Alfred Hitchcock accorde un long entretien à François Truffaut. En 1999, cette conversation est diffusée en 25 épisodes sur France Culture. Dans ce neuvième entretien, on verra ce que les films d'Hitchcock empruntent aux contes de fées. https://www.radiofrance.fr/franceculture/podcasts/les-nuits-de-france-culture/hitchcock-truffaut-9-25-9347365 Donald SPOTO, La face cachée dʹun génie : la vraie vie dʹAlfred Hitchcock, Albin Michel Joan Fontaine on Alfred Hitchcock, Audio Interview https://www.youtube.com/watch?v=vcTgOJnWWqA

Join Milo + Nico at Manderley for a story of gothic melodrama, where gaslighting lesbian housekeepers and unruly bisexual icons rule the roost and drive men to distraction, and worse. Could that be gay? Listening will reveal all.

Arriving at Manderley, the young Mrs de Winter finds the beautiful mansion and its occupants haunted by memories of Rebecca - the first wife of her new husband Maxim... --- Support this podcast: https://podcasters.spotify.com/pod/show/ang189/support

"Last night I dreamt I went to Manderley again."Thus starts the troubled narrative of Daphne du Maurier's 1938 classic novel. Part mystery story, part Gothic romance, Rebecca manipulates features of both genres to impressive effect. It offers readers a haunting depiction of tormented characters in an eerily prescient country mansion. The novel follows our naive narrator as she tries to make sense of married life in the aristocracy, complete with a controlling housekeeper, destructive family secrets and more repressed baggage than you can comfortably carry! Bio & Context @ 4:55, Summary @ 25:15, Review @ 48:30

En el décimo episodio de Manderley —en el que contamos con la participación de Juan Carlos Lemus y Andrea Morán— hablamos de IRMA VEP de Olivier Assayas, tanto del largometraje de 1996 como de la miniserie de 8 episodios basada en ella que el propio director adaptó para televisión en 2022. Abordamos primero la relación de Assayas con el serial cinematográfico LES VAMPIRES (1915-1916) y Louis Feuillade, y contextualizamos a la actriz y cineasta pionera Musidora. En el primer bloque, dedicado a la película, detallamos los orígenes del proyecto a partir de la inspiración que le provocó al director la estrella del cine chino Maggie Cheung y las resonancias metacinematográficas de un reparto que incluye a Jean-Pierre Léaud, Bulle Ogier y Lou Castel. Luego analizamos cómo presenta el desafío de la reinterpretación posmoderna de un filme clásico y la representación del lesbianismo en el cine a través de personajes clave de ambas versiones. En la parte final del programa nos centramos la versión serializada más reciente y los vínculos intertextuales y biográficos de los personajes y de su reparto, con Alicia Vikander y Vincent Macaigne. Comentamos elementos discursivos alrededor de la mercantilización de la imagen del actor y las relaciones entre el cine de autor y la industria. Finalmente, acabamos con los elementos esotéricos y ocultistas que aporta la invocación del nombre del director experimental underground Kenneth Anger dentro de la serie y la dimensión fantasmagórica del cine tan presente en las imágenes de las dos Irma Vep.

In this week's Casually Criterion, Mike and Justin head to Manderley to discuss Alfred Hitchcok's Rebecca (1940) Spine#135. However, before that, they venture to the surface to talk Fallout, on Amazon Prime. - Intro (00:00:00 - 00:02:13) - News on the March! (00:02:13-0:18:21)     - Fallout (first episode) - Rebecca (00:18:21-00:57:21) - Choose the next films for our Criterion Poll (00:57:21) - Outro (01:03:03)   For all your movie and game news, reviews, and more, check out our friends at www.cinelinx.com. Follow us on: Twitter/X Facebook Instagram Email us at: casualcinemedia@gmail.com Talk Criterion Collection, film, tv, and other stuff with us in our Facebook group at:  https://www.facebook.com/groups/casualcinecast Intro/Outro Music courtesy of Jake Wagner-Russell at www.soundcloud.com/bopscotch

Essentiel – Le rendez-vous culture de RCJ – présenté par Sandrine Sebbane. Elle reçoit Tatiana de Rosnay pour son nouveau roman « Poussière blonde » aux éditions Albin Michel À propos du livre : « Poussière blonde ». paru aux éditions Albin Michel " Un roman formidable et passionnant." Le Parisien " Un régal." Psychologies « Pauline avait conscience qu'elle n'était qu'un être ordinaire aspiré dans l'orbite d'une femme qui, elle, n'avait rien d'ordinaire... Être femme de chambre, c'était précisément cela : faire intrusion sans le vouloir dans l'intimité d'autrui, voir le contenu des corbeilles à papier, remarquer les titres des livres, lire les premières phrases des cartes, lettres et petits mots qui traînent. Tout était là, en pâture ; la vie entière de quelqu'un, dissimulée dans une chambre d'hôtel. » Un matin, Pauline est appelée pour nettoyer la suite 614 du Mapes Hotel. Alors qu'elle pense trouver une chambre vide, une femme apparaît, hagarde : Mrs. Arthur Miller, alias Marilyn Monroe, dont le séjour à Reno marque la fin de son mariage avec le célèbre dramaturge et le tournage infernal d'un film à la légende noire, Les Désaxés. Avec pour décor l'immensité aride du désert du Nevada et ses chevaux sauvages, les mustangs, Poussière blonde raconte le choc d'une rencontre inoubliable entre deux femmes que seul le hasard pouvait réunir. Biographie de l'auteur Tatiana de Rosnay est l'auteure d'une vingtaine de livres dont Elle s'appelait Sarah, Manderley forever, Nous irons mieux demain, traduits en 30 langues et à l'origine de nombreuses adaptations cinématographiques. De sa passion pour Marilyn est né Poussière blonde, un roman émouvant et rédempteur.

