Podcasts about new inquiry

Is it a bird, is it a plane? No, it's another anti tech book. In Against Platforms: Surviving Digital Utopia, digital activist Mike Pepi argues that major tech companies like Meta, Amazon, Tesla, and OpenAI are all driven by "platform logic" - a business model focused on creating intermediary layers that mediate human activities while collecting data and maintaining control. While different tech leaders may have different political views, Pepi contends they are all ultimately "prisoners of the platform" driven by growth imperatives. Pepi distinguishes his critique from other tech criticism by arguing that even proposed solutions often fall into the "digital utopian" trap - the belief that better technology can fix technology's problems. Instead, he advocates for strengthening traditional institutions rather than trying to replace them with platforms. He cites journalism as an example where platforms have weakened traditional institutions rather than improved them. While not exactly anti-technology, Pepi believes that unchecked platform capitalism is problematic. He suggests that technology should be developed within institutional frameworks rather than allowing platforms to operate with minimal constraints. Convinced? If not, it's probably because you, like everyone else, is a prisoner of platform capitalism. Mike Pepi writes about art, culture, and technology. MHiswork has appeared in frieze, e-flux, Flash Art, Art in America, DIS Magazine, The Straddler, The New Inquiry, Artforum, The Art Newspaper, this is tomorrow, 艺术界 LEAP, the Apollo Magazine Blog, Spike Art, The Brooklyn Rail, Rhizome, and The New Criterion. He organized Cloud-Based Institutional Critique (CBIC), a reading group focused on emerging digital technologies and their relationship to cultural institutions. In 2015 he guest edited the Data Issue of DIS Magazine with Marvin Jordan. In 2018, I guest-edited a special issue of Heavy Machinery at SFMoMA's Open Space. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Momus: The Podcast's Season 07 finale features Tiana Reid, a Toronto-based critic and assistant professor of English at York University. Reid is a former editor at The New Inquiry and her writing has been featured in Frieze, The Nation, The New York Review of Books, and The Paris Review, among others. She reads from an early influence on her practice, Sylvia Wynter, whose text "Jonkonnu in Jamaica: Towards the Interpretation of the Folk Dance as a Cultural Process" (Jamaica Journal, June, 1970) thinks about “what art's function is in unequal and oppressive societies and regimes.” In conversation with host Sky Goodden, Reid also discusses a forthcoming text for Momus, which focuses on an evacuated landscape in Toronto's cultural institutions due to several curator dismissals, and moves Reid “to this question of action.”Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews. Many thanks to this episode's sponsor, Esker Foundation.

In a repost of a fan favorite from 2022, Laurel S. Braitman (re-)joins the podcast to talk about her most recent book, "What Looks Like Bravery: A Journey Through Love & Loss" about losing her father to cancer and finding herself in the process. She is the Writer-in-Residence at the Stanford School of Medicine. Her work has appeared in The Guardian,[5] The Wall Street Journal, Fast Company,[6] The New Inquiry,[7] Salon,[8] and a variety of other publications. She is a summa cum laude graduate of Cornell, and a TED talk fellow. She authored in 2015, "Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves." Braitman is a Thacher alumni and grew up over the hill in Santa Paula. Besides her father's (and mother's) remarkable life stories, we talked about the changes we've seen in Ventura County and Ojai over the decades, the writing process, how the publishing business has changed and where it's headed, and the saga of Monarch, the grizzly on the state flag. Laurel said it was captured in the Tehachapi Mountains, I believe it was in the Sespe wilderness. We did not talk about the Consumer Protection Bureau, Ventuckian musical genres or local mafia connections. Check out more about Laurel at https://www.laurelbraitman.com/

On this episode of On the Nose—recorded at an online event on October 30th—editor-in-chief Arielle Angel speaks with author Naomi Klein and writer and clinical psychologist Hala Alyan about the place of feelings and affect in the movement for Palestinian liberation. They discuss the role of grief and rage, how movements can accommodate affective diversity, and what it means to channel emotions politically. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).Texts Mentioned and Further Resources:“How Israel has made trauma a weapon of war,” Naomi Klein, The GuardianThe Generation of Postmemory: Writing and Visual Culture After the Holocaust by Marianne HirschProsthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture by Alison Landsberg “‘Chronic traumatic stress disorder': the Palestinian psychiatrist challenging western definitions of trauma,” Bethan McKernan, The Guardian“Can the Palestinian Mourn?,” Abdaljawad Omar, Rusted Radishes“‘Resistance Through a Realist Lens,'” Arielle Angel in conversation with Abdaljawad Omar, Jewish Currents“Mourning and Melancholia,” Sigmund FreudThe Shock Doctrine: The Rise of Disaster Capitalism by Naomi Klein“One Year,” Palestinian Youth Movement, The New Inquiry (originally published in The New York War Crimes)Recognizing the Stranger: On Palestine and Narrative by Isabella Hammad“A Surge in American Jewish Left Organizing,” On the Nose, Jewish Currents“Gaza and the Coming Age of the ‘Warrior,'” Ghassan Hage, Allegra“One Year,” Arielle Angel, Jewish Currents newsletterThe Secret Life of Saeed: The Pessoptimist by Emile Habibi“Theses on the Philosophy of History,” Walter Benjamin

Yurina Yoshikawa is a writer, educator and Director of Education at The Porch Literary Collective here in Nashville. Her work has appeared in The Atlantic, NPR, Lit Hub, The Japan Times, The New Inquiry and this autumn she won the inaugural $25,000 Southern Prize for Literary Arts.Yurina is also a gifted musician, playing viola for the Nashville Philharmonic and serving on the board.You might think a cap with that many feathers would be a comfortable fit for the head it covers. Not always. Even with the prizes, Yurina battles that sense of not being in the club. I share that feeling, so we got into it — where it comes from, whether it's true.That sense of apartness is one of the themes of her short story Dogwood, which she sent me in advance of our conversation. We broke down that piece, the inspiration behind it, and then we talked about the challenge she feels — as a mother, as an educator — of finding time to write. As someone who lives on the panic side of the writer's need to create, I was surprised and impressed by Yurina's light touch. She takes her time. At some point in the conversation I blurted “You strike me as a well-adjusted person!” I'm just not used to meeting creative people who are equal parts talented and sanguine.This episode of the Morse Code Podcast is sponsored by Writerfest, a creative gathering for aspiring writers, published authors, screenwriters, poets, and songwriters in Nashville.  Attendees enjoy keynote talks by the best book, song, and screenplay writers in the business as well as in-depth break-out sessions with professional editors, literary agents, filmmakers, and music industry insiders. Writerfest is happening Nov 22 and 23. Find out more information on writerfestnashville.com Get full access to The Morse Code at korby.substack.com/subscribe

