Podcast appearances and mentions of Michael Kamen

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's May, which means it's time for the AIPT Movies podcast's “Mayhem” series! Where we cover movies that kick ass in the literal sense! In this week's episode, Alex, Tim, and guest Tony Sedani discuss the messy-yet-beautiful 1991 Bruce Willis action romp, The Last Boy Scout!Sleazy 90's vibes! A mile a minute pace! Satan Claus! Goons in sunglasses! $650 pants! An iconic celebratory jig! Football that's somehow even more dangerous than usual! A stadium with a secret hangout and fireplace! A surprisingly loud, public, and messy "professional" assassination! A guy with the name Joe Hallenbeck who has actually seemingly gone to hell and back! Behind the scenes friction that inspired a character in True Romance! A great musical score from Lethal Weapon & Die Hard's Michael Kamen! A cast that includes a young Halle Berry, Damon Wayans, Danielle Harris, Taylor Negron, and Bruce McGill! A shot of excessive violence and entertainment that's effectively a who's who of 90s action cinema with Tony Scott's visually stunning direction, Joel Silver producing, Shane Black writing endless one liners, and Bruce Willis delivering one of the greatest cigarette-smoking performances of all time!In addition, Tony discusses his Mission: Impossible series rewatch in preparation for “The Final Reckoning,” while Alex shares some spoiler-free thoughts on Fight or Flight, the third movie in the French Netflix action series, Last Bullet, and Final Destination Bloodlines!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Tony Sedani, can be found on Instagram @tsedani. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Diane and Sean discuss peak Bruce Willis and sexy af Alan Rickman in the 1988 Christmas classic, Die Hard. Episode music is, "Gruber's Departure", composed by Michael Kamen, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Composer Darren Fung joins us to discuss Michael Kamen's amazing swashbuckling score for Robin Hood: Prince of Thieves. The underrated career of Kamen, what makes a stirring adventure score, and the impact having a Big Iconic Song can have are discussed, along with Darren's work with the Screen Composers Guild of Canada and the Canada's National Arts Centre's National Creation Fund. Join us, won't you? My Big Score was created and hosted by Christopher Dole. Our producer, editor, and social media consultant is Ellie Warren. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material. And if you like the show, share it with your friends, any way that you can!

Lee and Daniel are joined by friends and past guests Nick and Greg to talk about Russell Mulcahy's "Highlander" (1986), starring Christopher Lambert and Sean Connery. Bad accents; excellent visuals; confusing lore; Michael Ironside with a mullet; and a legacy of a franchise with fantastic highs and bottom of the barrel lows are things that are talked about, along with a ton of other asides, including the soundtrack and dead media formats zoomers might not know about. The hosts also talk about what they've been watching as of late. There can be only one podcast about Highlander. Actually, that's not true, but at least this is one of them. "Highlander" IMDB  Daniel's other show, I Don't Speak German  Daniel on Bluesky  Nick's YouTube  Featured Music: "Victor Kruger" by Michael Kamen & "Princes of the Universe" by Queen.

Today we present our third ALL REQUEST CHRISTMAS SPECIAL on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to join in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do, you can participate in all upcoming all-request programs. For this third Patreon All Request Christmas show, we get to hear some Christmas favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Glenn Mcdorman, Nathan Blumenfield, Jeffrey Graebner, Jérôme Flick, Andy Gray, Victor Field, Lee Wileman, Will Welch, Randy Andrews, Stacey Livitsanis, Daniel Herrin, Eldaly Morningstar, Jason Drury, Joel Nichols, Joe Wiles, and Angela Rabatin. They requested tracks from such composers as Burl Ives, George Shaw, Mark McKenzie, Diego Navarro, Michael Kamen, Bruce Broughton, John Williams, Patrick Doyle, Hanae Nakamura, Miki Sakurai, Natsumi Tabuchi, Naoki Sato, Anne Kathrin-Dern, Christophe Beck, Paul Williams, Miles Goodman, Frank Churchhill, and Edward Plumb. On a personal note, I am grateful to my Patreon supporters for their kindness and support; it means everything to me. Thank you to everyone who has shared their personal stories on the podcast. I appreciate your openness and trust. Your stories truly touch me, and I hope they do the same for everyone who listens. This episode is about much more than just the music; it's about the connections and emotions that bind us together. I am so grateful to be a part of this incredible community with you all. Thank you to everyone who participated. Again, if you didn't get a chance to submit a request but want to be a part of the next all-request program, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon community. However, you should not feel obligated to participate. I am not forcing anyone to join. Remember, this podcast is always free to listen to, but if you want to support the program and join the Patreon community, we'd be delighted to have you. Merry Christmas, Happy New Year and enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Jour 22 ! C'est bientôt Noël avec cette fabuleuse chanson, “(Everything I Do) I Do It For You”.Chanson tirée de la célèbre BO de Robin des Bois avec Kevin Costner. Crédits : ©Primal Scream, Andrew Weatherall remixTitre : Loaded  Label : Creation RecordsProducteur : Andrew WeatherallAuteur : Gillespie/Innes/Young ©Los del Rio, Bayside Boys remix Titre : La MacarenaLabel : SerdiscoProducteur : Carlos A. De Yarza, Mike TriayAuteur : Rafael Ruiz, Antonio Romero Monge ©Vladimir CosmaTitre : Le Père Noël est une ordureLabel : LarghettoProducteur : /Auteur : Vladimir Cosma ©Bryan AdamsTitre : (Everything I Do) I Do It For YouLabel : A&MProducteur : Bryan Adams, Robert John "Mutt" LangeAuteur : Bryan Adams, Michael Kamen, Robert John "Mutt" LangeDurée : 6'33Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Els Buenafuente fan una francesilla. Crítica teatral de l'obra «El Tenoriu». Dramatúrgia d'Israel Solà. Intèrprets: Sílvia Abril, Andreu Buenafuente, David Olivares, Anna Bertran i Roger Julià. Producció executiva: Mercè Puy. Producció: Rosa Domingo. Escenografia: Beatriz San Juan. Disseny de vestuari: Pepi Aubia. Vestuari: Época. Direcció tècnica: Eudald Gili. Producció tècnica: Àrtic Audiovisuals. Tècnic de so: Jan Subirats. Il·luminació: Eudald Gili. Coordinació d'espai escènic i escenografia: Bea Sanjuan. Àudio creatiu: Ramon Juncosa. Regidoria: Olga Fibla. Ajudanta de regidoria: Eli Caballé. Construcció de decorats: Taller Jorba Miró. Atrezzo: Rosa Domingo. Disseny gràfic: Pep Cerdà i Dani Borrón. Comunicació: Gemma Saperas, Míriam Ruiz i Comèdia. Fotografia: Kiku Piñol. Cartell: Pep T. Cerdá. Agraïments: Eòlia, Martí Vilaseca, Montse Ferreira, Lucía Gijón, Damaret. Ajudant de direcció: Toni González. Direcció: Carles Sans. Teatre Poliorama, Barcelona, 5 novembre 2024. Veu: Andreu Sotorra. Música: Don Juan. Interpretació: London Metropolitan Orchestra. Composició: Michael Kamen. Àlbum: Don Juan Demarco, 1995.