En el noveno episodio de Manderley —en el que contamos con la participación de Marta Medina— hablamos del hito del terror psicológico de 1968, LA SEMILLA DEL DIABLO de Roman Polanski, que adapta la novela de Ira Levin (Rosemary’s Baby) publicada el año anterior. En el primer bloque exploramos la génesis del proyecto y su adaptación, así como su contexto dentro de la filmografía del cineasta polaco y la leyenda negra asociada a la película. Después abordamos su relación con el terror y sus vínculos con otros títulos del género, además del concepto del «gótico ginecológico». A continuación damos un repaso a los principales miembros de su reparto, entre los que destacan Mia Farrow, John Cassavetes y Ruth Gordon. Para terminar, en la última parte del programa, analizamos temática y discursivamente diversos aspectos del filme relacionados con la religión, el materialismo, la presencia de la violación vinculada a la vida y la obra del director y las implicaciones de la representación de la maternidad traicionada en la que se fundamente su premisa ocultista.

A massive two-parter of a podcast that should last you through the winter! Joe and Jeff talk theater with friends - including an in-depth look at Sleep No More, the theater show that inspired the Star Wars Galactic Star Cruiser.Part 1 - Sleep No More (0:00:00)Joe and Jeff are joined by Kyle to discuss the immersive theater production Sleep No More. After over 5000 performances spanning over a decade, the show is scheduled to close later this year. What is it? How did it begin? What is its future? This is a thorough look at the show knowing it will be closing in the coming months. Remember, you can never go back to Manderley again.Find Kyle at jumpscarefactory.comPart 2 - Here Lies Love (2:21:30)Jeff and Joe talk about the short-lived but incredible Here Lies Love on Broadway. This immersive disco musical puts theater viewers in the middle of a disco as the story of Imelda Marcos plays out - from her rise to power and fall as a corrupt dictator to the hands of a peaceful revolution. Joe gets drunk as he lays it all on the line for this show.

Welcome to season 3! We're kicking off this season with a couple of episodes on our favorite films from the Gothic Romance genre, and who better to start us off than the master of the macabre, Alfred Hitchcock? Rebecca, starring Joan Fontaine and Sir Laurence Olivier, was Hitchcock's first film made in the US and his only Best Picture winner. The film also earned an Oscar for cinematographer George Barnes, whose talents with light, shadow, and camera movement created the moody atmosphere that pervades Rebecca. It was produced by David O. Selznick, who was coming off the huge success of Gone with the Wind and looking to make another big hit. Deeply faithful to its source material, Daphne du Maurier's best-selling novel, the film is a suspenseful cinematic take on classic Gothic Romance literature. The parallels with Bronte's Jane Eyre are numerous, but it's Hitchcock's ability to dramatize psychological terror that brings this movie into the modern age. Come to Manderley again with us, and watch out for Mrs. Danvers!

Per il primo episodio di una nuova sfolgorante stagione, parliamo di uno dei romanzi più famosi di Daphne du Maurier, "Rebecca la prima moglie".

Welcome to the Instant Trivia podcast episode 1062, where we ask the best trivia on the Internet. Round 1. Category: Play Faster! 1: Largo is a slow tempo of around 50 bpm, which is short for these. beats per minute. 2: At a setting of 70, you're in this tempo; Samuel Barber wrote one "for Strings". adagio. 3: A metronome setting of 100 is this tempo that includes the author of "Inferno". andante. 4: 140 bpm brings you to this word, the basic musical indication for "fast" or "lively". allegro. 5: This very fast tempo is also a word used by magicians to command the amazing to happen. presto. Round 2. Category: Royal Female Nicknames 1: Prime Minister Tony Blair dubbed her "The People's Princess". Princess Diana. 2: England's "Good Queen Bess". Elizabeth I. 3: She was "The Untamed Heifer" and "The Virgin Queen". Elizabeth I. 4: Mark Antony called her "The Queen of Queens". Cleopatra. 5: France's "The Austrian Wench". Marie Antoinette. Round 3. Category: Literary Houses 1: Harry Angstrom's house burns to the ground in this author's 1971 novel "Rabbit Redux". (John) Updike. 2: Scarlett O'Hara's plantation home. Tara. 3: In this Anne Tyler novel, a travel writer breaks his leg and moves into his siblings' home. The Accidental Tourist. 4: This title gal's Manderley, which had an "iron gate leading to the drive". Rebecca. 5: Title place where Hindley hates Heathcliff. Wuthering Heights. Round 4. Category: British Business 1: John Shepherd-Barron invented it and in 1967 Barclays Bank installed the world's first one. an ATM. 2: This art book publisher took its name from the rivers flowing through London and New York City. Thames and Hudson. 3: In the early 1700s William Fortnum, a footman who sold Queen Anne's used candles, went into retail with this partner. (Hugh) Mason. 4: Lea and Perrins of sauce fame both started their careers as these, meaning druggists or pharmacists. chemists. 5: In 1986 inefficiency and strikes did in this auto brand known as BL. British Leyland. Round 5. Category: Lousy Souvenirs 1: My aunt went to Spain and all I got were these lousy pants worn by heroes of the bullring. Toreador pants. 2: My mother went to Hawaii and all I got was this long, loose dress. Muumuu. 3: My uncle went to England and all I got was this lousy piece of a suit, which Americans call a vest. Waistcoat. 4: My brother went to Venice Beach and all I got was this lousy shirt named for what he showed off. Muscle shirt. 5: My granddad went to Ireland and all I got was this lousy overcoat named for a province there. Ulster. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

for the full episode join the Patreon [patreon.com/fashiongrunge]---There is such a distinct memory I have watching Rebecca for the first time. My Mom showed this to me when I was about 10 and thank goodness because my bar for cinema was set pretty high from the jump. This is one of me and Charles' all time favorite films and we have been quoting it in real life for years so it's high time we review it proper. We get into the behind the scenes drama with Hitchcock and the producer Selznick, casting drama and mess, and have another Oscar rage segment because this is a near perfect film.Off-Topic rants include: why we should honestly be terrified of orcas, MTV Unplugged vs. VH1's Storytellers, objectifying men in politics and why need a hottie President ---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Charles @charleshaslamFollow Fashion Grunge PodcastSubstack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

