Podcast appearances and mentions of Kathleen Jamie

'How we feel' was the theme for the 2025 StAnza international poetry festival, and the Lantern Live team were on stage, bringing all the feels!Kathleen Jamie and Ally Heather were joined by award-winning performance poet Charlotte Van den Broeck, and Nuala Watt, whose first collection - The Department of Work and Pensions Assesses a Jade Fish - is a must-read for the austerity age. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

Best Scottish Poems is the Scottish Poetry Library's annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns. It is in no sense a competition but a personal choice, and this year's editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other's predilections. Their introduction demonstrates how widely they read, and how intensely. All the Best Scottish Poems selections are available on the SPL website. This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more.  Photo by Jen Hadfield.

In this extended version of Nothing But The Poem Kevin Williamson interviews Donny O'Rourke, editor of Dream State - The New Scottish Poets which was published in 1994 and remains the gold standard of poetry anthologies, and, arguably, the most visionary poetry anthology ever published in Scotland. Dream State's contributors were all aged under 40 at the time and were assembled by fellow poet and broadcaster Donny O'Rourke. Only 6 of these poets - John Burnside, Carol Ann Duffy, Kathleen Jamie, Jackie Kay, W N Herbert and Robert Crawford had appeared in The New Poetry - Bloodaxe's high profile generational anthology - the year before. Donny O'Rourke had his finely tuned ear to the ground, and, as well as the 6 poets listed above, he brought together another 19 Scottish poets under the age of 40, all overlooked by the Bloodaxe anthology. These included Don Paterson, David Kinloch, Meg Bateman, Richard Price, Graham Fulton, Robert Alan Jamieson, Maud Sulter, Alan Riach, and a 28 yer old - and as yet bookless poet - Roddy Lumsden. Donny O'Rourke was no ordinary editor. He was a visionary with an agenda who not only hoped to achieve a "gathering of forces' but wanted an anthology with zero fillers and, crucially, for the anthology to be a vital energetic snapshot of all aspects of Scottish life at a time the country had entered a tumultuous phase in its history. Dream State's ambition was huge: poetry as "news that stays news" as Ezra Pound once wrote. Popular culture, street smart wit, political tensions, scientific discoveries and radical re-imaginings infuse every page. O'Rourke was no narrow nationalist, as is stated in the introduction, but drew upon Edwin Morgan as the anthology's outward looking internationalist and hyper curious guiding spirit. Dream State was egalitarian in its sense of purpose from the outset. From Alasdair Gray came the inclusive definition of Scots as anyone who lived in Scotland, or who was from Scotland and left. Dream State was relatively balanced gender-wise too (for the 1990s). 15 male poets and 10 female poets. The New Poetry, despite its vitality and excellence, on the other hand had just 17 women poets out of its 55 contributors. We also hear the words of many working class poets in Dream State, perhaps abandoned by much of the politics of the time, making their voices heard. In this podcast Donny O'Rourke sits down in the Scottish Poetry Library with Kevin Williamson (who was publishing and editing Rebel Inc magazine at the same time) to revisit the creative riot that was the early 1990s. They discuss Dream State and the time and place which gave birth to it. Dream State The New Scottish Books was published by Polygon.

En simtur i en engelsk vallgrav tar oss in i den brittiska genren nature writing. Och finns det en motsvarighet i Sverige? Om och med författare som Roger Deakin, Kathleen Jamie och Helena Granström. Lyssna på alla avsnitt i Sveriges Radio Play. För 25 år sedan startade en våg av brittiska naturböcker. Roger Deakin var med boken ”Waterlog” en av dem som öppnade dammluckorna och snart svämmade bokhandlarna över av naturböcker med en personlig touch. Genren fick till och med ett namn – nature writing.Naturmorgons Mats Ottosson har gjort hembesök hos två av författarna i genren – i Edinburgh hos skotska Kathleen Jamie som skrivit böckerna ”Findings”, ”Sightlines” och ”Surfacing”, och så hos tidigare nämnda Roger Deakin i Suffolk. Han är visserligen avliden sedan 2006 men det går att hälsa på där han bodde, Walnut tree farm. Det går till och med att ta en simtur i vattendraget ”the moat” i Deakins anda – det var här han fick idén här att simma sig genom Storbritanniens alla åar och floder, det som sedan blev boken Waterlog. Sagt och gjort, Mats Ottosson tog en grön simtur här, och passade också på att intervjua naturjournalisten Patrick Barkham som skrivit en biografi om Roger Deakin.Dagens program tar alltså avstamp i den brittiska genren nature writing, men undersöker också svenska naturskildringar. Från Harry Martinson till Helena Granström. Den senare möter vi i ett samtal om vilken natur som är viktigast att skildra, kalhygget eller gammelskogen? Och hur man beskriver naturen på naturens sätt, där arterna får ta plats – samtidigt som många i Sverige idag inte kan namnen på dem eller har egna personliga erfarenheter av naturen.Vi ringer också upp Daniel Sandström, förläggaren som gav ut boken ”Ålevangeliet”. Varför blev just den en succé, behöver vi fler sådana böcker och borde vi också ha en genre som ”nature writing” i Sverige?Mikael Niemi medverkar med en nyskriven kråkvinkel just på temat att skriva om naturen.I studion finns både reporter Mats Ottosson och programledare Jenny Berntson Djurvall.

Kathleen Jamie is a poet and non-fiction writer who has just completed her time as The Makar or National Poet for Scotland. She's now in Dunedin on a writing fellowship.

Poet Kathleen Jamie, whose tenure as Scotland's Makar, or National Poet, recently came to an end, talks about her new collection of poems written in Scots, The Keelie Hawk. Composer Helen Grime, soprano Claire Booth and author Zoe Gilbert chat about the world premiere of Folk, an orchestral song cycle inspired by Gilbert's book of the same name. And David Mitchell discusses his role in the new BBC comedy drama Ludwig, about a reclusive puzzle setter who becomes a reluctant detective, following the disappearance of his identical twin.Presenter: Kate Molleson Producer: Mark Crossan

In this episode of Words That Burn, I look at 'Blossom' by Scottish poet Kathleen Jamie. The episode explores Jamie's profound engagement with nature and the existential themes woven throughout her poem. Known for her realistic, non-romanticised depictions of the natural world, Jamie's work prompts reflection on humanity's place in nature. The discussion touches on her careful observation and meditation-like practices in nature. The analysis focuses on the poem's compelling opening line on mortality, its invocation of Biblical imagery, and its ultimate message urging deliberate attention to life and nature. The episode also emphasises the importance of reconnecting with one's surroundings for a fulfilling life.[00:00] Introduction and Blossom Poem[00:50] Struggling with Poetry[01:19] Discovering 'Blossom' by Kathleen Jamie[01:47] Kathleen Jamie's Writing Style[04:02] Existential Themes in 'Blossom'[04:19] Analysing the First Stanza[06:53] Analysing the Second Stanza[10:11] Biblical Allusions and Final Stanza[14:13] Final Thoughts on 'Blossom'[15:33] Engage with Words That Burn[15:45] Contact and SupportFollow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on TiktokThe Music In This Week's Episode:'Reawakening' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au Hosted on Acast. See acast.com/privacy for more information.

'Memory is unreliable, and a creative practise in itself'...Memory and nostalgia are powerful, evocative experiences that have inspired some of the greatest literary works. Joining Scotland's Makar, Kathleen Jamie, and host Ally Heather for this episode, and sharing their own poems inspired by memory, are poets Iona Lee and Kevin P Gilday. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

How important is a sense of place when it comes to poetry? Two very different parts of Scotland are represented on this episode of Lantern.Shane Strachan from Aberdeenshire and Hugh McMillan from Dumfries and Galloway join host Ally Heather and Scotland's Makar, Kathleen Jamie in the Scottish Poetry Library. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

What happens when traditions get broken? When there is a movement in a family, or within a culture? Exploring the feminist tradition of picking up on lost female voices, Gerda Stevenson and Marjorie Lotfi explore this topic through their own work, guided by Kathleen Jamie and Ally Heather. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

Poetry enables elagy and helps us remember the past, and those who have passed. What does this mean in public and private spheres? Attitudes of memory and memorial are integral to the work of poets Catherine Wilson Garry and Alec Finlay, and they join Kathleen Jamie and Ally Heather to explore this evocative theme. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

250 years since he died, Robert Fergusson is still revered and respected by the Scottish literary community. Exploring his life and work in more detail, Kathleen Jamie and Ally Heather are joined by another Robert - Robert Crawford - to learn more about his life, and untimely death. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins Sam Leith on this week's Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn't what it used to be. Produced by Patrick Gibbons.

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins Sam on this week's Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn't what it used to be. Produced by Patrick Gibbons.

Kaska Hempel reports from the Fife Climate Hub gathering in celebration of their first year. We hear how they have built on longstanding partnerships, welcomed new faces and the critical importance of leadership from governments in support of the urgently needed community climate action. Consider this leadership when voting in general election on the 4th of July. Reviews of party manifestos on environment: Carbon Brief (Energy and climate only) - includes SNP and other minor parties https://www.carbonbrief.org/uk-election-2024-what-the-manifestos-say-on-energy-and-climate-change/ Greenpeace and Friends of the Earth UK (energy and climate, nature and environment, homes and transport, justice and democracy) - only Conservatives, Labour, Lib Dems and Greens  https://friendsoftheearth.uk/system-change/general-election-2024-manifestos-final-scores  Credits Recording and production Kaska Hempel Music Victoria Hume, Oblivious Structures from Radical Abundance album. https://www.lostmap.com/products/victoria-hume-radical-abundance   Resources FCCAN - Fife Climate Hub https://fccan.org.uk/ River Eden Partnership https://www.riveredenfife.org/ YMCA Healthy Living Garden https://www.ymca.scot/glenrothes/garden-open/ St Andrews Botanic Gardens https://www.standrewsbotanic.org/ The Curnie Clubs https://www.facebook.com/FifeCurnieClubs/  Big Green Market https://www.facebook.com/BurntislandGreenMarket  Climate Action Fife https://www.climateactionfife.org.uk/ Fife Environment Partnership COP conference https://www.fife.gov.uk/news/2023/fife-environmental-partnership-hosts-fife-climate-conference Fife Environment Partnership https://www.fife.gov.uk/kb/docs/articles/have-your-say2/community-planning Paper Boats https://paperboats.org/ Women's climate action https://womensclimateaction.net/ Kathleen Jamie's poem What the Clyde Said After COP26 https://www.scottishpoetrylibrary.org.uk/poem/what-the-clyde-said-after-cop26/ SCVO Scotland https://scvo.scot/ SCVO Growing Climate Confidence resources including Climate Scorecard for Socially focussed community organisations https://climateconfident.scot/ Climate Cafe https://www.climate.cafe/  Victoria Hume Radical Abundance https://www.lostmap.com/products/victoria-hume-radical-abundance?utm_medium=order-details&utm_source=customer-accounts&utm_content=name Oblivious Structures https://www.youtube.com/watch?v=xmc8woJ6ppg “Less is more how degrowth will save the world” by Jason Hickel https://www.penguin.co.uk/books/441772/less-is-more-by-jason-hickel/9781786091215  Climate Outreach - Leadership on Climate https://climateoutreach.org/britain-talks-climate/climate-big-picture-2024/leadership/  Climate hub stories on 1000 Better Stories channels: Climate Action Hub Pilots - connecting local communities for change https://www.podbean.com/eas/pb-kqdw6-12e1778 Edinburgh Communities Climate Action launch day (blog) https://sccan.scot/blog/edinburgh-communities-climate-action-launch-day/  TsiMoray Connect the Dots conference (blog) https://sccan.scot/blog/join-the-dots-tsimorays-annual-conference-connecting-ideas-people-moray/ 

The author and poet Kathleen Jamie celebrates a new form of writing – weaving personal notes, prose poems and acts of witness – in her latest book, Cairn. The new collection is a meditation on the preciousness and precariousness of both memory and the natural world. The broadcaster Jennifer Lucy Allan has taken a closer look at the relationship between humans and the earth in her book Clay. From the first clay tablets to the throwing of pots on a wheel, the history of this everyday material is bound up with our own and the act of creation.The artist Mark Hearld has a passion for making, from collage to printmaking, sculpture and ceramics. Like Kathleen Jamie he takes inspiration from the flora and fauna of the British countryside. In July he will be working in collaboration with the weavers at Dovecot in Edinburgh to turn his paper collages into a tapestry. Visitors to Dovecot will be able to see Mark and the weavers in action (Mark Hearld: At Home in Scotland, until July 18th). The Dovecot Tapestry studio was first established in Scotland in 1912 and today's master weaver Naomi Robertson looks back at its history. She explains how over the last century expert craftsmen and woman have worked together using the colour and texture of the threads to transform artworks, from one medium – paper or canvas – to another.Producer: Katy HickmanStart the Week will be off air until Monday 16th September but you can find hundreds of episodes available on BBC Sounds and through the programme website.

Sade Malone - Pipeworks 2024 - Kathleen Jamie

Sade Malone - Pipeworks 2024 - Kathleen Jamie

An episode from 4/17/24: Tonight, I read a handful of poems on modern life—whatever “modern” might mean in words spanning the seventeenth to the twentieth centuries. In many of the poems we hear the complaint of every age, that “the world has never been so bad.” In others, descriptions of the suburbs are enough, or of car culture, or of how we get our news or even begin to live with stories of atrocity and war. Some poems ask us to pay attention to the work and details of everyday life, others wonder if we shouldn't look to past poets for wisdom and guidance. If a “modern” mindset means anything, it seems to mean proliferation and flux, a sense of not being settled. The poems I read are: Lawrence Ferlinghetti (1919-2021), “In Goya's greatest scenes” Kathleen Jamie (1962- ), “The Way We Live” Laurie Sheck (1953- ), “Headlights” Derek Mahon (1941-2020), “A Disused Shed in Co. Wexford” Ted Kooser (1939- ), “Late February” Philip Larkin (1922-1985), “Here”  Robinson Jeffers (1887-1962), “New Mexican Mountain” T. E. Hulme (1883-1917), “Image” Edgar Lee Masters (1868-1950), “Editor Whedon” Walt Whitman (1819-1892), “The blab of the pave” William Wordsworth (1770-1850), “London 1802” Mary Robinson (1758-1800), “A London Summer Morning” Jonathan Swift (1667-1745), “A Description of the Morning”  William Shakespeare (1564-1616), “The queen, my lord, is dead” R. S. Thomas (1913-2000), “Suddenly” You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at humanvoiceswakeus1@gmail.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support

In 2024, Scotland marks two big anniversaries: David I ascended the throne nine centuries ago and James I of Scotland began his reign 600 years ago. Both Kings played a role in shaping Scotland's ideas about its monarchy. How did David shape Scotland, and what relevance does the Stone of Destiny have - then, and now, as it returns to its native Perthshire? We look at the Scottish dream-vision, initiated by James I in writing Scotland's first love poem, sparking a new tradition lasting through the Renaissance and beyond. Anne McElvoy hears about distinctly Scottish ideas of Kingship.Kylie Murray is the author of The Making of the Scottish Dream Vision and a BBC Radio 3 AHRC New Generation ThinkerAlexandra Sanmark is Professor of Medieval Archaeology at the University of the Highlands and IslandsDonna Heddle is Professor of Northern Heritage and Director of the UHI Institute for Northern Studies at the University of the Highlands and IslandsWilliam Murray is Viscount Stormont and owner of Scone PalaceProducer: Ruth WattsYou might be interested in other Free Thinking episodes exploring Scottish history and writing including programmes about The Declaration of Abroath; John McGrath's Scottish drama, Tales of Scotland: A Nation and its literature with Janice Galloway, Peter Mackay, Murray Pittock and Kathleen Jamie; The Battle of Culloden - Outlander and Peter Watkins; crime writer Ian Rankin talks to Tahmima Anam.

Zazie and Kristi are joined by zoologist Dr. Jo Wimpenny to talk about her book, Aesop's Animals: The Science Behind the Fables, which is out now in paperback.In this episode of The Pawsitive Post in Conversation, Zazie and Kristi are joined by zoologist and writer Dr. Jo Wimpenny to talk about her book Aesop's Animals: The Science Behind the Fables. We talk about the history of Aesop's fables and the role they still play in society today, before moving on to wonder whether there is a grain of truth in them when it comes to animal behaviour.We consider some of the most popular fables. Are crows really as clever as Aesop suggested? Why are wolves always the villain? Do dogs recognize their shadow? And what is the yellow snow test all about?We also talk about the difference between what the fable says on the surface, and what happens when you really dig deep into the question—the ant and the grasshopper is the fable that comes to mind here.In Wimpenny's book, the animals are the characters in their own stories. We talk about writing about animals and the importance of discussing myths.And, of course, we talk about the books we're reading. This episode, we recommend:Bitch: On the Female of the Species by Lucy Cooke.Venomous Lumpsucker by Ned Beauman.Surfacing by Kathleen Jamie.Being Mortal: Medicine and What Matters in the End by Atul Gawande.Before and After the Book Deal: A Writer's Guide to Finishing, Publishing, Promoting, and Surviving Your First Book by Courtney Maum. About Dr. Jo Wimpenny:Dr. Jo Wimpenny is a zoologist and writer, with a research background in animal behaviour and the history of science. She studied Zoology at the University of Bristol, and went on to research problem-solving in crows for her DPhil at Oxford University. After postdoctoral research on the history of ornithology at Sheffield, she co-authored the book Ten Thousand Birds: Ornithology Since Darwin with Tim Birkhead and Bob Montgomerie, which won the 2015 PROSE award for History of Science, Medicine and Technology. And she's the author of the wonderful book, Aesop's Animals: The Science Behind the Fables, which is out now in paperback.Follow Dr. Jo Wimpenny:Substack: https://jowimpenny.substack.com/ Twitter: https://twitter.com/JoWimpenny

by Kathleen Jamie

In July, 5x15 is thrilled to welcome the highly acclaimed and best-selling authors Polly Morland and Rachel Clarke, for a vital conversation about medicine, the NHS and the fascinating story behind Morland's new book A FORTUNATE WOMAN: A Country Doctor's Story, a Sunday Times bestseller that was shortlisted for the 2022 Baillie Gifford Prize for Non-Fiction. Polly Morland was clearing her late mother's house when she found a battered paperback fallen behind the family bookshelf. Opening it, she was astonished to see reproduced in it an old photograph of the remote, wooded valley in which she lives. The book was A Fortunate Man, John Berger's classic 1967 account of a country doctor working in the same valley more than half a century earlier. This chance discovery led Morland to the remarkable doctor who serves that valley community today, a woman whose own medical vocation was inspired by reading the very same book as a teenager. A Fortunate Woman tells her compelling story, and how the tale of the old doctor has threaded through her own life in magical ways. Working within a community she loves, she is a rarity in contemporary medicine: a modern doctor who knows her patients inside out, the lives of this ancient, wild place entwined with her own. Praise for Polly Morland and A FORTUNATE WOMAN 'I was consoled & compelled by this book's steady gaze on healing & caring. The writing is beautiful.' - SARAH MOSS 'This book deepens our understanding of the life and thoughts of a modern doctor, and the modern NHS, and it expands movingly to chronicle a community and a landscape.' - KATHLEEN JAMIE, New Statesman 'The best book I've read about general practice for a long time. Astonishingly perceptive, it shows how a committed GP can keep human values alive in an increasingly impersonal NHS – and why we urgently need more like her.' - ROGER NEIGHBOUR, Past President, Royal College of General Practitioners Polly Morland is a writer and documentary maker. She worked for fifteen years in television, producing and directing documentaries for the BBC, Channel 4 and Discovery. She is a regular contributor to newspapers and magazines and is the Royal Literary Fund Fellow in the School of Journalism, Media & Culture at Cardiff University. She is the author of several books, including The Society of Timid Souls: Or, How to Be Brave, which won the Guardian First Book Award and was a Sunday Times Book of the Year. A Fortunate Woman was shortlisted for the Baillie Gifford Prize for Non-Fiction in 2022. Before going to medical school, Dr Rachel Clarke was a television journalist and documentary maker. She now specialises in palliative medicine, caring deeply about helping patients live the end of their lives as fully and richly as possible - and in the power of human stories to build empathy and inspire change. Rachel is the author of three Sunday Times bestselling books. Breathtaking reveals what life was really like inside the NHS during the first wave of the COVID-19 pandemic last year. Dear Life, shortlisted for the 2020 Costa Biography Award and long-listed for the 2020 Baillie Gifford Prize, is based on her work in a hospice. It explores love, loss, grief, dying and what really matters at the end of life. Your Life in My Hands documents life as a junior doctor on the NHS frontline. With thanks for your support for 5x15 online! Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

I denne episoden av «Den hemmelige hyllen» utveksler litteraturformidlerne Joanna, Robin og Hanne sine beste tips om bøker i bibliotekets samlinger som burde leses mer. Sammen snakker de om den mystiske «The Library Book» av Susan Orlean, naturprosa og boken «Findings» av Kathleen Jamie, og til slutt, ny oversatt japansk litteratur fra den spennende forfatteren Yōko Tawada, og spesielt den rørende dystopien «Sendebudet»

https://www.poetryfoundation.org/poetrymagazine/poems/55799/moon-56d237b984e78 https://kathleenjamie.com/ https://www.poetryfoundation.org/poets/kathleen-jamie

Bookclub travels to Edinburgh where Scotland's Makar Kathleen Jamie answers readers questions about her Selected Poems, and her writing life. Many poems here celebrate the natural world; Kathleen Jamie writes about animals and plants with a forensic and empathetic eye, often focussing on unloved and unsung creatures like daisies, spiders and frogs. In this collection there are also poems about the struggles of motherhood, and memories of her Scottish childhood - her friends, her family, her school days. This programme was recorded in front of an audience at Greenside Parish Church in Edinburgh . The next Bookclub recordings are with Curtis Sittenfeld (14/09/22) answering questions about American Wife in a virtual recording, and Juan Gabriel Vasquez (13/10/22) on The Sound of Things Falling , at an in-person event. Contact bookclub@bbc.co.uk to take part in either recording.

Vicki Husband is one of the most interesting Scottish poets to have emerged in the past year. 2016 saw the publication of her debut This Far Back Everything Shimmers (Vagabond Voices), which was shortlisted for the Saltire Society's Scottish Poetry Book of the Year Award, where she found herself shortlisted alongside Kathleen Jamie and Don Paterson. Her poems mix science and the everyday, finding the cosmic in the quotidian and vice versa. She talks to the SPL about using bees to diagnose illness, her mentor, the late Alexander Hutchison, and why there are so many animals in her poems. Buy This Far Back Everything Shimmers from the SPL shop.

For the first time since the beginning of the pandemic, James Naughtie is joined by an in-person audience who are putting their questions to Kevin Barry, about his novel Night Boat To Tangier. It's a darkly comic, melancholy novel about two gangsters, Maurice and Charlie, waiting in the port of Algeciras, hoping to spot Maurice's runaway daughter. And as they wait, they reminisce and swap stories. Our next Bookclub is recording at Greenside Parish Church in Edinburgh on Thursday 25th August at 7pm. Our guest is Kathleen Jamie, Scotland's Makar, talking about her Selected Poems and her writing life. For more details, and to book a place, email bookclub@bbc.co.uk

I want to describe to you what I saw today, but I can't. We have so many words to describe and represent the most complex of concepts. Why then is it almost impossible to describe something so simple and ordinary as the colour of the water earlier today? Kathleen Jamie and Thomas Merton (with a little excursive with Hana Videen) help us to find some answers. Journal entry:17th May, Tuesday"The hills are painted a dusty grey and the world is filled with the quietness of sheep, the cry of distant crows and drip and splash of rain upon young oak leaves. The warm touch of bark beneath my hand and the shiver of a silvery mist. A perfect way to watch the slow dance of dawn."Episode Information:In this episode I cite or read extracts from:Kathleen Jamie's (2004) Dublin Review article ‘Sabbath' (open access), which can also be found in her (2005) book Findings published by Sort Of Books.Hana Videen's (2022)  The Wordhord: Daily Life in Old English published by Princeton University Press. Thomas Merton's (2015) When the Trees Say Nothing: Writings on nature published by Ave Maria Press. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. 

This week, the panel begins by discussing the new true crime series Under the Banner of Heaven. Then, the panel time travels with the film Petite Maman. Finally, the panel debates “The Future of Public Parks,” inspired by a New Yorker piece from Alexandra Lange. In Slate Plus, the panel discusses their experiences having their work edited. Email us at culturefest@slate.com. Endorsements Dan: The novel, Howards End by E.M. Forster. Julia: A listener response to her former request of snorkeling's relationship to birdwatching. Steve: A book review in The New Statesman from Scotland's National Poet, Kathleen Jamie, titled “What rocks teach us about the human condition,” which reviews Hugh Raffles' book The Book of Unconformities: Speculations on Lost Time. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Last Sunday" by OTE. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing the new true crime series Under the Banner of Heaven. Then, the panel time travels with the film Petite Maman. Finally, the panel debates “The Future of Public Parks,” inspired by a New Yorker piece from Alexandra Lange. In Slate Plus, the panel discusses their experiences having their work edited. Email us at culturefest@slate.com. Endorsements Dan: The novel, Howards End by E.M. Forster. Julia: A listener response to her former request of snorkeling's relationship to birdwatching. Steve: A book review in The New Statesman from Scotland's National Poet, Kathleen Jamie, titled “What rocks teach us about the human condition,” which reviews Hugh Raffles' book The Book of Unconformities: Speculations on Lost Time. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Last Sunday" by OTE. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

A week of glorious spring weather has heightened springtime activity along the canal sides and nearby fields. It also coincides with a particularly busy period personally. My response and those of the birds and animals around could not be more different. We dip our toes into the worlds of the polar north and the work of Kosuke Koyama to explore some possible explanations for this.  Journal entry:25th March, Friday“The fresh sun glances off the surface of the canal with a shimmering, silver warmth, that sets the night-time chill a-dance.A clutch of moorhens squabble, fluster, scold, and court, in plain view, transforming the dark waters into a crystal maelstrom. It is so unlike their normally timorous behaviour. A mallard pair doze in the sunshine on the bank.I stand on the stern deck and beat the dust of winter from our rugs. We have stepped into spring.”Episode Information:In this episode I make a brief mention of the work of Knud Rasmussen. You can read his account of his work and explorations in:Knud Rasmussen People of the Polar North: A record published in 1908 by Kegan Paul, Trench, Trübner. I also mention Kathleen Jamie's beautifully written, insightful, and extremely thought-provoking book Surfacing published in 2019 by Penguin Random House. Kosuke Koyama's Three Mile an Hour God has just been re-issued (2021) by SCM Press. David Johns' canals and boating vlog Cruising the Cut can be found here: Cruising the CutMore information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. 

in today's episode i am very mindful of my words, so expect silences.the poem is by kathleen jamie and it is called "daisies".it came on my radar because of the artist joanna mccormick who is my art teacher read it to me, fell in love and wanted to share it with you here.much love,alicekathleen jamiejoanna mccormick @apoeticpicnic@alicesagaoh and my kitten has her own insta account: @hopesotnosSupport the show (HTTPS://www.patreon.com/alicesaga)

Mark explores the poem written by Kathleen Jamie in a journey along the Clyde in Glasgow

Hello Creatives!In our final episode of 2021 I am delving into some winter poetry from Emily Bronte, Robert Frost, Kathleen Jamie, Shakespeare, Thomas Hardy, Sylvia Plath and Miguel de Unamuno.Need more?Follow us on Instagram, Twitter and Facebookwww.instagram.com/sleeplesscreativespodcastwww.twitter.com/createsleeplesswww.facebook.com/sleeplesscreativesSupport us on Patreon from £1.50 per month and gain bonuses like episode shout outs, stickers, polls and bonus episodeshttps://www.patreon.com/SleeplessCreativesYou can also listen, learn about the show and fill out our listener's survey on our official websitehttps://florencestleger.wixsite.com/sleeplesscreatives Sleep Tight, Florence xSupport the show (https://flow.page/sleeplesscreatives)

THE LIFE BREATH SONGS – wi Kathleen Jamie, Scots Makar: We are delighted tae welcome Scotland's new National Poet an Makar, Kathleen Jamie ontae the programme tae spik aboot her first project as Makar – creatin unique collaborative nature poems wi the public, caad The Life Breath Songs – pegged tae COP26. Steve Byrne tells […] The post Scots Radio | Episode 83 | November 2021 first appeared on Scots Radio.

Before The Wind By Kathleen Jamie

The Dipper By Kathleen Jamie

At the beginning of the week we were waking up to snow and each nights the temperatures have been slipping below zero. However, the days are filled with sunshine and warmth, and a vibrancy fills the word. Spring has arrived.  A few years ago, I discovered something wonderful that the isophenes of Spring tell us about the the progress of the season.   We also join the poet, writer, and naturalist, Edward Thomas, at the end of his 1913 bicycle ride in Pursuit of Spring and finds, high on the Quantocks Hills, the grave of Winter.   Journal entry:“15th April, Thursday.Today was one of those perfect Spring days. The air still had that edge of ice to it, But the day was filled with a thick, syrupy, warmth      that was heavy with blossom and insects. And there was that light that you seem to get only in April;      the flooded, chalky, palettes you find      in the paintings of Krøyer and the other Scandinavian artists.  The day, and the season, is as fresh and as sweet as Spearmint Chewing Gum.                                                           Episode InformationIn this episode refer to and read a short passage from Edward Thomas’ (1914) In Pursuit of Spring. A free (open access) copy can be found on the Project Guttenberg site which incidentally features a rather lovely picture of two narrowboats on the Paddington canal as a frontispiece -  Edward Thomas: In Pursuit of Spring.For those interested in Edward Thomas’ wife, Helen, you can read her two lyrical and poignant autobiographies, As it Was and World without End in the collected edition, Under Storm’s Wing (2012) published by Carcanet. I also read a very short extract from Miles Hadfield (1950) An English Almanac published by JM Dent and Sons.For progress on the ducks and swans – see the Nighttime on Still Waters Facebook, Instagram and Twitter accounts.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com

In this episode you will meet the team Paul, Gwyn, Lara and Holly. We chat about what we are reading just now including Neil Gaiman, Barabara Erskine, Phillip Pullman and Kathleen Jamie. Paul interviews Dylan Hughes, Dave McCall and Sue Miller founders of Wrexham Carnival of Words and previews this year's festival www.wrexhamcarnivalofwords.com.

The Pentland Firth in the far north of Scotland is known to be one of the roughest stretches of tide in the world. There have been many a shipwreck in these terrifying cross currents, with very few unable to survive the frigid waters. I remember a trip across the Firth once. It was to the mainland from the island of Stroma in a fishing boat called ‘Boy James’. The person driving the boat was experienced and familiar with that passage of water, having made the trip many times, and suggested that we would have to take the long route back as the tide was turning. It was early evening and the light was lowering. So a boat journey that normally took 10-20 minutes took us an hour and a half. I didn’t mind. The light was stunning and birds were flying around the boat, active in their pursuit of fish. The swell of the water was powerful and the smooth surface areas indicated a strong whirlpool-type undercurrent. I just sat at the back on the floor of the boat, exposed to the open sea air and wind, and drank in as much as I could, hanging on tightly to the side when the boat lurched and rocked. That journey became the inspiration for a number of paintings, including ‘Sea’ and ‘Stroma’, and it had an impact on me for years to follow. It was one of the most memorable sea-going adventures for me. Crossing that great expanse of ocean, where Atlantic meets North Sea currents, created an impact that I’ve only experienced standing behind the Niagara Falls. The hidden depths of the sea are so unknown to us, the life it contains yet to be discovered and explored. It has a power that is mesmerising and stirs up fear at the same time. It is a wildness that cannot be reigned in or controlled. I’ve been noticing the sea swell in the last few days as the wind has been constant. Yesterday, late morning, on a very cold February day, I went out to look over the bay. The waves were rolling in, fast and strong. Later, I drove out to Duncansby Stacks a few miles away and stepped out by the lighthouse to get a panoramic view of the Pentland Firth which was wild and threatening. Light snow was blowing and when I got to the lighthouse a pinkish glow infused the murky sky. The island of Stroma sits in the middle of this rough stretch of water. Some say the name Stroma means ‘Island in the Tide’. In days before lighthouses, whenever there was a storm, the island community would hang a large lantern from a tripod to warn the ships passing by. But as one could imagine, it did not prevent every boat from hitting the rocky shore. In ancient cultures, the sea has often been used as a symbol of chaos and darkness. Poets and writers in later times refer to the sea as a vast space reflecting the grandness of nature, drawing a person beyond the troubles and concerns of everyday life, and serving as the ultimate inspiration. I must say, a walk to the seaside along with a blast of wintry air certainly does help pull me outside of myself, allowing nature to seep in and re-enliven my senses. Kathleen Jamie says it so well in the first verse of 'Poem' which, seemingly casual, reflects some of my feelings of yesterday John Keats wrote the sonnet, 'On the Sea'. A sonnet is often a love poem, so we can consider this a love letter to the sea. When caught up in concern and worry, creativity and the flow of words can be stifled. Ideas and inspiration lie stagnant, unmoving, like the smallest shell that sits still in the same place for days, despite the motion of water all around it. The moment we step out and consider something as vast as the sea and its depths, we are taken to another place, and perhaps that unleashes a new impulse to create... www.moniquesliedrecht.com

‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape. The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’ In a discussion recorded live at the 2020 Book Festival and led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us.

In episode 149 UNP founder and curator Grant Scott is in his shed considering unrealistic expectations, visual fitness, being recorded on Zoom and 'remote' portrait photography. Plus this week photographer Norman McBeath takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Norman McBeath (pronounced McBeth) is a photographer and printmaker who lives in Edinburgh, Scotland. His creative collaborations with poets include Plan B with Paul Muldoon, The Beach with Kathleen Jamie and Simonides with Robert Crawford. Simonides was shortlisted for the Ted Hughes Award and exhibited at Yale and the Poetry Foundation in Chicago. McBeath's latest book Strath is a further collaboration with the poet Robert Crawford. His work has been shown as part of exhibitions at the Leica Gallery in New York, the National Portrait Gallery in London, the Scottish National Portrait Gallery in Edinburgh, the Royal Scottish Academy in Edinburgh and the Royal Academy of Arts in London. In 2015 he was awarded a Fellowship at the Ballinglen Arts Foundation, Co. Mayo and subsequently invited to show work from the Fellowship in the exhibition Between the Land and the Sea 2016 at the Keeper's House, Royal Academy, London. In 2019 the Scottish National Portrait Gallery held a major exhibition of The Long Look, a collaboration with the painter Audrey Grant. Collections which hold his work include; the British Library; the National Library of Scotland; the British Council; Harvard University and Yale Center for British Art. www.normanmcbeath.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

This week features a celebration of the work of Eugene McCabe, who died in August, with particular focus on his timeless novel Death and Nightingales. Our Toaster Challenge guest is poet and former Director of Poetry Ireland Joe Woods and we also discuss Scottish poet Kathleen Jamie’s Selected Poems. Toaster Challenge choice: Raymond Carver, A New Path to the Waterfall.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it.Art work by Freya SirrTo subscribe to Books for Breakfast go to your podcast provider of choice (Apple Podcasts, Spotify, Google etc) and search for the podcast then hit subscribe or follow, or simply click the appropriate button above. If you want to be alerted when a new episode is released follow the instructions here for iPhone or iPad. For Spotify notifications follow the instructions here.

'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan 'His stories are always a joy' - Ian Rankin 'I'm a card-carrying admirer of Peter Ross' - Robert Macfarlane 'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath. So push open the rusting gate, push back the ivy, and take a look inside...

Mark Stephen and Helen Needham speak with nature writer and poet, Kathleen Jamie.

Discover more: https://www.ancientmarinerbigread.com/reading/37 Reader Kathleen Jamie Poet + author Recorded at the University of Stirling --- And now, all in my own countree, I stood on the firm land! The Hermit stepped forth from the boat, And scarcely he could stand. 'O shrieve me, shrieve me, holy man!' The Hermit crossed his brow. 'Say quick,' quoth he, 'I bid thee say— What manner of man art thou?' Forthwith this frame of mine was wrenched With a woful agony, Which forced me to begin my tale; And then it left me free. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.

For this Tea Reads January Special, I'm sharing an essay collection that I’ve been reading and enjoying this month: Surfacing by Kathleen Jamie. I also chat about other cultural recommendations and the small happenings that have made me 'jump for joy' lately. Read the show notes: teaandtattlepodcast.com/home/teareads30 Get in touch! Email: teaandtattlepodcast@gmail.com Instagram: @teaandtattlepodcast If you enjoy Tea & Tattle, please do rate and leave a review of the show on Apple Podcasts, as good reviews help other people to find and enjoy the show. Thank you!

On this week’s show, Jamie talks about her new essay collection Surfacing and we hear a rare recording of the Cider with Rosie author. Help support our independent journalism at theguardian.com/bookspod

In her latest book ‘Surfacing’ (Sort of Books), poet and essayist Kathleen Jamie explores what emerges: from the earth, from memory and from the mind. Her travels take her from Arctic Alaska to the sand dunes and machair of Scotland in a quest to discover what archaeology might tell us about the past, the present and the future. Her writing throughout is marked, as always, by an acute attention to the natural world. She was in conversation about her work with Philip Hoare, author of ‘Leviathan’ and ‘Risingtidefallingstar’. See acast.com/privacy for privacy and opt-out information.

Novelist Elizabeth Taylor is the subject of this episode of Backlisted. Joining Andy and John to discuss The Soul of Kindness (1964) - and much more besides - are author and founder of Virago Press Carmen Callil and journalist and critic Rachel Cooke, plus occasional contributions from Carmen's Border Terrier, Effie. John has been reading Surfacing, a new collection of essays by Kathleen Jamie, while Andy has been enjoying Richard King's The Lark Ascending: The Music of the British Landscape.

The Verb this week is an extended conversation with the poet, editor, mentor, teacher and aphorist Don Paterson. Don Paterson first came to prominence in the early 90s, winning the Forward Poetry Prize for Best First Collection for ‘Nil Nil' in 1993. The following year he was selected as one of the Poetry Society's ‘New Generation Poets' alongside contemporaries such as Simon Armitage, Carol Ann Duffy, Kathleen Jamie and his friend and mentor Michael Donaghy. He has published nine collections of poems, two of which have been awarded the TS Eliot Prize; God's Gift to Women in 1997, and again in 2003 for Landing Light. He was awarded the Queen's Gold Medal for Poetry in 2010. He also teaches at the University of St Andrews and is the Poetry editor at Picador. In a 45-minute conversation, Ian takes a forensic look at Don Paterson's language map. They discuss the concept of the ‘true poem, the relationship between inspiration and spontaneity, where the impulse to write a poem comes from – and when to give up on a poem. We hear a close examination of poetic language as Don considers ‘the dance between vowels and consonants', the weight of an ending, his love of an ellipsis. Don also explains why he dislikes poems set to music, and why you shouldn't worry too much about your poetic voice… Don Paterson's latest publication is his book of New and Collected Aphorisms, ‘The Fall at Home'. This book, and all his collections of poetry are published by Faber. Presenter: Ian McMillan Producer: Cecile Wright

Trees may have vibrant inner lives and certainly appear to have individual personalities, claims the forester-cum-writer Peter Wollheben. In his bestselling book, The Hidden Life of Trees, he uncovers an underground social network of communication between trees. In the late 1990s the journalist Ruth Pavey purchased four acres of scrub woodland in Somerset, and set about transforming this derelict land into a sanctuary for woodland plants, creatures and her own thoughts. The natural world comes alive in the poetry of Kathleen Jamie. Although her landscape is often her Scottish homeland, politics, history and human folly are never far away, as she asks how we can live more equably with nature. And breathing clean air is the goal of Gary Fuller’s book, The Invisible Killer. He studies the rising threat of air pollution from London’s congested streets to wood-burning damage in New Zealand. Producer: Katy Hickman

Poet Benjamin Morris gives a tour of the contemporary British poetry from both the United Kingdom and Scotland. Originally aired on March 23rd 2018. Here's a full list of the poets and poems read: Norman MacCaig, “Summer Farm.” from Selected Poems, Chatto & Windus, 1997. Kathleen Jamie, “Basking Shark.” from The Tree House. Picador, 2004. John Glenday, “St. Orage.” from Grain. Picador, 2009. Jen Hadfield, “Paternoster.” from Nigh-No- Place. Bloodaxe Books, 2008 Ryan Van Winkle, “After the Service.” from The Good Dark. Penned in the Margins, 2015. Helen Mort, “Coffin Path.” from Division Street. Chatto & Windus, 2013. Jacob Polley, “The North-South Divide.” from The Brink. Picador, 2003. Tim Liardet, “The Vaults.” from The Blood Choir. Seren, 2006. Hannah Lowe. “Five Ways to Load a Dice.” from Chick. Bloodaxe Books, 2013. David Harsent, “Ballad.” from Night. Faber, 2011.

Vicki Husband is one of the most interesting Scottish poets to have emerged in the past year. 2016 saw the publication of her debut This Far Back Everything Shimmers (Vagabond Voices), which was shortlisted for the Saltire Society's Scottish Poetry Book of the Year Award, where she found herself shortlisted alongside Kathleen Jamie and Don Paterson. Her poems mix science and the everyday, finding the cosmic in the quotidian and vice versa. She talks to the SPL about using bees to diagnose illness, her mentor, the late Alexander Hutchison, and why there are so many animals in her poems.

This week I got to talk with Lisa Brockwell about three poems that play with the theme of ‘the girl in the poet and the poet in the girl'. We also cover why it's important to keep reading even when the poems go quiet, the question of poetry ‘scenes' and, importantly, HBO's Looking. This week's poems: Glamourie by Kathleen Jamie … Continue reading "Ep 14. Lisa Brockwell on ‘girlhood as a place of strength'"

Start the Week comes from Glasgow this week. As the debate over the EU Referendum continues Kirsty Wark looks back at the Scottish Referendum with the historians Tom Devine and Chris Whatley. How much did the history of the union from 1707 and Scotland's sense of identity play a role in the public vote and imagination? The poet Kathleen Jamie wrote a poem a week to mark the momentous changes taking place in Scotland last year. Jamie is well-known for her celebration of the country's wild landscape, but the artist Angus Farquhar is focused on transforming a very different piece of Scottish heritage - the 60s modernist ruin, St Peter's Seminary. Producer: Katy Hickman.

Anne McElvoy discusses the ways Scottish writers negotiate what it means to be Scottish with Janice Galloway, Kathleen Jamie, Peter Mackay and Murray Pittock.

Kathleen Jamie reads Here lies our land, a poem commemorating the 700th anniversary of the Battle of Bannockburn.

Best Scottish Poems is the Scottish Poetry Library's annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns. It is in no sense a competition but a personal choice, and this year's editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other’s predilections. Their introduction demonstrates how widely they read, and how intensely. The preceding years’ selections are still available on this site. This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more. Image: Seaweed by Lucy Burnett

John Sessions at 60; playwright Polly Stenham; cellist Matthew Barley; Jonathan Lynn, writer of Yes, Prime Minister; Kathleen Jamie winner of the 2012 Costa Poetry award; actor Brian Cox.

With Mark Lawson Kathleen Jamie won the 2012 Costa Poetry award for her collection The Overhaul. She translates some of the Scots dialect in the collection and explains why writing a poem is like washing the dishes. John Bramwell of I Am Kloot discusses the making of their new album Let It All In, which was produced by Elbow's Guy Garvey. John Berry, artistic director of the English National Opera discusses the company's financial woes, in the light of its recently-announced loss of more than £2m in the last financial year. Jo Blair, Senior Programmer for Picturehouse Cinemas, reveals the reasons why so many Oscar nominated films are being released late in the UK.

Enjoy poems from Scotland's writers past and present on this episode of Simply Scottish, with selections from Robert Louis Stevenson, Edwin Morgan, Iain Crichton Smith, Kathleen Jamie, and others. Embark on a journey from the Scottish Parliament in Edinburgh to Scotland's highest mountain, Ben Nevis, from a child's bed to a lonely moor. Along the way, listen to music from Alasdair Fraser, Fiona MacKenzie, Runrig, and others.

We've been at the Edinburgh International Book Festival this past week, and caught up with two very different poets who have been involved with the events strand the SPL has curated together with Don Paterson. The first is Lorraine Mariner, who we caught up with after her event in the Spiegeltent. The second is award winning poet Kathleen Jamie, who reads some of her remarkable new work. We also mark the passing of Scotland's Makar, Edwin Morgan, and his former editor at Carcanet, SPL director Robyn Marsack, shares a few words about Eddie. Edwin Morgan was the top trend on Twitter last Thursday - something we think he'd have been very chuffed by. Presented by Ryan Van Winkle. Produced by Colin Fraser. Music by Ewen Maclean. Twitter: @anonpoetry & @byleaveswelive. Email: splpodcast@gmail.com