Welcome to the highly anticipated latest episode of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Your host Jason Drury begins the show with the end titles from SKY CAPTAIN AND THE WORLD OF TOMORROW (La La Land Records) by Edward Shearmur, which celebrates its 20th anniversary this year. Jason then features some archival releases from 2024 that have caught his eye so far this year, including music from 1993‘s THE LAST ACTION HERO (La La Land Records) by Michael Kamen, the world premiere release of music from the classic 1983 cartoon series DUNGEON AND DRAGONS (Dulcima Records) by Johnny Douglas, and selections from the film that featured the first-ever collaboration of Steven Spielberg and John Williams, THE SUGARLAND EXPRESS (La La Land Records) from 1974. Then, to commemorate the character's 85th anniversary, you'll hear "The Batman," from Michael Giacchino's score for THE BATMAN (Watertower Music) in 2022. After that, you'll hear music from Dragon's Domain Records' two 2024 releases. You will first hear music from the 1981 TV miniseries GOLIATH AWAITS, composed by George Duning, followed by selections from the iconic 1981 western adventure film DEATH HUNT, composed by Jerrold Immel. Jason then rounds off the show by playing the end credits from the recent release from the 2000 animated/live-action Disney film DINOSAUR (Intrada Records) composed by James Newton Howard. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

O maestro do rock ganha um Sociedade dos Compositores Mortos para chamar de seu: vamos lembrar o estilo apaixonado e extrovertido de Michael Kamen, que fez como ninguém a ponte entre o pop e o clássico. Bom podcast!

¿Quién querría vivir para siempre?, si nuestro cuerpo y mente está en un estado tal, que ni siquiera nos reconocemos. Queremos vivir, pero vivir bien. Nuestro problema es que hemos sido hechos para vivir en relación con el Autor de la vida. Y al arrojar a la basura el Manual de Instrucciones, nada es como debiera ser. La vida eterna de la que habla Jesús en tercer capítulo de la Buena Noticia según Juan, no es sólo ilimitada en el tiempo, sino de acuerdo al propósito con el que hemos sido creados para Dios con la humanidad de Jesús. Tras la sintonía de Ruta 66 en la voz de la cantante de blues y jazz que acompañó la orquesta de Duke Ellington, Betty Roché, pensamos en esta parada en el viaje de la vida a la luz del Buen Libro en el versículo de la Biblia más repetido en el mundo evangélico, Juan 3:16. Lo hacemos con la canción que incluye la cita en el título de un cantante country alternativo llamado Keith Urban, que une al nombre que usaba John Mellecamp en los 80 (Cougar) y la marca de tractores John Deere para evocar en 2016 su educación en la América profunda del "cinturón bíblico" (John Cougar, John Deere & John 3:16). En el mundo urbano de la marginación afroamericana es el rapero Kanye West el que une en 2019 su fe en la "Vida eterna" (Eternal Life) con la debilidad de la adicción y el enfrentamiento entre el diablo y Jesús. En 1991 el músico de Irlanda del Norte Van Morrison busca en el silencio, "el momento eterno" de la inspiración mística que tuvo de niño en el Este protestante de Belfast, cuando se alimentaba de himnos y sermones en la Asamblea de Hermanos que había al final de su calle. En la oración que titula "Llévame de vuelta" anhela volver a tener la misma experiencia cuando "entendió y sintió la eternidad" (Take Me Back). Si hay una película que se atrevido a imaginar la vida eterna, ya no como fantasma en este mundo, sino en otra realidad, es la que hizo el atormentado cómico Robin Williams en 1998, sobre la historia del maestro del relato de misterio, Richard Matheson,"Más allá de los sueños". Escuchamos diálogos de la versión doblada al castellano con los comentarios de José de Segovia sobre la banda sonora que hizo primero Ennio Morrricone y fue luego descartada, así como la que apareció finalmente de Michael Kamen. Paul Simon ha estado siempre buscando a Dios en sus canciones, pero sus últimos discos ya parecen no hablar de otra cosa. Este judío neoyorquino entró en el ambiente cristiano en Londres antes de grabar sus discos más conocidos con su antiguo compañero de colegio, Art Garfunkel. En "Amor y tiempos difíciles" (Love and Hard Times 2011), Simon imagina cómo sería si Dios bajara desde la eternidad con Su Hijo a la tierra, un domingo por la mañana. La canción con la que acabamos del programa es del que fuera portavoz del movimiento "hippie" de vuelta al cristianismo en la Revolución por Jesús de finales de los 60, Larry Norman. Estaba en medio de una de sus muchas crisis, cuando escribió esta oración, "Ilumíname con tu luz" (Shine Your Light), que aparece en un álbum de 1984 con versiones de Tom Howard y temas descartados de sus discos anteriores, acompañado por hermano Charlie y sus Cachorros (Young Lions) con el bucólico título de "Noche de paz" (Quiet Night). Nos recuerda que en esa eternidad, al que confía en Jesús, la Luz de su santidad, le cambiará también moralmente.

Diane and Sean discuss the greatest movie of the 90's, Robin Hood: Prince of Thieves. Episode music is "(Everything I Do) I Do it for You", performed by Bryan Adams, written by Bryan Adams, Michael Kamen, and Robert "Mutt" Lange, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the Show.