Today, I chat with Marta McDowell about her fun and smart nonfiction book, GARDENING CAN BE MURDER, which breaks down the variety of ways that plants, gardens, gardiners, and tools have appeared in mystery novels. It's a wonderful reference book for both writers and fans of mysteries and gothics. Oh yes, we discuss those roses at Manderley too. You can find GARDENING CAN BE MURDER, in my online bookshop if you want to support both the podcast as well as independent bookstores nationwide. That's at bookshop.org/shop/sheworeblack. If you want another way to help out my podcast, you can follow me on Instagram, Facebook, and Threads, and leave me a review wherever you get your podcasts. You can also join my Patreon community, buy merch, or make a Ko-fi donation through the links available on my on my website at sheworeblackpodcast.com. Thanks for joining me today. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sheworeblack/message

Episode 48: REBECCA Last night, we dreamt we went to Manderley again . . . but we really we just watched a classic movie about it. The 1940 Alfred Hitchcock mystery Rebecca is the subject of our podcast this week. Joan Fontain plays a timid young woman who married a mysterious, wealthy widower, Maxim de Winter, played by Laurence Oliver. When she returns to his famed estate, Manderley, the newly wed must confront long-buried secrets, the memories of a dead wife, and a creepy housekeeper, Mrs. Danvers (Judith Anderson). Rebecca is based on the best-selling novel by Daphne Du Maurier. It was released in 1940 and won the top prize at the Oscars (TM) for that year. It ranks #22 on our countdown.* Come back again next week as we rumble our way into 1961's West Side Story. Spoiler Alert: We talk about the movie in its entirety, so if you haven't yet seen it, check it out. Or not. That ball is in your court. *What is this list? We explain it in more detail in our Trailer and its Description, but as a high-level answer: we aggregated several different lists that rank the ninety-four winners of the Best Picture Academy Award in a rough attempt to get a consensus. It is not intended to be rigorous or definitive. It's just a framework to guide our journey through cinema history.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖0️⃣5️⃣ | REBECA Dirigida por Alfred Hitchcock y protagonizada por Laurence Olivier y Joan Fontaine, con un papel secundario y estelar de Judith Anderson, cuenta la historia de Maxim De Winter, un aristócrata inglés que al poco tiempo de perder a su esposa Rebeca conoce en Montecarlo a una joven humilde, dama de compañía de una señora americana. De Winter y la joven se casan y se van a vivir a Inglaterra, a la mansión de Manderley, residencia habitual de Maxim. La nueva señora De Winter se da cuenta muy pronto de que todo allí está impregnado del recuerdo de Rebeca. Guión de Robert E. Sherwood y Joan Harrison sobre la novela de Daphne Du Maurier, producida por Selznick International Pictures dan vida a la primera película de la dupla Hitchcock-Selznick. ¿Conoces cómo se consiguió adaptar la novela?. ¿Sabes cómo trabajó la fotografía George Barnes?. ¿Cuál es la profundidad psicológica de la película?. ¿Está infravalorada? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Rebeca. SECCIONES ▪️ Contexto ▪️ La adaptación de la novela ▪️ La fotografía de George Barnes ▪️ La profundidad psicológica de la película ▪️ ¿Está infravalorada? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x04-rebeca/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023

We go to Manderley and hope to not get eaten by an heir to a baking soda fortune. Rebecca (2020) Dir. Ben Wheatley Written by Jane Goldman, Joe Shrapnel (yeah right) and Anna Waterhouse. Starring Lily James, Armie Hammer, and Kristin Scott Thomas. That's So Gothic releases episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014- Licensed under Creative Commons Attribution Noncommercial (3.0)

En el octavo episodio de Manderley —en el que participa Javier J. Valencia— hablamos de la controvertida Palma de Oro en Cannes de 1990, la película CORAZÓN SALVAJE de David Lynch, que está basada en la novela homónima de Barry Gifford (Wild at Heart, de 1989). En la primera parte del programa nos adentramos en su contexto dentro de la filmografía del director y en la génesis del proyecto, para después desgranar su reparto, explorando también el universo de sus personajes. Pasamos luego a abordar los vínculos de este largometraje con los géneros de la road movie, el noir y el melodrama. En el tramo final desentrañamos las influencias estéticas de EL MAGO DE OZ, el sur de Estados Unidos o Nueva Orleans, así como los elementos surrealistas presentes en el filme.

For this episode of the Writing Women Podcast, I researched one of my favourite novels to dig out Daphne du Maurier's incredible use of the floral metaphor. From the frightening, other-worldly rhododenrons to the confines of the rose gardens to the mournful hydrangeas, the flowers in Manderley reflect their inhabitants and give clues to how the novel is going to end from it's opening paragraph. Let me know what you think at writingwomenpodcast@gmail.com! You can find me on my other podcast ⁠⁠Culture Hang⁠⁠ or sign up to my ⁠⁠newsletter and everything else! Links: https://www.theguardian.com/books/2018/feb/23/olivia-laing-on-daphne-du-mauriers-rebecca-80-years-on https://www.bl.uk/20th-century-literature/articles/nightmares-mirrors-and-possession-in-daphne-du-mauriers-rebecca https://www.bl.uk/20th-century-literature/articles/daphne-du-maurier-and-the-gothic-tradition https://www.irishtimes.com/culture/books/last-night-i-dreamt-i-went-to-manderley-again-rebecca-and-me-1.3402476 https://www.nytimes.com/2017/07/06/books/daphne-du-maurier-enthusiast.html