Send us a Text Message.Jason and Brett talk to debut authors Solomon J. Brager (Heavyweight), Oisín McKenna (Evenings & Weekends), and August Thompson (Anyone's Ghost). They explore themes like inherited trauma and family history, queer identity, and the complexities of growing up. And they talk about some favorite snacks and date stories. Solomon J. Brager is a cartoonist and writer living in Brooklyn, New York. Their comics and research have appeared in The Nib, Jewish Currents, ArtForum, World War III Illustrated, Pinko Magazine, Refract Journal, and The New Inquiry, among other publications. They hold a PhD from Rutgers University, New Brunswick, and teach as adjunct faculty in history, media, and gender studies.Oisín McKenna was born in Dublin and lives in London. He was awarded the Next Generation Bursary from the Arts Council of Ireland to write Evenings and Weekends and it was developed with further funding from Arts Council England. Evenings and Weekends has been awarded a 2022 London Writers Award, and in 2017, Oisín was named in the Irish Times as one of the best-spoken word artists in the country. He has written and performed four theatre shows, including ADMIN, an award-winning production at Dublin Fringe 2019, and has written for outlets including the Irish Times on issues such as gentrification and the alienation of Dublin's youth. August Thompson was born and raised in the middle of nowhere, New Hampshire, before he attended middle school in West LA. After surviving California optimism, he moved to NYC for his bachelor's, studied in Berlin, and taught English in Spain for two years. He recently received his MFA at New York University's creative writing program as a Goldwater Fellow.Gays Reading is sponsored by Audible. Get a FREE 30-day trial by visiting audibletrial.com/gaysreading**BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

Writer and organizer Andrew Lee joins me to discuss their new book Defying Displacement: Urban Recomposition and Social War, published through AK Press and the Institute for Anarchist Studies. Defying Displacement grounds itself in one of the main sites of contemporary class struggle: communities facing the multi-headed hydra of gentrification. Andrew Lee directs our attention to the on-the-ground realities of urban displacement, and in turn, provides a new theory of the state and capitalism in the 21st century. “And all of a sudden, to maintain what we have—not improve, not get benefits. This isn't the ‘60s. We aren't talking about, give us ethnic studies and a health clinic. It's much worse than that. It's: don't displace me. Let me keep paying rent to my landlord; let me keep paying property taxes on the family home; let me keep working a bad job; just don't make my rent so high that my community is obliterated. “And the people that brings us into conflict with aren't just a local regional rich dude. More and more, they are global financial institutions and the entirety of the political system and civil society. In the places where we live, they're bringing us into open conflict with the foundation of capitalist society, and that is what we need to navigate through. And if we can, we can win everything.” Andrew Lee is a writer and organizer exploring the intersection between land, home, resistance, and popular power. Their work has been published in outlets including Teen Vogue, The New Inquiry, and YES! Magazine. Episode Notes: - Learn more about Andrew's work: https://www.xandrewleex.com - Purchase a copy of Defying Displacement from AK Press or Bookshop: https://bit.ly/3X2tO33 / https://www.akpress.org/defying-displacement.html - Music produced by Epik The Dawn: https://epikbeats.net WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast SUBSTACK: https://lastborninthewilderness.substack.com BOOK LIST: https://bookshop.org/shop/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Hannah Proctor explains why it's important to understand the messy, emotional, and interpersonal aspects of political struggle.Hannah Proctor is a Wellcome Trust Research Fellow at the University of Strathclyde in Glasgow, interested in histories and theories of radical psychiatry. She is a member of the editorial collective behind Radical Philosophy, and has been published in Jacobin, Tribune, The New Inquiry and elsewhere. Her most recent book is Burnout: The Emotional Experience of Political Defeat (Verso Books) EVENT INFORMATION: https://bit.ly/3yu9zBl SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/ SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/

This week on Macrodose Hannah Proctor leads us on an exploration of burnout. What are the origins of the term, and how can political movements and people on the frontline endure in the face of defeat. Hannah Proctor is a Wellcome Trust Research Fellow at the University of Strathclyde in Glasgow, interested in histories and theories of radical psychiatry. She is a member of the editorial collective behind Radical Philosophy, and has been published in Jacobin, Tribune, The New Inquiry and elsewhere. Find her new book “Burnout: The Emotional Experience of Political Defeat” here: tinyurl.com/ye33zecw A massive thank you to all of our existing Patreon subscribers, your support keeps the show running and we are very grateful. If you have the means and enjoy our work, head over to patreon.com/Macrodose and subscribe today. Find our socials, newsletter and more here:⁠⁠⁠⁠ linktr.ee/macrodosepodcast⁠⁠⁠⁠ We want to hear from you! Leave a comment or get in touch at ⁠⁠macrodose@planetbproductions.co.uk⁠⁠ For more about the work we do at Planet B Productions, go to ⁠⁠⁠planetbproductions.co.uk⁠

In this episode, we discuss the thought-provoking 2019 New Inquiry essay by Asa Seresin "On Heteropessimism: Heterosexuality is nobody's personal problem."Andy defends the future of heterosexuality from the sidelines so to say.Jake introduces Lacan's "there is no sexual relation," gets personal, digs his own holes, holds back his tears, and offers the formula "the penis lies too" as a way for men and women to discuss the terror of their mutual performativity.Our guest Anaís steals the show, offering up her own personal stories, parsing very subtle lines between the actual material vulnerability of women and the condescending failures of men occupying positions of allyship or sexual castration. She advocates throughout for a  near impossible conversation about mutual vulnerability and mutual desire.Sagi wonders whether it is right to demand a certain emotional labor from man when there is a kind of instilled lack of awareness thwarting this capacity. He also makes sure throughout that we distinguish between resentment and ressentiment. Perhaps for the first time introducing his antipathological method, he describes how an initial resentment towards the failure of desire can ultimately lead to a new discourse or orientation.Jack remains silent.

Jules Gill-Peterson explains what trans misogyny is, why the state cultivates and enlists it, and how this shapes our current political moment.Jules Gill-Peterson is writer, academic, and author based in the US. She is a tenured associate professor of History at Johns Hopkins University and a General Editor of TSQ: Transgender Studies Quarterly. Her writing has appeared in publications such as New Inquiry, Jewish Currents, The Baffler, Parapraxis, and many others. She is the author of Histories of the Transgender Child and A Short History of Trans Misogyny.  SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.xyz

Michael Thomsen is a freelancer writer, author, and UFC tragic from New York.   He is the author of Cage Kings: How an Unlikely Group of Moguls, Champions & Hustlers Transformed the UFC into a $10 Billion Industry, which unpacks the rapid rise of the UFC an mixed martial arts, the UFC's business model and economics, the one man tour de force that is longtime UFC president Dana White, the role of the UFC's owners over time - SEG, Zuffa and Ari Emanuel, and the organization's anti-competitive behaviors and adversarial relationship with its fighters, which aren't employees, but independent contractors - most of whom would earn more working a run of the mill admin job in the public sector.   Thomsen's work has appeared in The New Yorker, The New York Times, The Washington Post, The Atlantic, Slate, Vanity Fair, The Daily Beast, Aeon, Forbes, Al Jazeera America, Adult, Talking Points Memo, Los Angeles Review of Books, Complex, The Paris Review n+1, Bookforum, The Believer, The New Republic, Kill Screen, The New Inquiry, and The Millions.   With that, here's my conversation with the one and only, Michael Thomsen.   Show Notes: 1. Twitter: https://twitter.com/mike_thomsen?lang=en 2. Get Cage Kings: https://www.amazon.com/Cage-Kings-Unlikely-Champions-Transformed-ebook/dp/B0BHTM6YRY 3. Email Mike: mikthom@gmail.com 