El domingo 12 de mayo el saxofonista David Sanborn murió a los 78 años. He aquí nuestro particular tributo a uno de los saxofonistas más influyentes de nuestro tiempo. Su saxo alto creó escuela y suena en los discos de David Bowie, James Taylor, Paul Simon, Carly Simon, Michael Franks, Stevie Wonder, Linda Ronstadt, Steely Dan, Sting, Eagles… y un etcétera interminable. ¿Recuerdas “Arma Letal” con Mel Gibson y Danny Glover? El saxo de la banda sonora es David Sanborn junto a Michael Kamen y Eric Clapton.   DISCO 1 DAVID SANBORN Chicago Song (A CHANGE OF HEART - Cara 1 Corte 1)   DISCO 2 DAVID BOWIE Young Americans (CD 1 - 15)  DISCO 3 STEVIE WONDER Tuesday Heartbreak (4) DISCO 4 DAVID SANBORN Carly’s Song (HIDEWAY - Cara 1 Corte 2) DISCO 5 CARLY SIMON Just Like You Do (Cara 1 Corte 3) DISCO 6 JAMES TAYLOR How Sweet It Is (Be Loved By You) (Cara 1 Corte 3)  DISCO 7 DAVID SANBORN Back again (AS WE SPEAK Cara 1 Corte último) DISCO 8 LINDA RONSTADT Allison (4) DISCO 9 EAGLES Sad Café (9) DISCO 10 MICHAEL FRANKS Love Duet (8) DISCO 11 DAVID SANBORN Ft. STING Ain’t No Sunshine (INSIDE - 9) DISCO 12 TOTO Lea (ESCA) DISCO 13 STEELY DAN Time Out Of Mind (ESCA) DISCO 14 MICHAEL McDONALD Find It In Your Heart ft. David Sanborn & Brian Owens (SANBORN SESSIONS) (ESCA)Escuchar audio

We developed our On First Listen series so we'd have the opportunity to give a good listen to albums which had somehow gotten past us. Maybe we'd always seen it in the record store and were curious or maybe friends had recommended the album but we never had a chance to listen. Perhaps, like Roger Waters 1984 solo effort The Pros & Cons of Hitchhiking, it was both as the distinct cover is a young boys record shopping fantasy and many prog-heads have suggested it's better than The Wall from Roger's former band Pink Floyd. In fact, he brought both concepts to the band in the late 70s - they could pick the one they liked best and the other, Roger would keep for a solo album. While The Wall became a cultural touchstone selling tens of millions of copies around the world, The Pros & Cons was met with a much cooler reception. And while Roger employed the talents of folks who had helped make Pink Floyd's The Wall such a success like artist Gerald Scarfe, he also brought in some preeminent musicians like David Sanborn, Michael Kamen and Eric Clapton. Telling a story in real time of a man dreaming about having an affair, the ambition of Roger Waters for the stage and screen of his idea is epic. However, despite all this help the album didn't sell like a PInk Floyd album and many critics and fans savaged the album as Roger's negative ego trip. Yet some say it's his finest work, in or out of Floyd. To help give us some insight, we brought back friend of the show Lee Dickson who was Eric Clapton's longtime guitar tech. Though his memory is a bit foggy, the stories of how the stage was setup and how the musicians performed this music on-stage are really special and we're so glad to have him back. Where do you come out on this divisive record? Is it an amazing concept or just a bad album? Are any of the songs memorable? We try to figure that out On First Listen. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We developed our On First Listen series so we'd have the opportunity to give a good listen to albums which had somehow gotten past us. Maybe we'd always seen it in the record store and were curious or maybe friends had recommended the album but we never had a chance to listen. Perhaps, like Roger Waters 1984 solo effort The Pros & Cons of Hitchhiking, it was both as the distinct cover is a young boys record shopping fantasy and many prog-heads have suggested it's better than The Wall from Roger's former band Pink Floyd. In fact, he brought both concepts to the band in the late 70s - they could pick the one they liked best and the other, Roger would keep for a solo album. While The Wall became a cultural touchstone selling tens of millions of copies around the world, The Pros & Cons was met with a much cooler reception. And while Roger employed the talents of folks who had helped make Pink Floyd's The Wall such a success like artist Gerald Scarfe, he also brought in some preeminent musicians like David Sanborn, Michael Kamen and Eric Clapton. Telling a story in real time of a man dreaming about having an affair, the ambition of Roger Waters for the stage and screen of his idea is epic. However, despite all this help the album didn't sell like a PInk Floyd album and many critics and fans savaged the album as Roger's negative ego trip. Yet some say it's his finest work, in or out of Floyd. To help give us some insight, we brought back friend of the show Lee Dickson who was Eric Clapton's longtime guitar tech. Though his memory is a bit foggy, the stories of how the stage was setup and how the musicians performed this music on-stage are really special and we're so glad to have him back. Where do you come out on this divisive record? Is it an amazing concept or just a bad album? Are any of the songs memorable? We try to figure that out On First Listen. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Just when you thought it was safe to go back into the water, Corey and Kevin are back with a surprise bonus episode that no-one asked for! We figured this season wouldn't be truly complete without taking a look at (some of) 1998's Garage Inc. and (most of) 1999's S&M. Kevin is a huge Michael Kamen fan, but will strings and steel work for him? Will Corey risk Kevin's ire by championing a Queen cover? And what will both chaps make of Metallica covering Bob Seger?! The only way to find out is to turn on, tune in, and call Ktulu! Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ABOUT DYNAMIC MUSIC PARTNERS: Emmy Award-winning composers Michael McCuistion, Lolita Ritmanis and Kristopher Carter, collectively known as Dynamic Music Partners, have created hundreds of hours of music for a variety of different genres, including TV series, independent films, video games and live performance events. They have collectively earned twenty-eight Emmy Award nominations and six Annie Award nominations as composers for Marvel's Avengers Assemble, Batman: The Brave And The Bold, Justice League, Teen Titans, Batman Beyond, The Zeta Project and The New Batman Superman Adventures. Original concert works and suites of their scores have been performed in festivals and special events; from New York's Lincoln Center to The Hollywood Bowl, The Kennedy Center, The Griffith Observatory in Los Angeles, Tenerife – Spain and beyond, their music has received critical acclaim. Their Prime-time Emmy Award nominated musical Batman: The Brave and the Bold: Mayhem of the Music Meister, starring Neil Patrick Harris was a historic first Batman musical to ever be composed. They began their careers composing music for Batman: The Animated Series, Superman: The Animated Series and Batman Beyond, for which they each received the Emmy Award in Music Direction and Composition. As orchestrators they have worked with many of Hollywood's A-list composers, including Michael Kamen, Basil Poledouris, Howard Shore, Carter Burwell, Elliot Goldenthal, Mark Snow and Shirley Walker. Kristopher, Michael and Lolita are currently working on the third season of Marvel's Avengers Assemble. They recently completed scoring a feature length documentary An Act of Love, which received the silver award at the Mill Valley Film Festival, as well as composed 4 hours of original music for radio-play audio book Rain of the Ghosts. Their feature film Marvel Superhero Adventures: Frost Fight will premiere in December 2015. They are working on 3 top secret feature length animated projects, with announcements coming in 2016. Kristopher, Michael and Lolita work both collectively and individually. Kristopher recently completed the score to the Webby-nominated short film The Birds Of Anger for G4TV and just returned from a series of lectures at the North Carolina School of the Arts. Michael recently scored the latest Griffith Observatory production Time's Up which is now playing at the observatory in the Samuel Oschin Planetarium. Lolita has been very active in the concert music arena this past season, having had works performed at The Kennedy Center in Washington, D.C, 2 original musicals – receiving performances in Latvia throughout 2014-2015, as well as the premiere of her symphonic work Overture to Light. This remarkable and very contemporary trio of composers and performers is an example of creative collaboration, business savvy, and artistic expression of the highest, most original level. They are currently working in today's industry and are examples and role models for aspiring film composers everywhere.

