Podcasts about Gulliver

Tim Conway Jr Show Hour 3 (6.8) Conway kicks off the hour with the latest on Primm casino resorts, as LV Petroleum emerges as a leading potential buyer and operator trying to save the properties before a possible July 4 shutdown. The desert drama continues as the Primm family looks for a new partner to keep the casino town alive. Then the news turns global and wild: a plane headed to pick up MLB legend Yadier Molina and his family crashes on its way to Texas, a massive 7.8 earthquake strikes the southern Philippines, and a rare 6.1 earthquake rattles off the coast of Cuba. The crew jumps into NBA Finals fever with Knicks vs. Spurs, Game 3, and the insane ticket prices surrounding New York’s run — from thousands just to get in the building to courtside seats going for hundreds of thousands. Later, Conway gets into new weight-loss drugs, changing body sizes, and how GLP-1s are creating chaos for retail returns as people keep swapping clothes while trying to find their new size. Plus, Bellio’s yacht wedding, Conway trying to escape a cruise, strange things spotted on walks, and one beard that was apparently a total turnoff. The hour wraps with the sad wave of Southern California restaurant closures, including memories of Gulliver’s in Newport Beach, as rising food costs, labor costs, regulations, and changing spending habits put pressure on longtime local favorites. Primm casinos, LV Petroleum, Yadier Molina, Philippines earthquake, Cuba earthquake, Knicks vs Spurs, NBA Finals, Knicks tickets, weight loss drugs, GLP-1, Ozempic, retail returns, yacht wedding, restaurant closures, Gulliver’s Newport Beach, Southern California, Conway Show See omnystudio.com/listener for privacy information.

Earl Sims, the head coach of Miami Gulliver Prep, joins Larry Blustein to talk about the program and the culture he's built. Even though Earl Sims is known to be coaching the late great Sean Taylor, he talks about the process of the players that have taken what they've learned on to off the field.

Rafael Rivera, creador del emblemático parque Gulliver, reivindica una ciudad pensada para niños, mayores y vecinos, y alerta de los retos de la vivienda y el cambio climático

