Podcasts about Dead Set

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Charlie Brooker, originally episode 275 from 2019-06-26.Original writeup below:–––––––––––––––––––––––––…but don't by any means think that Black Mirror is a one man show, as Charlie himself will ensure you know how important Annabel Jones is in the whole creative process! He and Pip get all the way into the whole Black Mirror phenomenon, how it works and what it is to be a showrunner, the rise of Black Mirror in the US, how Charlie is the Drake of TV according to Pip (you'll enjoy this theory), how the auteur theory is bullshit, presenting the show to Netflix, having an exit strategy in a series and how there are less exits in a film as opposed to an episode, Bandersnatch and the three episode season, his older work including Dead Set, Nathan Barley and the various ‘-Wipes, his Screen Burn column and how haters could improve their hater game by reading some of his columns for how to REALLY dis someone…* Production note: Pip had a backup recorder running, and you'll hear some of this at the start for a minute or so, but after that the audio is straight from the mics. Just in case you wondered why the quality shifts a touch!PIP'S PATREON PAGE if you're of a supporting natureTWITTERBLACK MIRRORDEAD SETSCREENWIPEPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Interview by Kris PetersQueensland punk upstarts Fake News are having a stellar 2025. Starting the year with a national opening slot for Pennywise and Millencolin, the lovable punksters have just released their new album Dead Set, abody of work which sees Fake News showcase a different, yet still familiar, side to their musical psyche.The band are ready to take the next step forward with Dead Set. Whilst staying true to their 90s Skate punk sound, Fake News have evolved and raised the bar on the album. Boasting a high-energy and action packed live show, the release of Dead Set is a staunch reminder that Fake News are here to stay and create a legacy that stretches beyond their own backyard.HEAVY sat down earlier today for a chat with guitarist Darren Crowe to find out more, starting by asking how the early reception to the album has been."It's been good," he smiled. "It's moving at a steady pace in the streamage. It seems to be doing all the right things and moving in the right direction. There are a few different songs in there, which might have lost a few listeners, but there's a few different songs in there that might have gained a few listeners as well. We've stayed true to who we are, and we've evolved, and we feel like we've got a very now sound with what we've done on this album. A lot of these songs were written seven years ago when the band started, and we just knew that we wanted to get them right. We didn't have the right people for the job so we kind of went back and redid them, and there are riffs there I've had lying around for like 15 plus years, so it's nice to finally get them released. People don't understand how much work goes into a riff in a song sometimes. When you hear it on release day, itwas probably recorded two or three years prior, and then by the time it comes out and stuff… there's just a lot of work that goes on behind the scenes. But it's nice to have it out."In the full interview, Darren discussed Fake News' evolution and the challenges faced during production, emphasizing the importance of their punk roots while incorporating new elements. He highlighted the album's diverse tracks and encouraged fans to engage deeply with the music. We also discussed the unique approach to covering songs, noting the significance of drums in creating a fresh sound. We spoke about Fake News signing with Thousand Island Records, enabling international distribution and vinyl production. Darren expressed excitement for their upcoming launch show at Sol Bar and mentioned plans for more, as yet unannounced, touring this year plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Yeehaw! Welcome to Season 19:Dead Set Revenge: The Ballad of Snakeskin ClydeA fearless gang lead by Colt Barret begins neck deep in a bank heist gone wrong. With lawmen approaching on all sides, it'll be up to every man for himself to make it out alive, and this time: not everyone will.CASTDM: JoeColt Barret:DanBarking Tree: BobCricket: DerekChronos: Alex

We are broadcasting live from the Caravan and Camping show at Rosehill Racecourse. The boys have a debate on the Bunker and what good they really are, how do they justify some of their calls, it is ruining the game. All the news and drama from Magic Round, we interview Andrew 'ET" Ettinghaus live and Sauce's salute of the week is Lamine Yamal the next soccer phenonomen.See omnystudio.com/listener for privacy information.

