Podcast appearances and mentions of Erich Wolfgang Korngold

Spätromantische Klangwelten zwischen Tradition und Moderne – in dieser Folge widmen sich Martin Wandel und sein Gast, der Pianist und Musikwissenschaftler Dr. Roman Salyutov, einem besonderen Kammerkonzertprogramm. Auf dem Notenpult stehen Werke von **Gustav Mahler, Erich Wolfgang Korngold und Alexander Zemlinsky** – drei Komponisten, die tief in der Wiener Musiktradition verwurzelt sind und zugleich in sehr unterschiedliche Richtungen aufgebrochen sind. Was erzählen ihre Werke für Klavier und Streicher über das Lebensgefühl einer untergehenden Epoche? Welche Rolle spielen persönliche Schicksale, politische Umbrüche und ästhetische Ideale in ihrer Musik? Und wie nähert man sich diesen Stücken heute als Interpret? Mit profundem musikalischen und musikhistorischen Wissen gibt Roman Salyutov spannende Einblicke in die Entstehung, Struktur und Wirkung dieser außergewöhnlichen Werke – und verrät, was ihn als Musiker und Forscher besonders daran fasziniert. Eine Folge voller musikalischer Entdeckungen, historischer Zusammenhänge und persönlicher Zugänge zur spätromantischen Kammermusik. Jetzt reinhören!

Interpreten: Liya Petrova, Royal Philharmonic Orchestra, Duncan Ward, Alexandre KantorowLabel: MirareEAN: 3760127226918Virtuose Geigenliteratur hat es diese Woche wieder zu besonderen Ehren auf radio klassik Stephansdom gebracht. Die neue CD Momentum 2 von Liya Petrova hat Michael Gmasz überzeugt! Was er daran so herausragend findet? Lesen Sie selbst!Schon vor zwei Jahren, als die Geigerin Liya Petrova das Violinkonzert von William Walten mit der Violinsonaten von Ottorino Respighi kombiniert hat, dachte ich mir – wow, diese junge Frau hat ordentlich was drauf! Und sie hat nun mit dem Folgealbum noch eins draufgesetzt. Auf Momentum 2 stellt sie das Violinkonzert von Erich Wolfgang Korngold der Violinsonate von Richard Strauss gegenüber. Für Liya Petrova eine ganz logische Kombination: „Beide teilten die Erfahrung eines musikalischen und ehrgeizigen Vaters. Strauss war nacheinander Inspiration und musikalischer Einfluss für das Wiener Wunderkind [Korngold], einer seiner ersten Unterstützer und Freunde in der Musikgemeinschaft.“ Beide Werke füllt sie dabei mit Leben und mit Feuer, wobei ihr vor allem bei der Violinsonate von Strauss der Pianist Alexandre Kantorow, Preisträger des Tschaikowsky-Wettbewerbes, als kongenialer Partner zur Seite steht.Während man bei Korngolds Violinkonzert mit den ersten samtüberzogenen Geigentönen in die wunderbare Welt der frühen Hollywood Musik eintaucht – er hat in seinem über knapp 10 Jahre entstandenen Meisterwerk Motive und Themen aus den Filmmusiken Another Dawn, Anthony Adverse und The Prince and the Pauper eingebaut, ist die Violinsonate von Richard Strauss „ein funkelnd geistreiches Stück”, dessen Virtuosität und Farbigkeit alle Grenzen sprengt, wie es der Kritiker Wilhelm Altmann so schön formuliert hat. Liya Petrova zeigt uns hier, wie viele Klangfarben sie ihrer Violine zu entlocken vermag und geht auch, vor allem bei Strauss, an die klanglichen Grenzen. Das ist für mich leidenschaftliches Musizieren pur. Dass die Carl-Nielsen-Preisträgerin makellos virtuos spielt, muss nicht extra erwähnt werden, aber dass sie ihre Interpretationen mit so viel Leben erfüllt, macht ihre Aufnahmen zu etwas besonderem! (mg)

Supertrain Records has released Erich Wolfgang Korngold's Symphony in F# in an archival piano recording by the composer himself and in a 1997 live concert performance by the Italian Swiss Radio Orchestra and Conductor John Mauceri. Maestro Mauceri and Leslie Korngold, the composer's grandson, join Mary Claire Murphy for the backstory in this Classical Conversation.