What a lot of fun I had talking to Zena Hitz about Gulliver's Travels. As well as discussing Swift, slavery, genocide, rationality, Christianity, and science, Zena told me that good philosophy is like a box of cake mix and that a liberal education requires you to be freed of false expertise. I also took Zena on a detour to discuss Iris Murdoch, the Catherine Project, and modern philosophy. TRANSCRIPTHENRY OLIVER: Today I am talking to Zena Hitz. Zena is a tutor at St. John's College. She is a philosopher, the author of Lost in Thought. She runs the Catherine Project. She's famous on Twitter. We don't know how she does it all. Zena, welcome.ZENA HITZ: Thank you, Henry. It's great to be here.OLIVER: And we're talking about Gulliver's Travels because it is 300 years since it was published, and it's a book that you love.HITZ: A book that I've loved for a long time.First Encounter with Gulliver's TravelsOLIVER: So tell me, when did you first read it?HITZ: Well, it was an important moment for me. I was in high school, and I was admitted to a scholarship summer program which offered college courses at different campuses. There were some normal-looking college courses at normal-looking colleges. And then there was this course at St. John's called Science as Literature, Literature as Science. [laughs] It had this description that was just unbelievable. And I thought to myself, “This is the one, obviously the one to go to.”So I went, and we read books that no one in their right mind would assign to high school students now, and maybe not then. The fragments of Parmenides, Plato's Timaeus, selections from Aristotle's Physics, Gulliver's Travels. After reading a number of—preface to Ptolemy's Almagest, geocentric astronomy. And we read Gulliver's Travels after reading selections from Hooke's Micrographia, so the inventor of the microscope, and Galileo's Starry Messenger, which is one of the great first uses of the telescope to discover the nature of the moon and the satellites of Jupiter.So then we read Gulliver's Travels. We also read Emma and Flannery O'Connor and various other things. And one of the faculty who was running it said at one point, “Well, we thought we'd throw a bunch of things together and see what you could do, what you could make of it. We didn't actually have an idea of how these all fit together,” which I think was probably true.At any rate, I think I came to Gulliver's Travels thinking about these scientists who were looking at very large things and very small things, and thinking in general about the follies of human perception, whether that was shown in literature or philosophy or what have you, the ways in which human perception and knowledge don't work very well. And I think Swift is still one of the best people to—Gulliver's Travels is still one of the best books about that because it's in the mode of a travel diary, an eyewitness account.Gulliver is trained as a surgeon, by his own account. He at one point says he was a bit of a projector in his younger days, someone who undertook scientific projects. And he's a terrible observer, the worst imaginable observer, and Swift so brilliantly lets us see through his eyes, lets us see all the things he doesn't see. And I think it's not just about seeing and knowing. It has a very profound, I think, moral and political set of commitments. So it's a very humane book. It's social criticism, but from a point of view of a very deep humanity. So I've always loved the book for these reasons since then.I came back to it more recently because it is part of the curriculum at St. John's. So when I came back to teach there, I began to reread it. The other experience I had was that I wrote a long essay on it when I was an undergraduate. So those are my—I'm not any kind of expert. My knowledge of the historical context of the book is limited. It's not zero, but it's limited. But I have always loved it as an account of human understanding and its failures and the way that might impact how we live and how happy we can be.The Houyhnhnm ProblemOLIVER: Have you changed how you think about it as you've taught it?HITZ: I have not really changed the way I think about it. It gets more—like all of these books, the more you read them, the more comes out of them, the more details come up. Hilarious. The more jokes you get, the more . . .I think the one more recent insight I had was, I hadn't understood the full horror of the Houyhnhnms in the last book until relatively recently. I think that took me some time to really take on. It's one of the cases where Gulliver's misperceptions are a bit harder to see, and I think many readers just assume that Swift is endorsing the praise of the Houyhnhnms in some sense or other.OLIVER: There are some very serious critics in the past who have called them Swift's ideal beings. Which at this point in history seems unthinkable, but it has been a belief among serious readers.HITZ: Yes, yes. And also common among students. Yes, it's absolutely one of the wrongest opinions you could have about anything, I think.OLIVER: Why does Swift allow us to make that mistake? Are we bad readers out of the context, or has he made too good a job of his diversions and concealments and ironies?HITZ: That's a great question, and I'll just take a stab at it. I think that he has hit on a mode of misperception which is very deep to us, and it's something that we're much more guilty of. We could imagine that if we were in a place where everyone was small or everyone was large, we might make mistakes like Gulliver makes. But we all live, I think, in communities that are a bit like the Houyhnhnms. And so we are all very subject to these kinds of deceptions, and I think that's how he gets us.That's not to really excuse the bad readings because, you know, Gulliver does leave the land of the Houyhnhnms with a boat made out of human skin, which should—I think that moment should make you realize, if you haven't yet, that something is very seriously wrong with Gulliver. Gulliver has been kind of destroyed as a person by his travels, and especially by this last trip. But if you pass over that little detail, maybe you think, “Oh, wow, he found some very simple beings.”OLIVER: Well, there's also the great council where they debate the genocide of the Yahoos.HITZ: [laughs] Yes.OLIVER: And it directly contradicts several things Gulliver has come to believe about the Houyhnhnms, about the Yahoos, and about himself. And he's completely unaware of these contradictions and so in awe of the Houyhnhnms that he doesn't quite understand, I think, that he's accounting a genocide.HITZ: That's right. That's right.OLIVER: Even though he uses a phrase from Genesis that's very unmistakable. It's a sort of remarkable moment of—particularly to us, having had the 20th century. I think that's why Swift came back into favor in a way, because people used to say, Swift's unbearable view of human nature . . .This is a great bit in Boswell's Life of Johnson where, when they're traveling through Scotland, they're with a lady, and she says to Johnson, “Is any man naturally good?” And Johnson says, “No, no more than a wolf.” And Boswell says, “Well, sir, what about ladies?” And Johnson says, “God, no, absolutely not.” And this woman says, “Oh my God, this is worse than Swift,” utterly horrific view of human nature.But of course, we can actually say, did he go far enough? [laughter] I mean, Swift clearly understands something very real and deep. The council of genocide is horrifyingly familiar to us. And I think that's much to Swift's credit that he can see that, and to show that Gulliver would blind himself to it. And people still blind themselves to it, right?HITZ: That's right. And I wonder—you would know more about this than me because it is a bit of a historical question, but my understanding is that quite a lot of the savagery, the worst parts of rule over men that we see in Gulliver's Travels are pictures of Ireland in the 17th, 18th centuries. And I wonder if that took some time to reveal itself to the British, and in some ways it's still not really as known as it might be. We think of the colonial project as being something that was directed at India and Africa—OLIVER: Faraway countries.HITZ: —faraway countries where people looked really different. And we're not as familiar with the kinds of things that were done to the cuddly Irish with their nice music, and who we don't think of as being people that you would savagely oppress like that. So I think—OLIVER: So, I think partly the English are not interested in their own history in the way that they are expected to be. And partly the English interest in Irish history has become very focused on the more recent events. And it's very hard to get back past that. And it all becomes very complicated, and it's a sort of different country. So there's some of that, but I think generally we don't want to know what we did, yes.HITZ: Well, and I think in anglophone countries in general, there's going to be a history of something like that. To attribute it to the British is not to say that—I mean, Americans have chattel slavery and the genocide of the natives, and the Australians have their own situation. All of the anglophone countries have something like this on their conscience.I think that obscures the meaning of that final book. I think we don't recognize—and that's really to Swift's credit, to have a social critique that is so real and so deep that you may not even recognize yourself in the picture.Slavery in Gulliver's TravelsOLIVER: Yes. When I read it again—I read it as an undergraduate, but I really was actually more interested in the other parts of Swift's work. And I thought it was brilliant, and then I read it again. And it was more recently that—I didn't understand how I couldn't have seen it, but it's basically a book about slavery, as I come back to it.And in each of the books there is enslavement of a different sort. So, to begin with, Gulliver is the one being kept in a box or kept in a house, or he's chained up by the Lilliputians or Glumdalclitch.HITZ: Right. That's right.OLIVER: She's a very nice sort of master, as it were, [laughter] but he has that box that can be sealed, and the dwarf has him swiping at the wasps. And then the enslavement that the flying island has of the country below is like England and Ireland. And then in the final book, you know, the Houyhnhnms are whipping the Yahoos.HITZ: That's right.OLIVER: The slavery thing gets worse and worse as the book goes on. And one of the things that's clever is that it's funny when Gulliver is enslaved, right? When the wasps are let out and he has to—and Swift sort of does that clever thing where he undermines things by making it a joke at the end. By the book of the Houyhnhnms, there is really very little humor. And the twist at the end is always dark.Gulliver can't see that—he can see that he's a bit like the Yahoos. But he can't see that they've been enslaved in the way that he—the farmer wanted to take him around the kingdom and show him off, and he says, “I couldn't possibly have had children in that condition because I couldn't have it on my conscience that I had begotten a slave, someone born into slavery. I couldn't do that.”HITZ: Right.OLIVER: Then he's in the Houyhnhnms and he can't—it's quite remarkable.HITZ: [laughs] Yes. I don't think it's quite true that in the end there's no humor. I read it with some Catherine Project group a couple of years ago, and one of the readers pointed out that it's not obvious Gulliver isn't leaving his home and sitting out in the ocean and always landing on England every single time; just every time, he lands there.And there's something hilarious about an Englishman that discovers a place where there's all horses, [laughter] and his love of horses overwhelms him, and he becomes persuaded that they're the only rational beings that there are. I mean, that is funny.OLIVER: Yes, I agree. There's a lot of irony and stuff. But I think it's in Lilliput when he describes their manner of writing. And he says they don't write from left to right as we do in England, or from right to left, or up-down like the Chinese, but from one corner to the other, as the ladies do in England. This is very funny, dry humor, and that sort of thing is gone. And the things that surprise you at the end of a sentence or a paragraph are more like, “Oh, and of course I used Yahoo skin to cover the boat.” And you're like, oh my God, this is not a joke anymore.You know, in A Modest Proposal, he makes real humor out of those kind of horrors. And with the Houyhnhnms, I think he actually refuses the joke to make you feel the disgust, in a way.HITZ: Yes, that might be right. That might be right.Swift and PhilosophyOLIVER: What do you think about the idea that the Houyhnhnms are drawn from the Phaedrus and Socrates's idea of the soul with the two horses? And there's the good, rational horse and the vulgar, passionate horse, and the Yahoos are the other horse. You see what I mean?HITZ: Yes, yes.OLIVER: Is Swift showing us the two sides, and Gulliver's mistake is to prefer the one and not the—HITZ: Right, I think I have heard something like this before. I'm a bit skeptical. Swift doesn't strike me as someone who uses philosophy in quite that way. I think he's much more interested in Gulliver's—the Houyhnhnms' self-deception about the kinds of beings they are. They do not say “the thing which is not,” yet Gulliver's master hides from him this conversation about the genocide for quite some time. And maybe we don't know if he tells him quite the whole truth about it. So there's—OLIVER: And he also conceals the fact that the others don't like Gulliver because he's a partial—a reasonable Yahoo, as it were.HITZ: Right. So their self-deception, Gulliver's being taken in by their self-deception, the ways in which they—this is one of the ways that I think it's profound about the nature of slavery. And to cheer us all up, I'll make a Holocaust analogy, as you also did.When I was traveling in Germany some years ago, in one of their Holocaust museums, there was an image from a Nazi-era German newspaper of Jewish people living in complete squalor in the ghetto. And of course, they had forced them into squalor. But somehow they forced them into squalor, and then this reinforces the sense that they're these rat-like beings.And there's something very similar that the Houyhnhnms do to the Yahoos. They force them into this animal state, and then they say, “Oh God, look, these people are disgusting. They just don't know how to act.” That seems to me the kind of level at which Swift is working. He is interested in the nature of a human being, but not in the abstract Platonic sense, I don't think.He strikes me as someone who believes in common sense, common decency, basic freedom, and basic use of reason. And he finds in his time that there's distorting teachings, distorting ways of behavior that have gotten people far off track. To me, that's what it feels like it comes from. It doesn't feel like Plato is in the background to me.OLIVER: Is there an extent to which, though, it's a work of sort of anti-philosophy? As you say, Swift, he likes common sense. He likes ordinary reason, and he likes what he would call the revealed truth of Christianity. So he talks, in his sermons about people, it comes to you from God like a light. It's revealed to you. And he doesn't like this idea that the philosophers can work it all out.And in a way, that's the same sort of mistake that the scientists think they can discover all this stuff, and they go in these crazy ways. And the Houyhnhnms are a bit like that. If you had philosopher-kings, they would end up being perverted examples of rationality because they're ignoring the—so do you think it's anti-philosophy in a way? The book is saying, “No, no, I don't want philosophers”?Criticizing Elite Intellectual CultureHITZ: That's definitely a plausible reading. But it's hard to tell whether it's anti-philosophy or anti a particular style of thinking. It's worth pointing out, in that light, that Gulliver, when he arrives in the land of the Houyhnhnms, before he even meets a horse, he sees a Yahoo who, from what I can tell from the text, is trying to wave at him and say hello, who recognizes him. And he's horrified. He sees him instantly as a monster.So I think immediately upon landing, he sees the Yahoos as monstrous, and that tells me that he must already be off kilter. So he's not just corrupted by the Houyhnhnms; he's been somehow led off track, away from the capacity to recognize fellow human beings before that.And he's come from this—the third book is all about various kinds of inquiry, scientific endeavors, practical endeavors, talking to the greats of the past, necromancy, and various kinds of inquiry into wisdom or things like wisdom. And somehow that's the thing that seems to push him to the point where he can no longer tell what a human being is.OLIVER: One of my favorite parts is when he's with the wizards, and he asks to be shown Homer and Aristotle and all their commentators. And he says that there were vast rooms full of these commentators, endless numbers of them. But Homer and Aristotle didn't recognize any of them because they were all so ashamed of the terrible things they'd said about these great men's works that they kept themselves forever in a different part of the underworld. They couldn't bear the shame of being revealed to having told lies and said second-rate things.It's very, very funny. And I think that's another sort of angle on which the book says, “You're so tempted to make a comment and have an idea and be a philosopher, and you should just accept the revealed truth of what is known. Just stop it. Just stop it.” [laughter]HITZ: Well, I suppose maybe I would also put it this way, that Swift sees the condition of 18th-century Ireland, which is quite poor, very bad. And it's ruled in a savage way by the English, who have a quite flourishing intellectual culture, as it happens, at this time.So I think what he might be is not a critic of philosophy so much as a critic of intellectual culture. Because intellectual culture seems to not only not help with existential concerns like slavery and oppression and savage poverty, but even serves to mask and hide and create illusions behind it.So that's, I guess, how it strikes me, as a book that's hostile to what you'd now call elite intellectual culture. And I don't know how fundamental that critique is, in light of its inability to solve problems for real human beings or to obscure the causes of what's going on with real human beings.OLIVER: I think it's quite fundamental because outside of Gulliver's—I think this comes into Gulliver's Travels, but what he might have said more explicitly elsewhere is, there are people starving in the streets of Dublin. And we've got corrupt politicians and intellectuals saying all these things, but you know, here she is starving. You don't need to work that out. [laughter] There's no question—the reveal—just be a Christian and, like, for goodness' sake . . .HITZ: Yes.OLIVER: And when, for example, he talks to the king of Brobdingnag, and there's that wonderful satire of the English government and everything. And he says, “Those people understood mathematics and poetry and whatever, but I could never drive into their head any sense of the abstract or any of these speculative—they simply didn't know what that was. They didn't know what I was saying.” [laughter]And so in a way, his ideal government is anti-philosophical because it would just look at the human problem in front of it. It wouldn't do speculative science. It wouldn't think of itself as rational, all this Platonic stuff. It would just—she's in rags, she has bare feet, you know?HITZ: Yes, that's right.OLIVER: What do we need a philosopher-king? Like, what are you talking about?HITZ: Exactly.OLIVER: The priest understands this because he's there in the city doing it. And is there something of that in the book, that constant resistance of the cleverness of people who cannot see daily life?HITZ: I think that's absolutely true, and I think it's probably one of the things I love about the book, because I think this somehow gets to something in my own heart. Even though I'm a professional intellectual—I have been my whole life—the distance between the concerns of professional intellectuals and the concerns of living, real people in various parts of the world is very large.And it's even worse when, as it was when I was coming up in grad school, there's a ton of explicit concern and various operations underway to improve life for others, which have zero connection with anything that anyone actually does. So I think the Laputans, which is the beginning of the third book, when Gulliver—OLIVER: The flying island.HITZ: Yes, when Gulliver visits the people on the flying island, who have one eye towards the heavens and one eye pointed inward. And they study music and mathematics, and they live in a giant flying saucer, which has the—OLIVER: And the flappers.HITZ: That's right. [laughter] When someone needs to talk to them, someone flaps their ears so that they pay attention. And their wives all run off with working people because they can't bear to be treated the way they are by men like this. And the flying saucer is not just distant. It also has the power to crush the towns underneath it if it judges them to be rebellious.This image will stick with you for the rest of your life. I mean, it's absolutely perfect, and the perfect image of bad government of a kind when intellectual culture is prized. And it's hinted early on in the book in Lilliput, when the rulers in Lilliput have to do these elaborate dances with ropes.OLIVER: Oh, with the king and the chief minister hold the pole, funny angles, and if you get under it, you get a green ribbon or a red ribbon.HITZ: Exactly. [laughter] And they have these athletic contests of grace and various colored ribbons, and that determine how far you get in the halls of power.OLIVER: Yes. Are you a cabinet minister or a junior minister? Yes, yes.HITZ: Exactly. So there, it's all just a funny joke. But it develops, I think, into the Laputans, people who have kinds of expertise that are actually hostile to them doing any kind of humane governing. So yes, that seems right to me.Christianity in GulliverOLIVER: To what extent is it a Christian book?HITZ: That's an interesting question. I've never found a strong Christian element in it myself. There are satires of religious wars, both in Lilliput, where Lilliput's at war with its neighboring city. Oh, wait a second, there's two different disputes in Lilliput. One is about what side you cut your egg on.OLIVER: There are the Little-Endians and the Big-Endians,HITZ: Right. And then there's also one about heel size. So there's two different kinds of disputes.OLIVER: With the marvelous image that the king is a Short-Heeler. But they think that the heir to the throne might be favorable to the High-Heelers because he has one heel slightly higher than the other, and he walks with a wobbly gait.HITZ: [laughs] That's right. This, again, in Lilliput is just utterly hilarious, outrageous, very silly, obviously a parody of religious wars between different kinds of Christians. But it resurfaces towards the end. It's the Houyhnhnms, where he talks to the Master Horse—OLIVER: And the horse sort of pretends to this great rationality, simply can't understand that men would kill each other over the question of whether flesh is bread or bread is flesh.HITZ: That's right. That's right. That's right. So there's definitely disparaging remarks about religious wars. And as you're talking about it, where along with Swift's praise of common sense, there's a kind of basic Christian morality, which is that the poor and the suffering need attention. That all strikes me as Christian. Apart from that, I'm not sure. If you have a religious take, I'd be interested to hear it.OLIVER: I find it very interesting that Swift had quite strict beliefs. He was not in favor of Catholics. He thought Dissenters should be tolerated, but he wanted the Test Act. He was very particular about all these things. And in his other works, he's quite direct about that. But in this book, he achieves a kind of high ambivalence. And he's not a Little-Ender or a Big-Ender.HITZ: That's right.OLIVER: And he says the religious text on which this is based simply says that you must break the egg at the most convenient end.HITZ: [laughs] That's right.OLIVER: Now, of course, in reality, he's a Little-Ender, and he's very committed to the Reformation, and he thinks it's all terrible that they're not. And it's interesting that someone with such angry, insistent beliefs on the Anglican Church would take this ambivalent position.And he satirizes so much. But the anti-slavery stuff, the description of the Laputans bringing the island down, and then he says, “I've never seen so much want and misery, and there's a wild look in their eyes, and they're wearing rags.” I mean, this is Dublin, right? This is just, along with the slavery, this basic Christian concern for the oppressed, the poor, the suffering.HITZ: Yes, that's right.OLIVER: And so I don't quite know. It's almost like the book is saying, again with this anti-intellectual thing, all these doctrinal disputes and which church this and who believes that. And here we have slaves and poor people and beggars and starving people.HITZ: Right.OLIVER: Christianity should deal with that first. So is the implicit criticism of his fellow Christians, in a way, that they're more interested in these disputes than in the fact that there are enslaved people and suffering people and—you see what I mean?HITZ: Yes, that's right.OLIVER: And Gulliver—the Houyhnhnms are highly rational but not Christian, which is a significant omission. And by the end, are you supposed to wonder if Gulliver actually isn't very much of a Christian? Because he can see this suffering and not respond to it at all.HITZ: Right, when maybe the—is the best person in the book the King of Brobdingnag? Does that seem right? The person with the—at least who says the best things?OLIVER: He says the best things. I think the best person is Glumdalclitch. She shows real charity and real love towards him.HITZ: What about the Houyhnhnm, the one who likes him, who says, “Fare thee well, gentle Yahoo”? It's tear-jerking—OLIVER: Oh, the sorrel nag.HITZ: The sorrel nag. I can literally weep at that moment when she says, “Fare thee well, gentle Yahoo.”OLIVER: That's true. That's true. She and Glumdalclitch are maybe more similar characters. Yes, yes, yes.HITZ: They're similar characters. Okay.OLIVER: And they have that basic, you don't need to call it Christian. You don't need—it doesn't need theology.HITZ: Humane. I would call it humane. Yes.OLIVER: They have that basic love of their fellow. You know, Glumdalclitch doesn't say, “Oh, how amusing this little man is, or how entertaining, or I can make—” She says, “He must be cared for. He looks a bit like me. He must be cared for.”HITZ: Right.OLIVER: And the sorrel nag, again, has the love of the fellow creature.HITZ: That's right. That's right.OLIVER: So I think Swift might be bringing in this, what he thinks of as the revealed truth of Christianity. Like, you shouldn't need telling, you shouldn't need to argue. It's there.HITZ: Right. This is just me making things up, which is what I'm here for. We're podcasting. Yes.OLIVER: Yes, of course. Also, is that not what the philosophers would do? That's what Swift would say.HITZ: But if I was going to make something up, what I would say is something like this: that Swift to me, from the testimony of Gulliver's Travels, which is the book of his I really know the best. I don't know much about the rest of it. He has a level of self-awareness and sophistication. So, he knows that that religious difference is being used as a pretext. He knows that it is obscuring the suffering of these people. So, for the purposes of the book, he says, “Look, if you're a smart person, if you're a smart ruler, if you're an actually humane, intelligent, commonsensical ruler, you know that the fact that they have the wrong religious views is not a reason for them to be enslaved and oppressed and starved.” So that would be my suspicion.And that's why I think, to me, the religion is so light, because it's not really a religious problem. It's actually just a human problem and a political problem that is, how do you run your country so that these subject peoples are allowed to be free and develop themselves and be full human beings? That would be my made-up guess.Students' Views of GulliverOLIVER: What do undergraduates think? What is it that they find interesting in the book, and what do they like or dislike?HITZ: It's been a couple of years. I think they like this idea that—we all think travel is very broadening, a great way to think about the world. You know, you can learn so much about one's fellow human beings. And whatever else is going on in Gulliver's Travels, travel does not necessarily produce enlightenment.So I think they like the attention to the ways in which, even when we are trying to learn, we fail to learn. And the ways