Podcasts about terje isungset

For ambient and electronic artists, the music of the winter season holds a special appeal. Dense drones, chilled harmonies, bright bells and percussion, and the psychoactive power of minimalist patterns — add up to a powerful palette of musical elements. The small but artistically mighty countries of Scandinavia and the Arctic north produce far more than their share of world-class music across a wide range of contemporary genres and music for film. Nourishing it all is the influence of the extraordinary natural environment: the cold North Sea and volcanic islands, the dramatic coastal mountains and fjords, the vast boreal forests, the visual magic of fog, mist, and snow, and the otherworldly spectacle of the auroras—the famous northern lights. On this transmission of Hearts of Space, wintry ambient from Scandinavia and the Arctic north to Northern California, on a program called "NORTHERN LIGHTS 5." Music is by ROBERT JÜRJENDAL, ERIK WØLLO, PHILLIP WILKERSON & CHRIS RUSSELL, SNOWDROPS, TERJE ISUNGSET & EIVIND AARSET, MARK BANNING (RIP), and JEFF PEARCE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

                              Emissão de 15 de Setembro disponível em formato podcast."Guardar Link Como" - "Save Link As"(September, 15)1.ª parte: 1 - Ryuchi Sakamoto - Opus (OST) - Andata2 - David Sylvian - Secrets Of The Beehive - September3 - Julia Holter - Have You In My Wilderness - How Long?4 - Markus Guentner - Kontrapunkt - Presence (feat. Hollie Kenniff)5 - Steve Jansen - Tender Extinction - Captured (feat. Thomas Feiner)6 - Joanna Gemma Auguri - Hiraeth - All You Can Eat7 - Slowdive - I'm The Elephant, U Are The Mouse (Soundtrack) - Blue Skied An'clear (Ambient Mix)8 - Memoryhouse - Choir Of Empty Rooms - Untitled9 - Mount Eerie - Night Palace - I Walk10 - Mark Lanegan - Bubblegum XX - Kingdom11 - David Grubbs, Loren Connors - Evening Air - The Pacific School12 - Mark Lanegan - Bubblegum XX - Pure Religion13 - Richard Hawley - Lowedges - It's Over Love14 - Richard Swift - Dressed Up For Letdown - The Opening Band15 - Delaney Bailey - … - Wella16 - Cindy - Swan Lake - All Weekend17 - The Innocence Mission - Midwinter Swimmers - This Thread Green Street18 - David Grubbs, Loren Connors - Evening Air - Child19 - Fionn Regan - O Avalanche - Blood is Thicker2.ª parte:20 - Alpha - Loving Nobody - In A Perfect World21 - Nick Cave & The Bad Seeds - Wild Dog - Joy22 - Damien Jurado - Now That I'm In Your Shadow - Montesano23 - Antonymes - Like Rumours of Hushed Thunder - 30121024 - Harold Budd & Brian Eno - The Pearl - Late October25 - Shannon Wright - Honeybee Girls - Asleep26 - Terje Isungset - Winter Songs - Fading Sun27 - David Bazan - Bazan Monthly: Volume 2 - Over Again28 - Naima Bock - Below a Massive Dark Land - Gentle29 - Haley Heynderickx - … - Seed of a Seed30 - Amen Dunes - Cowboy Worship - Song to the Siren31 - Hisato Higuchi - Butterfly Horse Street - In The Mud32 - (Smog) - Doctor Came At Dawn - All Your Women Things33 - Max Richter - In a Landscape - Life Study II34 - Ryuchi Sakamoto - Opus (OST) - Opus (ending)* imagem de (image by) Ingmar Bergman

It's March 17, 2021. Cherry, Bird, and Cow teach us about a robotic dog used by the police called Digidog, a Norwegian artist who makes and plays instruments made of ice, new rules for women soldiers in the US army about their hair, a Chinese divorce court making a man pay his ex for housework, and batteries being used in Salt Lake City for a better environment

It's March 17, 2021. Cherry, Bird, and Cow teach us about a robotic dog used by the police called Digidog, a Norwegian artist who makes and plays instruments made of ice, new rules for women soldiers in the US army about their hair, a Chinese divorce court making a man pay his ex for housework, and batteries being used in Salt Lake City for a better environment

