Podcasts about fourth movement

German electronic band Kraftwerk's 1975 release 'Radio-Activity' is a bit of a forgotten middle-child, having come just after 'Autobahn' and just before 'Trans-Europe Express'. Returning guest Kevin Chanel makes the case that this highly experimental, avant-garde concept album deserves a second look. “When airwaves swing, distant voices sing” Songs discussed in this episode: Radioactivity (Kraftwerk cover) - The Divine Comedy; Trans-Europe Express - Kraftwerk; Commerciality - Mr Partridge; The Ballad Of Austin Cortez - The Soul Brothers of Chula Vista; Tour De France, Geiger Counter, Radioactivity, Radioland - Kraftwerk; March from A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged) - Beethoven/Wendy Carlos; Airwaves, Intermission, News - Kraftwerk; Dazzle Ships (Parts II, III & VII) - Orchestral Manoeuvres in the Dark; The Voice of Energy, Antenna, Radio Stars, Uranium - Kraftwerk; Blue Monday - New Order; Transister, Ohm Sweet Ohm, Radioactivity (The Mix), Radioactivity (Live) - Kraftwerk

5 September 2021 | Revd Ian Pallent | Stewardship (1) Thriving as a Steward: Introduction - The Fourth Movement Readings: 1 Corinthians 3:8-23 and 1 Corinthians 4:1-5

Why is it that people so often close themselves off to good advice? Why do people stubbornly refuse to meditate or consider controversial nutrition tips? Moses was open to new ideas, and he took the advice of his father-in-law with graciousness.Among the great German composers, Mendelssohn may have been too willing to take advice and yield his individuality, whereas Wagner was too egotistical and insular about his music. IG: Stevehead0001steventobyweinberg.comMusic: Mahler - "Symphony No. 4, Fourth Movement"

Episode two is a battle of whits as Ryan and Derek learn to play the kings game and face off in three matches Special guest this week was Zachary Saine @thechessnerd on both YouTube and Instagram. Before pressing play, follow the boys on Instagram (@onenewthingpodcast) were you can find all of the visual media that corresponds to each episode.Facts and Stats intro music provided by Rebekah Juleen background music this week was Symphony No. 3 is F Major, Fourth Movement by Johannes Brahms. Ryan and Derek are old friends with a passion for the new and unexplored. Each week they try one new thing in this humorous and heartfelt podcast. From writing children's books to learning to yodel, you can never be sure what they will try next. 

John McTiernan‘s 1988 action tour de force is often called one of the greatest action films ever made. It’s a masterclass on every level: building entertaining characters, crafting escalating action, establishing and navigating geography, and putting an empathetic hero through the ringer in the face of extraordinary odds. McTiernan and his collaborators made this all look easy, but as the rash of Hollywood imitators quickly proved, it was anything but. So come on out the coast, we’ll have a few laughs as Laramy Wells and I take off our shoes and make fists with our toes as we discuss “Die Hard” for this episode of the 80’s Flick Flashback. Here are some additional behind the scenes trivia we were unable to cover on this episode: Near the end of the film, Hans Gruber mocks John McClane by saying that the conflict wouldn't end like an American Western with "Grace Kelly riding off into the sunset with John Wayne". McClane corrects him and says he means Gary Cooper. The film referenced is High Noon (1952), another action movie about a lone hero having to defeat a large group of enemies while being vastly outnumbered. At the suggestion of director John McTiernan, Ludwig van Beethoven's Ode to Joy (Ninth Symphony, Fourth Movement) is the musical theme of the terrorists. Hans Gruber, the terrorist leader, even hums it at one point in the movie (while he is on the elevator with Mr. Takagi). Film composer Michael Kamen at first thought it was a "sacrilege" to use Beethoven in an action movie, telling McTiernan: "I will make mincemeat out of Wagner or Strauss for you, but why Beethoven?" McTiernan replied that Ode to Joy had been the theme of the ultra-violence in Stanley Kubrick's A Clockwork Orange (1971). Kamen, a Kubrick fan, then agreed. Sources: Wikipedia, Rotten Tomatoes, IMDB, www.filmschoolrejects.com/movies-that-are-basically-die-hard/ Intro & Outro Music: "Total Eclipse" by Nathaniel Wyver Send us an email or reach out to us on social media to let us know what you liked, what you loved, what we may have missed, or what 80's movie we should watch next! Email - moviviewspodcast@gmail.com Facebook - Moviviews Presents 80's Flick Flashback Podcast (Fan Page) & Moviviews News & Reviews (Group Page) InstaGram - Moviviews --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/moviviews80sff/message Support this podcast: https://anchor.fm/moviviews80sff/support