in which structures of learning, like traveling or studying science, might actually make you worse and not better, things like that. But it's not a book—I think it's fair to say it's not one of the favorite books of the undergraduates.OLIVER: Okay.HITZ: I think they find it a little bit distant, and I'm not sure why that is.OLIVER: Is it because it sort of looks like a novel, but it's not what we have come to expect a novel to be? And it sort of has that—HITZ: I think that's right.OLIVER: The pre–Jane Austen novel is kind of weird to us now.HITZ: Well, they love Don Quixote.OLIVER: Okay.HITZ: And that is a challenge of a similar kind. It's a novel which doesn't quite read like a novel, and the humor is kind of old. I mean, it's also true—undergraduates, in my experience, in general—I hope they'll forgive me for saying this on a podcast—they're not always good at comedy. They tend to think that serious things must be tragic.OLIVER: You can't get an A by making a joke.HITZ: Well, more that they have a sense that an intellectual life is something serious. It's serious.OLIVER: Oh, yes. Okay. And the syllabus slightly reinforces that, doesn't it?HITZ: Well, it's sort of self-reinforcing because we used to read more Aristophanes. We used to read Rabelais.OLIVER: If you do Shakespeare, it'll be the tragedies.HITZ: No, no, we do Shakespeare comedies.OLIVER: Oh, you do? Okay.HITZ: Yes. We have As You Like It and The Tempest. And do we have more tragedies? Maybe one more tragedy than comedy, but not a terrible imbalance.OLIVER: Well, that's good.HITZ: It's not Shakespeare-type comedy that's—maybe, correct me if I'm wrong, a Shakespeare comedy is something that ends in a marriage, more or less.OLIVER: More or less.HITZ: It's things that are funny—they don't necessarily think that humor is a way of thinking.OLIVER: Do they struggle with irony?HITZ: No, not usually. As long as it's serious irony, Anyway, I'm not sure why. I think I'm making things—I'm going too far out of the grounds for drawing conclusions.Favorite Parts of the BookOLIVER: Sure. Do you have a favorite passage?HITZ: One of my favorites is the part—is it Balnibarbi where they have people who try to speak with objects?OLIVER: Oh, yes, yes, yes.HITZ: And they have to carry around wagons full of things because they never know what you might want to talk about. [laughter] That's so weird. Because I think I spent a lot of time studying with philosophers, there's a bit of—something's on the nose about this.OLIVER: Yes.HITZ: You know, it's like, “No, you've got to say exactly—no, that's too imprecise. You have to say exactly what you mean.” Bernard Williams, the great philosopher, has something complaining about how contemporary philosophers are very controlling of their readers. They don't want anyone to make the slightest mistake about what they mean by a particular word. That's how the people who speak by objects strike me.OLIVER: Do you think that is a problem of contemporary philosophy?HITZ: Oh, sure. Yes, absolutely. Yes. The way Williams puts it is that when you write something, it should be like a cake mix, and the reader should be able to put their own egg and bake the cake themselves.OLIVER: Oh, I see. You mean like a box of mix, yes.HITZ: Yes, yes, exactly. It's like a box of cake mix. Whereas making the cake painstakingly and force-feeding it bite by bite to the reader is not actually an—OLIVER: Telling them how it tastes.HITZ: Telling them how it tastes is not an educational endeavor.OLIVER: When does this become too dominant in philosophy?HITZ: It's a feature of 20th-century analytic philosophy to be very careful with the meanings of words. And it's by no means universal; it's just a natural vice to the territory.Iris MurdochOLIVER: Is this a problem for someone like Iris Murdoch, or is it more the A. J. Ayer type?HITZ: No, it's the A. J. Ayer type, not Iris Murdoch. No, Iris Murdoch is heterodox outside of the—OLIVER: Do you like her philosophy?HITZ: I do, yes.OLIVER: What do you like about it? Platonic?HITZ: Now, see, I came here to talk about Swift. [laughter]OLIVER: I know, but you made such a good point about the satire of philosophers.HITZ: I like her writing for a more general educated audience, her not making assumptions about the philosophical training of her readers, and her use of Plato for sure, which is quite interesting and creative. She sort of ingests Plato and does something with it that I think is very interesting.OLIVER: Is she properly appreciated as a Platonist, or do you think there's more attention to be paid?HITZ: There's probably more attention to be paid, but she gets some attention. She gets some attention. I also don't think it was particularly helpful, these two books that came out a couple of years ago about Murdoch, Foot, Midgley, and Anscombe.OLIVER: Oh, yes, yes, yes. I only read one of those. It was quite good.HITZ: It might be quite good, but those four women are quite different from one another. So it's an example of where attention to identity could obscure as much as it—OLIVER: Well, one of the books was more about the ideas—they were both obviously about the ideas—and one of them was more about the fact that they were together in Oxford. And that they benefited from hanging out, talking, doing different sorts of work, sleeping with each other's husbands, et cetera.HITZ: Yes, all the good stuff.OLIVER: And from the more sociological point of view, it was very interesting to see that, actually, a lot of what Murdoch did was bound up with her friendships and relationships, in that the argument basically is, A. J. Ayer and the others get sent away because of the war. So these four women are actually—they've been banned from this seminar and told they're not allowed.Well, now they can sit around and do what they want to do. And it worked, and they all produced very interesting things. So from that point of view, I think it was—but I agree with you, Elizabeth Anscombe and Iris Murdoch are not the same. [laughter]HITZ: Not even particularly similar. I also feel like I've read enough of Murdoch's novels to have a sense of what the sociological situation was like.OLIVER: You like the novels?HITZ: I do like them, yes.OLIVER: Do you have favorites?HITZ: I can't remember the name of my favorite because I haven't read them for years. It's one of the things I read years ago, the one—I'd remember it if I saw the title. There's an LSD trip at the beginning of it.OLIVER: Oh, The Good Apprentice. I love that book.HITZ: The Good Apprentice, yes. I think that was my favorite. But I never fell in love with it. I just liked it, and I found it interesting, and I found the sociology interesting. Okay, this is what academics at this time period were doing.What to Pair with SwiftOLIVER: We got diverted.HITZ: “We” got diverted. [laughs]OLIVER: We did. If Swift is on a great books syllabus, what is it good to pair him with? If people are reading Swift, on or off a syllabus, do you think there are other—Hooker, you said, which I think would be interesting.HITZ: No, Hooke. It's Hooke.OLIVER: Hooke. Hooke. That's a very good point.HITZ: The guy who wrote Micrographia, who has the enormous picture of the flea.OLIVER: Yes, yes, yes. So that would be good. But any other? Is it worth reading Plato alongside him?HITZ: Well, I like to—he's on the list for something we called Life of the Mind Seminar at Catherine Project, which is our introduction to the life of the mind.OLIVER: And just to tell people, the Catherine Project—this is not a university. Anyone can join a seminar.HITZ: That's right. It's an open online readers community. Consists of small, high-quality conversations, mostly on Zoom, some in person.OLIVER: You could be some kid, an accountant, a dentist, whatever, and you come and do a—you've got a PhD running a seminar, and you get that experience.HITZ: Right. Some of them are peer led, so they're not necessarily PhDs running them. The reading groups are not necessarily run by PhDs. But the core program in which the Life of the Mind Seminar is—either a PhD or an ABD [all but degree] or someone with some academic experience is usually leading that. We have it there, and we have it there with a set of books that are meant to disorient rather than to orient.So one of the difficulties with reading great books with more or less random selections of adults is that people feel uncertain, out of place. And they bring expertise, real or fake, to the table, which makes it very difficult to have a conversation. It's usually fake expertise, for what it's worth.OLIVER: Give us an example of what you mean by fake expertise.HITZ: Well, so someone will have—we'll be, say, reading Hamlet. Someone will have taken a class on Shakespeare in college, and they'll say, “Actually, we're asking this question. But what I learned, my professor told me, is that Hamlet actually symbolizes—he has an Oedipus complex and blah, blah, blah, blah, blah, and then this is what this means, and this is what that means.” And then your conversation's over, because you need to focus just on the text that's shared between the—OLIVER: It's not a crossword puzzle.HITZ: Exactly. It's not a crossword puzzle, and it's not something where—or the other—people often, again, they feel a bit on their back feet. So they'll google a bunch of stuff about the author, and they'll start tossing out random facts about the book or about the author, about the context. And again, you don't get really into the meat of the book that way.So, Gulliver's Travels is there to help us think about ways in which we might not be expert in things we're expert. Ways in which we might think we understand something and not understand it. And ways in which people who, with every appearance of seriousness and scientific principle, can just say unbelievably stupid things.So it's a very, very good book for that, where in that sense, it's I think very good for any liberal education program. It's liberating that way. One of the things we need to be liberated from is false expertise.OLIVER: You're talking really about these secondhand opinions that you haven't interrogated and come to understand yourself.HITZ: Exactly. Exactly, exactly, exactly.OLIVER: This is what Mill says. Everything is new to someone, and the real genius is that you find it out.HITZ: Exactly.OLIVER: You don't get taught it. Yes, yes.HITZ: Exactly, exactly. So real learning is things you find for yourself. Anyway, that's what I like it with. As for pairing it, yes, I think it would just depend on what you were—I don't have a clear thought about that. I think it'd be good to pair it with Galileo's Starry Messenger and preface to Hooke's Micrographia.But you could also pair it with Emma. Be quite good, actually, because Emma is also about someone who really doesn't know what they're doing and has no idea. Thinks they know what's going on; they really have no idea what's going on.OLIVER: Yes. Hamlet as well, in fact.HITZ: I guess so. Does he not know what's going on?OLIVER: Who's diverting now? [laughter] Well, there's an interesting question, isn't there, about whether Hamlet has legitimate doubts. So he says, “This ghost could be a demon. I should be careful. I don't know what I'm doing. I'm going to pretend to be mad. I'm going to find out.” Or whether he just doesn't want to see the truth in front of him, and he quote-unquote “delays” because of that. I don't know if you have a view.HITZ: I don't think he's deluded. I think the problem is something different, but I haven't thought enough about it recently to know what his volitional obstacle is. But I don't think he's deluded. I think he sees what's going on, but there's something about acting that doesn't work for him.OLIVER: An internal—HITZ: Something internal. Something internal. In a way, I find the play very hard. I don't know what, for instance, what does that obstacle have to do with Ophelia? What's going on with that? Anyway, he's very mysterious, but I don't—yes, that'd be my sense, is that he's not—OLIVER: Do you buy this idea that he's a nihilist?HITZ: No, although he's definitely faced with something like nihilism. He has to look at it. And of course, the play does end with everyone dead, [laughs] so it's not obvious that he's wrong.Sympathy for GulliverOLIVER: This question hangs over Gulliver as well. Is the problem by the end that he's basically become a nihilist? His response to the Yahoos is to deny meaning, deny the possibility of meaning, to shut himself away.HITZ: He is a true misanthrope. He hates human beings and refuses to interact with them and in that sense, in some way, removes himself from any further mistakes. In another way, the mistake that he's in is so massive that that hardly seems like a consolation. But yes, he's definitely stuck, and he's stuck in a place where who he is—because he's a human being. We have to remember that.So he's in a place of total self-hatred and the hatred of his neighbor, what you'd call from the Christian perspective a total loss of charity. Is that nihilist? I don't know, but it's definitely bad. It's not a good state to be in. Maybe I don't know what you mean by nihilism exactly.OLIVER: Are we supposed to disapprove of him at the end or sympathize with him?HITZ: Disapprove, I think.OLIVER: Yes? You don't feel sorry for him?HITZ: I do a bit.OLIVER: But not much.HITZ: Well, should I?OLIVER: I have come to believe—yes, this is what I've come to feel in subsequent readings, is that Gulliver, as you say, is very mistaken. He thinks he understands things that he does not understand. He has the sort of pretense of rationality, but he lacks any sort of meta rationality to see what his limits are.And he becomes, therefore—he doesn't advocate genocide, and he doesn't take any pleasure in using Yahoo skin, but he's just completely null to it. There's a sort of void there where human feeling ought to be. And it's tragic for him. It's a tragic ending that he is so isolated. And we can't sympathize with him, as it were, but we can feel sort of awful that he's shriveled into this state rather than judging or blame.I think one of the persistent themes of the book is, as I say, this kind of basic love of fellow creature, the Glumdalclitch or the sorrel. And if you take that from the book, you will wish you could bring Gulliver back.HITZ: Right. What you're saying reminds me that there is an interesting parallel in Plato's dialogues that I hadn't thought of before, Plato's Parmenides, which is perhaps the most difficult Plato's dialogue. So it's a conversation between young Socrates and the philosopher Parmenides. The first third of it is relatively clear, some arguments against what people think of as Plato's theory of forms.Then there's an extensive, insane dialectical process where various theses about the connection between being and oneness are both argued for and then refuted, and argued for and then refuted, pages and pages and pages and pages of it. So this seems to be—it's Parmenides and Zeno who are running Socrates through this ringer.And the person at the very beginning of the dialogue who they have to go find, to tell him the story of how Socrates met Parmenides, used to study philosophy. But now he just trains horses. [laughs] One of my teachers pointed this out to me, and I've never been able to get over it, that he spent this time doing philosophy, and he's like, “You know what? I'm going to work with horses for the rest of my life. If I never hear another human voice, that's fine with me.”So I think that is an interesting parallel. And I think it is not really that uncommon to see people who are totally disillusioned with relating to humans, who then relate to animals instead, like they devote themselves to animals.OLIVER: But on that reading, it might be a disillusionment with philosophical humanity. It might be philosophy that's killed Gulliver's human feeling.HITZ: That's right. Well, I think that's one possibility, one very strong possibility. That's why I think the Houyhnhnms come after the Laputans. Going to the furthest reaches of his intellectual interests just destroys his humanity.But it doesn't seem like exhaustion in the same way that whoever, I can't remember his name, the character who relates the Parmenides, where you just think he must be exhausted from having heard more than one conversation like this. [laughter] And just in the stable with the horses eating oats, I mean, it's just delightful. It's just so peaceful, you know?OLIVER: Bucolic, pastoral, yes.HITZ: Yes, exactly. Exactly. Maybe you're right that we should be more sympathetic to someone in that situation.OLIVER: Well, next time you read it, you can tell me if you change your mind.HITZ: All right. I will tell you if I change my mind.OLIVER: Very good. Zena Hitz, thank you very much.HITZ: Thank you very much, Henry Oliver. This is a public episode. 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Vincent Message est un écrivain bien connu mais j'étais passé totalement à coté. Son dernier roman, La folie océan, plonge dans les entrailles d'une mer qu'on croit connaître et qu'on ignore presque totalement.Mais je me suis surtout intéressé à Vincent pour son roman Défaite des maîtres et possesseurs, dont le pitch m'a vraiment intéressé. imaginez un monde où une espèce supérieure traite les humains exactement comme nous traitons les animaux d'élevage c'est à dire des humains en ferme et domestiqués mais qui vont également à l'abattoir. C'est un miroir tendu vers nos propres comportements et ce qui m'a frappé chez Vincent, c'est sa capacité à porter des convictions profondes sur l'écologie et la cause animale tout en refusant absolument la caricature. Ses romans sont des espaces où la complexité du monde trouve une forme littéraire.Dans cet épisode, nous parlons de la mécanique des bonnes histoires, de ce que ça fait à un auteur de se décentrer radicalement, de la dystopie devenue un genre mainstream parce que notre réalité l'est devenue, de la violence ordinaire au travail, de l'IA comme outil et comme menace silencieuse, et de cette question qui m'obsède : qu'est-ce qui nous donne encore envie du futur ?J'ai questionné Vincent sur son rapport à la joie, sur les limites planétaires, sur le biocentrisme comme seule réponse rationnelle à la crise, et sur ce que la fiction peut faire que l'essai ne fera jamais.Citations marquantes"C'est de notre vivant qu'on a franchi sept des neuf limites planétaires. C'est de notre vivant que la croissance de la population humaine se met à accentuer de façon dramatique la finitude des ressources.""On a fait de cette Terre, pour les animaux, un enfer permanent, quotidien, de leur naissance à leur mort.""La dystopie est devenue mainstream. Et ça en dit long sur la manière dont notre réalité elle-même est devenue dystopique dans ce laps de temps.""Chaque fois que tu demandes à une IA au lieu d'un ami, tu rates une occasion de renforcer ton bien-être émotionnel.""Ce à quoi il faut claquer la porte, c'est l'anthropocentrisme. Si nous n'agissons que dans les intérêts humains de court terme, des fractions les plus aisées de la population mondiale, on va vraiment droit dans le mur."Idées centrales discutées 1. Le décentrage comme outil éthique fondamental ~0:11:35 – 0:17:26 Dans Défaite des maîtres et possesseurs, Vincent inverse les rôles : une espèce supérieure domine les humains exactement comme nous dominons les animaux. Ce n'est pas un gimmick de SF. C'est une expérience de pensée héritée du XVIIIe siècle — le Huron chez Voltaire, Gulliver chez Swift — qui force le lecteur à voir ses propres comportements depuis l'extérieur. Se décentrer, c'est la condition pour remettre en question des systèmes qu'on ne questionne plus parce qu'on les habite.2. La dystopie est devenue mainstream parce que notre réalité l'est ~0:07:11 – 0:11:35 En 2016, l'éditeur de Vincent refusait le mot "dystopie" car personne ne comprenait ce que ça voulait dire. Dix ans plus tard, c'est une catégorie sur toutes les plateformes. Cette banalisation dit quelque chose de profond sur notre perception collective du futur : on fait face à plusieurs menaces existentielles simultanées — crise écologique, risque nucléaire, algorithmes — et la fiction dystopique en est devenue le langage naturel.3. La biomasse comme chiffre qui change tout ~0:25:13 – 0:26:22 60% de la biomasse des mammifères : animaux d'élevage. 35% : humains. 5% : mammifères sauvages. En quelques décennies, on a remplacé la faune sauvage par des animaux au service de notre alimentation. Et la masse anthropogénique (tout ce qu'on a construit) pèse désormais plus lourd que toute la biomasse du vivant. Deux chiffres qui décrivent une planète fondamentalement reconfigurée.4. La violence ordinaire est aussi réelle que la violence visible ~0:41:xx – 1:05:40 Vincent explore deux registres de violence : la violence physique et visible (l'abattoir, les animaux) et la violence insidieuse du quotidien professionnel (harcèlement managérial, perte de sens, spirale du burn-out). Les deux laissent des traces. Et les deux trouvent leur expression dans ses romans.5. L'IA : outil précieux et déshumanisation silencieuse ~0:56:06 – 1:01:34 Vincent distingue l'usage raisonné de l'IA (documentation, déblocage d'un premier draft) et ce qui l'inquiète : les IA présentées comme des "amis toujours disponibles". Chaque demande faite à une IA plutôt qu'à un ami rate une occasion de renforcer un lien humain. Sur fond de solitude croissante, c'est une forme de déshumanisation lente et consentie.6. La joie comme condition de l'action écologique ~1:10:53 – 1:13:01 La phrase de Deleuze — "le système nouveau triste, il faut être joyeux pour lui résister" — structure la vision de Vincent. Cette joie ne vient pas d'un optimisme naïf, mais de l'apprentissage, de la curiosité maintenue, de l'action collective. Comprendre la crise écologique, c'est aussi découvrir l'incroyable complexité du vivant. Et ça, c'est une source de joie réelle.7. Le biocentrisme : seul anthropocentrisme rationnel ~1:13:44 – 1:16:41 Accorder de la valeur aux forêts, aux océans, aux animaux, c'est juste en soi — ils ont un droit à exister. Mais c'est aussi la seule stratégie rationnelle pour garantir que des sociétés humaines survivent dans 500 ans. Le biocentrisme, même vu de façon cynique, est un anthropocentrisme de long terme.Questions posées dans l'interviewQu'est-ce qui t'a emmené à la littérature, alors que tu aurais pu emprunter une autre voie après Normal Sup ?Quels sont les meilleurs romans jamais écrits selon toi, et pourquoi ?C'est quoi les clés d'une bonne histoire — ce qui fait qu'on ne peut pas s'arrêter de lire ?La dystopie est devenue un genre mainstream. Est-ce que ça dit quelque chose sur notre époque ?Comment tu vois le film Avatar — utopie, dystopie, les deux ?Dans Défaite des maîtres et possesseurs, tu crées un décentrage total. Qu'est-ce que ça t'a fait de te mettre dans cette position en tant qu'auteur et en tant qu'humain ?Comment, avec des convictions aussi fortes sur l'écologie, tu arrives à avoir de la nuance dans tes romans ?Ton dernier roman porte sur l'océan. Pourquoi ce monde-là spécifiquement ?Est-ce que tu dois toujours expérimenter le monde que tu décris, ou la documentation suffit ?Comment tu vis l'arrivée de l'IA en tant qu'auteur — outil utile ou menace ?Références citées dans l'épisodeLivresLes Frères Karamazov — Fiodor Dostoïevski | Choc littéraire à 18 ans, admiration pour l'imprévisibilité des personnages | ~0:03:xxL'Homme sans qualités — Robert Musil | Fresque de Vienne en 1913, modernité technoscientifique et malaise social | ~0:03:xxDéfaite des maîtres et possesseurs — Vincent Message (2016) | Dystopie animaliste, point de vue non humain | ~0:07:11Les Veilleurs — Vincent Message | Premier roman, 630 pages, "livre monde" | ~0:29:59Cora dans la spirale — Vincent Message | Violence ordinaire au travail, monde de l'assurance | ~1:01:34Les années sans soleil — Vincent Message (2022) | Confinement Covid, isolement géographique | ~0:45:37La folie océan — Vincent Message | Pêche et vie marine en Bretagne nord | ~0:32:42Du côté de chez Swann — Marcel Proust (1913) | Cité pour le paradoxe du format long dans une époque "pressée" | ~0:55:31Le Décaméron — Giovanni Boccaccio | Littérature d'épidémie, modèle de livre-témoin | ~0:48:16Le cerveau funambule — Jean-Pierre Lachaud | Recommandé pour comprendre notre rapport aux objets et à l'attention | ~0:51:36Films / SériesAvatar — James Cameron | Utopie frictionelle, guerre de civilisation, fantasme de changement de corps | ~0:08:46La Planète des singes | Comparé à Défaite des maîtres, jugé moins radical dans le décentrage | ~0:17:26Black Mirror | Principe du "et si" : faire bouger un seul élément et observer les conséquences | ~0:30:23Références scientifiques et intellectuellesÉtude Institut Weizmann, Nature (2020) | Masse anthropogénique > biomasse totale du vivant | ~0:23:38L214 | Vidéos d'abattoirs sorties en 2016, concomitantes avec la sortie de Défaite des maîtres | ~0:19:53Gilles Deleuze / Baruch Spinoza | "Le système nouveau triste, il faut être joyeux pour lui résister" | ~1:11:11Marie Peuzet | Clinicienne spécialiste de la souffrance au travail | ~1:03:xxRené Descartes | "Maître et possesseur de la nature" — formule reprise dans le titre du roman | ~1:07:21Timestamps clés 0:00:00 — Introduction : et si on pouvait à nouveau se réjouir du futur ? Présentation de Vincent Message, de VLAN et des thèmes de l'épisode : domination, fiction, violence, biocentrisme.0:02:29 — Pourquoi la littérature : écrire depuis l'enfance Vincent écrivait dès 7-8 ans. Ses études littéraires n'ont pas précédé l'envie d'écrire — elles l'ont approfondie. Il voulait "passer dans les coulisses" du tour de magie.0:04:55 — Les clés d'une bonne histoire Une bonne histoire place le protagoniste dans la pire situation possible, crée une tension électrique, et force le lecteur à se demander : qu'est-ce que je ferais à sa place ?0:07:11 — "Défaite des maîtres et possesseurs" : genèse d'une dystopie Un monde où les humains sont élevés, domestiqués, mangés. Pas de la SF classique : une expérience de pensée sur la cause animale, paradoxalement presque sans animaux.0:12:41 — Le voyage en Inde qui a tout déclenché Inde 2014, puis Camargue : la catégorisation arbitraire des animaux (aimés, adulés, écrasés) comme déclencheur du projet littéraire.0:17:45 — Écrire depuis un point de vue non humain La singularité du livre : le narrateur n'est pas humain. Il observe l'humanité de l'extérieur, comme un ethnographe découvrant une société étrange.0:23:38 — Les chiffres qui font basculer la perspective Masse anthropogénique > biomasse du vivant. 60% des mammifères sont des animaux d'élevage. 5% seulement sont sauvages.0:32:42 — "La folie océan" : pourquoi l'océan ? La plongée sous-marine comme expérience de décentrement. Un litre d'eau contient des millions d'organismes invisibles. Un monde qu'on soupçonnait à peine.0:49:59 — IA et écriture : outil ou menace ? Une boîte physique pour enfermer son téléphone. L'IA utile pour documenter, inquiétante quand elle prétend remplacer les relations humaines.1:05:50 — Ce qui donne envie du futur La modernité a apporté des conditions de vie inégalées en 300 000 ans. La mission écologique redonne un sens collectif à l'action. La lucidité avec l'élan.1:11:11 — La joie comme arme politique Deleuze / Spinoza : on ne résiste pas à un système triste en étant triste. Curiosité, apprentissage, création : sources réelles de joie face à la crise.1:13:44 — VLAN : claquer la porte à l'anthropocentrisme Le message final de Vincent : ouvrir la porte au biocentrisme. Pas par idéalisme — par calcul rationnel de survie à long terme. Suggestion d'autres épisodes à écouter : #361 L'ADN environnemental révolutionne la science avec Alain Damasio et Benjamin Allegrini (https://audmns.com/YqGUonE) Vlan #74 La science fiction permet réellement de définir le futur avec Guy Philippe Goldstein (https://audmns.com/WFkwZGg) #377 Pourquoi l'avenir appartient aux sociétés solidaires? Avec Pablo Servigne (partie 1) (https://audmns.com/WMxgIMf)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tim Conway Jr Show Hour 3 (5.27) LA residents are reaching their breaking point with aggressive street encounters after a Santa Monica man was arrested for allegedly threatening a couple with a baseball bat and chasing them with his dog. Meanwhile, New Yorkers may have a new reason to panic as a possible flour ban could put beloved bagels at risk. Plus, Timmy explains exactly why he’s officially over his phone. Then, we dive into the fast-food value wars to figure out which chain gives you the biggest bang for your buck in today’s economy. TalkBack takes a hilarious turn as listeners weigh in on Bellio’s haircut disaster and pitch the idea of a Timmy C social forum to fight loneliness, spark friendships, and maybe even create a few romances. And finally, we say goodbye to Irvine institution Gulliver’s Restaurant after 56 years, while tackling the growing decline in dating and socializing among young people. With fewer teens getting driver’s licenses and more people staying isolated, maybe we should all take a lesson from the wild stallion himself: The Foosh.See omnystudio.com/listener for privacy information.