We are broadcasting live from the Caravan and Camping show at Rosehill Racecourse. The boys have a debate on the Bunker and what good they really are, how do they justify some of their calls, it is ruining the game. All the news and drama from Magic Round, we interview Andrew 'ET" Ettinghaus live and Sauce's salute of the week is Lamine Yamal the next soccer phenonomen.See omnystudio.com/listener for privacy information.

This week on the Yellow Brit Road, we celebrate Record Store Day with our physical copies, Pulp return, UK and Irish bands take on Coachella, Gruff Rhys (Super Furry Animals, Neon Neon) joins us next week on the show (!!), and we had new music from:Mogwai, Gwenno, Pulp, Lara Price Band, Jadu Heart, Krokodole, DEADSET, Rachel Chinouriri, Big Fear, KNEECAP, Sam Akpro, Hotgirl, Kikker, The Prodigy, Obongjayar, Benefits.Find this week's playlist here. Do try and support artists directly!If you're coming to Gruff Rhys' Toronto show on Monday and you're a listener, please come say hello!Touch that dial and tune in live! We're on at CFRC 101.9 FM in Kingston, or on cfrc.ca, Sundays 8 to 9:30 PM! Listen back to full shows in the linked CFRC archive for 3 months from broadcast.Like what we do? Donate to help keep our 102-year old radio station going!Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com, Twitter @⁠YellowBritCFRC⁠, IG @⁠yellowbritroad⁠.PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well.

We chat we Rabbitohs back rower Jai Arrow, David Riccio calls in with some breaking news, the boys discuss the North Sydney Bears Perth team is no more, the Sauce's salute of the week is Isaah Yeo and how did Braith go in Maroon's Trvia. Let's not forget the Prime Minister gunning for Maroons chair on DSLSee omnystudio.com/listener for privacy information.

We chat we Rabbitohs back rower Jai Arrow, David Riccio calls in with some breaking news, the boys discuss the North Sydney Bears Perth team is no more, the Sauce's salute of the week is Isaah Yeo and how did Braith go in Maroon's Trvia. Let's not forget the Prime Minister gunning for Maroons chair on DSLSee omnystudio.com/listener for privacy information.

Join Anthony Maroon, Josh Mansour and friends Saturday's 10a - NoonSee omnystudio.com/listener for privacy information.

Back in January, when China's Deepseek R1 model stunned the world with its performance and low training cost, India was thinking only one thing – how do we beat it? How do we become a global AI superpower? But when it comes to the AI race, India has been stuck at the starting line for quite a while now. Its approach has largely been to throw things at the wall in the hope that something eventually sticks. Now, Deepseek  has really amped up the pressure. India's electronics and IT ministry, or Meity, has swung into action. It has been announcing housekeeping steps for the country's year-old AI mission at a speed that can match the language model advances hitting the headlines. But in the process, the actual goal of the mission has become more incoherent than ever. Tune in. Daybreak is produced from the newsroom of The Ken, India's first subscriber-only business news platform. Subscribe for more exclusive, deeply-reported, and analytical business stories.

1. Jars Announcement 2. Who’s to blame for the Shield final disaster? Calls3. Ryan Fitzgerald4. Jars previous comments on Dead Set Legends5. Footy Review6. Darren Jarman 7. Footy Preview See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

When the Bengaluru-based Cloud kitchen operator Curefoods went ahead and acquired the distribution rights for the American donut and coffee brand Krispy Kreme in December last year, a lot of people were naturally quite surprised. Given the company's roots in the fitness startup Cult fit, you would assume that it would be in Curefood's best interest to promote all things “healthy”. Even its flagship brand up until now, Eatfit, is popular on delivery platforms for its healthy, clean food options. But turns out, that's not the path this cloud kitchen operator wants to walk down anymore. It is now dead set on expanding its menu beyond just salads. And the only way to do that is by giving people what they really want — junk food. Tune in.Daybreak is produced from the newsroom of The Ken, India's first subscriber-only business news platform. Subscribe for more exclusive, deeply-reported, and analytical business stories.

Take our free Business English Score Quiz here. Take the quiz and find out your Business English score. How prepared are you for English at work? Do you love Business English?  Try our other podcasts: All Ears English Podcast: We focus on Connection NOT Perfection when it comes to learning English. This podcast is perfect for listeners at the intermediate or advanced level. This is an award-winning podcast with more 4 million monthly downloads. IELTS Energy Podcast: Learn IELTS from a former Examiner and achieve your Band 7 or higher, featuring Jessica Beck and Aubrey Carter Visit our website here or https://lnk.to/website-sn Send your English question or episode topic idea to support@allearsenglish.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this Giving Tuesday, donate what you can to a theatre in need, wild project! Ani Mari de Quesada chats with Sarah about the importance of local theatre on the Lower East Side.  Ana Mari has been the producing Artistic Director at wild project since its opening in July 2007. As Producing Artistic Director Ana Mari has formed creative partnerships with the Current Sessions, Poetic Theater Productions, Contemporary Performance, New York No Limits, International Human Rights Art Festival, Angela DiCarlo, Jill Pangallo, Heather Litteer & Amber Martin. She has also helped develop the East Village Queer Film Festival as part of wild project's Queer Initiative. Previously, Ana Mari was the Studio Administrator at The Actors Studio from 2013-2016. Ana Mari has worked as a Production Manager & Production Stage Manager on countless New York theatrical productions such as The Actors Studio productions of The Danube byMaria Irene Fornes, Mud by Maria Irene Fornes , The Last Days of Judas Iscariot by Stephen Adly Guirgis (La MaMa), First Born by Lyle Kessler , and Old Times by Harold Pinter. Ana Mari has also worked as a Production Manager for Rattlestick Playwrights Theater productions of my Lingerie Play by Diana Oh, Until The Flood byDael Orlandersmith, Draw The Circle by Mashuq Deen. & The Enclave by Arthur Laurent. She has also toured with Big Art Group as their Assistant Technical Director and Production Manager on North America & European tours of House of No More, Dead Set, S.O.S., The People and Cinema Fury from 2005-2012. Ana Mari is also the Repertory Season Academic Manager at The Actors Studio Drama School MFA Program, Sands College of Performing Arts, Pace University. Since 2007, wild project has presented and produced theater that enriches, educates, and unifies its East Village community in an environmentally responsible green space. We proudly devote specific initiatives toward female, LGBTQIA+ and BIPOC projects and the work of local East Village artists, to ensure nonprofit theater sustains its roots in the community. wild project places the utmost importance on engendering a climate that supports emerging artists and cultivates artistic excellence, enriching the community and promoting social equity. Our staff takes pride in nurturing new and exciting work with a personal and intimate approach to theater. DONATE TODAY TO HELP WILD PROJECT www.thewildproject.org Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Tales from the Green Room, hosted by Dennis Strazulo and Tami Larson of Mount Tam Media, listeners get an exclusive look into conversations with members of Steely Dead backstage at the renowned Guild Theatre in Menlo Park, CA. The episode features lively discussions with band members Dave A'Bear, Matt A'Bear, Chris Sheldon, and Dylan Teifer as they share insights about their music, the etiology of Steely Dead, touring, the energy of the green room, banjo side projects, and Dave's anticipation of playing Jerry Garcia's legendary guitar, the Alligator. Plus, hear some very interesting connections between band members and Major League Baseball!  Additionally, the episode includes a bonus interview with Dave A'Bear and Zach Jones (Lovin' Dead) recorded immediately following the unique "Dead Set on the Bay" cruise on the San Francisco Bay, where they discuss their musical backgrounds, The Grateful Dead's enduring influence, and their experiences within different music scenes. Thanks to Mr. Hat Presents for welcoming us on board and making this great interview possible.Enjoy this episode and hearing about how Steely Dead pulls off mashing up the music of Steely Dan and The Grateful Dead, with a result appealing to fans of both bands.LinksSteely DeadLovin' Dead “Here Come The Yankees” Foggy Mountain Spaceship Mr. Hat Presents 

Send us a textIn Episode #17, Dr. Kenny Friedman and Rabbi Yisroel Bernath have a wide-ranging conversation about wines they have recently enjoyed over the Jewish holidays, as well as some recent international wine trends.Kenny brings up the topic of a recent study showing internationally, still red wine sales have fallen dramatically, while sales of white, Rosé, sparkling, and interestingly, low-alcohol and non-alcoholic wines have risen. They discuss how this might affect the kosher world.Kenny discusses the following four wines:Château de Parsac, Montagne Saint-Émilion, 2022Château Jaumard, Bordeaux, 2022Gehring, Roter Hang, Trocken, Riesling, 2022Solar Das Bouças, Vinho Verde, Alvarinho, 2022Rabbi Bernath discusses the following three wines:Château Alvignes, Cahors, Malbec, 2016 Château Signac, Chusclan, Rosé, 2022 Guy Eshel Wines, Grenache, 2020Kenny and Rabbi Bernath discuss Rosé, with Kenny saying he generally always prefers white and Rabbi saying he really loves Rosé. They discuss the methods of Rosé winemaking.They chat about Rabbi Bernath's appearance on Matty Matheson's show on Vice called "Dead Set on Life." The episode can be viewed here: https://www.youtube.com/watch?v=Ynxrgz88GkYSupport the showEmail your questions and comments to kosherwinepodcast@gmail.com

On this week's MRR Radio, Dani celebrates Halloween with horror punk and other spooky tunes. INTRO MISFITS - Halloween SET 1 TWIN TRIBES - Fantasmas BALZAC - Nowhere #13 TRIBULATION - The Lament VENOM - Raise the Dead SET 2 MAJOR ACCIDENT - Clockwork Toys GBH - Lycanthropy DEMENTED ARE GO - Bodies in the […] The post MRR Radio #1928 appeared first on MAXIMUM ROCKNROLL.

This week Aaron Woods, Wade Graham & Anthony Maroon are in to review the 2024 season for the top 8! We talk if the Roosters premiership window has closed, why the Sea Eagles season is a failure & much more!See omnystudio.com/listener for privacy information.

Show Notes:   In this episode of Backstage Sonoma, host Steven Roby dives into the world of Bearly Dead with guitarist and vocalist Nick Swift. Known for their powerful renditions of Grateful Dead classics, Bearly Dead has captured the hearts of Deadheads with their authentic yet fresh interpretations. Nick shares what it's like to be part of a tribute band dedicated to preserving the Grateful Dead's iconic sound while keeping the energy alive with their own musical style. Nick discusses how Bearly Dead recreates the Grateful Dead's magic on stage, balancing setlists between fan favorites and deep cuts, and why improvisation is at the heart of everything they do. As the band gears up for their upcoming show at Sweetwater Music Hall on October 22, Nick offers a behind-the-scenes look at life on the road, connecting with the Deadhead community and delivering performances that stay true to the Grateful Dead's legacy. Episode Highlights: - Bearly Dead's formation and evolution in the Grateful Dead tribute scene - Nick's thoughts on honoring Jerry Garcia's guitar work while adding his personal touch - The band's dynamic setlist creation and how they keep each performance unique - Memorable stories from live shows and the tight-knit bond with the audience - Anticipation for Bearly Dead's upcoming Sweetwater Music Hall show on October 22 Featured Songs: - "Mississippi Half Step" - "New Speedway Boogie" - "Playing in the Band" Concert & Artist Links:   - Bearly Dead Official Website: https://www.bearlydead.com - Nick Swift on Instagram: https://www.instagram.com/nickswift/   - Bearly Dead Tour Dates:(https://www.bearlydead.com/tour) - Tickets for Sweetwater Music Hall show: https://sweetwatermusichall.com Social Media Hashtags:  #BearlyDead #GratefulDeadTribute #NickSwift #SweetwaterMusicHall #BackstageSonoma #JamBands #DeadHeads #GratefulDead #LiveMusic  

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Josh Mansour joins us for an epic Grand Final show, jam packed with legends of the game. Ex Panthers Legend Luke Priddis calls in to relive the magic of the 2003 Grand Final, where he snatched the Clive Churchill Medal in an unforgettable performance. Tyrone Peachy gives us an insight into the Panthers Grand Final campaign and Katoni Staggs makes a special appearance. Damien Cook talks with us about getting selected as the PMXIII Captain and tells us an exclusive story about how Tom Burgess ruined army camp...See omnystudio.com/listener for privacy information.

This week, Josh Mansour joins us to discuss the latest in sports. 2005 AFL Grand Final hero Leo Barry calls in to share his insights on what the Swans need to do to beat the Lions in the 2024 AFL Grand Final and reflects on the moment that ended the Swans' 72-year premiership drought. Ryan Girdler stops by to preview the Panthers vs. Sharks' preliminary final, while Richard airs his latest grievance—this time about yellow cars...See omnystudio.com/listener for privacy information.

This week, Candice joins the show to break down the biggest moments from the world of sports. Former Boomers head coach Brian Goorjian calls in to discuss the Sydney Kings' prospects for a historic three-peat, and he reflects on his unforgettable experience coaching the Boomers. NRL veteran Aaron Woods shares his expert analysis of the upcoming NRL finals, while the team reveals their dream team for the 2024 season.See omnystudio.com/listener for privacy information.

This week, Candice joins the panel to break down all the stories from the world of sports. NRL legend Aaron Woods calls in to analyse the 2024 finals series, offering his expert review and bold predictions on who will take home the premiership. Brendo doesn't hold back, as he calls out the team on their less-than-stellar pre-season predictions and Richard shares his latest grievance educating the new generations.See omnystudio.com/listener for privacy information.

Josh Mansour rotates in to cover the busy week of sport that's been. Swans' legend Jude Bolton dials in to give us the inside scoop on the upcoming Sydney derby—a clash for the ages as both teams battle for a coveted home prelim spot. Brendo had the scare of his life when he got asked to call the Spoon Bowl and Richard has his most ridiculous grievance yet.  See omnystudio.com/listener for privacy information.

Josh rotates in this week to discuss the week of sport that's been. Australia's most decorated Paralympian, Matthew Cowdrey, joins us for an exclusive deep dive into the Paralympics, revealing where Australia's brightest stars have their best shot at striking gold. Brendo launches into the drama unfolding in Tiger Town, while Richard can't stand the tedious tasks of moving house in this week's grievance.See omnystudio.com/listener for privacy information.

Candice rotates in this week to break down all the highs and lows of an action-packed week in sports. West Tigers' rising star, Heath Mason, gives us an exclusive behind-the-scenes look at life under the guidance of Hall of Famer Benji Marshall and shares insights on the exciting direction the club is heading. Brendo's Top 3 makes a return with Matthew Richardson jumping ship to Great Britain and Richard unleashes his most outrageous grievance yet!See omnystudio.com/listener for privacy information.

Josh Mansour rotates in this week to discuss the week of sport that's been. Manly's lightning-fast winger, Jason Saab, dials in to share the inside scoop on Luke Brooks' impact at the club and the team's strategy to clinch a top 4 spot. In a shocking twist, Brendo finally remembered to take the bins out, and Richard is back with his most outrageous grievance yet.See omnystudio.com/listener for privacy information.

Candice rotates in this week to dive into all things Paris Games as we wrap up a record-breaking games for Australia     Ex Wallabies Legend Michael Hooper shares his take on the bittersweet end for the men's and women's 7s teams in Paris and reveals his predictions for tonight's showdown against South Africa.   Brendo gives his Paris Games super podium and Richard tell us about his underwhelming proposal story.See omnystudio.com/listener for privacy information.

Episode 54 was recorded Saturday night, August 3rd at the Medina County Fair from our joint booth with Wildtine TV. We were joined in this episode by Jason Sulzner, a Medina county fair board member. Jason has been instrumental in organizing the wilderness adventure exhibit over the last 2 years where we have set up shop for the week. We still have some hats in hand to sell so reach out to us if you are interested, this podcast also features Madison Coats of Dead Set Taxidermy, she spent the entire week mounting deer at the fair for the public to watch. She has a new outfit here in northeast Ohio so if you're looking for somewhere new to take your mounts this fall, make sure to look her up. We are also joined again in this podcast by Joey Pavlovich of Wildtine Tv and triple J taxidermy, he discusses his fall plans for not only his crew but also Latitude Outdoors, Working Class Hunter & Bowhunting.com. We hope you guys enjoy this little change of pace here from the deer shop podcast

Candice rotates in this week to dive into all things Paris Games and a recap of a thrilling week of sports. The legendary former swimmer Grant Hackett will be making a splash on the show, sharing his insights on the Aussies' spectacular performances in the pool and giving us his hot takes on upcoming events. Brendo, Richard, and Candice will also update us on their adopted country for this year's games, offering an exclusive deep dive into the upcoming events and highlighting the Aussies with the best shot at striking gold!See omnystudio.com/listener for privacy information.

Candice Warner is in this week to talk all things Paris as the Summer games kicked off with an unusual opening ceremony. Ex Boomers legend Shane Heal gives us an insight into competing at the games, the underrated teams to look out for and the keys to a successful medal campaign. Former Australian swimmer Megan Nay calls in to give us her medal predictions for the Dolphin's team and the swimmers to look out for.See omnystudio.com/listener for privacy information.

Candice Warner joins us in the rotating chair this week... we speak with NSW Blues and Co Captain of the Penrith Panthers Isaah Yeo.  All the action from the winning Origin game on Wednesday night and big shout to Brian To'o best for best on ground for arriving back in Sydney with his footy Kit, boots and all from the game. What horrible things have you seen on a plane, after the Freemantle Dockers were froced to urintate in sinks on a charter fligth from Tasmania back to Perth last week.See omnystudio.com/listener for privacy information.

Josh Mansour is in this week to unpack what NSW need to do to break their 19-year Origin decider drought. Bulldogs star Josh Addo-Carr calls in to give us an update on his return from injury, and an provides the catalysts behind his team's form and success in the 2024 season. The boys have reservations about what the NRL season opener looks like in Vegas for 2025 and the Eels coaching saga is over; but did they make the right decision?  See omnystudio.com/listener for privacy information.

Josh Mansour rotates in to discuss the week of sport that's been and unpacks the current coaching circus going on at the Parramatta Eels Ex Wallabies legend Tim Horan calls in to preview a new era of Wallabies rugby under their new Head Coach Joe Schmidt. Brendo tells us about his daughter's school winning by a landslide in the students v teachers netball match and we take calls on the biggest drubbings you've ever witnessed.  See omnystudio.com/listener for privacy information.

Josh Mansour rotates in to give us a deep dive into State of Origin Game II and what the Blues need to do to take down QLD in a must win decider. Ollie Florent and Will Hayward call in on game day to preview their clash against Freemantle at the SCG and tell us about their new business venture off the field. Josh has a weird experience on a plane and Brendo tells us about his embarrassing experience in a night club.     See omnystudio.com/listener for privacy information.

Candice Warner rotates in to discuss the week of sport that's been Cam Murray calls in from the Blues camp to talk about being reinjected into the Blues team and what NSW needs to do to win Game II in Melbourne Swans Legend Jude Bolton previews the epic clash between the Swans' and GWS and provides an insight into the Swans' successful season Brendo's Top 3 is the most disgusting yet and the gang uncover one of the weirdest pre-game rituals of all time.See omnystudio.com/listener for privacy information.

Josh Mansour rotates in to discuss the week that's been in sport. Returning Sydney Kings and Boomers star Xavier Cooks talks becoming an Olympian for the first time. It's Beanies for Brain Cancer round in the NRL; Mark Hughes shares the incredible work his foundation are  doing to combat the disease. See omnystudio.com/listener for privacy information.

CANDICE JOINS RICHARD AND BRENDO AS THEY DISCUSS THIS WEEK OF SPORT CIRALDO JOIN THE SHOW TO DISCUSS THE SUCCESS OF THE BULLDOGS AND GIVE US AN INSIGHT INSTO STEPHEN CRITON'S LEADERSHIP SKILLS MITCHELL PEARCE HELPS THE TEAM FIX THE NSW BLUES FOR GAME IISee omnystudio.com/listener for privacy information.

CANDICE JOINS RICHARD AND BRENDO AS THEY DISCUSS THIS WEEK OF SPORT. REECE ROBSON JOINS THE SHOW AND GIVES US AN INSIGHT INTO THE BLUES CAMP. BRENDO IS TAKING HIS DAUGHTER TO HER FIRST FOOTY GAME THIS WEEKEND. WE DISCUSSED WITH THE LISTNER THEIR FIRST MEMORY OF THE FOOTY.See omnystudio.com/listener for privacy information.

Candice Warner is in the rotating chair this week We chat to NRL journalist Dave Riccio about who's play game 1 of State Of Origin for NSW. Was Brad Arthur wrongly sacked and who should be his replacement And of course Richard has his grievance...See omnystudio.com/listener for privacy information.

Aaron Woods is in the rotating chair this week for MAGIC Round! We chat to Archie Thompson ahead of the A-League semi-finals And of course another Grievance from RichardSee omnystudio.com/listener for privacy information.

Aaron Woods is in the rotating chair this week We chat to Aussie goal keeper Tom Glover. Brendo Top 3 of this week - Typos And of course another Grievance from Richard. See omnystudio.com/listener for privacy information.

Preview indie music by History Of Guns, Salyse, Sophie Shredz, Maga Córdova, Left Circles, Deadset, Minny Pops, Laura Pieri, Hayley & the Crushers and 9-Volt Velvet. 

Josh Mansour is in the rotating chair this week. We chat to Penrith Panther's Lindsay Smith following his first try in the NRL. Its Battle of the Bridge with Sydney Swans taking on GWS Giants, we chat to Triple M's Jude Bolton. And of course another Grievance from Richard. See omnystudio.com/listener for privacy information.

Candice is back from her time on I'm a Celebrity get me out of here.  We chat to Manly Sea Eagles and Triple M's Aaron Woods. Jason Kelce lost his Superbowl ring last week – we ask you… what did you lose? Brendo has his Top 3 of the week. And of course another Grievance from Richard.See omnystudio.com/listener for privacy information.

As Women's History Month comes to an end, we pay homage to the ladies with the  re-release of an insightful and lively roundtable discussion with Lisa Marlsberger, Halina Janusz (Jerry's Middle Finger), Sunshine Garcia Becker (Furthur, Zach Nugent's Dead Set) and Lisa Mackey (Dark Star Orchestra) reflecting on the challenges of women navigating their way to equality in the music industry.  This episode is part of Mt. Tam Media's "The Women Are Smarter" series of podcasts, now published under the "Tales From The Green Room" banner.

Jase returns from the Patriot Awards with fresh (mostly true) stories, and Al has a welcome-home gift waiting for him and Phil. Uncle Si has returned to the duck blind this season, but Jase isn't sure he missed him while he was gone. Missy forces Jase to wear an article of clothing he doesn't agree with. The guys tackle the tough subject of giving, generosity, and what the Bible does and does NOT say on the subject. In this episode: Luke 18, verses 1-14; Luke 14, verse 25 https://samaritanministries.org/unashamed — Get a biblical & affordable approach to health care https://bravebooks.com — Save 20% on your family subscription with code UNASHAMED & get Brave's newest book FREE! Own "The Blind: The True Story of the Robertson Family" on digital, DVD & Blu-ray today: https://theblindmovie.com/watch — Learn more about your ad choices. Visit megaphone.fm/adchoices