Podcasts about Norman Rockwell

In this powerful and wide-ranging episode of Gangland Wire, host Gary Jenkins sits down with Ken Behr, author of One Step Over the Line: Confessions of a Marijuana Mercenary. Behr tells his astonishing life story—from teenage marijuana dealer in South Florida, to high-level drug runner and smuggler, to DEA cooperating source working major international cases. Along the way, he offers rare, first-hand insight into how large-scale drug operations actually worked during the height of the War on Drugs—and why that war, in his view, has largely failed. From Smuggler to Source Behr describes growing up during the explosion of the drug trade in South Florida during the 1970s and 1980s, where smuggling marijuana and cocaine became almost commonplace. He explains how he moved from street-level dealing into large-scale logistics—off-loading planes, running covert runways in the Everglades, moving thousands of pounds of marijuana, and participating in international smuggling operations involving Canada, Jamaica, Colombia, and the Bahamas. After multiple arrests—including a serious RICO case that threatened him with decades in prison—Behr made the life-altering decision to cooperate with the DEA. What followed was a tense and dangerous double life as an undercover operative, helping law enforcement dismantle major trafficking networks while living under constant pressure and fear of exposure. Inside the Mechanics of the Drug Trade This episode goes deep into the nuts and bolts of organized drug trafficking, including: How clandestine runways were built and dismantled in minutes How aircraft were guided into unlit landing zones How smuggling crews were paid and organized Why most drug operations ultimately collapse from inside The role of asset seizures in federal drug enforcement Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [00:00:00] well, hey, all your wire taps. It’s good to be back here in studio of Gangland Wire. I have a special guest today. He has a book called, uh, title is One Step Over the Line and, and he went several steps over the line, I think in his life. Ken Bearer, welcome Ken. Thanks for having me. Thanks for having me. Now, Ken, Ken is a, was a marijuana smuggler at one time and, and ended up working with the DEA, so he went from one side over to my side and, and I always like to talk to you guys that that helped us in law enforcement and I, there’s a lot of guys that don’t like that out there, but I like you guys you were a huge help to us in law enforcement and ended up doing the right thing after you made a lot of money. So tell us about the money. We were just starting to talk about the money. Tell us about the money, all those millions and millions of dollars that you drug smuggler makes. What happens? Well, I, you know, like I said, um, Jimmy Buffett’s song a pirate looks at 40, basically, he says, I made enough money to to buy Miami and pissed it away all so fast, never meant to last. And, and that’s what happens. I do know a few people that have [00:01:00] put away money. One of my friends that we did a lot of money together, a lot of drug dealing and a lot of moving some product, and he’s put the money away. Got in bed with some other guy that was, you know, legal, bought a bunch of warehouses, and now he lives a great life, living off the money he put away. Yeah. If the rents and stuff, he, he got into real estate. Other guys have got into real estate and they got out and they ended up doing okay. ’cause now they’re drawing all those rents. That’s a good way to money. Exactly what he did. Uh, my favorite, I was telling you a favorite story of mine was the guy that was a small time dealer used to hang out at the beach. And, uh, we en he ended up saving $80,000, which was a lot of money back then. Yeah. And then put it all, went to school to be a culinary chef and then got a job at the Marriott as a culinary chef and a chef. So he, you know, he really took the money, made a little bit of money, didn’t make a lot Yeah. But made enough to go to school and do something with his life. That’s so, um, that’s a great one. That’s a good one [00:02:00] there. That’s real. Yeah. But he wasn’t a big time guy. Yeah. You know what, what happens is you might make a big lick. You know, I, I never made million dollar moves. I have lots of friends that did. I always said I didn’t want to be a smuggler. ’cause I was making a steady living, being a drug runner. If you brought in 40, 50,000 pounds of weed, you would come to me and then I would move it across the country and sell it in different, along with other guys like me. Having said that, so I say I’m a guy that never wanted to do a smuggling trip. I’ve done 12 of them. Yeah. Even though, you know, and you know, if you’ve been in the DEA side twelve’s a lot for somebody usually. Yeah. That’s a lot. They don’t make, there’s no longevity. Two or three trips. No. You know, I did it for 20 years. Yeah. And then finally I got busted one time in Massachusetts in 1988. We had 40,000 pounds stuck up in Canada. So a friend of mine comes to me, another friend had the 40,000 pounds up there. He couldn’t sell it. He goes, Hey, you wanna help me smuggle [00:03:00] this back into America? Which, you know, is going the wrong direction. The farther north it goes, the more money it’s worth. I would’ve taken it to Greenland for Christ’s sakes. Yeah. But, we smuggled it back in. What we did this time was obviously they, they brought a freighter or a big ship to bring the 40,000 pounds into Canada. Mm-hmm. He added, stuffed in a fish a fish packing plant in a freezer somewhere up there. And so we used the sea plane and we flew from a lake in Canada to a lake in Maine where the plane would pull up, I’d unload. Then stash it. And we really did like to get 1400 pounds. We had to go through like six or seven trips. ’cause the plane would only hold 200 and something pounds. Yeah. And a sea plane can’t land at night. It has to land during the day. Yeah. You can’t land a plane in the middle of a lake in the night, I guess yourself. Yeah. I see. Uh, and so we got, I got busted moving that load to another market and that cost, uh, [00:04:00] cost me about $80,000 in two years of fighting in court to get out of that. Yeah. Uh, but I did beat the case for illegal search and seizure. So one for the good guys. It wasn’t for the good guys. Well the constitution, he pulled me over looking for fireworks and, ’cause it was 4th of July and, yeah. The name of that chapter in the book is why I never work on a holiday. So you don’t wanna spend your holiday in jail ’cause there’s no, you can’t on your birthday. So another, the second time I got busted was in 92. So just a couple years later after, basically I was in the system for two years with the loss, you know, fighting it and that, that was for Rico. I was looking at 25 years. But, uh, but like a normal smuggling trip. I’ll tell you one, we did, I brought, I actually did my first smuggling trip. I was on the run in Jamaica from a, a case that I got named in and I was like 19 living down in Jamaica to cool out. And then my buddies came down. So we ended up bringing out 600 pounds. So that was my first tr I was about 19 or [00:05:00] 20 years old when I did my first trip. I brought out 600 pounds outta Jamaica. A friend of mine had a little Navajo and we flew it out with that, but. I’ll give you an example of a smuggling trip. So a friend of mine came to me and he wanted to load 300 kilos of Coke in Columbia and bring it into America. And he wanted to know if I knew anybody that could load him 300 kilos. So I did. I introduced him to a friend of mine that Ronnie Vest. He’s the only person you’ll appreciate this. Remember how he kept wanting to extradite all the, the guys from Columbia when we got busted, indict him? Yes. And of course, Escobar’s living in his own jail with his own exit. Yeah. You know, and yeah. So the Columbian government says, well, we want somebody, why don’t you extradite somebody to America, to Columbia? So Ronnie Vest had gotten caught bringing a load of weed outta Columbia. You know, they sent ’em back to America. So that colo, the Americans go, I’ll tell you what you want. Somebody. And Ronnie Vests got the first good friend of mine, first American to be [00:06:00] extradited to Columbia to serve time. So he did a couple years in the Columbian prison. And so he’s the one that had the cocaine connection now. ’cause he spent time in Columbia. Yeah. And you know, so we brought in 300 kilos of Coke. He actually, I didn’t load it. He got another load from somebody else. But, so in the middle of the night, you set up on a road to nowhere in the Everglades, there’s so many Floridas flat, you’ve got all these desolate areas. We go out there with four or five guys. We take, I have some of ’em here somewhere. Callum glow sticks. You know the, the, the glow sticks you break, uh, yeah. And some flashing lights throw ’em out there. Yeah. And we set up a, yeah, the pilot came in and we all laid in the woods waiting for the plane to come in. And as soon as the pilot clicks. The mic four times. It’s, we all click our mics four times and then we run out. He said to his copilot, he says, look, I mean, we lit up this road from the sky. He goes, it looks like MIA [00:07:00] behind the international airport. But it happens like that within a couple, like a minute, we’ll light that whole thing up. Me and one other guy run down the runway. It’s a lot, it’s a long run, believe me. We put out the lights, we gotta put out the center lights and then the marker lights, because you gotta have the center of the runway where the plane’s gonna land and the edge is where it can’t, right? Yeah. He pulls up, bring up a couple cars, I’m driving one of them, load the kilos in. And then we have to refuel the plane because you don’t, you know, you want to have enough fuel to get back to an FBO to your landing airport or real airport. Yeah. Not the one we made in the Everglades. Yeah. And then the trick is the car’s gotta get out of there. Yeah, before the plane takes off. ’cause when that plane takes off, you know you got a twin engine plane landing is quiet, taking off at full throttle’s gonna wake up the whole neighborhood. So once we got out of there, then they went ahead and got the plane off. And then the remaining guys, they gotta clean up the mess. We want to use this again. So we [00:08:00] wanna clean up all the wires, the radios. Mm-hmm. Pick up the fuel tanks, pick up the runway lights, and their job is to clean that off and all that’s gonna take place before the police even get down the main road. Right? Mm-hmm. That’s gonna all take place in less than 10 minutes. Wow. I mean, the offload takes, the offload takes, you can offload about a thousand pounds, which I’ve done in three minutes. Wow. But, and then refueling the plane, getting everything else cleaned up. Takes longer. Yeah. Interesting. So how many guys would, would be on that operation and how do you pay that? How do you decide who gets paid what? How much? Okay. So get it up front or, I always curious about the details, how that stuff, I don’t think I got paid enough. And I’ll be honest, it was a hell of a chance. I got 20 grand looking at 15 years if you get caught. Yeah. But I did it for the excitement. 20 grand wasn’t that much. I had my own gig making more money than that Uhhuh, you know, but I was also racing cars. I was, there’s a [00:09:00] picture of one of my race cars. Oh cool. So that costs about six, 7,000 a weekend. Yeah. And remember I’m talking about 1980s dollars. Yeah. That’s 20,000 a weekend. A weekend, yes. Yeah. And that 20,000 for a night’s work in today’s world would be 60. Yeah. Three. And I’m talking about 1985 versus, that was 40 years ago. Yeah. Um. But it’s a lot of fun and, uh, and, but it, you kind of say to yourself, what was that one step over the line? That’s why I wrote the book. I remember as a kid thinking in my twenties, man, I’ve taken one step over the line. So the full name of the book is One Step Over the Line Con Confessions of a Marijuana Mercenary. That’s me actually working for the DEA. That picture was at the time when I was working for the DEA, so the second time I got busted in 1992 was actually for the smallest amount of weed that I ever got, ever really had. It was like 80, a hundred pounds. But unfortunately it was for Rico. I didn’t know at the [00:10:00] time, but when they arrested me, I thought, oh, they only caught me with a hundred pounds. But I got charged with Rico. So I was looking at 25 years. What, how, what? Did they have some other, it must have had some other offenses that they could tie to and maybe guns and stuff or something that get that gun. No, we never used guns ever. Just other, other smuggling operations. Yeah, yeah. Me, me and my high school friend, he had moved to Ohio in 77 or 78, so he had called me one time, he was working at the Ford plant and he goes, Hey, I think I could sell some weed up here. All right. I said, come on down, I’ll give you a couple pounds. So he drives down from Ohio on his weekend off, all the way from Ohio. I gave him two pounds. He drove home, calls me back. He goes, I sold it. So I go, all right. He goes, I’m gonna get some more. So at that time, I was working for one of the largest marijuana smugglers in US History. His name was Donny Steinberg. I was just a kid, you know, like my job, part of my [00:11:00] job was to, they would gimme a Learjet. About a million or two and I jump on a Learjet and fly to the Cayman Islands. I was like 19 years old. Same time, you know, kid. Yeah, just a kid. 19 or 20 and yeah. 18, I think. And so I ended up doing that a few times. That was a lot of fun. And that’s nice to be a kid in the Learjet and they give me a million or two and they gimme a thousand dollars for the day’s work. I thought I was rich, I was, but people gotta understand that’s in that 78 money, not that’s, yeah. That was more like $10,000 for day, I guess. Yeah. You know? Yeah. It was a lot of money for an 18, 19-year-old kid. Yeah. Donnie gives me a bail. So Terry comes back from Ohio, we shoved the bale into his car. Barely would fit ’cause he had no big trunk on this Firebird. He had, he had a Firebird trans Am with the thunder black with a thunder, thunder chicken on the hood. It was on the hood. Oh cool. That was, that was a catch meow back then. Yeah. Yeah. It got it with that [00:12:00] Ford plant money. And uh, by the way, that was after that 50 pounds got up. ’cause every bail’s about 50 pounds. That’s the last he quit forward the next day. I bet. And me and him had built a 12 year, we were moving. Probably 50 tons up there over the 12 year period. You know, probably, I don’t know, anywhere from 50 to a hundred thousand pounds we would have, he must have been setting up other dealers. So among his friends, he must have been running around. He had the distribution, I was setting up the distribution network and you had the supply. I see. Yeah. I was the Florida connection. It’s every time you get busted, the cops always wanna grab that Florida connection. Oh yeah. Oh yeah. You gotta go down there. I there, lemme tell you, you know, I got into this. We were living in, I was born on a farm in New Jersey, like in know Norman Rockwell, 1950s, cow pies and hay bales. And then we moved to New Orleans in 1969 and then where my dad had business and right after, not sure after that, he died when I was 13. As I say in the book, I [00:13:00] probably wouldn’t have been writing the book if my father was alive. Yeah. ’cause I probably wouldn’t have went down that road, you know? But so my mother decides in 1973 to move us to, uh, south Florida, to get away from the drugs in the CD underside of New Orleans. Yeah. I guess she didn’t read the papers. No. So I moved from New Orleans to the star, the war on where the war on drugs would start. I always say if she’d have moved me to Palo Alto, I’d be Bill Gates, but No. Yeah, yeah, yeah. I was so, uh, and everybody I knew was running drugs, smuggling drugs, trying to be a drug deal. I mean, I was, I had my own operation. I was upper middle level, but there were guys like me everywhere. Mm-hmm. There were guys like me everywhere, moving a thou, I mean, moving a thousand, 2000 pounds at the time was a big thing, you know? That’s, yeah. So, so about what year was that? I started in 19. 