Maya Binyam is the author of the debut novel Hangman, available from Farrar, Straus, and Giroux. Binyam is a fiction writer and critic whose work has appeared in The Paris Review, The New Yorker, The New York Times Magazine, New York, Bookforum, Columbia Journalism Review, The New York Times Book Review, and elsewhere. She is a contributing editor at The Paris Review and has previously worked as an editor at Triple Canopy and The New Inquiry. She lives in Los Angeles. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, an AI generated work of art won a US state art competition. The artist used Midjourney, one of the popular AI systems that also include Dall-E and Stable Diffusion. They are trained on the millions of images scattered through the internet, using a deep learning program called a ‘generative adversarial network', or GAN for short. It works by taking in text prompts, where you type in what you want the artwork to look like, and the AI then draws on the huge database of artworks, to generate a new work that conforms to the prompts. But to create a great AI work, it's not as simple as typing ‘create some great art'. The artist who won that competition put in lengthy complex prompts, working up hundreds of iterations before he arrived at the final work. So, is this really art? When we see an AI art creation, it genuinely feels ‘creative'. But is there something humans do when we create which is qualitatively different to AI? Like AI in every domain it has touched, AI art is challenging us to rethink our categories and even to ask us to question what it means to be human.Our guests for this conversation are both experts in the intersection between art and technology. Professor Ahmed Elgammal has actually constructed AI systems that have created artworks that are so good, a majority of people believe they are truly original human creations. Michael Sacasas,on the other hand, sees AI art as missing an essential ingredient, no matter how good its style is. It'll never convey the deep connection between artist and viewer that we all crave.GuestsAhmed ElgammalDr. Ahmed Elgammal is a professor at the Department of Computer Science and an Executive Council Faculty at the Center for Cognitive Science at Rutgers University. He is the founder and director of the Art and Artificial Intelligence Laboratory at Rutgers. He is also the founder and CEO of Playform AI, a platform that is dedicated to give artist access to the latest generative AI tech. In 2017, he developed AICAN, an autonomous AI artist and collaborative creative partner, which was acclaimed in an Artsy editorial as “the biggest artistic achievement of the year.” In 2021, he led the AI team that completed Beethoven's 10th symphony, which received worldwide media coverage. He received M.Sc. and Ph.D. degrees in computer science from the University of Maryland, College Park.Michael SacasasMichael writes The Convivial Society, a popular newsletter on technology, culture, and the moral life. Michael has written for The New Atlantis, Comment, Plough, The New Inquiry, Real Life Magazine, Mere Orthodoxy, The American, and Second Nature Journal. His work has also been featured in The Atlantic, Vox, and the New York Times. He is the Executive Director, Christian Study Centre in Florida, and earned his MA in Theological Studies from Reformed Theological Seminary in 2002. He was later a doctoral candidate at the University of Central Florida studying the relationship between technology and society with a focus on the work of Hannah Arendt. He is an Associate Fellow in Ethics and Culture at the Greystone Theological Institute.Your hosts are Lloyd Vogelman and Emile Sherman. Find Lloyd @LloydVogelman on Linked in Find Emile @EmileSherman on Linked In and Twitter. This Podcast is Produced by Jonah Primo and Bronwen Reid Find Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information.

Born in 12 CE, Gaius Cesar Augustus Germanicus - nicknamed 'Caligula' - survived a horrific adolescence to become the third Roman Emperor at just 24 years old. The four years that followed were expensive, scandalous, and full of increasingly violent behavior - but was he really as 'mad' as his earliest biography would have us believe? On this episode, we're discussing dynasties, paranoia, and all those juicy scandals. Sources for this episode include: "Caligula: A Biography" by A. Winterling, 2015 "Caligula: a neuropsychiatric explanation of his madness", J. Charry-Sanchez, et al, for Arquivos de Neuro-Psiquiatria, 2021 "Dinner with Caligula" by C. Baumgarthuber for The New Inquiry, 2016 "The lives of the Caesars", Suetonius, 1913 Loeb translation

Cage Kings: How an Unlikely Group of Moguls, Champions & Hustlers Transformed the UFC into a $10 Billion Industry by Michael Thomsen https://amzn.to/3NGBV0d A cultural and business history of the UFC, tracing the unlikely rise of mixed martial arts from what was derided in the ‘90s as “human cockfighting”—more violence than sport—to a global pop culture phenomenon. Senator John McCain once decried mixed martial arts as “human cockfighting,” while the New York Times despaired that the sport offered a “pay-per-view prism” onto the decline of western civilization. But the violent spectacle of cage fighting no longer feels nearly as scandalous as it did when the sport debuted in 1993. Today, it's spoken of reverentially as a kind of “human chess” played out in real-time between two bodies and the UFC is one of the most valuable franchises in the world, worth more than any team in the NFL, NBA, or MLB and equal to what Disney paid to acquire Marvel Comics. Once banned in thirty-six states and hovering on the edge of bankruptcy, the UFC has evolved into a $10 billion industry. How did cage fighting go so mainstream? A rollicking behind-the-scenes account of one of the most spectacular upsets in American sports history, Cage Kings follows the desperate fighters, audacious promoters, fanboy bloggers, fatherly trainers, philosophical announcers, hustling sponsors, and three improbable twentysomething corporate titans on a darkly comic odyssey to normalize a new level of brutality in American pop culture—and make a fortune doing so. Stylishly written and poignantly observed, the book offers a provocative look at how the hollowing out of the American dream over the past three decades and the violence endemic to modern capitalism left us ready to embrace a sport like cage fighting. About the Author Michael Thomsen is a writer in New York. His work has appeared in The New Yorker, The New York Times, The Washington Post, The Atlantic, Slate, Vanity Fair, The Daily Beast, Aeon, Forbes, Al Jazeera America, Adult, Talking Points Memo, Los Angeles Review of Books, Complex, The Paris Review n+1, Bookforum, The Believer, The New Republic, Kill Screen, The New Inquiry, and The Millions.

We have on Malcolm Harris to talk about his recent book Palo Alto: A History of California, Capitalism, and the World. Malcolm Harris is a freelance writer and an editor at The New Inquiry. And an all-new mind expanding Moment of Truth from our own Jeff Dorchen.