In this final installment of European love letters, we're travelling from Hungary to Germany, Germany to Russia, and across the border to Norway. We're celebrating the books that stay with us for a lifetime — and books that seem to have a life of their own. And we're heading to the Arctic with an extremely stubborn grandmother. The Chain is presented by Mick ter Reehorst and is a collaboration with Are We Europe as part of the Summer of Solidarity, a pop-up collaborative journalism project. Find out more at https://www.summerofsolidarity.eu. The stories you heard were written by Philip Pollak, Viola Theunissen and Nina Lamparski. Mixing and sound design was by Katz Laszlo, production by Dominic Kraemer, and editing by Katy Lee. Music and sound effects from Blue Dot Sessions and Freesound.org. You also heard the Fourth Movement of Tchaikovsky's Symphony No. 6 in B minor, and Divertimento from his Suite No.1, Op.43, via Musopen. https://europeanspodcast.com | https://www.areweeurope.com

Extended edition of one of the most out-there sessions of our radio show. ============================== Artist - Track Title ============================== Vangelis - Main Titles Nexus and Tight - Fade (Original Mix) Current Value - Crystal Ball Blunted Beatz - I Am DJ Limited - The Elephant (VIP) Leonard Cohen - Waiting For The Miracle Motiv - Speak In Silence Soul:Motion - Find The Way Sentierum ft Chantal - Urban Rush Camo & Krooked - Atlas Vangelis - Blade Runner Blues Pola & Bryson - Hyperborean (feat. Data 3) Darren Korb - We All Become (feat. Ashley Barrett) Euphonique feat. Motiv & Helen K - Glow D*Minds - No Doubt Urbandawn - Together Again (I Pray) FX909 - Stay focus Charlie Chaplin - Final Speech (From "The Great Dictator") GLXY - Hypothesis GLXY - Research Development Koven - Missing L-Side - Astronaut Kings Of The Rollers - The Sky Is Falling Legend of Zelda - MONO-001 Kiril - Alpha Wendy Carlos - March From A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged) The Ding - Doppler (feat. Sulex) Calyx & Teebee - Pathfinder A Sides Feat. MC Fats - Arctic Calyx & TeeBee & Polar - Pensile Dreamer Part 1 Akira Yamaoka - Rain Of Brass Petals Vangelis - Tears In Rain Rene LaVice feat. Ivy Mairi - The Calling TeeBee - Blue Rose (Chrisp & TeeBee's Lynch'ed RMX) Karma Kingdom - La Nuit Marche Avec Moi (Midn8Runner Remix) The Upbeats - Veiled ALB (featuring Anastasia) - The One (feat. Anastasia) Sevin - Another Disaster GLXY - Changed Forever Larigold - Squandered Gifts LARIGOLD and Will Miles featuring Tiffany Johnston - Falling Up Featuring Tiffany Johnston (Will Miles Remix) Phace - Lazy Day Zombie Cats - Selva (Original) Need For Mirrors - Lambo (Original Mix) Rainforest - Khan (Original Mix) AC13 - Awake Think Tonk - What a Ting (L-Side Remix) T>I and Inja - Flick the Switch Akira Yamaoka - Dance With Night Wind Brian Eno - Prophecy Theme Kimyan Law - Arboreal Epitone D-Code & Psylence - Just Might Fall (feat. Meron T) Mixmaster Doc, Dave Shichman, Bernzilla, DJ SS - Personally Frankly Bensley & Flite (featuring Sarah Carmosino) - Secrets (feat. Sarah Carmosino) [Flite Remix] FX909 - Caramel Flite - Joy Total Science and Mako - Rathbone Strikes Again Vytol - Charlie Boy Frozen Cast - Frozen Heart Noisia - Mantra (Mat Zo Remix) Lakeway - Moan Legend of Zelda - MONO-003 Toto - Paul Takes The Water Of Life Hidden Agenda - Control GLXY - Anatomy Fourward - Nobody Caim - Hold My Breath (Krot Remix) Fyu-Jon - Ultra Slow Blink GLXY - Fourth State Break - Scanner Dub Unglued - Mic Strangler (feat. MC GQ) Akinsa (feat. Yanai) - Interstellar Motiv - Pastel Views Inja - Sanctuary Akira Yamaoka - End Of Small Sanctuary FX909 - Forward Skorpion - Phoenix Fred V - Away (feat. Vonn) Darren Korb - We All Become (feat. Ashley Barrett) Neve, Crimson - Attitude Jonny L - 1 N 2 Kimyan Law feat. Elyn - Jaardin Chase & Status - Blk & Blu (Calibre Remix) Physics - Stay Forever (Vocal Mix) Treega - Haido GLXY - Its Not Love feat. Anastasia Calyx & Teebee - The Divide (uto) Sikka - Tess I Man Cartridge & John Rolodex - Light Cycles (FREAK006EP-D) GLXY - Abstraction feat. Ruby Wood Dawn Wall - Legends Unglued - Zen (feat. Cimone) Etherwood - Unfolding (feat. Laurelle Robichaud) Vangelis - Blade Runner Blues Vangelis - Tears In Rain Vangelis - Main Titles Akira Yamaoka - Dance With Night Wind ============================== This is the recording of Episode 285 of Drum & Bass with DJ Pfeif from 4-18-20, recorded in the Valley Free Radio studios, WXOJ, 103.3 FM, Northampton, MA US. Join us every Saturday night at 8:00pm to hear live drum & bass music from DJ Pfeif and special guests. More information at https://djpfeif.com. Thanks for listening. Enjoy!

