Italian opera singer 1873–1921
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10 episodes with Enrico Caruso
24 episodes with Enrico Caruso
7 episodes with Enrico Caruso
14 episodes with Enrico Caruso
3 episodes with Enrico Caruso
2 episodes with Enrico Caruso
3 episodes with Enrico Caruso
2 episodes with Enrico Caruso
2 episodes with Enrico Caruso
Some weddings might be grand, but nothing catches more attention than a good divorce scandal.August – September 1933, the marriage of Prince Alexis Mdivani and heiress Barbara Hutton has caused a lot of press attention on the couple as well as those around them. His two older brothers, Prince Serge Mdivani and Prince David Mdivani are in the papers again for their divorces and issues around their oil company. While youngest brother Prince Alexis and Barbara enjoy positive coverage, Prince Serge finds himself in a bitter press battle with soon to be ex-wife, opera singer Mary McCormic.Other people and subjects include: Franklyn Hutton, Louise Van Alen (referenced, not mentioned), Cobina Wright, Pola Negri, Princess Mae Murray Mdivani, Princesss Roussadana “Roussie” Mdivani Sert, Prince David – Prince of Wales – future King Edward VIII – Duke of Windsor, Lady Thelma Morgan Furness, Princess Marquesa de Portago, Lily Damita, Janet Snowden, Prince Caravita, John de Braganza, Lord Nicholas “Dickie” Mountbatten, Archpriest Jacob Smirnoff, Samuel Insull, Insull energy empire, Pacific Shore Oil Company, Charles Lindbergh, Lindbergh Baby Kidnapping, Anne Morrow Lindbergh, Marion Campbell, Nipo Strongheart, Mary Garden, Chester MacCormic – Macomic – Macormac, Kenneth Rankin, Reba McCormic, Harold McCormick, Edith Rockefeller, Ganna Walska, terrible singer, Cowgirl soprano, opera career advice, protégé, Chicago Civic Opera House, Russia, Soviet state Georgia, Biarritz, Moscow, Paris, Los Angeles, Liberty Magazine, Good Housekeeping, new Mdivani source, Tallulah Bankhead, Maurice Chevalier, Mistinguett, Yvonne Vallee, Rudy Vallee, divorce, remarriage, Orson Welles, Citizen Kane, Susan Alexander, William Randolph Hearst, Joseph Pulitzer, Florence Foster Jenkins, Meryl Streep, Enrico Caruso, Cole Porter, Lily Pons, cult musical camp, Alexander Winton, Winton automobile, Bobby Franks, Richard Loeb, Nathan Leopold, Clarence Darrow, Eva Stotesbury, Massie Rape Trial, Los Angeles Olympics, 1932 events, Amelia Earhart, Al Capone, circular connections, reconstructing & reconnecting the past, Tsar Nicholas II of Russia, Queen Victoria, Prince Philip, Prince Charles – Princes of Wales – King Charles III of Great Britain, Faith Baldwin, romance writer, female novelist, What Is Wrong With American Marriages syndicated news article series – Part 6th Pitfalls of International Marriage, Mademoiselle Dollars - American dollar princess, Adele Astaire, Fred Astaire, Lord Charles Cavendish, Boni de Castellane, Anna Gould, Duke of Marlborough, Consuelo Vanderbilt, Gladys Deacon, Sally Rand, risque striptease dance, messy divorces, too public, chaos, high passion, burnout, Brad Pitt, Angelina Jolie, Ben Affleck, Jennifer Lopez, Johnny Depp, Amber Heard, Prince Harry, Meghan Markle, divorce book,…--Extra Notes / Call to Action:Hollywood Mysteries, YouTube Channelhttps://www.youtube.com/@HollywoodMysteries#61 – Louise Brooks, The Girl Who Had The World In Her Hands and Lost It Allhttps://www.youtube.com/watch?v=Bg8D-KNHNZcCheck out and answer polls for As The Money Burns via social mediaX / Twitter – https://x.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Share, like, subscribe--Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: Did You Mean It? By Jack Hylton, Album The Great British Dance BandsSection 2 Music: Stars Fell On Alabama by Lew Stone, Album The Great British Dance BandsSection 3 Music: This Is The Missus by Sidney Kyte & His Piccadilly Hotel Band, Album The Great Dance Bands Play Hits of the 30sEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands--https://asthemoneyburns.com/X / TW / IG – @asthemoneyburnsX / Twitter – https://x.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Facebook – https://www.facebook.com/asthemoneyburns/
En este episodio recordamos a Enrico Caruso y además les traigo efemérides, anécdotas e historias de la Decena Trágica, Santa Anna y nuestra bandera. Además, ¿quiúbole con el último tlatoani Cuauhtémoc? ¡Pásenle a escuchar! Porque jamás la historia se atrevió a tanto.
Maggie's Private Wire 45-08-10 xxx Guest - Enrico Caruso Jr.
Solomea Krushelnytska, was hailed as the world's leading dramatic soprano during the Golden Age of opera at the turn of the 20th century. Born in 1872 into the family of a Ukrainian Catholic priest and his wife with eight children in a small village in Western Ukraine, she studied opera first in Lviv, and later in Milan, Vienna, and Paris. She battled to rise to fame and to perform with opera legends like Giacomo Puccini, Arturo Toscanini, and Enrico Caruso until she reached superstardom.
