Podcasts about Gulliver

It's Gulliver! First time being on Beat Migs! Will he win?

What happens when a full-sized man who is cast adrift lands on an island full of tiny, often warring people? In this Jonathan Swift tale, we learn of Gulliver's troubles and eventual freedom. But what will he have to do to earn his liberty? Listen free, thanks to our friends at enVypillow.com and SierraSil.com.  Drift is free, thanks to our wonderful sponsors, enVy Pillow.com and SierraSil.com, both of whom generously offer discounts on all online purchases when you use the code drift.

Álvaro Enrigue and critic Maia Gil'Adí begin their conversation considering translation as a living process, one that is internal to the novel form. Álvaro, author of the trippy You Dreamed of Empires (Riverhead, 2024), explains how the opening letter to his translator Natasha mirrors the letter to his editor, Teresa, in Spanish, and how both letters become part of the fiction. Fitting for a novel that crosses Nahua and Mayan, Moctezuma and Cortés, Mexican history and the glam rock band T. Rex. The English translation—which Álvaro calls the book of Natasha—is longer, filled with changes and additions and revisions, and so translation becomes “another life for the book.” From the living book to its contents, Maia asks how You Dreamed of Empires blends the gorgeous and the grotesque, slapstick humor and extreme violence, historical detail and mischievous metafictional departures. Álvaro links his work to Season 9's theme of TECH by pointing out the novel's longstanding use as a tool to laugh about the powerful, to tell them that what they're saying is not true, and to articulate politics through contradiction and humor. After discussing the encounter of Moctezuma and Cortés (or really, of their translators, including a very magical bite of cactus) as the moment that changes everything in history, Álvaro makes a surprising historical swerve in his answer to this season's signature question. Mentions:Álvaro Enrigue, Sudden Death, You Dreamed of Empires, Now I SurrenderNahuaNatasha WimmerTeresa Ariño, AnagramaSergio Pitol, Enrique Vila-Matas, Javier Marías, Roberto BolañoMiguel de Cervantes, Don Quixote; Laurence Sterne; Jonathan Swift, Gulliver's TravelsOctavio Paz saying New Spain was a kingdom in One Earth, Four or Five Worlds: Reflections on Contemporary History, translated by Helen R. Lane.Edward SaidLèse-majestéT. Rex, “Monolith”Gonzalo GuerreroThe Colegio de Santa Cruz de TlatelolcoJosé Emilio PachecoMichel FoucaultMichelangeloSaint Paul, Epistle to the RomansNoam ChomskyTlaxcalas Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.

Send us a text and chime in!In this special edition of the Signals podcast, hosts Gulliver and Christine are joined by three remarkable young filmmakers — Matilda, Kaiser, and Alora — to discuss their five-month journey through the inaugural Prescott Youth Film Program. From pitching story ideas and running cinema-grade cameras to editing complex special effects and acting on screen, these students share the highs, challenges, and surprises of learning real-world filmmaking.Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Au commencement était le souffle. Yves Robic en fait un incipit sonore, une levée. Il part à la recherche du souffle juste. Juste pour un joueur de naï, juste pour un alpiniste, juste pour un médecin urgentiste, juste pour une artiste. La création qu'il nous donne est bouleversante : pas seulement parce qu'il traque le souffle dans une leçon de musique qui est en soi un grand moment de radio, pas seulement parce que les vies se croisent et qu'elles croisent la mort, mais parce que Yves Robic a la capacité rare d'écrire avec les sons. Entre les souffles donc, il y a le rythme. Et dans le rythme l'ouverture. C'est alors que l'oreille crée le paysage. Dans ce paysage on respire et que quoi l'on y fasse, la vie est un élan. Un carnet sonore d'Yves Robic Un projet sélectionné par Gulliver et soutenu par la Bourse Brouillon d'un rêve Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Gäst Roger Nilsson Dyk in i den elektriska starten! Årskrönika 1974 Januari-Juni blottlägger KISS explosiva första halvår. Följ diskussionerna om konserter, smink, Kanada-relationen, TV-framträdanden och geniala marknadsföringen kring "Kissin' Time". Återupplev tidiga spelningar, ikoniska foton och unika fan-möten. Hör om PR-strategierna och den tragiska händelsen på Gulliver's. En fängslande inblick i hur legenden om KISS föddes! Lyssna till berättelserna om hur fyra vilsna själar förvandlades till odödliga rockgudar! Som vanligt blir det samtal om annat Kiss relaterat under färden... Chapters 00:00 Introduktion och Årskrönika 03:03 Kiss och deras Konserter 05:54 Recensioner och Mediebevakning 09:09 Sminkningar och Identitet 12:03 Fotografering och Omslagsbilder 15:04 Turné och Publikrespons 23:15 Kanadensiska musikscenen och dess påverkan 25:20 Kiss och deras relation till kanadensiska band 27:43 Kiss albumrelease och dess betydelse 29:36 Press och marknadsföring av Kiss 32:30 Releasefesten och dess inverkan på Kiss 36:59 Kiss på nationell TV och dess betydelse 40:25 Kiss liveframträdande och dess påverkan 51:25 Kiss och deras konserter i New York 54:00 Samarbeten och sponsring inom musikbranschen 55:02 Första singeln "Nothing to Lose" och dess betydelse 58:02 Kiss livekonserter och publikens reaktioner 01:01:02 Kiss på Mike Douglas Show och deras framträdande 01:14:53 Kiss och deras musikaliska resa 01:17:34 Kissing Time och dess betydelse 01:20:25 Marknadsföring och promotion av Kiss 01:22:33 Kiss i Michigan och deras framträdanden 01:26:25 Fotografering och ikoniska bilder av Kiss 01:31:39 Kiss och deras konserter i Alaska 01:35:57 Konserter på militärbaser och deras betydelse 01:37:58 Kiss och deras PR-strategier 01:38:57 Kiss-tevlingen och dess påverkan 01:42:02 Kiss och deras framträdanden i media 01:43:00 Kiss och deras musikaliska utveckling 01:45:50 Brandkatastrofen på Gulliver's 01:57:01 Avslutning och framtida diskussioner

Quand les babouins nous apprennent des choses sur les origines du langage ! Et l'existence d'un « langage de la pensée » ! Pour découvrir l'entretien complet avec Isabelle Dautriche, voici le lien vers la vidéo sur la chaîne d'EchoSciences Sud Provence-Alpes-Côte d'Azur : https://youtu.be/WggJ08GYD4M Vidéo réalisée pour EchoSciences Sud Provence-Alpes-Côte d'Azur https://www.echosciences-paca.fr avec Isabelle Dautriche, chercheuse au Centre de Recherche en Psychologie et Neurosciences (AMU - CNRS). Sur une idée originale de Play Azur Prod. Vidéo coordonnée par Gulliver https://www.gulliver-sciences.fr et Play Azur Prod: https://playazur-prod.fr/.

« Nadia. La première fois que j'entends son nom, c'est dans la bouche d'un artiste algérien évoquant sa jeunesse. Il disait : à Alger, Nadia se déshabillait pour qu'on puisse la dessiner. Je reste stupéfaite. Quelle femme algérienne est capable d'un tel courage, d'une telle audace, celle de se dévêtir au nom de l'art dans un pays musulman ? » Un voyage sonore à la recherche de l'unique modèle vivant de l'École des Beaux-Arts d'Alger, Nadia. Une enquête. Un portrait contrasté. Une héroïne moderne et ambiguë, et en creux, le portrait de la société algérienne contemporaine, de l'Indépendance aux années noires. Un documentaire signé Seham Boutata et réalisé par Alexandra Kandy Longuet. La Vénus d'Alger a reçu le soutien de Gulliver. En co-production avec France Culture. Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jo and Adam warmly welcome you to their Eggztra Special Easter Eggstravaganza, which they hope will make you hoppy and not (hot)cross. It's (hotcross) bun a funny old couple of weeks for satire, so leave it to our Eggsperts to pick out a few Eggstremely interesting Eggxamples to discuss. In this episode, Jo and Adam reflect of their Eggsperiences of watching the new series of Charlie Brooker's dystopian sci-fi satire show, Black Mirror and Apple TV's new cinema skewering satire The Studio and discuss the unexpected but highly welcome return of the hilarious podcast Dear Joan and Jericha. They also survey the satirical responses to J D Vance's first and very final meeting with the late Pope Francis, consider a very appropriate Eggstract from Jonathan Swift's Gulliver's Travels, and share notes on the best ways to eat an Easter Egg. Happy Easter, one and all!