Guten Abend, guten Morgen, guten Tag, wann auch immer ihr das hier hört – herzlich willkommen bei den Klassik Ultras, dem Podcast für Leute, die sich fragen, warum Klassik immer als Hochkultur verkauft wird, obwohl Berlioz seine größte Sinfonie nach einer schlechten Drogennacht geschrieben hat. Ja, genau! Die Drogennacht wollen wir auf jeden Fall auch gleich noch besprechen! Aber keine Sorge, es wird nicht nur wild und deliriös, sondern auch hinterhältig und verräterisch. Wir haben zudem John Williams' Cellokonzert dabei, also quasi die sinfonische Form eines Blockbuster-Komponisten, der zeigt, dass er auch das Gebiet der sogenannten „ernsten“ Musik beherrscht. Und weil wir, wenn wir John Williams sagen ohne ein bisschen Filmmusik sowieso nicht auskommen, gibt's noch Erich Wolfgang Korngold mit seiner Captain Blood-Ouvertüre obendrauf – für alle, die ihre Klassik-Dosis am liebsten mit einem Hauch Abenteuer oder einem Piratenmantel genießen.

35 Jahre alt ist die in Sofia geborene Geigerin Liya Petrova. Auf den internationalen Podien ist sie unterwegs, seit sie 2016 in Dänemark den ersten Preis beim renommierten Carl Nielsen-Wettbewerb gewann. Violinkonzerte von Nielsen, Beethoven oder Prokofjew hat Petrova eingespielt. Für ihr jüngstes Album wählte sie das Konzert von Erich Wolfgang Korngold und die Violinsonate von Richard Strauss.

Seconde partie de l'exploration de la carrière du vénéré Erich Wolfgang Korngold, ou comment le génie autrichien se lasse peu à peu du carcan hollywoodien tout en livrant ce qui est peut-être le plus inaltérable des chefs-d'œuvre de cette légende d'Hollywood.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Figure-clé de l'histoire du cinéma, Erich Wolfgang Korngold a contribué à élever la musique de film au rang d'art à part entière, grâce à une sophistication et une profondeur émotionnelle qui ont marqué le cinéma hollywoodien, et dont l'influence majeure a perduré bien au-delà de sa carrière. En route pour l'aventure !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

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Avui sentirem: "Sea Hawk", BSO (selecci

Avui sentirem: "Les aventures de Robin Hood", BSO (selecci

Avui sentirem: "Baby serenade" op. 24; "Captain Blood", BSO (selecci

Die Oper "Die tote Stadt" macht Erich Wolfgang Korngold 1920 berühmt. In den 30ern flieht er vor den Nazis in die USA und macht in Hollywood Karriere. In seinem Violinkonzert verbindet er beide Welten und verwendet Themen aus seinen Soundtracks wieder. Von Michael Arntz.

durée : 00:25:07 - Hollywood, l'âge d'or de la musique de film (3/5) : Les compositeurs : Un triumvirat venu d'Europe - par : Anne-Charlotte Rémond - Pour comprendre comment s'est façonné le fameux "Style Hollywood", nous poursuivons notre voyage avec Anne-Charlotte Rémond en compagnie de trois compositeurs européens qui ont travaillé dans les studios californiens. Max Steiner, Erich Wolfgang Korngold et Franz Waxman sont sous nos projecteurs ! - réalisé par : Philippe Petit

Avui hem sentit: Quintet amb piano, en mi major, op. 15; "Quatre can

Avui hem sentit: "Much ado about nothing", Suite per a orquestra op. 11; extractes de l'

Avui hem sentit: "Much ado about nothing", Suite op. 11; "Die Tote Stadt", op. 12 (extractes). Erich Wolfgang Korngold (1897-1957) va ser un nen prodigi de la m

Avui hem sentit: "Prelude", "M

Avui hem sentit: "Der schneemann" (extractes); "M

Avui hem sentit: "Simfonietta", op. 5. Erich Wolfgang Korngold (1897-1957) va ser un nen prodigi de la m

durée : 01:27:16 - En pistes ! du mardi 28 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mardi matin, les œuvres de Franz Schubert, Gustav Mahler, Erich Wolfgang Korngold, Friedrich von Flotow, Antonio Vivaldi, mais aussi celles de Claudin de Sermisy, Sergueï Rachmaninov et Benedetto Giacomo Marcello. En pistes !

durée : 00:25:07 - Musicopolis - par : Anne-Charlotte Rémond - Pour comprendre comment s'est façonné le fameux "Style Hollywood", nous poursuivons notre voyage avec Anne-Charlotte Rémond en compagnie de trois compositeurs européens qui ont travaillé dans les studios californiens. Max Steiner, Erich Wolfgang Korngold et Franz Waxman sont sous nos projecteurs ! - réalisé par : Philippe Petit