Chapter 1:What's Jane Eyre about "Jane Eyre" is a novel written by Charlotte Brontë and published in 1847. It tells the story of Jane Eyre, a young orphan girl who experiences various hardships and challenges throughout her life. The novel is a coming-of-age tale that explores themes such as love, social class, morality, and the search for personal independence. The story begins with Jane's childhood, where she lives with her cruel aunt and cousins who disregard her. Eventually, she is sent to Lowood School, a harsh institution where she endures mistreatment but also finds friendship and education. As she grows older, Jane becomes a governess at Thornfield Hall, where she meets her enigmatic employer, Mr. Rochester. A complex romance develops between Jane and Mr. Rochester, but their relationship faces obstacles due to secrets and societal expectations. Jane must also confront her own moral principles and inner struggle to find her true identity. Throughout the novel, Jane seeks to overcome societal constraints and establish herself as an independent woman, ultimately finding happiness and fulfillment. "Jane Eyre" is renowned for its strong-willed and passionate protagonist, its exploration of women's independence, and its critique of social norms and gender roles prevalent during the Victorian era. It remains a classic work of literature, beloved for its vivid characters, emotional depth, and timeless themes. Chapter 2:Author of the Jane Eyre Charlotte Bronte is the author of "Jane Eyre," a captivating novel published in 1847. Bronte, an English novelist and poet, introduced readers to the resilient and independent Jane Eyre. The story follows Jane's journey from her difficult childhood to her adulthood, as she navigates love, hardship, and societal conventions. Bronte skillfully delves into themes of equality, morality, and the pursuit of happiness, showcasing Jane's strength of character and determination. Through her vivid storytelling and powerful writing style, Bronte leaves a lasting impact on readers, solidifying "Jane Eyre" as a timeless classic in literature. Chapter 3:Similar Books like Jane Eyre "Wuthering Heights" by Emily Brontë: This novel, written by Charlotte Brontë's sister, explores dark and passionate love in the Yorkshire moors. It delves into the complex relationships between the characters, with a similar gothic atmosphere to "Jane Eyre." "Rebecca" by Daphne du Maurier: Set in Cornwall, this atmospheric novel follows a young woman who marries a wealthy widower. As she settles into her new life at Manderley, she becomes haunted by the memory of her husband's first wife, Rebecca. Like "Jane Eyre," it is a captivating story of love, secrets, and personal growth. "Wide Sargasso Sea" by Jean Rhys: This prequel to "Jane Eyre" tells the story of Bertha Mason, Rochester's first wife. Set in Jamaica, it explores the racial and colonial issues of the time, giving depth to the character often portrayed as a mere madwoman in the attic. "The Tenant of Wildfell Hall" by Anne Brontë: In this lesser-known work by the youngest Brontë sister, a young widow named Helen Graham moves to Wildfell Hall to escape her troubled past. This novel challenges societal norms and showcases the strength and independence of its female protagonist. "North and South" by Elizabeth Gaskell: This Victorian novel contrasts the lives of Margaret Hale, a resilient and principled young woman from the South of England, and John Thornton, a self-made industrialist from the North. It examines social class, morality, and the struggles of the working class during...

Join Vintage Classic Radio's "Sunday Night Playhouse" as we bring this timeless tale of love, mystery, and suspense to your ears in an unforgettable radio adaptation of "Rebecca." This captivating radio adaptation of Daphne du Maurier's renowned novel, "Rebecca." was originally broadcasted by the Campbell Playhouse on December 9th, 1938, this adaptation marked the first time the beloved novel was brought to life in any form. Set in the mysterious world of Manderley, the story delves into themes of love, secrets, and the haunting presence of the enigmatic Rebecca. The story begins when a young woman, portrayed by Margaret Sullavan, marries the dashing widower Maxim de Winter, played by Orson Welles. The newlyweds settle into Manderley, Maxim's ancestral estate, where the spectre of Rebecca, his deceased first wife, looms large. The memory of Rebecca is perpetuated by Mrs. Danvers, the chilling housekeeper, portrayed by Agnes Moorehead, who remains fiercely loyal to Rebecca's memory and continuously undermines the second Mrs. de Winter. As the new Mrs. de Winter tries to establish herself in the shadow of Rebecca, she becomes increasingly haunted by the secrets and dark history that surround Manderley. She uncovers the truth about Rebecca's untimely demise and the hidden alliances that threaten her own happiness. With a rich soundscape and expertly crafted performances, this radio adaptation of "Rebecca" brings du Maurier's atmospheric tale to life, captivating audiences with its suspenseful plot, vivid characters, and hauntingly beautiful setting. Full Cast: Margaret Sullavan as the second Mrs. de Winter Orson Welles as Maxim de Winter Agnes Moorehead as Mrs. Danvers George Coulouris as Frank Crawley Ray Collins as Colonel Julyan Lurene Tuttle as Beatrice Lacy Mildred Natwick as Edythe Van Hopper Everett Sloane as Ben Georgia Backus as Clarice William Alland as Favell Erskine Sanford as Tabbs Howard Smith as Coroner Walter Hampden as Coroner Betty Hanna as Mrs. Van Hopper's maid Alfred Shirley as William Peggy French as Girl Elizabeth Lawrence as Another Girl Vintage Classic Radio presents the Sunday Night Playhouse, where we bring to life timeless classics from the golden age of radio between the 1930s and the 1960s.

En el séptimo episodio de Manderley —en el que participan Javier Urrutia, Marina Such, Carles Martínez Agenjo y Graciela Oliveira— analizamos las dos adaptaciones audiovisuales de la novela de Joan Lindsay de 1967, PICNIC EN HANGING ROCK. En el primer bloque del programa tratamos los orígenes del relato y de la autora, para luego adentrarnos en la ambigüedad, la mística de la naturaleza y las referencias pictóricas de la versión cinematográfica de Peter Weir de 1975, salida del contexto de la Nueva Ola del cine australiano. En la segunda parte del programa abordamos la reciente miniserie para televisión de 2018 y sus influencias estéticas e intereses temáticos, mucho más fiel a la fuente literaria pero también con sus grandes digresiones respecto al material original, con la guionista Beatrix Christian y la directora Larysa Kondracki como sus principales responsables creativas.

Inauguramos la segunda temporada de Manderley con este sexto episodio sorpresa. Un programa especial realizado en directo desde el Teatro del Foment el pasado 5 de noviembre, durante la celebración de la 41ª edición del Festival de Cine de Terror de Molins de Rei. En esta ocasión exploramos —junto a nuestro amigo Carles Martínez Agenjo— la adaptación musical de Frank Oz de LA TIENDA DE LOS HORRORES de 1986, basada tanto en la obra de Broadway de Alan Menken y Howard Ashman como en la película original de Roger Corman, THE LITTLE SHOP OF HORRORS de 1960. Y a través de esta producción planteamos un breve repaso a los códigos estéticos, vínculos discursivos y conexiones temáticas del subgénero del musical de terror a partir de filmes como PHANTOM OF THE PARADISE (Brian De Palma, 1974), THE ROCKY HORROR PICTURE SHOW (Jim Sharman, 1975), DRACULA: PAGES FROM A VIRGIN'S DIARY (Guy Maddin, 2002) y SWEENEY TODD (Tim Burton, 2007).