Dans cette féérie lyrique, Cendrillon, Barbe-Bleue ou encore la fée Morgane se rencontrent dans une mise en scène de Valérie Lesort. Un condensé d'une dizaine de contes de Charles Perrault. Tout commence dans une forêt un peu inquiétante où le Petit Poucet raconte à ses parents, éplorés, comment il s'est sauvé des griffes du méchant ogre Croquemitaine ! C'est alors que la fée Morgane apparaît et transforme notre héros en Prince charmant qui rencontrera Cendrillon, laquelle devra affronter Barbe-Bleue ou le démoniaque Holibrius… et se cacher sous une Peau d'âne pour leur échapper !  À l'origine, les contes de Charles Perrault ont été écrits entre 1691 et 1697. Ce sont des contes de tradition orale fortement inspirés par des contes populaires issus du patrimoine italien tel que le Pentameron. Les contes de fée sont alors très populaires dans les milieux mondains aristocratiques, mais il existe peu de versions pour enfants. Charles Perrault a l'idée d'« édulcorer » quelque peu ces contes, à l'origine affreusement cruels, et de les moraliser pour en faire des contes pour les enfants. Oubliés quelques décennies à la faveur des contes orientaux (Les Mille-et-une Nuits) ils connaissent un regain d'intérêt pendant la première moitié du XIXᵉ siècle : la mode est alors de lire des histoires aux enfants. Puis, les ballets, opéras, opérettes et plus tard les dessins animés inscrivent définitivement les contes dans le patrimoine.  Cette mise en scène loufoque et burlesque s'inscrit dans la tradition de l'opéra-comique du début du vingtième siècle. Elle est adaptée des livrets de Paul de Choudens et Arthur Bernède et de la musique de Félix Fourdrain.(début du XXᵉ siècle). À la manière d'un livre, les titres des chapitres défilent. Les personnages portent des costumes colorés créés en 2D aux couleurs vives. Quand on a cherché comment on allait raconter l'histoire de façon digeste, on était comme deux petites filles qui jouaient. J'aime bien aller vers la dérision et rire de certaines choses, mais j'aime aussi garder intact ce côté enfant.Le spectacle est produit par les Frivolités Parisiennes, une compagnie créée en 2012 qui allie danse, théâtre, chant et musique au service du répertoire lyrique léger français.  ► Invitée : Valérie Lesort, metteuse en scène, plasticienne, autrice et comédienne née en 1975. Elle a participé à de nombreuses créations au théâtre comme au cinéma ou à la télévision.   En 2015, elle adapte le roman de Jules Verne Vingt mille lieues sous les mers à la Comédie française et la Mouche de George Langelaan, en 2019, des spectacles qui obtiennent le Molière de la création visuelle. En 2022, les voyages de Gulliver de Jonathan Swift et en 2023, le Bourgeois Gentilhomme de Molière décrochent également plusieurs Molière dont celui de la mise en scène !  Son spectacle Les contes de Perrault est à voir à l'Athénée théâtre Louis Jouvet jusqu'au 17 avril Valérie Lesort produit également le spectacle-cabaret Que d'espoir ! au théâtre de l'Atelier à partir du 24 avril prochain.Programmation musicale :Les artistes Stranded Horse et Boubacar Cissokho avec le titre Le feu qui nous rend las. 

Dans cette féérie lyrique, Cendrillon, Barbe-Bleue ou encore la fée Morgane se rencontrent dans une mise en scène de Valérie Lesort. Un condensé d'une dizaine de contes de Charles Perrault. Tout commence dans une forêt un peu inquiétante où le Petit Poucet raconte à ses parents, éplorés, comment il s'est sauvé des griffes du méchant ogre Croquemitaine ! C'est alors que la fée Morgane apparaît et transforme notre héros en Prince charmant qui rencontrera Cendrillon, laquelle devra affronter Barbe-Bleue ou le démoniaque Holibrius… et se cacher sous une Peau d'âne pour leur échapper !  À l'origine, les contes de Charles Perrault ont été écrits entre 1691 et 1697. Ce sont des contes de tradition orale fortement inspirés par des contes populaires issus du patrimoine italien tel que le Pentameron. Les contes de fée sont alors très populaires dans les milieux mondains aristocratiques, mais il existe peu de versions pour enfants. Charles Perrault a l'idée d'« édulcorer » quelque peu ces contes, à l'origine affreusement cruels, et de les moraliser pour en faire des contes pour les enfants. Oubliés quelques décennies à la faveur des contes orientaux (Les Mille-et-une Nuits) ils connaissent un regain d'intérêt pendant la première moitié du XIXᵉ siècle : la mode est alors de lire des histoires aux enfants. Puis, les ballets, opéras, opérettes et plus tard les dessins animés inscrivent définitivement les contes dans le patrimoine.  Cette mise en scène loufoque et burlesque s'inscrit dans la tradition de l'opéra-comique du début du vingtième siècle. Elle est adaptée des livrets de Paul de Choudens et Arthur Bernède et de la musique de Félix Fourdrain.(début du XXᵉ siècle). À la manière d'un livre, les titres des chapitres défilent. Les personnages portent des costumes colorés créés en 2D aux couleurs vives. Quand on a cherché comment on allait raconter l'histoire de façon digeste, on était comme deux petites filles qui jouaient. J'aime bien aller vers la dérision et rire de certaines choses, mais j'aime aussi garder intact ce côté enfant.Le spectacle est produit par les Frivolités Parisiennes, une compagnie créée en 2012 qui allie danse, théâtre, chant et musique au service du répertoire lyrique léger français.  ► Invitée : Valérie Lesort, metteuse en scène, plasticienne, autrice et comédienne née en 1975. Elle a participé à de nombreuses créations au théâtre comme au cinéma ou à la télévision.   En 2015, elle adapte le roman de Jules Verne Vingt mille lieues sous les mers à la Comédie française et la Mouche de George Langelaan, en 2019, des spectacles qui obtiennent le Molière de la création visuelle. En 2022, les voyages de Gulliver de Jonathan Swift et en 2023, le Bourgeois Gentilhomme de Molière décrochent également plusieurs Molière dont celui de la mise en scène !  Son spectacle Les contes de Perrault est à voir à l'Athénée théâtre Louis Jouvet jusqu'au 17 avril Valérie Lesort produit également le spectacle-cabaret Que d'espoir ! au théâtre de l'Atelier à partir du 24 avril prochain.Programmation musicale :Les artistes Stranded Horse et Boubacar Cissokho avec le titre Le feu qui nous rend las. 

Special Thanks to Daven for joining the podcast! Watch Today I Found Out: Visit the site: https://www.todayifoundout.com/ Check out the Wise Book of Whys: https://www.amazon.co.uk/dp/1494337223?ie=UTF8&linkCode=gs2&creativeASIN=1494337223&tag=tifo02-21&creative=390957&camp=1789 --------------------------------------------------------------------------------------Give Sons of Gulliver a listen: https://sonsofgulliver.bandcamp.com/album/sons-of-gulliver Find them on Social Media: https://www.instagram.com/sons_of_gulliver_band?igsh=bTltY2lkeXhhY2Vl https://www.facebook.com/share/15xxYRZo7h/-------------------------------------------------------------------------------------- Support us on Patreon to help us keep making guest podcasts happen: https://patreon.com/WikiWeekends Join the Wiki Weekends community in our Discord: https://discord.gg/33DNc2ET2h Contact us: wikiweekends@gmail.com Original Article: https://en.wikipedia.org/wiki/Area_51 With Karl Smallwood: https://www.twitch.tv/karlswood https://www.youtube.com/channel/UCUaBEY5s2anSFnsX5oEvjdg https://twitter.com/KarlSmallwood https://www.instagram.com/karlswood/ and Lucas Holland: https://www.twitch.tv/LegendOfKanto https://www.youtube.com/@LegendOfKanto https://bsky.app/profile/legendofkanto.bsky.social

Wo ich früher war und heute wieder bin, 8 Stunden sind ein überlanger Tag, verzögertes Wischwasser ist wenig hilfreich und Schmerzen im Gulliver kommen offenbar von überall.