Soms is de uitkomst van een route ongewis, weet je niet wat er aan het eind van een weg te vinden zal zijn, en is het een kwestie van goed geluk, blind vertrouwen, domweg proberen, een wilde gok en god zegene de greep. Maar áls het dan eens goed uitpakt... Oh! 23.04 CD Le Carnaval des Animaux (Alpha 749) Camille Saint-Saëns: Le Carnaval des Animaux - fragmenten Duo Jatekok Orchestre National de Lille olv Lucie Leguay 3'57” 23.10 CD Le cueur vous demeure: Leuven Chansonnier (Passacaille PAS1146) Antoine Busnois: Le corps s'en va et le cueur vous demeure Sollazzo Ensemble olv Anna Danilevskaia 6'12” CD Le cueur vous demeure: Leuven Chansonnier (Passacaille PAS1146) Walter Frye, Gilles Binchois: Tout a par moy affin qu'on ne me voye Sollazzo Ensemble olv Anna Danilevskaia 9'48” 23.29 CD Chamber works (BIS Records BIS-2689) Marcelle de Manziarly: Vioolsonate - II Lent et grave Cecilia Zilliacus [viool], Bengt Forsberg [piano] 5'22” 23.35 eigen opname November Music 2022 Annelies van Parys: Medea Katherine Dain (sopraan); Ragazze Quartet (Rosa Arnold: viool; Jeanita Vriens van Tongeren: viool; Annemijn Bergkotte: altviool; Rebecca Wise: cello); Anna voor de Wind (klarinet) 16'50” 23.50 CD A portrait for piano (TRPTK TTK 0124) Erich Wolfgang Korngold, arr. Ramon van Engelenhoven: The Sea Hawk Ramon van Engelenhoven 5'00”

Hoeveel meer is er nodig om een weg te zijn dan een nauw zichtbaar spoor door het gras, in de modder de voetafdrukken van wie er eerder waren, een punt op de horizon, een greppel om langs te lopen? Uiteindelijk kom je waar je kennelijk wezen moest. Daar, heel in de verte. Onder dat kleine plukje blauwe lucht. 23.04 CD Splunge (7 Mountain Records 7MNTN-052) Thomas van Geelen: Mojito North Sea String Quartet 6'48” CD Splunge (7 Mountain Records 7MNTN-052) George Dumitriu: Choroesque North Sea String Quartet 7'55” 23.20 CD Chamber works (BIS Records BIS-2689) Marcelle de Manziarly: Trilogue (1977) - Prologue - Premonition - Epilogue Cecilia Zilliacus [viool], Kati Raitinen [cello], Bengt Forsberg [piano] 9'55” 23.30 CD Inner Space (eigen uitgave z.nr.) Roger Martinez: Tuning in - Envelopment Roger Martinez pres. Horizontal Excursions 12'54” 23.40 CD Byrd Song (Erased Tapes Records  ERATP163DS02) Kieran Brunt & William Byrd: Domine Deus - Kyrie - Agnus Dei - Sacerdotes Shards 7'45” 23.48 CD A portrait for piano (TRPTK TTK 0124) Erich Wolfgang Korngold, arr. Ramon van Engelenhoven: The Sea Hawk Ramon van Engelenhoven 5'00”

durée : 01:28:58 - En pistes ! du jeudi 14 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce jeudi matin, Emilie et Rodolphe vous proposent d'entendre les œuvres de Florence Price, Attilio Ariosti, Georg Friedrich Haendel, Francis Poulenc, mais également celles d'Alessandro Stradella, Erich Wolfgang Korngold et Antonín Dvořák. En pistes !

durée : 01:27:46 - En pistes ! du lundi 18 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce lundi matin, Emilie et Rodolphe vous proposent un voyage musical aux côtés de Noël Coward, Erich Wolfgang Korngold, mais également de Claude Debussy, Heitor Villa-Lobos, Anton Bruckner et Giovanni Battista Ferrandini. En pistes !

Ist es Kunst oder schnöde Gebrauchsmusik, was in Filmen wie „Jurassic Park“ und „Der weiße Hai“ erst für die richtige Wirkung sorgt? Zu Gast im Studio: Filmkritiker Andrey Arnold.