Taking the non-traditional path to leadership does not necessarily mean failure – sometimes, it is exactly what you need to unleash your fullest potential. Jack McCullough sits down with Kate Gulliver, CFO and CAO of Wayfair, who shares the story of her unconventional yet inspiring road to a C-level position. She talks about the most valuable lessons she learned from her mentors, how she maintains a work-life balance despite her hectic schedule, and how she keeps a meaningful relationship with her CEO. Kate also discusses the biggest advantages of Wayfair's technology-driven asset-light marketplace model that connects consumers with suppliers at scale.

Introducción por Darío Lavia 00:00Acto I: "Fantástico soviético" por Darío Lavia 01:22Interludio I: "El fenómeno del cine soviético" de Yuri Vorontsov e Igor Rachuk 05:50Acto II: Filmografía de la fantasía soviética 09:40Interludio II: Cine soviético de fantasía en Argentina 1946-1955 17:15Acto III: Conclusión 19:52 Fuentes: John Grierson, "Grierson on Documentary" (Collins, 1946)Paul Rotha, "The Film Till Now" (Twayne Publishers, 1960)Peter Rollberg, "Historical Dictionary of Russian and Soviet Cinema" (Scarecrow Press, 2009)Yuri Vorontsov, Igor Rachuk, "The Phenomenon of the Soviet Cinema" (Progress Publishers, Moscú, 1980) Caricatura: "¿Dónde lo español?" por Toño Salazar ("Crítica", 22/07/1942)"Pesado" por Fiax ("Cascabel" #30, 10/06/1942)"El encantador de serpientes" por Fiax ("Cascabel" #33, 10/07/1942) Fragmentos:"Novyi Gulliver" (El nuevo Gulliver-1935) de Aleksandr Ptushko"Po shchuchemu veleniyu" (Trad: El lucio mágic0-1938) de Aleksandr Rou"Vasilisa prekrasnaya" (La cautiva del dragón-1940) de Aleksandr Rou"Paren iz nashego goroda" (Muchacho de nuestro pueblo-1942) de Boris Ivanov y Aleksandr Stolper"Volshebnoye zerno" (Trad: La semilla mágica-1942) de Fyodor Filippov y Valentin Kadochnikov"Kamennyy Tsvetok" (Flores de piedra-1946) de Aleksandr PtushkoImdbhttps://www.imdb.com/title/tt42502844/⁠Web de Cineficción⁠https://cinefania.com/cineficcion⁠Fan Page de Cineficciónhttps://www.facebook.com/revista.cineficcion