The dramatic fall of Silicon Valley Bank in the span of a single week has sent reverberations throughout the financial system and growing fears of bank failures. SVB over-invested in mortgage loans and treasury bonds to deal with a glut of capital brought on by the COVID-19 pandemic, assuming these assets were secure as long as interest rates stayed low. In the past year, interest rates began to rise, making the assets SVB purchased worse less than what they bought them for. A bank failure could have been avoided, had a panic not spread among tech investors fueled by the likes of Peter Thiel. While almost none of the money at risk of loss belonged to workers, the $124 billion bailout package swiftly delivered by the federal government comes directly from our pockets. What's more, if past boom-and-bust cycles are any sign, Silicon Valley as a whole will only grow richer and more powerful from this crisis—and in the process drive economic changes that will harm workers further. Author Malcolm Harris joins TRNN Editor-in-Chief Maximillian Alvarez for a special look at the Silicon Valley Bank collapse through the lens of Big Tech's long anti-labor history.Malcolm Harris is an American journalist and contributing editor of The New Inquiry. His newest book, Palo Alto: A History of California, Capitalism, and the World examines the rise of Silicon Valley.Post-Production: Jules TaylorHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Natasha Lennard is a Contributing Writer for the Intercept, and her work has appeared regularly in the New York Times, Esquire, Vice, Salon, and the New Inquiry, among others. She teaches in the Creative Publishing and Critical Journalism program at The New School for Social Research and is the author of two books: Violence: Humans in Dark Times, co-edited with Brad Evans, and Being Numerous: Essays on Non-Fascist Life, from Verso Books. In this interview I ask Natasha about the recent murder, by police, of Tyre Nichols, Keenan Anderson, and the environmental activist known as Tortuguita. She talks about the fact that these are just three of the more prominent deaths this year alone at the hands of police, and explains the relationship of these losses to the inherent violence of policing. What she makes clear is that, despite the fact that cops don't stop or prevent crime, and actually produce more violence than they stop, it is still the case that, for a number of reasons, the burden is never on those who align with carceral thinking to defend the police. And why is that the case? Because there is a deep ideological attachment to police and policing, to so-called “justice” in a carceral world. And that attachment is fed by a regime of representation that reinforces the heroism of cops in spite of all the evidence to the contrary. As a means of working through this problem, Natasha talks about Antonio Gramsci's notion of “common sense” as a tool for understanding some of the baseline assumptions that exist to regulate action and reaction. These are some complicated issues. And she admits that it's tricky. While we can fall into the trap of using what feel like exhausted ideas, the trap of political theatre, Lennard's analysis has a way of cutting through the contradictions and centring the fact of ongoing oppression. If you do that, then you move out of the theoretical debates about strategy and into the streets. For this reason, she celebrates the small but nimble and durable protests against Cop City in Atlanta. She speaks ardently in support of the need for trans liberation, and articulates that imperative against the array of powerful revanchist far-right forces who stand against it.

Join Robin D.G. Kelley for the Freedom Dreams discussion series. The fourth discussion features Elleza Kelley. Freedom Dreams is a classic in the study of the Black radical tradition that has just been released in a new 20th anniversary edition. In this live event series, Robin D. G. Kelley will explore the connections between radical imagination and movements for social transformation with pathbreaking artists and scholars. Speakers: Elleza Kelley is an Assistant Professor of African American Studies and English at Yale University. Kelley works on African American literature, with an emphasis on black geographies and radical spatial practice in the United States. Her current research traces how black spatial knowledge and practice appear in literature and art, particularly through experimentations with form, genre, and media. Her first book project looks at practices of inscription and mark-making as modes of spatial production, representation, and reinvention. Her writing can be found in Antipode, The New Inquiry, Cabinet Magazine, and elsewhere. Robin D.G. Kelley is Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is the author of Hammer and Hoe, Race Rebels, Freedom Dreams: The Black Radical Imagination, and Thelonious Monk: The Life and Times of an American Original, among other titles. His writing has been featured in the Journal of American History, American Historical Review, Black Music Research Journal, African Studies Review, New York Times, The Crisis, The Nation, and Voice Literary Supplement. Join the upcoming events in the Freedom Dreams Series: www.eventbrite.com/cc/freedom-drea…-kelley-1288129 Watch the live event recording: https://youtube.com/live/xQdu-7fpVbU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: @haymarketbooks

Kathleen Folbigg is serving a minimum 25-year prison sentence after being convicted in 2003 of the murder of her three children, Patrick, Sarah, and Laura, and the manslaughter of her first child, Caleb. Each died suddenly between 1989 and 1999, aged between 19 days and 18 months. Her supporters say there's no pathological or medical basis to conclude homicide in any of the Folbigg children's deaths. In this episode, we speak to Kathleen's childhood friend, Tracy Chapman, who talks to her every day from the phone in prison. Tracey's letters with Kathleen were also key evidence in the inquiry.  Headlines: - Toyah Cordingley's alleged killer extradited- More taxes for rich super balances- Robodebt: Inquiry hears minister ignored legal advice Follow The Briefing: Instagram: @thebriefingpodcast Facebook: TheBriefingNewsAUTwitter: @TheBriefingAUSee omnystudio.com/listener for privacy information.

In this KEEN ON episode, Andrew talks to PALO ALTO author Malcolm Harris about Leland Stanford, eugenics, Herbert Hoover's technocracy, Elizabeth Holmes' black sweaters and Sam Bankman-Fried's parents. Malcolm Harris is an American journalist, critic, and thought leader. He is an editor at The New Inquiry and authored Kids These Days: The Making of Millennials and Shit is Fucked Up and Bullshit: History Since the End of History. His upcoming book, Palo Alto: A History of California, Capitalism, and the World, was published on February 14, 2023. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Katie Walsh and Blake Howard join multi-hyphenates filmmaker-film festival director Jason Fitzroy Jeffers and studio executive-film director-critic-programmer-screenwriter-educator Brandon Harris to talk about MIAMI VICE (2006) holding an uncomfortable mirror up to the reflection of early 2000s Miami.Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.ABOUT JASON FITZROY JEFFERSJason Fitzroy Jeffers is a filmmaker from Barbados whose work focuses on giving rooted and nuanced voice to the Caribbean, pockets of subtropical Black life across the American South, and other marginalized, equatorial, Afro-diasporic spaces.As a filmmaker, he has produced award-winning shorts such as Papa Machete and Swimming in Your Skin Again that have screened at film festivals such as Sundance, BlackStar, TIFF, Sheffield and more. More recently, he co-directed the short film Drowning by Sunrise for The Intercept, and produced T, the 2020 winner of the Golden Bear for Best Short Film at Berlinale. Prior to this, Jeffers was a journalist with The Miami Herald, and his writing has also appeared in outlets such as American Way and Ocean Drive.In addition to his film work, Jeffers is also the Founding Director of the Miami-based Caribbean filmmaking collective Third Horizon, which stages the annual Third Horizon Film Festival, a showcase of cinema from the Caribbean, its diaspora, and other underrepresented spaces in the Global South. It was named one of the “25 Coolest Film Festivals in the World” in 2019 and 2021 by MovieMaker Magazine. For this and other work at the intersection of filmmaking and social justice, Jeffers was named a 2019 Ford Foundation / Rockwood Leadership Institute JustFilms fellow.Jeffers is currently in development on two feature-length projects: he is co-writing and producing Untitled Opa-locka Project, a science fiction set in inner-city Miami, which has been supported by Sundance Talent Forum, SFFILM and Cinereach; and he is also directing The First Plantation, a documentary on the fight for reparations in Barbados for which he was named a Doc Society New Perspectives fellow.ABOUT BRANDON HARRISOriginally from Cincinnati, Ohio, Brandon Harris has worked in the world of American Cinema as a studio executive and film director, critic and programmer, screenwriter and educator. Formerly a Development Executive for Amazon Studios, where he oversaw productions such as Master (2022) and The Voyeurs (2021) and acquisitions such as Blow the Man Down (2020) and Time (2020), Harris's lauded writings about cinema, politics, culture, and the intersections between them have appeared in The New Yorker, The New Republic, The Guardian, VICE, The Daily Beast, Variety, N+1, The New Inquiry, Brooklyn Rail, In These Times, Hammer to Nail, and Filmmaker Magazine, where he remains a contributing editor. Harris, formerly the festival programmer at the Indie Memphis Film Festival, is the director of Redlegs (2012), a New York Times Critics Pick. His genre bending mix of memoir and history Making Rent in Bed-Stuy, released in 2017 by Amistad Books, is a New York Times Book Review Editor's Choice and was named a Vogue Magazine book of the year.Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode is a little different. Rather than dissecting an influential conservative book written by long-dead intellectual, Matt and Sam are joined by Know Your Enemy's brilliant producer (and host of the very funny podcast, Tech Talk) to unpack a different kind of "text"—the hit CBS television show from the 1990s, Walker, Texas Ranger, starring the very much still-living Chuck Norris. Set in the Dallas-Fort Worth area, Norris stars as Sergeant Cordell Walker, a member of the storied Texas Rangers who takes on drug dealers, Satanists, corrupt cops, and other bad guys, a task aided by his incredible martial-arts skills. The episodes of Walker discussed in this conversation were carefully curated by Jesse, and they provide a great deal of fodder for understanding conservatism (and America) in the 1990s, law and order politics, the American penchant for moral panics, how the Right has changed in the decades since the show aired, and more.Sources:Walker, Texas Ranger on IMDB"Chuck Norris's code of honor," drawn from the Chuck Norris System of martial arts (Chun Kuk Do)Chuck Norris, Black Belt Patriotism: How to Reawaken America (2008)Aaron Cantú, The Chaparral Insurgents of South Texas,The New Inquiry, April 2016.  ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!