SynopsisOn today's date in 1927, a landmark film title The Jazz Singer received its premiere showing at the Warner Theater in New York. The Jazz Singer starred Al Jolson and is usually credited with being the first “talkie”—the first motion picture to successfully incorporate prerecorded music and spoken dialogue. Both the music and dialogue were recorded using the Vitaphone process, essentially a set of disc recordings synchronized for playback with the film's projector.The previous year, the New York Philharmonic had participated in the first Vitaphone projects, recording Wagner's Tannhauser overture as the first-ever “music video,” and performing the soundtrack for an otherwise silent drama titled Don Juan, starring John Barrymore.Within a decade, Hollywood orchestras would be recording the classic film scores of European émigré composers like Erich Wolfgang Korngold and Max Steiner, and within two decades American composers like Aaron Copland and Bernard Herrmann would be writing their memorable film scores as well.But back in 1927, all of that was well in the future, and, as one of Al Jolson's lines in The Jazz Singer so prophetically put it, “You ain't heard nothin' yet.”Music Played in Today's ProgramFelix Arndt (1889 – 1918) An Operatic Nightmare (Desecration Rag No. 2) - Paragon Ragtime Orchestra; Rick Benjamin, cond. Newport Classics 60039Erich Wolfgang Korngold (1897 – 1957) The Prince and the Pauper film score - National Philharmonic; Charles Gerhardt, cond. RCA/BMG 0185

Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Noah Hynick of Minneapolis works at an escape room. He recommends a new play at Bryant Lake Bowl titled “The Assassination of the Archduke of Austria-Hungary Franz Ferdinand.” The play was written by Minnesota stand-up comic Joey Hamburger and is produced by Jackdonkey Productions. “It's all about the events leading up to the assassination of Archduke Ferdinand,” Hynick explains. “It's sort of a tragic comedy and follows some real things that happen as well as some not quite true things.”  “Lots of places are still feeling the effects of COVID and everything. And now having new theaters come out, I think it's a really good chance to support smaller theaters and new art,” Hynick said. The show runs June 14-17, with an additional performance June 22. Amy Garretson of Rochester is the education and community outreach coordinator with the Rochester Art Center. She's excited that a new art house movie theater has opened in the Cooke Park neighborhood of Rochester, Pop's Art Theater. “The type of films they're showing are either films that are shown before the wider release at the big theaters, or they're just independent cinema that you're really just not going to see screened anywhere else in southeast Minnesota,” Garretson said. “After a long drought, there's finally a place where you can go to see interesting, innovative independent cinema here in Rochester.” Pop's Art Theater's screenings currently include “Dalíland,” a 2022 film about Salvador Dalí starring Ben Kingsley, and two classics of Hong Kong action cinema, “Police Story 2” with Jackie Chan and 1972's “Fist of Fury” with Bruce Lee. St. Paul's Christine Sweet is a former classical music broadcaster with Classical MPR and a current member of the Twin Cities theater community. “Ladyslipper Ensemble is one of my favorite local chamber music ensembles,” she says. “And that's because every time I've been to a Ladyslipper concert, I hear something wonderful that I've never heard before — whether it's brand new or just new to me.” She explains that Ladyslipper is “a group of four instrumentalists plus mezzo-soprano Sahar Hassan, who is its director. They typically don't perform as a quintet but in combinations of those instruments, or instruments and voice and sometimes they also have guest performers.” The next Ladyslipper performance will include music of Gabriel Fauré and Erich Wolfgang Korngold, as well as a premiere of a new piece by Minnesota composer Carol Barnett. The event will take place June 12 at MetroNOME Brewery in St. Paul.

Un día como hoy, 29 de mayo: Acontece: 1913: en París, Ígor Stravinsky estrena su ballet La consagración de la primavera, que provoca una revuelta. Nace: 1860: Isaac Albéniz, compositor español (f. 1909). 1874: G. K. Chesterton, escritor británico (f. 1936). 1892: Alfonsina Storni, escritora argentina (f. 1938). 1894: Josef von Sternberg, cineasta estadounidense de origen austriaco (f. 1969). 1897: Erich Wolfgang Korngold, compositor austríaco (f. 1957). 1894: Josef von Sternberg, cineasta estadounidense de origen austriaco (f. 1969). 1897: Erich Wolfgang Korngold, compositor austríaco (f. 1957). Fallece: 1857: Agustina de Aragón, célebre heroína española (n. 1786). 1910: Mili Balákirev, compositor ruso (n. 1837). 1957: James Whale, cineasta británico (n. 1896). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Die tote Stadt (German for The Dead City), Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel Bruges-la-Morte by Georges Rodenbach.Conducted and Produced by Kathryn CavanaughCMD Grand Opera Company of VeniceHelp support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries#KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice#CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