Last night I dreamed I went to Manderley again... This week Lewis and Branden watch and talk about one of Lewis' Film Gods, Alfred Hitchcock and his American directorial debut Rebecca (1940). Both Co-Hosts have watched this film before which is a #FCR first, but a revisit to Manderley was needed... We talk about Hitchcock, Joan Fontaine and which Oscar's this film SHOULD have won. As always we recommend everyone to watch along with us, and send your thoughts to us @filmchurchradio Thank you so much for the support on the previous episodes, we love reading all the comments and reviews! If you Like the show make sure to leave us a rating and review wherever you listen!  We hope that you enjoy the show and return in future to the congregation! Show Website: https://film-church-radio.captivate.fm/listen Branden's Letterboxd: https://letterboxd.com/selmanscope/ Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/ Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927 Instagram: https://www.instagram.com/filmchurchradio/

En el quinto programa de Manderley tratamos a fondo —junto a Lluís Rueda y Edna Campos— las dos versiones de SUSPIRIA. En el primer tramo del programa analizamos la película original de Dario Argento de 1977, concebida y coguionizada en colaboración con Daria Nicolodi (a quien dedicamos este programa en el que sería su 72º aniversario), y que daba inicio a la Trilogia de las Tres Madres (con INFERNO en 1980 y LA TERZA MADRE de 2007). También a una sugerente mitología que recoge la cinta de 2018 de Luca Guadagnino escrita por David Kajganich, de la que hablamos en la parte final del episodio, que usa de base esta obra de culto explotando de forma más directa sus temas y expandiéndolos con la introducción del contexto histórico y político del Berlín occidental durante los sucesos del Otoño alemán.