We take a look back at the year's events and the major social and political developments that worked to normalize covid in 2022. Find the companion episode to this one, “How Liberals Killed Masking,” here: https://www.patreon.com/posts/how-liberals-12-76127094 This episode was originally a patron exclusive. If you enjoy this episode, consider becoming a patron at www.patreon.com/deathpanelpod. After this episode first aired, we adapted it into a piece for The New Inquiry called “The Year the Pandemic ‘Ended.'” Find Part One (of three) here: https://thenewinquiry.com/the-year-the-pandemic-ended-part-1/ Health Communism is finally back in stock and currently 40% for Verso's holiday sale. Get it here: www.versobooks.com/books/4081-health-communism Death Panel merch here (patrons get a discount code): www.deathpanel.net/merch As always, support Death Panel at www.patreon.com/deathpanelpod join our Discord here: discord.com/invite/3KjKbB2

Please support our Patreon.  For early and ad-free episodes, members-only content, and more.Mike Gouldhawke is a Métis & Cree writer, whose family is from kistahpinanihk (City of Prince Albert) and nêwo-nâkîwin (Mont Nebo) in Treaty 6 territory in Saskatchewan.  He is also an amateur Marxologist and has written for publications like Briarpatch, New Inquiry, and Redwire on both indigenous and Marxist issues and their overlap.   Today we talk primarily about his article in Brairpatch, "Land as a Social Relationship."  but also the weaving of Marxism in the indigenous rights and first nations movements in Canada.   We also talk about some of the perils and virtues of Marxology and why it may be important.   You can find his writings on his blog and links to his other work here.Crew:Host: C. Derick VarnAudio Producer: Paul Channel Strip  ( @aufhebenkultur )Branding Design: Djene Bajalan and C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Videos Design: Jason Myles, Dejene Balajan Support the show

Hey Upper East Siders. The gossip gxrlies are here, and they’re queer stoners now. Our main characters are #1 Charlie Markbreiter, author, PhD candidate, editor at The New Inquiry, and mod of the Death Panel Discord #2 O.K. Fox, Sonic the Hedgehog fetishist and degenerate podcast host. Together they synthesize why white trans guys are … Continue reading "181 – Gossip Girl Fanfic Novella w/ Charlie Markbreiter"

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In this episode Justin Pearl speaks with author and journalist A.M. Gittlitz about the strange intersection of left-wing political organizing with UFOlogy, apocalypticism, and more. Gittlitz is the author of "I Want to Believe: Posadism, UFOs and Apocalypse Communism" and is a journalist and social critic based in Brooklyn, New York. He has contributed to The New Inquiry, The New York Times, The Outline, Baffler, Real Life, Salon, and Vice GITTLITZ: https://gittlitz.wordpress.com/ I Want to Believe: https://www.plutobooks.com/9780745340777/i-want-to-believe/ Music for this episode: Exhausted Divinity, Niky Nine

Photo By Roe Ethridge Stephanie LaCava is a New York writer. She began her career at American Vogue and her work has since appeared in The Believer, The New York Review of Books, Harper's Magazine, Texte zur Kunst, and The New Inquiry. Stephanie's first book, An Extraordinary Theory of Objects, is a memoir which combines narrative nonfiction and illustration. Her 2020 novel, The Superrationals, is about female friendship, set at the intersection between counterculture and the art industry. Stephanie's second novel, I Fear My Pain Interests You was just published by Verso Books  this month. The novel centers on a protagonist named Margot, the daughter of two famous musicians, who cannot feel physical pain.

Julianne Bull is a Licensed Marriage and Family Therapist living in Los Angeles. She holds a masters degree in Marriage and Family Therapy from the University of Southern California and has been a practicing therapist for about seven years. She currently utilizes DBT work with adolescents, as well as being a Certified Animal Assisted Therapy Professional. At age 14, Julianne was sent away for a year to two Troubled Teen Industry programs, the experiences which inspired her to become a therapist for teens and use her work to fight against this damaging and dangerous industry Julianne joins Rachel to discuss her harrowing experience as a teenager at two different teen treatment facilities where she suffered neglect and abuse that caused her trauma for many years to come. Julianne explains to Rachel how finally seeing a legitimate therapist inspired her to pursue the profession herself, pointing out how her time in grips of the troubled teen industry informs the way she works with teens in her own practice. Before You Go: Rachel reflects on how what Julianne described as her "stubbornness" was actually a strength that ultimately helped her survive and offers advice to parents struggling with difficult teens. Find more about Julianne's practice here: https://www.juliannebull.com/ You can sign up for Rachel's webinar series LIVING IN FREEDOM here: https://rachelbernsteintherapy.com/webinar.html Thanks to all of our newest Patreon supporters: Jamie Gunning, Brett Jellen, Gabrielle Coleman, Danielle Hirokane, Jena Higdon, Rebecca Sigel, Cecilia, The New Inquiry, Kymberley Alberts Sauer, Kristen King, Elizabeth Wolfington, Ryan Pence, Amanda Smith, Julia Colmenero-Skeaff, Niamh McGee, Jo A Gardner and, Amber Berger To help support the show monthly and get bonus episodes, shirts, and tote bags, please visit: www.patreon.com/indoctrination Prefer to support the IndoctriNation show with a one-time donation? Use this link: www.paypal.me/indoctrination You can help the show for free by leaving a rating on Spotify or Apple/ iTunes. It really helps the visibility of the show!