A group of fresh-faced new back-country rangers travel through the dangerous wilderness, hoping to uncover the origins of a tragedy that has haunted them for the past 606 episodes. On Episode 606 of Trick or Treat Radio we discuss the film Lovely, Dark, and Deep from first time feature director Teresa Sutherland! We also talk about what makes sword and sorcery films great, we debate the greatest illegal narcotics, and find out whether or not we're scared of the woods. So stop fumbling with your headgear, get your dongs out for DnD, and strap on for the world's most dangerous podcast!Stuff we talk about: Sword and Sorcery flicks, Deathstalker, Steven Kostanski, Daniel Bernhardt, pet the cat, the king of scat, validating, GMT, Wolfenstein in Ravenshadow clothing, One Crazy Summer, pod-NARC, Pod-Knocker, Connor Sweeney, a caddish rogue, why would you remake a porn, #releasethebrauncut, Cocaine Werewolf, Cocaine Shark, Mark Polonia, Stephen Scarlata, Rondo Awards, Spooktacular, Sharksploitation, The Last Podcast on the Left, Christian Slater, Voyagers, deadly set mishaps, Sixteen Candles, Anthony Michael Hall, Ryan Kruger, Street Trash, Toxic Avenger IV, Terror Firmer, Joel Robinson, the Bathsalt Gators, Flakka, second run theaters, making moms watch gross movies, Boston Museum of Fine Arts, 2001: A Space Odyssey, A Clockwork Orange, Dune Popcorn Buckets, Darby Scissorhands, the Paisano Brothers, Darby Allin, Saltburn, Barry Keoghan, Mass Transit, GG Allin, Feces Pieces, NDA All Day, Robert Frost, Lovely Dark and Deep, Kobayashi Maru, Powerman 5000, Bad Religion, Social D, Derek Mears from IT, weird dreams, oxford comma, Bird Box, Twin Peaks, Sator, Georgina Campbell, take nothing leave nothing kill nothing, the woods as the antagonist, Caterpillar Carnage, Blair Witch Project, Midnight Nation, Shida Shahabi, dealing with grief, the Guardians of the Green, The Iron Claw, Anthony Landry, Zac Efron, Will Ferrell, Flavor Rave, Highlander, Christopher Lambert, Sean Connery, Clancy Brown, Queen, Michael Kamen, Emma Stone, Mark Ruffalo, Willem Dafoe, New York Ripper, Dune 2, Fumbling with Headgear, Dongs Out for DnD, The Renaissance of Sleaze, Interspecies Kombat, You Packing Any Gravel?, Oxford Karma, Lost Comma on the Left, and so chuffed I've been chafing.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Perseverance Records founder, Robin Esterhammer, joins Nicole and Ryan to talk about his label's recent release, Forsaken Themes From Fantastic Films Vol. 2: Who Wants to Live Forever? The compilation features selections from Resident Evil (Mario Beltrami), Phantoms (David Williams), Dragon Soldiers (Edwin Wendler), as well as unused music from The Serpent and the Rainbow (Charles Bernstein), and a re-recorded selection of music from Michael Kamen's beloved Highlander score. Robin also talks about the origins of Perseverance Records, scores that he loved at an early age, Volume 3 of Forsaken Themes from Fantastic Films, and a huge project involving the late great James Horner.Forsaken Themes from Fantastic Films Vol. 2: Who Wants to Live Forever can be purchased directly from Perseverance Records or streamed digitally.Amazon MusicSpotifyFor More Information about Perseverance Records:Website: https://perseverancerecords.com/Facebook: https://www.facebook.com/PerseveranceRecords/Twitter: https://twitter.com/perseverancerecIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyPodsights - https://podsights.com/privacyChartable - https://chartable.com/privacy

This week's pick is thanks to long time supporter, Tony Farina! The production of "Last Action Hero" in 1993, directed by John McTiernan, was a high-profile endeavor that aimed to blend action-adventure with metafictional elements, satirizing and paying homage to the action movie genre. Starring Arnold Schwarzenegger as fictional action hero Jack Slater and Austin O'Brien as the young film enthusiast who finds himself transported into Slater's world, the film sought to deconstruct the conventions of action films while delivering a blockbuster experience. The screenplay, penned by Zak Penn and Adam Leff, underwent revisions to balance the satirical elements with the expectations of a mainstream audience. The film faced challenges, including the high expectations associated with Schwarzenegger's star power and the complex task of seamlessly integrating the fictional and real worlds within the narrative. "Last Action Hero" was also notable for its collaboration with renowned composer Michael Kamen and the rock band AC/DC, who contributed to the film's soundtrack. The production's blend of action, humor, and self-awareness reflected a bold attempt to subvert traditional genre tropes, but it faced mixed critical and commercial reception upon its release. Over time, the film has gained a cult following for its inventive approach to storytelling and its willingness to deconstruct the very genre it celebrates, making it a unique entry in Schwarzenegger's filmography. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can watch Predator The Musical here: ⁠https://youtu.be/qlicWUDf5MM?si=nWN_zI0UUc0i7KeK⁠ Plot Summary: "Last Action Hero" follows the story of young film enthusiast Danny Madigan, who unexpectedly finds himself transported into the cinematic world of his favorite action hero, Jack Slater. As the real and fictional worlds collide, Danny and Jack team up to navigate a genre-bending adventure filled with explosive action, larger-than-life villains, and self-aware humor. The film cleverly deconstructs action movie conventions, offering a satirical commentary on the genre while providing a thrilling and entertaining experience. Schwarzenegger's portrayal of the fictional character within the film-within-a-film concept adds an extra layer of humor and metafiction to the narrative, making "Last Action Hero" a unique and often underappreciated gem in the action-comedy genre. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

Un ultime épisode consacré à ce compositeur d'exception qui, loin d'être un requiem, prend plutôt la forme d'un feu d'artifice musical, à l'image de l'héritage artistique que Michael Kamen a laissé derrière lui pour tous les amateurs de grande et belle musique.

Kamen encore, Kamen toujours, Kamen forever ! De l'enfance à l'espace, de l'horreur au merveilleux, de Disney au cinéma le plus indépendant, il nous entraine au pays des rêves, et avec lui, c'est bien volontiers que nous y allons ! Vous venez ?

We're back to review the soundtrack to the sixteenth film in EON's James Bond series and the final to feature Timothy Dalton. John Barry is no longer the composer for the series making this the one and only time Michael Kamen assumed the role. Laird Malamed returns to BondCast to guide us through the soundtrack with trivia, behind-the-scenes info and more. 

Encore des héros d'action et des durs à cuire de tous poils, mais aussi des romances irlando-hispanisantes, de l'aventure historique bondissante et une passion de la musique qui sera la fondation d'un événement essentiel dans la carrière de ce touche-à-tout de génie qu'était Michael Kamen.

Dans ce quatrième volet, le toujours enthousiaste Michael Kamen vise juste et décoche coup sur coup quelques partitions particulièrement remarquables avant de se poser pour déguster un cappuccino bien mérité !

Désormais confortablement installé dans la cour des grands, Michael Kamen navigue avec aisance de blockbuster en blockbuster, d'une franchise à une autre, de durs-à cuire en armes fatales...

Un second épisode ou Michael Kamen entrouvre la porte qui mène aux blockbusters hollywoodiens tout en continuant à oeuvrer avec talent, créativité et un brin de folie sur des films de styles et de genres très différents.

Et voici venu pour l'équipe de Total Trax le moment d'explorer en détail la carrière d'un compositeur parmi les plus talentueux des années 80/90, le génial Michael Kamen, à l'occasion des 20 ans de sa disparition. Un début de parcours aussi riche que la dense filmographie du monsieur, et le premier épisode d'une saga qui en comptera probablement pas mal...

"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore.  So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer.  Amazing musician, tremendous Sax player and great singer.  Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman.  The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick).  Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023                Saratoga Springs Performing Arts Center (“SPAC”) INTRO:                  Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube                 Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year.                 Phish began covering the song in 2009                First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY                To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect)                 TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs.                 The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1:           First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube  “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows  SHOW #2:           Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites.  James Casey                       ARTICLE Show #3:             Dear PrudencePhil & Friends (Casey singing)  Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4:           No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO:                Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times 

Intro song: "Gonna Fly Now" by Bill Conti (from Rocky)10. "Love Theme" by Ennio Morricone (from Cinema Paradiso)9. "Hedwig's Theme" by John Williams (from Harry Potter and the Philosopher's Stone)Bonus clip: "Hedwig's Theme" by Funny Minions Guys8. "Maestro" by Hans Zimmer (from The Holiday)7. "He's a Pirate" by Klaus Badelt (from Pirates of the Caribbean: The Curse of the Black Pearl)6. "Overture/A Prisoner of the Crusades" by Michael Kamen (from Robin Hood: Prince of Thieves)Outro song: "The Batman Theme" by Danny Elfman (from Batman)Vote for your favorite theme/score from today's episodeAnd if you haven't yet:Vote on Episode 1Vote on Episode 2Vote on Episode 3

Tom is joined by Emmy Award-winning American composer, conductor, and orchestrator, Blake Neely, for an enlightening chat about his storied history with Metallica which began during S&M and continues today via his contribution to 'Portal's spellbinding opener, 'Maiden and the Monster'.   Help support the show and check out Alphabetallica's new So What! Files video series, exploring every issue of Metallica's legendary magazine: https://patreon.com/alphabetallica   TIMESTAMPS 2:07 - Blake's musical origins  4:20 - How a Disney internship lead to working with Michael Kamen 6:30 - Meeting Metallica & working on S&M 11:16 - Reconnecting with Kirk + ‘Maiden And The Monster 16:55 - Kirk as a composer?! 21:20 - Has Blake heard S&M2?    YOUTUBE: Alphabetallica: A-Z Metallica Podcast - YouTube SPOTIFY: https://open.spotify.com/show/3Kg8m3ITvmNpdpjvvo8JI8?si=Xxz8xicTQVmSOux_BMuuMQ EMAIL: metallicapod@gmail.com TWITTER: https://twitter.com/MetallicaPod   Hosted by Tom Kwei Theme by Alex Cottrell (https://alex-cottrell.com/) Thumbnail by Danny O'Gorman (https://www.behance.net/danogorman)

This week on the podcast is part two of our interview with Spanish conductor, Pablo Urbina. He's the Principal Conductor of the London-based Orchestra Vitae, and was recently named 3rd prize winner of the Siemens Halle International Conductors Competition.  Pablo has conducted orchestras throughout Europe and in Asia, and is equally passionate about symphonic and operatic genres. He is a strong advocate for outreach and education, and for Spanish and Hispanic repertoire. Since 2019, he has been an Ambassador of The Amber Trust UK, an organization supporting blind and partially-sighted children through music tuition. Make sure you visit his website to learn more about Pablo and his activities on and off the podium.In this episode:Let your understanding of classical music deepen as Pablo takes us through his creative process, drawing on his experiences working with the music collection of film composer Michael Kamen and his passion for Spanish and Hispanic repertoire. Pablo demystifies the world of classical music and explains how he makes it more accessible and relevant to contemporary audiences. He also gives us a peek into his approach to collaboration with various orchestras and institutions, revealing the complex network that supports this timeless genre.Pablo doesn't stop at discussing his love for music; he also shares invaluable advice for those aspiring to venture into arts entrepreneurship. He underscores the importance of persistence in the face of adversity and the joy of proving your supporters right. Pablo also shares his innovative ideas for expanding the audience of classical music, like outdoor performances and open-invitation events. Join us for this episode, and come away with a renewed appreciation for classical music and some priceless nuggets of wisdom for anyone thinking of a career in the arts.https://www.volkweinsmusic.com/

"He's mean, and he'll blast through your screen!" but that's okay, you don't need a screen for Filmshake, cuz we're a podcast, and we're talking 1993's Last Action Hero on its 30th anniversary. We'll try to decide if this *DEEP BREATH*  fantasy action comedy drama deserved to flop harder than Lebron James at the box office (that joke means two things now!), or if it's actually an unsung gem, like Space Jam: A New Legacy  (lol, just kidding Lebron). To find out, we've brought on the world's preeminent Last Action Hero expert, Jackson Boren, to let us know if Arnold Schwarzenegger's venture into the meta should have been a hit (like Michael Jordan's Space Jam) and Jackson's brought a friend. That friend is our punishment film, Arnie's lone directorial effort, 1992's made for TV romantic comedy remake, Christmas in Connecticut. Does it stand on its own two feet, or does it fall violently to the ground at the mere sight of an elbow, like Lebron does? Only one way to find out! Listen to this episode (unless you're Lebron*)!*Just kidding, Lebron, you can listen, but find a chair first.Music Featured This Episode"Jack and the Ripper" by Michael Kamen"The Real World" by Michael Kamen"River Chase" by Michael Kamen"Premiere" by Michael Kamen"Big Gun" by AC/DCSupport the showConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Is Paul Dano OK? presents: Won't You Take Me To... Clancy Brown? Matt and Daryl are joined at the start of this new season by journalist Jenna Scott to discuss what is certainly one of CB's most well-known performances. No mean feat considering his extensive filmography. You can find Jenna on Twitter (@Jenna__Scott) and her work here. Highlander (1986). Directed by Russell Mulcahy. Starring Christopher Lambert, Sean Connery, Clancy Brown, Roxanne Hart, Beatie Ednie, Alan North, Hugh Quarshie, Jon Polito, Sheila Gish, James Cosmo, and Celia Imrie. With music from Michael Kamen and Queen. You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our intro themes and interludes over on Bandcamp. As with Greers, the opening theme to Won't You Take Me To... Clancy Brown was performed and produced by Mike Hall and Daryl Bär. Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com

In this episode, Kelly sits down with Dr. Dave Gerhart to have a conversation about how musicians can become more marketable as they navigate through different career opportunities. Dave is Segment Marketing Manager, Education for the Yamaha Corporation of America and Lecturer of Percussion at the Bob Cole Conservatory of Music at CSU, Long Beach, is a nationally recognized performer, composer, and educator. Dr. Gerhart, originally from Fairfield, California, holds a D.M.A. from the University of Southern California in Percussion Performance with a secondary emphasis in Music Education, Ethnomusicology, and Music Industry & Technology. He received a M.M. in Percussion Performance and Instrumental Conducting and a B.M. in Music Education from California State University, Long Beach. Dr. Gerhart has been featured on CDs with the Robin Cox Ensemble, Steven Hartke, and Gabriela Ortiz. As a freelance musician, Dave has performed under Gustavo Dudamel, Zubin Mehta, Carl St. Clair, Enrique Diemecke, Mehli Mehta, and has performed with Yo-Yo Ma, Bobby McFerrin, Michael Kamen, Liam Teague, Yefim Bronfman, Ray Holman, Robert Greenidge and the Blue Man Group. His principle teachers include Dr. Michael Carney, Erik Forrester, Brad Dutz, and Raynor Carroll, principal percussionist of the Los Angeles Philharmonic. His steel drum ensemble, the Island Hoppin' Steel Drum Band, performs throughout Southern California. Dave serves on the Board of Advisors and the World Percussion Committee for the Percussive Arts Society. An advocate of using technology in the classroom, Dr. Gerhart was featured in Technology and Its Use by Percussion Educators in the 21st Century (Published in Percussive Notes – January 2012) by Tracy Wiggins and part of the case study Using Technology to Enhance Performance Pedagogy in the Postsecondary Brass Studio by Adam Snider. In 2010, Dave co-founded https://DrumChattr.com and currently curates percussion related content for https://PercussionEducation.com. Dave's compositions and arrangements for triangle, timpani, percussion ensemble and steel drum orchestra are published by Bachovich Music Publications, Boxfish Music Publishing and Living Sounds Publications. For more on Dave, check out: https://davegerhart.com/ The Entrepreneurial Muse - Jeffrey Nytch: https://www.amazon.com/Entrepreneurial-Muse-Inspiring-Career-Classical/dp/0190630973Watch more Outside The Bachs podcast episodes on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Listen on Apple Podcasts⁠⁠⁠⁠⁠⁠ Get More Students For Your Private Music Studio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OutsideTheBachs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Follow Kelly on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Kelly on TikTok⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠Private Music Instructors, Piano Lesson Teachers, and Music Studio Owners

This week, we're spending some time discussing the scores from movies. Filmaker David Burns, entrepreneur Robert Burnett, and award winning author Van Allen Plexico join me as we countdown some great movie scores. Spotify playlisthttps://open.spotify.com/playlist/2rsvDlEmYuSeC4FaR4JvZ4?si=40Cvy5_9SxW7ulUFln53AwTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

Die Hard from 1988! Please give us a rating on Spotify or where ever you listen to us, and help us touch more peoples hearts with our charming personalities! Join the conversation on Twitter or follow us on Tik Tok and now we also have an Instagram! Also we now have a Rumble account so now you can find us there! Email us at THEBONSAIMOVIECREW@GMAIL.COM! And Like Share and Subscribe to us on YouTube and now Rumble. Show the love by sharing and subscribing. Find us on spotify or wherever you get your podcasts! We promise its worth it! And remember we love every one of you and we cant show enough love for all the support! SO THANK YOU ALL SO MUCH  FROM THE BOTTOM OF OUR HEARTS!!!!!

This episode sees all three of us recording in the same room for the first time. We commentate on the 1986 movie Highlander as we watch it through. Of course every Queen fan knows that band do the soundtrack for the movie with Michael Kamen doing the orchestral score. So get the VHS/DVD/Blu Ray/4K/Stream sorted and watch along with us!A Kind of Magic: Making the Original Highlander by Jonathan Melville https://www.amazon.co.uk/Kind-Magic-Making-Original-Highlander/dp/1913538052|| Talk to us on Twitter @LapPods || Get more content at lappods.scot || Donate via Paypal at paypal.me/lappods ||Thanks for listening and please subscribe. Hosted on Acast. See acast.com/privacy for more information.

7.2/10 IMDb 82% Rotten Tomatoes 2/5 Common Sense Media 91% liked this movie Google users South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.Description Release date: July 7, 1989 (USA) Director: Richard Donner Music composed by: Eric Clapton, Michael Kamen, David Sanborn Distributed by: Warner Bros., Warner Bros. Pictures Box office: $227.9 million Screenplay by: Jeffrey Boam   Mel Gibson Danny Glover Joe Pesci Joss Ackland Derrick O'Connor Patsy Kensit

Michael Kamen, un artista que amaba la música profundamente hasta el punto de crear; ‘Mr. Holland’s Opus fundation’. Sus más emblemáticas sagas, Arma Letal y La Jungla de cristal, son parte de su legado. A destacar: Hermanos de Sangres (serie) y Robin Hood principe de los ladrones, Estupendo compositor que te dejará con la boca abierta. Además contamos con un invitado y ya colaborador de lujo, Nacho Granda del podcast Scores de cine. +Info: www.masqcine.com twitter: @masquecine2 telegram: @masquecineradio facebook: @masquecine Invitado: Ignacio Granda (podcast Scores de cine) mail: info@masqcine.com Libro -AISLADOS EN EL CINE- Primer libro, editado por Terra Ignota, escrito por Pepe Dana y Javier Pérez-vico, ya está disponible en: www.riffraff.es ¿CUÁLES SON LOS BALUARTES DE ESTE LIBRO ? Tratar la obra con nostalgia indagando en nuestra niñez y juventud, recordando estas maravillosas obras de las que hablamos en el libro. ¿CÓMO ABORDAMOS LAS PELÍCULAS ? Agrupándolas en cuatro categorías, o capítulos, en las que el nexo de unión es la soledad, la religión, la exclusión social y la enfermedad. En cada grupo encontrarás cintas que tratan estas temáticas de forma concreta y específica. El lector al que le guste el cine en general, encontrará en estos títulos una motivación para acercarse a las obras de nuevo o por primera vez, para conocerlas en profundidad. Se contextualizan, de forma modesta, en base a la motivación que nos llevó a ponerle este título: Aislados en el cine. ¿QUÉ MÁS PODEMOS DESCUBRIR EN ESTE VOLUMEN? Un compendio de momentos inolvidables, arropados por la nostalgia y el recuerdo, certificado por los autores, que además firman sus capítulos de forma muy personal y diferente uno del otro, ofreciendo interesantes aspectos que convierten la obra en algo único. Detalles de la producción, curiosidades y anécdotas de los rodajes o los protagonistas, salpican el libro, rico en matices. En ocasiones nos desviamos del camino para exponer temáticas paralelas que vienen a colación a través de las historias que se nos cuentan: autores de las obras, entorno social, peculiaridades… CAPÍTULOS El libro se divide en cuatro capítulos: Soledad, Religión, Exclusión social y Enfermedad. En cada uno de ellos podrás encontrar cinco películas indispensables de cada tema, analizadas y acompañadas de datos y material gráfico SOLEDAD: – Candilejas – Los puentes de Madison – Primavera tardía – Bailando con lobos – Solas. RELIGIÓN: – Carrie – Él – La semilla del diablo – La palabra – Los chicos del maiz. EXCLUSIÓN SOCIAL: – Yo, Cristina F. – Billy Elliot – Días sin huella – Hugo – El hombre elefante. ENFERMEDAD: – El Resplandor – Bailar en la oscuridad – Memento – Hana-Bi – Psicosis

This week on Film with Family, we bring on Zach's brother (Austin's cousin) Caleb Zweifler to talk about one of his favorite movies 'Robin Hood: Prince of Thieves'! We dig into Kevin Costner's  accent work, Alan Rickman's take on the Sheriff of Nottingham, the epic score by Michael Kamen, how the film depicts archery, and much more!Join the Extended Family on Patreon: https://www.patreon.com/FilmwithFamilyYouTube: https://www.youtube.com/@FilmwithFamilyInstagram: https://www.instagram.com/filmwithfamily/TikTok: https://www.tiktok.com/@film.with.familyTwitter: https://twitter.com/filmwithfamilyFacebook: https://www.facebook.com/profile.php?id=61551928799003Email us at filmwithfamilypodcast@gmail.comLetterboxd: Austin C. Pruett and zacharyzweifler

On this Earl Slick Interview: VERY deep convo, Earl talks about the philosophy behind his success as a side man, and how he developed this... Michael Kamen and how he mentored Earl, how he hooked up with Bowie and John Lennon… working with David Coverdale, Tim Curry, Ian Hunter, Robert Smith, Keith Richards, Buddy Guy… working in England and why he enjoys it so much, top 3 musical experiences, dealing with the loss of his mom and other low points, getting out of the music business for 4 years and how that changed his life for the (much) better, learning when to say “No,” getting sober, Newfoundland dogs, Italian food, being in the present, LOADS more really cool and interesting stuff. Earl's the real deal, GREAT guy, very candid conversation: Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com A successful lifetime sideman who's played with David Bowie, John Lennon, Tim Curry, David Coverdale, Robert Smith, Ian Hunter, The NY Dolls, Glen Matlock, Lorde and others… Earl's also released 7 solo LPs, and 2 LPs as part of Phantom, Rocker & Slick. Earl also acted in and narrated the documentary Rock ‘n Roll Guns for Hire Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support

Today we present part one of the fifth ALL REQUEST SHOW and the first ever CHRISTMAS ALL REQUEST SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this first-ever Patreon All Request Christmas show, we get to hear some Christmas favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Victor Field, Glenn McDorman, Douglas Lacey, Deniz Çağlar, William Welch, Don Mase, Thomas Tinneny, Angela Rabatin, Eldaly Morningstar, Carl Wonders, Jerome Flick, Alphonse Brown, Joe Wiles, Alan Rogers and Dave Williams. They requested tracks from such composers as John Williams, Irving Berlin, Marco Beltrami, Miles Hankins, Jerry Goldsmith, Michael Kamen, Danny Elfman, Craig Armstrong, Murray Gold, Mychael Danna, Harry Gregson-Williams, Darren Hendley and Marc Shaiman Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Michael Price is an Emmy Award winning composer and pianist. You've undoubtably heard his work on the BBC's Sherlock, ITV's Unforgotten, and the 2020 Dracula series written by Mark Gatiss and Steven Moffat that I've been obsessed with – no seriously, I must have watched it ten times now - since the moment it aired. In and amongst that he's worked on the Paul W.S. Anderson cult space horror Event Horizon, The Iron Giant – another film I'm fairly obsessed with – Hot Fuzz, The Lord Of The Rings movies… and Goal!, which I watched on a plane once and thought was terrible, but I don't think you can blame Michael for any of that. He's worked with the great David Arnold and the late, great Michael Kamen, and recently I've become a big fan of his solo work, especially his most recent release, the haunting Whitsun. You don't have to bend my arm to speak to a fellow Yorkshireman and I think you'll enjoy this inspiring and illuminating conversation just as much as I enjoyed having it.Join the Substack! 

  Michael Price joins The Film Scorer for episode 2 of season 3! You might be most familiar with Michael Price (at least I was) from his work with David Arnold on the acclaimed and excellent Sherlock and Dracula series, both created by Mark Gatiss and Steven Moffat. But Michael also spent five years working with Michael Kamen, beginning on Event Horizon and X-Men, and music edited a number of films including the entire Lord of the Rings trilogy. During our interview we talk about all of those. We also talk about, and cover most in-depth, Michael's latest solo album Whitsun, which becomes an intimate look at Michael's childhood in Yorkshire, a connection of sound and memory. It's a lovely, nostalgic album that's both sweet and melancholic, with a universality that conjures a sense of recollection no matter one's past.   As we wrapped up our chat, we began discussing the importance of music in one's life and Michael said: "If just one person made a little moment to play something or sing for themselves or with someone else in their family or with a friend, just that tiny one act I think is joyful and worthwhile…To anyone: if you do find yourself playing or singing, send me a note on Twitter, cheer us both up." So, if after listening you've found yourself playing or singing, but sure to let Michael know (and include me while you're at it).   Whitsun is available digitally and physically (via CD and cassette) on Michael's bandcamp, and digitally on all major platforms. Michael's scores are broadly available digitally and physically.   For those interested in Scored to Death: The Dark Art of Scary Movie Music, you can find out more information here: https://www.kickstarter.com/projects/scoredtodeathmovie/scored-to-death-the-dark-art-of-scary-movie-music  

This week we interviewed Alexis Smith, product specialist for SE Shires and principal trombonist of the Southwest Florida Symphony Orchestra. One of the most recognizable faces in the trombone community, Alexis has fitted countless musicians for their custom Shires instruments. We had the pleasure of asking her about his history and work at the SE Shires company, as well as hearing some various other highlights from her collegiate and professional careers. -- Transition music: Quintet, Michael Kamen, Seraph Brass Intro/Outro music: I Will Go Sailing No More, Randy Newman, Vanderbilt Trombone Quartet Instagram: @8thposition @dabaldwin903 @lawson.gardner.music

I'll close season one as a solo act with a few remaining "horror stories from the show business trenches". I'll tell more of those stories in Season 2! In this episode: a makeup special effects near disaster with actor Tim Curry playing three parts; how to tell an Oscar-nominated composer (Michael Kamen) you're not happy with his work; how to talk to Superman; how to get a studio tent pole movie green-lit IN THE ROOM!

This time of year can bring a lot of interesting storms. Join host Liz Lyon as we use our imagination to picture thunderstorms while discovering classical music that was inspired by the rain, wind and rumbles of these storms. Episode 84 playlist Eric Whitacre: Cloudburst — Handbells, a thunder sheet, bass drum, suspended cymbal, wind chimes and piano all accompany an eight-part choir. The added claps, snaps and thick smacks by the singers help bring a thunderstorm to life through song.LISTEN — Eric Whitacre: Cloudburst  Eric Whitacre: Cloudburst by Ludwig Van Beethoven: Pastoral Symphony — This was one of only two symphonies that Beethoven named. Using your imagination, can you recognize what parts of a thunderstorm the instruments mimic?LISTEN — Ludwig Van Beethoven: Pastoral Symphony Ludwig Van Beethoven: Pastoral Symphony by Michael Kamen: The Eye of the Storm — American composer Michael Kamen was well known for his scores to many movies you might know, including The Iron Giant, X-Men, The Avengers and 101 Dalmatians. This piece is from The Iron Giant and helps to set the mood for an unknown object crashing through Earth's atmosphere in the middle of a storm at sea.LISTEN — Michael Kamen: The Eye of the Storm Michael Kamen: The Eye of the Storm by Ferde Grofé: Grand Canyon Suite - Cloudburst — The Grand Canyon Suite includes five movements that paint a specific scene that is typical of the Grand Canyon. The movements are “Sunrise,” “Painted Desert,” “On the Trail” and “Sunset,” with the fifth and final movement, “Cloudburst,” portraying a storm in the Grand Canyon.LISTEN — Ferde Grofé: Grand Canyon Suite, 5. Cloudburst Ferde Grofé: Grand Canyon Suite, 5. Cloudburst by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

Purgatory ain't no game slick, welcome back!!! Nice to have ya!!! The dudes talk about Jeremy's favorite action film The Last Boyscout from 1991 directed by the great Tony Scott(RIP) Written by the great Shane Black, scored by the great Michael Kamen!!! Staring Bruce Willis, Damon Waynes, Chelsea Field, Danielle Harris, Kim Coates, Taylor Negron, Noble Willingham, Bruce McGill, Chelcie Ross and Billie Blanks!!! Thanks for checking us out, if you'd like to leave us any freedback please do at pcppodcast666@gmail.com Outro song "I wanna be a cowboy" by Boys don't Cry

On this episode of The James Bond A-Z Podcast hosts Tom Butler, Brendan Duffy, and Tom Wheatley tackle the 007 kharacters and kreatives that fall under the letter K. In this show you'll learn about: Michael Kamen, the American composer on 'Licence To Kill'. Daniel Kleinman, the commercials director who took over title credits duties from Maurice Binder from 'GoldenEye' onwards. Burt Kwouk, the British actor with multiple Bond credits to his name, as well as a long and illustrious acting career. We also look at the many characters that fall under K including: Milton Krest, Kamal Khan, Kincade, Elektra King, Rosa Klebb, Kristatos, Koskov, and Kananga. And for no particular reason, we play a few games of the Kevin Bacon game. James Bond will return... in next week's James Bond's A-Z Podcast. Find us on Twitter: twitter.com/jamesbondatoz Find us on Instagram: instagram.com/jamesbondatoz Email us on: podcast@jamesbondatoz.co.uk Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In preparation for 1989's License to Kill, the second James Bond film featuring Timothy Dalton, composer Michael Kamen invited David Gilmour, Jeff Beck & Eric Clapton to play on the Opening Credit song. Only Eric Clapton showed up and the film went on to use a Gladys Knight song instead and the rest is history…until someone uploaded the original song for the world to hear. Jay, being a huge Clapton & Bond fan, gives us the story.Songs:Fantastic Negrito - “Highest Bidder”Michael Kamen & Eric Clapton - “Lost License to Kill Theme”Gladys Knight - “License to Kill”Nick discusses Epic Games' acquisition of BandCamp and what it bodes for the artist-focused music platform. We get up to speed on the scope of the community's concerns and speculate heavily as to why this happened in the first place.Song: Wayne Krantz - “Rushdie”Finally, Greg's been having an internal dialogue about repertoire, and whether original music is even worth making. Along the way, he dug up an April 2020 Pitchfork article titled “Why Do We Even Listen to New Music?” and decided this was a topic worth discussing. Greg also makes good money playing in a successful Red Hot Chili Peppers tribute band. So, that's the question…Why make new music when no one listens to it and you get paid for playing the music people already love?Song: Igor Stravinsky - “Rite of Spring (Performed by the London Symphony Orchestra)”