From the biting irony of Swift's A Modest Proposal to the bureaucratic absurdity of Heller's Catch-22, satire has long been a tool for exposing society's flaws—one dark laugh at a time. Red Széll explains the wit of satire, and shares his top satirical picks. We explore classics and contemporary gems, including Terry Pratchett's wildly entertaining Going Postal and Paul Beatty's provocative The Sellout.Books discussed in this episode are:Gulliver's Travels by Jonathan SwiftA Modest Proposal by Jonathan SwiftAnimal Farm by George OrwellCatch-22 by Joseph HellerGoing Postal by Terry PratchettThe Sellout by Paul Beatty AMI Audiobook Review is broadcast on AMI-audio in Canada and publishes three new podcast episodes a week on Mondays, Wednesdays and Fridays.Follow AMI Audiobook Review on YouTube & Instagram!We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: audiobookreview@ami.caAbout AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc

Danske medier lider af et Gulliver-kompleks, når de dækker Israel og krigen i Gaza. De tror fejlagtigt, at Israel er stor, mægtig og samlet, og at palæstinenserne er lilleputagtige ofre, som det evig og altid er synd for. Men lilleputterne slår fra sig, og massakren den 7. oktober i fjor har skærpet alting. Også den énsidige dækning i DR, Berlingske, Jyllands-Posten, Information osv.   Slyngelstuen er tilbage, denne gang gælder det dækningen af krigen i Gaza heraf i danske konsensusmedier i anledning af den nye israelske offensiv. Det sker i selskab med de to stamgæster historiker Bent Blüdnikow og journalist og murerarbejdsmand Jannich Kofoed. Jannich Kofoed anbefaler to alternative nyhedskilder til forståelse af den mangeårige konflikt. Den ene er Haviv Rettig Gur, journalist på The Times of Israel. Du kan få en introduktion til Gur og til Israel i dette Utube- interview med den amerikanske journalist Bari Weiss. Den anden er Dan Senors podcast Call Me Back med en lang række aktuelle, analytiske gæster, pt. 329 episoder. Slyngelstuens medvirkende er gengangere og skiftende gæster. Hvad der forener dem, er deres mod, ubestikkelighed og intelligens. Lyt med og mød en anden vinkel, end den du plejer at blive udsat for i konsensusmedierne.

Since Sue is nervous about driving over the Tobin Bridge, we thought going straight to the source would be best. We talked with Mass DOT Highway Administrator Jonathan Gulliver about the Tobin, and even Storrow Drive!

El presidente de la Asociación Furgo Galicia, Ángel Sánchez, dio a conocer el pasado viernes la imagen de la sexta edición del Festival de la Cultura Viajera Gulliver Fest. La sexta edición de este concurrido evento se desarrollará del 7 al 10 de agosto en el área recreativa de Pedroso, con muchas novedades para disfrutar de una completa programación para personas de todas las edades y que se irá avanzando en las próximas semanas. La alcaldesa de Narón destacó que la imagen del festival está basada en la obra "La vuelta al mundo en 80 días", de Julio Verne. Un diseño con mucho colorido y un globo con un saxofonista como imagen principal, en alusión a los viajes y la música, dos de los pilares de esta convocatoria, tal y como recalcó la alcaldesa. Una de las principales novedades de este año es que el festival se desarrollará durante cuatro días, si bien en las anteriores ediciones siempre eran tres. Este cambio permitirá, tal y como apuntó Ángel Sánchez "incrementar la programación para todos los públicos y poder disfrutar un día más de las diferentes propuestas y del espectacular entorno en el que se desarrollan". Desde el Ayuntamiento y la Asociación Furgo Galicia aseguraron que en las próximas semanas se irá avanzando la programación también en la web y en las redes sociales del Gulliver Fest y se procederá a abrir las inscripciones para las zonas camper, camping y glamping.