In Episode 4, Barely Human turns to the space between the hippies and the punks to find the bands who didn't fit in with the bands who didn't fit in. From the US midwest in the early 1970s, we find Cleveland proto-punk act the electric eels, who were toying with the tropes of punk years before the movement started. Then we look at Death from Detroit, a band of three brothers who turned down a twenty thousand dollar recording contract in 1975 because they refused to change their name. Barely Human is written and hosted by Max Easton, and produced by Jason L'Ecuyer and Output Media. Visit the website for show notes featuring extra discussion, sources, further reading and detailed credits here: https://www.barelyhuman.info/2020/02/ep-4-dunno-how-this-feels-i-like.html The accompanying playlist called 'Pre-Proto-Post-Neo' can be found here: https://open.spotify.com/playlist/12xxM7igPVgcmMSTvqiwOo Follow us on Facebook, Instagram and Twitter, all @barelyhumanpod

MdB Konstantin von Notz (Bündnis 90/Die Grünen) ist Mitglied des Parlamentarischen Kontrollgremiums. Im Podcast-Interview gibt der Experte ein Lagebild zur Arbeit des Bundesnachrichtendienstes ab. Der schmale Grat zwischen Vertraulichkeit und Transparenz bei der Aufklärung der Öffentlichkeit über bedeutsame Staatsangelegenheiten ist Gegenstand des Gespräches. // Um die Haftbedingungen in deutschen Gefängnissen ist es nicht immer zum Besten bestellt. Eine hohe Auslastung und wenig freie Zellen sind die bundesweite Realität. Außerdem kommt der Fachkräftemangel hinzu. Strafvollzugsbeamte braucht das Land. In der Recherche werfen wir einen Blick auf die Gefangenenstruktur. // Die Bundestadt Bonn feiert 2020 ihren wohl größten Sohn. Das Musikgenie Ludwig van Beethoven erblickte vor 250 Jahren das Licht der Welt. Seine Symphonien sind Klanggemälde, denen die internationalen Konzerthäuser und ihr Publikum bis zum heutigen Tag erlegen sind. Mit seiner Neunten, die die Europahymne schmückt, erlangte er Unsterblichkeit. Grund genug, dass der Public Sector Insider sein Leben mit einer Portion Humor würdigt. (Quelle: Beethovens 9., https://commons.wikimedia.org/wiki/File:Sym_9_Fourth_Movement.mid#file, Stand: 24.01.2020)

Adagio, Fourth Movement from Symphony 5 by Widor by Peachtree Christian Church

Find us at: iTunes Spotify Patreon MAJOR CONTENT WARNING: This episode contains frank discussions of sexual violence, abuse, torture and rape, and contains sound clips from the film that suggest similar themes. It also deals with possible gaslighting and manipulation on set. If any of these subjects make you uncomfortable or are triggering in any way, we recommend not listening until you feel safe and comfortable listening. Please stay safe and take care of yourselves. This week, we take on Stanley Kubrick’s most controversial film, 1971’s A Clockwork Orange. Largely considered an unfilmable novel, Kubrick’s uncompromising vision and incredible visual eye are on full display - and his problematic style of directing. It’s not a stretch to say this is the moment that made Kubrick at best negligent, and at worst, a monster. Yet Malcolm McDowell’s charm is so captivating, and the film’s style so stunning, that somehow you can’t look away. Join us for a fascinating discussion of an audacious and problematic film on Macintosh & Maud Haven't Seen What?! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including an upcoming episode on Kubrick's final film, Eyes Wide Shut! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Stitcher or your favorite podcatcher, and tell your friends. Clips used from the film A Clockwork Orange, Copyright 1971 Warner Bros. Entertainment Inc. and Polaris Productions, Inc. All rights reserved. Clips from “Title Music for A Clockwork Orange,” based on Henry Purcell’s “Music for the Funeral of Queen Mary,” and “March from A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged),” composed and performed by Wendy Carlos © 1972 Warner Bros. Records Inc. Clip from “...Sarabande (Main Title of Barry Lyndon)” composed by Handel and performed by the National Philharmonic Orchestra, conducted by Leonard Rosenman. © 1975 Warner Bros. Records Inc. Clip from “Titles” from Chariots of Fire, written and performed by Vangelis. Copyright 1981 Warner Brothers Music, Ltd. & Spheric, B.V. Clip from “The Imperial March (Darth Vader’s Theme)” from The Empire Strikes Back, composed by John Williams, who conducted the London Symphony Orchestra. © ℗ 1980 Lucasfilm Ltd. Clip from “Atom Heart Mother” written and performed by Pink Floyd. ℗ © 1970, 2016 Pink Floyd Music Ltd. Clip from “Leonard” from Full Metal Jacket, composed by Abigail Mead (aka Vivian Kubrick). © 1987 Warner Bros. Records Inc. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Mark listens with Professor Brady Polka to Brahms' third symphony and learns about Brahms' ability to evoke both a sense of completeness and continual development.

Today, a challenge: bear with us. We decided to shake things up at the show so we threw our staff a curveball, Walter Matthau-style. In two weeks time we told our producers to pitch, report, and produce stories about breaking news….or bears. What emerged was a sort of love letter for our honey-loving friends and a discovery that they embody so much more than we could have imagined: a town’s symbol for hope, a celebrity, a foe, and a clue to future ways we’ll deal with our changing environment.  This episode was reported and produced by Simon Adler, Molly Webster, Bethel Habte, Pat Walters, Matt Kielty, Rachael Cusick, Annie McEwen and Latif Nasser. Special thanks to Wendy Card, Marlene Zuk, Karyn Rode, Barbara Nielsen and Steven Amstrup at Polar Bears International, Jimmy Thomson, Adam Kudlak, Greg Durner, Todd Atwood, and Dawn Curtis and the Environment and Natural Resources Department of Northwest Territories. And thanks to composer Anthony Plog for allowing us to use the Fourth Movement of his "Fantasy Movement," "Very Fast and Manic," performed by Eufonix Quartet off of their album Nuclear Breakfast, available from Potenza Music.  Support Radiolab today at Radiolab.org/donate. 

Analysis of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C

Analysis of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C

Analysis of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C

Analysis of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C

In Remembrance of Jesus and His Passion      Fourth Movement: Resurrection of Jesus  

Can you guess this piece? Here's a hint: It's simply inexplicable!

Can you guess this piece? Here’s a hint: It's simply inexplicable!

Contains 2 musical excerpts, the first being a selection from Beethoven's Symphony No. 9, Fourth Movement and I end the podcast with an excerpt from Beethoven's Symphony No 3, Fourth Movement. The first half of the podcast was recorded remotely in Opelika, AL., and the second half was recorded in the studio here in Pelham. 

Listening Guide The Work Tempo: Sehr Langsam und Noch Zurückhaltend (very slow and yet held back); (Molto Adagio) Key: D-flat major (subsidiary section first in D-flat minor, then in C-sharp minor) with a brief excursion into F-sharp major during the development Time Signature: 4/4 Form: sonata form

Listening Guide The Work Tempo: Allegro pesante. Nicht zu schnell. (Not too fast) Key: E minor, with trio sections in C major, A major and B major and a coda in D minor Time Signature: 3/4 Form: Scherzo and Trio

Listening Guide The Work Tempo: Andante Amoroso; Mit Aufschwung (With verve); Graziosissimo; Sehr Fliessend (very fleeting),etc. Key: F Major (with a middle section in A-flat major and B-flat Major with modulations) Time Signature: 2/4 Form: ABACA-DE-ABACA

Listening Guide The Work Tempo: Allegro Moderato (Sostenuto); allegro energico Principal key: A minor with various subsidiary keys (C minor, D major and minor, F-sharp and B-flat major, A major, F minor, E-flat major and G major and minor) Time Signature: alla breve opening leads to the principal 4/4 meter Form: Extended sonata form with rondo […]

Listening Guide The Work Tempo: Sehr Behaglich (Very Relaxed). Key: G major (ending in E major). Time Signature: 4/4 Form: strophic in 4 verses with a prelude and postlude. Text: Das Himmlische Leben from Des Knaben Wunderhorn (1892) Wir genießen die himmlischen Freuden, D’rum tun wir das Irdische meiden. Kein weltlich’ Getümmel Hört man nicht […]

Listening Guide The Work “Urlicht” (“Primal Light”) from “Des Knaben Wunderhorn” Tempo: Sehr feierlich aber schlicht (Choralmässig) (very solemn but modestly simple) [Like a chorale] Key: D-flat major (middle section begins in B-flat minor) Time Signature: 4/4 (with alternating meter shifts). Form: Though-composed in ABA structure. O Röschen rot! Der mensch liegt in größter Not! […]

Listening Guide The Work Tempo: Sehr langsam. Misterioso. Key: D major/minor Time Signature: 2/2, changing to 3/3 (with one measure of 3/4) Form: through-composed song form (Introduction-ABAB) Text: The Midnight Song from Also Sprach Zarathustra by Friedrich Nietzsche (sung by alto voice) O Mensch! O Mensch! Gib Acht! Gib Acht! Wie spricht die tiefe Mitternacht? […]

Listening Guide The Work Tempo: Stürmisch Bewegt (With Stormy Agitation). Energisch. Mit Grosser Wildheit (Energetic. With Great Fury) Key: F Minor/D-Flat; Numerous Keys During Development (G Minor; C Major; D Major, F Major/Minor) Ending In D Major (B-Flat To D Major) Time Signature: Alla Breve (With 4/4 During The Return Of Symphony’s Introduction) Form: Expanded Sonata […]

Full performance of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C

Full performance of the fourth movement of Beethoven's String Quartet Op. 59 No. 3 in C