We mark the 300th anniversary of the publication of one of the most influential books ever written, Gulliver's Travels, & we find out how Jonathan Swift created one of the landmarks of world literature.Featuring Dr Jason McElligott, Director of Marsh's Library; Prof Daniel Cook, Chair of English and Scottish Literature at the University of Dundee; Dr Clíona Ó Gallchoir, Head of English at University College Cork; & Prof David Kenny, Professor in Law at the Law School of Trinity College Dublin.

Don Giovanni - John Banville on Gulliver's Travels at 300 - Suspended Chorus

In this episode of the Grow A Small Business Podcast, host Troy Trewin interviews Gulliver Moore shares how he scaled Sunday Treat alongside his co-founder Oliver Clubb from a freelance director/DP partnership into a £2M creative agency serving global brands like Google, Disney, and Revolut. In this episode, Gulliver reveals how consistent 20% year-over-year growth, smart hiring, strong company culture, and high-performing video marketing helped the agency expand to a 14-person team with clients across the US and Europe. He also explains how Sunday Treat is adapting to AI, building viral content strategies, and maintaining creativity while scaling fast. Gulliver shares honest lessons about leadership, delegation, difficult management decisions, and why founders should never delegate hiring. The conversation is packed with insights on business growth, branding, team building, and creating a sustainable agency in today's competitive digital landscape.  Why would you wait any longer to start living the lifestyle you signed up for? Balance your health, wealth, relationships and business growth. And focus your time and energy and make the most of this year. Let's get into it by clicking here. Troy delves into our guest's startup journey, their perception of success, industry reconsideration, and the pivotal stress point during business expansion. They discuss the joys of small business growth, vital entrepreneurial habits, and strategies for team building, encompassing wins, blunders, and invaluable advice. And a snapshot of the final five Grow A Small Business Questions:  What do you think is the hardest thing in growing a small business? Gulliver Moore shared that the hardest part of growing a business is consistently delivering on big promises while maintaining quality and trust with clients. What's your favorite business book that has helped you the most? Gulliver Moore said his favorite business book is Radical Candor because it deeply influenced how he manages people, gives feedback, and builds an honest company culture. He also highly recommended The Making of a Manager for its practical advice on leadership and team management. Are there any great podcasts or online learning resources you'd recommend to help grow a small business? Gulliver Moore recommended podcasts like Hard Fork, The Vergecast, and Today in Focus to stay updated on technology, AI, and current events. He also emphasized learning through experimentation, especially with AI tools, social media content creation, and hands-on business experience rather than relying heavily on formal coaching or consultants. During the conversation, host Troy Trewin additionally recommended Marketing School, Uncensored CMO, and Everyday AI for marketing and business growth insights. What tool or resource would you recommend to grow a small business? Gulliver Moore recommended using Claude AI for brainstorming, strategy, copywriting, and improving workflows with AI. He also highlighted Monday.com as a powerful CRM and project management system for organizing teams and client work, while Figma was his preferred platform for creating visually engaging presentations and creative assets. He emphasized that combining strong systems, consistency, and AI tools can significantly improve productivity and business growth. What advice would you give yourself on day one of starting out in business? Gulliver Moore said he would tell himself to trust the process, stay patient, and focus on consistently hiring great people. He emphasized that long-term success comes from building a strong team culture, trusting your instincts during hiring, and sticking with the journey even when growth feels slow or uncertain. Book a 20-minute Growth Chat with Troy Trewin to see if you qualify for our upcoming course. Don't miss out on this opportunity to take your small business to new heights! Enjoyed the podcast? Please leave a review on iTunes or your preferred platform. Your feedback helps more small business owners discover our podcast and embark on their business growth journey.     Quotable quotes from our special Grow A Small Business podcast guest: Hiring the right people is the most important investment you can make in your business — Gulliver Moore You don't need to control everything — great teams do amazing work when you trust them — Gulliver Moore Consistency in your process will eventually create the growth you're looking for — Gulliver Moore       