Sigurd Hole has been a vital part of the Norwegian music scene for the past decade, both as part of different jazz ensembles and through his work related to Norwegian folk music. In February 2020 came the monumental "Lys / Mørke".  A solo bass double album recorded on the arctic islands of Fleinvær in Northern Norway, "Lys / Mørke" can in many ways be seen as a response to the climate and ecological crisis, focusing in large on the conscious act of listening to the natural world. The album was premiered in Weill Recital Hall at Carnegie Hall on February 3rd, 2020, and received worldwide critical acclaim. 2022 sees the release of a new album called "Roraima", out February 18th. "Roraima" was commissioned by Oslo World for the festival in 2020, and reflects themes such as solidarity and ecological vulnerability and draws inspiration from the creation myth of the Yanomami people and the sound of the Amazon rainforest. The ensemble features Trygve Seim, Frode Haltli, Helga Myhr, Tanja Orning, Håkon Aase, Per Oddvar Johansen, and Sigurd Hole, and the music also includes field recordings of the Amazon biophony by US soundscape ecologist Bernie Krause. Besides his own projects Hole is known for his work with ensembles and musicians like Tord Gustavsen trio, Eple Trio, Karl Seglem acoustic quartet, Helge Lien, Bugge Wesseltoft, Eli Storbekken, Nils Økland, Terje Isungset, Frode Haltli and Trygve Seim. In this episode, Sigurd shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

C'est Terje Isungset qui fait ça, c'est un musicien Norvegien de 57 ans qui voulait mettre en valeur les éléments et donc ici la glace et l'eau. Et il a vraiment fait tous les instruments en musique.

C'est Terje Isungset qui fait ça, c'est un musicien Norvegien de 57 ans qui voulait mettre en valeur les éléments et donc ici la glace et l'eau. Et il a vraiment fait tous les instruments en musique.

As the COP26 climate summit continues, Tom Service is joined by a panel of guests to discuss how musicians, orchestras and cultural organisations can respond to climate change. Live guests include violinist and conductor Pekka Kuusisto, London Symphony Orchestra Managing Director Kathryn McDowell and founder of the cultural and environmental charity Julie's Bicycle, Alison Tickell. We also hear from the environmental consultant Natalja Andersson about her work on Gothenburg Opera's sustainable production of Wagner's Ring Cycle. Tom talks to Norwegian musician and composer Terje Isungset about his Ice Music project and gets his unique perspective on the changing planet after 20 years of making ice instruments. Inuk singer Tanya Tagaq discusses the relationship between her music and the natural environment and we explore environmental soundscapes with music writer Kate Galloway. Plus, journalist Zack Ferriday shares his thoughts on the limitations of musical activism. Music clips from COP26 include: Brìghde Chaimbeul RSNO Junior Choir Musicians in Exile Emma Donald and Isbel Pendlebury

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در قسمت سوم پادکست جزباز از وایبروفون گفتیم و از مهم‌ترین نوازنده‌ی این ساز در موسیقی جز، جناب میلت جکسن. "بگز گروو" اثر این هنرمند برجسته، استانداردی است که در این برنامه‌ به بررسی‌ آن نشستیم. علی نوروزی هم در آیتم جز معاصر برایتان از آروه هنریکسن، هنرمند نروژی و از پیشگامان موسیقی جز معاصر اسکاندیناوی گفته و ۴ آلبوم جدید را به شما معرفی می‌کند. آلبوم‌هایی که در آیتم جز معاصر معرفی کرده‌ایم: 1. Arve Henriksen & Terje Isungset, "Dream - Explore - Discover, The Old Road Challenge" (The Art of Travel) 2020 All Ice Records 2. Julian Lage, "Etude, Saint Rose" (Squint) 2021 Blue Note Records 3. Girls in Airports, "Myanmar, Sea Trail" (Leap) 2021 Kaja Records 4. Girls in Airports, "Collision, Weaver, Stonehouse" (Dive) 2020 Mawi Music جزباز کاری است از مجله‌ی پاراساندر و میزبانی رادیوی مجله‌ی موسیقی معاصر ❖ Telegram | Instagram ❖ بخوانید: مایلز دیویس در ۱۰ سکانس ❖ لینک حمایت مالی و ارزی از پاراساندر در حامی‌باش

Craving the shade? Settle down in a dark room and let the shadows envelop you. The shadowy sounds of The Rolling Stones, Emmy The Great, High Places, Bonobo, The Four Tops, Dwight Twilley, Exovedate, Terje Isungset, Joy Division, Forest and Yo La Tengo are some of the delights designed to shield you from the sun's impertinent rays. So pour yourself a long tall glass of something cold (Doctors warn you to avoid dry ice and Vimto) and sprawl out in front of your wireless set and.... oh, I can't sustain this rubbish for much longer...