This week, Nathan, Richard, Todd and Adrian Phoon leave the peasants of Worksop to their mud-eating and get together to ask themselves the questions Is the Doctor as big a hero as Robin Hood? and Is Robin Hood even real?, only to come up with some very surprising answers. It's Robot of Sherwood. Notes and links There have been any number of film versions of Robin Hood, which is part of the point, but Richard is mostly reminded of the 1938 film The Adventures of Robin Hood, starring Errol Flynn as Robin, directed by Michael Curtiz, with an Oscar-winning score by Erich Wolfgang Korngold. Errol Flynn didn't go to Scots College in Sydney, Nathan: it was Sydney Church of England Grammar School, commonly known as Shore. He claimed to have been expelled from Shore for having sex with one of the ladies who worked in the laundry. Star Trek: The Next Generation did its fantasy Robin Hood episode in its triumphant fourth season. It guest starred John DeLancie as Q and was called Qpid. Here is an article in The Guardian from 2014, reporting the cuts made to this episode because of the beheading of two American journalists by members of Islamic State. We spend some time talking about Ben Miller's career. He's one half of Armstrong and Miller, of course, as well as doing two series of Death in Paradise. Paul Cornell's Primeval episode which featured Miller hunting a dinosaur was called Traitor Revealed. When this was shot, Tom Riley was also playing a young Leonardo Da Vinci in Da Vinci's Demons. He was also in St Trinian's 2: The Legend of Fritton's Gold (2009) with David Tennant and Jodie Whittaker. Follow us Nathan is on Twitter as @nathanbottomley, Todd is @toddbeilby, Richard is @RichardLStone, and Adrian is @the_iphoon. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast. We're also on Facebook and Mastodon, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we'll assault you with cutlery until you do. And more You can find Jodie into Terror, our flashcast on the entirety of the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We'll be back with a new flashcast on the second Russell T Davies era in November. Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well. We can also be heard on the Blakes 7 podcast Maximum Power, which has completed its coverage of the first half of the show. Plans are already well underway for our coverage of Series C later in the year, probably. There's also our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. In our most recent episode, we watched another episode of Star Trek: Strange New Worlds — this time, the delightful fantasy romp The Elysian Kingdom. There are new episodes out every Friday. And finally, Brendan and his friend Bjay have joined forces to play and review videogames on The Bjay BJ Game Show. Take a listen: it's funny, well-informed and completely enjoyable.

Aprovechando que el programa de “Cuéntame un musical” estaba dedicado al musical “& Juliet”, que nos presenta una simpática historia con la pugna entre Shakespeare y su mujer Anne Hathaway para conseguir cambiar el argumento de “Romeo y Julieta”, decidimos montar unas playlists de fragmentos de bandas sonoras de películas, que han tenido las obras del escritor inglés como fuente de inspiración. En este primer programa tendremos las músicas de Angelo Francesco Lavagnino para el “Campanadas a medianoche” y el “Othelo” de Orson Welles, a Carter Burwell y sus temas para “Hamlet” y “Mackbeth”, Elliot Goldenthal con “La tempestad” y “Titus”, Ennio Morricone con Hamlet, Erich Wolfgang Korngold y Felix Mendelsshon para “El sueño de una noche de verano”, Jocelyn Pook con “El mercader de Venecia”, John Scott para “Marco Antonio y Cleopatra”, Masaru Sato para “Trono de sangre” y Miklos Rozsa para “Julio César”. El mes próximo sacaremos un segundo volumen con temas de Patrick Doyle, Toru Takemitsu, Trevor Jones y William Walton. Esperamos haber acertado con la selección 00h 00’00” Presentación 00h 01’07” Cabecera 00h 01’42” ANGELO FRANCESCO LAVAGNINO – Campanadas a medianoche 00h 01’42” Apertura festosa 00h 02’55” Intermezzo agreste 00h 06’03” Corale mistico 00h 09’13” ANGELO FRANCESCO LAVAGNINO – Othelo 00h 09’13” Chant 00h 13’15” The seed of doubt 00h 16’17” The deciver is revealed – The death of Othelo 00h 18’39” CARTER BURWELL – Hamlet 00h 18’39” Too too solid flesh 00h 21’17” Murder most foul 00h 24’28” To be or not to be 00h 27’05” The end 00h 30’24” CARTER BURWELL – La tragedia de Mackbeth 00h 30’24” Birnam wood 00h 32’48” The end of Mackbeth 00h 36’11” ELLIOT GOLDENTHAL – La tempestad 00h 36’11” O mistress mine 00h 39’12” High day too-step 00h 41’12” Full fanthom five 00h 45’18” Brave new world 00h 47’57” ELLIOT GOLDENTHAL - Titus 00h 47’57” Suite 00h 59’36” ENNIO MORRICONE – Hamlet 00h 59’36” Suite 01h 09’35” ERICH W. KORNGOLD / FELIX MENDELSSHON – El sueño de una noche de Verano 01h 09’35” Obertura 01h 16’28” JOCELYN POOK – El Mercader de Venecia 01h 16’28” With wandering steps 01h 18’34” Her gentle spirit 01h 21’24” How sweet the moonlight 01h 25’37” Bridal ballad 01h 30’08” JOHN SCOTT – Marco Antonio y Cleopatra 01h 30’08” Overture 01h 39’23” Main titles 01h 43’00” Egyptian bacchanal 01h 46’55” Eternal rest 01h 48’52” MASARU SATO – Trono de sangre (Mackbeth) 01h 48’52” Main theme 01h 52’41” MIKLOS ROZSA – Julio César 01h 52’41” Overture 01h 55’44” Prelude – Idle creatures 01h 58’40” Titanus enclosed – Caesar revenged- Caesar, now be still- Rites of burial - Finale