No episódio 246 do Filosofia Pop, recebemos o jurista Lenio Streck para uma conversa sobre filosofia no direito, a importância da hermenêutica jurídica e os riscos do decisionismo. A conversa aborda os limites da interpretação, o papel crítico da doutrina e a necessidade de fundamentação teórica para fortalecer práticas jurídicas mais democráticas. Palavras-chave: Este episódio também marca os 11 anos do podcast. Ao final, você ouve a canção “Não Cabem em uma Kombi”, do acervo de Pedro Ivo, do canal Ateu Informa. Aproveitamos para indicar também o canal Esquerda Goiana, Uai!, de Murilo Ferraz e Analu Oliveira, além do curta-metragem Você Não Vai Me Entender, lançado por Murilo em novembro passado. Lenio Luiz Streck, Universidade do Vale do Rio dos Sinos (UNISINOS) Mestre e Doutor em Direito pela Universidade Federal de Santa Catarina. Pós-doutor pela Universidade de Lisboa. Professor titular do Programa de Pós-Graduação em Direito (Mestrado e Doutorado) da UNISINOS, na área de concentração em Direito Público. Professor permanente e pesquisador da UNESA-RJ, Professor visitante da Universidade Javeriana – CO. 3 Jurista mais citado na América Latina e 4 nos países do BRICS – conforme Índice Científico Alper-Döğer) (AD). Membro catedrático da Academia Brasileira de Direito Constitucional ABDConst. Presidente de Honra do Instituto de Hermenêutica Jurídica IHJ (RS-MG). Membro da comissão permanente de Direito Constitucional do Instituto dos Advogados Brasileiros – IAB, do Observatório da Jurisdição Constitucional do Instituto Brasiliense de Direito Público – IDP, da Revista Direitos Fundamentais e Justiça, da Revista Novos Estudos Jurídicos, entre outros. Coordenador do DASEIN Núcleo de Estudos Hermenêuticos. Ex-Procurador de Justiça do Estado do Rio Grande do Sul. Autor, entre outras obras, de Jurisdição Constitucional e Decisão Jurídica (6. ed.); Hermenêutica Jurídica e(m) Crise (11. ed.); Verdade e Consenso (6. ed.), Dicionário de Hermenêutica, 2a. edição, além dos livros, em espanhol: Verdad y Consenso, Hermenéutica y Decisión Judicial, e Hermenéutica Jurídica: estudios de teoría del derecho, Dicionario de Hermenéutica, Lla llamada conciencia de los jueces. Tem experiência na área do Direito, com ênfase em Direito Constitucional, Hermenêutica Jurídica e Filosofia do Direito.Vem lecionando disciplinas de direito em cursos de pós-graduação lato sensu EAD desde 2017: Pós Graduação UNISC EAD, da Universidade de Santa Cruz do Sul, 2018; Direito Eleitoral EAD, da Fundação Escola do Ministério Público, Porto Alegre/RS), 2017; Curso de Pós-Graduação em Direito Constitucional EaD, da Academia Brasileira de Direito Constitucional ABDCONST, 2018-2019; e Curso de Pós-Graduação em Direito e Processo Penal EaD, da Academia Brasileira de Direito Constitucional ABDCONST, 2019 (a lecionar). Temas tratados na entrevista (em tópicos) Diferença entre “filosofia no direito” e “filosofia do direito”Defesa da ideia de que a filosofia não deve ser mero ornamento externo ao campo jurídico, mas condição de possibilidade para compreender conceitos, práticas e decisões jurídicas. A filosofia como modo de ser no mundoInfluência de Martin Heidegger: a filosofia aparece como forma de existência e de compreensão prévia do mundo, não apenas disciplina acadêmica. Linguagem, nomes e realidadeDebate sobre como se dão nome às coisas, relação entre palavras e mundo, usando referências como Crátilo e Vidas Secas. Crítica ao positivismo jurídico e ao cientificismoDiscussão sobre o século XIX, quando a filosofia teria sido afastada como “metafísica”, deixando o direito empobrecido teoricamente. Contradições filosóficas nas decisões judiciaisExemplo de juízes que invocam ao mesmo tempo “livre convencimento” (subjetivismo) e “verdade real” (objetivismo), misturando paradigmas incompatíveis. Crítica ao decisionismo judicial brasileiroRejeição da ideia de que “direito é aquilo que os tribunais dizem que é”, vista como destruição da autonomia do direito. Hermenêutica jurídica e limites da interpretaçãoDefesa de limites interpretativos contra arbitrariedades e superinterpretações. A interpretação jurídica deve ser constrangida por tradição, linguagem e institucionalidade. Conceito de “constrangimento epistemológico”Tese de Lenio Streck de que a doutrina e a teoria jurídica devem limitar interpretações arbitrárias e impor padrões racionais ao direito. Direito e literaturaA literatura como fonte privilegiada para compreender dilemas jurídicos e políticos. Exemplos usados: Orestéia, As Viagens de Gulliver, William Shakespeare. Superinterpretação e relativismoDiscussão do debate entre Umberto Eco e Richard Rorty sobre limites da interpretação e riscos do relativismo. Crítica à cultura digital e redes sociaisReflexão sobre banalização do conhecimento, culto à superficialidade e perda da vergonha pública na era das redes. Inteligência artificial e atalhos cognitivosPreocupação com IA como instrumento de simplificação excessiva, respostas prontas e fuga da angústia do pensamento. Hierarquia, autoridade e educaçãoDebate sobre a importância de hierarquias legítimas na formação intelectual e no aprendizado, contrapondo-se ao igualitarismo simplificador. Filosofia brasileira e reconhecimento de Ernildo SteinStreck aponta Ernildo Stein como o filósofo brasileiro que mais o impressionou. Filósofos preferidosDeclara preferência por Hans-Georg Gadamer, com forte referência também a Heidegger. Referências citadas na entrevista Filósofos / Teóricos Martin Heidegger Hans-Georg Gadamer Ernildo Stein Richard Rorty Umberto Eco Charles Sanders Peirce William James Ludwig Wittgenstein (implícito no tema linguagem privada) Søren Kierkegaard Gaston Bachelard Thomas Hobbes William of Ockham Marcílio de Pádua Dante Alighieri Obras literárias / Livros Crátilo Vidas Secas As Viagens de Gulliver Dom Casmurro O Nome da Rosa O Pêndulo de Foucault O Pato Selvagem A Festa da Insignificância A Brincadeira Autores literários William Shakespeare Jonathan Swift Graciliano Ramos Machado de Assis Henrik Ibsen Milan Kundera Obras de Lenio Streck mencionadas Dicionário de Hermenêutica Dicionário de Senso Comum Ensino Jurídico em Crise Robô Não Desce Escada Hermenêutica, Jurisdição e Decisão “Fatos, relatos e interpretações”. In:Trindade, André Karam. e Karan, Henrieta. (ed.). Por dentro da Lei. Direito, narrativa e ficção. (na entrevista erroneamente atribui esse texto a Ernildo Stein, quando queria enfatizar que funciona como um resumo da perspectiva de Lenio Streck) Obras de Ernildo Stein mencionadas: Aproximações sobre Hermenêutica Anamnese: a Filosofia e o Retorno do Reprimido Pensar é Errar: um Ajuste com Heidegger Diferença e Metafísica Racionalidade e Existência: uma Introdução à Filosofia O Filosofia Pop é um podcast que aborda a filosofia como parte da cultura. A cada 15 dias, sempre às segundas-feiras, a gente vai estar aqui pra continuar essa conversa com vocês. Intercalando com nossos episódios normais de quando em quando vamos apresentar episódios de entrevistas temáticas especiais. O episódio de hoje que é uma parceria com o projeto de extensão Filosofia, Cultura popular e Ética, desenvolvido na Universidade Federal de Jataí. Se gosta do conteúdo do podcast, apoio nossa campanha de financiamento coletivo no Catarse, O endereço é http://catarse.me/filosofia_pop. A contribuição mínima que pedimos ´de 5 reais mensais. Se você preferir, pode contribuir através de nosso pix, que é contato@filosofiapop.com.br. Se não pode contribuir financeiramente, ajude divulgando, comentando, indicando para amigos. Precisamos dessa força! Lembrando que você pode encontrar o podcast filosofia popo no twitter, instagram, Facebook e outras redes sociais. Nosso email é contato@filosofiapop.com.br Twitter: @filosofia_popFacebook: Página do Filosofia PopYouTube: Canal do Filosofia Pope-mail: contato@filosofiapop.com.brSite: https://filosofiapop.com.brPodcast: Feed RSS Com vocês, mais um episódio do podcast Filosofia Pop! O post #246 – Filosofia no Direito, com Lenio Streck apareceu primeiro em filosofia pop.

¡Bienvenidos a un nuevo episodio! El Calabozo del Reverendo Wilson y FlixOlé, la plataforma con el mayor y más importante catálogo de cine español, presentan una nueva entrega de "FlixOlé presenta...", lugar donde se dan cita las piezas más importantes del Spanish Cult. Hoy celebramos la salida del ostracismo de una interesantísima película como Gulliver, que dirigida por Alfonso Ungría en los años 70 ha permanecido oculta durante muchos años; FlixOlé la acaba de relanzar con una copia magnífica, una gran oportunidad para descubrir una de esas "odas al esperpento" del cine español. Bajo una libre adaptación de la popular obra de Jonathan Swift, Ungría y Fernando Fernán Gómez trazan una alegoría de la transición política en una película que carbura con una excesiva, estrambótica y única personalidad. Enjoy! ¡Suscríbete a FlixOlé por tan sólo 4,99 € al mes para disfrutar del mejor cine español de culto! Si te ha gustado el programa, recuerda que tienes la posibilidad de ayudar a El Calabozo del Reverendo Wilson dándole a "Me gusta". ¡Gracias y feed the cvlt!

FlixOlé nos trae este mes un ciclo dedicado a Fernando Trueba y otro que es un viaje hacia el esperpento. El descubrimiento del mes: El camino.

Iniciamos un camino por el cine español perdido, y aveces secuestrado con esta maravilla de Alfonso Ungría. La cinta, cargada de sátira y esperpéntico fílmico, no deja indiferente a nadie. Nos acompañan Fernando Acae y Gabri Rodríguez para desenterrar al Gulliver español y ahondar si cabe un poquito al menos en la carrera multidisciplinar de Fernando Fernán Gómez. Aprovechen por si no hay más. Episodios me refiero.

America is known for multiple things: apple pie, Mr. T, and school massacres. But the worst massacre of all time is likely one you've never heard of before. Strange Country cohosts Beth and Kelly talk about the 1927 bombing of Bath Consolidated Schools that resulted in the deaths of 43 people, mainly children. Just your ever-so-often reminder that while it seems like things are extra terrible now, we've always been pretty shitty. Theme music: Big White Lie by A Cast of Thousands. Cite your sources:  Bernstein, Arnie. Bath Massacre: America's First School Bombing. University of Michigan Press, 2009. "Deepening Farms with Dynamite." Farms.com, 2 Nov. 2017, www.farms.com/reflections-on-farm-and-food-history/historical-articles-archive/deepening-farms-with-dynamite. Originally published in The Farmer's Advocate, 29 Aug. 1912. Gulliver, Katrina. "Why We Have Forgotten the Worst School Attack in U.S. History." Time, 12 December 2023, https://time.com/4492872/kehoe-attack-history/. Haddad, Ken. "96 years later: Michigan's Bath School disaster remains deadliest in US history." ClickOnDetroit, 18 May 2023, https://www.clickondetroit.com/features/2023/05/16/96-years-later-michigans-bath-school-disaster-remains-deadliest-in-us-history/. Accessed 22 April 2026. "Survivors Recall 1927 Michigan School Massacre." NPR, 17 April 2009, https://www.npr.org/2009/04/17/103186662/survivors-recall-1927-michigan-school-massacre. Accessed 22 April 2026.

Damals wie heute: Der Europäer tut sich schwer mit den fremden Kulturen.

This week, Bernie sits down with Justin Potter, bassist and vocalist of Dallas-based duo Sons of Gulliver. Justin shares how the band evolved into a two-piece project centered on pushing creative boundaries with just bass and drums. The conversation also explores the making of their new album Tetrahedric Hellscape Canon, their experience recording at the legendary Fame Studios, and the realities of building momentum as an independent band.https://www.instagram.com/sons_of_gulliver_bandhttps://sonsofgulliver.bandcamp.com/album/sons-of-gulliver******************************************Hungry for more?Check us out at https://isbreakfast.com******************************************

Es war ein kalter, windiger Jännerabend! Ich saß im Burgtheater und schon kurz nach Beginn der Vorstellung beschlich mich ein seltenes Gefühl. Ich wollte nicht, dass dieser Abend ein Ende finden würde. Nicht, weil ich nicht zurück in die Kälte wollte! Das, was ich sah und hörte hatte mich in seinen Bann gezogen. Gespielt wurde die Schachnovelle von Stefan Zweig und Nils Strunk war hauptverantwortlich für meinen Gemütszustand. Gemeinsam mit seinem kongenialen Partner Lukas Schrenk verzaubert er aktuell die (Theater-)Herzen dieser Stadt. Wir haben darüber gesprochen, wie man Publikumsliebling wird und wie man sich davor schützt, auf der Welle des Erfolges davongetragen zu werden. Am Boden bleiben. Das Richtige tun. Nils Strunk ist hinter dem Mikrofon wie auf der Bühne: ernergetisch, sympathisch und authentisch. Ich hoffe sehr, dass sich diese Energie über die Empfangsgeräte auf Euch überträgt und auch wenn es aktuell gar nicht so leicht ist Karten zu ergattern, versucht es ... Fotocredit: Volker Schmidt Kontakt: redaktion@gieseundschweiger.at Website: https://www.gieseundschweiger.at Redaktion: Fabienne Lubczyk, Lara Bandion Musik & Produktion: Matthias Jakisic Sprecherin: Sarah Scherer Grafische Gestaltung: Studio Riebenbauer Cover: Markus Lettner

Joseph Pearce explores Jonathan Swift's Gulliver's Travels, revealing its powerful satire on pride, politics, scientism, and modern culture. The post GWWL4 – Jonathan Swift & Gulliver’s Travels – Great Works in Western Literature with Joseph Pearce – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

On this week's episode of Skytalkers, we're continuing our The Clone Wars Rewatch and discussing the two episodes, “Mercy Mission” (405) and “Nomad Droids” (406)! Tune in to hear us discuss:  How were these C-3PO and R2-D2-focused episodes first received by fans in 2011?  How do these episodes lean in to archetypes found across fairy tales?  What do these episodes say about the role of the clones and droids during the Clone Wars?  Why does it matter to have parallels to classic stories like “Gulliver's Travels” and the “Wizard of Oz” in Star Wars?  …and much much more!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gulliver arrives in Lilliput, where tiny people fear him at first, but soon use the giant stranger for their own political goals

In today's episode of the America's Work Force Union Podcast, we explore two critical fronts of the labor movement: proactive workforce development in the trades and the legal defense of bargaining unit integrity. Segment 1: Masonry's Next Generation in Central NY Daren Gulliver, Training Director for BAC Local 2, discusses a successful partnership with New York's Boards of Cooperative Educational Services (BOCES). Gulliver outlines how Local 2 is reaching students as early as age 17 to provide hands-on masonry fundamentals and clear pathways into registered apprenticeship programs. Key Insight: Why "bridge programs" and earlier recruitment are essential to combatting the skilled labor shortage while providing debt-free career stability. Segment 2: Protecting the Bargaining Unit from Technical Exclusions Kate Black, Field Director for AFSCME Council 65, breaks down a significant National Labor Relations Board (NLRB) unit clarification ruling involving Head Start teachers in Minnesota. Black explains how the employer used a "statutory supervisor" argument to narrow the bargaining unit and why this case serves as a warning for unions nationwide. Key Insight: How a single supervisory factor—effectively recommending discipline—can be used to strip workers of their union protections and what AFSCME is doing to prepare for future classification challenges.

