Podcasts about Hot Buttered Soul

For our 50th episode (

Rockshow episode 211 The Story of Stax RecordsStax Records was a pioneering American record label based in Memphis, Tennessee, that played a crucial role in the development of soul, R&B, and funk music. Founded in 1957 by Jim Stewart and his sister Estelle Axton, the label became synonymous with the gritty, raw, and deeply emotional sound that defined Southern soul.Stax was home to legendary artists such as Otis Redding, Booker T. & the M.G.'s, Sam & Dave, Wilson Pickett (through a deal with Atlantic), Isaac Hayes, and The Staple Singers. Unlike Motown, which had a polished and orchestrated style, Stax music was known for its raw energy, tight horn sections, and a heavy gospel influence.One of Stax's most defining characteristics was its integrated roster of musicians, producers, and executives during a time of deep racial segregation in the South. The studio band, Booker T. & the M.G.'s, featured both Black and white musicians, which was groundbreaking in the 1960s.The label thrived throughout the 1960s but faced difficulties after the tragic death of Otis Redding in 1967 and the loss of its distribution deal with Atlantic Records in 1968. It experienced a resurgence in the early 1970s, largely due to Isaac Hayes' massive success with Hot Buttered Soul and Shaft. However, financial struggles led to Stax's bankruptcy in 1975.In later years, Stax was revived as a brand, and its legacy continues through reissues and the Stax Museum of American Soul Music in Memphis. Its impact on music remains profound, influencing countless artists across multiple genres.https://staxrecords.com/https://youtube.com/@staxrecords?si=bPBfHvzs7kxHrb5Dhttps://staxmuseum.org/#StaxRecords #SoulMusic #MemphisSoul #OtisRedding #IsaacHayes #BookerTandTheMGs #SouthernSoul #RNB #ClassicSoul #SamAndDave #TheStapleSingers #SoulLegends #Funk #VintageVinyl #MusicHistory #StaxMuseum #RespectYourRoots

Joining us all the way from Santa Barbara for this episode is Darrell M. McNeill, director of operations at the Black Rock Coalition and author of a new 33 1/3 study of the Isley Brothers' mighty 1973 album 3 + 3. We start by asking our guest about his '90s contributions to the Village Voice and his involvement with the B.R.C.. Crediting his dad for his own childhood love of the Isleys, Darrell tells us how he came to write about the band. We discuss their unique history across six-plus decades, arriving at the dramatic game-changer that was 3 + 3. Inevitably referencing Jimi Hendrix — an Isleys sideman in the mid-'60s — we ask Darrell about the group's pioneering hybrid of R&B and rock and their covers of classic songs by Carole King, James Taylor et al. A special nod, of course, to Jimi's incalculable influence on kid brother and budding guitar genius Ernie. From the Isleys to Isaac Hayes: following two clips from Ira Robbins' 1995 audio interview with the sometime Stax superstar, we discuss such radical milestones as 'Theme from Shaft' and Hot Buttered Soul's version of Bacharach & David's 'Walk On By'. After a brief digression to salute the 50th anniversary of long-time RBP contributor John Broven's seminal 1974 book Walking to New Orleans, Mark talks us out with quotes from newly-added interviews with Janis Joplin (1969) and Beatles session guitarist David Spinozza (1971). Jasper then wraps up the episode with remarks on Destiny's Child (2003) and The Comet is Coming (2019). Many thanks to special guest Darrell M. McNeill. His book on the Isley Brother's 3 + 3 is published by Bloomsbury and available now. Pieces discussed: The Isleys: first time winners again!, The Isley Brothers: 3 + 3, The Isley Brothers: 3 + 3 = Super Success, Ernie Isley: Pride of the Isleys, Isaac Hayes audio, Fats Domino & His Orchestra: Saville Theatre, Behind The Sun: New Orleans, 'See You Later Alligator': Bobby Charles, Janis Joplin: Janis Superhypermost!, Paul McCartney: Working with Paul — A Session Musician Speaks, Kelly Rowland: Real Girl Talk, Michie Mee is the First Lady of Toronto Hip-Hop and The Comet is Coming: Interstellar Apocalypse.