Danny Lavery welcomes Ty Mitchell, a writer and former gay porn performer based in Brooklyn, New York. He has written for The New Inquiry and Buzzfeed, and you can read his current newsletter, the First Openly Gay Book Club, at firstopenlygay.substack.com. Lavery and Mitchell tackle two letters. First, from someone who's upset that his friends continue to associate with someone who is considered toxic. Another letter writer is wondering if he should ask to open up his relationship, or simply break-up.  Finally, someone writes in wondering if there is a way around correcting people about their gender. Slate Plus members get another episode of Big Mood, Little Mood every Friday: sign up now! Need advice? Send Danny a question here. Email: mood@slate.com Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Lavery welcomes Ty Mitchell, a writer and former gay porn performer based in Brooklyn, New York. He has written for The New Inquiry and Buzzfeed, and you can read his current newsletter, the First Openly Gay Book Club, at firstopenlygay.substack.com. Lavery and Mitchell tackle two letters. First, from someone who's upset that his friends continue to associate with someone who is considered toxic. Another letter writer is wondering if he should ask to open up his relationship, or simply break-up.  Finally, someone writes in wondering if there is a way around correcting people about their gender. Slate Plus members get another episode of Big Mood, Little Mood every Friday: sign up now! Need advice? Send Danny a question here. Email: mood@slate.com Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Edmundson and Anthony "Nippy" Ames are survivors of the NXIVM cult and hosts of the A Little Bit Culty Podcast. They are the married couple and whistleblowers documented in the critically-acclaimed HBO series “The Vow,” Sarah and Nippy have a lot to say about their experience, and burning questions to ask people with similar stories. They're here to help people understand, heal from, and avoid abusive situations one little red flag at a time. Sarah and Nippy are also both successful actors and producers. In 2019, Sarah published Scarred: The True Story of How I Escaped NXIVM, the Cult that Bound My Life. In this moving and insightful conversation Sarah and Nippy look back at their intensely dramatic time as a part of NXIVM, exploring the missteps and courageous actions they took along the way. The couple share with Rachel the uniquely complex relationship dynamics they experienced while in the group and the powerful love and devotion that kept them together. They explain how their relationship offered them the strength needed to leave and ultimately put an end to NXIVM and Keith Ranerie's destructive abuses. Before You Go: Rachel explores NXIVM's idea of inner deficiency, comparing the problematic diagnostic techniques found in some therapeutic practices to the manipulative narratives used by cult leaders. For more info on Sarah and Nippy's podcast visit: https://www.alittlebitculty.com/ Find more about Sarah's book here: https://www.sarahedmondson.com/ You can listen to our previous episodes on NXIVM here: https://soundcloud.com/indoctrinationshow/sets/nxivm Thanks to all of our newest Patreon supporters: Jamie Gunning, Brett Jellen, Gabrielle Coleman, Danielle Hirokane, Jena Higdon, Rebecca Sigel, Cecilia, The New Inquiry, Kymberley Alberts Sauer, Kristen King, Elizabeth Wolfington, Ryan Pence, Amanda Smith, Julia Colmenero-Skeaff, Niamh McGee, Jo A Gardner and, Amber Berger To help support the show monthly and get bonus episodes, shirts, and tote bags, please visit: www.patreon.com/indoctrination Prefer to support the IndoctriNation show with a one-time donation? Use this link: www.paypal.me/indoctrination You can help the show for free by leaving a rating on Spotify or Apple/ iTunes. It really helps the visibility of the show!

"Todos os caras legais já estão comprometidos", "Não ouse ficar solteira, amiga, só tem lixo por aqui", "A mulher hétero sofre", "Meu parceiro me dá mais trabalho que um filho, sobra tudo pra mim".. Você já ouviu alguma das frases? Ou, melhor, quantas vezes você ouviu essas frases nos últimos tempos? No final de 2019, Ana Seresin cunhou o termo “heteropessimismo” em um artigo para o The New Inquiry. O termo nomeia a expectativa de que a experiência heterossexual normativa será decepcionante, negativa ou lamentável. O debate é longo e não caberia em um monólogo, mas me adianto que não acredito que o problema seja a heterossexualidade em si, e sim, o patriarcado que coloca as mulheres nessa prateleira inferior à dos homens. A luta pela sobrevivência e pelo encontro de afeto nesse contexto, fez muitas se sentirem obrigadas a performar a mulher "de boa". Aquela que não fala sobre seus verdadeiros desejos sobre a relação, que dificilmente expressa sentimentos, que realmente está 'de boa' com as situações, mesmo que ultrapassem seus limites. Afinal, a mulher 'de boa' é uma nova prisão em que nossa liberdade conquistada está sendo jogada contra nós? Temos como sair do ciclo do heteropessimismo sem educação emocional e responsabilidade afetiva por todos os lados? Bora desvendar. Bom Dia, Obvious! Hoje, Marcela Ceribelli, CEO e diretora criativa na Obvious conversa com a cantora e compositora, Mariana Nolasco.

Danny Lavery welcomes Noah Zazanis, an epidemiologist, writer, and prison abolitionist living in Queens, NY. His writing can be found in The New Inquiry, Pluto Press' Transgender Marxism anthology, and Obstetrics & Gynecology ("The Green Journal"). Lavery and Zazanis tackle two letters. First, from someone hesitating on coming out for fear of never being called the correct pronouns. Another letter writer is wondering if they should walk away from a relationship that they can sense is slipping away.  Slate Plus members get another episode of Big Mood, Little Mood every Friday: sign up now! Need advice? Send Danny a question here. Email: mood@slate.com Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Lavery welcomes Noah Zazanis, an epidemiologist, writer, and prison abolitionist living in Queens, NY. His writing can be found in The New Inquiry, Pluto Press' Transgender Marxism anthology, and Obstetrics & Gynecology ("The Green Journal"). Lavery and Zazanis tackle two letters. First, from someone hesitating on coming out for fear of never being called the correct pronouns. Another letter writer is wondering if they should walk away from a relationship that they can sense is slipping away.  Slate Plus members get another episode of Big Mood, Little Mood every Friday: sign up now! Need advice? Send Danny a question here. Email: mood@slate.com Production by Phil Surkis Learn more about your ad choices. Visit megaphone.fm/adchoices

For Lucy's second episode as host of the Non Serviam Podcast, she sat down with author and books editor at Reason, Jesse Walker. Join us for a fun discussion over American Politics, right wing politics, oath keepers, conspiracy theories, and a good bit of American-libertarian reminiscing and inside baseball. If you liked this episode be sure to check out Jesse's book; The United States of Paranoia: A Conspiracy Theory. A great read if you are interested in the cultural history of conspiracy theories in America.