Wayfair CFO Kate Gulliver joins "Bloomberg Businessweek Daily" to talk about Wayfair's earnings, future for the company, the customer demand of Wayfair's product, and more.See omnystudio.com/listener for privacy information.

Footnote 73 looks at animation's historical relationship to the body and how physicality was transcribed via the rotoscoping process as part of the construction of the earliest animated characters. From the Fleischer Studios pioneering the technology for use in their Out of the Inkwell series of shorts (1918–1927) and later feature films Gulliver's Travels (David Fleischer, 1939), and Mr. Bug Goes to Town (Dave Fleischer, 1941), through to Bob Sabiston's digital homage to rotoscoping when developing the Rotoshop tool during the 1990s, this episode has Chris take Alex through the mechanics of projecting performances onto glass to be traced by the animators to craft their animated performances. Topics include what the rotoscope contributed to animation's hyper-realist aesthetic and the specific desire for naturalism at Disney; rotoscoping's connection to both the Rotoshop and contemporary motion capture techniques; and how the rotoscope negotiates the uncanny, haunting presence of the human beneath the image. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Episode 43 includes the following sections:- The Leadership Parable of Gulliver the Goose- Systemic Leadership- Inclusive LeadershipSeason 6 of Purpose Inspired is based on the book, Thriving: The Breakthrough Movement to Regenerate Nature, Society and the Economy, as read by the author and host of this podcast, Wayne Visser.Thriving is available in the following formats:- Hardback- Ebook- Audiobook

The Daily Quiz - Art and Literature Today's Questions: Question 1: In which book does 'Godfrey of Bouillon' appear? Question 2: Which author wrote 'Carrie'? Question 3: In Jonathan Swift's novel Gulliver's Travels, in which fictional country does Gulliver encounter thumb-sized inhabitants? Question 4: In which dystopian novel are the terms 'Mother' and 'Father' forbidden? Question 5: Which author wrote 'Les Nouvelles Enquêtes de Maigret'? Question 6: Which author wrote 'The Robbers'? Question 7: Which author wrote 'Twice-Told Tales'? Question 8: In which book does 'Wang Xifeng' appear? Question 9: Which author wrote 'Night Shift'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWhile many may think of Swift's magnificent octopus as a mere children's adventure tale, it is, in fact, one of the darkest and most troubling satires in the English language.  Written as the Enlightenment began asserting rationality as the measure of all things, Gulliver's Travels questions the very premises of western culture themselves.  Link to Gulliver's Travels: https://www.gutenberg.org/files/17157/17157-h/17157-h.htmmosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the showPlease like, subscribe, and rate the podcast on Apple, Spotify, YouTube Music, or wherever you listen. Thank you! If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful! Or Buy Me a Coffee: https://www.buymeacoffee.com/classicenglishliterature Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, and YouTube.Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!

Gulliver wants to travel to the finish line to Beat Migs. Tune in to find out.

To conclude our readings from the Blue Fairy Book, we warmly present the second part of a trilogy of episodes retelling 'A Voyage to Lilliput.Adapted from the first book of Gulliver's Travels by Jonathan Swift, in this one Gulliver goes to war, stealing fifty war ships in a single afternoon of swimming - but trouble soon starts to rear its head.Because Gulliver, unwilling to enslave the Blefuscudians, finds the Emperor of Lilliput now wants to blind him and starve him to death...If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

To conclude our readings from the Blue Fairy Book, we warmly present the second part of a trilogy of episodes retelling 'A Voyage to Lilliput.Adapted from the first book of Gulliver's Travels by Jonathan Swift, in this one Gulliver is searched and measured by servants of the Lilliputian Emperor, all before it is concluded that he may do this strange nation service.Specifically, as a war machine in Lilliput's battles against the 'Big-Endians' of Blefuscu...If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Persistent colds and a chronic cough were followed by not being able to walk and being constantly tired for Marie Gulliver's 2 year old son Ezra in 2022. These symptoms were finally diagnosed as High Risk Acute Myeloid Leukemia, which was complicated by a genetic mutation and the always difficult Graft vs, Host Disease after Ezra received a successful Bone Marrow Transplant in September of 2022. Ezra has been cancer free for more than 3 years and has ony a 5 percent chance of a relapse which is great news for him and his family.

To conclude our readings from the Blue Fairy Book, we warmly present the first part of a trilogy of episodes retelling 'A Voyage to Lilliput.Adapted from the first book of Gulliver's Travels by Jonathan Swift, in this one, we travel with young surgeon Lemuel Gulliver from England, by sea, to somewhere beyond Van Diemen's Land.There he encounters a race of people that appear, to Gulliver, only six inches tall - who also have some pretty strange beliefs... If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Dr Kirk talks about the movies and shows he watched last year. January 16, 2026This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/KIRK to get 10% off your first month.00:00 Where the Red Fern Grows05:09 Black Bag06:09 Perfect Blue09:17 Avatar: Fire and Ash12:41 The Apartment15:20 Zootopia 217:44 Regretting You 18:23 Inglorious Bastards19:41 Death by Lightning23:48 Rental Family28:15 Encanto 29:2 Moana 232:5 Fantastic Four35:44 House of Dynamite38:51 The Perfect Neighbor41:18 How does Dr. Honda rate movies?41:37 Apocalypto 43:51 Sisu45:54 K-Pop Demon Hunters46:26 Weapons54:10 But I'm a Cheerleader54:45 28 Years Later56:21 Wreck It Ralph57:37 One Battle After Another59:48 Cold Case1:00:11 It's Always Sunny in Philadelphia1:00:52 Star Wars: The Last Jedi1:02:41 The Perfect Storm1:03:00 Midsommar1:03:56 Miller's Crossing1:04:17 Tron: Ares1:07:16 The Assasination of Jesse James1:09:41 Cool Hand Luke1:10:57 Spy Game1:11:07 The Acolyte1:12:50 The Curious Case of Benjamin Button1:14:57 The Adjustment Bureau 1:15:12 The Unknown Catfish1:15:31 Judge Dredd1:15:47 Shazam1:16:03 The Naked Gun1:16:56 The Flash1:17:17 Tombstone1:19:03 The Opposition 1:19:36 Black Panther1:20:09 The Minecraft Movie1:20:51 The Penguin1:21:44 Andor season 21:22:14 Alien: Romulus 1:22:41 Superman1:23:14 One Night in Idaho: The College Murders1:23:42 The Suicide Squad1:23:55 Cunk on Life1:24:28 My Blue Heaven1:25:03 Mission Impossible: The Final Reckoning1:25:18 The Residence1:26:35 Phenomenon1:26:49 Gulliver's Travels1:26:58 Stay Tuned1:31:05 Youth and Revolt1:31:22 Spies Like Us1:31:32 Black Mirror1:31:44 Hitchhiker's Guide to the Galaxy 1:31:49 Old School1:31:54 Popstar: Never Stop Never Stopping1:32:09 MacGruber1:32:18 The Unbearable Weight of Massive Talent1:32:34 G.I. Jane1:32:40 The Electric State1:33:00 Michael Clayton1:33:25 Warfare1:34:12 Adolescence 1:34:47 Penguins of Madagascar, Incredibles 2, The Lego Movie, Twister, Legally Blonde, Notting Hill1:35:36 Agreeing to disagreeBecome a member: https://www.youtube.com/channel/UCOUZWV1DRtHtpP2H48S7iiw/joinBecome a patron: https://www.patreon.com/PsychologyInSeattleEmail: https://www.psychologyinseattle.com/contactWebsite: https://www.psychologyinseattle.comMerch: https://psychologyinseattle-shop.fourthwall.com/Instagram: https://www.instagram.com/psychologyinseattle/Facebook Official Page: https://www.facebook.com/PsychologyInSeattle/TikTok: https://www.tiktok.com/@kirk.hondaThe Psychology In Seattle Podcast ®Trigger Warning: This episode may include topics such as assault, trauma, and discrimination. If necessary, listeners are encouraged to refrain from listening and care for their safety and well-being.Disclaimer: The content provided is for educational, informational, and entertainment purposes only. Nothing here constitutes personal or professional consultation, therapy, diagnosis, or creates a counselor-client relationship. Topics discussed may generate differing points of view. If you participate (by being a guest, submitting a question, or commenting) you must do so with the knowledge that we cannot control reactions or responses from others, which may not agree with you or feel unfair. Your participation on this site is at your own risk, accepting full responsibility for any liability or harm that may result. Anything you write here may be used for discussion or endorsement of the podcast. Opinions and views expressed by the host and guest hosts are personal views. Although, we take precautions and fact check, they should not be considered facts and the opinions may change. Opinions posted by participants (such as comments) are not those of the hosts. Readers should not rely on any information found here and should perform due diligence before taking any action. For a more extensive description of factors for you to consider, please see www.psychologyinseattle.com(By The Daily Telegraph. Copyright holders of the image of Madeleine at three are Kate and Gerry McCann. The age-progressed image was commissioned by Scotland Yard from forensic artist Teri Blythe for release to the public. Both images have been widely disseminated by the copyright holders, and have been the subject of significant commentary., Fair use, https://en.wikipedia.org/w/index.php?curid=39861556)

We continue to ride the trapar waves as Zigg & Aqua watch the classic 2005 mecha anime Psalms of Planets Eureka Seven, and discuss their thoughts and feelings on it as it celebrates its 20th birthday. Keep an eye out for this podcast between main installments of The GLORIO Chat – every two weeks or so – as we work our way through the show. This installment we cover Episode 47 “Acperience 4” and Episode 48 “Ballet Mechanique”

2:18:40 – Frank in New Jersey, plus the Other Side. Topics include: New Year’s Eve Eve, cleaning up the studio, Shindig! Magazine, Phish at MSG, Dream Wheel, Gulliver’s Gate, economics, Weird October Dreamer, Video Loaf, December, Groovy Walking Rover, 209, 1423, Tokyo video, Chongqing Night Walk, Shenzhen video, Buckaroo Banzai review, Onsug Radio Shuffle Mode segment, lost […]

2:18:40 – Frank in New Jersey, plus the Other Side. Topics include: New Year’s Eve Eve, cleaning up the studio, Shindig! Magazine, Phish at MSG, Dream Wheel, Gulliver’s Gate, economics, Weird October Dreamer, Video Loaf, December, Groovy Walking Rover, 209, 1423, Tokyo video, Chongqing Night Walk, Shenzhen video, Buckaroo Banzai review, Onsug Radio Shuffle Mode segment, lost […]

On today's special 1st XI of Interviews episode of The Agenda, ACC Head G Lane goes back to an interview he and Finn Caddie had with Great NZer Kyle Jamieson aka Gulliver.Kyle talks through the upcoming home summer and what it’ll be like facing off against former teammate Tim Southee. He also reacts to Lockie Ferguson’s comments from a previous episode about “bowling loads” and the toll it takes on quicks. Then it’s into the new crop of Black Caps fast bowlers — including the team nickname for Will O’Rourke. Plus, Kyle touches on his batting, and the mercurial willow work of Trent Boult. We also head back to the scenes of the World Test Championship Final in 2021, reliving the glory and Kyle's meme-worthy dominance of Virat Kohli.Finally, G Lane puts Gulliver through the infamous ‘22 in 2’ questions! Did you know that we've launched a new Facebook Group called 'The Caravan' JOIN HERE! Brought to you by Export Ultra! Follow The ACC on Instagram or Facebook or TikTok Subscribe to The Agenda Podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! iHeartRadio Apple Spotify YouTube THANKS MATE! See omnystudio.com/listener for privacy information.