70. Okay. Three. I was [00:14:00] 16. Started selling drugs outta my mom’s house, me and my brother. We had a very good business going. And by the time I was got busted, it was 19 92. So, so you watched, especially in South Florida, you watched like where that plane could go down and go back up that at eventually the feds will come up with radar and they have blimps and they have big Bertha stuff down there to then catch those kinds of things. Yeah. Right, right. Big Bertha was the blimp. Uhhuh, uh, they put up, yeah. In the beginning you could just fly right in. We did one trip one time. This is this, my, my buddy picked up, I don’t know, 40 or 50 kilos in The Bahamas. So you fly into Fort Lauderdale and you call in like you’re gonna do a normal landing. Mm-hmm. And the BLI there. This is all 1980s, five. You know, they already know. They’re doing this, but you just call in, like you’re coming to land in Fort Lauderdale, and what you do is right before you land, you hit the tower up and you tell ’em you wanna do a [00:15:00] go around, meaning you’re not comfortable with the landing. Mm-hmm. Well, they’ll always leave you a go around because they don’t want you to crash. Yeah. And right west of the airport was a golf course, and right next to the golf course, oh, about a mile down the road was my townhouse. So we’re in the townhouse. My buddies all put on, two of the guys, put on black, get big knives, gear, and I drive to one road on the golf course and my other friend grows Dr. We drop the guys off in the golf course as the plane’s gonna do the touchdown at the airport. He says, I gotta go around. As he’s pulling up now, he’s 200 feet below the radar, just opens up the side of the plane. Mm-hmm. The kickers, we call ’em, they’re called kickers. He kicks the baskets, the ba and the guys on, on the golf court. They’re hugging trees. Yeah. You don’t wanna be under that thing. Right. You got a 200, you got maybe a 40 pound package coming in at 120 miles an hour from 200 feet up. It’ll break the bra. It’ll yeah. The [00:16:00] branches will kill you. Yeah. So they pull up, they get out, I pull back up in the pickup truck, he runs out, jumps in the back of the truck, yells, hit it. We drive the mile through the back roads to my townhouse. Get the coke in the house. My buddy rips it open with a knife. It’s and pulls out some blow. And he looks at me, he goes, Hey, let’s get outta here. And I go, where are we going? Cops come and he goes, ah, I got two tickets. No, four tickets to the Eddie Murphy concert. So we left the blow in this trunk of his car. Oh. Oh, oh man. I know. We went to Eddie Murphy about a million dollars worth of product in the trunk. Oh. And, uh, saw a great show and came back and off they went. That’s what I’m trying to point out is that’s how fast it goes down, man. It’s to do. Yeah. Right in, in 30 minutes. We got it out. Now the thing about drug deals is we always call ’em dds delayed dope deals because the smuggling [00:17:00] trip could take six months to plan. Yeah. You know, they never go, there’s no organized crime in organized crime. Yeah. No organization did it. Yeah. And then, then of course, in 1992 when I got busted and was looking at Rico, a friend of mine came up to me. He was a yacht broker. He had gotten in trouble selling a boat, and he said, Hey, I’d you like to work for the DEA. I’d done three months in jail. I knew I was looking at time, I knew I had nothing. My lawyers told me, Kenny, you either figure something out or you’re going to jail for a mm-hmm. And I just had a newborn baby. I just got married three weeks earlier and we had a newborn baby. I said, what are you crazy? I mean, I’m waiting for my wife to hear me. You know, he’s calling me on the phone. He goes, meet me for lunch. I go meet him for lunch. And he explains to me that he’s gonna, he’s got a guy in the, uh, central district in Jacksonville, and he’s a DEA agent, and I should go talk to him. And so the DEA made a deal with the Ohio police that anything that I [00:18:00] confiscated, anything that I did, any assets I got, they would get a share in as long as they released me. Yeah. To them. And, you know, it’s all about the, I hate to say this, I’m not saying that you don’t want to take drugs off the street, but if you’re the police department and you’re an agent, it’s about asset seizures. Yeah. Yeah. That’s how you fund the dr. The war on drugs. Yeah. The war begets war. You know, I mean, oh, I know, been Florida was, I understand here’s a deal. You’re like suing shit against the tide, right? Fighting that drug thing. Okay? It just keeps coming in. It keeps getting cheaper. It keeps getting more and more. You make a little lick now and then make a little lick now and then, but then you start seeing these fancy cars and all this money out there that you can get to. If you make the right score, you, you, you hit the right people, you can get a bunch of money, maybe two or three really cool cars for your unit. So then you’ll start focusing on, go after the money. I know it’s not right, but you’re already losing your shoveling shit against the tide anyhow, so just go after the goal. [00:19:00] One time I set up this hash deal for the DEA from Amsterdam. The guy brought the hash in, and I had my agent, you know, I, I didn’t set up the deal. The guy came to me and said, we have 200 kilos of hash. Can you help us sell it? He didn’t know that I was working for the DEA, he was from Europe. And I said, sure. The, the thing was, I, so in the boat ready to close the deal, now my guy is from Central. I’m in I’m in Fort Lauderdale, which is Southern District. So he goes, Hey, can you get that man to bring that sailboat up to Jacksonville? I go, buddy, he just sailed across the Atlantic. He ain’t going to Jacksonville. So the central district has to come down, or is a northern district? I can’t remember if it’s northern or central. Has to come down to the Southern district. So, you know, they gotta make phone calls. Everybody’s gotta be in Yep. Bump heads. So I’m on the boat and he calls me, he goes, Hey, we gotta act now. Yeah. And I’m looking at the mark, I go, why? He [00:20:00] goes, customs is on the dock. We don’t want them involved. So you got the two? Yeah. So I bring him up, I go, where’s the hash? He goes, it’s in the car. So we go up to the car and he opens the trunk, and I, I pull back one of the duffle bags I see. I can tell immediately it’s product. So I go like this, and all hell breaks loose, right? Yeah. I could see the two customs agents and they’re all dressed like hillbillies. They, you know. So I said to my, my handler, the next day I called them up to debrief. You know, I have to debrief after every year, everything. I goes, so what happened when customs I go, what’d they want to do? He goes, yep. They wanted to chop the boat in threes. So they’re gonna sell the boat and the 2D EA offices are gonna trade it. Yeah. Are gonna shop the money. Yeah. I remember when I registered with the DEA in, in, in the Southern district, I had to tell ’em who I was. They go, why are you working for him? Why aren’t you working for us? I’m like, buddy, I’m not in charge here. This is, you know? Yeah. I heard that many [00:21:00] times through different cases we did, where the, the local cop would say to me, why don’t you come work for us? Oh yeah. Try to steal your informant. Oh, yeah, yeah, yeah, yeah. So how about that? So, can you get a piece of the action if they had a big case seizure? Yeah. Did they have some deal where you’d get a piece of that action there? Yep. That’s a pretty good deal. Yeah. So I would get, I, I’d get, like, if we brought down, he would always tell everybody that he needed money to buy electronics and then he would come to me and go, here’s 2000. And to the other cis, he had three guys. I saw a friend of mine, the guy that got me into the deal. Them a million dollar house or a couple million dollar house. And I saw the DEA hand him a suitcase with a million dollars cash in it. Wow. I mean, I’m sorry, with a hundred thousand cash. A hundred thousand. Okay. I was gonna say, I was thinking a million. Well, a hundred thousand. Yeah, a hundred thousand. I’ve heard that. I just didn’t have any experience with it myself. But I heard that. I saw, saw Open it up, saw money. I saw the money. It was one of those aluminum halla, Halliburton reef cases and Yeah, yeah. A [00:22:00] hundred thousand cash. But, uh, but you know, um, it’s funny, somebody once asked me out of, as a kid I wanted to be a cowboy, a race car driver, and a secret agent. Me too. Yes. Yeah. I didn’t want, I wanted to be a, I grew up on a farm, so I kind of rode a horse. I had that watched Rowdy, you got saved background as me, man. Yeah. You know, we watched, we watched, we grew up on westerns. We watched Gun Smoke, rowdy. Oh yeah. You know, uh, bananas, uh, you know, so, um. So anyway, uh, I got to raise cars with my drug money, and I guess I’m not sure if I was more of a secret agent working as a drug dealer or as the DEA, but it’s a lot of I, you know, I make jokes about it now, but it’s a lot of stress working undercover. Oh, yeah. Oh, I can’t even imagine that. I never worked undercover. I, that was not my thing. I like surveillance and putting pieces together and running sources, but man, that actual working undercover that’s gotta be nerve wracking. It’s, you know, and, and my handler was good at it, but [00:23:00] he would step out and let, here’s, I’ll tell you this. One day he calls me up and he goes, Hey, I’m down here in Fort Lauderdale. You need to come down here right now. And I’m having dinner at my house about 15 minutes away. Now he lives in Jacksonville. I go, what’s he doing in Fort Lauderdale? So I drive down to the hotel and he’s got a legal pad and a pen. He goes, my, uh, my, my seniors want to, uh, want you to proffer. You need to tell me everything you ever did. And they want me to do a proffer. And I go, I looked at him. I go, John, I can’t do that. He start, we start writing. I start telling him stuff. I stop. I go, I grew up in this town. Everybody I know I did a drug deal with from high school, I go, I would be giving you every single kid, every family, man, I grew up here. My, I’m gonna be in jail, and my wife and my one and a half year old daughter are gonna be the only people left in this town, and they’re not gonna have any support. And I just can’t do this to all my friends. Yeah. So he says, all right, puts the pen down. I knew [00:24:00] he hated paperwork, so I had a good shot. He wasn’t gonna, he goes, yeah, you hungry? I go, yeah. He goes, let’s go get a steak. And right across the street was a place called Chuck Steakhouse, which great little steak restaurant. All right. So we go over there, he goes, and he is a big guy. He goes, sit right here. I go, all right. So I sit down. I, I’m getting a free steak. I’m gonna sit about through the steak dinner, it goes. Look over my shoulder. So I do this. He goes, see the guy at the bar in the black leather jacket. I go, yeah. He goes, when I get up and walk outta here, when I clear the door, I want you to go up to him and find a talk drug deal. See what you can get out of him. I go, you want me to walk up to a complete stranger and say, he goes, I’m gonna walk out the door. When I get out the door. You’re gonna go up and say, cap Captain Bobby. That was his, he was a ca a boat captain and his nickname, his handle was Captain Bobby. And he was theoretically the next Vietnam vet that now is a smuggler, you know?[00:25:00] Yeah. And so he walks out the door and I walked out and sat with the guy at the bar and we started, I said, hi, captain Bobby sent me, I’m his right hand man, you know, to talk about. And we talked and I looked around the bar trying to see if anybody was with him. And I’m figuring, now I’m looking at the guy going, why is he so open with me? And I’m thinking, you know what? He’s wearing a leather jacket. He’s in Florida. I bet you he’s got a wire on and he’s working for customs and I’m working for the DEA, so nothing ever came of it. But you know, that was, you know, you’re sitting there eating dinner and all of a sudden, you know, look over my shoulder. Yeah. And, you know, and I’m trying to balance all that with having a newborn that’s about a year old and my wife and Yeah. Looking at 25 years. So a little bit of pressure. But, you know, hey and I understand these federal agencies, everybody’s got, everybody is, uh, uh, aggressive. Everybody is ambitious. And you just are this guy in the middle and right. And they’ll throw you to the [00:26:00] wolves in a second. Second, what have you done for a second? Right? It’s what have you done for me lately? He’s calling me up and said, Hey, I don’t got any product from you in a minute. I go, well, I’m working on it. He goes, well, you know, they’ll kick you outta the program. Yeah. But one of the things he did he was one of, he was the GS 13. So he had some, you know, he had level, you know, level 15 or whatever, you know, he was, yeah. Almost at the head of near retirement too. And he said, look, he had me, he had another guy that was a superstar, another guy. And we would work as a team and he would feed us all the leads. In other words, if David had a case, I’d be on that case. So when I went to go to go to trial or go to my final, he had 14 or 15 different things that he had penciled me in to be involved with. The biggest deal we did at the end of my two years with the DEA was we brought down the Canadian mob. They got him for 10,000 kilos of cocaine, import 10,000 kilos. It was the Hell’s Angels, the Rock something, motorcycle [00:27:00] gang, the Italian Mafia and the, and the Irish mob. Mm-hmm. And the guy, I mean, this is some badass guys. I was just a player, but. The state of Ohio, they got to fly up there and you know, I mean, no words, the dog and pony show was always on to give everybody, you know. Yes. A bite at the apple. Oh yeah. But I’ll tell you this, it’s been 33 years and the two people that I’m close to is my arresting officer in Ohio and my DEA handler in Jacksonville. The arresting officer, when he retired, he called to gimme his new cell phone. And every year or so I call him up around Christmas and say, Dennis, thank you for the opportunity to turn my life around, because I’ve got four great kids. I’ve started businesses, you know, he knows what I’ve done with my life. And the DEA handler, that’s, he’s a friend of mine. I mean, you know, we talk all the time and check on each other. And, you know, I mean, he’s, [00:28:00] they’re my friends. A lot of, not too many of the guys are left from those days that will talk to me. Yeah, probably not. And most of them are dead or in jail anyhow. For, well, a lot of ’em are, maybe not even because of you, I mean, because that’s their life. No, but a lot of them, a number of ’em turned their lives around, went into legal businesses and have done well. Yeah. So, you know, there really have, so not all of ’em, but a good share of ’em have turned, because we weren’t middle class kids. We were, my one friend was, dad was the lieutenant of the police department. The other one was the post guy. We weren’t inner city kids. Yeah. We weren’t meeting we, the drug war landed on us and we just, we were recruited into it. As young as I talk about in my book. But I mean, let’s talk about what’s going on now. Now. Yeah. And listen, I’m gonna put some statistics out there. Last year, 250,000 people were charged with cannabis. 92% for simple possession. There’s [00:29:00] people still in jail for marijuana doing life sentences. I’ve had friends do 27 years only for marijuana. No nonviolent crimes, first time offender. 22 years, 10 years. And the government is, I’ve been involved with things where the government was smuggling the drugs. I mean, go with the Iran Contra scandal that happened. We were trading guns for cocaine with the Nicaraguans in the Sandon Easterns. Yeah. Those same pilots. Gene Hassen Fus flew for Air America and Vietnam moving drugs and gun and, and guns out of Cambodia. Same guy. Air America. Yeah. The American government gave their soldiers opium in Civil War to keep ’em marching. You know, I mean, we did a deal with Lucky Luciano, where we let ’em out of prison for doing heroin exchange for Intel from, from Europe on during World War II and his, and the mob watching the docks for the, uh, cargo ships. So the government’s been intertwined in the war on drugs on two [00:30:00] sides of it. Yeah. You know, and not that it makes it right. Look, I’ve lost several friends to fentanyl that thought they were doing coke and did fentanyl or didn’t even know there was any. They just accidentally did fentanyl and it’s a horrible drug. But those boats coming out of Venezuela don’t have fentanyl on ’em. No. Get cocaine maybe. If that, and they might be, they’re probably going to Europe. Europe and they’re going to Europe. Yeah, they’re going, yeah. They’re doubt they’re going to Europe. Yeah. Yeah. And so let’s put it this way. I got busted for running a 12 year ongoing criminal enterprise. We moved probably 50 tons of marijuana. You know what? Cut me down? One guy got busted with one pound and he turned in one other guy that went all the way up to us. So if you blew up those boats, you know, you’re, you need the leads. You, you can’t kill your clients. Yeah. You know, how are you gonna get, not gonna get any leads outta that. Well, that’s, uh, well, I’m just saying [00:31:00] you right. The, if they followed the boat to the mothership Yeah. They’d have the whole crew and all the cargo. Yeah. You know, it’s, those boats maybe have 200 kilos on ’em. A piece. Yeah. The mothership has six tons. Yeah. That’s it. It’s all about the, uh, the, um, uh, optics. Optics, yeah. That’s the word. It’s all about the optics and, and the politic, you know, in, in some way it may deter some people, but I don’t, I I, I’ve never seen anything, any consequence. In that drug business, there’s too much money. There is no consequence that is really ever gonna deter people from smuggling drugs. Let me put it this way, except for a few people like yourself, there’s a few like yourself that get to a certain age and the consequence of going to prison for a long time may, you know, may bring you around or the, all the risk you’re taking just, you know, you can’t take it anymore, but you gotta do something. But no, well, I got busted twice. Consequence just don’t matter. There is no consequence that’s gonna do anything. Here’s why. And you’re right. [00:32:00] One is how do you get in a race car and not think you’re gonna die? Because you always think it’s gonna happen to somebody else. Exactly. And the drug business is the same. It’s, I’m not, it’s not gonna happen to me tonight. And those guys in Venezuela, they have no electricity. They have no water. Yeah. They got nothing. They have a chance to go out and make a couple thousand dollars and change their family’s lives. Yeah. Or they’re being, they’re got family members in the gar, in the gangs that are forcing them to do it. Yeah. It’s the war on drugs has kind of been a political war and an optics war from the seventies. I mean, it’s nobody, listen, I always say, I say in my book, nobody loved it more than the cops, the lawyers and the politicians. No shit. In Fort Lauderdale, they had nothing, and all of a sudden the drug wars brought night scopes and cigarette boats and fancy cars and new offices. Yes. And new courthouses, and new jails and Yep. I don’t have an answer. Yeah. The problem is, [00:33:00] you know what I’m gonna say, America, Mexico doesn’t have a drug problem. Columbia doesn’t have a drug problem. No. America has a drug problem. Those are just way stations to get the product in. In the cover of my book, it says, you don’t sell drugs, you supply them like ammunition in a war. It’s a, people, we, how do we fix this? How do we get the American people? Oh, by the way, here’s a perfect example. Marijuana is legal in a majority of states. You don’t see anybody smuggling marijuana in, I actually heard two stories of people that are smuggling marijuana out of the country. I’ve heard that. I’ve heard that. Yeah. They’re growing so much marijuana in America that it’s worth shipping to other places, either legally or illegally. Yeah. And, and, and you know, the biggest problem is like, what they’ll do is they’ll set up dispensaries, with the green marijuana leaf on it, like it’s some health [00:34:00] dispensary. But they, they just won’t it’ll be off the books. It just won’t have the licensing and all that. And, you know, you run that for a while and then maybe you get caught, maybe you don’t. And so it’s, you know, it’s, well, the other thing is with that dispensary license. It’s highly regulated, but you can get a lot of stuff in the gray. So there’s three markets now. There’s the white market, which is the legal Yeah. Business that, you know, you can buy stocks in the companies and whatnot. Yeah. There’s the black market, which is the guy on the street that Kenny Bear used to be. And then there’s the gray market where people are taking black market product and funneling it through the white markets without intact, you know, the taxes and the licensing and the, the, uh, testing for, you know, you have to test marijuana for pesticides. Metals, yeah. And, and the oils and the derivatives. You know, there’s oil and there’s all these derivatives. They have to be tested. Well, you could slide it through the gray market into the white market. So I know it’s a addiction, you know, whether it’s gambling or sex or Right. Or [00:35:00] there’s always gonna be people who are gonna take advantage and make money off of addiction. The mafia, you know, they refined it during the prohibition. All these people that drink, you know, and a lot, admittedly, a lot of ’em are social drinkers, but awful lot of ’em work. They had to have it. And so, you know, then gambling addiction. And that’s, uh, well here’s what I say. If it wasn’t for Prohibition Vegas, the mob never would’ve had the power and the money to build Vegas. No, they wouldn’t have anything. So when you outlaw something that people want, you’re creating a, a business. If, if somebody, somebody said the other day, if you made all the drugs legal in America, would that put out, put the drug cartels in Mexico and Columbia and out of business? Yeah, maybe. How about this statistic? About 20 to 30,000 people a year die from cocaine overdose. Most have a medical condition. Unknown unbe, besides, they’re not ODing on cocaine. Yeah. Alright. 300,000 people a year die from obesity. Yeah. And [00:36:00] another, almost four, I think 700, I don’t know, I might be about to say a half a million die from alcohol and tobacco. Mm-hmm. I could be low on that figure. So you’re, you probably are low. Yeah. I could be way more than that. But on my point is we’re regulating alcohol, tobacco, and certainly don’t care how much food you eat, and why don’t we have a medical system that takes care of these people. I don’t know that the answer if I did, but I’m just saying it, making this stuff more valuable and making bigger crime syndicates doesn’t make sense. Yeah. See a addiction is such a psychological, spiritual. Physical maldy that people can’t really separate the three and they don’t, people that, that aren’t involved and then getting some kind of recovery, they can’t understand why somebody would go back and do it again after they maybe were clean for a while. You know, that’s a big common problem with putting money into the treatment center [00:37:00] business. Yep. Because people do go to treatment two and three times and, and maybe they never get, some people never, they’ll chase it to death. No, and I can’t explain it. And you know, I, I’ll tell you what, I have my own little podcast. It’s called One Step Over the Line. Mm-hmm. And I released a show last night about a friend of mine, his name is Ron Black. You can watch it or any of your listeners can watch it, and Ron was, went down to the depths of addiction, but he did it a long time ago when they really spent a lot of time and energy to get, you know, they really put him through his system. 18 months, Ron got out clean and he came from a good family. He was raised right. He didn’t, you know, he had some trauma in his life. He had some severe trauma as a child, but he built one of the largest addiction. He has a company that he’s, he ran drug counseling services. He’s been in the space 20 or 30 years, giving back. He has a company that trains counselors to be addiction specialists. He has classes for addiction counseling. He become certified [00:38:00] members. He’s run drug rehabs. He donates to the, you know, you gotta wa if you get a chance to go to my podcast, one step over the line and, and watch this episode we did last night. Probably not the most exciting, you know, like my stories. Yeah. But Ronnie really did go through the entire addiction process from losing everything. Yeah. And pulling himself out. But he was also had a lot of family. You know, he had the right steps. A lot of these kids I was in jail with. Black and brown, inter or inner city youth, whatever, you know, their national, you know, race or nationality, they don’t have a chance. Yeah. They’re in jail with their fathers, their cousins, their brothers. Mm-hmm. The law, the war on drugs, and the laws on drugs specifically affect them. And are they, I remember thinking, is this kid safer in this jail with a cement roof over his head? A, a hot three hot meals and a bed than being back on the [00:39:00] streets? Yeah. He was, I mean. Need to, I used to do a program working with, uh, relatives of addicts. And so this mother was really worried about her son gonna go to jail next time he went to court. And he, she had told me enough about him by then. I said, you know, ma’am, I just wanna tell you something he’s safer doing about a year or so in jail than he is doing a year or so on the streets. Yeah. And she said, she just looked at me and she said, you know, you’re right. You’re right. So she quit worried about and trying to get money and trying to help him out because she was just, she was killing him, getting him out and putting him back on the streets. This kid was gonna die one way or the other, either shot or overdosed or whatever. But I’ll tell you another story. My best friend growing up in New Orleans was Frankie Monteleone. They owned the Monte Hotel. They own the family was worth, the ho half a billion dollars at the time, maybe. And Frankie was a, a diabetic. And he was a, a junk. He was a a because of the diabetic needles. [00:40:00] He kind of became a cocaine junkie, you know, shooting up coke. You know, I guess the needle that kept him alive was, you know, I, you know, again the addict mentality. Right, right. You can’t explain it. So he got, so he got busted trying to sell a couple grams. They made it into a bigger case by mentioning more product conspiracy. His father said, got a, the, the father made a deal to give him a year and a half in club Fed. Yeah. He could, you know, get a tan, practice his tennis, learn chess come out and be the heir to one of the richest families in the world, all right. He got a year and a half. Frankie did 10 years in prison. ’cause every time he got out, he got violated. Oh yeah. I remember going to his federal probation officer to get my bicycle. He was riding when he got violated. Mm-hmm. And I said, I said, sir, he was in a big building in Fort Lauderdale or you know, courthouse office building above the courthouse. I go, there’s so many cops, lawyers, [00:41:00] judges, that are doing blow on a Saturday night that are smoking pot, that are drinking more than they should all around us. You’ve got a kid that comes from one of the wealthiest families in America that’s never gonna hurt another citizen. He’s just, he’s an addict, not a criminal. He needs a doctor, not a jail. And you know what the guy said to me? He goes but those people aren’t on probation. I, I know. He did. 10 years in and out of prison. Finally got out, finally got off of paper, didn’t stop doing drugs. Ended up dying in a dentist chair of an overdose. Yeah. So you, you never fixed them, you just imprisoned somebody that would’ve never heard another American. Yeah, but we spent, it cost us a lot of money. You know, I, I, I dunno what the answer is. The war on drugs is, we spent over, we spent 80, let’s say since 1973. The, the DEA got started in 73, let’s say. Since that time we’ve, what’s that? 70 something years? Yeah. We’ve done [00:42:00] no, uh, 50, 60. Yeah. 50 something. Yeah. Been 50. We spent a trillion dollars. We spent a trillion dollars. The longest and most expensive war in American history is against its own people. Yeah. Trying to save ’em. I know it’s cra it’s crazy. Yeah, I know. And it, over the years, it just took on this life of its own. Yeah. And believe me, there was a, there’s a whole lot of young guys like you only, didn’t go down the drug path, but you like that action and you like getting those cool cars and doing that cool stuff and, and there’s TV shows about it as part of the culture. And so you’re like, you got this part of this big action thing that’s going on that I, you know, it ain’t right. I, I bigger than all of us. I don’t know. I know. All I like to say I had long hair and some New Orleans old man said to me when I was a kid, he goes, you know why you got that long hair boy? And this is 1969. Yeah, 70. I go, why is that [00:43:00] sir? He goes, ’cause the girls like it. The girls didn’t like it. You wouldn’t have it. I thought about it. I’m trying to be a hippie. I was all this, you know, rebel. I thought about it. I go, boy, he’s probably right. Comes down to sex. Especially a young boy. Well, I mean, I’m 15 years old. I may not even how you look. Yeah. I’m not, listen, at 15, I probably was only getting a second base on a whim, you know? Yeah. But, but they paid attention to you. Yeah. Back in those days you, you know, second base was a lot. Yeah. Really. I remember. Sure. Not as, not as advanced as they are today. I don’t think so. But anyway, that’s my story. Um, all right, Ken b this has been fun. It’s been great. I I really had a lot of fun talking to you. And the book is 1, 1, 1 took over the line. No one, no, no. That’s a Friday slip. One step over that. But that was what I came up with the name. I, I believe you, I heard that song. Yeah. I go, I know, I’m, I’ve just taken one step over the line. So that’s where the book actually one step over the line confessions of a marijuana mercenary. [00:44:00] And I’ll tell you, if your listeners go to my website, one step over the line.com, go to the tile that says MP three or the tile that says digital on that website. Put in the code one, the number one step, and then the number 100. So one step 100, they can get a free, they can download a free copy. Yeah, I got you. Okay. Okay. I appreciate it. That’d be good. Yeah, they’ll enjoy it. Yeah. And on the website there’s pictures of the boats, the planes. Yeah. The runways the weed the, all the pictures are there, family pictures, whatever. Well, you had a, uh, a magical, quite a life, the kinda life that they, people make movies about and everybody watches them and says, oh, wow, that’s really cool. But they didn’t have to do it. They didn’t have to pay that price. No. Most of the people think, the funny thing is a lot of people think I’m, I’m, I’m lying or I’m exaggerating. Yeah. I’m 68 years old. Yeah. There’s no reason for me to lie. And you know, the DEA is, I’m telling that. I’m just telling it the way it [00:45:00] happened. I have no reason to tell Phish stories at this point in my life. No, I believe it. No, no, no. It’s all true. All I’ve been, I’ve been around to a little bit. I, I could just talk to you and know that you’re telling the truth here I am. So, it’s, it’s a great story and Ken, I really appreciate you coming on the show. Thank you for having me. It’s been a very much a, it is been a real pleasure. It’s, it’s nice to talk to someone that knows both sides of the coin. Okay. Take care. Uh, thanks again. Thank you, sir. Thank you very much. Appreciate it.