Hello Interactors,From election lies to climate denial, misinformation isn't just about deception — it's about making truth feel unknowable. Fact-checking can't keep up, and trust in institutions is fading. If reality is up for debate, where does that leave us?I wanted to explore this idea of “post-truth” and ways to move beyond it — not by enforcing truth from the top down, but by engaging in inquiry and open dialogue. I examine how truth doesn't have to be imposed but continually rediscovered — shaped through questioning, testing, and refining what we know. If nothing feels certain, how do we rebuild trust in the process of knowing something is true?THE SLOW SLIDE OF FACTUAL FOUNDATIONSThe term "post-truth" was first popularized in the 1990s but took off in 2016. That's when Oxford Dictionaries named it their Word of the Year. Defined as “circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief”, the term reflects a shift in how truth functions in public discourse.Though the concept of truth manipulation is not new, post-truth represents a systemic weakening of shared standards for knowledge-making. Sadly, truth in the eyes of most of the public is no longer determined by factual verification but by ideological alignment and emotional resonance.The erosion of truth infrastructure — once upheld by journalism, education, and government — has destabilized knowledge credibility. Mid-20th-century institutions like The New York Times and the National Science Foundation ensured rigorous verification. But with rising political polarization, digital misinformation, and distrust in authority, these institutions have lost their stabilizing role, leaving truth increasingly contested rather than collectively affirmed.The mid-20th century exposed truth's fragility as propaganda reshaped public perception. Nazi ideology co-opted esoteric myths like the Vril Society, a fictitious occult group inspired by the 1871 novel The Coming Race, which depicted a subterranean master race wielding a powerful life force called "Vril." This myth fed into Nazi racial ideology and SS occult research, prioritizing myth over fact. Later, as German aviation advanced, the Vril myth evolved into UFO conspiracies, claiming secret Nazi technologies stemmed from extraterrestrial contact and Vril energy, fueling rumors of hidden Antarctic bases and breakaway civilizations.Distorted truths have long justified extreme political action, demonstrating how knowledge control sustains authoritarianism. Theodor Adorno and Hannah Arendt, Jewish-German intellectuals who fled the Nazis, later warned that even democracies are vulnerable to propaganda. Adorno (1951) analyzed how mass media manufactures consent, while Arendt (1972) showed how totalitarian regimes rewrite reality to maintain control.Postwar skepticism, civil rights movements, and decolonization fueled academic critiques of traditional, biased historical narratives. By the late 20th century, universities embraced theories questioning the stability of truth, labeled postmodernist, critical, and constructivist.Once considered a pillar of civilization, truth was reframed by French postmodernist philosophers Michel Foucault and Jean Baudrillard as a construct of power. Foucault argued institutions define truth to reinforce authority, while Baudrillard claimed modern society had replaced reality with media-driven illusions. While these ideas exposed existing power dynamics in academic institutions, they also fueled skepticism about objective truth — paving the way for today's post-truth crisis. Australian philosophy professor, Catherine (Cathy) Legg highlights how intellectual and cultural shifts led universities to question their neutrality, reinforcing postmodern critiques that foreground subjectivity, discourse, and power in shaping truth. Over time, this skepticism extended beyond academia, challenging whether any authority could claim objectivity without reinforcing existing power structures.These efforts to deconstruct dominant narratives unintentionally legitimized radical relativism — the idea that all truths hold equal weight, regardless of evidence or logic. This opened the door for "alternative facts", now weaponized by propaganda. What began as a challenge to authoritarian knowledge structures within academia escaped its origins, eroding shared standards of truth. In the post-truth era, misinformation, ideological mythmaking, and conspiracy theories thrive by rejecting objective verification altogether.Historian Naomi Oreskes describes "merchants of doubt" as corporate and political actors who manufacture uncertainty to obstruct policy and sustain truth relativism. By falsely equating expertise with opinion, they create the illusion of debate, delaying action on climate change, public health, and social inequities while eroding trust in science. In this landscape, any opinion can masquerade as fact, undermining those who dedicate their lives to truth-seeking.PIXELS AND MYTHOLOGY SHAPE THE GEOGRAPHYThe erosion of truth infrastructures has accelerated with digital media, which both globalizes misinformation and reinforces localized silos of belief. This was evident during COVID-19, where false claims — such as vaccine microchips — spread widely but took deeper root in communities with preexisting distrust in institutions. While research confirms that misinformation spreads faster than facts, it's still unclear if algorithmic amplification or deeper socio-political distrust are root causes.This ideological shift is strongest in Eastern Europe and parts of the U.S., where institutional distrust and digital subcultures fuel esoteric nationalism. Post-Soviet propaganda, economic instability, and geopolitical tensions have revived alternative knowledge systems in Russia, Poland, and the Balkans, from Slavic paganism to the return of the Vril myth, now fused with the Save Europe movement — a digital blend of racial mysticism, ethnic nostalgia, and reactionary politics.Above ☝️is a compilation of TikTok videos currently being pushed to my 21 year old son. They fuse ordinary, common, and recognizable pop culture imagery with Vril imagery (like UFO's and stealth bombers) and esoteric racist nationalism, religious fundamentalism, and hyper-masculine mythologies. A similar trend appears in post-industrial and rural America, where economic decline, government distrust, and cultural divides sustain conspiratorial thinking, religious fundamentalism, and hyper-masculine mythologies. The alt-right manosphere mirrors Eastern Europe's Vril revival, with figures like Zyzz and Bronze Age Pervert offering visions of lost strength. Both Vril and Save Europe frame empowerment as a return to ethnic or esoteric power (Vril) or militant resistance to diversity (Save Europe), turning myth into a tool of political radicalization.Climate change denial follows these localized patterns, where scientific consensus clashes with economic and cultural narratives. While misinformation spreads globally, belief adoption varies, shaped by economic hardship, institutional trust, and political identity.In coal regions like Appalachia and Poland, skepticism stems from economic survival, with climate policies seen as elitist attacks on jobs. In rural Australia, extreme weather fuels conspiracies about government overreach rather than shifting attitudes toward climate action. Meanwhile, in coastal Louisiana and the Netherlands, where climate impacts are immediate and undeniable, denial is rarer, though myths persist, often deflecting blame from human causes.Just as Vril revivalism, Save Europe, and the MAGA manosphere thrive on post-industrial uncertainty, climate misinformation can also flourish in economically vulnerable regions. Digital platforms fuel a worldview skewed, where scrolling myths and beliefs are spatially glued — a twisted take on 'think globally, act locally,' where fantasy folklore becomes fervent ideology.FINDING TRUTH WITH FRACTURED FACTS…AND FRIENDSThe post-truth era has reshaped how we think about knowledge. The challenge isn't just misinformation but growing distrust in expertise, institutions, and shared reality. In classrooms and research, traditional ways of proving truth often fail when personal belief outweighs evidence. Scholars and educators now seek new ways to communicate knowledge, moving beyond rigid certainty or radical relativism.Professor Legg has turned to the work of 19th-century American philosopher Charles Sanders Peirce, whose ideas about truth feel surprisingly relevant today. Peirce didn't see truth as something fixed or final but as a process — something we work toward through questioning, testing, and refining our understanding over time.His approach, known as pragmatism, emphasizes collaborative inquiry, self-correction, and fallibilism — the idea that no belief is ever beyond revision. In a time when facts are constantly challenged, Peirce's philosophy offers not just a theory of truth, but a process for rebuilding trust in knowledge itself.For those unfamiliar with Peirce and American pragmatism, a process that requires collaborating with truth deniers may seem not only unfun, but counterproductive. But research on deradicalization strategies suggests that confrontational debunking (a failed strategy Democrats continue to adhere to) often backfires. Lecturing skeptics only reinforces belief entrenchment.In the early 1700's Britain was embroiled in the War of Spanish Succession. Political factions spread blatant falsehoods through partisan newspapers. It prompted Jonathan Swift, the author of Gulliver's Travels, to observe in The Art of Political Lying (1710) that"Reasoning will never make a man correct an ill opinion, which by reasoning he never acquired."This is likely where we get the more familiar saying: you can't argue someone out of a belief they didn't reason themselves into. Swift's critique of propaganda and public gullibility foreshadowed modern research on cognitive bias. People rarely abandon deeply held beliefs when confronted with facts.Traditionally, truth is seen as either objectively discoverable (classical empiricism) — like physics — or constructed by discourse and power (postmodernism) — like the Lost Cause myth, which recast the Confederacy as noble rather than pro-slavery. It should be noted that traditional truth also comes about by paying for it. Scientific funding from private sources often dictates which research is legitimized. As Legg observes,“Ironically, such epistemic assurance perhaps rendered educated folk in the modern era overly gullible to the written word as authority, and the resulting ‘fetishisation' of texts in the education sector has arguably led to some of our current problems.”Peirce, however, offered a different path:truth is not a fixed thing, but an eventual process of consensus reached by a community of inquirers.It turns out open-ended dialogue that challenges inconsistencies within a belief system is shown to be a more effective strategy.This process requires time, scrutiny, and open dialogue. None of which are very popular these days! It should be no surprise that in today's fractured knowledge-making landscape of passive acceptance of authority or unchecked personal belief, ideological silos reinforce institutional dogma or blatant misinformation. But Peirce's ‘community of inquiry' model suggests that truth can't be lectured or bought but strengthened through collective reasoning and self-correction.Legg embraces this model because it directly addresses why knowledge crises emerge and how they can be countered. The digital age has resulted in a world where beliefs are reinforced within isolated networks rather than tested against broader inquiry. Trump or Musk can tweet fake news and it spreads to millions around the world instantaneously.During Trump's 2016 campaign, false claims that Pope Francis endorsed him spread faster than legitimate news. Misinformation, revisionist history, and esoteric nationalism thrive in these unchecked spaces.Legg's approach to critical thinking education follows Peirce's philosophy of inquiry. She helps students see knowledge not as fixed truths but as a network of interwoven, evolving understandings — what Peirce called an epistemic cable made up of many small but interconnected fibers. Rather than viewing the flood of online information as overwhelming or deceptive, she encourages students to see it as a resource to be navigated with the right tools and the right intent.To make this practical, she introduces fact-checking strategies used by professionals, teaching students to ask three key questions when evaluating an online source:* Who is behind this information? (Identifying the author's credibility and possible biases)* What is the evidence for their claims? (Assessing whether their argument is supported by verifiable facts)* What do other sources say about these claims? (Cross-referencing to see if the information holds up in a broader context)By practicing these habits, students learn to engage critically with digital content. It strengthens their ability to distinguish reliable knowledge from misinformation rather than simply memorizing facts. It also meets them where they are without judgement of whatever beliefs they may hold at the time of inquiry.If post-truth misinformation reflects a shift in how we construct knowledge, can we ever return to a shared trust in truth — or even a shared reality? As institutional trust erodes, fueled by academic relativism, digital misinformation, and ideological silos, myths like climate denial and Vril revivalism take hold where skepticism runs deep. Digital platforms don't just spread misinformation; they shape belief systems, reinforcing global echo chambers.But is truth lost, or just contested? Peirce saw truth as a process, built through inquiry and self-correction. Legg extends this, arguing that fact-checking alone won't solve post-truth; instead, we need a culture of questioning — where people test their own beliefs rather than being told what's right or wrong.I won't pretend to have the answer. You can tell by my bibliography that I'm a fan of classical empiricism. But I'm also a pragmatic interactionist who believes knowledge is refined through collaborative inquiry. I believe, as Legg does, that to move beyond post-truth isn't about the impossible mission of defeating misinformation — it's about making truth-seeking more compelling than belief. Maybe even fun.What do you think? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