Arthur Lee Simpkins was an African-American singer with a unique talent. He was born in South Carolina in 1907, where he became known as the "Black Caruso" in reference to the legendary opera singer Enrico Caruso. In 1936, Simpkins recorded a hit version of "Sing, Sing, Sing" with Fletcher Henderson and His Orchestra. That record jump started Simpkins career, allowing him to perform a wide variety of music ranging from classic standards to operatic renditions, and not just different genres, but in many different languages and dialects. Simpkins performed on television regularly during the medium's early days, and also appeared in movies, like the film Why Men Leave Home in 1951. He was last remembered for singing at the memorial for legendary R&B legend Sam Cooke in 1964. Tragically, Simpkins died from a routine bladder operation in 1972 and was largely forgotten. You will hear Arthur Lee Simpkins sing three songs on the David Rose Show on CBS Radio in 1950. More at KrobCollection.com
Con Marisa Monte, Todos los martes ft Santiago Motorizado, Santero y Los Muchachos, los Modelos, Mamá, Albano, Enrico Caruso, Mario Lanza, Joanna Wang, Los Panchos, los Tres Reyes ft Gilberto Puente, De‐Phazz y Maestro Espada.
Solomea: Star of Opera's Golden Age by Andriy J Semotiuk https://amzn.to/3ya7Y3A Myworkvisa.com What does it take to reach the very top of your profession or calling? How does one rise from humble beginnings to achieve greatness and to perform with other first-class artists on the world stage? How do you break through barriers blocking you from reaching success because you are not the "right kind" of person? How do you break through the glass ceiling as a woman? As a parent or grandparent, where can one find a great model for children or even grandchildren to emulate? These are just some of the questions answered in this book. Solomea Krushelnytska was hailed as the world's leading dramatic soprano during the Golden Age of opera at the turn of the 20th century. Born in 1872 into a family with eight children in a small village in Western Ukraine, she studied opera and battled her way to superstardom while performing with opera legends like composer Giacomo Puccini, director Arturo Toscanini, and tenor Enrico Caruso. Working with Arturo Toscanini, she played the lead roles of Salome and Elktra in the premiers of these operas in Italy. Among other major successes, Krushelnytska helped Giacomo Puccini rescue the opera Madama Butterfly from its failed debut at La Scala in Milan in 1904 by playing the lead role of Cio-Cio-San in the opera's re-creation in the Teatro Grande in Brescia, Italy later that year. Thanks to their joint efforts, Madama Butterfly remains one of the most popular operas to this day. She also played other leading roles in major opera houses in Europe, South America, North America, and Northern Africa. Throughout her career, she shared the fruits of her success with her family. Towards the end of her career, she moved back to Western Ukraine on the eve of World War II. Her beautiful voice was then drowned out by the gunfire of Soviet and Nazi armies and she was reduced to struggling for survival. Yet reverence for her talent likely helped her escape most of the ultraviolence that rampaged through her city at that time. Throughout the world war, she sheltered the author's mother, aunt, and grandparents in her apartment. She spent her final years in Lviv, teaching at the same place where her rise to fame and fortune had begun. Told from the perspective of her grand nephew Andriy Semotiuk, with intimate details related to his family's immigrant experience never before shared, her rags-to-riches life story is an amazing odyssey, a triumph of the human spirit, an incredible testament to her dedication to art, and an inspiration to people everywhere.
Jonathan Tetelman ist momentan der Shootingstar unter den Operntenören, mit einer Stimme, die viele Qualitäten seiner Vorgänger von Enrico Caruso bis Luciano Pavarotti in sich zu vereinigen weiß. Gestartet ist er im italienischen Fach, jetzt geht die Reise auch immer mehr nach Frankreich. Seine Bühnenpräsenz ist phänomenal und das liegt nicht allein an seinem blendenden Aussehen.
For Summer 2024, Seattle Opera will present PAGLIACCI, by Ruggero Leoncavallo, a masterpiece of Italian opera all about lust and jealousy, passion and murder; a show about reality and artifice, comedy and tragedy, freedom and fate. (It's not about pizza.) Seattle Opera Dramaturg Jonathan Dean introduces PAGLIACCI with musical examples from Seattle Opera's 2008 archival recording, conducted by Dean Williamson and starring Antonello Palombi as Canio, Nuccia Focile as Nedda, Morgan Smith as Silvio, Gordon Hawkins as Tonio, and Doug Jones as Beppe. Special musical examples feature Enrico Caruso, Smokey Robinson and the Miracles, and Queen, with Freddie Mercury.
So, mom...your last mother's day was in 2015 just three weeks before you died. In those nine years since, you have been dearly missed, thought of often and always toasted at family get-togethers. I still use your recipes and even some of your kitchen tools to cook our meals. And your granddaughter still helps me make cavatelli and cassatelles. My kitchen always smells good. Almost like yours…sometimes. Your memory is just as much a part of this record collection as dad's. Because you were always telling me what you wanted to hear on the living room record player. Mom…This episode is for you. So get ready to hear a collection of Italian memories often played and definitely whistled around my house growing up with Volume 176: For Mama on Mothers Day. More information about this album, see the Discogs webpage for it. Credits and copyrights The Botticelli Family Singers – For Mama and Other Italian Favorites Label: Diplomat Records – D 2348 Format: Vinyl, LP Released: 1965 Genre: Folk, World, & Country We will hear 7 of the 11 songs from the album. For Mama written by Charles Aznavour, Robert Gall Funiculi Funicula written by Luigi Denza, Peppino Turco O Marie an adaptation of an operatic tune called Maria Mari written by Eduardo di Capua and Vincenzo Russo. Santa Lucia A traditional Italian song first recorded by Enrico Caruso in 1916 Stretti Stretti Vincenzo Di Chiara wrote the popular Italian song "La Spagnola", also known as "Stretti stretti, nell'estasi d'amor", in 1906. Torna a Surriento written by C. Chacón, Giambattista de Curtis, Ernesto de Curtis Ciribiribin written by Alberto Pestalozza, Carlo Tiochet I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.