It's alive! The Cinematic Sound Radio Podcast Top 10 has been brought back from the dead! The last time I did a show like this was back in 2018 when I presented my Favourite Western Tracks Of All Time. I wanted to make the Top 10 and ongoing series but only a short month later, I went on an 8-month hiatus. I never thought about resurrecting the Top 10 show when I returned, however, I did have one last show planned out, which I found in a playlist in my digital music collection. That was in January and was planning to premiere this show on Valentine's Day but I lost my voice and couldn't record the show in time for the February 14th deadline. Eventually, my voice came back to me and I managed to get this one upload eight days after the Hallmark Holiday. So, welcome back to the Cinematic Sound Radio Podcast Top 10 and I'm looking for suggestions on other Top 10 shows. I'm clear out of ideas right now. Post them in the comments below or send an emial. In the program today, I'm going to play for you my Ten Favourite Love Themes Of All Time and two honourable mentions. You'll hear selections from composers Jerry Goldsmith, Lee Holdridge, John Williams, Miklos Rozsa, Erich Wolfgang Korngold, James Horner, Brian Transeau and more. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Potent —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On Episode 92 of The Film ‘89 Podcast, returning guest host John Arminio joins Skye as they go back to the golden age of Hollywood, 85 years in fact, to discuss one of the all time classics, The Adventures of Robin Hood, directed by Michael Curtiz and starring Errol Flynn, Olivia de Haviland, Claude Rains and Basil Rathbone. Whilst not the first big screen adaptation of the Robin Hood legend, it set out a template for the innumerable adaptations that would follow. John and Skye discuss the three strip Technicolor process used to shoot the film, the magnificent score by Erich Wolfgang Korngold, the film's many superbly choreographed fight scenes and it's exemplary cast, all ingredients that come together to create a film that is widely regarded as one of the greatest swashbuckling adventures of all time. 

Film music began as a solution to a problem. Early film projectors were really loud, therefore something was needed to cover up all the noise.  In addition, silent movies apparently seemed a bit awkward without any musical accompaniment.   Enter, usually, a pianist, who would improvise musical accompaniments to the events on the screen. None other than Dmitri Shostakovich got his first job as a cinema pianist, honing his improvisatory skills, and sometimes receiving cat calls and boos for his fantasy filled musings that tended to stray away from the action on the screen. Music in the silent film era had to help the audience in pointing out important moments to the audience,  enhancing the emotional effects of the story, and most importantly, it had to give a certain musical line to every character, giving to them the emotional depth that the audience couldn't get since they weren't going to hear their voice.  To do this, early film composers turned to the idea of the Leitmotif, an idea developed by the opera composer Richard Wagner. This idea would take hold even once "talkies" took over the screen, with composers such as Max Steiner, Charlie Chaplin, and others setting the stage for a century of brilliant music, by composers like Bernard Herrmann, John Williams, Dmitri Shostakovich, Rachel Portman, Hans Zimmer, Erich Wolfgang Korngold, Christopher Willis, and dozens and dozens more. Today on the show we'll talk about this development of film music, and also hear some of the greatest and most recognizable film music ever written. We'll also talk about why film music is sometimes looked down upon in the classical music world, and how we might begin to change that perception. Join us! 