One educator said we live in a day of hurried loneliness, with hundreds of Facebook friends but not two with whom we think and share deeply.  Families rush from one activity to another.  To some people, the idea of a family sitting down together and leisurely sharing a meal is an idea from a Norman Rockwell painting.Parents, we must plan to make meaningful conversation happen.  We can embrace intentionality. Without it, family devotions, meaningful conversation, and spiritual practices won't happen.  We will just stay busy.  As Thanksgiving approaches, stop for a few moments and make a plan.  Ask, “How will I intentionally help my family practice gratitude the next two weeks and have meaningful conversations?That will produce beauty greater than autumn leaves.For information about raising your son into a godly man, visit Trail Life USA or RaisingGodlyBoys.com.

Many of us have seen many paintings by the artist Norman Rockwell.  In fact, his work is still reproduced in countless calendars and hangs on...

Based on this our latest cover photo, you may think were concentrating on the lovely little town of Ellicottville, New York, a village in Cattaraugus County about fifty miles south of Buffalo in the Allegheny mountains region. It's a pretty little town, right out of a Norman Rockwell painting and well known for its festivals, skiing and fall foliage. But as we close the year of 2025, we've also discovered that the owner of one of our favorite model railroad manufacturers, JL Innovative, a popular brand with creative concepts, is owned by one of Ellicottville's most vocal distracters. Known to the kindhearted people of this little piece of paradise as, "that Costello guy." It's an interesting tale of one man's dislike of giraffes and a sleepy little town not far from the Pennsylvania state line. Enjoy!!

Merch and apparel is now available through an exclusive collaboration with Confetti & Cloth Boutique! Comfortable and stylish sweatshirts, hats, coffee mugs, and more! Available while supplies last. Find them on Instagram, Facebook, and their website! Jill's episode for you this week is a brief, heartfelt check-in that is perhaps perfectly timed for the current holiday season! Listen in as she opens up about a sudden family health crisis - her mother-in-law, usually healthy, having fallen seriously ill and spending several days on a ventilator. Amidst the worry and unpredictability, Jill brings listeners into a personal conversation about presence, perspective, and finding grounding even when life throws curveballs! Jill reminds listeners that holidays rarely unfold perfectly according to plan. Rituals and traditions can anchor us, but they aren't always enough when unexpected challenges come up. She encourages listeners to step out of the comparison game - the "should haves" and "could haves" - and to instead find safety and calm within ourselves. Breathing, pausing, and acknowledging the moment can transform how we experience the holidays, even when circumstances aren't what we had hoped. Drawing from her own experiences, Jill also shares a simple but powerful lesson about embracing spontaneity. A plan to enjoy Christmas lights with her grandson didn't go as as the Norman Rockwell perfection she had imagined - no hot cocoa, just the joy they found together which far exceeded her expectations. It's truly never too late to create meaningful holiday experiences, even if they're different from what you had envisioned! This episode of Be YOU also, of course, explores the metaphor of the pearl born from irritation inside an oyster. Jill reflects on how challenges, pain, and unexpected disruptions can produce something beautiful when we face them fully, acknowledging and working through the difficulties rather than avoiding them. The pearls aren't the pain itself but rather what emerges when we engage with it consciously! Listeners of the show are invited to reflect on their own "pearls" this holiday season and to approach the coming year with awareness and gratitude, and Jill signs off with warm holiday wishes and a preview of the annual year-end episode, where she'll guide listeners in uncovering the lessons, growth, and gifts of 2025 before stepping into the new year! Also, don't forget - Jill will be hosting an upcoming retreat - the More of Me retreat - offering a deep dive into self-discovery. Head to jillherman.com for more details! Show Notes: [1:29] - Jill opens up about a family health crisis and encourages finding safety and calm within oneself. [4:52] - Jill models embracing spontaneity and finding joy in imperfect holiday moments such as unexpected Christmas lights. [6:59] - Jill reminds listeners that it's never too late to savor small, meaningful holiday experiences. [8:20] - When acknowledged, pain and challenges can transform into something beautiful, like a pearl forming. [10:33] - Jill invites reflection on life's "pearls" and previews the annual episode celebrating lessons from 2025. Rate, Review, & Follow on Apple Podcasts "I love Be You Podcast!" ← If that sounds like you, please consider rating and reviewing my show! This helps the podcast reach more people just like you. Click here, scroll to the bottom, tap to rate with five stars, and select "Write a Review." I know there was something in this episode that you were meant to hear. Let me know what that is! Also, if you haven't done so already, follow Be You Podcast. There is a new episode every single week, and if you're not following, there's a good chance you'll miss out.

We are excited to welcome our new Spirit of Joy pastor, Dayna Weltzin, to the podcast this morning! Pastor Dayna is here to share more about herself and help us get to know her better. Dayna covers a childhood that sounds a little bit like a Norman Rockwell painting, to attending Gustavus Adolphus, to living in Spain for six years, to meeting her husband (Tim), to deciding on seminary later in her career, to what she loves about being a pastor. She also talks about what excites her about being in Sioux Falls and at Spirit of Joy!

The holidays can feel overwhelming—shopping, decorating, cooking, and trying to create picture-perfect moments. Yet Scripture reminds us that amid the chaos, the true gift of Christmas is Christ Himself. Just as Mary gave birth in a humble stable without the comforts she expected, we too are called to make room for Jesus in the midst of our busy, stressful seasons (Luke 2:7). By simplifying, prioritizing, and focusing on His presence, we discover that the peace and joy of Christmas don’t come from perfection—they come from Him. Highlights Holiday stress often overshadows the true purpose of Christmas: celebrating Jesus’ birth. Mary’s humble circumstances remind us that God’s plans don’t rely on comfort or convenience. Simplifying holiday tasks—limiting gifts, delegating meals, reducing activities—can create space for Christ. Focusing on Jesus transforms ordinary moments into meaningful celebrations. Gratitude for God’s provision, even amid financial or personal challenges, brings peace. Small adjustments in expectations allow families to experience joy without unnecessary stress. Making intentional space for Christ is the ultimate gift we can give ourselves and others. Gift Inspiration: Crosswalk's Holiday Gift Guide Looking for a meaningful way to celebrate the season? Check out our Holiday Gift Guide—from beautifully illustrated Bibles and devotionals to novels, greeting cards, and picture books, there’s something for everyone on your list. Wrap up stories for loved ones, tuck a book into your own nightstand, and join us in celebrating the wonder of giving this Christmas! Full Transcript Below: Preparing Him Room: Making Space for Christ This ChristmasBy: Michelle Lazurek Bible Reading:“…and she gave birth to her firstborn, a son. She wrapped him in cloths and placed him in a manger, because there was no guest room available for them.” - Luke 2:7 It was all too much to bear. When my kids were little, they talked about what they wanted for Christmas for months. They made their list for Santa, wrote him letters, and even dropped it in the mailbox. As a mother, I would do anything to give them the perfect Christmas. I made sure they got everything they asked for, even if it meant starting early and taking money out of our paycheck each week to save for Christmas presents. But one year, my husband was planting a church, and finances were just too tight. I did my best to get the kids the presents that they wanted. But with all the wrapping, shopping, and a full-time job, while my husband was church planting, it added more stress to my life than I cared to admit. Although it was a magical moment to watch my kids open gifts on Christmas morning, the stress and irritation of all the preparation beforehand made it feel as if it simply wasn't worth it. I was putting all this stress on myself to write Christmas cards, decorate the house, and care for my children, in addition to working at a daycare where I cared for two- and three-year-olds all day long, only to come home to my own set of two- and three-year-olds. This would be enough to make anyone feel the extra weight of stress. Compelled by the idea of giving my kids the perfect Christmas, I stressed myself out, worrying about finances and spending all my extra time wrapping presents and writing cards. When Christmas Day came, I had created a holiday that would have made even Norman Rockwell jealous. But it was missing one thing: Jesus. Although my family and I attended Christmas Eve services, my kids lit candles, sang songs, and watched Christmas specials, it felt as if Jesus was missing from the holiday. Because it was so focused on the moment of opening gifts and getting my family what they wanted for Christmas, it felt as if I had wasted all my time and energy creating a magical moment that would only last a moment. Because of all the stress, I had laid aside my quiet time with the Lord, neglected to pray, and hadn't picked up my Bible in months. For a holiday that should be focused on the actual reason for this season, I had forgotten to make space for Christ. Maybe you can relate to the story above. All the Christmas wrapping, giving, and writing Christmas cards may seem too much to bear during the holiday season for you as well. Maybe buying gifts, long lines at the store, mounting traffic, and increasingly mean people seem like too much stress for you to bear, too. But it doesn't have to be this way. Mary experienced a similar situation. As she made the long travel, heavy in the throes of labor, I imagine she expected a comfortable room with which to give birth. But when she found out that there was no room at the inn, her expectations quickly shattered. But Mary didn't give in to the stress or leave God out of her situation. Instead, she made the best of what she had. She traveled to a nearby stable and, in less-than-ideal conditions, gave birth to our Savior, who, in turn, has given generations eternal life. Although Mary's situation was less than ideal, she still completed her ultimate purpose. The Christmas story can give us hope that, despite what we might be going through —financial struggles, health crises, loss of loved ones, etc.—we can find hope. While our situation for the holidays seems less than spectacular, we can make do with what God has given us. There's no better time than the Christmas season to give thanks for all that God has done. Minimize Christmas shopping this year. Opt to give gift cards rather than wrapping a bunch of presents. Limit the number of gifts you give to each person. Explain to them that finances are too tight this year, and the stress is just too much. Your stressful situation can quickly become less so with a bit of understanding and compassion from your family members. Ask family members to pitch in this year by giving food for the holiday meal, or skip hosting the traditional holiday meal and go out for dinner instead. Whatever you need to do to make the best of your holiday situation, take Mary's example and don't forget the ultimate purpose of why we celebrate Christmas. Father, let us be people who make space for you during the holiday season. Let us not crowd you out with copious amounts of gifts, wrapping, and decorating. Instead, let us remember the ultimate gift you have given us and live our lives knowing that we have already received the best gift of all. Amen. Intersecting Faith & Life: Is Christmas too stressful for you this year? What is one step you can take to reduce the stress and make your Christmas situation a little more bearable? Further Reading:Luke 1:41-44 Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Jesse Butler wasn't the monster people warn their daughters about. He was the boyfriend parents trusted. Flowers, church, country clubs, family dinners — the whole Norman Rockwell starter kit. And according to investigators, behind that perfectly polished image was a pattern of calculated violence that nearly killed two teenage girls. In this interview, retired FBI Special Agent Robin Dreeke breaks down how someone like Butler operates in plain sight — how predators build charm, weaponize trust, and calibrate threats to keep victims silent. We walk through the behavioral markers, the escalation from love-bombing to violence, and why strangulation is one of the most chilling predictors of future lethal behavior. We also look at the bodycam moment where Butler's mother immediately coaches him — and what that interaction reveals about the ecosystem that allows someone this dangerous to thrive. And as Stacy points out, strangulation requires sustained, intentional effort. What does that tell us about motive, psychology, and risk moving forward? If you're a parent, guardian, or young adult — this is a conversation you cannot afford to skip. #JesseButlerCase #RobinDreeke #BehavioralAnalysis #TrueCrimePodcast #HiddenKillers #TonyBrueski #DatingViolence #VictimSupport #StrangulationRisk #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Jesse Butler wasn't the monster people warn their daughters about. He was the boyfriend parents trusted. Flowers, church, country clubs, family dinners — the whole Norman Rockwell starter kit. And according to investigators, behind that perfectly polished image was a pattern of calculated violence that nearly killed two teenage girls. In this interview, retired FBI Special Agent Robin Dreeke breaks down how someone like Butler operates in plain sight — how predators build charm, weaponize trust, and calibrate threats to keep victims silent. We walk through the behavioral markers, the escalation from love-bombing to violence, and why strangulation is one of the most chilling predictors of future lethal behavior. We also look at the bodycam moment where Butler's mother immediately coaches him — and what that interaction reveals about the ecosystem that allows someone this dangerous to thrive. And as Stacy points out, strangulation requires sustained, intentional effort. What does that tell us about motive, psychology, and risk moving forward? If you're a parent, guardian, or young adult — this is a conversation you cannot afford to skip. #JesseButlerCase #RobinDreeke #BehavioralAnalysis #TrueCrimePodcast #HiddenKillers #TonyBrueski #DatingViolence #VictimSupport #StrangulationRisk #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Jesse Butler wasn't the monster people warn their daughters about. He was the boyfriend parents trusted. Flowers, church, country clubs, family dinners — the whole Norman Rockwell starter kit. And according to investigators, behind that perfectly polished image was a pattern of calculated violence that nearly killed two teenage girls. In this interview, retired FBI Special Agent Robin Dreeke breaks down how someone like Butler operates in plain sight — how predators build charm, weaponize trust, and calibrate threats to keep victims silent. We walk through the behavioral markers, the escalation from love-bombing to violence, and why strangulation is one of the most chilling predictors of future lethal behavior. We also look at the bodycam moment where Butler's mother immediately coaches him — and what that interaction reveals about the ecosystem that allows someone this dangerous to thrive. And as Stacy points out, strangulation requires sustained, intentional effort. What does that tell us about motive, psychology, and risk moving forward? If you're a parent, guardian, or young adult — this is a conversation you cannot afford to skip. #JesseButlerCase #RobinDreeke #BehavioralAnalysis #TrueCrimePodcast #HiddenKillers #TonyBrueski #DatingViolence #VictimSupport #StrangulationRisk #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Jesse Butler wasn't the monster people warn their daughters about. He was the boyfriend parents trusted. Flowers, church, country clubs, family dinners — the whole Norman Rockwell starter kit. And according to investigators, behind that perfectly polished image was a pattern of calculated violence that nearly killed two teenage girls. In this interview, retired FBI Special Agent Robin Dreeke breaks down how someone like Butler operates in plain sight — how predators build charm, weaponize trust, and calibrate threats to keep victims silent. We walk through the behavioral markers, the escalation from love-bombing to violence, and why strangulation is one of the most chilling predictors of future lethal behavior. We also look at the bodycam moment where Butler's mother immediately coaches him — and what that interaction reveals about the ecosystem that allows someone this dangerous to thrive. And as Stacy points out, strangulation requires sustained, intentional effort. What does that tell us about motive, psychology, and risk moving forward? If you're a parent, guardian, or young adult — this is a conversation you cannot afford to skip. #JesseButlerCase #RobinDreeke #BehavioralAnalysis #TrueCrimePodcast #HiddenKillers #TonyBrueski #DatingViolence #VictimSupport #StrangulationRisk #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Send us a textNavigating the holidays as a motherless daughter can be a mix of emotions. There's an expectation of a Norman Rockwell-style family celebration that just doesn't live up to expectations for so many grieving a loss or dealing with a strained relationship. Loved ones of a motherless daughter struggle to understand how she feels or find the right words to say. Today, we are sharing some thoughts and advice from our Founder, Dr. Mary Ellen Collins, on approaching condolences and talking to a motherless daughter this time of year.                                                         Resources                                                                             What We Offer:                       https://www.motherlessdaughtersministry.com/services/Podcast Episode highlights a blog by Mary Ellen: https://www.motherlessdaughtersministry.com/2025/11/19/offering-condolences-over-the-holidays-to-a-motherless-daughter/Donate to our ministry:          https://www.motherlessdaughtersministry.com/giving/Get involved in our ministry:   https://www.motherlessdaughtersministry.com/giving/volunteer/Motherless Daughters Ministry is a 501(c) (3) non-profit that depends on the generous support of donations from listeners like you.  To donate or sign up for our newsletter and more resources, visit our website at www.motherlessdaughtesministry.com  Support the showThanks for listening! Find our podcast on Apple, Google, Spotify, Stitcher, iHeart, Pandora, Amazon Music, and Audible. Also, find and follow the Motherless Daughters Ministry on Facebook, Instagram, YouTube.

This week, Jane examines how our holiday expectations may differ from how things really are.

Friends,Hope you had a good Thanksgiving and are now enjoying a restful post-Thanksgiving weekend. Today, Heather and I discuss the Thanksgiving holiday — from our own childhood memories, to Norman Rockwell's iconic “freedom from want” Thanksgiving cover for The Saturday Evening Post. To Trump's terrible Thanksgiving week — pardoning turkeys, criminals who support him and other criminals who pay him off. Also: American consumers' exceedingly costly Thanksgiving — due to Trump policies. Please pull up a chair, grab a cuppa, and join the conversation. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit robertreich.substack.com/subscribe

Episode 620: Today I talk with Nicholas Kondroprias from PAN-ART, which is an innovative company that provides sort of prepackaged art exhibitions to venues. With several world class collections of fine art featuring, Toulouse-Latrec, MC Escher, Keith Haring, Norman Rockwell, and so much more. They provide the concept, the artist, and the ART. It is the […] The post My Chat With Pan-Art’s Nicholas Kondoprias appeared first on Let's Talk Art With Brooke.

fWotD Episode 3128: Freedom from Want Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 27 November 2025, is Freedom from Want.Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms, a series of four oil paintings by American artist Norman Rockwell. The paintings were inspired by the Four Freedoms, a set of four goals articulated by Franklin D. Roosevelt, the president of the United States, in his 1941 State of the Union address.Freedom from Want was created in November 1942 and published in the March 6, 1943, issue of The Saturday Evening Post. All of the people in the picture were friends and family of Rockwell in Arlington, Vermont, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on Thanksgiving to depict the celebration, it has become an iconic representation for Americans of Thanksgiving and family holiday gatherings in general. The Post published Freedom from Want with a corresponding essay by Carlos Bulosan as part of the Four Freedoms series. Despite many who endured sociopolitical hardships abroad, Bulosan's essay spoke on behalf of those enduring the socioeconomic hardships domestically, and it thrust him into prominence.The painting has had a wide array of adaptations, parodies, and other uses, such as for the cover for the 1946 book Norman Rockwell, Illustrator. Although the image was popular at the time in the United States and remains so, it caused resentment in Europe where the masses were enduring wartime hardship. Artistically, the work is highly regarded as an example of mastery of the challenges of white-on-white painting and as one of Rockwell's most famous works.This recording reflects the Wikipedia text as of 01:24 UTC on Thursday, 27 November 2025.For the full current version of the article, see Freedom from Want on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

I remember when Generation Woke decided to take Thanksgiving. The narrative fit right into the oppressed/oppressor mindset. America was a rotten, fetid empire of colonizers who marauded through the pristine countryside and then forced the Native Americans to eat with them for Thanksgiving. Thanksgiving was now “problematic.” Celebrating it, even more so. High-status influencers who made a great living off of our Capitalist system pronounced their objections to this once-great American holiday, to take a brave stand against it, because, especially in 2020, every white person was expected to atone for their sins of the past and their white privilege now. “We're not celebrating Thanksgiving,” so went the lengthy, agonizing, virtue-signaling posts on Instagram. Maybe they'd be out feeding the poor, though still celebrating Thanksgiving, just not for themselves. Charity could wipe clean the shame.Once Trump was pushed out and Biden put in power, the waters calmed, the screaming stopped, and Thanksgiving was no longer a curse upon all of us.Now, here we are, Trump is in power again, and Thanksgiving has now become yet another crisis that must not go to waste. We are to enter the holidays thinking of the president committing illegal acts and whether or not members of the military will take a stand against him and start a hot Civil War. Thanksgiving must be a reminder of the Nazi occupation that is starving the poor, especially the Black and Brown people, who are being hunted down and thrown into concentration camps. The order has come down that all must be miserable. Four long years to make Americans suffer for the crime of the Democrats losing an election to Trump again.Says Senator Patty Murray. How dare we speak Happy Thanksgiving! How dare we speak Merry Christmas! With all due respect to those trapped inside the Doomsday Cult, no. Just no. This is one day you can't take from us. You can't shame us out of it. You can't tell us not to gather with our loved ones around a table and enjoy a meal. Thanksgiving is not yours to take. It never was. You can be miserable if you'd like, but those of us who are grateful just to wake up another day, let alone to cook a meal or get invited to a meal, are grateful for the bounty. Grateful for life at all. Grateful for each other. And, for many, grateful to God. Yes, we dare speak Happy Thanksgiving. Fond MemoriesI always thought Thanksgiving was the great unifier. It wasn't like Christmas, where only some people celebrated. It was an everybody thing. That was how we saw it and how we were taught to understand it. Thanksgiving for most of my life was held at my grandmother's house in the San Fernando Valley. With her tattered framed letter from Bill Clinton hanging on the wall, her ceramic Siamese cats frozen in place on her glass coffee table, the plastic lining that covered her good sofa, the piano in the corner nobody played, her gold-plated flatware, the good dishes, and the nice tablecloth, freshly laundered and ironed, her Thanksgiving was one of my fondest memories. She spent all day cooking the turkey, and when it was finally done, it would be presented as the greatest thing any of us had ever seen. And so it was. I'm not saying it was straight out of Norman Rockwell or anything. It was pure chaos most of the time, and often a powder keg, but somehow on that day, we all knew how to behave.My grandma's turkey was one thing. Her pies were legendary. She would put too much cinnamon in the pumpkin pie, but that's what made it good. It was the warm house on a cold winter day, even in California, that I remember most, and the way we could smell the food cooking even outdoors. We did not eat all day, preparing to fill our bellies until we could not breathe.We were poor in the early days, and on welfare, so Thanksgiving at my grandma's house was one way we felt normal, doing what every other family did. Even those at rock bottom need a day to say thank you and give grace, no matter their circumstances in life. That's what it's for. It elevates us out of our misery, or at least it can. We didn't say thanks or grace back then because in my family, that could spell trouble. It was all about the meal, about my grandma's infamous cooking, and all of us seated together in a cramped suburban home, talking to each other, spending time together, time we'd never get back.Over the years, Thanksgiving moved from house to house. When my grandmother was too old to host, she'd offer to bring up the Turkey to my brother's house in Ojai, California. Once, we waited three hours for her to arrive with the Turkey, now cold, sitting in her trunk. Once, she accidentally used salt instead of sugar when baking her apple pie. Before long, she couldn't make the drive, and Thanksgiving, for her, was over. I still can't think of it without thinking of her. I think of her every time I roll out homemade pie crust, using the glass of ice water she taught me to use, or the way she taught me to cut the green apples, throwing away the peels and dropping the flesh into a bowl of lemon water to keep it from browning.I think of her whenever I see a turkey coming out of the oven, and I remember how she liked her stuffing inside the bird rather than the modern way of cooking it separately in a casserole. I think of how much she loved America and its traditions and how faithful she was to all of them. My grandmother taught us what it meant to be grateful for all we had, even if it wasn't much. Thanksgiving isn't about the cost. It can be celebrated on a paper plate in a food kitchen or in the park, just as easily as it can be in my grandmother's dining room or at a restaurant. It's the idea of it, one of the few rituals we have left that we can share, at least among those of us still holding onto the fragile idea of an America at all. On their live version of America This Week, Walter Kirn and Matt Taibbi reported on how so many high-minded outlets see it as their duty to treat Thanksgiving like a funeral for America, but here is what Thanksgiving is really about. I guess that's why I drive six days across the country every year to see my daughter on Thanksgiving. It turns out that it means a lot to me, too, and I always want to make sure I don't miss even one. I have cooked more than my share of Thanksgiving dinners, and I hope I've created memories for my daughter. Maybe someday I'll be the grandmother to her children, and the ritual will begin anew. It isn't just a day to cook or eat but a day to say thank you for the blessings in my life, for the luck I've had, for the love I've experienced, for the beauty I can still see in this country and its people, from state to state. If we can do this on this one day, maybe we will be okay.That is why I'd like to thank all of you. It's been a hell of a ride these past five years. Thank you for the warmth and kindness you've given me, the support, the praise, the criticism, the subscriptions, the donations, and the encouragement. I don't know where I'd be without you. I hope you have a Happy, yes Happy Thanksgiving. All the best to you.//_______________ TIP JAR This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Giuseppe Castellano talks to renowned children's book illustrator, Axel Scheffler, about the deep, dark mistake he made with The Gruffalo; what he thinks about his “imperfect” art style; why he prefers to be called a family book creator; and more.To learn more about Axel, visit axelscheffler.com.Artists mentioned in this episode include: Posy Simmonds, Jean-Jacques Sempé, Tomi Ungerer, Judith Kerr, Lisa Brown, William Steig, Wolf Erlbruch, Maurice Sendak, Edward Gorey, N.C. Wyeth, Norman Rockwell, Janet Ahlberg, Alice and Martin Provensen, and Leo and Diane Dillon If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're off this week, but not to worry: We have plenty of leftovers to reheat for you. This episode is from November 25, 2016. Enjoy!On this week's group chat, we talk about special-occasion pressure, discuss the start of the holiday shopping season on our Friday speed round, shout out some stuff we like on the Roundabout Roundup, take a quiz about table manners, and do some shameless self-promotion. Here's your road map to the episode:Holiday Downsizing — Extended family all loving and rosy-cheeked around a food-stacked table is a heartwarming image, but the fact of it sometimes gives us heartburn. We talk about the pressure — external and internal — to have a portrait-worthy holiday and our attempts to bring expectations down to snapshot size.Speed Round: Do You Shop on Black Friday? — Some folks can't wait to hit the stores for bargains, some would rather jump off a cliff than go fight strangers for sales items, and some find the whole idea of making Thanksgiving weekend all about commerce offensive. Turns out, we're not quite any of those.Parenting Roundabout Roundup — Terri enjoys just looking at the homepage loop for the time-tracking site toggl (click on the little speaker in the corner for the perfect accompanying music); Catherine enjoyed a roundup of Fitness Marshall dance videos on Buzzfeed; and Nicole appreciated an article about coaches.A Well-Mannered Quiz — In place of our usual interview segment, Catherine came up with a quiz about etiquette rules for children that may have you using your napkin in a whole new way.Shameless Self-Promotion — Terri shared a special-needs version of the "Would You Rather" meme; Catherine offered some help on dealing with sports parent burnout; and Nicole will have an article up on the Friendship Circle blog any time now.Thanks to Jon Morin for our fun in-and-out music.

This episode of The Other Side of Midnight with Lionel promises "the other side of truth and the other side of reality," moving past the "surface level stuff" and "drive by nothing" found in mainstream media. Lionel dives deep into the complex Epstein files, arguing the case was primarily about extortion and blackmail, not merely sex tortion [i]. He presents forensic evidence—including a fractured hyoid bone and thyroid cartilage—indicating Epstein was killed/murdered, not a suicide. The show uses this case as a "tutorial" to dissect crucial issues surrounding sexual predation, victim skepticism, and the difficult pursuit of justice, covering constitutional concepts like due process and challenging why society fails to prioritize the victim [i]. Plus, Lionel lifts the "Norman Rockwell filter" on the American diet, exposing the "witches' brew" of chemical cocktails, known carcinogens like nitrosamines, and hormone disruptors hiding in favorites like bacon and turkey. Discover why quick-fix health fads are distractions, why smoothies might sabotage your health, and why diet connects to modern disease and socioeconomic factors. Prepare to question everything you thought you knew about justice, health, and what constitutes a victim . Learn more about your ad choices. Visit megaphone.fm/adchoices

The Other Side of Midnight with Lionel dives deep into the "witches' brew" hiding in the American diet, lifting the "Norman Rockwell filter" on beloved foods. We expose the chemical cocktails in favorites like bacon and turkey, including known carcinogens like nitrosamines, hormone disruptors, antibiotics leading to "slow immune sabotage," and the sodium bomb. Lionel also tackles pervasive health myths: is the Mediterranean diet really the cure-all, or was it post-war starvation rations?. Discover why smoothies might sabotage your health, what the food industry hides under the phrase "natural flavor," and why quick-fix fads like methylene blue distract us from the poisons we ingest daily. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Three Lil Fishes, we kick off the holiday season with a conversation all about connection—the kind that happens around the table, through the stories we tell, and the dishes we keep making year after year.Nancy shares how baking Producer Tim's grandmother's apple strudel keeps loved ones close, even when they're gone. Kathy tells how The Wizard of Oz became part of her husband's Thanksgiving tradition, and whether she'll rekindle that tradition this year. The sisters debate whether Ambrosia Salad deserves a comeback (Producer Tim says "Yes, please!"). They also reflect on how to show up for friends and family who are struggling through the holidays, and how even a small gesture—a text, a shared meal, a craft gone slightly sideways—can keep us all feeling close.And of course, the episode wraps up with What's for Dinner, featuring Nancy's cozy corn chowder recipe—perfect for chilly November nights.Head to the show notes page at threelilfishes.com/shownotes for recipes, crafts, and photos from this week's episode (including the craft we made for our tables)

The Culture Show's Jared Bowen discusses Norman Rockwell's family speaking out against the Trump administration for warping his legacy and Serj Tankian's exhibit at the Armenian Museum in Watertown.Comedian and actor Tom Papa joins ahead of a show on his "Grateful Bread" tour.Boston Ballet executive director Ming Min Hui and artistic director Mikko Nissinen discuss their current production of 'Jewels' and their original production of The Nutcracker.NBC10 Boston's Sue O'Connell joins remotely from Nova Scotia, where Mayor Wu has traveled to pick up Boston's Christmas tree.National security expert Juliette Kayyem on U.S. intelligence showing the Israeli military warned there was evidence of war crimes in Gaza, raising legitimate questions of American complicity if Israel faces war crimes charges. Plus, the UK pausing intelligence-sharing with the U.S. over boat strikes in the Caribbean.

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Certain Phish shows can be seen as flashpoints for the band's career–Amy's Farm in 1991, New Year's ‘95 at MSG, Big Cypress for sure, the Wingsuit set...many of them have been covered on this podcast. Much more rare is a three or four-night run that can be pointed to as a turning point. And I don't know if there's a better-known four-show run that is universally praised and seen as a high-water mark as 1998's Island Tour. Even at the time, we knew that we were seeing and hearing something special, but its place in Phish history only became clear as the years went by.However, at the time, not everybody had the best time at the Nassau Coliseum and the Providence Civic Center. Today's guest, artist Patrick Smith, tells of an unsettling experience during the first set of the first show of the Island Tour–April 2, 1998. Still new to Phish and making some rookie mistakes in 1998, not everything went according to plan for Patrick and his friend, but I'll let him tell the story, including why we are only covering the first set on today's episode.More exciting than the show, though, is the fact that Patrick is an artist, and THE artist who created the iconic four-portrait cover of the Pharmer's Almanac, Volume 6–a seminal and essential guide to the band that was released in 2000. My copy has disintegrated from overuse over the past 25 years, but all of its information, including the cover that Patrick illustrated has pretty much merged with my Phish DNA and lives forever in my memory.Keeping things in-house, Patrick learned about Attendance Bias from another special guest who had a crucial part to play in the Island Tour, but again, I'll let Patrick tell the story.For now, join Patrick and I to talk about hotel reservations, timing your boomers, and Norman Rockwell as we discuss set 1 of April 2, 1998 at The Nassau Coliseum.Support the show

12 - Why is Scott Bessent on a train? He needs to be here! He appeared on several shows yesterday to counter those who claim the economy is weak. 1215 - Side - uniquely American scene that could be a Norman Rockwell painting? 1220 - Just how big a problem is porch pirating in Philadelphia? The results shock Henry. 1235 - Trump has been named in the latest batch of Epstein files, as emails have leaked that implicate him being left for hours with at least one Epstein victim. Why should this not be overblown? 1245 - Dr. Raffi Terzian, Chester County RNC Chair, and Dolores Troiani, solicitor and attorney for the organization, join us today to discuss the Election Day fiasco that led to 70,000+ county residents being disenfranchised when they went to vote. How are we eight days after the fact, and no investigation has been launched yet? What is the RNC doing in Chester County to help get movement on this issue? What is Dolores' role in this? 1 - Can we move on from the Groypers? They're not the big fish to fry; it's Tucker Carlson? 110 - Will Henry make it to Charleston tomorrow? He should take the train with Bessent! 120 - What is with your guys' side question answers? Trump has to stick to the message on Veterans' Day. 145 - State Rep. Martina White joins us today after a key vote in the state House. What is Martina's evaluation of the election day blowout? Why was getting rid of RGGI so key for energy in Pennsylvania? Where do we stand with schooling, and how can we get more scholarships for kids? What is the new addition to our curriculum? 2 - Should we be allowing so many foreign students in the US, especially from China? Is it America First? Is it MAGA? 215 - Dom's Money Melody! 220 - Your calls. How is affordability being blamed on Trump, at least according to New Jerseyans? 235 - The number one country artist right now is… Artificial intelligence? Your calls. 240 - The US Bishops have elected a new leader, and he is… conservative? Will he be changing their immigration stance? 250 - The Lightning Round!

12 - Why is Scott Bessent on a train? He needs to be here! He appeared on several shows yesterday to counter those who claim the economy is weak. 1215 - Side - uniquely American scene that could be a Norman Rockwell painting? 1220 - Just how big a problem is porch pirating in Philadelphia? The results shock Henry. 1235 - Trump has been named in the latest batch of Epstein files, as emails have leaked that implicate him in being left for hours with at least one Epstein victim. Why should this not be overblown? 1245 - Dr. Raffi Terzian, Chester County RNC Chair, and Dolores Troiani, solicitor and attorney for the organization, join us today to discuss the Election Day fiasco that led to 70,000+ county residents being disenfranchised when they went to vote. How are we eight days after the fact, and no investigation has been launched yet? What is the RNC doing in Chester County to help get movement on this issue? What is Dolores' role in this?

Comic icon Marc Silvestri joins Dave for a wide-ranging conversation about the pivotal creative moments that shaped his career. From his earliest science fiction influences and the work of legends like Jack Kirby, Bernie Wrightson, Frank Frazetta, and Norman Rockwell, to collaborations with Larry Hama and Chris Claremont. Silvestri discusses his enduring impact on the X-Men & Wolverine , his role in mainstreaming creator ownership through founding Image Comics and Top Cow Productions, mentoring Michael Turner, creating Witchblade and the epic upcoming relaunch of The Darkness.Join the Patreon for $5 a month! https://www.patreon.com/davengersdirecteditionhttps://www.westcoastdavengers.com/direct-edition-podcasthttps://topcow.com/

Josie Moore grew up in the valley town of Westfield, Massachusetts with a voice that wouldn't work and a brain filled to bursting. Paranoid by the world and abandoned by those around her, she turned to art in her time of hiding. When she was scared, she wrote about it. When she cried, she drew comforting pictures. With the inability to pinpoint and process her own emotions, she used art and storytelling as her communication, turning her fear into something beautiful. Nowadays, she can finally leave her bedroom, but never without a sketchbook by her side. She attends the University of Massachusetts Dartmouth in hopes of getting her BFA in Illustration. She spends her days doodling elves, bears, and silly little faeries and nights writing, planning, and…hopefully writing some more. Finally having an outlet to put all her obsessive, creative energy, she dreams of one day showing even the deepest crevices of her mind with her odd love stories and twisted mysteries. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 43rd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. Nathan Deiwert, an illustrator led by a desire to craft worlds, creates imaginative creatures and characters that coincide with one another. Deiwert is driven to come up with new ways to develop familiar concepts in the form of paintings, digital illustrations, and visual development. From fear-inducing entities to happy moments, he creates work with thought and explores new ideas. For Deiwert, active research is a considerable portion of the process of the creation of his art; be it artistic influences past and present, anatomy or cultures. His favorite influences are presently Frank Frazetta, Norman Rockwell, N.C. Wyeth and Maxfield Parrish. The Writers of the Future Contest judges include Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few.

Send us a textIn this season finale, host Coyal interviews Neal Portnoy, a renowned artist known as the 'Norman Rockwell of sports artists.' They discuss Neal's journey from aspiring baseball player to successful caricature artist, his unique use of felt markers, and his experiences creating artwork for sports legends. The conversation highlights the importance of storytelling in art, the challenges and triumphs of being an artist, and the connections made within the Las Vegas community. Neal shares memorable moments with sports icons and emphasizes the significance of collaboration and support in his career.Portnoy Gallery InstagramWebsite:  https://www.portnoygallery.com/Portnoy Gallery1537 W. Oakey Blvd.Las Vegas, NV  89102702-685-292900:00Season Finale Reflections01:09The Norman Rockwell of Sports Art03:29From Baseball Dreams to Artistic Success07:21The Unique Medium of Felt Markers09:52Designing Multi-Action Portraits11:21The Raiders Piece and Its Journey15:44Memorable Moments with Legends20:19Connecting with the Community22:00This or That: A Fun SegmentSubscribe to Visit Vegas Places with Coyal Never miss an episode again!Plus get behind the scenes coverage with business owners and chefs.Want to elevate your content and lifestyle? Shop the same creator tools, fashion, and home goods I trust for great results. Find all my favorites at the link in the description. Click here to find creator and podcast equipment on AmazonShow music composed by: Dae One Visit Vegas Places with Coyal. Real Vegas, Real Topics, Real Business with Real Owners. Covering topics on economics, entrepreneurship, health, well-being and FOOD! Thank You for tuning in and make sure to VISIT VEGAS PLACES!Follow our social media platforms:https://www.instagram.com/visitvegasplaces/https://www.youtube.com/c/CoyalHarrisonIIISupport the show

In this episode of The Prestige-ish Media Podcast - Craig Lake, Dan McNair and Shauna Schoenborn give their INSTANT REACTION to the new HBO Max series It: Welcome to Derry Season One Episode Two - The Thing in the Dark. In this episode we discuss Majors, Mash, more childbirth, pickles, Norman Rockwell, and more. Please continue to join us for our ongoing Prestige-ish Media Podcast coverage of the HBO Max show - It: Welcome to Derry. Coming soon join us for our coverage of Stranger Things Season 5 on Netflix and Fallout Season 2 on Amazon Prime Video.Please check out our website at http://prestigeish.com, follow our podcasts on all your favorite podcast platforms, and leave us positive reviews if you enjoy our show. X @prestige_ish Instagram @prestigeishmedia X/Instagram @realrealbatman @danmcnair1017 @neverboredhousewife http://prestigeish.com

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode is a visual-audio walk-through of the Notebook LM “deck” for The Great Patriotic Heist — a multimedia explainer on how America's political left abruptly rediscovered the flag. In 1976 the Bicentennial turned Main Street into a Norman Rockwell carnival of belief. In 2026, the same symbols are being curated from boardrooms and NGOs as marketing assets. The presentation moves through five scenes:1️⃣ Whiplash Patriotism — from “colonizer nation” to “USA! USA!” in 18 months.2️⃣ The Heist Playbook — linguistic capture: redefining “freedom,” “bravery,” and “revolution.”3️⃣ The Handlers — the managerial class that packages emotion as optics.4️⃣ The Real Ethos — a sink-or-swim nation whose faith is self-reliance.5️⃣ The 250th Showdown — America's founding story fought over again.Use this “deckcast” as the visual chapter companion to the long-form essay. Every chart, headline, and pull-quote mirrors the argument that authenticity—not branding—is the last form of patriotism.

I have no main storyline to bring you today, no one thing that dominates the newsfeeds, but there is something I would very much like to draw your attention to. We are living in strange times, very strange times. Pastors packing guns while they preach in the pulpits, drag queens openly grooming children on live television, $17 dollars for a breakfast sandwich, and perhaps the oddest of them all, President Trump posting an AI video of himself in an F-16 jet fighter, wearing a king's crown, and dropping feces over American citizens down below. What on earth is happening to us? Oh, you know.“For the LORD shall rise up as in mount Perazim, he shall be wroth as in the valley of Gibeon, that he may do his work, his strange work; and bring to pass his act, his strange act.” Isaiah 28:21 (KJB)On this episode of the Prophecy News Podcast, we have gotten so used to living at the circus that we no longer see the clowns. Our ‘new normal', brought to us through events like the Pandemic and Operation Warp Speed, have created an “anything goes” and “everything up for grabs” type of existence. The America portrayed in Norman Rockwell paintings, long since over and gone, now seeming like a cruel joke, generates a real “how did we get here?” sense of distorted reality. Sadly, Gen Alpha, the first generation to be born entirely in the 21st century, and having no other reference point, thinks this is normal when it is anything but that. But students of history, and especially students of the Bible know exactly what's going on, and that is the main storyline we bring you today on this edition of the Prophecy News Podcast. Tick, tock, goes the end times clock.

Many of us probably didn't realize that a portion of our utility bill goes to the city of Minneapolis to essentially fund a bigger and bigger government. The largest art robbery in the history of Minnesota involved stealing Norman Rockwell paintings. Johnny Heidt with guitar news. Heard On The Show:Minnesota Supreme Court rules transgender athlete ban is discrimination but opens door to further challengesNo deal yet between MPS and MFE; strike vote to take place in the coming daysTrump acknowledges he's seeking 'a lot of money' in damages from DOJSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

[Historic American Art] We go deep into the world of American illustration with today's guest, Judy Goffman Cutler, the founder and director of the National Museum of American Illustration in Newport, Rhode Island. Judy tells us about the incredible mansion that houses the museum's collection, and also goes into her own history as an art dealer before founding the museum, which is home to a world-class collection of illustration from artists such as J.C. Leyendecker, Norman Rockwell, N.C. Wyeth and many others. Today's episode is sponsored by American Fine Art Magazine. Learn more at americanfineartmagazine.com.

This week on The FratChat Podcast, we're diving into the wildest celebrity backgrounds! And it doesn't get crazier than celebrity parents. These aren't just regular parents. They're the type who make your family drama look like a Norman Rockwell painting. But that's just the start. We've also have another hilarious edition of Emails From the Listeners! Like the guy stuck living with a roommate who treats his birthday like the Met Gala, except somehow more unbearable. Plus, CMo finally spills on what his actual type is. Then, in the news, Tyson Fury's daughter “Venezuela” is sixteen and already engaged. Which leads us to question if we're old, washed up, or just the last sane people left. And don't miss this week's “Not the Drag Queens,” where we break down how the biggest consumers of trans porn are the same conservatives yelling the loudest about “family values.” Shocking? Not really. Hypocritical? Absolutely. Got a question, comment or topic for us to cover? Let us know! Send us an email at fratchatpodcast@gmail.com or follow us on all social media: Instagram: http://Instagram.com/FratChatPodcast Facebook: http://Facebook.com/FratChatPodcast Twitter: http://Twitter.com/FratChatPodcast YouTube: http://YouTube.com/@fratchatpodcast Follow Carlos and CMO on social media! Carlos:  IG: http://Instagram.com/CarlosDoesTheWorld YouTube: http://YouTube.com/@carlosdoestheworld TikTok: http://TikTok.com/@carlosdoestheworld Twitter: http://Twitter.com/CarlosDoesWorld Threads: http://threads.net/carlosdoestheworld Website: http://carlosgarciacomedy.com Chris ‘CMO' Moore:  IG: http://Instagram.com/Chris.Moore.Comedy TikTok: http://TikTok.com/@chris.moore.comedy Twitter: http://Twitter.com/cmoorecomedy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hi Everyone! I interviewed Erin Richardson, Illustrator. Here is more about Erin:As a lifelong artist, I've always been drawn to storytelling through illustration. Growing up, I spent countless hours lost in books, captivated by the details in the artwork and eager to create my own. My vivid childhood imagination still inspires me today—whether it's the cozy world of my beloved dollhouse or the magic of turning a simple idea into something tangible.My dream project is to build a 3D set to illustrate the story of a spunky girl navigating her emotions in a miniature world within her dollhouse. It's a tale of self-discovery, unlikely friendships, and realizing you don't have to shrink to escape.I'm inspired by all things that matter to kids—emotions, relationships, and the beauty found in small, everyday moments. My artistic influences include Jessie Wilcox Smith, Norman Rockwell, David Hohn, Arthur Rackham, Chris Van Allsburg. I loved the classics from storytellers C.S. Lewis, Roald Dahl, and Judy Blume. If there's an element of fantasy, magic, or adventure, I'm all in!Beyond illustration, I'm passionate about color, texture, and atmosphere, blending vintage aesthetics with modern storytelling. I've painted Trompe L'Oeil murals, designed hand-painted furniture, and created custom cards and advertising. Lately, I've been exploring 3D set design, finding joy in building miniature furniture and discovering new textures.  Studying the papercrafting and 3D world building from Samantha Cotterill, Nancy So Miller and Cybele Young, I am fascinated with the interaction between cut paper and the way a shadow falls from a structure in dimensional set.  If I am not illustrating, I can be found hiking the Rocky Mountains, trying a new recipe, or spending time with family and friends. Most of my illustrations are digital, using Photoshop and my Cintiq, yet I love traditional media like watercolor, gouache, ink, and cut paper.  I believe pictures open doors where words sometimes can't, offering kids a window into new worlds and deeper emotions.This year, my goals are to write and illustrate my own manuscript, expand my website with a store and blog, and continue honing my skills through SVS Learn. I'm excited about school visits and hope to inspire kids to believe they can achieve anything they set their minds to. Awards: Top 12 Critique Arena, 2022 SVS LearnWinner of the Rocky Mountain Chapter SCBWI Annual Calendar Contest, 2023Illustrator of the Month, September 2024 SCBWI Books:Oliver's Shadow, Brinkley Press, written by Martin Knight-Yeager.  When Oliver discovers his shadow disappears as soon as the light goes out, he decides his shadow must be afraid of the dark. Joined by favorite bear, Watson, they set out to find his shadow. This heartwarming tale of Oliver's misguided first impression about his shadow's disappearance leads them both to explore the unknown. Yet, it also allows the reader to explore a bit more about the fears we all face. As Oliver decides his shadow must be fearful of the dark, he also shares his concerns about being alone.   I'm Making a Wish, Tootsie and Teed, written by Linda Teed. One little girl's travels in her grandfather's car evoke an overflow of emotions that remain deeply woven in her heart. Years later, she recalls those early days as she makes new memories with her husband, children, and grandchildren. I'm Making a Wish is a tribute to all those that enjoy the simplicity of time spent together and the memories that are created for a lifetime.In development:  A Magic Stick Box, by author Michael Kujawa.  Release date TBD 2025Erin Richardson Designswww.erinrichardsondesigns.comIG: @erinrichardsondesigns21Thanks for listening!

Giuseppe Castellano talks to Illustrator and author, Henry Cole, about the early years of his long career; what he experienced with the banning of And Tango Makes Three; how (and how not) to learn from artistic influences; and more.To learn more about Henry, visit henrycole.net.Artists mentioned in this episode include: Steven Kellogg, John James Audubon, Norman Rockwell, N.C. Wyeth, John Singer Sargent If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

[Historic American Art] Today's episode could easily have an another title: "Everything You Ever Wanted to Know About Norman Rockwell." We go deep into the life and career of one of the most popular American artists. Joining us on this journey is Stephanie Haboush Plunkett, chief curator at the Norman Rockwell Museum in Stockbridge, Massachusetts. From his early days a student artist to his later career and smash success at the Saturday Evening Post, Rockwell is a star within the art world and his works are some of the most iconic images within American culture. Today's special episode is sponsored by American Fine Art Magazine. Subscribe today at americanfineartmagazine.com.

Everybody was shocked when, in 1999, David Lynch released a G-rated film with a Norman Rockwell setting that didn't have a dark underbelly or wild reveal; if you have a David Lynch bingo card, The Straight Story is the free space. And while The Straight Story is as wholesome a film as you can find, it's never sentimental or corny. Dan thinks it's Lynch's best. Join him and Mike as they talk about all the ways that the film could have gone wrong and, more importantly, all the things that Lynch gets right about aging, regret, and family. Any fan of David Lynch's work should read Room to Dream, Lynch's memoir that's as unique as the man himself: the book has alternating chapters of Lynch and his official biographer telling the story of his life. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Everybody was shocked when, in 1999, David Lynch released a G-rated film with a Norman Rockwell setting that didn't have a dark underbelly or wild reveal; if you have a David Lynch bingo card, The Straight Story is the free space. And while The Straight Story is as wholesome a film as you can find, it's never sentimental or corny. Dan thinks it's Lynch's best. Join him and Mike as they talk about all the ways that the film could have gone wrong and, more importantly, all the things that Lynch gets right about aging, regret, and family. Any fan of David Lynch's work should read Room to Dream, Lynch's memoir that's as unique as the man himself: the book has alternating chapters of Lynch and his official biographer telling the story of his life. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Lawrence Tome is the King of the River. Lawrence Tome rests at the bottom of hollowtop lake in the tobacco root mountains outside of Pony Montana. Many fishermen have felt the water stir as somber melodies float up from the depths breaking the surface, reaching toward the stars. A man known by most as Flint Michigan claimed to have Lawrence Tome on his line for 17 hours, 46 minutes, and 22 seconds. Repeatedly pulled into the water, Flint nearly drowned keeping hold of his rod. When he finally pulled in the line, there was a treasure map at the end of his hook. Lawrence Tome was born and raised in a Norman Rockwell painting. When startled, Lawrence Tome dissolves into a puddle of tears.

Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Timothy Wayne Williams was born in Lafayette, Indiana in 1969.Tim was an accomplished photographer and musician before discovering painting. An avid reader and student of art history, his art reflects many styles and movements of the past.Tim's art cannot be easily defined. One may find impressionist influences or light effects of the Dutch masters in his body of work.Always learning and experimenting, his work continues to grow and evolve.Whether his is hiding Bigfoot in his landscapes or creating a mysterious pathway, his paintings draw you in and make you an active participant in the scene.Tim is a self-described eccentric romantic who is more at home at an easel or a recording studio than anywhere else. In recent years, Tim's humor writing has found a loyal following as well.Tim's influences are vast, including Rembrant, Mary Cassatt, Norman Rockwell and Fredric Church, as well as modern masters such as Quang Ho.His fundamental goal for every work is to combine drama, romance and mystery – to set a mood and create beauty.Tim's works can be found in numerous private and public collections all over the world.https://18-timothy-williams.pixels.com/https://www.facebook.com/spookyartbyTWWILLIAMS/https://www.instagram.com/timothy_wayne_williams_/https://www.tiktok.com/@the.painting.pirahttps://www.amazon.com/Bigfoot-Expedition-Timothy-Wayne-Williams/dp/B0DFBQQCR3/ref=sr_1_1Click that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ

Send us a textUnion Maine is a slice of Americana, a vestige of times past, the town was pulled into the twenty-first apparently by seventeen year old Devan Young. Its been reported that the crime scene, a 100 acre island within Crawford Pond, was a brutal one, with likely DNA transfer. Devan Young purportedly inserted himself into the investigation and attempted to lead Maine State Police away from the crime scene and Sunny's body. He was ultimately arrested and charged with murder, July 16, 2025.The victim and alleged perpetrator seemingly crossed paths at Mic Mac Campgrounds on the pond, Devan Young was staying with his parents and Sunny was renting for a few weeks to get in her paddle-board fix in. What exactly lead up to this murder, is currently unknown, police are tight lipped by design in this case. Please share this episode!!WMTW-TV-https://bit.ly/41qmM9EWGME-https://bit.ly/4lcrmPYX-bcpbeantown Email-barry@bostonconfidential.net

What's up, dudes? It's the Hallmark Ornament Premiere, so I've got the Anthony Caruso from ‘Tis the Podcast and Vinnie Brezinsky from Huey and Bax here to talk the 1989 Hallmark Dreambook—all 32 pages of it! That's right! We get into baubles and finials and cameos! Oh my! We talk our personal collections and which ones from 1989 we own! Spoilers: I have the entire Norman Rockwell cameo set from 80-89! Or do I? Guess you'll have to listen to find out! Peanuts, Paddington, and Rodney Reindeer ornaments make appearances, too! And have you joined the Hallmark Keepsake Ornament Collector's Club yet? Have you decorated your wreaths and garlands with keepsake ornaments? Do you even own a pair of white satin gloves? So bust out your tree and ornaments, put on the Time Life Treasury of Christmas, and travel back to 1989 with this episode!‘Tis the PodcastFB: @tisthepodTwitter: @tisthepodIG: @tisthepodcastGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

“I was showing the America I knew and observed to others who might not have noticed.” - Norman Rockwell Whether arguing for soft versus hard taco shells or the Neo-Nazi right to march in Skokie, freedom of speech is a fundamental right we all enjoy as Americans. But it turns out that telling people that is pretty complicated, actually. Thank goodness we have Norman Rockwell, virtuosic photorealistic painter and America's crown prince of nostalgia, to help us understand our fundamental freedoms from the intimacy of the magazines fanned across the coffee tables inside our homes. See the images: https://www.thelonelypalette.com/episodes/2025/6/4/episode-70-norman-rockwells-freedom-of-speech-1943 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “The Zeppelin,” “Lord Weasel,” “No Smoking,” “Transeless,” “Silver Lanyard,” “Ice Tumbler,” “Sino de Cobre,” “Georgia Overdrive,” “The Consulate”

How did Thomas Jefferson's thoughts on fatherhood influence the American Revolution? What did Charles Darwin learn about evolution from watching his own kids? And why did Bob Dylan tell everyone he couldn't stand his father? After becoming a father himself, historian and author Augustine Sedgewick dove into the past to learn more about these and other hugely influential men, and how being a father and a son shaped their lives and work, for better or worse. On this episode of Paternal, Sedgewick reflects on why he went looking through the past for paternal role models, and why the lives of Jefferson, Darwin, Dylan, Henry David Thoreau and Norman Rockwell reveal problematic habits dads can avoid today. Sedgewick is the author of Fatherhood: A History of Love and Power, available now wherever you buy books.

Giuseppe Castellano talks to Terry Brown, former director of The Society of Illustrators, about his time at the Society; what's behind the Society's disparity between men and women award-winners; how life is made up of many different but connected chapters; and more.Learn more about The Society of Illustrators by visiting societyillustrators.org.Artists mentioned in this episode include: Bob Peak, Norman Rockwell, Charles Dana Gibson, Steve Brodner, Anita Kunz, Yuko Shimizu, Bernie Fuchs, Al Hirschfeld, Robert Weaver, Murray Tinkelman, Joe Ciardiello, Mark English, Roger Kastel, Diane Dillon, Violet Oakley, Jessie Willcox Smith, Elizabeth Shippen Green, Florence Scovel Shinn, May Wilson Preston, E. Simms Campbell, Reynold Ruffins, and Rube Goldberg If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

This week on The Profitable Photographer with Luci Dumas, I had the absolute joy of chatting with my repeat guest, Larry Hershberger — an internationally acclaimed, award-winning artist often called a modern-day Norman Rockwell. For over 35 years, Larry has been creating magical, theatrical, emotion-filled art, with clients in more than 50 countries. You've probably seen his Santa and Christmas artwork — those nostalgic, wonder-filled images that take you right back to being a kid.But this episode isn't about Santa… it's about superheroes.Larry and his wife Ela have a daughter with Down Syndrome, Anna Rose, and she's the heart behind his most meaningful project yet — the Don't Fear Me campaign. Through stunning portraits of children with Down Syndrome, Larry is changing the world's perception — one photograph at a time.And yes, we talk about the business side too. Because as magical as his portraits are, Larry is also practical. He shares how he's making this passion project sustainable without burning out or going broke — a lesson all of us creative hearts can learn from!We talk about:• How Larry blends advocacy and art to make a lasting impact• Why it's totally okay to sell artwork and still do good in the world• His journey as a father and artist, and how it's shaped his mission AND saved lives!This episode is full of heart, hope, and truth — and might just inspire you to look at your own photography in a whole new way.Larry would love to connect with you!https://www.masterpieceartwork.com/https://www.downsyndrome.art/https://www.facebook.com/MasterpieceArtworkportraitsWant support with your business goals? Let's chat at www.lucidumascoaching.comConnect with Photography Business Coach Luci Dumas: Website Email: luci@lucidumas.comInstagram FacebookYouTubeNew episodes drop every week — make sure to subscribe so you never miss an inspiring guest or a powerful solo episode designed to help you grow your photography business.

Guests: Adam Kissel & Christina Lamb Chakalova Host Scot Bertram talks with Adam Kissel, visiting fellow for higher education reform in the Center for Education Policy at The Heritage Foundation, about the decline of American Ivy League colleges and universities and his new co-authored book Slacking: A Guide to Ivy League Miseducation. And Christina Lamb Chakalova, assistant professor of art at Hillsdale College, continues a series on the history and character of American art. This week, she dives into photography and the illustrations of Norman Rockwell.See omnystudio.com/listener for privacy information.