How did San Francisco handle one of the biggest natural disaster haymakers in North America's history? How did scientists gauge the strength of the earthquake in these days before the Richter scale? And at the turn of the 20th Century, was the dreamy Mayor of San Francisco more obsessed with pizza or dim sum? Trent Edwards and Steve Fait are joined by Scott Borden for an unavoidably shaky improv set filled with foodies, fitness, and fireworks. Trent and Steve then interview Jamie O'Keefe, curator for the San Francisco Fire Department Museum, about what actually happened. Links To Further Yer Book-Learnin' The California Academy's history of The Great San Francisco Earthquake and Fire of 1906. How did Chinatown overcome its destruction and a 1906 San Francisco rebuilding committee's attempt to relocate Chinese-Americans? How does the Richter Scale work? The story behind the phoenix on San Francisco's city and fire department seals. How long did it take San Francisco to improve its fire codes after the Great Fire of 1906? Enrico Caruso (25 February 1873 – 2 August 1921), an Italian operatic tenor, defended his actions during the quake in an article. Eugene “Handsome Gene” Schmitz, was under the thumb of corrupt city boss Abe Ruef. Not baseball hero Babe Ruth. Phew! Dennis Sullivan was the San Francisco Fire Department Chief in 1906. The Panama-Pacific International Exposition of 1915. The collapse of the Old City Hall of San Francisco. The TransAmerica Pyramid is a skyscraper built to survive big earthquakes. The Pacific Ring of Fire. The Palace Hotel.
（年度重磅！）4 月 20 日是世界唱片店日，借着这个时间节点，我做了这期节目。英国的艺术史家、画家，约翰·伯格，写过一本书，叫做《观看之道》，书里提到了关于艺术载体变化而带来的影响，特别是传统油画到现代摄影和电视等复制技术的发展。这让我联想到了音乐载体的变化，从以前的实体音乐例如黑胶、磁带、CD，再到后来的 MP3、串流音乐，这巨大的变化也同样影响了我们所有人不管是制作音乐，还是听音乐的方式。今天我想通过这期节目，来试着展现音乐载体的变化，对于我们认识音乐和生活的影响。当然，也会分享在那不同载体流行的年代，有哪些经典的音乐作品，以及我曾经听过哪些实体唱片，有过怎么样的感动。
Steve and Cat discuss the ends and outs of making Marijuana legal in the United States. Is it worth the headache for the dispensary? Our SOB of the week is opera great Enrico Caruso. In What Ca Watchin, American Experience episode "Nazi Town" is discussed. Shot of the week is Fireball French Toast. Band of the Week is Luxemburg's Francis of Delirium.
Sostieni il progetto “Solo se ti rende felice” tramite Ko-Fi Ultracorpi tutto l'anno, un progetto di Solo se ti rende felice prodotto da Underdogs grazie a The Social Hub Firenze in collaborazione con Libreria Alice e inQuanto teatro.Andrea Falcone ha parlato con Claudia Grande di "Bim Bum Bam Ketamina", il suo primo romanzo edito da Il Saggiatore: un testo che in modo inspiegabile tiene dentro figure come Amadeus, Hegel, il pupazzo furby, il pupazzo Uan, Fichte, molti kink e qualche altra salutare dipendenza.Altre puntate per approfondimentoStagione 4 Episodio 5 con Enrico Caruso per il progetto M'importa Venezia sull'uso di sostanze e riduzione del rischioStagione 3 Episodio 3 con Marina Pierri per parlare di Storie, Eroine e Serie Tv.Consigli di Claudia GrandeFilm - Anatomia di una cadutaLibro - Vuoto di Ilaria PalombaLibro - Il cinghiale che uccise Liberty Valance di Giordano MeacciSerie TV - Succession
El 25 de febrero de 1873 nació Enrico Caruso, un tenor italiano, el cantante más popular en cualquier género entre 1900 y los años 1920 y uno de los pioneros de la música grabada.