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events 1815 On this day, Mary Russell Mitford wrote about the changing times in a letter to her friend, Sir William Elford, English banker, politician, and amateur artist. Our grandmothers, when about to make a beau-pot (A large ornamental vase for cut flowers.), proceeded, I fancy, much as their gardeners when clipping a yew hedge or laying out a parterre.  Every stalk and stem was in its place; tulip answered tulip, and peony stared at peony.  Even a rebellious leaf was reduced to order, and the huge bouquet spread its tremendous width as flat, as stiff, and almost as ugly as its fair framer's painted fan.  We, their granddaughters, throw our honeysuckles and posies into their vases with little other care than to produce the grace of nature by its carelessness and profusion.  And why should we not...?   1896 Death of Nora Perry, American poet, newspaper correspondent, and writer. In her poem, What May Be, Nora wrote, When the days are longer, longer, And the sun shines stronger, stronger, And the winds cease blowing, blowing, And the winter's chance of snowing Is lost in springtime weather. Here's an excerpt from her poem, The Coming of Spring. All this changing tint,  This whispering stir and hint  Of bud and bloom and wing,  Is the coming of the spring. So, silently but swift, Above the wintry drift, The long days gain and gain, Until on hill and plain— Once more, and yet once more, Returning as before, We see the bloom of birth Make young again the earth   1906 Birth of Enid Annenberg Haupt, American publisher and philanthropist.  The president of the New York Botanical Garden called Enid, The greatest patron American horticulture has ever known. Enid was one of eight children; her parents, Sadie and Moses, had one son and seven daughters. Her father was the founder of a large publishing empire. Enid followed in his footsteps and became an heiress to the large family fortune. Enid's first marriage ended in divorce. Her second marriage to Ira Haupt launched her philanthropic activities and introduced her to the world of gardening. When they got engaged, Ira gave Enid a cymbidium orchid. Enid was immediately enthralled by it. She told Ira that for her wedding present from him, she would be very happy with a gift of 13 cymbidium orchids. Enid's brother, Walter, put her in charge of the magazine Seventeen in 1953. During her tenure, Seventeen magazine was more popular than Glamor and twice as popular as Mademoiselle. At one point, more than half of the teenage girls in the United States were reading Seventeen magazine. Enid ran the magazine until 1970. When Enid died in 2005, she had donated more than $140 million to charities. Her favorite charities involved gardening. This is how Enid became known as "the fairy godmother of American horticulture" and "the patron saint of public gardens." One of Enid's most significant gifts was to the New York Botanical Garden. Over her lifetime, Enid gave them over $34 million – $5 million of which was dedicated to restoring the stunning Victorian glass greenhouse now called the Enid Haupt Conservancy. Without Enid, the greenhouse would have been demolished. After she retired from Seventeen magazine, Enid learned that the Soviet Union was considering purchasing River Farm, the 27-acre property once owned by George Washington as part of his Mount Vernon estate. The news was abhorrent to Enid. In 1973, she donated a million dollars to the American Horticultural Society to buy the property with the stipulation that it would remain open to the public. In November 2020, the American Horticultural Society attempted to sell River Farm for $32.9 million. AHS Board Chair Terry Hayes argued that selling River Farm was the only way to effectively carry out its national mission of “connecting people with plants and to help all Americans learn about sustainable gardening.” The move caused a rift on the board after five board members — Skipp Calvert, Tim Conlon, Holly Shimizu, Marcia Zech, and Laura Dowling — argued that it was "not only morally and ethically wrong, but... fraught with serious legal issues.” A year later, in the fall of 2021, the AHS officially took River Farm off the market. The AHS board had shrunk to the five board members who had fought to keep the historic property. In a statement, they said River Farm would remain as the permanent headquarters of the AHS and as a green space open to the public in honor of Enid Annenberg Haupt.   1823 On this day, William Bartram, American botanist, ornithologist, natural historian, and explorer, wrote in his diary that there were, numerous tribes of small birds, feeding on the aphids on the apple, pear trees - towhe buntings building their nests in the garden. Sharon White summarizes William Bartram's May garden life in her book Vanished Gardens: Finding Nature in Philadelphia (2011). May was misty sometimes with a morning wind and cruel with cold rains for a week "injurious to vegitation and to the farmers. Wheat just begining to ear appears to be blasted in many instances," and young birds drowned in their nests on the ground.   Now and then Bartram's notations look different, smaller script, less detail.    In the last year he kept the diary his writing scrawls across one page as if his hand slipped.   The green twig whortleberry is in flower on May 6 in 1802, and the next May he records that a bullfrog swallowed: large mole instantly. That May there was hard frost on the seventh that killed the young shoots of trees and shrubs.    Grow That Garden Library™ Book Recommendation The Multifarious Mr. Banks by Toby Musgrave This book came out in 2020, and the subtitle is From Botany Bay to Kew, The Natural Historian Who Shaped the World. Toby Musgrave is a plant and garden historian, independent scholar, and consultant. He is the author or coauthor of eighteen books. By the way, a multifarious person has many sides or different qualities, and you can see for yourself that Banks was a tremendous personal force in Toby's introduction: Sir Joseph Banks was only twenty-five years old when in 1768 he convinced both the prestigious Royal Society and the bureaucratic Admiralty that he should join HMS Endeavour as expedition natural historian. He personally paid a fortune toundertake the three-year voyage led by James Cook, and en route became the first European to make an extensive study of the natural history and anthropology of Tahiti,' New Zealand and Australia. He is said to have had an affair with the 'queen of Tahiti' and, upon his return, he jilted his fiancée. Later, as a close personal friend of King George III, he persuaded the monarch that he was the man to develop the Royal Botanic Garden at Kew. Under Banks's leadership it became the world's leading botanic garden, a position it still holds today.   This book is 386 pages of the biography of Joseph Banks and all he accomplished during his incredible life of adventure and botany. You can get a copy of The Multifarious Mr. Banks by Toby Musgrave and support the show using the Amazon link in today's show notes for around $39.   Botanic Spark 1907 Birth of the English author and playwright Daphne du Maurier (“Mor-ee-aya”)(books by this author), who was born in London. She was the middle daughter of a well-to-do family of creative bohemian artists and writers. Her father was a famous actor and a favorite of James Barrie - the author of Peter Pan. Daphne's writing inspired Alfred Hitchcock - especially her novels Rebecca, Jamaica Inn, and her short story, The Birds. In 1938 Daphne published her popular book, Rebecca. It has never gone out of print. During the pandemic in 2020, Netflix released their movie version of Rebecca starring Lily James, Armie Hammer, and Kristin Scott Thomas. In Rebecca, Daphne writes about the beautiful azaleas that grow on the estate at Manderley. And she says that the blooms were used to make a perfume for its late mistress. Yet, most azalea growers know that this is likely an example of artistic license since most evergreen azaleas have little to no fragrance. That said, some native deciduous azaleas can be very fragrant. In the opening pages of Rebecca, Daphne's narrator vividly describes the wild and wooly garden of Manderley: I saw that the garden had obeyed the jungle law, even as the woods had done. The rhododendrons stood fifty feet high, twisted and entwined with bracken, and they had entered into alien marriage with a host of nameless shrubs, poor, bastard thing that clung about their roots as though conscious of their spurious origin. A lilac had mated with a copper beech, and to bind them yet more closely to one another, the malevolent ivy, always an enemy to grace, had thrown her tendrils about the pair and made them prisoners.   Daphne du Maurier incorporated gardens into many of her books. Her daughters recall that their mother loved flowers and flower arranging. Their home was always filled with flowers.  Yet, in her book, The King's General, as in Rebecca, the garden can feel like a dangerous place at times. I was a tiny child again at Radford, my uncle's home, and he was walking me through the glass houses in the gardens. There was one flower, an orchid, that grew alone; it was the color of pale ivory, with one little vein of crimson running through the petals. The scent filled the house, honeyed and sickly sweet. It was the loveliest flower I had ever seen. I stretched out my hand to stroke the soft velvet sheen, and swiftly my uncle pulled me by the shoulder. ‘Don't touch it, child. The stem is poisonous.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events 1904 Birth of Salvador Dalí, Spanish surrealist artist. Educated in Madrid, Salvador was a son of Catalonia, and he never lost his love for the beauty of his homeland. Early in his career, Salvador gravitated toward surrealism. By 1929, Salvador Dali was regarded as a leading figure in the art form.  Like Sigmund Freud, Salvador Dalí used the landscape to metaphor the human mind. He once said about the coastline of his beloved Catalonia, I personify the living core of this landscape. Today, two museums are devoted to Salvador Dalí's work: the Dalí Theatre-Museum in Figueres, Spain, and the Salvador Dalí Museum in St. Petersburg, Florida. And in 2020, the Marie Selby Botanical Gardens in Sarasota, Florida, presented Salvador Dalí: Gardens of the Mind. The exhibit's centerpiece was Flordalí, a fantastically-colored series of flower lithographs from 1968. In Flordali, Salvador created imaginary surrealist enhancements to favorite blossoms. He made Dahlia unicorns, which feature a twisted horn in the middle of the bloom.  Lilium musicum has vinyl records and sheet music for petals. Pisum sensuale is a sensory plant with fingers with painted nails and voluptuous lips. Panseé (Viola cogitans) is a self-portrait with pansies for the eyes and mouth.    1907 On this day, the American botanist Nathaniel Lord Britton was in Nantucket preparing for a lecture on plant protection. Nathaniel had brought along fifty colored lantern slides from the Van Brunt collection to use in his presentation. Nathaniel and his wife co-founded the New York Botanical Garden in the Bronx, New York.  Nathaniel's time in Nantucket was brief - only for a day - but he wrote these observations in a letter about his trip. [On Nantucket] The mayflower is the most abundant of spring wildflowers, carpeting the moors on the south side of the island and lending a rich, spicy fragrance to the ocean breezes that sweep over these exposed tracts. It is in less danger from picking than from the surface fires, which are common occurrences in spring.  The later blooming wildflowers suffer more or less at the hands of summer tourists, but I was glad to observe that the residents of Nantucket as a whole are keenly alive to the importance of preserving the natural beauties of the island and carefully guard the localities for many rare plants, especially the Scotch heather and the two European heaths (Erica cinerea and E. tetralix) which occur there.   1923 On this day, a schoolyard garden reported outside of Lochness gave the following update, As sheep are constantly breaking into the garden work has been stopped till the walls are rendered sheep-proof.   This little entry was discovered by the modern-day owner of the property Katharine Stewart, and she shared it in her delightful month by month garden book called A Garden in the Hills (2006).  Katharine reflected on the journal entry regarding the sheep and wrote, I know exactly what he meant. More than sixty years later, the sheep, the more agile variety, are still sometimes managing to leap over the wall, where the superimposed netting has given way. That can mean goodbye to all the summer lettuce and the winter greens, not to mention the precious flowering plants and all the work that went into producing them.   The little school in the Scottish highlands closed in 1958. A few years later, Katharine and her husband, Sam, bought the property known as the croft at Abriachan near Loch Ness. There, Katharine began her writing. Reflecting on her first days in the garden at the croft, Katharine wrote, When we arrived, wild raspberries, willowherb, and sweet cicely had largely taken over. To bees and butterflies and to many kinds of birds, this was paradise! For us, it held all the thrill of uncharted territory. Every day a fresh discovery was made. Even now, I come on surprises each summer. Digging [has] revealed many other interesting things-worn-out toys, pieces of pottery, a pile of school slates from a dump against the top wall, evidently discarded when jotters came in-and, most interesting of all, several 'scrapers' dating from prehistoric times.  Meanwhile, I often imagine my predecessors here looking on the same outline of hills, the same scoop of the burn in the hollow, listening to the same sounds of lark and owl, the bark of deer, and many more long gone-the howl of wolf, maybe the growl of bear. The heather would have been their late summer delight, making drinks of tea or ale, thatching for their roofs, and kindling for their fires.  Sometimes envy them the simplicity of their lives, though the hardships must have been great. They didn't have a Christmas to celebrate, but they knew all about the winter solstice, and they must have been happy to see the bright berries on the holly, as we do today.   Late in life, Katharine Stewart went on to become a teacher and then her town's postmistress. She died in 2013 and is survived by her daughter, Hilda.   1940 Birth of Margaret Visser, South African-born writer, and broadcaster who lives in Toronto, Paris, and southwest France. Margaret writes about history and anthropology and the mythology of everyday life. She once wrote, Salt is the only rock directly consumed by man.  It corrodes but preserves, desiccates but is wrested from the water. It has fascinated man for thousands of years not only as a substance he prized and was willing to labour to obtain but also as a generator of poetic and of mythic meaning. The contradictions it embodies only intensify its power and its links with experience of the sacred.   Grow That Garden Library™ Book Recommendation The Little Library Cookbook by Kate Young This book came out in 2018, and the British food writer and author Bee Wilson gushed, What a joy this is for hungry readers everywhere: stylish, fun, and clever. If there is comfort food, there is also comfort reading, and The Little Library Cookbook is it. The publisher writes, Would you like to taste Paddington Bear's marmalade? Or a clam chowder from Moby Dick? You'll learn how to prepare the afternoon tea served at Manderley and decadent tarts the Queen of Hearts would love—all while reading food-related excerpts from your favorite books. Kate Young was inspired to write this book based on her amazing food blog called The Little Library Café. In The Little Library Cookbook, Kate offers over 100 recipes inspired by beloved works of fiction. There are dishes from classics and contemporary bestsellers with stories for people of any age. Among many others, you will find Turkish delight from Narnia, Mint Juleps from The Great Gatsby, Bread and Butter Pudding from Atonement, Curried Chicken from Sherlock Holmes,  Pancakes from Pippi Longstocking, Coconut Shortbread by Sarah Perry's The Essex Serpent,  Black Ice Cream from The Hundred and One Dalmations, Cinnamon Rolls from Donna Tartt's The Goldfinch, Spaghetti and Meatballs from The Godfather, Apple Pie from The Railway Children, and Honey Rosemary Tea Cakes inspired by Winnie the Pooh. This book is 320 pages of food in fiction brought to life by the sweet, funny, and intrepid blogger, cook, caterer, and writer Kate Young. You can get a copy of The Little Library Cookbook by Kate Young and support the show using the Amazon link in today's show notes for around $15.   Botanic Spark 1894 On this day, Bovina ("Bo-VYE-na"), Mississippi, reported a case of turtle hail. Newspapers said that during a severe hailstorm, a six-inch-by-eight-inch gopher turtle, fell to the ground, completely encased in ice, at Bovina, which is located about seven miles east of Vicksburg in western Mississippi.    Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