In this sultry episode of Dem Vinyl Boyz, we're diving into the rich, velvety depths of Isaac Hayes' seminal work, "Hot Buttered Soul." Released in 1969, this album broke new ground in the world of soul music, transforming Hayes from a talented songwriter into an icon of the genre. With its extended tracks, lush arrangements, and Hayes' unmistakable baritone, "Hot Buttered Soul" is a cornerstone of soul music that still resonates today. This four-track masterpiece includes unforgettable renditions of Burt Bacharach's "Walk On By" and Jimmy Webb's "By the Time I Get to Phoenix," alongside the empowering "Soulsville" and the original "Hyperbolicsyllabicsesquedalymistic." Each song is a journey into the depths of emotion and musical innovation, showcasing Hayes' ability to blend soul, funk, and orchestral sounds into a cohesive and mesmerizing whole. Throughout this episode, we'll explore the creation of "Hot Buttered Soul," delving into the stories behind its tracks, the innovative production techniques it employed, and its impact on the landscape of 70s soul music. We'll also discuss how the album's commercial success paved the way for Hayes' legendary career and influenced generations of musicians. Join us on Dem Vinyl Boyz as we pay tribute to "Hot Buttered Soul," an album that not only defined Isaac Hayes' legacy but also shaped the future of soul music. This episode is an ode to the power of innovation, emotion, and the enduring appeal of one of music's most soulful voices.

The son of legendary music artist Issac Hayes, Mr. Hot Buttered Soul, joins Tavis to discuss his $10 million dollar crowd funded app called Fanbase.

Christian spends the entire show with author Mark Ribowsky, discussing his book "Black Moses: The Hot Buttered Soul of Isaac Hayes". As a special bonus, stay tuned to the end of the episode to hear outtakes from the recording where Christian tap-dance while he waited for technical problems to end.

Non ho capito niente di musica nella mia vita, ma l'ho sentita.(Igor Stravinsky)

Isaac Lee Hayes Jnr .,  Né le 20 août 1942, Covington, Tennessee, États-Unis Décédé le 10 août 2008, Memphis, Tennessee, États-Unis Isaac Hayes a joué du piano et de l'orgue dans plusieurs clubs de la région de Memphis. Il est né le 20 août 1942 à Covington, Tennessee. Les parents d'Isaac sont morts quand il était enfant, il a donc été élevé par ses grands-parents. Il a commencé à chanter à l'église à l'âge de cinq ans et a appris le piano, l'orgue et le saxophone. Isaac a ensuite déménagé à Memphis pour se produire sur le circuit des clubs de la ville Il était membre de plusieurs groupes, dont Sir Isaac And The Doo-dads, les Teen Tones et Sir Calvin And His Swinging Cats. En 1962, il a commencé sa carrière d'enregistrement, enregistrant des faces pour une variété de labels locaux. En 1964, Isaac signe chez Stax Records. Isaac a travaillé avec le saxophoniste des Mar-Keys Floyd Newman et a remplacé, de temps en temps, Booker T. Jones.  Après avoir joué sur plusieurs sessions pour Otis Redding, Isaac s'est ensuite associé à David Porter et le duo a remporté le succès avec "Hold On I'm Comin" de Sam And Dave, "Soul Man" et "When Something Is Wrong With My Baby". Ils ont écrit la chanson de Carla Thomas, 'BABY', et les airs de Johnnie Taylor 'I Had A Dream' et 'I Gotta Love Somebody's Baby'. Isaac et David ont formé le groupe The Soul Children comme véhicule pour leur écriture de chansons. En 1967, Isaac a relancé sa carrière d'enregistrement avec l'album "Presenting Isaac Hayes", en 1967. 'Hot Buttered Soul' a suivi deux ans plus tard. 'The Isaac Hayes Movement' et 'To Be Continued' ont suivi en 1970, avec 'Black Moses' en 1972 Le film de blaxploitation "Shaft" est également sorti cette année-là, dont la chanson titre est devenue un énorme succès dans les charts Pop et R and B cette année-là, atteignant la première place. La chanson a ensuite été reprise par Eddy And The Soul Band en 1985 et a atteint la 13e place des charts britanniques. Il y a eu d'autres bandes sonores de films qui ont suivi sous la forme de " Tough Guys ", en 1973, et de " Truck Turner " en 1974. Isaac a quitté Stax en 1975, à la suite de différends sur les redevances, et a créé son propre label Hot Buttered Soul. Après des problèmes avec le fisc, Isaac est déclaré en faillite l'année suivante. Il a ensuite déménagé dans les empreintes Polydor et Spring. En 1977, le double LP 'A Man and a Woman', enregistré avec Dionne Warwick , indique un renouveau dans sa carrière discographique. En 1979, une collection de duos avec Millie Jackson , intitulée "Royal Rappin's", est sortie. Isaac a également produit l'album 'Here's My Love' pour l'artiste Linda Clifford la même année. Isaac a ensuite sorti quelques albums solo, "And Once Again" des années 1980 et "Lifetime Thing" de 1981. La même année, Isaac fait une apparition dans le film de John Carpenter "Escape From New York", avec lui jouant le rôle de "The Duke Of New York". Musicalement, Isaac a également pris sa retraite pendant cinq ans avant de réapparaître avec 'Ike's Rap', un single du Top 10 US R&B tiré de l'album 'U Turn'. Deux ans plus tard, il revient à nouveau avec "Love Attack", avant d'abandonner à nouveau la musique pour se concentrer sur le jeu d'acteur. En 1995, Isaac s'était converti à la Scientologie. Il a ensuite sorti deux CD sous la forme de 'Branded' et l'instrumental 'Raw and Refined'. Sous le nom officiel de Nene Katey Ocansey I, il a également été membre de la famille royale de la nation africaine du Ghana. 1997 a vu Isaac fournir la voix de Jerome 'Chef' Mc Elroy, sur la série animée South Park. En l'an 2000, 29 ans après la sortie du film "Shaft", Isaac a commencé à travailler sur une nouvelle version de l'original, pour une suite intitulée "Shaft". Cela était basé sur le détective, Samuel L. Jackson reprenant le rôle rendu à l'origine célèbre par Richard Rountree. En 2001, il a soutenu Alicia Keys en tant que musicien et arrangeur sur son premier album acclamé "Songs in A Minor", en utilisant une véritable instrumentation. La chanson "Rock Wit U" a été utilisée sur la bande originale du film de 2001. Beaucoup de ses albums originaux d'Enterprise ont été réédités au format CD par UK Ace sous leur logo Stax réactivé. Isaac Hayes est décédé le 10 août 2008 à Memphis, Tennessee. Il avait 65 ans. Contient des extraits de "Off the record interview with Isaac Hayes, 1987-08-19" de Smith, Joe (1928-) (intervieweur) et Hayes, Isaac (1942-2008) (interviewé). Extrait de Citizen DJ, Joe Smith Collection à la Bibliothèque du Congrès, Division du cinéma, de la radiodiffusion et du son enregistré. 