The holidays are a great time to catch up on all our favorite movies, and many of these films wouldn't enjoy the popularity they do without their amazing soundtracks! Today on One Symphony, we want to share with you some of our Holiday Film Score favorites! Join conductor Devin Patrick Hughes as he explores some classical films scores including Have Yourself a Merry Little Christmas from Meet Me in St. Louis, Gremlins by Jerry Goldsmith, Home Alone by John Williams, and Danny Elfman's Nightmare Before Christmas. Along the way we explore how these mammoth scores were influences by composers and works like Aaron Copland, Hector Berlioz, Tchaikovsky, Kurt Weill, Erich Wolfgang Korngold, Franz Schubert, and many more!  Thank you to all the amazing performers and record labels who made this episode possible including Danny Elfman, Disney, Judy Garland, UMG Recordings, the Mormon Tabernacle Choir, Geffen Records, the City of Prague Philharmonic Orchestra, Silva Screen Records, Warner Brothers, Orchestra of the Marinsky Theatre and Valery Gergiev, Universal Music, Atlanta Symphony and Louis Lane, Alessio Randon and Naxos, the Boston Symphony and Charles Munch, Valentina Lisitsa, Michael Francis and the London Symphony, Ute Lemper, Jeff Cohen and the RIAS Sinfonietta Berlin, with John Mauceri on Decca, Everest Records, Katherine O'Hara, Dietrich Fischer-Dieskau, Daniel Barenboim, and Mel Torme. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support to the podcast. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Welcome to part one of yet another edition of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Your host Jason Drury starts the show with a cue from Daniel Pemberton's score to SEE HOW THEY RUN (Hollywood Records). You'll then hear selections from Jerry Goldsmith's epic score for HOLLOW MAN (Intrada Records), Bear McCreary's stunning score for LORD OF THE RINGS: THE RINGS OF POWER (Amazon) as well as its theme by Howard Shore, and the return of the Sinfonia Of London under John Wilson to film music with a track from the album HOLLYWOOD SOUNDSTAGE (Chandos) featuring music by Erich Wolfgang Korngold. You also hear music from Alan Silvestri's DEATH BECOMES HER (Varese Sarabande Records), Ennio Morricone's RED SONJA (Quartet Records), Costas Dafnis' OVERWHELM THE SKY (La La Land Records) and Debbie Wiseman's ELIZABETH REMEMBERED (Silva Screen Records), commemorating the passing of Queen Elizabeth II. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

durée : 00:06:25 - Quelques mesures de Liszt apparaissent dans une scène de 1935 - par : Christophe Dilys - Tendez l'oreille ! Et si le père de la musique de film hollywoodienne était... Franz Liszt ? Erich Wolfgang Korngold utilise la fugue du poème symphonique Prometheus de Franz Liszt (1850) pour illustrer la scène de duel de Captain Blood (1935). Au delà du gain de temps... pourquoi une fugue ?

durée : 00:58:15 - Une heure, un compositeur : Erich Wolfgang Korngold - par : Christophe Dilys - Erich Wolfgang Korngold a donné à la musique de film son langage cuivré et rutilant, mais lui-même le doit à la musique qui se composait à Vienne au tournant du XXe siècle. Composait-il pour le cinéma comme pour le concert ? Tendez l'oreille !

Die Opernfestspiele Gars zeigen heuer „Carmen“. Das Stück ist Fixstarter auf der Liste der zehn meistgespielten Opern aller Zeiten. Vom Komponisten wissen wir gerade einmal, dass er Georges Bizet hieß. Und vielleicht, dass die Feinde Richard Wagners (von Brahms bis Nietzsche) „ Carmen“ als willkommenes Gegengift zur Bayreuther Ästhetik Richard Wagners betrachtet haben.

We offer a rundown of the ongoing WGTE Presents: TSO in HD program on WGTE-TV, and revisit some conversations from the past — including clips from TSO tubist David Saltzman and composers Samuel Adler (pictured) and Jennifer Higdon. All three are featured in an upcoming episode of TSO in HD, along with works by Christopher Dietz and Erich Wolfgang Korngold. Panelists Zak Vassar and Merwin Siu join us by phone to give the backstory on these selections, and the thematic thread that binds them together.

Die "Metamorphosen" von Richard Strauss sind ein spätes Meisterwerk des Komponisten. Der britische Dirigent John Wilson hat das Stück jetzt mit der Sinfonia of London neu aufgenommen - ergänzt um weitere spätromantische Streicherpartituren von Franz Schreker und Erich Wolfgang Korngold.