L'ensemble PTYX vous propose un podcast mélangeant œuvres live et commentaires sur la musique de Saariaho. Œuvres de Kaija Saariaho - « Duft » pour clarinette (2012 - 10 min.) - « Oi Kuu », version flûte basse et violoncelle (1993 - 6 min.) - « Oi Kuu », version clarinette basse et violoncelle (1990 - 6 min.) - « Couleurs du vent » pour flûte alto (1998 - 9 min.) jouées par Marie Chazelle, flûtes Camille Gueirard, violoncelle Antoine Moulin, clarinettes Musiques diffusées - Jean-Frédérique Dufert, "La Lune", CD Paléolithique, musiques et chants de la préhistoire (http://musiqueprehistorique.com) - Corinne Schneider, Les grands entretiens, «  Kaija Saariaho : La Finlande d'hier et d'aujourd'hui », émission France Musique, 2017 - Kaija Saariaho, "Du Cristal" pour orchestre symphonique et "… à la fumée" pour flûte alto, violoncelle et orchestre symphonique, Los Angeles Philharmonic Orchestra, direction Esa-Pekka Salonen, CD Ondine, 1993 - Ludwig van Beethoven, "Symphonie n°5 en ut mineur", 1er mouvement, Simon Bolivar Youth Orchestra of Venezuela, direction Gustva Dudamel, CD DGG 2006. - Jean-Loup Ringot, démonstration de lithophone, vidéo en ligne (consultée le 26/02/2021 sur https://limportant.fr/infos-planete/56/t/1486284) - Iannis Xenakis, "Concret PH", album « Electronic Music », EMF CD 003, INA-GRM, 1997 - My Bloody Valentine, "Loomer", album Loveless, Creation Records, 1991 - Sonic Youth, "Mote", album Goo, GDC, 1990 Musiques d'accompagnement - Terje Isungset, extraits de l'album Middle of Mist, NORDCD, 2003 - Sigur Ros, "Dvergmál", extrait de l'album Odin's Raven Magic, Krunk, 2020 illustration : Grégoire Darrasse régie : Luciolle prise de son, réalisation, présentation : Jean-Baptiste Apéré

In the new episode of the Nordics Unveiled, Eldbjørg Hemsing is joint by one of Europe's most accomplished and innovative percussionists Terje Isungset. With over two decades of experience in jazz and Scandinavian music, Terje has already made a significant mark in pushing the musical boundaries far beyond tradition. His distinctive artistic works are exploring the interdisciplinary performances of sound and shamanistic rituals.Crafting his own instruments from natural elements such as arctic birch, granite, slate, sheep bells and most remarkably the ice. Terje is highly recommended to those sensible to the poetry and simplicity of sounds, with ‘timbres' and ‘colours' being central in his music and compositions.Media praises him as innovative, visual, energetic and different from any previously known concepts. Percussion Profiles publication has listed him among the 25 of the world's most creative percussionists and he was also named the Norwegian Jazz musician of the year.“It was years ago, when I was asked to do a concert in a frozen waterfall in Lillehammer. I thought what should we do, work against or with nature? So I decided to work with nature, went to location and started to collect stones, wood and since I was there in the winter I also checked the ice… When I head the sound of ice and saw it, I just simply fell in love and from then on, cannot stop it.“Terje Isungset, The Nordics Unveiled"First you need to harvest the ice, which is the most challenging part. But even before harvesting, it is crucial to know that the lake (where the ice will be harvested from) has sound – not every lake has the sound. If the ice is there, I can make instrument in between two to three days. Then we can make various types of horns, ice drums, iceophones that can be tuned."Terje Isungset, The Nordics Unveiled"If I go to perform in India, China or Japan, we always make the instruments there. Sometimes I bring a little box of ice also from Norway, because I have experienced, for example in Japan that it is difficult to find a well-sounding ice. I can of course always tune it, but the sound difference would effect the music because of the resonance. The range of sound is really big, from a completely death sound, to almost singing. The longest resonance I had with one instrument was 18 seconds."Terje Isungset, The Nordics UnveiledMore information about Terje Isungset and his music on the following link.

Der norwegische Komponist und Schlagzeuger Terje Isungset formt mit seinem Team Instrumente aus Eis: Eisharfen, Eishörner, Eisgeigen. Nur, wo bekommt man gutes Eis her, um etwa mit Eis-Musik im Münchner Werksviertel zu gastieren? Das hat sich auch BR-KLASSIK gefragt - und ist mit Terje Isungset auf Eis-Abhol-Tour gefahren, an einen Winterort, der wie wenige andere für besondere Eisqualität steht.