Music Producer Isaac Hayes III joins host Ramses Ja to discuss his social media company Fanbase and his plans to make Fanbase he biggest social media platform in the world.  See omnystudio.com/listener for privacy information.

EP.38 Heather Hayes - Please join me while I sit down with singer-songwriter Heather Hayes. She is known for her work with ‘Daughters of Legacy' and sang background for James Brown, Michael Jackson, Beyoncé, and Arrested Development. Host of ‘Hot Buttered Soul,' a tribute show dedicated to Issac Hayes. Please help me welcome his daughter to the show.

It’s all about the hips thrusting, body torquing, Sultan of Speed, Mr. Terry Fitzgerald. We cover Fitzy, fuzzy head-to-toe. From "Morning of the Earth" to "Hot Buttered Soul" and of course we try to one up each other with ‘Stump My Bro’. From the October 18th, 2020 Sunday Joint Newsletter.

It’s all about the hips thrusting, body torquing, Sultan of Speed, Mr. Terry Fitzgerald. We cover Fitzy, fuzzy head-to-toe. From "Morning of the Earth" to "Hot Buttered Soul" and of course we try to one up each other with ‘Stump My Bro’. From the October 18th, 2020 Sunday Joint Newsletter.

This is Blurred Laws & Life with acclaimed lawyer & litigator Richard Busch. On this second episode, we discuss: Having a blast doing these podcasts, interviewing music legend Al Bell & how they met, The Behind The Scenes of Litigation & the stakes, how he began his career, Entertainment Lawyer Relief Act 2001, Atomic Dog & Copyright Infringement, Winning & more. Then it's an honor & a privilege to have the legendary Al Bell join us on Blurred Laws & Life with Richard Busch to discuss: Being thankful that Richard is doing a podcast & the mutual respect they have for each other, the last time that they were together & Richard vs. Joe's Crab Shack, how they met at a low point in Al's life in 2002 & filing a lawsuit together, Al's life in the music industry landscape, losing multiple siblings, writing "I'll Take You There" in 1972 after the death of his brother & the story to how it was created in the backyard through tears, Stax Records, Segregation in Memphis, Tennessee, The Oasis, Racism in Arkansas, becoming a Senior Executive at Stax Records, being in the radio industry to start, These Arms of Mine by Otis Redding exploding on the radio, taking over as National Programs Director at Stax Records after being offered equity interest in the company, taking a pay cut but believing in the company, making music that resonates with people enough to sell, Some of the biggest artists & hits he worked on at Stax Records & other companies, Isaac Hayes & "Hot Buttered Soul", having a great staff of writers, charts from Stax & how the government wondered if it was Payola, Otis Redding being the lead horse by setting the standard, recording "Sitting on the Dock of the Bay" the night before his tragic plane crash in Wisconsin, publisher of "Try A Little Tenderness" suing Otis Redding, getting into songwriting & becoming a Disc Jockey, wanting to learn the story of an entire song, music diversity taste of African American listeners on radio, the 3 verses in song writing, promoting Stax Records from city to city & finding out the different kinds of music being played there, Isaac Hayes' Shaft Theme winning an Academy Award for Best Song & how he convinced MGM to let it happen, buying billboards on Sunset Blvd & getting White America to appreciate the song, Performing at the Oscars and the fight to make this happen, selling 1 Million Units the next day, the Top 4 songwriters that he worked with, the Blurred Lines lawsuit, the loss of Otis Redding & what he meant to the artists at Stax Records, Jim Stewart, living 5 lives in 1, the trial of their lawsuit a together, Tag Team & "Whoomp, There It Is", Hip Hop artists sampling pre-existing music without licensing it & ultimately leading to the organization filing bankruptcy, the story of the lawsuit that they won together, having his music compositions being taken over by DM Records due to financial concerns, how Hurricane Katrina affected the lawsuit, the arguments that the opposing side made, winning the case & the jury applauding them, how he's spending Quarantine in Little Rock, Arkansas & more.  New Episodes air every Thursday at 6PM EST/3 PM PST Produced by  www.DBPodcasts.com Music Provided by FreePlayMusic.com

Back in the Day: I sit down at the Neighborhood Center in Midtown Hbg and talk to longtime residents Kim and Freddie. about what it was like growing up in Uptown in the 60s and 70s' Want to get in touch? Contact me at creuhbg@gmail.com or 401-952-4171 --- Send in a voice message: https://anchor.fm/riseuptown/message