De liliputiense no tenía nada. Jonathan Swift fue un gigante de la literatura y de la crítica social y política del siglo XVIII. A él, al autor de Los viajes de Gulliver, dedicamos el cronovisor de Jesús Callejo. Luego nos embarcamos en la recreación de los espectáculos romanos con fieras y gladiadores. Néstor Marqués, autor de Gladiadores. Espectáculos y ocio en la antigua Roma (Espasa 2024) nos lo cuenta. Celebramos este año 2025 el centenario del nacimiento de Paul Newman. Guillermo Balmori, editor de Notorius, la editorial de cine que cada pocas semanas nos propone sus novedades, nos acerca a la figura de este icono del séptimo arte. Y acabamos viajando a la Italia del Renacimiento para conocer a Leonardo Da Vinci. Acaba de ver la luz la biografía Vida de Leonardo (Alfaguara 2025) de Carlo Vecce quien nos cuenta en primera persona su visión del genio italiano

Jonathan Swift's 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it's read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not'? In this episode Marina and Anna Della discuss Gulliver's Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Terry Eagleton:https://www.lrb.co.uk/the-paper/v23/n16/terry-eagleton/a-spot-of-firm-governmentClare Bucknell: Oven-Ready Childrenhttps://www.lrb.co.uk/the-paper/v39/n02/clare-bucknell/oven-ready-childrenThomas Keymer: Carry Up your Coffee Boldlyhttps://www.lrb.co.uk/the-paper/v36/n08/thomas-keymer/carry-up-your-coffee-boldlyNext episode: Marco Polo's Il Milione and Italo Calvino's Invisible Cities.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin's study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

She's an economist, an institution-builder, an ecosystem-nurturer and one of our finest thinkers. Shruti Rajagopalan joins Amit Varma in episode 410 of The Seen and the Unseen to talk about her life & times -- and her remarkable work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Shruti Rajagopalan on Twitter, Substack, Instagram, her podcast, Ideas of India and her own website. 2. Emergent Ventures India. 3. The 1991 Project. 4. Life Lessons That Are Priceless -- Episodes 400 of The Seen and the Unseen. 5. Other episodes of The Seen and the Unseen w Shruti Rajagopalan, in reverse chronological order: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18. 6. The Day Ryan Started Masturbating -- Amit Varma's newsletter post explaining Shruti Rajagopalan's swimming pool analogy for social science research. 7. A Deep Dive Into Education -- Episode 54 of Everything is Everything. 8. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 9. Population Is Not a Problem, but Our Greatest Strength -- Amit Varma. 10. Our Population Is Our Greatest Asset -- Episode 20 of Everything is Everything. 11. Where Has All the Education Gone? -- Lant Pritchett. 12. Lant Pritchett Is on Team Prosperity — Episode 379 of The Seen and the Unseen. 13. The Theory of Moral Sentiments — Adam Smith. 14. The Wealth of Nations — Adam Smith. 15. Commanding Heights -- Daniel Yergin. 16. Capitalism and Freedom -- Milton Friedman. 17. Free to Choose -- Milton Friedman and Rose Friedman. 18. Economics in One Lesson -- Henry Hazlitt. 19. The Road to Serfdom -- Friedrich Hayek. 20. Four Papers That Changed the World -- Episode 41 of Everything is Everything. 21. The Use of Knowledge in Society -- Friedrich Hayek. 22. Individualism and Economic Order -- Friedrich Hayek. 23. Understanding the State -- Episode 25 of Everything is Everything.  24. Richard E Wagner at Mercatus and Amazon. 25. Larry White and the First Principles of Money -- Episode 397 of The Seen and the Unseen. 26. Fixing the Knowledge Society -- Episode 24 of Everything is Everything. 27. Marginal Revolution. 28. Paul Graham's essays. 29. Commands and controls: Planning for indian industrial development, 1951–1990 -- Rakesh Mohan and Vandana Aggarwal. 30. The Reformers -- Episode 28 of Everything is Everything. 31. India: Planning for Industrialization -- Jagdish Bhagwati and Padma Desai. 32. Open Borders: The Science and Ethics of Immigration -- Bryan Caplan and Zach Weinersmith. 33. Cows on India Uncut. 34. Abdul Karim Khan on Spotify and YouTube. 35. The Surface Area of Serendipity -- Episode 39 of Everything is Everything. 36. Objects From Our Past -- Episode 77 of Everything is Everything. 37. Sriya Iyer on the Economics of Religion -- The Ideas of India Podcast. 38. Episodes of The Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5, 6. 39. Episodes of The Seen and the Unseen with Pratap Bhanu Mehta: 1, 2. 40. Rohit Lamba Reimagines India's Economic Policy Emphasis -- The Ideas of India Podcast. 41. Rohit Lamba Will Never Be Bezubaan — Episode 378 of The Seen and the Unseen. 42. The Constitutional Law and Philosophy blog. 43. Cost and Choice -- James Buchanan. 44. Philip Wicksteed. 45. Pratap Bhanu Mehta on The Theory of Moral Sentiments -- The Ideas of India Podcast. 46. Conversation and Society — Episode 182 of The Seen and the Unseen (w Russ Roberts). 47. The Common Sense of Political Economy -- Philip Wicksteed. 48. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 49. Sudhir Sarnobat Works to Understand the World — Episode 350 of The Seen and the Unseen. 50. Manmohan Singh: India's Finest Talent Scout -- Shruti Rajagopalan. 51. The Importance of the 1991 Reforms — Episode 237 of The Seen and the Unseen (w Shruti Rajagopalan and Ajay Shah). 52. The Life and Times of Montek Singh Ahluwalia — Episode 285 of The Seen and the Unseen. 53. The Forgotten Greatness of PV Narasimha Rao — Episode 283 of The Seen and the Unseen (w Vinay Sitapati). 54. India's Massive Pensions Crisis — Episode 347 of The Seen and the Unseen (w Ajay Shah & Renuka Sane). 55. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 56. Breaking Through — Isher Judge Ahluwalia. 57. Breaking Out — Padma Desai. 58. Perestroika in Perspective -- Padma Desai. 59. Shephali Bhatt Is Searching for the Incredible — Episode 391 of The Seen and the Unseen. 60. Pics from the Seen-Unseen party. 61. Pramod Varma on India's Digital Empowerment -- Episode 50 of Brave New World. 59. Niranjan Rajadhyaksha Is the Impartial Spectator — Episode 388 of The Seen and the Unseen. 60. Our Parliament and Our Democracy — Episode 253 of The Seen and the Unseen (w MR Madhavan). 61. Episodes of The Seen and the Unseen with Pranay Kotasthane: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13. 62. The Overton Window. 63. When Ideas Have Sex -- Matt Ridley. 64. The Three Languages of Politics — Arnold Kling. 65. Arnold Kling and the Four Languages of Politics -- Episode 394 of The Seen and the Unseen. 66. The Double ‘Thank You' Moment — John Stossel. 67. Economic growth is enough and only economic growth is enough — Lant Pritchett with Addison Lewis. 68. What is Libertarianism? — Episode 117 of The Seen and the Unseen (w David Boaz). 69. What Does It Mean to Be Libertarian? — Episode 64 of The Seen and the Unseen. 70. The Libertarian Mind: A Manifesto for Freedom -- David Boaz. 71. Publish and Perish — Agnes Callard. 72. Classical Liberal Institute. 73. Shruti Rajagopalan's YouTube talk on constitutional amendments. 74. What I, as a development economist, have been actively “for” -- Lant Pritchett. 75. Can Economics Become More Reflexive? — Vijayendra Rao. 76. Premature Imitation and India's Flailing State — Shruti Rajagopalan & Alexander Tabarrok. 77. Elite Imitation in Public Policy — Episode 180 of The Seen and the Unseen (w Shruti Rajagopalan and Alex Tabarrok). 78. Invisible Infrastructure -- Episode 82 of Everything is Everything. 79. The Sundara Kanda. 80. Devdutt Pattanaik and the Stories That Shape Us -- Episode 404 of The Seen and the Unseen. 81. Y Combinator. 82. Space Fields. 83. Apoorwa Masuk, Onkar Singh Batra, Naman Pushp, Angad Daryani, Deepak VS and Srijon Sarkar. 84. Deepak VS and the Man Behind His Face — Episode 373 of The Seen and the Unseen. 85. You've Got To Hide Your Love Away -- The Beatles. 86. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 87. Data For India -- Rukmini S's startup. 88. Whole Numbers And Half Truths — Rukmini S. 89. The Moving Curve — Rukmini S's Covid podcast, also on all podcast apps. 90. The Importance of Data Journalism — Episode 196 of The Seen and the Unseen (w Rukmini S). 91. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 92. Prosperiti. 93. This Be The Verse — Philip Larkin. 94. The Dilemma of an Indian Liberal -- Gurcharan Das. 95. Zakir: 1951-2024 -- Shruti Rajagopalan. 96. Dazzling Blue -- Paul Simon, featuring Karaikudi R Mani. 97. John Coltrane, Shakti, Zakir Hussain, Ali Akbar Khan, Pannalal Ghosh, Nikhil Banerjee, Vilayat Khan, Bismillah Khan, Ravi Shankar, Bhimsen Joshi, Bade Ghulam Ali Khan, Nusrat Fateh Ali Khan, Esperanza Spalding, MS Subbulakshmi, Lalgudi Jayaraman, TN Krishnan, Sanjay Subrahmanyan, Ranjani-Gayatri and TM Krishna on Spotify. 98. James Buchanan, Gordon Tullock, Israel Kirzner, Mario Rizzo, Vernon Smith, Thomas Schelling and Ronald Coase. 99. The Calculus of Consent -- James Buchanan and Gordon Tullock. 100. Tim Harford and Martin Wolf. 101. The Shawshank Redemption -- Frank Darabont. 102. The Marriage of Figaro in The Shawshank Redemption. 103. An Equal Music -- Vikram Seth. 104. Beethoven: Symphony No. 7 - Zubin Mehta and the Belgrade Philharmonic. 105. Pyotr Ilyich Tchaikovsky's violin concertos. 106. Animal Farm -- George Orwell. 107. Down and Out in Paris and London -- George Orwell. 108. Gulliver's Travels -- Jonathan Swift. 109. Alice in Wonderland and Through the Looking Glass -- Lewis Carroll. 110. One Day in the Life of Ivan Denisovich -- Aleksandr Solzhenitsyn. 111. The Gulag Archipelago -- Aleksandr Solzhenitsyn. 112. Khosla Ka Ghosla -- Dibakar Banerjee. 113. Mr India -- Shekhar Kapur. 114. Chalti Ka Naam Gaadi -- Satyen Bose. 114. Finding Nemo -- Andrew Stanton. 115. Tom and Jerry and Bugs Bunny. 116. Michael Madana Kama Rajan -- Singeetam Srinivasa Rao. 117. The Music Box, with Laurel and Hardy. 118. The Disciple -- Chaitanya Tamhane. 119. Court -- Chaitanya Tamhane. 120. Dwarkesh Patel on YouTube. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Learn' by Simahina.