Synopsis On today's date in 1942, Warner Brothers released a film entitled “King's Row,” which included in its cast a 31-year-old actor named Ronald Reagan, who claimed the film “made me a star.” The film's musical score was by someone already a star – the Austrian-born Erich Wolfgang Korngold, famous for his earlier work for Hollywood swashbucklers like “Captain Blood” and “Robin Hood” starring Errol Flynn. Korngold's music for “King's Row” proved unusually popular, and Warner Brothers prepared a form letter politely declining inquiries for sheet music or recordings. Back then, film score recordings were not common, and the big studios were jealously protective of anything – including music – that they owned. It wasn't until 1979 – 37 years after the release of the movie – that a full soundtrack recording of “King's Row” was released, produced by the composer's son, George, who was responsible for a major revival of interest in his father's work. In fact, Korngold's main title music from “King's Row” may have provided the model for the American composer John Williams when he wrote his main title music for the 1977 sci-fi swashbuckler “Star Wars.” It's also curious to note that the main title music for “King's Row” was requested by the White House in 1981 for use at the inauguration of President Reagan, who, you may recall, later promoted a ballistic missile defense shield nicknamed by its critics – wait for it – “Star Wars.” Music Played in Today's Program Erich Wolfgang Korngold (1897 -1957) — “Main Title,” fr “King's Row” (National Philharmonic; Charles Gerhardt, cond.) RCA LSC-3330 (LP) & 7890-2-RG (CD)

Coming off of the success of his first two operas, young Erich Wolfgang Korngold set out to write his third. His success was so massive, that opera houses all over duked it out for the rights to stage the premier, leaving Korngold with the tough decision of who to give those rights to. Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Sign up for Amazon Music Unlimited and get your first 30 days free: getamazonmusic.com/thecomposerchronicles Alexandrian Media Teespring: https://teespring.com/stores/alexandrianmedia Listen to The Composer Chronicles‘ Spotify Playlist: https://open.spotify.com/playlist/71QCS9qHoZqMMR6GMooqTR Music used in this episode: Rendevous in D Minor by Trevor Kowalski Banshee by Jay Varton Breath of Life by Gavin Luke Walk Tall by Johannes Bornlof The Lost Cities by Johannes Bornlof --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Today's episode features the Suite for Piano Left Hand, Two Violins, and Cello, Op. 23 by Erich Wolfgang Korngold in a performance by pianist Wu Qian, violinists Sean Le and Danbi Um, and cellist Mihai Marica from March 4, 2018.

The vintage 1946 film noir movie Deception will be played at the Figge Art Museum on Wednesday, October 2, 2019. Prior to the film, Hannah Holman, Principal Cellist for the Quad City Symphony Orchestra, will talk about Eleanor Aller Slatkin, the female cellist who played the Korngold Cello Concerto for the film. Erich Wolfgang Korngold composed his Concerto specifically for this movie.

In this episode, I explore the rich, melodic and memorable film music of Hollywood Golden Age composer Franz Waxman. Born in Germany in 1906, Waxman was known by his peers as the consummate musician, having studied music in Berlin while supporting himself by performing and arranging pop music of the day in local cafes. Waxman emigrated from Germany to the United States in the early 1930's, along with many talented artists, and became part of that first generation of brilliant musicians who developed and perfected the art of film scoring, alongside giants such as Max Steiner, Alfred Newman and Erich Wolfgang Korngold. I discuss Waxman's place in the early days of the new art form of music for motion pictures (the famed "Golden Age"), plus its development overall for some context, and his evolving style through the highlights during his career, including REBECCA, SUNSET BOULEVARD, THE SPIRIT OF ST. LOUIS and TARAS BULBA.   Connect with the podcast on Facebook and Twitter... www.facebook.com/ascoretosettle twitter.com/score2settlepod   Feel free to email the show at ascoretosettlepodcast@gmail.com 

In this episode, I talk about and present examples of the marvelous music of Elmer Bernstein, specifically his jazz-oriented scores, like THE MAN WITH THE GOLDEN ARM, and those in the "Westerns" genre, THE MAGNIFICENT SEVEN for example. Bernstein was part of the unofficial "second generation" of film composers, along with Alex North, Franz Waxman and others, following on from the "godfathers" of Max Steiner, Alfred Newman and Erich Wolfgang Korngold. He tackled pretty much every genre but there were distinct periods of his career when he was considered the "go-to" guy for jazz scores, then Westerns, then comedies, amid others. This is part of my ongoing "Listening To..." series of the show in which I examine various composers, whether presenting attributes of their overall style, focusing on particular genres or even a certain year of their career. This is not a comprehensive biography of Elmer Bernstein or his entire career, but more of a brief introduction for anyone who might be curious to learn about what to listen for. Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod Email the show at ascoretosettlepodcast@gmail.com