There is a distinguished Tulsa family that is associated with several downtown Tulsa real estate properties. The Mayo family was responsible for building the Mayo Building, the Petroleum Building, the Mayo Hotel, and the adjacent Mayo Motor Inn parking garage.Today, a fourth-generation Mayo family member, Peter Mayo, follows this heritage in restoring and improving Tulsa's former Municipal Theatre which was once known as the Brady Theater and is now called the Tulsa Theatre.In 1925, Peter's Grandfather, John, and his brother Cass Mayo completed construction of what would become a destination for many notable guests throughout the hotel's first life, including President John F. Kennedy, Babe Ruth, and Elvis Presley. The 18-story, 600-room hotel exemplified modern luxury during Oklahoma's oil renaissance; ceiling fans were outfitted in every room and the hotel boasted Tulsa's first running ice water.The Tulsa Municipal Theater was completed in 1914 and remodeled in 1930 and 1952. It was one of only 16 theatres in the U.S. equipped to host a full Metropolitan opera production.It is listed on the National Register of Historic Places.When the Tulsa Performing Arts Center was built, the city put the old theatre up for auction in 1977. Peter bought the theater for $35,000, saving it from demolition, and made major improvements to what was once known as the “Ole Lady on Brady”.Peter's parents, Alene Oliphant Mayo and John Burch Mayo were very prominent in the Tulsa community, promoting many good causes, including the Tulsa Symphony and opera productions at the Municipal Theatre. Burch was known for his operatic voice. So, when the Mayo name became attached to the theatre, it seemed only fitting.In Peter's oral history, he talks about his musical background, how he came to buy the theatre, and reflects on the many concerts since his ownership.And he talks about the legend of Enrico Caruso.
2023 war ein Jahr der Jubiläen in der Musikwelt. Nicht wenige davon waren für die Diskothek ein Anstoss zu spannenden Spezialsendungen. Wir blicken zurück auf dieses musikalische Jahr. Zudem erzählen die Redaktorinnen und -Redaktoren von ihrem ganz persönlichen Diskothek-Highlight im 2023. 2023 gab es u.a. Hommagen an drei herausragende, prägende InterpretInnen des 20. Jahrhunderts: Maria Callas gilt als Jahrhundertstimme und wird bis heute verehrt; Enrico Caruso war der Ausnahmetenor schlechthin und ein erster Weltstar der Oper. Schliesslich der Cellist Pablo Casals - der charismatische Musiker und überzeugte Humanist wird auch zu seinem 50. Todestag noch als «Vater des modernen Cellospiels» gesehen. Aber auch Komponisten mit runden Jahreszahlen waren vertreten: Eduard Lalo mit seiner Symphonie espanole, Sergej Rachmaninov mit seinem 3. Klavierkonzert und Johann Joachim Quantz mit seinem Flötenkonzert G-Dur. Der älteste Jubilar in der Runde war William Byrd - zum 400. Todestag gab es eine Spezialsendung mit seiner einfallsreichen und oft unterschätzten Cembalomusik.
Registrata a The Shade il 2 Dicembre 2023. Enrico Caruso PhD, classe 1988, non solo è responsabile PrEP del Milano Checkpoint, attivista sierocoinvoltə, podcaster, studiosə e filantropə, ma te lo farà anche pesare! Con lui abbiamo parlato del progetto M'importa Venezia sull'uso di sostanze e riduzione del rischio.
Bis heute wird die Welt nicht fertig mit Maria Callas, die wie sonst nur Enrico Caruso für alles steht, was mit Gesang und Oper zu tun hat. Der Musikwissenschaftler Arnold Jacobshagen sieht die Mythosbildung kritisch. So werden heute Legenden verbreitet, während zum Beispiel der Fakt kaum bekannt sei, dass Maria Callas in ihrer frühen Karriere von den Nazis profitiert hat.
“A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points (passaggi).[1] Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of Verdi's early works make extreme demands on their singers.[2]” --- Send in a voice message: https://podcasters.spotify.com/pod/show/antonio-myers4/message Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support
Maggie's Private Wire 45-08-10 xxx Guest - Enrico Caruso Jr
Our Travel Department guide Giulio, took us to see the newly opened La Enrico Caruso House Museum in Naples, the place where the tenor was born on February 25, 1873.
The government says changes are needed to curb overreach by judges and courts. Also: Thousands are evacuated from beaches on the Greek island of Rhodes as wildfires destroy hotels, and a new museum in Italy celebrates Enrico Caruso, one of the greatest opera singers of all time.
Special guest Luigi Boccia takes Kirk on a magical journey through the world of the opera tenor, from Caruso and Lauri Volpi to Di Stefano and Pavarotti.Featuring performances by Luciano Pavarotti, Giuseppe Di Stefano, Enrico Caruso, Franco Corelli, Giacomo Lauri Volpi, Jussi Björling, Sergei Lemeshev, and Jon Vickers.Find a Spotify playlist of Luigi's many Tenor examples here.-----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------JULY 2023 WHOLE-NOTE PATRONSCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerMark SchechterDave FloreyJULY 2023 HALF-NOTE PATRONSCallum WebbLynda MacNeilDick MorganZach WamplerBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Jeff SpeckSamuel MillettWhit SidenerChance McClainRobert Granatdave malloyTim RosenwongNick Gallowayjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaRob AlbrightE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanRenee DowningKenIsWearingAHatJordan BlockAaron WadeTravis PollardJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserVonNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsVictoria YuBrad Clarkmino caposselaSteve PaquinDavid JoskeEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerRichard CambierMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDavid FriedmanSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffLorenz SchwarzWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaJCClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJake RobertsJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