Im Winter kommen Menschen aus aller Welt in ein kleines norwegisches Dorf, denn dort findet ein ungewöhnliches Musikfestival statt: Die Musiker spielen auf Instrumenten, die sie aus Eis gebaut haben.

Alphörner, Kontrabässe, Harfen und Geigen - all das baut Terje Isungset aus Eis. Kathiarina Roeb hat den Norweger beim Instrumentenbau begleitet.

Many of us in the U.S. are freezing this weekend and looking for warmth, but halfway around the world is an artist whose career in music is dependent on frigid weather.Terje Isungset is a Norwegian musician who makes his own instruments — out of ice. Among his creations are "icehorns," a xylophone-shaped instrument called an "iceofon," guitars, harps and even even saxophones sculpted from huge chunks of ice using chainsaws.

The main theme for this mix (as well as the title "Discouraging Intruders" ) came from the spoken word track by the Dwindlers: "What the Wolves Said": "No two of us on the same note, we sound bigger...our harmony discouraging intruders..." Although generally not sounding like a pack of howling wolves, sometimes the purpose of 'ambient' music also is also is to 'discourage intruders' (such as unwanted sounds) to invade your environment.. From the opening, this mix slowly dwells into long drone soundscapes - some discouraging, others comforting - only to be interrupted by a climactic eruption from Siddhartha Barnhoorn's cinematic 'Artifacts' directly following the enchanting vocals of Fovea Hex, a choir arrangement that seems to be coming directly from heaven by Franz Liszt (from 'Via Crucis', 1879!), followed by a Sibil'La Catalana string theme from the 15th century - and finally to be concluded by the acquiescent vocals from the Terje Isungset track. Whether you prefer to be on the inside or the outside is up to your imagination... --- originally published on Ambientblog --- Playlist (First time is the start time, second time indicates sample length) 00:00 (01:30) Äpne Sinn - EspiritistaEspiritista, 2011; Relaxed Machinery rM01501:00 (02:00) Antonymes - On Arrival at the Strange Museum (ending)The Licence to Interpret Dreams, 2011; Hidden Shoal Recordings HSR08003:00 (03:13) Antonymes - On Arrival at the Strange MuseumThe Licence to Interpret Dreams, 2011; Hidden Shoal Recordings HSR08005:35 (04:12) The Dwindlers - What the Wolves Said -Various Artists - Brave New World, 2011; Feedback Loop Label FbL01008:00 (06:07) Field Rotation - A Dimly Haze (Asleep Pt. 1)And Tomorrow I Will Sleep, 2011; Hibernate HB3109:00 (01:24) Enrico Coniglio - Kingdom of HerDialogue One, 2011; Silentes cd 20112810:08 (04:16) Arturas Bumsteinas - Boletus SatanasPastoral, 2011; Crónica 05512:28 (04:53) Johann Johannsson - An Injury to One is the Concern of AllThe Miners' Hymn, 2011; 130701 CD13-1316:11 (05:40) Johann Johannsson - Freedom from Want and FearThe Miners' Hymn, 2011; 130701 CD13-1318:34 (04:04) Model Citizen - Sleep LearningVarious Artists - Brave New World, 2011; Feedback Loop Label FbL01019:40 (06:37) Fovea Hex - Cup Of Joy (Colin Potter remix)Here is where we used to sing (bonus EP), 2011; Janet Records JRDS004B25:45 (02:57) Siddhartha Barnhoorn - ArtifactsPillars of Light, 2011; Self-released27:14 (03:59) Michael Prime - God's Own DibberL-Fields, 2000; Sonoris SON-0828:34 (06:00) Carl Michael von Hausswolff - Day800 000 seconds in Harar, 2011; Touch TO:8230:30 (04:54) Yann Novak - NightfallNightfall, 2011; self-released34:27 (01:03) Franz Liszt - Station III, Jesus Fällt zum ersten malVia Crucis, 1986; Decca 4805133 35:20 (01:18) Anonymus - Sibil'la CatalanaEl Cant de la Sibil-La, 1988; AliaVox Heritage AVSA 987936:20 (01:20) Arms and Sleepers - CrashNostalgia for the Absolute, 2011; self-released37:12 (04:49) Robert Crouch - A Body of WorkVarious Artists - Wood, Dragon's Eye Fifth Anniversary, 2011; Dragon's Eye, de600840:16 (05:58) Loscil - Névé -Coast Range Arc, 2011; Glacial Movements GM01043:44 (02:41) Stuart Sweeney - Where the Shores Meet (16-9 version)16-9, 2011; Oomff UK OOMFF1001CD45:41 (02:20) Philip Samartzis - Davis StationVarious Artists - 10, 2011; Room40 DRM41045:49 (03:53) John Duncan, Valerio Tricoli - The Garden (excerpt)Eco et Narcisso. Presenze Sonore, 2006; Provincia Di Torino49:03 (02:36) Christina Kubisch - Circles 1Various Artists - Music Dances Itself, 2006; Sonic Arts Network, SAN20050:24 (04:17) Cliff Child - Between SidesEinn, 2010; Fruit Tree Records53:33 (02:06) Scanner - Black Box WarningMay the Plague be with you - Remixes, 2007; Plague Recordings Plague 013 D/L 54:51 (03:08) Terje Isungset - RetrospectWinter Songs, 2010; All Ice Records