En el cuarto programa de Manderley comentamos —junto a Silvia García Palacios y Adrià Guxens— las dos adaptaciones cinematográficas de MUERTE EN EL NILO, la novela de 1937 escrita por Agatha Christie. En la primera parte tratamos la producción británica de 1978 dirigida por John Guillermin, con Peter Ustinov como Hercule Poirot. Después hablamos de la lujosa nueva versión realizada y protagonizada por Kenneth Branagh, que se ha estrenado recientemente.

Good evening, and welcome to the Movie City Maniacs. On tonight's episode volume two of our Hitchcock series begins as we move into the gothic Manderley manor where we deal with a brooding spouse and an obsessive housekeeper in Rebecca (1940). We also celebrate frequent guest host Dan Buzanko's Birthday at the Clifford Brewery, get […]

Emma and Brooke visit an Academy Award Best Picture winner: Rebecca (1940)! Alfred Hitchcock's first American production (adapted from Daphne du Maurier's classic novel) is one you won't want to miss. The story of Maxim de Winter and the second Mrs. de Winter, a thrilling romance checkered with deception, will keep you on the edge of your seat. We discuss Joan Fontaine's real-life insecurities with this role, production code restrictions, artistic differences between Hitchcock and producer David O. Selznick, and more. Don't just dream about visiting Manderley...pack your bags and join us for a suspenseful adventure! Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!— Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/FacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

Patricia Esteban Erlés (Zaragoza, España. 1972) dice que desde niña percibía la muerte como algo de su día a día y le encantaba jugar en el cementerio. Con una narrativa que explora lo abyecto, el terror, el horror y lo macabro, es una de las voces más interesantes en el cuento y el microrelato. Ha ganado diversos premios y su último libro es Ni aquí ni en ningún otro lugar (Páginas de espuma, 2021). La conversación es de lo más interesante en donde nos cuenta de su método de escritura y los temas que la intrigan y perturban, como la "falta de memoria histórica." Colabora en diversas revistas como el Heraldo de Aragón. En Shop Escritoras tenemos varios de sus magníficos libros como Manderley en venta y otros cuentos, Azul ruso, Casa de muñecas y pronto Ni aquí ni en ningún otro lugar.