Hammer Time Podcast 第五期， Des 请来了好朋友大几林，我们聊了聊 Blaxploitation（黑人剥削电影）。 作为一个非常小众的 sub-genre 电影类型，blaxploitation 存在的时间也极短，但是它对后来黑人电影，黑人音乐都有着非常深远的影响，也是70年代声势浩大的黑人平权运动 “Black Power”的一种体现。 然而在中文互联网中，我们发现几乎没有对 blaxploitation 完整清晰的讨论，甚至很多专业媒体都在胡说八道，所以我们必须要好好说说，体现黑人文化的剥削片都有什么样的文化语境和历史意义。 本期嘉宾： 大几林：黑人音乐资深digger，神秘莫测说唱团体DDM的核心成员之一，业余制作人，目前在休斯敦从事能源相关的工作（具体是啥我也不懂）。 ✍️Show notes: 【00:08】blaxploitation 起源于70年代初期，主要面向黑人受众，演员、导演和制作团队几乎都是黑人，故事大多讲述黑人群体中 drug dealing，pimping，帮派犯罪或黑人英雄的经历，对黑人文化乃至后来的流行文化产生了深远的影响； 【00:10】blaxploitation这个词的来源：NAACP（全国有色人种协进会）的 Junius Griffin 将 “black” 和 “exploitation” 合并创造了”黑人剥削片”这个概念，以他为代表的精英黑人群体反对当时这些充斥着 drug, pimp, sex, violence 的电影中对黑人刻板印象的误导和污名化； 【00:12】 blaxploitation 的开山之作: “Sweet Sweetback's Baadaaasss Song （1971）”，Melvin Van Peebles 导演，评论界认为它是具有法国新浪潮特点的黑人电影，我和大林都觉得这部片特别 mindfuck，视觉风格和叙事都极其实验（有点摸不着头脑），有许多令人不适的色情场景，并且简单粗暴地展示了种族冲突，表现出毫不掩饰的对白人强权的抗争，所以深受黑豹党喜爱。 【00:18 】在 “baadaaasss song” 之前，60年代的黑人电影虽然也表现群体挣扎，但是更加励志温情； 【00:20】音乐历史上最有名的funk乐队，当时还未成名的 Earth, Wind&Fire 为“baadaaasss song” 创作了电影原声， 知名制作人 madlib 受这张原声影响特别大，以 Quasimoto 这个艺名创作了许多启发作品； 【00:27】 回顾黑人演员在电影史中的形象，几乎都是被丑化的，给这个族群带来了很多侮辱，典型的例子就是30年代的 Stepin Fetchit； 【00:30】“baadaaasss song” 和后来的很多剥削电影的历史意义就在于，它当时的背景正值黑人民权运动中 “black power”的口号深入人心的高峰，是第一部把这种黑人意识形态表现在影片中的作品； 【00:33】 “Shaft（1971）” （Gordon Parks 导演）跟 “baadaaasss song” 一样是剥削片的代表作，它把当时黑人的个人生活经验作为电影叙事，塑造出了John Shaft 这个被黑人群体爱戴的银幕经典形象，让黑人形象变得很酷，特有样儿，把黑人文化带向主流。 Isaac Hayes 创作的 “Shaft”原声是灵魂放克史上的经典之作！ 【00:36】 剥削片和当时黑人音乐有密不可分的联系，甚至每一部电影中的配乐都是叙事中重要的文本； 【00:37】 大林认为，70s 的灵魂乐受了当时迷幻音乐的一些影响，相比 60s 更偏向R&B 的 Motown，灵魂乐的思维被打开了，音乐中有了更多内容，开始讨论社会内容，配器也更加复杂，成为了丰满的载体，剥削电影给了音乐人完整的创作概念； 大林推荐： “Hot Buttered Soul” by Isaac Hayes（史诗一般的专辑） “What's Going On” by Marvin Gaye “Curtis” by Curtis Mayfield 【00:40】 “Superfly （1972）”， 这是最早把黑人的生存困境，体制缺陷和不公揭露出来的电影，主人公的形象更加大胆； 【00:45】如果不了解黑人群体的历史，挣扎和他们的文化，会很难理解剥削片描述的环境，并且容易带着道德审判的视角批判他们，这样做是不负责的； 【00:47】为什么Hip-Hop 和 R&B 音乐中有那么多关于皮条客的内容，为什么大家都喜欢皮条客的故事？