Shellac Stack No. 313 visits again with an old friend, JiHoon Suk, as we explore rarities and oddities from his collection of classical and operatic vinyl pressings made from original metal parts. From Edvard Grieg (himself!) to Joseph Joachim, Pablo de Sarasate, Enrico Caruso, Louise Homer, and Nellie Melba, it's a fascinating and entertaining glimpse … Continue reading »
The singers Enrico Caruso and Elsie Houston, a new opera at ENO and links between musical and artistic traditions in Latin America, Europe and New York are explored by the academics Ditlev Rindom and New Generation Thinker Adjoa Osei. Plus the baritone Peter Brathwaite has an exhibition of lockdown photographs in which he recreates the poses of black people portrayed in paintings from the last 800 years opening in Bristol (the photographs have also been published in a book) and has a musical work in progress, shown at the ROH, which explores his family's Barbadian history. Shahidha Bari hosts Blue runs at English National Opera from April 20th - May 4th Adjoa Osei is organising a conference at Trinity College, the University of Cambridge on April 28th called Performing Black Womanhood Dr Ditlev Rindom is a British Academy Postdoctoral Fellow at King's College, London currently finishing his first book, Singing in the City: Opera, Italianità, and Transatlantic Exchange, 1887-1914 Peter Brathwaite's Insurrection: A Work in Progress was performed at the Royal Opera House and you can hear more about his research in this Sunday feature for BBC Radio 3 Rebel Sounds: Musical Resistance in Barbados https://www.bbc.co.uk/programmes/m001hg3t An exhibition of his photographs Rediscovering Black Portraiture is at Bristol Museum and Art Gallery from April 14th to July 16th. A book accompanies the show. You can find his Essay series about the portraits on BBC Sounds https://www.bbc.co.uk/programmes/m000nbrl Producer: Torquil MacLeod
Synopsis The thick historical novels of the 19th century French writer Alexandre Dumas, Sr. are packed with some fact and a lot of fiction. Chapter 22 of "The Three Musketeers," for example, set during the 17th century reign of King Louis XIII, begins as follows: "Nothing was talked of in Paris but the ball which the aldermen were to give to the king and queen in which their Majesties were to dance the famous 'La Merlaison' — the favorite ballet of the king. Eight days had been spent preparing for the important evening. The city carpenters erected risers for the guests; the hall would be lit by two hundred huge candles of white wax, a luxury unheard of; and twenty violins were ordered, the price for them double the usual rate, since they would be playing all night." In this case, Dumas was referencing a real event. On today's date in 1635, at Chantilly castle, a gala ballet premiered. It depicted in stylized dance the Louis's favorite activity: hunting the blackbird ("la merlaison" in French). The choreography, the costumes, and music were all created by the King himself—who also danced several of the lead roles. It got a rave review in the press of the day. If there were any critics, we suspect Cardinal Richelieu, the dreaded power behind the throne in Dumas's novel—and in real life—had them hauled off and "dealt with." Ah yes, it's good to be King. Music Played in Today's Program Louis XIII Roi de France (1601 - 1643) Ballet de la Merlaison Ancient Instrument Ensemble of Paris; Jacques Chailley, conductor. Nonesuch LP H-71130 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Louis XIII
Death threats, child kidnappings, fire-bombings… A naked man in a barrel? This week I discuss the shadowy practice that came to be known as The Black Hand, and detective Joseph Petrosino. Sources this week include: Five Families by Selwyn Raab And The Black Hand by Stephan Talty (As well as several articles I'll link to later) The blog post of the episode is here. Support the show on Patreon for $2 US a month and get access to exclusive content, or Try our 7 Day Free Trial. | Patreon | Please leave Tales a like and a review wherever you listen. The best way you can support us is by sharing an episode with a friend - Creative works grow best by word of mouth. I post episodes fortnightly, Wednesdays. Tales of History and Imagination is on | Facebook | Twitter | TikTok | Threads | Instagram | YouTube | Music, writing, narration, mixing normally all yours truly. This week I use, and re-use Enrico Caruso's 1904 recording of Una Furtiva Lagrima (Gaetano Donizetti) and provide my own ‘drunken' version of the track - the reason for doing so I hope comes across in the context, otherwise a lot of people will be asking WTF??? Visit Simone's | About Me | Twitter |
Företrädare för regeringsparti besvarar kulturorganisationers kriitk, Roger Waters stoppas från att spela i Frankfurt efter antisemitism-anklagelser, Nytt museum över Enrico Caruso ska öppna. Producent: Andrea ValderramaProgramledare: Jens Möller
Für Opernfans ist Caruso eine Jahrhundertstimme, eine Allzeitgröße des Belcanto. Seine Bedeutung geht jedoch weit über die klassische Musik hinaus. Denn der "Mythos Caruso" entsteht in Wechselwirkung mit dem Siegeszug der Schellackscheibe. Damit ist der italienische Tenor der erste Superstar der Medienwelt.
Episode 506 also includes an E.W. Essay titled "Campana." We share a Reader's Write piece titled "Anniversaries" written by J.K. published in the January 2023 issue of the Sun Magazine. We have an E.W. Poem called "Reality." Our music this go round is provided by these wonderful artists: Thelonious Monk, Mary Gauthier, Enrico Caruso, Juliana Hatfield, Aretha Franklin, Lee Fields, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.
Il Natale, senza girarci intorno, è un disastro, condito da parentado invadente e saccarina non richiesta. Se ti emozioni per le lucine e le belle canzoni, dovresti lavorare su te stess*; Vee Tridente e Veronique Bunny, invece, delle Feste colgono la componente disagiata e la celebrano con illustri colleghi come Laura Sky di @vabbemisonofattadipeggio ed Enrico Caruso e Mattia Sterzi di Queerscream.