Lauren Danis brings nearly three decades of experience to Eventbrite, where she serves as the Chief Brand & Communications Officer, overseeing the global integrated brand and communications team which includes brand marketing, creative, social media, community, brand content and global internal and external communications. Prior to Eventbrite, Lauren was the VP of Communications at Ancestry where she led all global brand and product communications, social media and influencer relations. Lauren also spent over a decade at leading global public relations firm Weber Shandwick where she worked on many of the firm's marquee accounts including Mondelēz International, Unilever, Motorola, Nestlé, Abbott, and one of the most iconic American campaigns in recent memory – “got milk?” Early in her career, Lauren held communications roles at Hyatt, travel start-up e.Gulliver.com, and Edelman after graduating from the esteemed Northwestern School of Communication and Media Studies. Currently, she brings her integrated brand-building expertise to Eventbrite in an effort to help advance the company vision and reputation amongst various stakeholders including Britelings, consumers, event organizers, brand partners and investors. In her spare time, you can find Lauren reading a good book, finding her zen on her yoga mat, taking a long walk with her husband and dog, or experimenting in the kitchen with a new recipe.

Disclaimer: This is a podswap episode from The Growth Minded CFO, hosted by Lauren Pearl and Alex Lewis, featuring Kate Gulliver, CFO and CEO of Wayfair.The path to becoming a CFO today is rarely a straight line. Finance leaders are increasingly coming from diverse backgrounds, bringing a broad range of skills to the role. After all, the best CFOs don't just manage numbers; they shape strategy, foster talent, and drive innovation across an organization.In this episode of The Growth-Minded CFO, hosts Lauren and Alex sit down with Kate Gulliver, CFO and CAO of Wayfair. It's an insightful conversation about leadership, adaptability, and impact. Kate shares her journey from investor relations to overseeing finance, legal, talent, and corporate communication—offering a rare look at the evolution of a top executive.She reflects on the challenges of stepping into new roles, the power of an entrepreneurial mindset in a high-growth company, and the lessons learned from integrating finance with people strategy. Kate also opens up about balancing a demanding career with motherhood and the importance of fostering an inclusive, authentic workplace.In this Episode:[00:58] - Meet Kate Gulliver: Wayfair's Multifaceted Leader[01:53] - Journey Through Wayfair: From IPO to CFO[06:55] - Transitioning to Talent: A Leap of Faith[10:28] - Learning and Leading in Talent Management[16:08] - The CFO Perspective: Integrating Talent and Finance[17:11] - Navigating the CFO Role: Insights and Reflections[18:50] - The Importance of Cross-Departmental Communication[21:30] - Wayfair's Latest Launch: Wayfair Verified[24:49] - Operationalizing New Ideas at Wayfair[29:59] - Balancing Work and Life[33:23] - The Importance of Authenticity at WorkConnect with Kate:LinkedIn: https://www.linkedin.com/in/kate-gulliver-3b242762/Connect with Alex:LinkedIn: https://www.linkedin.com/in/alexlouisy/

Step inside the magic of youth filmmaking with on F1RST2KNOW as we sit down with Gulliver and Christine Parascandolo, owners of Parallel Media and founders of the Youth Film Program. From 9-year-olds crafting sci-fi epics to teens directing fairy-tale adventures, this hands-on program takes students through pitching, writing, shooting, acting, editing, and premiering their own original films—ending in a nearly sold-out red-carpet event at Harkins Theatre.The founders share how the program builds confidence, teaches collaboration, and gives students real studio experience using professional equipment, Hollywood-level visual effects, and mentorship from award-winning filmmakers. They dive into season highlights, community support, the program's expansion for 2026, and how parents and local creatives can get involved.Whether your child dreams of being in front of the camera or behind it, this episode shows how creativity, storytelling, and confidence come to life in Prescott's thriving youth film community.F1RST2KNOW is part of the CAST11 Podcast Network of Prescott. Check out the podcast network website with ALL the shows at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

The OTRNow Radio Program Christmas-01 The New Burns and Allen Show. December 16, 1941. Program #11. CBS net. Sponsored by: Swan Soap. Gracie drags George to the post office with a very heavy package. George Burns, Gracie Allen, Bill Goodwin, Paul Whiteman and His Orchestra, Jimmy Cash, Clarence Nash. The Quiz Kids. December 05, 1948. NBC net. Sponsored by: Alka-Seltzer, One-A-Day. The first question is, "What are the best reasons you can think of to prove that there really is a Santa Claus.". Patrick Owen Conlon, Ruthie Duskin, Joel Kupperman, Lonny Lunde, Melvin Miles, Willard Olson (guest: director of research in child development, University of Michigan), Joe Kelly (host), Bob Murphy (announcer).Candy Matson, YUkon 2-8209. December 10, 1949. NBC net, San Francisco origination. "Jack Frost". Sustaining. A "Santa's Helper" named Jack Frost has disappeared. This leads Candy to a Christmas murder. Bill Brownell (sound effects), Dudley Manlove (announcer), Eloise Rowan (organist), Helen Kleeb, Henry Leff, Jack Thomas, Jay Rendon (sound effects), John Grover (announcer), Lou Tobin, Monte Masters (writer, producer), Natalie Masters.Duffy's Tavern. December 21, 1945. NBC net. Sponsored by: Minit-Rub, Ingraham Shave Cream. Guest is harpist Robert Maxwell. The cast does, "The Christmas Carol," by Charles and Archie Dickens. Robert Maxwell (harp), Ed Gardner, Sandra Gould (as "Miss Duffy"), Charlie Cantor, Eddie Green, David Titus (producer, director), Marvin Miller (announcer), Matty Malneck and His Orchestra. Yours Truly, Johnny Dollar. December 23, 1956. CBS net. "The Missing Mouse Matter". Sustaining. A $50,000 singing mouse named Gulliver has been kidnapped. Keep your eye on the cat! Bob Bailey, Howard McNear, Dan Cubberly (announcer), Charles Smith (writer), G. Stanley Jones, Amerigo Moreno (musical supervisor), Richard Beals, Parley Baer, Jack Johnstone (producer, director), Mary Jane Croft, Bill James, Lawrence Dobkin.Have Gun, Will Travel. December 21, 1958. CBS net. "Matt Beecher" ("The Hanging Cross")Sponsored by: Kent. Paladin tries to prevent a battle between Matt Beecher and the Pawnees, caused by a small boy claimed as the son of both Matt Beecher and the Indian Chief. The script was used on the "Have Gun, Will Travel" television show on December 21, 1957. John Dehner, Ben Wright, Norman Macdonnell (producer, director), Gene Roddenberry (writer), Hugh Douglas (announcer), John Dawson (adaptor), Vic Perrin, Jess Kirkpatrick, Roy Woods, Richard Beals, Ann Morrison, Virginia Christine, John James, Bill James (sound effects), Tom Hanley (sound effects), Herb Meadow (creator), Sam Rolfe (creator). 

This week we were going to do a Film Club about Gullivers Travels to promote our live show with Peter McGann on November 25th in The Workmans Club, Dublin as part of the Jonathan Swift Festival...(TICKETS AVAILABLE HERE) ... But then the film was awful, so we chat about film, Irish media, bits of Gulliver's Travels, and a whole lot of nonsense instead! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest this week is JAR contributor Brett Bannor, discussing the Founding Generation's deep affection for Gulliver's Travels. For more information, visit www.allthingsliberty.com.

Il vous est peut-être déjà arrivé de croire qu'un sigle avait été choisi pour sa signification précise — avant d'apprendre que, paradoxalement, c'est l'inverse. C'est le principe de la rétroacronymie, un phénomène linguistique à la fois amusant et révélateur : on crée un acronyme à partir d'un mot déjà existant, en inventant après coup des mots censés le justifier.Par exemple, le mot « avion », inventé par Clément Ader à partir du latin avis (oiseau), a été interprété de manière erronée comme « Appareil Volant Imitant l'Oiseau Naturel ». De même, les spas proviennent de la ville de Spa, et ne signifient pas Sana Per Aquam (la santé par l'eau).Autre cas fameux : le nom du moteur de recherche Yahoo!, présenté comme l'acronyme de Yet Another Hierarchical Officious Oracle. En réalité, ses créateurs, deux étudiants de Stanford, avaient d'abord choisi le mot « Yahoo » parce qu'il sonnait bien et évoquait le personnage rustre et énergique des Voyages de Gulliver de Jonathan Swift. Le sens technique a été plaqué ensuite.La rétroacronymie peut aussi servir à renforcer l'image d'une marque ou d'une institution. Par exemple, le sigle SOS n'a jamais voulu dire Save Our Souls ou Save Our Ship. Il a été choisi à l'origine uniquement pour sa simplicité en morse (· · · — — — · · ·). Ce n'est que plus tard qu'on lui a attribué cette signification héroïque, plus facile à mémoriser.Ce mécanisme illustre un trait fascinant du langage : notre tendance à chercher du sens, même là où il n'y en avait pas à l'origine. Les mots deviennent plus forts, plus mémorables, quand ils paraissent logiques. La rétroacronymie répond donc à un besoin psychologique : elle donne une apparence de cohérence à ce qui n'en avait pas.Une notion proche est celle de l'étymologie populaire : quand une expression change de forme ou de sens parce que les locuteurs la réinterprètent selon ce qu'ils croient entendre. Par exemple, « chou-fleur » vient du latin caulis floris (tige fleurie), mais d'autres mots comme « beaupré » ou « chausson » ont été transformés au fil du temps par des associations d'idées fausses mais séduisantes.Rétroacronymie ou étymologie populaire, ces deux phénomènes rappellent une chose essentielle : le langage n'est pas figé. Il vit, se raconte, et surtout, il s'invente des histoires pour mieux se souvenir de lui-même. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tonight's reading comes from Gulliver's Travels. Written by Jonathan Swift and published in 1726, this satirical tale follows Lemuel Gulliver through a series of fantastical lands, offering sharp reflections on society and human nature.

What does Gulliver's Travels have to do with the development of the modern education system? Why does classical scholarship see renewed interests in periods of philosophical interest? Why spend 70 pages on one chapter detailing various components of philosophic history before getting to your point on education? Find out as we continue discussing Allan Bloom's The Closing of the American Mind!Follow us on X!Give us your opinions here!

You know what I love about real entrepreneurs? They don't make noise - they make moves. Meet Gulliver Giles and Leesa Cosgrove. While most people were still figuring out their business model, these two were building something extraordinary. And they just shared their entire $100M playbook with me. WHAT YOU'LL DISCOVER: → How they dodged a $750K loss right before COVID hit → The "acquisition bender" that turned dying businesses into gold mines   → Why Leesa can pack 3,500 people in a room (it's not "energy" BS) → The psychological reason everyone's broken post-COVID → Why Dan Kennedy's methods still crush in 2025 → The difference between real wealth and guru theater THE BACKSTORY: 2012, Frank Kern's mastermind. Most of us got stung by stingrays surfing. These two went back to the hotel, had drinks, and planned what became one of the most profitable high-ticket operations on the planet. This isn't another "sales training" video. This is how you build legitimate wealth through systems that actually work - the same principles I used to scale to $100M+. Perfect for coaches, consultants, and experts ready to ditch the guru BS and build something real. TIMESTAMPS: 00:00 - WARNING: Why 90% of high ticket experts are frauds 05:25 - The Frank Kern mastermind origin story 10:40 - How Gulliver and Leela became the first in Australia 15:55 - The trust recession: Why everyone's been burned 21:10 - COVID's impact on emotional regulation and business 26:45 - Leela's acquisition strategy: 4-figure investments, 7-figure businesses 32:20 - Building a 100K+ reach across multiple platforms 38:15 - Alex Hormozi's $100M launch: Classic Kennedy principles 43:50 - Why automation fails and human connection wins 49:25 - The "Armor of God" objection handling system revealed 54:40 - How to separate yourself from the fake guru noise 57:30 - Where to learn more from Gulliver and Leela

Join me on this summer road trip to some of the world's creepiest abandoned amusement parks. Our stops include: Lake Shawnee Amusement Park, Pripyat, Ukraine, Land of Oz, Gulliver's Kingdom. And Honorable Mentions: Berlin's Spreepark, Diversiones Grano de Oro, Western Village.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.