Can Reading Lead to Freedom, Connection, and Hope? In this episode of Good Faith Presents: Reading to Make Sense of the World, Curtis Chang and author-professor Jessica Hooten Wilson explore the enduring power of Ray Bradbury's Fahrenheit 451. Together, they unpack how this classic dystopian novel speaks directly to today's challenges with technology, distraction, and the loss of contemplative silence. Discover the hopeful themes hidden in the science fiction genre as Curtis and Jessica show how literature fosters resilience, creativity, and connection. Resources or references mentioned in this episode: Ray Bradbury Fahrenheit 451 by Ray Bradbury Kindred by Octavia Butler (pdf) Love in the Ruins by Walker Percy  A Canticle for Leibowitz  by Walter M. Miller Jr. The Republic by Plato (Read online) Gulliver's Travels by Jonathan Swift (Read online) More From Jessica Hooten Wilson: Jessica Hooten Wilson's website Explore Jessica's books HERE Read articles and Essay by Jessica HERE   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   Sign up: Redeeming Babel Newsletter

Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture.  Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture.  Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture.  Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.The first episode will come out on Monday 13 January, on The Thousand and One Nights.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin's study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.The first four texts:The Thousand and One Nights (Yasmine Seale's translation)Jonathan Swift, Gulliver's TravelsThe Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)Lewis Carroll, Alice's Adventures in Wonderland and Through the Looking-Glass Hosted on Acast. See acast.com/privacy for more information.

Aujourd'hui, Charles Consigny, Joëlle Dago-Serry et Jérôme Marty débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

The OTRNow Radio Program Christmas SpecialThe OTRNow Radio Program Christmas-01 The New Burns and Allen Show. December 16, 1941. Program #11. CBS net. Sponsored by: Swan Soap. Gracie drags George to the post office with a very heavy package. George Burns, Gracie Allen, Bill Goodwin, Paul Whiteman and His Orchestra, Jimmy Cash, Clarence Nash. The Quiz Kids. December 05, 1948. NBC net. Sponsored by: Alka-Seltzer, One-A-Day. The first question is, "What are the best reasons you can think of to prove that there really is a Santa Claus.". Patrick Owen Conlon, Ruthie Duskin, Joel Kupperman, Lonny Lunde, Melvin Miles, Willard Olson (guest: director of research in child development, University of Michigan), Joe Kelly (host), Bob Murphy (announcer).Candy Matson, YUkon 2-8209. December 10, 1949. NBC net, San Francisco origination. "Jack Frost". Sustaining. A "Santa's Helper" named Jack Frost has disappeared. This leads Candy to a Christmas murder. Bill Brownell (sound effects), Dudley Manlove (announcer), Eloise Rowan (organist), Helen Kleeb, Henry Leff, Jack Thomas, Jay Rendon (sound effects), John Grover (announcer), Lou Tobin, Monte Masters (writer, producer), Natalie Masters.Duffy's Tavern. December 21, 1945. NBC net. Sponsored by: Minit-Rub, Ingraham Shave Cream. Guest is harpist Robert Maxwell. The cast does, "The Christmas Carol," by Charles and Archie Dickens. Robert Maxwell (harp), Ed Gardner, Sandra Gould (as "Miss Duffy"), Charlie Cantor, Eddie Green, David Titus (producer, director), Marvin Miller (announcer), Matty Malneck and His Orchestra. Yours Truly, Johnny Dollar. December 23, 1956. CBS net. "The Missing Mouse Matter". Sustaining. A $50,000 singing mouse named Gulliver has been kidnapped. Keep your eye on the cat! Bob Bailey, Howard McNear, Dan Cubberly (announcer), Charles Smith (writer), G. Stanley Jones, Amerigo Moreno (musical supervisor), Richard Beals, Parley Baer, Jack Johnstone (producer, director), Mary Jane Croft, Bill James, Lawrence Dobkin.Have Gun, Will Travel. December 21, 1958. CBS net. "Matt Beecher" ("The Hanging Cross")Sponsored by: Kent. Paladin tries to prevent a battle between Matt Beecher and the Pawnees, caused by a small boy claimed as the son of both Matt Beecher and the Indian Chief. The script was used on the "Have Gun, Will Travel" television show on December 21, 1957. John Dehner, Ben Wright, Norman Macdonnell (producer, director), Gene Roddenberry (writer), Hugh Douglas (announcer), John Dawson (adaptor), Vic Perrin, Jess Kirkpatrick, Roy Woods, Richard Beals, Ann Morrison, Virginia Christine, John James, Bill James (sound effects), Tom Hanley (sound effects), Herb Meadow (creator), Sam Rolfe (creator). 

This week, the Pop Culture Historians visit the Land of Fiction to meet THE MIND ROBBER! All of your favorite literary characters are here: Gulliver, Rapunzel, Sir Lancelot, The Karkus. Listen along as we break down this somewhat brief Second Doctor story.