Synopsis On today's date in 1885, the Paris Opera gave the first performance of “Le Cid,” the 11th opera written by the French composer Jules Massenet. “Le Cid” is set in medieval Spain and tells the story of Rodrigo Diaz de Vivar, a legendary hero who defended his country against the Moors. The same story inspired a 1961 movie titled “El Cid,” starring—who else?—Charlton Heston. But back in 1890, the New Orleans Opera introduced Massenet's opera to American audiences and reached New York City in 1897, serving as a vocal showcase for turn-of-the-century superstars of the early Metropolitan Opera. Enrico Caruso made a famous recording of the opera's most famous excerpt—Rodrigo's Act III aria, “O souverain, o juge, o pere,” which translates as “Oh Lord, Oh Judge, Oh Father.” Unlikely as it may seem, this aria inspired a pop hit in 1981, when composer and performance artist Laurie Anderson translated its opening line as “O Superman, O Judge, O Mom and Dad.” As a credit to the French composer, Laurie Anderson‘s “O Superman” is even subtitled For Massenet. Trained as a classical violinist with the Chicago Youth Symphony, Laurie Anderson soon shifted to a variety of electronically-altered fiddles, and one of her albums is titled, appropriately, Life on a String. Music Played in Today's Program Jules Massenet (1842-1912) O souverain, o juge, o pere, from Le Cid Ben Heppner, tenor; Munich Radio Orchestra; Roberto Abbado, conductor. RCA/BMG 62504
Enrico Caruso puede ser considerado como la primera estrella de la música contemporánea. Hace más de 100 años ya vendía millones de discos y contaba con una voz prodigiosa. Pero detrás de su biografía se esconde una historia de supersticiones y curiosidades. Él será el protagonista esta semana del cronovisor junto a Jesús Callejo. Luego nos visita Pedro Pérez, profesor de historia, del canal de YouTube El cubil de Peter y autor del libro ¿Quién es la bicha de Balazote? (Ediciones B 2022). En nuestra sección de noticias viajamos a León para visitar la exposición De forma magnífica, sobre la Semana Santa leonesa. Acabamos con el escritor Sebastián Roa quien acaba de publicar Sin Alma (Harper Collins) sobre la figura de Simón de Monfort
Enrico Caruso puede ser considerado como la primera estrella de la música contemporánea. Hace más de 100 años ya vendía millones de discos y contaba con una voz prodigiosa. Pero detrás de su biografía se esconde una historia de supersticiones y curiosidades. Él será el protagonista esta semana del cronovisor junto a Jesús Callejo. Luego nos visita Pedro Pérez, profesor de historia, del canal de YouTube El cubil de Peter y autor del libro ¿Quién es la bicha de Balazote? (Ediciones B 2022). En nuestra sección de noticias viajamos a León para visitar la exposición De forma magnífica, sobre la Semana Santa leonesa. Acabamos con el escritor Sebastián Roa quien acaba de publicar Sin Alma (Harper Collins) sobre la figura de Simón de Monfort
In Part 3 of And Then I Sing, an offer Frank can't refuse to perform in Havana leads to a flurry of bad press that follows him for the remainder of the decade. Will his career, and marriage survive? Featured in this cast were: Brett Solimine as Frank, Nancy Pop as Nancy, with Eirik Gislason, Alain Laforest, Kacie Laforest, Mary Murphy, Michael Pate, Gus Rodriquez, Matt Roper, and James Scully. Original music was written by Fred Travalena and sung by Patrick Barnitt, Nancy Osborne, and Fred Travalena. Musical direction was by Jim Barnett. Standard songs were sung by Frank Sinatra and Enrico Caruso. Josh Wilcox of Brooklyn Podcasting Studio was engineer. Lois Travalena was executive producer, and James Scully director and post-producer. Our entire team would like to dedicate And Then I Sing to the memories of Frank Sinatra and Fred Travalena, with a special thank you for Lois.
Synopsis In 1917, on the day the United States declared war in Germany, the American song-writer and former vaudeville showman George M. Cohan composed a song titled “Over There,” based on the first three notes of a military bugle-call. On today's date the following year, the great Italian tenor Enrico Caruso performed Cohan's song for an audience of 10,000 at an open-air concert in Ocean Grove, N.J. Musical America reported (quote): “It was a great opportunity for the rocking-chair brigade, which had never in its whole life witnessed such an outpouring of humans. And the automobiles! The Ocean Grove police department had BOTH its hands busy directing the traffic, extricating Fords from Rolls-Royces and preventing them from parking on the pathways.” Caruso's 1918 rendition of “Over There,” despite his heavily Italian-accented English, was the smash hit. “The audience got up on its 20,000 feet and yelled with delight,” reported Musical America, which also noted that Cohan had completed a brand new patriotic song addressed to the troops overseas, ending with the lines, “When you come back, and you will come back, There's a whole world waiting for you.” In 1936, President Franklin Delano Roosevelt presented Cohan with the Congressional Gold Medal for his contributions to World War I morale, in particular for his songs "You're a Grand Old Flag” and "Over There." Music Played in Today's Program George M. Cohan (1878-1942) (arr. Bennett) – Over There (Cincinnati Pops; Erich Kunzel, cond.) Telarc 80175 George M. Cohan (1878-1942) – Over There (Enrico Caruso, tenor) (recorded July 11, 1918) RCA/BMG 60495
The Power of Your Subconscious Mind StoryShots Summary and ReviewGet the full text, PDF, infographic and animated book summary on our free app: https://www.getstoryshots.com (getstoryshots.com) Joseph Murphy's PerspectiveJoseph Murphy was an Irish-born American author. He had a degree in Psychology from the University of Southern California. In the mid-1940s, he moved to Los Angeles. In Los Angeles, Murphy met Religious Science founder Ernest Holmes. He became ordained into Religious Science. He went on to teach at the Institute of Religious Science. Murphy met with Erwin Gregg, the president of the Divine Science Association. He then became ordained into Divine Science. In 1949, he became the minister of the Los Angeles Divine Science Church. His congregation grew into one of the country's largest New Thought congregations. Murphy specialized in using the subconscious mind to treat diseases. Synopsis https://geni.us/murphy-free-audiobook (The Power of Your Subconscious Mind) explains how to access the potential of the subconscious mind. Accessing our subconscious mind can make us happier and wiser. It has the potential to lower mortality rates. It can also help you make money and assist you in finding the love of your life. The subconscious mind has the power to improve people's lives. Joseph Murphy conducted years of research on the world's major religions. He believed that some Great Power lies behind all spiritual life. This power is within each of us. “The law of the subconscious mind works for good and bad ideas alike. This law, when applied in a negative way, is the cause of failure, frustration, and unhappiness. However, when your habitual thinking is harmonious and constructive, you experience perfect health, success, and prosperity.” — Joseph Murphy StoryShot #1: Repetition Can Train Your Subconscious Mind Learning a new skill takes considerable conscious effort. For example, the first time you learned to ride a bike would have been challenging. With repetition, it would have required less conscious effort. Your subconscious mind grasped the task better. Riding a bike became automatic. We can use repetition to overcome personal challenges. Enrico Caruso was an Italian opera singer in the late nineteenth century. He would get nervous before his shows, and his throat would spasm. His conscious mind was impairing a skill that had become subconscious for him. The constant negative thoughts caused Caruso's conscious mind to take over. He worried about the performance going wrong and the crowd reacting with hostility. Caruso was able to conquer these physical reactions. He would tell his conscious mind to stop interfering with his subconscious mind. This allowed him to reduce his fears and improve his performance. StoryShot #2: Positive Thinking and Visualization Are Integral to Achieving Your Dreams Positive thinking and visualization can heal. In the eighteenth century, priests told the sick that believing in God would make them better. Some attributed the success of this practice to the existence of God. But, it is more likely that these practices relied on the subconscious mind. A relative of Murphy developed tuberculosis. The relative's son decided to help him get better. The son picked up a piece of wood off a sidewalk and gave it to his father. He explained that he had bought a cross from a monk who had recently worked at a healing shrine. He also stated that the cross had the power to heal many people. The father clutched the piece of wood overnight. The next day, he had completely healed. If you visualize or imagine what you hope to be true, sometimes it does come true. But, breaking the illusion for the healed person can cause the disease to resurface. This ‘miracle' is not a unique circumstance. Joseph Murphy spoke on a weekly radio show called the Church of Divine Science. He...
Come il più grande tenore italiano ha generato l'industria discografica. Come il più grande editore musicale ha inventato la pubblicità in Italia.
Come il più grande tenore italiano ha generato l'industria discografica. Come il più grande editore musicale ha inventato la pubblicità in Italia.
Synopsis April 29th fell on Sunday in the year 1906, and readers of The New York Times photogravure supplement were able to view scenes of the terrible destruction in San Francisco that followed the great earthquake that struck that city just 11 days before. The paper was filled with accounts of the suffering caused by the quake, and undoubtedly, many New Yorkers asked themselves what they could do to help. The New York musical community provided one answer by quickly arranging a number of benefit concerts. The largest of these occurred on today's date that year at New York's Hippodrome, and was organized by the popular composer Victor Herbert, who conducted his orchestra with Metropolitan Opera singer Ernestine Schumann-Heink as a featured soloist. The vast Hippodrome was completely sold out, with standing-room-only tickets filling the aisles. Seven thousand dollars were raised, which by today's standards seems a rather modest sum, but by 1906 standards was impressive enough to make newspaper headlines. Perhaps New York musicians and their audiences felt a personal affinity with the quake victims, as their own Metropolitan Opera Company, including its star tenor Enrico Caruso, was on tour in San Francisco when the quake struck on April 18th, and, as the Times reported, the Met's touring orchestral musicians, almost without exception, lost their instruments. That bit of news must have struck a special chord with Victor Herbert. In 1886, both he and his wife had come to America from Europe to join the Metropolitan Opera – he as an orchestral cellist, and she as a soprano soloist. Music Played in Today's Program Victor Herbert (1859–1924) — Cello Concerto No. 1 (Lynn Harrell, cello; St. Martin's Academy; Sir Neville Marriner, cond.) London 417 672
Synopsis For their February 2013 cover story, the editors of BBC Music Magazine, came up with a list of the 50 most influential people in the history of music. Bach was on it, as you might expect – but so was Shakespeare. Any music lover can see the logic in that, and cite pieces like Mendelssohn's music for “A Midsummer Night's Dream” or Tchaikovsky's Overture-Fantasy entitled “Romeo and Juliet,” or all the great operas based on Shakespeare's plays, ranging from Verdi's “Falstaff” to a recent setting of “The Tempest” by Thomas Adès. And speaking of “The Tempest,” in New York on today's date in 1981, Sharon Robinson premiered a new solo cello suite she commissioned from the American composer Ned Rorem, a work titled “After Reading Shakespeare.” “Yes,” says Rorem, “I was re-reading Shakespeare the month the piece was accomplished… Yet the experience did not so much inspire the music itself as provide a cohesive program upon which the music be might formalized, and thus intellectually grasped by the listener.” Rorem even confessed that some of the titles were added AFTER the fact, “as when parents christen their children.“ After all, as Shakespeare's Juliet might put it, “What's in a name?” Music Played in Today's Program Ned Rorem (b. 1923) — After Reading Shakespeare (Sharon Robinson, cello) Naxos 8.559316 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Ned Rorem An essay on "Shakespeare and Music"
Live from Sunny☀️ Punta Cana
MP3 download | Apple | Spotify | Castbox | Stitcher | Radiopublic | RSS Audio historian DJ James Errington takes you on another time travel adventure, this time to hear some original sounds from 1907, including some wonderful stuff from Enrico Caruso, a few original vaudeville routines and some very premature Christmas cheer. Centuries of … Continue reading "Radio Podcast #15 – 1907"
TENE pod welcomes back Kemal to narrate some truly crazy shit that went down in the port town of Fiume, also known as Rijeka in today's Croatia, a little more than a century ago. Watch the fundaments of fascism flower from the cocaine-addled brain of celebrated war hero, poet, and daredevil, Gabriele D'Annunzio! Marvel at the sense-defying stunts of his nudist right-hand man and pig-thieving air pirate, Guido Keller! Weep at the tragic tale of shotgun-riding futurist donkey, Camellino! Somewhere between Porco Rosso and It's Always Sunny in Philadelphia, the story of the Italian Regency of Carnaro and its flamboyant Comandante is not one to miss! Opening song: "Alba Separa Dalla Luce L'Ombra" written by Gabriele D'Annunzio, composed by Paolo Tosti, and sung by Enrico Caruso. English translation, "Day Man, (uwaaaahhh) Master of the Night Man". This is The Empire Never Ended, the Antifascist Amerikanski-Balkan podcast about (neo) fascist terror, the (deep) state and the alienation, nihilism and desperation produced by the capitalist system. And how to get rid of all that. Something like that... Subscribe to our Patreon for weekly premium episodes! And check out our social media for updates and whatnot: Twitter + Facebook + Instagram + YouTube
Diva alert! In episode four, Holley and Hall tell the story of the recording of one of opera's greatest characters, Emma Calvé. Basking in the glory of having captured the voice of the mighty Enrico Caruso in Milan (as outlined in Series One of The Sound of the Hound), Fred goes on something of a recording spree back in London. But he gets more than he bargained for with Calvé, who proves to be something of a handful.Calvé, who is today seen as one of the greatest opera singers of the Belle Epoque era, had made her name playing the lead role in Carmen when Fred records her (indeed, her interpretation of the role is still widely used today). But Fred and his team discover that the character's feistiness is not confined to the stage when they try to coax Calvé into their Covent Garden studio. Holley and Hall tell the tale of this complex French diva, and play some of her famous – or as Fred would no doubt have it – infamous recordings. Her dissatisfaction with one of her tracks was caught on disc, and we play it here. We are joined in this episode for the first time by our new regular guest Michael Volpe, the founder and former general director of Opera Holland Park. Michael brilliantly dissects Calvé's voice and gives us an insight into her career. He also tells us if, to put it bluntly, she was really any good. Hosted on Acast. See acast.com/privacy for more information.
TENE pod welcomes Kemal back to narrate some truly crazy shit that went down in the port town of Fiume, also known as Rijeka in today's Croatia, a little more than a century ago. Watch the fundaments of fascism flower from the cocaine-addled brain of celebrated war hero, poet, and daredevil, Gabriele D'Annunzio! Marvel at the sense-defying stunts of his nudist right-hand man and pig-thieving air pirate, Guido Keller! Weep at the tragic tale of shotgun-riding futurist donkey, Camellino! Somewhere between Porco Rosso and It's Always Sunny in Philadelphia, the story of the Italian Regency of Carnaro and its flamboyant Comandante is not one to miss! Opening song: "Alba Separa Dalla Luce L'Ombra" written by Gabriele D'Annunzio, composed by Paolo Tosti, and sung by Enrico Caruso. English translation, "Day Man, (uwaa-aahhh) Master of the Night Man". This is The Empire Never Ended, the Antifascist Amerikanski-Balkan podcast about (neo) fascist terror, the (deep) state and the alienation, nihilism and desperation produced by the capitalist system. And how to get rid of all that. Something like that... Subscribe to our Patreon for weekly premium episodes! And check out our social media for updates and whatnot: Twitter + Facebook + Instagram + YouTube
Enrico Caruso fue un tenor italiano considerado la primera superestrella de la ópera y uno de los pioneros de la música grabada. Su carrera empezó muy joven, gracias el impulso de su madre, pero perdió la vida a los 48 años, tras una fuerte inflamación por consecuencia de un golpe. El doctor Elmer Huerta explica la historia clínica de este artista.
Enrico Caruso fue un tenor italiano considerado la primera superestrella de la ópera y uno de los pioneros de la música grabada. Su carrera empezó muy joven, gracias el impulso de su madre, pero perdió la vida a los 48 años, tras una fuerte inflamación por consecuencia de un golpe. El doctor Elmer Huerta explica la historia clínica de este artista.
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