En nuestro tercer programa hablamos —junto a Miguel Herrero Herrero y Lucía Tello Díaz— de las dos adaptaciones de la novela de William Lindsay Gresham, NIGHTMARE ALLEY (EL CALLEJÓN DE LAS ALMAS PERDIDAS). Primero nos ocupamos del clásico de Edmund Goulding de 1947, protagonizada por Tyrone Power. Después abordamos la actualidad con la versión de 2021, recientemente estrenada, de Guillermo del Toro.

En el segundo programa analizamos —junto a Mireia Iniesta, Víctor Paz Morandeira, Armand Rovira, Blanca Escoda y Miquel Escudero— distintas adaptaciones de LA TRAGEDIA DE MACBETH, la obra teatral de William Shakespeare. Más en concreto realizamos un recorrido cronológico empezando con la versión de 1948 de Orson Welles, para pasar después a la traslación a la época medieval japonesa de Akira Kurosawa en 1957 (TRONO DE SANGRE). Luego nos paramos en la aproximación naturalista que realizó sobre ella Roman Polanski en 1971 y desgranamos la visión de drama psicológico de Justin Kurzel de 2015, justo antes de acabar con la nueva adaptación de Joel Coen, THE TRAGEDY OF MACBETH (2021), estrenada recientemente en la plataforma Apple TV+.

En este primer programa centramos nuestra atención —junto a David Valero, María Silvia Esteve, Josemi Beltrán, Mariana Freijomil, Serendipia Naschy y Anabel Vélez— en las adaptaciones de OTRA VUELTA DE TUERCA, la novela de Henry James. Más específicamente hablamos de distintas reformulaciones de este relato desde THE INNOCENTS de Jack Clayton (1961) a THE NIGHTCOMERS de Michael Winner (1971), pasando por OTRA VUELTA DE TUERCA de Eloy de la Iglesia (1985), EL CELO de Antoni Aloy (1999) y THE TURNING de Floria Sigismondi (2020), para acabar con THE HAUNTING OF BLY MANOR, la serie creada por Mike Flanagan (2020).

Rebecca! Alfred Hitchcock's first American film and his only best picture winner. Patrick and Lauren invite their very first guest, Julienne Irons to explore this suspenseful film based on the novel by the same name. Model Miniatures, ex-wives, A new husband no one can figure out, model miniatures the size of sound stages. What more could you ask for?Rebecca won the Best Picture in 1941 and Hitchock's style for story telling is evident even in this earlier work by the master of suspense.  So sit back and enjoy as we journey to Manderley and try to avoid the former Mrs. DeWinter's ever present ghost, Rebecca!https://www.instagram.com/theawardgoestopodcast/https://www.instagram.com/julienne_irons/

The Writers Mythos 012 - Daphne Du Maurier Our dive into the Mythos takes us to Manderley, Jamaica Inn and into the mind of The Mistress of Suspense: Daphne Du Maurier. Looking at a life of writing during the most tumultuous period in modern British history, Daphne Du Maurier would not only see her works never go out of print, but become a torchbearer for women in horror looking to break societal molds and be unafraid in telling their own stories of powerful femininity, liberation and complexity. Questions? Suggestions? Birds in your attic? Email us: writersmythos@creativereasonmedia.com    Follow us at @WritersMythos for more info, author/story facts and more! We'd love to hear from you    Check out our other weekly interview show: The Table Read!   Hosted, Written, Researched and Produced by: T. J. Lea, follow TJ on twitter @tjaylea and on Reddit at r/tjaylea Co-Writer: Rona Vaselaar Edited by: Rebecca Levine The voice of Daphne Du Maurier and Dialogue Narrations: Erika Sanderson Executive Producer: David Cummings Musical score composed by: Brandon Boone Logo by: Fay Wilson Audio program ©2021 - Creative Reason Media Inc. - All Rights Reserved - No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc.

En este episodio, Ana y Rita conversan sobre la novela gótica 'Rebecca' escrita por Daphne Du Maurier. Esta novela es considerada como un hit inmediato y, desde su publicación en 1938, se continúan imprimiendo ediciones de la misma . 'Rebecca' ha sido adaptada para el teatro, la televisión, la radio, la ópera y el cine. Ana y Rita discutirán sobre la autora, el género al cual se acoge esta obra, sus enigmáticos personajes, la mansión inglesa bautizada como Manderley y sus interminables secretos, así como también sobre las adaptaciones al cine de este clásico del suspenso. Are you ready to be thrilled?

We will start with the simple sentence: “Last night I dreamt I went to Manderley again.” This is officially our first episode of Season 2 (as well as the first episode of 2021), so we thought we would visit the 2020 Rebecca adaptation (since we started this podcast at beginning of 2019 with our discussion of Daphne Du Maurier).  Please rate and review us, or better yet, tell a friend.  Our social media is @MonsterWrote on Twitter and Instagram. Our email is monsterwrote@gmail.com. This episode was produced and researched by Lisa and Mel. Theme music is “Misconception” by Nicolas Gasparini, used with permission.

After a whirlwind romance in Monte Carlo with handsome widower Maxim de Winter (Armie Hammer), a newly married young woman (Lily James) arrives at Manderley, her new husband's imposing family estate on a windswept English coast. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). Directed by Ben Wheatley (High Rise, Free Fire) and produced by Working Title Films (Emma, Darkest Hour), REBECCA is a mesmerising and gorgeously rendered psychological thriller based on Daphne du Maurier's beloved 1938 gothic novel. – Netflix

After a whirlwind romance in Monte Carlo with handsome widower Maxim de Winter (Armie Hammer), a newly married young woman (Lily James) arrives at Manderley, her new husband's imposing family estate on a windswept English coast. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). Directed by Ben Wheatley (High Rise, Free Fire) and produced by Working Title Films (Emma, Darkest Hour), REBECCA is a mesmerising and gorgeously rendered psychological thriller based on Daphne du Maurier's beloved 1938 gothic novel. – Netflix

We're headed back to Manderley as The Unenthusiastic Critic's 2020 Halloween Movie Marathon continues with Hitchcock's Oscar-winning suspense classic.