Meet SHERRY ALBERONI, who recalls voicing Alexandra on Josie and the Pussycats, and her roles on Super Friends, The Monkees, The Three Worlds of Gulliver, the Mickey Mouse Club and more.

A movie review show that asks the question: Is It Jaws?  Or, in simpler terms, is it a classic, is it good, is it just watchable...or is it totally unwatchable?  Host, Paul Spataro, is joined by a variety of cohosts to look at movies from all

A movie review show that asks the question: Is It Jaws?  Or, in simpler terms, is it a classic, is it good, is it just watchable...or is it totally unwatchable?  Host, Paul Spataro, is joined by a variety of cohosts to look at movies from all

In today's poem, while everyone else is dressing up to become something terrible, the acerbic Jonathan Swift gives us a domestic horror story in reverse. Happy reading.Anglo-Irish poet, satirist, essayist, and political pamphleteer Jonathan Swift was born in Dublin, Ireland. He spent much of his early adult life in England before returning to Dublin to serve as Dean of St. Patrick's Cathedral, Dublin for the last 30 years of his life. It was this later stage when he would write most of his greatest works. Best known as the author of A Modest Proposal (1729), Gulliver's Travels (1726), and A Tale Of A Tub (1704), Swift is widely acknowledged as the greatest prose satirist in the history of English literature.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Jonathan Swift's enduring satire Gulliver's Travels was first published on October 28, 1726 - though the true identity of the book's author was concealed from readers. A spoof of Daniel Defoe's popular Robinson Crusoe, the novel bleakly satirised British society, colonialism, and the monarchy, shocking as many readers as it entertained. In this episode, Arion, Rebecca and Olly reveal the tale's rebellious origins in Swift's social oeuvre; consider why children still relate to (abridged versions of) this highly specific political satire; and explain why Swift's creation lead directly to Yahoo! Mail…  Further Reading: • ‘Why Jonathan Swift wanted to ‘vex the world' with Gulliver's Travels' (The Conversation): https://theconversation.com/why-jonathan-swift-wanted-to-vex-the-world-with-gullivers-travels-94972 • 'Letter to Jonathan Swift' (John Gay, 1726): https://walleahpress.com.au/communion8-John-Gay.html • ‘Gulliver's Travels' (Paramount, 1939): https://www.youtube.com/watch?v=rehNT9wIjUg Love the show? Support us!  Join 

This week the guys are back to discuss Jonathan Swift. Everyone has heard of Gulliver's Travels and A Modest Proposal, but he has another work worth looking at: The Battle of the Books. Plus: the audience has voted on who the funniest co-host is. 

Choice Classic Radio presents Favorite Story, which aired from 1946 to 1949. Today we bring to you the episode titled "Gulliver's Travels.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

It's episode 400, and on this special and unlikely occasion, Shruti Rajagopalan gets Amit Varma to chat about all the life lessons he has learnt during these eight years -- and favourite books, films, music and poetry. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Amit Varma on Twitter, India Uncut, Substack, The Art of Clear Writing, The Seen and the Unseen and Everything is Everything. 2. Shruti Rajagopalan on Twitter, Substack, Instagram and her podcast, Ideas of India. 3. Episodes of The Seen and the Unseen w Shruti Rajagopalan, in reverse chronological order: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18. 4. The Hunter Becomes the Hunted -- Episode 200 of The Seen and the Unseen. 5. The Art of Podcasting -- Episode 49 of Everything is Everything. 6. A Meditation on Form -- Amit Varma. 7. Why Are My Episodes So Long? -- Amit Varma. 8. If You Are a Creator, This Is Your Time -- Amit Varma. 9. 'How We Spend Our Days Is How We Spend Our Lives' -- Amit Varma. 10. 'I Play to Play' -- Amit Varma. 11. How We Do the Small Things -- Amit Varma. 12. New York Stories -- The anthology film including Martin Scorcese's Life Lessons. 13. Episodes of The Seen and the Unseen w Pranay Kotasthane, in reverse order: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12. 14. Arnold Kling and the Four Languages of Politics -- Episode 394 of The Seen and the Unseen. 15. Dead Poets Society -- Peter Weir. 16. The Curious Incident of the Dog in the Night-time -- Mark Haddon. 17. Biju Rao Won't Bow to Conventional Wisdom -- Episode 392 of The Seen and the Unseen. 18. He Tells Her -- Wendy Cope. 19. Not Waving but Drowning -- Stevie Smith. 20. Runaway -- Alice Munro. 21. Hateship, Friendship, Courtship, Loveship, Marriage -- Alice Munro. 22. The Bear Came Over the Mountain — Alice Munro. 23. Lives of Girls and Women -- Alice Munro. 24. Gulliver's Travels -- Jonathan Swift. 25. How To Know a Person -- David Brooks. 26. Fierce Attachments -- Vivian Gornick. 27. The Odd Woman and the City -- Vivian Gornick. 28. Shephali Bhatt Is Searching for the Incredible -- Episode 391 of The Seen and the Unseen. 29. The Dead — John Huston. 30. Dubliners -- James Joyce. 31. Amit Varma's thread on The Dead. 32. One Day in the Life of Ivan Denisovich -- Aleksandr Solzhenitsyn. 33. The Gulag Archipelago -- Aleksandr Solzhenitsyn. 34. You Can Always Get There From Here — Mark Strand. 35. Father Returning Home — Dilip Chitre. 36. PG Wodehouse on Wikipedia, Britannica and Amazon. 37. Finding Nemo -- Andrew Stanton. 38. Deepak VS and the Man Behind His Face — Episode 373 of The Seen and the Unseen. 39. Praise for intelligence can undermine children's motivation and performance — Claudia Mueller and Carol Dweck. 40. Atomic Habits -- James Clear. 41. The City — CP Cavafy. 42. René Girard on Amazon and Wikipedia. 43. Wanting — Luke Burgis. 44. Luke Burgis Sees the Deer at His Window — Episode 337 of The Seen and the Unseen. 45. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 46. My Top 10 Tips for Aspiring YouTubers — Ali Abdaal. 47. Bhargavi Zaveri-Shah Will Not Wear a Blue Tie to Work -- Episode 389 of The Seen and the Unseen. 48. Louie — Louis CK. 49. You're Missing — Bruce Springsteen. 50. The Blank Slate -- Steven Pinker. 51. Behave -- Robert Sapolsky. 52. Robert Sapolsky's biology lectures on YouTube. 53. Anatomy of a Fall -- Justine Triet. 54. Anatomy of a Folly -- Amit Varma. 55. The Use of Knowledge in Society — Friedrich Hayek. 56. Four Papers That Changed the World -- Episode 41 of Everything is Everything. 57. Individualism and Economic Order -- Friedrich Hayek. 58. Jeff Bezos on The Lex Fridman Podcast. 59. The Wealth of Nations -- Adam Smith. 60. Trickle-up, not trickle-down -- Swaminathan S Anklesaria Aiyar. 61. “Trickle Down” Theory and “Tax Cuts for the Rich” -- Thomas Sowell. 62. Beware of These Five Fallacies! -- Episode 45 of Everything is Everything. 63. Stay Away From Luxury Beliefs -- Episode 46 of Everything is Everything. 64. This Passing Moment — Amit Varma's Housefull Economics piece on Opportunity Cost. 65. The Surface Area of Serendipity -- Episode 39 of Everything is Everything. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Life is Here' by Simahina.

En empruntant l'artère principale d'Expo 64, on rencontre un géant en veste rouge et pantalon jaune avec ses bottes et son grand chapeau. Impossible de rater ce géant de fête foraine, c'est un passage obligé de l'exposition qui fait couler beaucoup d'encre. C'est Gulliver de passage en Suisse. Le Gulliver inventé par Jonathan Swift au XVIIIe siècle pour critiquer la société britannique. Au cours de ses voyages extraordinaires, Gulliver débusquait les paradoxes et les dysfonctionnements de sa propre civilisation. Un dispositif de satire repris pour la Suisse en 1964, par Charles Apothéloz et ses complices. Avec : Alexandra Walther, autrice de La Suisse s'interroge ou l'exercice de l'audace, paru aux éditions Antipodes, Olivier Lugon, historien, spécialiste de l'histoire des expositions et François Vallotton, historien tous deux co-directeurs de l'ouvrage Revisiter l'Expo 64 : acteurs, discours, controverses.