 “Jesse Walker is books editor of Reason. He has written on topics ranging from pirate radio to copyright law to political paranoia, and he is author of the books Rebels on the Air: An Alternative History of Radio in America (New York University Press, 2001) and The United States of Paranoia: A Conspiracy Theory (HarperCollins, 2013).
 - Walker's articles have appeared in The New York Times, The Washington Post, The Wall Street Journal, the Los Angeles Times, The Baltimore Sun, The Boston Globe, The Atlantic, Politico, Time, The Week, CNN.com, Slate, New York, The New Inquiry, The New Republic, The National Post, National Review, No Depression, Boing Boing, io9, Radio World, Telos, Z, the Journal of American Studies, and many other publications.
 - Walker is a graduate of the University of Michigan, where he received a degree in history. He lives in Baltimore with his wife and two daughters.” 
- Reason Bio https://reason.com/people/jesse-walker/ 


Lucy is an accomplished writer and a self-described market-anarchist, feminist, and history nerd. Lucy is a long time friend of the collectibe, a Contributing Editor at AntiWar.com, and you may also know Lucy from her writings at FEE, Vice, Reason, or her blogs; https://thestagblog.com/, https://lucysteigerwald.substack.com/, https://original.antiwar.com/author/lucy/, and https://www.vice.com/en/contributor/lucy-steigerwald You can find Lucy online @LucyStag Follow Jesse Walker at @NotJesseWalker Thank you for watching! --- Listen to the Non Serviam Podcast on your favorite podcast platform! iTunes, Spotify, Stitcher, Soundcloud, and more. If you'd like to see more anarchist and anti-authoritarian interviews, please consider supporting this project financially by becoming a Patreon https://www.patreon.com/nonserviammedia Follow us on Instagram @nonserviammedia View our full, downloadable catalog online at https://nonserviammedia.com 00:00:16 Introduction 00:01:45 The Oath Keepers 00:09:05 Paranoia 00:16:04 Conspiracy Categorization 00:27:06 Favorite Conspiracy Theories 00:33:06 Stevie Wonder Story 00:40:45 Real Conspiracies 00:47:41 The Mao Nixon Summit 00:58:57 The Karl Hess Moment 01:01:10 The Cappuccino Question 01:04:12 Elon Musk's Twitter 01:13:59 The Surveillance State 01:18:39 Political Worries 01:31:03 Biden and War 01:36:21 Reason's Trajectory 01:43:15 Ron Paul 01:47:13 Rothbard and Dukakis 01:49:27 Outro

This week we welcome Michael Sacasas, author of The Convivial Society, a newsletter about technology and society. Michael is the associate director of the Christian Study Center of Gainesville and has written for The New Atlantis, The New Inquiry, Comment Magazine, and Real Life Magazine. He is also the author of a forthcoming book 41 Questions: Technology and the Moral Life (Avid Reader Press). In this thought provoking episode we invite all our listeners to reconsider the place of technology in their own lives. We discuss: the role of technology in our lives and how the way that we use tools shapes our experience of the world, and by extension our existence attention, it's importance and its various forms why Twitter for Michael is a deal with the devil how, even out of the Metaverse, technology reframes our reality the three most important questions everyone should ask of the way that they use technology If you enjoyed our previous conversations with Oliver Burkeman, Nicholas Carr and Krista Tippett, then this episode is for you. This episode is part of our series on "Self", where we explore how our technology impacts some of the most important aspects of being human. Recent episodes include Krista Tippett, creator on On Being, Susie Alegre, human rights lawyer and author of 'Freedom to Think' and upcoming episdoes include Jillian Horton MD, and author of 'We are All Perfectly Fine', Casey Swartz, author of "Attention, A Love Story" and Sharath Jeevan OBE, motivation expert and author of "Intrinsic". Our goal: to help all our listeners to think more critically about the role of technology in our lives, and how it shapes who we are. More from Michael: The Convivial Society https://theconvivialsociety.substack.com/ Host and Producer: Georgie Powell https://www.sentientdigitalconsulting.com/ Music and audio production: Toccare https://spoti.fi/3bN4eqO

Michael Sacasas is the associate director of the Christian Study Center of Gainesville and the author of The Convivial Society, a newsletter about technology, society, and the moral life. He is also an Associate Fellow in Ethics and Culture at the Greystone Theological Institute and, for three years, directed Greystone's Center for the Study of Ethics and Technology. Michael has written for The New Atlantis, The New Inquiry, Comment Magazine, Real Life Magazine, and Mere Orthodoxy. The Convivial Society: theconvivialsociety.substack.comEssay: Children and Technology: theconvivialsociety.substack.com/p/children-and-technology?s=r#detailstwitter: @LMSacasas christianstudycenter.org

This is a segment of episode 318 of Last Born In The Wilderness “Negative Commons: Radiation, Revolution, & Enclaves Of Counter-power w/ Sabu Kohso.” Listen to the full episode: https://www.lastborninthewilderness.com/episodes/sabu-kohso Purchase a copy of ‘Radiation and Revolution' from Bookshop: https://bit.ly/38uEiRA Political theorist, anti-capitalist activist, and translator Sabu Kohso joins me to discuss his book ‘Radiation and Revolution,' a text that "uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state." This interview was recorded in the Gray Coast Guildhall in Quilcene, WA, for the Communal Life & Planetary Relations at the End of This World event, held on March 12, 2022. In ‘Radiation and Revolution,' Sabu Kohso argues that “nuclear power is not a mere source of energy—it has become the organizing principle of the global order and the most effective way to simultaneously accumulate profit and govern the populace.” The 2011 Fukushima-Daiichi nuclear disaster and its effects live with us today. “The year 2011 was,” as he writes in his article ‘Radiation, Pandemic, Insurrection' published in The New Inquiry, “the beginning of the present: an age of endless disasters and struggles against ruling powers under the catastrophic conditions thereby imposed. The epoch has witnessed the intensification of two global impetuses – disaster and uprising – whose interaction, since then, has increasingly involved us.” (https://bit.ly/3LRpGu2) These synergies, uprising and ecological devastation, have intensified since the events at Fukushima. The “negative commons,” as Sabu has described it, have invaded every facet of modern life. As such, these systems of catastrophe must be revolted against; enclaves of counter-power must take root in nation-states around the world, to reclaim and reconstitute humanity's regenerative role within the life systems of the earth. Sabu Kohso is a political and social critic, translator, and a long-time activist in the global and anti-capitalist struggle. A native of Okayama, Japan, Sabu has lived in New York City since 1980. He published a series of books in Japanese on urban space and popular struggles in New York, as well as a book on philosophy of planetary anarchism, which have been translated into Korean. He has translated from English to Japanese books by David Graeber (‘Fragments of an anarchist anthropology' and ‘Debt – the First 5000 Years') and that of John Holloway (‘Crack Capitalism'), and translated from Japanese to English the works by the architect Arata Isozaki (‘Japanness in Architecture') and by the philosopher and literary critic Kojin Karatani (‘Architecture as Metaphor and Transcritique'). His first English book is ‘Radiation and Revolution' (Duke University Press, September 2020). WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast / https://venmo.com/LastBornPodcast BOOK LIST: https://bookshop.org/shop/lastbornpodcast EPISODE 300: https://lastborninthewilderness.bandcamp.com BOOK: http://bit.ly/ORBITgr ATTACK & DETHRONE: https://anchor.fm/adgodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

[Originally released Oct 2017] Zoe Samudzi is a black feminist writer whose work has appeared in a number of spaces including The New Inquiry, Warscapes, Truthout, ROAR Magazine, Teen Vogue,BGD, Bitch Media, and Verso, among others. She is also a member of the 2017/18 Public Imagination cohort of the Yerba Buena Center for the Arts (YBCA) Fellows Program, and she is a member of the Black Aesthetic, an Oakland-based group and film series exploring the multitudes and diversities of black imagination and creativity. She is presently a Sociology PhD student at the University of California, San Francisco in the Department of Social and Behavioral Sciences where academic interests include biomedicalization theory, productions of race and gender, and transgender health. She is a recipient of the 2016-17 Eugene Cota-Robles Fellowship. Her dissertation "'I don't believe I should be treated like a second citizen by anybody': Narratives of agency and exclusion amongst male and transgender female sex workers in Cape Town, South Africa" engages hegemonic gender constructs in South Africa as they affect identity construction and health of transgender women and cisgender men in sex work. Zoe sits down with Brett to apply critical race theory to our current US society. Topics Include: The Anarchism of Blackness, Double Consciousness, Zoe's experiences growing up as a black girl in the Midwest, the failures of white liberalism and the democratic party, Trump, racist and sexist tropes in film, the White Gaze, and much more! Here is Zoe's website: http://www.zoesamudzi.com/ Outro: "African Son" (featuring Chindo Man, Songa, Wise Man, Mic Crenshaw. Recorded at Watengwa Studios, Kijenge, Tanzania as part of the Afrikan Hiphop Caravan 2015) Support Rev Left Radio: https://www.patreon.com/RevLeftRadio

Political theorist, anti-capitalist activist, and translator Sabu Kohso joins me to discuss his book ‘Radiation and Revolution,' a text that "uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state." This interview was recorded in the Gray Coast Guildhall in Quilcene, WA, for the Communal Life & Planetary Relations at the End of This World event, held on March 12, 2022. In ‘Radiation and Revolution,' Sabu Kohso argues that “nuclear power is not a mere source of energy—it has become the organizing principle of the global order and the most effective way to simultaneously accumulate profit and govern the populace.” The 2011 Fukushima-Daiichi nuclear disaster and its effects live with us today. “The year 2011 was,” as he writes in his article ‘Radiation, Pandemic, Insurrection' published in The New Inquiry, “the beginning of the present: an age of endless disasters and struggles against ruling powers under the catastrophic conditions thereby imposed. The epoch has witnessed the intensification of two global impetuses – disaster and uprising – whose interaction, since then, has increasingly involved us.” These synergies, uprising and ecological devastation, have intensified since the events at Fukushima. The “negative commons,” as Sabu has described it, have invaded every facet of modern life. As such, these systems of catastrophe must be revolted against; enclaves of counter-power must take root in nation-states around the world, to reclaim and reconstitute humanity's regenerative role within the life systems of the earth. Sabu Kohso is a political and social critic, translator, and a long-time activist in the global and anti-capitalist struggle. A native of Okayama, Japan, Sabu has lived in New York City since 1980. He published a series of books in Japanese on urban space and popular struggles in New York, as well as a book on philosophy of planetary anarchism, which have been translated into Korean. He has translated from English to Japanese books by David Graeber (‘Fragments of an anarchist anthropology' and ‘Debt – the First 5000 Years') and that of John Holloway (‘Crack Capitalism'), and translated from Japanese to English the works by the architect Arata Isozaki (‘Japanness in Architecture') and by the philosopher and literary critic Kojin Karatani (‘Architecture as Metaphor and Transcritique'). His first English book is ‘Radiation and Revolution' (Duke University Press, September 2020). Episode Notes: - Purchase a copy of ‘Radiation and Revolution' from Bookshop: https://bit.ly/38uEiRA - Read ‘Radiation, Pandemic, Insurrection' published in The New Inquiry: https://bit.ly/3LRpGu2 - Contribute to the Gray Coast Guildhall project to put a new roof on the building and build a wheelchair accessible walkway and entrance: https://bit.ly/3LXvbHN - Music featured was composed by Scott Farkas, and premiered by the Magic Valley Symphony at the College of Southern Idaho on October 13th, 2019. Title: “counting piece 1.” Used with permission. Source: https://youtu.be/xxaCg6pBsYQ - Episode title card features the image “Third IAEA Mission Team (02110056)” by Susanna Loof / IAEA, used under CC BY 2.0: https://creativecommons.org/licenses/by/2.0/ WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast / https://venmo.com/LastBornPodcast BOOK LIST: https://bookshop.org/shop/lastbornpodcast EPISODE 300: https://lastborninthewilderness.bandcamp.com BOOK: http://bit.ly/ORBITgr ATTACK & DETHRONE: https://anchor.fm/adgodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Beatrice Adler-Bolton, disability justice advocate and co-host of the Death Panel podcast, joins me to discuss the sociological production of the "end of the pandemic," and what that means for the "surplus" populations made most vulnerable by the economic demands of capital. She is the author of the upcoming book ‘Health Communism: A Surplus Manifesto,' co-authored with Artie Vierkant, which "argues for a new global left politics aimed at severing the ties between capital and health." As the hosts of the Death Panel podcast have documented, discussed, and warned, the declarations made by the political and economic elites that we have entered into a "post-Covid" reality — where any and all public health measures meant to mitigate the spread of the virus are effectively lifted, and deemed unnecessary moving forward — is but a sociological construct, not based in epidemiological reality and sound public health policy. We have entered into the "let it rip" phase of the pandemic, it seems. What does this means for the immunocompromised/disabled and other vulnerable populations, as practically all efforts and measures (however weak) to mitigate the spread of this virus come to an end? Beatrice Adler-Bolton is a blind/low vision and chronically ill artist, writer, and disability justice advocate. Beatrice studies radical patient groups and the capitalist political economy of health as an independent researcher and is earning a master's in Disability Studies at CUNY. She is the co-host of the Death Panel podcast with Artie Vierkant and Phil Rocco. Beatrice's first book, called ‘Health Communism: A surplus manifesto,' co-authored with Artie Vierkant, will be published by Verso Books in the US and UK in October 2022. Health Communism argues for a new global left politics aimed at severing the ties between capital and health. Episode Notes: - Subscribe and support the Death Panel podcast: https://www.deathpanel.net / https://www.patreon.com/deathpanelpod - Learn more about Beatrice's work and subscribe to her Substack: https://www.beatriceadlerbolton.com / https://blindarchive.substack.com - Pre-order ‘Health Communism: A Surplus Manifesto': https://bit.ly/35Zby2d - Article quoted is ‘“The Beyblade Strategy” or: How We Learned to Stop Worrying and Love Focused Protection' published at The New Inquiry: https://bit.ly/35L3QJl - Music produced by Epik The Dawn: https://epikbeats.net WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast / https://venmo.com/LastBornPodcast BOOK LIST: https://bookshop.org/shop/lastbornpodcast EPISODE 300: https://lastborninthewilderness.bandcamp.com BOOK: http://bit.ly/ORBITgr ATTACK & DETHRONE: https://anchor.fm/adgodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior