Podcasts about saying grace

Send us a text Victor, Evelyn, and Mark hang out this week to recap the wedding for Mark, saying grace with food in your mouth, reasons for going to Tokyo, and ping pong balls.

In this History of Prints (HoP) episode, Tru and I finish talking about the life and work of William Hogarth, the father of Western sequential art.  We look at and pick apart three series: Industry and Idleness, The Four Stages of Cruelty, and Humours of an Election. Timely, no? Hogarth continues to point out society's faults and baser instincts. He never stopped trying to teach the masses about comportment and judgment. Episode image: William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York. Useful Links Harlot's Progress video from Paul Mellon Centre for Studies in British Art. https://youtu.be/VPQze0EbpdQ Harlot's Progress video from Reading the Past. https://youtu.be/u1rtBD0qvPY?si=DkVatOJ5-vEyrIqF Beer Street and Gin Lane from Reading the Past. https://youtu.be/A3-Je-lSKrE?si=C9igJSDSvYVyRabY After Allan Ramsay (British, 1713–1784). Portrait of William Hunter, 1760. Engraving. Wellcome Collection. Jean-Baptiste-Siméon Chardin (French, 1699–1779). Saying Grace, c. 1740. Oil on canvas. 49.5 x 38.5 cm. (19 ½ x 15 ¼ in.). Musée du Louvre. Paris. Jean-Baptiste Greuze (French, 1725–1805). The Village Bride, 1761. Oil on canvas. 92 x 117 cm. (36 x 46 in.). Musée du Louvre. Paris. Inigo Jones (British, 1573–1652). Banqueting House, 1622. London. William Hogarth (British, 1697–1764). The South Sea Scheme, 1722. Etching and engraving. Sheet: 10 ¼ x 12 15/16 in. (26.1 x 32.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, 1732 or before. Series of 6 etchings with engraving. Sheet (each): 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Series of 8 paintings. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Series of 8 etchings with engraving. Sheet (each): 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Marriage A-la-Mode, c. 1743. Series of 6 paintings. Each: 66.9 x 90.8 cm. The National Gallery, London. After William Hogarth (British, 1697–1764). Marriage A-la-Mode, 1745. Series of 6 etchings with engraving. Plate (each): 15 1/4 x 18 1/2 in. (38.7 x 47 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Mr. Garrick in the Character of Richard III, 1746. Etching and engraving. Sheet: 16 3/8 x 20 1/2 in. (41.6 x 52 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. S curves from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). Plate I from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). Plate II from The Analysis of Beauty, written with a view to fixing the fluctuating ideas of taste. London: J. Reeves, 1743. William Hogarth (British, 1697–1764). The Fellow ‘Prentices at their Looms, plate 1 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 7/16 in. (26.4 x 34.2 cm.); sheet: 10 5/8 x 14 in. (27 x 35.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Performing the Duty of a Christian, plate 2 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentices at Play in the Churchyard, plate 3 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 1/4 x 13 9/16 in. (26 x 34.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice a Favourite and Entrusted by his Master, plate 4 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm.); sheet: 10 11/16 x 13 7/8 in. (27.1 x 35.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Turned Away and Sent to Sea, plate 5 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 13 11/16 in. (26.4 x 34.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Out of his Time and Married to his Master's Daughter, plate 6 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm.); sheet: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute, plate 7 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 5/16 x 13 5/8 in. (26.2 x 34.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Grown Rich and Sheriff of London, plate 8 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 1/4 x 13 1/2 in. (26 x 34.3 cm.); sheet: 10 3/8 x 13 3/4 in. (26.3 x 35 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplices, plate 9 from the series Industry and Idleness, 1747. Etching and engraving. Plate: 10 5/16 x 13 9/16 in. (26.2 x 34.4 cm.); sheet: 10 9/16 x 13 3/4 in. (26.9 x 35 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Alderman of London, The Idle One Brought Before Him and Impeached by his Accomplices, plate 10 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/16 x 13 11/16 in. (25.8 x 34.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Idle ‘Prentice Executed at Tyburn, plate 11 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Industrious ‘Prentice Lord Mayor of London, plate 12 from the series Industry and Idleness, 1747. Etching and engraving. Sheet: 10 9/16 x 15 13/16 in. (26.9 x 40.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Beer Street, 1751. Engraving. Sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The First Stage of Cruelty, 1751. Etching and engraving. Sheet: 14 3/4 x 12 1/2 in. (37.5 x 31.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Second Stage of Cruelty, 1751. Etching and engraving. Plate: 15 1/4 x 12 9/16 in. (38.8 x 31.9 cm.); sheet: 16 1/16 x 13 1/4 in. (40.8 x 33.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Cruelty in Perfection, 1751. Etching and engraving. Plate: 15 1/4 x 12 11/16 in. (38.8 x 32.2 cm.); sheet: 15 13/16 x 13 3/16 in. (40.2 x 33.5 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Reward of Cruelty, 1751. Etching and engraving. Plate: 15 1/4 x 12 5/8 in. (38.8 x 32 cm.); sheet: 15 3/4 x 13 1/16 in. (40 x 33.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). The Humours of an Election I: An Election Entertainment, 1754–55. Oil on canvas. 101 x 128 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election II: Canvassing for Votes, 1754–55. Oil on canvas. 102.3 x 131.4 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election III: The Polling, 1754–55. Oil on canvas. 102.2 x 131.1 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election IV: Chairing the Member, 1754–55. Oil on canvas. 103 x 131.8 cm. Sir John Soane's Museum, London. William Hogarth (British, 1697–1764). The Humours of an Election I: An Election Entertainment, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election II: Canvassing for Votes, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election III: The Polling, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. William Hogarth (British, 1697–1764). The Humours of an Election IV: Chairing the Member, 1755. Engraving. 40.5 x 54 cm. Royal Academy of Arts, London. George Caleb Bingham (American, 1811–1879). The Verdict of the People, 1854–55. Oil on canvas. 46 x 55 in. (116.8 x 139.7 cm.). Saint Louis Art Museum, St. Louis. George Caleb Bingham (American, 1811–1879). Stump Speaking, 1853–54. Oil on canvas. 42 1/2 x 58 in. (108 x 147.3 cm.). Saint Louis Art Museum, St. Louis. George Caleb Bingham (American, 1811–1879). The County Election, 1852. Oil on canvas. 38 x 52 in. (96.5 x 132.1 cm.). Saint Louis Art Museum, St. Louis. William Hogarth (British, 1697–1764). Tailpiece, or the Bathos, 1764. Engraving. 261 x 323 mm. Royal Academy of Arts, London.

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In this History of Western Prints (HoP) episode, Tru and I begin to explore the life and work of William Hogarth, the first British artist featured on Platemark's HoP series. Hogarth, renowned as the father of Western sequential art, is discussed through detailed analyses of three of his best known series: A Harlot's Progress, A Rake's Progress, and Marriage A-la-Mode. The episode delves into 18th-century London's morality, capturing the societal and artistic context of Hogarth's work. Highlights include discussions on the intricacies of Hogarth's prints, his depiction of social issues, the impact of his work on English law (copyright laws finally established!), and his mixed successes in various art forms. This first of two episodes on Hogarth sets the stage for part two when we look at his images around elections in Enlightenment England. Harlot's Progress video from Paul Mellon Centre for Studies in British Art. https://youtu.be/VPQze0EbpdQ  Harlot's Progress video from Reading the Past. https://youtu.be/u1rtBD0qvPY?si=DkVatOJ5-vEyrIqF  Beer Street and Gin Lane video from Reading the Past. https://youtu.be/A3-Je-lSKrE?si=C9igJSDSvYVyRabY Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   After Anton von Maron (Austrian, 1733–1808). Johann Winkelmann, after 1768. Engraving. After Allan Ramsay (British, 1713–1784). Portrait of William Hunter, 1760. Engraving. Wellcome Collection. William Hogarth (British, 1697–1764). The Painter and his Pug, 1745. Oil on canvas. 35.4 x 27.5 cm. Tate Britain, London. Jean-Baptiste-Siméon Chardin (French, 1699–1779). Saying Grace, c. 1740. Oil on canvas. 49.5 × 38.5 cm. (19.5 in × 15.2 in.). Louvre, Paris. Jean-Baptiste Greuze (French, 1725–1805). The Village Bride, 1761. Oil on canvas. 92 x 117 cm. Louvre, Paris. The Banqueting House, London. Saint Paul's Church, London. William Hogarth (British, 1697–1764). Self-Portrait, c. 1735. Oil on canvas. 21 1/2 x 20 in. (54.6 x 50.8 cm.). Yale Center for British Art, New Haven. William Hogarth (British, 1697–1764). An Emblematic Print on the South Sea, late 18th century. Engraving and Etching. Plate: 10 13/16 x 13 3/8 in. (27.4 x 33.9 cm.); sheet: 11 5/16 x 14 in. (28.7 x 35.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 1, 1732 or before. Etching and engraving. Sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm.). Metropolitan Museum of Art, New York. Chart identifying elements in Harlot's Progress Plate 1. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 2, 1732 or before. Etching and engraving. Sheet: 12 3/8 x 14 13/16 in. (31.4 x 37.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 3, 1732 or before. Etching and engraving. Sheet: 12 11/16 x 15 3/8 in. (32.2 x 39 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 4, 1732 or before. Etching and engraving. Sheet: 13 1/8 x 15 3/16 in. (33.3 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 5, 1732 or before. Etching and engraving. Sheet: 13 3/8 x 16 3/16 in. (34 x 41.1 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 6, 1732 or before. Etching and engraving. Sheet: 12 1/2 x 15 3/16 in. (31.7 x 38.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 1, 1735. Etching and engraving. Sheet: 15 13/16 x 19 1/16 in. (40.2 x 48.4 cm.). Metropolitan Museum of Art, New York. Gérard Jean-Baptiste Scotin (French, Paris 1698–after 1755), after William Hogarth (British, 1697–1764). A Rake's Progress, Plate 2, 1735. Etching and engraving. Sheet: 14 3/16 x 16 1/4 in. (36 x 41.3 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 3, 1735. Etching and engraving. Sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 4, 1735. Etching and engraving. Sheet: 14 3/16 x 16 1/4 in. (36.1 x 41.3 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 5, 1735. Etching and engraving. Sheet: 15 5/8 x 18 13/16 in. (39.7 x 47.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 6, 1735. Etching and engraving. Sheet: 14 x 16 in. (35.5 x 40.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 7, 1735. Etching and engraving. Sheet: 15 5/8 x 18 3/4 in. (39.7 x 47.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 8, 1735. Etching and engraving. Sheet: 15 9/16 x 18 13/16 in. (39.6 x 47.8 cm). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Eight oil on canvas paintings. Sir John Soane's Museum, London. Louis-François Roubiliac (French, 1702–1762). William Hogarth, c. 1741. Terracotta bust. Overall: 28 1/2 x 17 3/4 in. (72.4 x 45.2 cm.). National Portrait Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 1, The Marriage Settlement, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 2, The Tête-à-Tête, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 3, The Inspection, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 4, The Toilette, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 5, The Bagnio, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 6, The Lady's Death, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. Gérard Jean-Baptiste Scotin (French, 1698–after 1755), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 1, 1745. Etching and engraving. Sheet: 15 3/16 x 18 5/16 in. (38.5 x 46.5 cm.). Metropolitan Museum of Art, New York. Bernard Baron (French, 1969–1762), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 2, 1745. Etching and engraving. Sheet: 15 1/16 x 18 1/4 in. (38.3 x 46.3 cm.). Metropolitan Museum of Art, New York. Bernard Baron (French, 1969–1762), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 3, 1745. Etching and engraving. Plate: 15 3/8 x 18 1/2 in. (39 x 47 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 4, 1745. Etching and engraving. Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 5, 1745. Etching and engraving. Plate: 15 1/4 x 18 7/16 in. (38.8 x 46.9 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 6, 1745. Engraving. Plate: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Beer Street, 1751. Engraving. Sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York.

Saying grace is a practice that transcends time and culture, But, sometimes it can be really difficult to “say grace,” when the world around us feels like it's on fire. So why should we say grace in moments when it's hard? Because it is about more than merely giving thanks. It's an invitation to something more.

As we restore the table, we remember that the disciples stayed and prayed in Jerusalem waiting for the Spirit. Jesus' mother was there praying with them. They did not pray to Mary but they prayed with her. They did not worship Mary but Mary worshiped her Son, Jesus with the early church. The first time we see Mary, she is praying. Now we see her praying again. Message based on Acts 1:12-26.Quotes:Alfred Lord Tennyson: More things are wrought by prayer than this world dreams of.William Law: There is nothing that makes us love a man so much as prayer for him.D. L. Moody:  Spread out your petition before God, and then say, "Thy will, not mine, be done." The sweetest lesson I have learned in God's school is to let the Lord choose for me.A.T. Pierson: There has never been a revival in any country that has not begun in united prayer and no revival has ever continued beyond the duration of those prayer meetings. Duane Brooks: Will you pray?To discover more messages of hope go to tallowood.org/sermons/.Follow us on Instagram, X, and YouTube @tallowoodbc.Follow us on FaceBook @tallowoodbaptist

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Eric Peters from Eric Peters Autos drops by for our weekly wrongthink session. The 1944 movie "Gaslight" added something to our lexicon that is particularly timely today. The Rev. John F. Naugle has an enlightening take on counseling a gaslit nation in the wake of the pandemic. Need to find your happiness once more? C. G. Jones makes a case for ancient books as a tool for recovering true happiness. Article of the Day: Most of us are familiar with Norman Rockwell's classic painting "Saying Grace." Anthony Esolen provides some fascinating background to Rockwell's piece as well as hope that we might find our way, individually, back to that level of thankfulness.

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This is the second part of Anthony and Alex's interview with renowned chef and event industry professional Andrew Spurgin the Chef and Owner behind Andrew Spurgin Bespoke Event Styling and Menu Design. Here they get into Chef's thoughts on dietary restrictions, tasting the passion in the food, making YOURSELF the project and Alex cries while eating.Connect with Andrew at www.andrewspurgin.com Please answer this survey: https://stats.blubrry.com/s-85335/getting_started/Submit ASK ANTHONY questions on the form at www.bollotta.com/podcast

Anthony and Alex kick off with chatter about talking with emojis, a TIPSY and a new YaiYai-ism both involving the idea of "GRACE". This week they are joined by Andrew Spurgin the Chef and Owner behind Andrew Spurgin Bespoke Event Styling and Menu Design. Dig in and savor this delectable conversation about his formula on how he approaches a project, a mouthwatering 10 Quick Questions, establishing trust to grant freedom, and so many more stories about process, travels and clients that we HAD to give you this episode in TWO parts!Connect with Andrew at www.andrewspurgin.com Please answer this survey: https://stats.blubrry.com/s-85335/getting_started/Submit ASK ANTHONY questions on the form at www.bollotta.com/podcast

Do you only say grace before dinner? The post Meredith’s Burping Contest & Saying Grace Before Snacks appeared first on WiLD 94.1.

On today's Bible Answer Man broadcast (07/27/23), Hank answers the following questions:How should we understand God condemning someone for violating the Sabbath in the Old Testament in light of Jesus' teaching in the New Testament? (1:04)Is there some good that comes from Joel Osteen's ministry? (4:50)How can we do anything for the Lord in this country when we are murdering our own children? (15:12)What happens to the soul after death? (20:17)Will saying grace over a meal protect us from pesticides and unhealthy foods? (23:21)

Reddit Stories | OP took her atheist boyfriend to dinner to meet her parents, while OP's dad was saying grace, the boyfriend decided to chug a full glass of what he was drinking and then loudly burped while OP's dad said grace. He didn't excuse himself or apologize. So OP dumped him

We had to cover Easter (especially because Rach is a Jew). AND am I dumb? Such a funny episode telling stories about Easter as children but also religion. Tune in! Music: Switch Me On by Shane Overs - https//www.silvermansound.com --- Support this podcast: https://podcasters.spotify.com/pod/show/stephandracharentfunny/support

We say grace or bless our food before we eat. But why? Why not before you cook? It's like you dont trust your cooking... --- Support this podcast: https://podcasters.spotify.com/pod/show/justin86929/support

Do you pray before meals? For many years it was customary for families to pray before every meal. But in our modern-day culture, where eating together or without distraction has become less popular, many have forgotten that practice. Saying a blessing before eating is actually a practice found in Scripture. In 1 Timothy 4, Paul is addressing false teaching concerning dietary restrictions done for doctrinal reasons. Paul warns that “in later times some will abandon the faith and follow deceiving spirits and things taught by demons” (v. 1). Two features of this false teaching are listed in verse 3: forbidding people to marry and abstention from certain foods. Paul does not explain the reasoning behind their prohibitions but instead points out the error. These false teachers did not allow things that “God created to be received with thanksgiving by those who believe and who know the truth” (v. 3). Paul urges us that “everything God created is good” and introduces the common practice of giving thanks before meals (vv. 4–5). When we give thanks for our meal, we recognize God’s goodness and generosity. Some call this practice “saying grace” because we are acknowledging that God is the source of our food. It comes to us as a gift of His grace. The term grace is related to the Latin word gratia which means thankfulness. The custom of saying grace is reflected in Deuteronomy 8:10, which urges, “When you have eaten and are satisfied, praise the Lord your God for the good land he has given you.” >> Even Jesus “blessed” the food at meals by giving thanks (Matt. 15:36). Today, before you eat, take time to acknowledge your food as a gift of God. Maybe this will begin or renew a tradition in your family!

Giving Thanks, Saying Grace

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In today's story, Saying Grace, tensions rise over a Thanksgiving traditionToday's prompt was inspired by the upcoming Thanksgiving holiday. Many families have complicated holiday gatherings, and sometimes a small detail can trigger big feelings.  More about Susan QuiltySusan Quilty mainly writes novels, including two standalone novels and her current YA series: The Psychic Traveler Society.  Susan's short stories for Freely Written are created during quick writing breaks and shared as a way to practice her narration skills before she dives into recording audio versions of her novels.Website:  SusanQuilty.comPatreon: Patreon.com/SusanQuiltyThe Freely Written Book: Freely Written Vol. 1Freely Written merch: Bitter Lily Books ShopSupport the show

Would you buy an “All You Can Fly” pass from an airline?  One airline is introducing this pass, and Anna thinks it's a great idea! (:30) Are you up to date on this week's biggest news stories? Anna and Raven will get you caught up on what's trending and this week it's all about the music! (2:37) It's never nice to criticize someone's parenting, but if you do and you're not even parent yourself, that's all I need to know about you! (6:32) Is there a dish that you absolutely don't like at Thanksgiving dinner? Producer Jon's family has a special dish they make every year, but no one actually eats it! (10:11) Is it ok to apologize to your children?  Some parents think that apologizing takes away their power, but child psychologist Dr. Joe Schippa thinks there may be some benefits! (16:58) Saying Grace at Thanksgiving dinner is a job you wouldn't normally leave to a child, but Anna and Raven sent Producer Jon to find out what the kids would say in that situation! (20:58) Do you know any good dad jokes?  Anna's husband Paul knows a ton, so Anna asked him to share some of the best ones on the air! (23:44) Anna and Raven's Road Show returns!  Ryan Brechlin, a Professional Antiques Appraiser, is in studio to determine if the old junk in your house is actually worth anything! (26:51) Andrew and Gianna have a nine-year-old daughter who is very good at gymnastics. They would like to send her to an elite gymnastics' academy but it's very expensive. Andrew says they should ask their family to not give her Christmas gifts this year, instead give them money towards the gymnastics academy. Gianna says it's not fair to their daughter that she won't get regular gifts and basically, it's a family Go Fund Me for their child. As the parents, it should be their responsibility to fit the bill even if it'll be a struggle. What do you think?  (34:30) Gina thinks she's got what it takes to beat Raven in pop culture trivia.  Can she succeed and win the $3900 jackpot?  (42:30)

Do you say grace before every meal? Sorry! You might want to listen to this episode and get your laugh on it. Have a blessed day. --- Send in a voice message: https://anchor.fm/dave-c-joseph-jr0/message Support this podcast: https://anchor.fm/dave-c-joseph-jr0/support

While studying, for the first time in any depth: Matthew 14:16-20 16 But Jesus said to them, "They do not need to go away; you give them something to eat!" 17 And they *said to Him, "We have here only five loaves and two fish." 18 And He said, "Bring them here to Me." 19 And ordering the multitudes to recline on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave to the multitudes, 20 and they all ate, and were satisfied. And they picked up what was left over of the broken pieces, twelve full baskets. My whole Christian life, I have been breaking every prayer principle in Scripture regarding praying before meals. In my repentance, I was struck at the matter-of-fact resolve with which I approached that repentance. We are convicted in two primary ways: 1. Brokenness. 2 Steadfast resolve to obey. David teaches us that both are valid, and our souls experience both. Bonus: Listen to "When We All Get to Heaven/In the Sweet By and By" From the Album: Hymns by Chad Marvin and Jonna Chapman Purchase "Hymns" marvinandchapmanmusic.com And everywhere music is sold. I'll cast on Him my every care, And wait for thee, sweet hour of prayer!" Assistant Editor: Seven Jefferson Gossard www.frponprayer.com freerangeprayer@gmail.com Facebook - Free Range Preacher Ministries Instagram: freerangeministries All our Scripture quotes are drawn from the NASB 1977 edition. For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.com Our podcast art was designed by @sammmmmmmmm23 Instagram Season 4 Episode 55

www.CCPL.life // The notes for this message are available here: http://bible.com/events/48916281 // Learn more about our events and community groups, or send in a prayer request:  www.CCPL.life/connect  //  Connect with us: www.Facebook.com/ccofpl www.Instagram.com/ccofpl www.CCPL.life info@ccpl.life // Speaker: Mike Rybka, Date: July 3, 2022

"Saying Grace" - November 18th, 2018 Message From The Bridge Find more Sunday messages at: thebridgemaryville.com

Pastor Mark dives into Mark in the eighth message of our Gospel of Mark series as he walks through Mark 2:13-17.

The Johnson family comes home for dinner. Mr. Johnson is drunk, Timmy learns to drive, sheep are murdered, and much more. Buttercups & Moonbeams releases every other Sunday in collaboration with Brandeis Television at Brandeis University Timmy - Omer Barash Grace, Father Joseph, & Anastasia - Andie Sheinbaum Mr. Johnson - Paul Weir Cosmo & John Doe - Avi Patel Original Theme - Miles Goldstein Additional Music - Migfus20 Direction & Edit - Corey Brown This Episode Produced by Khaili Rowan & Joshua Lannon

Jenny Sawyer, CS, from Boston, Massachusetts, USA

Jesus gave us a practice to commune with God and invites us to take a seat at his table. Scripture: Luke 22:7-30

Children's Bible Hour Episode of the Week. New Episodes Every Tuesday!

Episode 5 --- Support this podcast: https://anchor.fm/darius-deante/support

Episode lucky number 7 is that way because we had the wonderful and talented Grace Weber as a guest! She just dropped a single on the 12th but made time to talk to us about her journey; all things growing up in Wisconsin, singing for Oprah, and getting flashed in NYC (apparently that doesn't just happen in movies). You're welcome! Go stream her latest single, “Feels Like Heaven” now! Follow the show for a chance to send questions and join a live Q&A: Instagram: https://www.instagram.com/lobbycallpodcast/ Follow me: Instagram: https://www.instagram.com/maxwell_sensei/ Twitter: https://twitter.com/maxwellhunter1 TikTok: maxwell.sensei https://vm.tiktok.com/3qFUu6/ Twitch: https://www.twitch.tv/maxwell_sensei Follow Masego, Dan, and Grace Weber: Masego's Instagram: https://www.instagram.com/masego/ Dan's Instagram: https://www.instagram.com/dan_the_manimal/ Grace's Instagram: https://www.instagram.com/graceweber/ #LobbyCallPodcast

Ari explains why the God talk in AA made her uncomfortable. Plus, the end of a marriage? It's a pink cloud!

We have a Patreon! Extra content for our patrons; if you like what we do and you're able, throw in a shekel. In the first Thanksgiving episode, Roberta and Dan talk about some recent hot takes, viewer reactions, and COVID-inspired holiday plans. From this week's episode: Lee Turkey Farm is still your place for fresh produce throughout the year Dan refers to his 2009 Thanksgiving post on the Basket of Kisses blog ... the actual image of the illustration is no longer available in the post, but you can view Saying Grace here. Wishing our listeners a safe, happy, warm and healthy holiday! Hosts - Roberta Lipp & Dan Jasper Sound & Graphics Consultant - Albert Stern (stickrust arts) Music - Adam Michael Tilford Editing - Roberta Lipp Social Media Instagram Twitter Facebook

Saying Grace by Cornerstone Presbyterian Church Franklin

A sermon from Psalm 34 by Dr. Joshua Scott

As a kid, growing up Catholic, I don’t remember ever “saying grace” before a meal. My dad worked in retail and most of the time he was rarely home for dinner. So, it was me and mom and we ate sitting in front of the TV. (Do you remember TV Dinners?) We never got into the habit of thanking God for providing the meal. On occasion when we went to someone else’s house for dinner — especially Thanksgiving — that’s when the host or hostess would pause to say grace. As a single adult living in Miami, my church used to hold a community Thanksgiving dinner. It was always hosted by someone with a large enough house to hold around 30 people. Someone made the turkey and we all brought a dish to share. Yes, it was a potluck Thanksgiving and it was fun. That’s really when I first started occasionally saying grace before a meal. But, it was only with a group — at a potluck. By myself, I never did. It’s taken many decades of struggles for me to realize that EVERYTHING I have — food included — it’s because God allowed me to have it. He gave me the skill, knowledge, and experience to earn a living and buy the food. Even when money’s tight, I am able to go to a food pantry to get food. He always provides. Now, I thank Him before every meal. Not always before the first bite, but I do thank Him. Role Models Saying Grace in the New Testament... Keep reading in my blog where you can pray along with me and I embedded a special worship video for you... If you want to reap all the benefits of salvation including the 1-way, non-stop ticket to Heaven then… Believe. Repent. Be Baptized. Receive the Holy Spirit. Pray this prayer humbly and wholeheartedly… “Dear Lord Jesus, I know I am a sinner. I believe You died for my sins. Please forgive me. Right now, I turn from my sins and open the door of my heart and my life to you. I confess You as my personal Lord and Savior. I surrender my whole life to you and I will follow you for the rest of my life. Thank You, Jesus, for saving me. In Jesus' name, Amen.” Jesus is coming back soon! Are you ready? Soli Deo Gloria — To God Alone Be the Glory! This is a daily podcast, published each evening. Hit the subscribe button so you don’t miss out! And please share this with your friends. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/seek-the-truth/message

Saying grace before meals is a common tradition in the Catholic faith. Today, Jeff delves into the biblical history of praying before meals and offers us two main ways to pray before meals so that however we pray, it may be a meaningful tradition in our homes. Snippet from the Show When we bless God before meals, we acknowledge that he is the giver of all good gifts. Email us with comments or questions at thejeffcavinsshow@ascensionpress.com Text “jeffcavins” to 33-777 to subscribe and get Jeff’s shownotes delivered straight to your email! Or visit ascensionpress.com/thejeffcavinsshow for full shownotes!

A new MP3 sermon from Bethlehem Missionary Baptist Church is now available on SermonAudio with the following details: Title: Saints, Sinners, and Saying Grace Speaker: Brian Johnson Broadcaster: Bethlehem Missionary Baptist Church Event: Sunday Service Date: 10/11/2020 Bible: 1 Timothy 4:1-5 Length: 47 min.

A new MP3 sermon from Bethlehem Missionary Baptist Church is now available on SermonAudio with the following details: Title: Saints, Sinners, and Saying Grace Speaker: Brian Johnson Broadcaster: Bethlehem Missionary Baptist Church Event: Sunday Service Date: 10/11/2020 Bible: 1 Timothy 4:1-5 Length: 47 min.

The science of gratitude and power of believing you can is where we dwell today. Plant Based Believer Day 56 --- Send in a voice message: https://anchor.fm/plantbasedbeliever/message

“If one offers Me with love and devotion a leaf, a flower, fruit, or water, I will accept it.” (Lord Krishna, Bhagavad-gita, 9.26)

Breaking Animal News, Brant's Birthday Dinner, Tiny Houses Revisited, McDonalds Pizzaz, Singing to Katy, Politics and Anger, The Wrong Number Theory, Saying Grace, If We're in a Computer Simulation; Quotes: “My wife and Sherri were goofing off while I was praying.” “I'm not a cartoon character. I need more than 1 outfit.” “I wanted my kids to associate singing to God with being held.” “It's the unwarranted suggestion of intellectual superiority that gets me.”