I have no idea why I called this mix "cloud mapping". It started off as something about the sky, then aerial views of something, then blah blah blah...then it ends up as "cloud mapping". Most of the music is new or new-ish.  There is no big time theme in this mix, just good, drifting ambient music.  I guess you could picture yourself flying over clouds while listening to this.  My favorite track in the mix is from Christopher Willits' release "Live on Earth Vol.1".  It's the track, "Stars and Plants (live) – Kyoto, Japan – June 19, 2008". Enjoy some good 'ole floaty ambient. T R A C K L I S T : 00:00    in the field - rising 03:30    Christopher Willits - Stars and Plants (live) – Kyoto, Japan – June 19, 2008 12:45    Maps & Diagrams - Shuffle 17:50    Relmic Statute - a test for tapes & memories 22:10    Jannick - Schou - Night 26:50    Itaca Trio - Dragon Sleeps Well 30:55    Markus Guenter - Doppelgaenger 38:05    Terje Isungset - a glimpse of light 40:00    Cluster - lerandis 41:30    Akira Kosemura - 9 Guitar 42:20    Chihei Hatakeyama - light drizzle 46:30    Kyle Bobby Dunn - Empty Gazing 52:10    Christopher Willits - Golden Yarrow 55:00    Simon James French - Misery 59:23    end

Nästa år är det hundra år sedan tenoren Jussi Björling föddes. Han har kallats tidernas främste tenor och jämförs ofta med Enrico Caruso. Jussi Björling är fortfarande i hög grad aktuell för en stor publik över hela världen. Men när Jussi Björlingsällskapet sökt pengar och stöd från Kulturdepartementet och Kulturrådet till ett rejält jubileum har det hittills blivit kalla handen. - Vi trodde nog att det var självklart att staten skulle bidra, säger Bengt Krantz, ordförande i Jussi Björlingsällskapet. Vem ska vi fira – och varför?  När ska skattepengar användas, när räcker det med eldsjälarnas, institutionernas och donatorers insatser? Hur kan jubileer och minneshögtider användas för att utveckla dagens kulturliv? Författaren Klas Östergren jämför med Ibsenåret i Norge och tycker att så långt kanske man inte ska gå. - Men jag förstår inte vad staten ska hålla på med om inte vårda såna här kulturarv, det är ju inte någon konstgjord andning vi pratar om, säger han. Hör också kulturminister Lena Adelsohn Liljeroth, professor Peter Aronsson, Operans chefsdramaturg Stefan Johansson och Kulturrådets ordförande Kerstin Brunnberg. Vi säger också hej då till vintern genom att ta reda på hur is- och snökonsten utvecklas. I studion norska musikern Terje Isungset som gör konserter på instrument gjorda av is och uppsalakonstnären Lena Kriström som under vintern flyttar till Kiruna och skulpterar i is och snö. Programledare: Kerstin Wixe i Luleå.

Terje Isungset is one of Europe's most accomplished and innovative percussionists. With over two decades experience in jazz and Scandinavian music his work travels far beyond traditional boundaries. He's become more like a cross between a sound artist and a shaman. Isungset crafts his own instruments from natural elements found in Norway such as arctic birch, granite, slate, and even ice.

Terje Isungset is one of Europe's most accomplished and innovative percussionists. With over two decades experience in jazz and Scandinavian music his work travels far beyond traditional boundaries. He's become more like a cross between a sound artist and a shaman. Isungset crafts his own instruments from natural elements found in Norway such as arctic birch, granite, slate, and even ice.