大林建议可以看几部剥削片找找答案； 【00:50】关于 Blaxploitation 的争议来自哪里？我们应该怎么看待它？ 【00:52】精英黑人这个群体在美国一直以来的处境都很割裂，虽然对平权运动作出了许多卓越的贡献，但是在剥削电影的包容上他们的价值观更偏向白人，甚至成立了专门反对剥削片的组织，所以 Blaxploitation 中的“剥削”，是来自黑人族群内部的精英的指控； 【01:00】 剥削片并不是在美化罪犯，这些故事是基于事实创作的，而且在很多故事中，主人公是向白人体制发出挑战的英雄。看电影需要带脑子！ 【01:04】 匪帮说唱和剥削片一样，虽然有犯罪的内容，但不是鼓吹这种行为，而是有警示作用的音乐，一定不要把传达的信息简单化； 【01:07】“Coffy （1973）”中的黑人女主人公打破了之前黑人剥削片中的女性的无脑形象，她性感又聪明，有勇有谋，表达了强烈的女权意识和反抗体制的主张，这部电影已经不止是一个女杀手的复仇故事，她在向我们展示制造出矛盾和痛苦的除了罪犯，还有白人控制的政府这个帮凶； 【01:12】 昆汀塔伦蒂诺受剥削片的影响非常大，他的作品中有很多致敬； 【01:14】 剥削片的持续时间非常短暂，到了 1975 年左右就逐渐退出电影市场了， “Car Wash （1976）”是明显的一个转折； 【01:16】80s 末 90s 初有一批黑人电影虽然可以算新的剥削片，但和最初的剥削电影已经不一样了，这些电影在政治意义上的反抗更加深刻，我们都太喜欢 “New Jack City” 和 “Boyz n the Hood” 了！ 当然怎么能不提 “Do The Right Thing” 和 “Menace II Society” 这样触目惊心的作品？！ 【01:26】 blaxploitation 对后来的黑人音乐，尤其是 Hip-Hop 的影响太巨大了，无论是电影中的街头气质，还是原声音乐被后来采样创作出数不胜数的经典（几乎每一张剥削片原声都被采样过）； 比如： “I’m Your Pusher” by Ice-T 采样了 “Pusher”（“Superfly”） “Xxplosive (feat. Hittman, Six-Two, Nate Dogg&Kurupt) by Dr. Dre 采样了 “Bumpy’s Lament” （“Shaft” ） pimp, drug pusher 这些 persona 将黑人男性魅力具体化了，Miles Davis 这样的爵士音乐人在 “On the Corner（1972）”的封面上也体现出当时 pimp 的状况，皮条客是黑人群体中先富起来的人。 【01:33】 剥削片跟当时的香港电影也有互相渗透，李小龙《龙争虎斗》的音乐就是很明显借鉴了balxploitation 的原声制作； 【01:37】我和大林一致认为：剥削片虽然揭示了残酷的现实问题，但黑人的幽默感无处不在，我们实在是很喜欢这种插科打诨。 节目中提到的书： 《美国种族简史》 by 托马斯·索威尔 《法律的颜色》by 理查德·罗斯坦 “The Pimp” by Iceberg Slim Hammer Time podcast 的地址是：https://anchor.fm/hammertimepodcast 在这里可以看到节目上线的各播客平台，也可以使用RSS订阅，推荐大家使用通用型播客客户端，中国大陆已上线喜马拉雅。 联系主播请发邮件：sonicelsa@gmail.com

Hot Buttered Soul set the precedent for how soul would evolve into a funky groove.  It remains an seminal record that many would consider the starting point for "baby making music".

Beyonce, Isaac Hayes, Dionne Warwick. Hors-série de NoFun, La Source remonte tous les mois à l’origine des chansons pour raconter leur histoire et celle des genres musicaux et de leur héritage. 1964 - Walk On By de Dionne Warwick raconte la rencontre difficile avec une ancienne relation amoureuse, celle qu’on évite en marchant dans la rue. Déjà bien présente dans l’industrie musicale, la chanteuse s’amuse ici à mélanger les genres : jazz, rhythm and blues et variété américaine. Un petit succès à sa sortie, le titre est reconnu par sa composition et son arrangement qui influencent encore aujourd’hui la musique soul. 1969 - Alors que son label Stax Records est en pleine crise et se retrouve contraint de produire de nombreux albums, Isaac Hayes en profite pour enregistrer Hot Buttered Soul. Avec une liberté artistique totale, il reprend Walk On By et en fait une version longue de 12 minutes. Un tournant pour la soul. 2016 - Avec son album Lemonade, la diva Beyonce met en scène et en musique sa difficile mais nécessaire reprise en main après une affaire d’infidélité qui a mis en péril son mariage avec Jay-Z. Avec 6 Inch, la chanteuse R&B reprend avec intelligence l’ambiance de Walk On By : les violons sont remplacés par des choeurs et on retrouve la sonorité hip-hop d’Isaac Hayes. La preuve que la soul est toujours en vie. Une émission animé par Raphaël Da Cruz avec Belkacem Meziane, Nicolas Rogès et Shkyd.CRÉDITSLa Source est un hors série de NoFun, produit par Binge Audio. Générique : Shkyd. Réalisation : Quentin Bresson. Chargée de production : Juliette Livartowski. Chargée d’édition : Adélaïde Desnoë. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

This week, we talk about the brief yet enduring legacy of Jeff Buckley’s life and death in Memphis. We also take a look at Isaac Hayes seminal album ‘Hot Buttered Soul.

Brian and Brian listen to Isaac Hayes - Hot Buttered Soul (1969). Emails: volcanovinyl@gmail.com Tweets: @volcanovinyl, #vv019

The Bar-Kays - She Talks To Me With Her Body (Petko Turner Edit) The Bar-Kays began in Memphis, Tennessee, as a studio session group, backing major artists at Stax Records. In 1967 they were chosen by Otis Redding to play as his backing band and were tutored for that role by Al Jackson, Jr., Booker T. Jones, and the other members of Booker T. & the M.G.'s.[1] Their first single, "Soul Finger", was issued on April 14, 1967, reaching number 3 on the US Billboard R&B Singles chart and number 17 on the Billboard Hot 100. On December 10, 1967, Redding and four members of the band—Jimmie King (born June 8, 1949; guitar), Ronnie Caldwell (born December 27, 1948; electric organ), Phalon Jones (born 1948; saxophone), and Carl Cunningham (born 1948; drums)—and their partner, Matthew Kelly, died when their airplane crashed into Lake Monona, near Madison, Wisconsin, while attempting to land at Truax Field. Redding and the band were scheduled to play their next concerts in Madison. Trumpeter Ben Cauley was the only survivor of the crash. Bassist James Alexander was on another plane, as the plane carrying Redding held only seven passengers. Cauley and Alexander rebuilt the group. The re-formed band consisted of Cauley; Alexander; Harvey Henderson, saxophone; Michael Toles, guitar; Ronnie Gorden, organ; Willie Hall, drums; and later Larry Dodson (formerly of fellow Stax act the Temprees), lead vocals. The group backed dozens of major Stax artists on recordings, including Isaac Hayes on his album Hot Buttered Soul. Cauley left the group in 1971, leaving Alexander, Dodson (vocals, vibes), Barry Wilkins (guitar), Winston Stewart (keyboards), Henderson (tenor sax, flute), Charles "Scoops" Allen (trumpet), and Alvin Hunter (drums) to create the album Black Rock.[2] Lloyd Smith joined in 1973, and the band changed musical direction during the 1970s, forging a successful career in funk music. With the Stax/Volt label folding in 1975, the group signed with Mercury Records.[3] In 1976, Dodson (vocals), Alexander (bass), Lloyd Smith (guitar), Allen (trumpet), Henderson (saxophone), Frank Thompson (trombone), Stewart (keyboards), and Mike Beard (drums) brought their "Shake Your Rump to the Funk" track into the R&B Top Five.[3] In autumn 1977, the group came out with Flying High on Your Love, an album that featured "Shut the Funk Up", a "near-perfect disco song punctuated by the funky horn triumvirate of Charles 'Scoop' Allen, Harvey 'Joe' Henderson, and Frank 'Captain Disaster' Thompson and dominated by vocalist Larry 'D' Dodson's call to 'get on up or just shut the funk up.'"[4] In 1983, Sherman Guy left the group, and Larry (LJ) Johnson took his place on vocals and percussion. Charles Allen left the group just before it took a more commercial direction.[5] The Bar-Kays continued to have hits on R&B charts well into the 1980s. Guitarist Marcus Price, a member of the band, was murdered after leaving a rehearsal in 1984; the crime has never been solved by the Memphis police. The band took an extended break in the late 1980s but regrouped in 1991, with Alexander once again being the only original member. Since 1991, Larry Dodson, Archie Love, Bryan Smith, and Tony Gentry have been added to the group. Alexander's son is the award-winning rapper and record producer Phalon "Jazze Pha" Alexander, named after Phalon Jones, who died in the 1967 plane crash. Jazze Pha produced the most recent effort by the group, "Grown Folks", released in 2012.[citation needed] In 2013, the group was inducted into the Memphis Music Hall of Fame.[6] On June 6, 2015, the Bar-Kays were inducted into the Official Rhythm & Blues Music Hall of Fame in Clarksdale, Mississippi. Trumpeter Ben Cauley died in Memphis on September 21, 2015, at the age of 67.[7] Download for free on The Artist Union

2100HRS (UK) the Soup Sessions welcomes back the wonderful Esther Cowlbeck after three years – playing some of her vinyl gems… She used to do Brown Sauce at The Sunrooms, BRKDWN at The Electrowerkz, Frolic at Saks, Drop and Hot Buttered Soul at Soma, Soul Kitchen (with Paul Despy) at The Sunrooms and a regular guest at Shake at Bar Boogaloo. All petty much soul, funk and latin from the 60s/70s… tune in from 9pm for another very special session! x CONTACT THE SHOW DIRECT (E-MAIL) The post 29.04.16 Soup Sessions with Esther Cowlbeck appeared first on Radio Nova Lujon.

2100HRS (UK) the Soup Sessions welcomes back the wonderful birthday girl Esther Cowlbeck playing some of her vinyl gems, maybe a few Halloween numbers too… She used to do Brown Sauce at The Sunrooms, BRKDWN at The Electrowerkz, Frolic at Saks, Drop and Hot Buttered Soul at Soma, Soul Kitchen (with Paul Despy) at The Sunrooms and a regular guest at Shake at Bar Boogaloo. All petty much soul, funk and latin from the 60s/70s… tune in from 9pm for another special session! x CONTACT THE SHOW DIRECT (E-MAIL) The post 30.10.13 Soup Sessions with Esther Cowlbeck appeared first on Radio Nova Lujon.

The City of New Orleans is at risk of washing away for the second time in ten years, so EASGS presents a set of New Orleans music as tribute in this podcast, curated by the Lady Katie (though this show was actually recorded when the only Isaac on our minds was of the Hayes variety). And it's sandwiched by our ABSOLUTELY FINAL installment in a tired and boring theme. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Gilberto Gil - "Aquele Abraço" (from Gilberto Gil) The Mighty Grouse's guest is currently out of the room: self-awareness at an all time low. The Mar-Keys - "Sack-O-Woe" (from The Complete Stax/Volt Singles: 1959-1968) Dukes of Stratosphear - "Vanishing Girl" (from Psonic Psunspot) Aphrodite's Child - "Loud Loud Loud" (from 666: The Apocalypse of John, 13/18) Hawkwind - "Sonic Attack / Time We Left This World Today" (from Space Ritual) The Soft Machine - "Plus Belle Qu'une Poubelle / Why Are We Sleeping?" (from The Soft Machine) Pavement - "Conduit for Sale!" (from Slanted and Enchanted) Harvey Matusow's Jews Harp Band - "Eighteen Nuns" (from War Between Fats and Thins) Linton Kwesi Johnson - "Lorraine" (from Bass Culture) Belle & Sebastian - "I Could Be Dreaming" (from Tigermilk) Isaac Hayes - "By The Time I Get To Phoenix" (from Hot Buttered Soul) King Grouse introduces Lady Katie. James Booker - "Black Minute Waltz" (from Junco Partner) James Booker - "Goodnight Irene" (from Junco Partner) Huey "Piano" Smith - "Little Liza Jane" (from This Is... Huey "Piano" Smith) Benny Spellman - "If You Love Her" (from Get Low Down!: The Soul of New Orleans, '65-'67) Snooks Eaglin & Boogie Bill Webb - "Country Boy Down in New Orleans" (from The Blues of Snooks Eaglin & Boogie Bill Webb) Inell Young - "What Do You See In Her" (from Soul Jazz Presents: New Orleans Funk, Volume 2) Betty Harris - "Nearer to You" (from Get Low Down!: The Soul of New Orleans, '65-'67) The Meters - "Darling Darling Darling" (from Funkify Your Life: The Meters Anthology) Johnny Adams - "Reconsider Me" (from Absolutely the Best) Marilyn Barbarin - "Reborn" (from Soul Jazz Presents: New Orleans Funk, Volume 1) Lady Katie does a marvelous back-announce. Noble Watts - "Teen-Scene" (from Cats Got These Cats' Tongues - 26 Rarities From Mr. Fine Wine's Vaults) Kelan Philip Cohran the Hypnotic Brass Ensemble - "Cabin Tale" (from Kelan Philip Cohran and the Hypnotic Brass Ensemble) Chris Cohen - "Caller No 99" (from Overgrown Path) Apache Dropout - "Katie Verlaine" (from Bubblegum Graveyard) Jacco Gardner - "Where Will You Go" / (and a little bit of the b-side "Summer's Game" before Uncle Matt showed up) (from TIM042)

Nick and Daryl cover everything from Jazz guitarist Sonny Sharrock to Country artist Glen Campbell, from Hot Buttered Soul to the Jazz equivalent of cookie-monster death metal. This is a look at some unique music that we can't get enough of. --- Support this podcast: https://anchor.fm/me-and-mister-80s/support

Nick and Daryl cover everything from Jazz guitarist Sonny Sharrock to Country artist Glen Campbell, from Hot Buttered Soul to the Jazz equivalent of cookie-monster death metal. This is a look at some unique music that we can't get enough of.