Katya Witney, Phil Walker and Yas Rana discuss the announcement of England's Test squad to tour Pakistan, a thrilling round of County Championship action, T20 Blast Finals Day and much more on this bonus Wisden Cricket Weekly episode. Australia's Cameron Green also joins the show to chat about his career so far as an all-format all-rounder, managing a hectic schedule and potentially opening the batting in the future. 0:00 Intro / 1:01 England's Test squad / 24:04 Moeen Ali / 27:34 England vs Australia 1st T20I / 38:17 Cameron Green interview / 58:09 Gulliver's Sports Travel / 58:49 County Championship / 1:22:41 T20 Blast Finals Day / 1:27:48 Afghanistan vs New Zealand / 1:29:19 Other news / 1:30:44 Outro ✈️ GULLIVERS SPORTS TRAVEL: Explore the Caribbean this autumn: gulliverstravel.co.uk ⌚️ RADO Explore Rado's Captain Cook High-Tech Ceramic X England Cricket Limited Edition watch: https://bit.ly/WisdenRado

Today's episode on the Great Political Fictions is about Jonathan Swift's Gulliver's Travels (1726) – part adventure story, part satire of early-eighteenth-century party politics, but above all a coruscating reflection on the failures of human perspective and self-knowledge. Why do we find it so hard to see ourselves for who we really are? What makes us so vulnerable to mindless feuds and wild conspiracy theories? And what could we learn from the talking horses?Tomorrow: Friedrich Schiller's Mary StuartFind out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening. Hosted on Acast. See acast.com/privacy for more information.

In the first episode of the summer daily re-release of our series on the Great Political Fictions, David talks about Shakespeare's Coriolanus (1608-9), the last of his tragedies and perhaps his most politically contentious play. Why has Coriolanus been subject to so many wildly different political interpretations? Is pride really the tragic flaw of the military monster at its heart? What does it say about the struggle between elite power and popular resistance and about the limits of political argument?Tomorrow: Jonathan Swift's Gulliver's TravelsFind out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening. Hosted on Acast. See acast.com/privacy for more information.

St John co-founder Trevor Gulliver stops by Midori House to discuss the famed nose-to-tail restaurant's global appeal and its commitment to high-quality food, excellent wines and exceptional hospitality. We discuss its second clothing partnership with luxury menswear brand Drake's and how the collection explores the other side of the table for Gulliver and chef Fergus Henderson.See omnystudio.com/listener for privacy information.

Drift off to the continuation of Gulliver's Travels by Jonathan Swift. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

With capital punishment in the offing, how can Gulliver escape the land of Lilliput?  Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “The Machine Stops”, by E.M. Forster. Be sure to check out this science fiction classic on Tuesday. If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content. Go to http://classictalesaudiobooks.com and become a supporter today.   And now, A Voyage to Lilliput, part 3 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:    Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:    

Can the artistic Corky court his bird-loving uncle to continue supporting him? Maybe Jeeves can help. P.G. Wodehouse, today on The Classic Tales Podcast.  Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.  A Vintage Episode is released every Tuesday. Please help us to continue producing amazing audiobooks by going to http://classictalesaudiobooks.com, and becoming a supporter. Part 3 of Gulliver's Travels coming your way on Friday.  Keep an ear open for our Kickstarter for The Golden Triangle – the sixth novel in the Arsène Lupin series. We're getting ready with boxed sets, special editions, and more! We'll let you know when we're ready to pull the trigger.  And now, Leave It to Jeeves, by P.G. Wodehouse.  Follow this link to become a monthly supporter:   Follow this link to subscribe to our newsletter:    Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:    

How can Gulliver stop a war without any bloodshed? Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “Leave It To Jeeves”, by P.G. Wodehouse. Be sure to check it out on Tuesday.  If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories. Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content.  Go to http://classictalesaudiobooks.com and become a supporter today.  And now, A Voyage to Lilliput, part 2 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:    Follow this link to subscribe to our newsletter   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:    

What does our nervous heroine see in the yellow wallpaper, that no one else can?  Charlotte Perkins Gilman, today on The Classic Tales Podcast.  Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.  A Vintage Episode is released every Tuesday. Please help us to continue producing amazing audiobooks by going to http://classictalesaudiobooks.com, and becoming a supporter. New content is still coming your way on Fridays.  Keep an ear open for our Kickstarter for The Golden Triangle – the sixth novel in the Arsène Lupin series. We're getting ready with boxed sets, special editions, and more! We'll let you know when we're ready to pull the trigger.  And it's time for the Classic Tales Book Club to meet again! Keep an eye on your inboxes today for our monthly newsletter which will contain the zoom link. Our zoom meeting will be on Wednesday, April 10th at 4:00 Pacific time, 7:00 Eastern. We'll talk about the satirical nature of Gulliver's Travels, and the power of satire. See you then! Follow the link in the show notes to subscribe to our newsletter, and get the zoom link later today.  Charlotte Perkins Gilman was raised by her three aunts – one of which was Harriet Beecher Stowe. Apart from The Yellow Wallpaper, she is also known for writing Herland, the story of a lost civilization populated entirely by women.  And now, The Yellow Wallpaper, by Charlotte Perkins Gilman.  Follow this link to become a monthly supporter:   Follow this link to subscribe to our newsletter and chat with us on Zoom:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:    

How can Lemuel Gulliver escape from the Lilliputians? They're only six inches tall – should be a cinch, right? Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “The Yellow Wallpaper”, by Charlotte Perkins Gilman. Be sure to check it out on Tuesday.  If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content.  Go to http://classictalesaudiobooks.com and become a supporter today.  I've been having fun designing the specials for our Kickstarter for the next Arsène Lupin book – The Golden Triangle. Things are moving along nicely. Keep an ear open for when we pull the trigger, hopefully in a couple of weeks!   And it's time for the Classic Tales Book Club to meet again! Keep an eye on your inboxes on Tuesday for our monthly newsletter which will contain the zoom link. Our zoom meeting will be on Wednesday, April 10th at 4:00 PM Pacific time, 7:00 PM Eastern. We'll talk about the satirical nature of Gulliver's Travels, and the power of satire. See you then! Follow the link in the show notes to subscribe to our newsletter, and get the zoom link on Tuesday. Mark Twain is quoted as saying that, “a classic is a book which people praise and don't read”. Gulliver's Travels likely fits into this category for a lot of us. We've seen the Max Fleisher cartoon, or the Ray Harryhausen film in the 70s, or the film with Jack Black in 2010. But we've probably never read it. Or we tried, and gave it up. So, what is the lasting appeal of this difficult book? Gulliver's Travels was originally published in 1727. Swift's novel is a satire of British monarchy and Imperialism. He succeeds in taking the mundane, or something we largely take for granted, and pushing it to the extreme to show its absurdity. This goes for everything from governments to our own physical bodies. And yeah, nothing is safe, so get ready for some bodily functions we'd rather not talk about to come front and center.   Gulliver records his travels to several different lands of adventure. Instead of going through the entire book now, we'll tackle them one voyage at a time. Then we'll take a breather. This first stint will be the first part of the book – A Voyage to Lilliput in three parts. Gulliver travels to the land of Lilliput, as well as a land of giants, and also visits the dystopian world of the Houyhnhnms (hoo-IH-nims), among others. I hope you like it. And now, A Voyage to Lilliput, part 1 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:   Follow this link to subscribe to our newsletter and join us on Zoom for the Classic Tales Book Club:    Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:            

In tonight's Sleep Hypnosis with Jessica, we're going to enjoy another hypnotic bedtime story, this time with an excerpt from Gulliver's Travellers, a 1726 satire from Johnathan Swift. As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis.  Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe