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6 episodes with european culture
3 episodes with european culture
8 episodes with european culture
3 episodes with european culture
3 episodes with european culture
2 episodes with european culture
2 episodes with european culture
3 episodes with european culture
2 episodes with european culture
In this episode of the Revenue Builders Podcast, hosts John McMahon and John Kaplan are joined once more by Doug Holladay, author of 'Rethinking Success,' to discuss the critical elements of building genuine relationships in a business and personal context. They explore the increasing loneliness in modern society, the importance of maintaining authentic connections, and the significant impact of leadership vulnerability. They also delve into practical insights on forming small supportive groups and the broader implications of creating meaningful friendships. The conversation highlights the value of showing up for others and the importance of embracing both strengths and vulnerabilities as a leader.ADDITIONAL RESOURCESConnect and learn more about Doug Holladay:https://www.linkedin.com/in/dougholladay/Check out Doug's book ‘Rethinking Success: Eight Essential Practices for Finding Meaning in Work and Life':https://www.amazon.com/Rethinking-Success-Essential-Practices-Finding/dp/0062897888Listen to past episodes featuring Doug:Leading Authentically: https://hubs.li/Q02_8bfg0Rethinking Success: https://hubs.li/Q02_8bsL0Enjoying the podcast? Sign up to receive new episodes straight to your inbox: https://hubs.li/Q02R10xN0Force Management is hiring for a Sales Director. Apply here: https://hubs.li/Q02Zb8WG0HERE ARE SOME KEY SECTIONS TO CHECK OUT[00:00:42] Discussing 'Maintaining Genuine Relationships'[00:01:15] The Decline of Communal Bonds[00:02:23] Loneliness and Mental Health[00:04:09] Cultural Differences in Family Dynamics[00:07:49] The Importance of Vulnerability[00:13:21] The Power of Presence and Listening[00:18:09] Authenticity and Connection in Leadership[00:29:03] The Role of Storytelling in Business[00:34:36] The Power of Knowing People[00:35:20] Contempt and Polarization[00:37:08] Fear and the Pace of Change[00:39:03] The Importance of Authentic Relationships[00:40:40] Building Meaningful Connections[00:41:54] Balancing Busy Lives and Friendships[00:46:05] Parenting and Personal Growth[00:53:53] The Value of VulnerabilityHIGHLIGHT QUOTES[00:07:50] "Men don't have a language of the heart. So when they're hurting like this, they don't know how to really give voice to it."[00:20:35] "Everyone has a story. The people that are hearing that story, they make space for that story. They make space for that. And they don't try to interject their story into anybody else's story."[00:28:01] "People don't care about all that mumbo jumbo. They just want to know you care. Just be present." [00:43:46] "The best thing you can do for your kids is keep working on you. I want my boys to see that, wow, dad has real friendships. Everything's not a transaction. He shows up for people."[00:53:03] "Allowing people space to tell their story with no judgment, no expectation, no agenda is way harder than you think it is."[00:53:55] "People are more attracted to our broken parts. They just want to be heard."
Sophie dompelt zich graag onder in de verschillende subculturen die Europa rijk is. Bijvoorbeeld de techno-scene in Berlijn. En zij vraagt zich daarom af: kan ik ervan uitgaan de Europese Unie dit ook belangrijk vindt en deze subculturen in leven houdt?
Colombo & Company Guest: Dr.Randy Tobler & Mike MarfellSee omnystudio.com/listener for privacy information.
Hynek joins Erin on the Breakfast Show to discuss the CinEast festival that shows off Central and Eastern European Culture through cinema, exhibitions, debates and more! It's the 17th edition of the festival this year and there is a specific country focus on Croatia. find the whole programme at cineast.lu
In this episode of Christ the Center, Camden Bucey leads a discussion with Lane Tipton and Danny Olinger on Geerhardus Vos's sermon, “The Christian's Hope,” from his book Grace and Glory. The group explores the profound eschatological themes of 1 Peter 1:3-5, examining the nature of Christian hope as rooted in the resurrection of Christ and the believer's heavenly inheritance. They unpack how this hope should shape the Christian life, influencing how we view suffering, earthly success, and our ultimate calling. The conversation highlights how Vos's insights are still relevant for modern Reformed believers, particularly in a world distracted by temporal concerns. Tune in for a rich discussion on how our eschatological hope fuels a life of faithful pilgrimage toward the new heavens and new earth. Chapters 00:07 Introduction 05:01 The Pilgrim Life and 1 Peter 1:3–5 07:49 The Historical Context of 1904 10:42 The Nature of Hope 21:15 The Christian Perspective on American and European Culture 27:02 Postmillennialism and Amillennialism 35:14 The Characteristics of the Heavenly Inheritance 40:48 The Powerful Witness of Christian Hope 48:17 Christ's Blessing upon the Church 53:42 The Christian Purpose 57:42 Conclusion
My guest this week, for my 200th Nostalgia Interview, is Christina Kim. It was terrific to catch up with Christina, who is Senior Lecturer in Linguistics, before I left the University of Kent in July 2024. Christina begins by remembering the visa issues that consumed her time upon arriving at Kent just over a decade ago and how it took a while to work out who everybody was in the School of European Culture and Languages at the time. Christina grew up in Los Angeles and went to university in Boston and was doing a postdoc in Chicago before moving to the UK. Christina discusses how she had not lived outside the US before moving to Canterbury. She has a linguistics, psychology and cognitive science background and we talk about how there are different sides to ourselves that define us in different ways. Christina also discusses the allure of going to another countries and how Canterbury feels very different from California. Christina reflects on growing up in LA and the dimensions with which it is possible to connect with people. In turn, I refer to my experience of walking on the Hollywood Walk of Fame in 2002 and how it didn't relate to the Hollywood of my imagination. Now that Christina lives outside of LA, she can see how it's perceived, and why people have polarizing opinions of the place, and she remembers trips to different types of cinemas around LA. Christina insightfully discusses how this is her nostalgia now but that she couldn't have known at the time that she would be nostalgic about this period. We reflect on what nostalgia means in this context. We talk about the possibility of reframing and inserting ourselves back into our pasts, and Christina brings up a particular memory she has relating to The Bodyguard. We talk about the different lenses through which we look at the past, how we interact in different social contexts, whether there is anything we have to prove to others e.g. from our childhood, and whether other people have moved on in the same way we have, and so whether it is healthy to ‘go back'. Then, at the end of the interview, we talk about whether it is possible to be nostalgic about negative experiences and we find out why Christina is more of a looking back than a looking forward type of person.
What is the relation between culture and populism? What should we know about EU cultural policy? And what is the role of philanthropy in shaping modern culture? Leszek Jazdzewski (Fundacja Liberte!) talks with Isabelle Schwarz, the Head of Public Policy at the European Cultural Foundation (ECF) in Amsterdam. Previously, she was the Director of ENCATC (European Network of Cultural Management and Cultural Policy Education), the President of the Thomassen Fund (focus on Eastern and Central Europe), and the founder of the Nordic-Baltic Platform for Cultural Management. Earlier, she held research and project management positions with the UN World Commission on Culture and Development, the Council of Europe, the Foresight Department of the Ministry of Culture of France, foundations, and NGOs. Tune in for their talk! This podcast is produced by the European Liberal Forum in collaboration with Movimento Liberal Social and Fundacja Liberté!, with the financial support of the European Parliament. Neither the European Parliament nor the European Liberal Forum are responsible for the content or for any use that be made of.
Thank you Buycycle.com for sponsoring this episode! Use code "DIALEDHEALTH" at checkout to save $100 on your purchase. Follow @kvermaerke on Instagram Strength Training For Cyclists - 7 Day Free Trial https://dialedhealth.com Leave A Google Review For The Website Dialed Health Social https://www.youtube.com/@dialedhealth https://www.instagram.com/dialedhealth/ PLEASE RATE & REVIEW THE PODCAST!
EL Putnam's new book Livestreaming: An Aesthetics and Ethics of Technical Encounter considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Digging into how humans and technology co-evolve, Putnam and Noel Fitzpatrick engage in conversation about relation and hyper-individualism, glitch and switchtasking, activism and hidden labor and performance and more.EL Putnam is an artist-philosopher and assistant professor of digital media at Maynooth University, Ireland. Putnam is author of Livestreaming: An Aesthetics and Ethics of Technical Encounter in the University of Minnesota Press Forerunners series and The Maternal, Digital Subjectivity, and the Aesthetics of Interruption.Noel Fitzpatrick is Professor of Philosophy and Aesthetics and the Academic Lead of the European Culture and Technology Laboratory at the Technological University Dublin.Episode references:Gilbert SimondonBernard StieglerYuk Hui HegelKantJackson PollockHeideggerPaul RicoeurAyana EvansAna VoogN. Katherine HaylesMiriam WolfDiamond Reynolds and the livestream of Philando Castile's murderSafiya Umoja NobleChristina SharpeSaidiya HartmanTonia SutherlandJacques RancièreSimone BrowneÈdouard GlissantSusan SontagSara AhmedH. P. GriceRelated works:On the Mode of Existence of Technical Objects / SimondonOn the Existence of Digital Objects / HuiArt and Cosmotechnics / HuiOneself as Another / RicoeurMemory, History, Forgetting / RicoeurResurrecting the Black Body / SutherlandDark Matters / BrowneRegarding the Pain of Others / SontagLivestreaming: An Aesthetics and Ethics of Technical Encounter is available from University of Minnesota Press. An open-access edition is available to read free online at manifold.umn.edu.
On today's free swim we are joined by Danny and Chief. We recap Chiefs weekend over the pond, and Eddie's weekend in Texas, which leads us to comparing the two cultures. We also discuss which city we would live in if we had to leave Chicago.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/thedogwalk
This episode centres on Marseille's most popular sights, the Old Port, the hilltop church of Notre Dame de la Garde, and the Canebière, the wide avenue leading back from the port into the heart of the city. After a few snippets of history, we tour such sights as the fish market, the iconic canopy built to mark Marseille's year as a City of European Culture in 2013, an ancient tower and a surprising link to Odessa in Ukraine. We might take the little ferry across the harbour, we'll certainly walk - or maybe take the 'petit train' - up the hill to Notre Dame de la Garde, where a huge golden statue of Mary the Virgin watches protectively over the city. Reading Suggestions The Wicked City by Nicholas Hewitt Marseille Port to Port by William Kornblum Total Chaos by Jean-Claude Izzo Links for this post The Saint Jean Fort Deportation Memorial The Petit Train Notre Dame de la Garde Boat trips from the Old Port City Breaks: all the history and culture you'd research for yourself if you had the time! Check our website to find more episodes from our Marseille series or to browse our back catalogue of other cities which are well worth visiting: https://www.citybreakspodcast.co.uk We love to receive your comments and suggestions! You can e mail us at citybreaks@citybreakspodcast.co.uk And if you like what you hear, please do post comments or a review wherever you downloaded this episode. That would be very much appreciated!
Slovakia Today, English Language Current Affairs Programme from Slovak Radio
Trenčín is set to become the European Capital of Culture in 2026. This will undoubtedly change the city in fundamental ways. To learn more we spoke with deputy mayor Patrik Žák and others about the progress of thse changes. We discussed what has been accomplished so far, what are the challenges, and what is yet to be done.
In this episode co-founder of Extinction Rebellion UK Clare Farrell and prominent politician in the government of Amsterdam, among other things responsible for social affairs and shelter, Rutger Groot Wassink interviewed by Miquel and Ed.The Land of Plenty was created by Studio Julian Hetzel during the Forum on European Culture, a festival that researches the future of democracy. Over four days interviews took place in this box of self reflection, with people in power, in an attempt to shift their perspective. When entering the room, they had no idea who they would meet, or what kind of questions were waiting for them. Created with the support of European Cultural Foundation.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
In this episode journalist and political commentator Ece Temelkuran and author Jaap Scholten interviewed by Miquel.The Land of Plenty was created by Studio Julian Hetzel during the Forum on European Culture, a festival that researches the future of democracy. Over four days interviews took place in this box of self reflection, with people in power, in an attempt to shift their perspective. When entering the room, they had no idea who they would meet, or what kind of questions were waiting for them. Created with the support of European Cultural Foundation.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
In this episode author Arnon Grunberg and director of DutchCulture Kirsten van den Hul interviewed by Ed.The Land of Plenty was created by Studio Julian Hetzel during the Forum on European Culture, a festival that researches the future of democracy. Over four days interviews took place in this box of self reflection, with people in power, in an attempt to shift their perspective. When entering the room, they had no idea who they would meet, or what kind of questions were waiting for them. Created with the support of European Cultural Foundation.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Maria Nek is building the European Culture Academy - an innovative platform uniting artists, architects, educators, and art enthusiasts from around the world.Her story takes us on a global adventure through Russia, France, Italy, Spain, and the Netherlands, highlighting the contrasting educational systems and cultural traditions she encountered along the way. In this conversation we discuss we learn about the significance of understanding different educational systems, traditions, and artistic perspectives across continents. We also gain a fresh perspective on the intersection of art, education, and entrepreneurship.***CONNECTwebsite: https://eca.art/
Last week, dozens of NATO peacekeepers were injured after violent protests broke out in northern Kosovo. What is going on, and why do Kosovo's problems seem so hard to fix? This week we dig into the deeper context behind the unrest with political analyst Agon Maliqi. We're also talking about why much of Europe is antsy about who's going to be steering the EU next year, and a bizarre dispute in the art world. You can follow Agon on Twitter at @AgonMaliqi. This week's Isolation Inspiration: Turn of the Tide and Fatma Aydemir: The State of European Literature at the Forum on European Culture, De Balie. Thanks for listening! If you enjoy our podcast and would like to help us keep making it, we'd love it if you'd consider chipping in a few bucks a month at patreon.com/europeanspodcast (many currencies are available). You can also help new listeners find the show by leaving us a review or giving us five stars on Spotify. 00:22 The sunny side of the continent02:14 Bad Week: Looming EU presidencies12:37 Good Week for Dutch art trolls?23:20 Interview: Agon Maliki on why it's so hard to fix the Kosovo-Serbia relationship35:46 Isolation Inspiration: Turn of the Tide and the Forum on European Culture40:36 Happy Ending: The magic of Enhanced Rock Weathering Producers: Katy Lee and Wojciech Oleksiak Mixing and mastering: Wojciech Oleksiak Music: Jim Barne and Mariska Martina Twitter | Instagram | hello@europeanspodcast.com
Today we are joined by Sam Sanders, the host of Into It and Vibe Check, to discuss the most intersectional condiment of all: Mayonnaise. Is it French and chic? Or is it American and family values? Both? Neither? Not even the USDA knows. But our conversation isn't just food related, we also cover how the Delta SkyLounge will make us lose our morals, the deal with the new Little Mermaid, and whether politics need more or less emotions right now. This episode WILL save democracy. And that's the StraightioLab promise! Tickets to our June 15 live show at the Bell House are available here: https://www.eventbrite.com/e/straightiolab-tickets-635485553397Subscribe to our Patreon at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts! See omnystudio.com/listener for privacy information.
We usually see young people as the face of climate activism. This week, we find out how 2,000 Swiss women, all over the age of 65, took their government to court in a case that could change climate laws across Europe. And along the way, we figure out once and for all how the European Court of Human Rights actually works. This is a special episode made in cooperation with the Allianz Foundation, one of several podcasts we're making this year about sustainability with their support. Stay tuned later in the year to hear more. You can find out more about the KlimaSeniorinnen here. Listening from Amsterdam? The Forum on European Culture runs at De Balie from May 31-June 4, with a ton of great speakers on the line-up. Find the full programme here: https://cultureforum.eu/programme-2023 Thanks for listening! If you enjoy our podcast and would like to help us keep making it, we'd love it if you'd consider chipping in a few bucks a month at patreon.com/europeanspodcast (many currencies are available). You can also help new listeners find the show by leaving us a review or giving us five stars on Spotify. FULL EPISODE TRANSCRIPT HERE: https://europeanspodcast.com/episodes/the-biggest-climate-case-that-ever-was Reporter and producer: Katz Laszlo Editor: Katy Lee Editorial support: Dominic Kraemer and Wojciech Oleksiak Sound design, mixing and mastering: Wojciech Oleksiak Music by Jim Barne, Epidemic Sound and Blue Dot Sessions Twitter | Instagram | hello@europeanspodcast.com
Today we are joined once again by StraightioLab favorite and Sam's sexy Los Angeles-based stepmother Greta Titelman to finally talk TEXTILES. Specifically, the most insidious textile of all... one that haunts college dorm rooms and overpriced bachelor pads across this once-great nation... that's right, we're talking about jersey knit. Should sheets be a giant T-shirt? Should clothes be made using "technology"? Is the middle class dying? These questions are not only connected, but impossible to disentangle. Until now. Tickets to our June 15 live show at the Bell House are available here: https://www.eventbrite.com/e/straightiolab-tickets-635485553397Subscribe to our Patreon at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts! See omnystudio.com/listener for privacy information.
On this episode of the Jaded Mechanic podcast, Jeff talks with Justin Porter about his life and experiences in Indiana. They discuss junior high baseball, fishing, and growing up in the area. Jeff shares his insights and perspectives on the automotive repair industry. They also touch upon the importance of offering opportunities to up-and-coming professionals. Tune in for some great conversation and reflection.00:05:52 Stay passionate and persistent.00:07:38 Business first, technician second.00:14:08 Learn to spot patterns.00:16:21 Investigate before rubber stamping.00:25:44 Trust your instincts.00:26:02 Networking is essential.00:34:04 Gain experience through challenge.00:40:46 Work smarter, not harder.00:41:51 Four days a week is ideal.00:50:03 Dysfunctional family atmosphere.00:55:43 Family businesses declining.01:02:26 Live and learn from experience.01:03:16 Learn from experienced mentors.01:10:34 Improve shop industry access.01:15:56 Learn from YouTube heroes.01:21:16 People make the industry.
This week we invite the unironically illustrious Aparna Nancherla on to shift our perspectives on many of the leading issues of the day. Issues like the ethics of reading a popular book years after everyone else, the sadness of European's attachment to their rich historic cultures, and the power structures of the average sleepover. Plus, a heated debate on the merits of warm ice cream causes a great divide. Hope you like conflict! Subscribe to our Patreon at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts! See omnystudio.com/listener for privacy information.
In this episode, we are joined by Shaun Casey, former director of the U.S. Department of State's Office of Religion and Global Affairs, and Rachel Donadio, a Paris-based journalist, a contributing writer for The Atlantic and a former European Culture correspondent for The New York Times. Our guests discuss Shaun's new book, Chasing the Devil at Foggy Bottom, which makes the case that understanding the role of religion in global politics is crucial for effective diplomacy. Guests Shaun Casey Rachel Donadio Additional Resources Chasing the Devil at Foggy Bottom: The Future of Religion in American Diplomacy, by Shaun Casey "Why Is France so Afraid of God?" by Rachel Donadio "Portrait of Bravery: Ukraine's First Lady, Olena Zelenska," by Rachel Donadio
Dr. Dominic Janes is not only a professor of Modern History at Keele University, in England, but also one of Andrew's queer male academic mentors! Following Dr. Chuck Upchurch's episode last week about sodomy and 19th-century England, Dominic takes us into Victorian England and discusses queer male fashion. Right away, Andrew asks Dominic how his new book "British Dandies: Engendering Scandal and Fashioning a Nation" has opened up conversations around queer ways of doing fashion in history. Dominic explains that he saw a gap in the field of queer history because not many historians had explored "the scandalous history of fashionable men." As you listen to the interview, you'll find out what Dominic discovered about the connection between queer male fashion and European culture, especially British culture's changing attitudes to style, gender, and sexuality. It doesn't take long for Dominic to discuss the male "bulge" in history and what this tells us about phallic history and fashion throughout the centuries. Yes, Dominic discusses Jesus' bulge in religious artwork, and you don't want to miss what this reveals about changing attitudes towards male fashion! As Dominic says, "clothes aren't separate from the body, but rather have a symbiotic relationship." And after this episode, you'll definitely know whether you can call yourself a Dandy or not! We have an extra Bonus Episode on the ITBR Cafe, our Patreon! Dominic Janes and Andrew Reflect on Queer Men in 2023! (Straight Men and Their Butts on TikTok, What Has Happened to Cruising, and Queer Students) Join now for only $5 a month: patreon.com/ivorytowerboilerroom Make sure to get your hands on Dominic's "British Dandies": https://press.uchicago.edu/ucp/books/book/distributed/B/bo164010831.html Read more about Dominic and his work here: https://www.keele.ac.uk/humanities/ourpeople/dominicjanes/#biography Be sure to follow Dominic on Twitter, @janes_dominic. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR to receive a free copy with any print or digital subscription. Order from @mandeemadeit, mention ITBR, and with your first order you'll receive a free personalized gift! Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Executive Director), Mary DiPipi (Chief Contributor), and our Spring 23 Interns (Andrea, Kaitlyn, Rosie, Sara, and Sheila) --- Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Conical Cacophony is made of up many musicians including Tyler Hauer on trumpet, Morgan Liu-Packard on accordion, and "Squirrel" on the bass drum. WBZ's James Rojas.
This fortnight, we're going east (and back in history) with fabulous historian Tuğçe Kayaal (Furman University). Tuğçe explains how she queers history and the archives, how she researches homoerotic intimacies in poetry and advice books, and what religion has to do with morals, relationships and friendships. She talks about the most frequently misunderstood aspects of the Ottoman empire and what it's like teaching homoeroticism in texts from the Middle East.If you want to learn more, why not follow @tkayaal and @queerlitpodcast on Twitter? The podcast also produces mediocre Instagram content for your perusal. CW: We discuss paedophilia versus intergenerational relationships, sexual violence, homophobia, and religion. References:Miss MelinaFreddie MercuryBeylikGeorge-Louis BuffonBabayan, Kathryn. The City as Anthology: Eroticism and Urbanity in Early Modern Isfahan. Stanford University Press, 2021.Semerdjian, Elyse. “Naked Anxiety: Bathhouses, Nudity, and Dhimmi Woman in 18th-Century-Aleppo.” International Journal of Middle East Studies 45, no. 4 (2013): 651-676.Kayaal, Tuğçe. “ ‘ Twisted Desires,' Boy Lovers, and Male-Male Cross-Generational Sex in the Late Ottoman Empire (1912-1918).” Historical Reflections/Réflexions Historiques 46, no.1 (2020): 31-46.Najmabadi, Afsaneh. Women with Mustaches and Men without Beards: Gender and Sexual Anxieities of Iranian Modernity. University of California Press, 2005.Andrews, Walter G. & Mehmet Kalpakli. Age of Beloveds: Love and the Beloved in Early-Modern Ottoman and European Culture and Society. Durham: Duke University Press, 2005.Kobabe, Mai. Gender Queer: A Memoir. Oni Press, 2019. Sufism Sunni Mustafa Galib, Fahişeler Hayatı ve Redaet-i Ahlakiyye, 1922 Enderunlu Fazıl, Zenanname, 1695 Gelibolulu Mustafa Ali, Mevaidün Nefais Fi Kavaidil Mecalis, 16th Century.Konya The Queery Questions you should be able to respond to after listening:1. What is the Ottoman Empire?2. Which factors play into the increasing emphasis on procreational heteronormative sex in the late Ottoman Empire?3. Does Tuğçe see Sufism or Sunni Islam as more open to same-sex desire?4. How is female sexuality viewed in the examples Tuğçe mentions?5. What does the term cross-generational mean in the contexts we discuss? What are your thoughts on childhood in a historical context?
You've seen them in movies, tv and more than likely have visited their native land. But how much do you know about the culture? We talk to Chi Chi, who is Polynesian, all about the Polynesian culture. Chi Chi talks to us about the best parts about the culture and goes over some of the biggest misconceptions. Chi Chi also talks about the importance of embracing other cultures. Follow Chi Chi: Instagram/Tik Tok: @chichififita
莛莛和她的派對好朋友-嘉豪，是在沙發衝浪的活動上認識的。嘉豪到歐洲旅行後，他的法國朋友介紹給他 "沙發衝浪"，從那時候開始，嘉豪在他的旅程中都使用沙發衝浪的方式旅遊。他使用沙發衝浪的動機很單純，除了能省錢，減少經濟負擔以外，他也發現以住宿來交流的方式，更能體要當地文化... 沙發衝浪 shāfā chōnglàng: couchsurfing 動機 dòngjī: motivation; intention 單純 dānchún: simple 省錢 shěng qián: save money 經濟負擔 jīngjì fùdān: financial stress 交流 jiāoliú: to communicate; to exchange; to have social contact … To keep learning this episode, go here: https://www.taiwanfeng.com/podcast/couchsurfing/ If you're more familiar with simplified Chinese, we also have simplified version for this episode, please visit: https://www.taiwanfeng.com/simplified/podcast-cn/couchsurfing-simplified/ 嘉豪 is currently promoting origami art in Taiwan. If you are interested in origami art, you can visit his Facebook: Decadent Foldlosopher 頹廢摺學家 Contact 嘉豪 for origami activities, cross-cultural lecture, etc., send him an email: higft999@gmail.com Follow 嘉豪 on Instgram for his origami artworks: trevas_chuang We hope you like our podcast today! Got feedback? We'd love to hear it! Rate us or leave us a review! Learn Chinese Podcast | Chinese Listening Practice | Learn Taiwanese Mandarin
Solvang has a rich Danish heritage. Founded by Danish immigrants in 1911, Solvang boasts authentic architecture, thatched roofs, old-world craftsmanship and traditional windmills.Named by Sunset magazine as one of the "10 Most Beautiful Small Towns in the Western United States," Solvang's rich heritage dates to 1911 when adventurous Danish-Americans traversed the plains from Iowa to establish a settlement in the golden state of California. They purchased 9,000 sun-drenched acres of the former Rancho San Carlos de Jonata and situated their new community adjacent to the historic Old Mission Santa Inés. To preserve and promote Danish culture, the founders constructed a Danish folk school and church (the building now houses Bit O'Denmark Restaurant, 473 Alisal Road); then built Atterdag College, which opened in 1914 and educated through 1970 (now the site of Solvang Lutheran Home, 636 Atterdag Road).Over 1 million visitors come each year to experience the northern European culture, cuisine, and unique boutique shopping.https://www.elverhoj.orghttp://www.yourlotandparcel.org
A curse on you and your family! JK JK That'd be pretty terrible wouldn't it? This month, the Cadaver Dogs explore two films dealing with ancient curses in which main characters trade their humanity - or lose it - and become a beast of vengeance! Starting way back to the classic Universal horror movie that started Hollywood's love for werewolves with THE WOLF MAN (1941, dr. George Waggner). David, Devin, and Rob look at how WWII influenced the tragic figure of Larry Talbot and dig into the history of the Romani people. We also gawk at the stars that pack this film: Lon Chaney Jr., Bela Lugosi, AND Claude Raines?? Then, fast forward to the f*ed up 80s with creature feature (or slasher?) PUMPKINHEAD (1988, dir. Stan Winston). No Reagan talk this time, but we do touch on the Rust Belt. Do we find curses more tragic or vilifying? How are they a source of “othering” in horror? And why are werewolves so damn awesome!? 03:49 - Carrie 30:30: - The Exorcism of Emily Rose 57:05 - Comparisons 1:05:55 - Bone Reviews . Up Next: GET OUT (2017) / THE SKELETON KEY (2005) . Follow us at: instagram.com/cadaverdogspod twitter.com/cadaverdogspod facebook.com/cadaverdogspod . “Fascination and Hatred: The Roma in European Culture '” by The National WWII Museum https://www.nationalww2museum.org/war/articles/roma-european-culture “Under A Swastika Moon: 80 Years Of THE WOLF MAN” by Rich Johnson https://www.fangoria.com/original/under-a-swastika-moon-80-years-of-the-wolf-man/ . Send us your film suggestions at: cadaverdogspodcast@gmail.com . Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: “Lurking in the Shadows” by Liam Seagrave and HCN.
In this episode of the Liberal Europe Podcast, Ricardo Silvestre (Movimento Liberal Social) welcomes back Gerard Pogorel, Professor Emeritus of Economics, Institut Polytechnique de Paris – Telecom Paris Graduate School of Engineering, and Augusto Preta, economist, content and digital media strategist. They talk about digital content and European culture. This podcast is produced by the European Liberal Forum in collaboration with Movimento Liberal Social and Fundacja Liberté!, with the financial support of the European Parliament. Neither the European Parliament nor the European Liberal Forum are responsible for the content or for any use that be made of it.
Dan Lyman, editor in chief at BorderHawk.news, and correspondent for InfoWars discusses immigration and refugee issues from a worldwide perspective. In this exclusive Schilling Show Unleashed Podcast interview, Lyman exposes cross-continent attacks on European culture by hoards of migrants, boat-migrants illegally entering the US from the sea, and DC Mayor Bowser's reaction to illegal aliens being bussed into her city from Texas and other states.
In this podcast episode, we discuss the impact of cultural narratives on mirror syndrome among young women with Pablo Valdivia, Professor of European Culture & Literature at the University of Groningen and Rosmery-Ann Boegeholz, Researcher at the University of Groningen and the National Research School for Literary Studies in the Netherlands.
Wir alle werden sterben – das ist eine der wenigen Gewissheiten, die uns Menschen von Geburt an begleitet. Doch wie wir sterben und was nach unserem Tod mit uns passiert, das wissen wir nicht. Obwohl wir zumindest was unsere Beerdigung anbelangt, vieles mitgestalten könnten. Über Jahrtausende haben die Menschen ihre Toten in besonderer Weise bestattet. Von den Mumien der alten Ägypter bis zu den Himmelsbestattungen der Tibeter hatte jede Kultur ihre eigenen Rituale, mit dem Tod umzugehen. Auch in Deutschland ist es noch nicht so lange her, dass Verstorbene zu Hause aufgebahrt wurden, damit Angehörige und Freunde von ihnen Abschied nehmen konnten. Das ist heute oft Geschichte. Wir leben in einer Welt, in der wir Krankheit, Sterben und Tod so gut es geht verdrängen. Aber warum ist das so? Und was sagt es über unsere Gesellschaft aus? Wie wichtig sind Rituale, um Trauer zu verarbeiten? In den vergangenen Jahren gibt es mehr und mehr Menschen, die sich mit ihrem Tod schon zu Lebzeiten auseinandersetzen, sich in Zeiten von Facebook und Co. auch mit ihrem digitalen Nachlass beschäftigen. Es gibt inzwischen viele Menschen, die versuchen, den Tod zurück ins Leben zu holen. Jenes Memento mori – „bedenke das du sterblich bist“, um im Hier und Jetzt besser und bewusster zu leben. **Literatur:** - Manfred Gerner (2001): Land ohne Friedhöfe Tibet, Friedhofskultur, Stuttgart: Hohenheim Verlag. - Norbert Fischer (1996): Vom Gottesacker zum Krematorium. Eine Sozialgeschichte der Friedhöfe in Deutschland seit dem 18. Jahrhundert. 1. Aufl. Wien, Köln: Böhlau Verlag. - ders. (2013: Neue Bestattungskultur (2013): Tod, Trauer und Friedhof im Wandel. e-book: Kindle Direct Publishing (KDP) 2013 - ders. (2019): The European Culture of Cemeteries. Past and Present. Murcian Journal of Anthropology, 26, S. 17–32. https://doi.org/10.6018/rmu/389911 - Alfried Wieczorek und Wilfried Rosendahl (2015): Mumien. Der Traum vom ewigen Leben. 2., teilweise überarbeitete Auflage, Darmstadt: von Zabern. **Links:** - https://www.instagram.com/21gramm.wdr/?hl=de - https://abschiednehmen.de/ - www.aeternitas.de - https://cliozweipunktnull.uni-mainz.de/2022/06/27/clio-auf-die-ohren-migrationen-und-mobilitaet-im-20-jahrhundert-franzoesische-kolonialsoldaten-im-rheinland-zwischen-propagandakampagne-und-besatzungsalltag/ - https://www.reerdigung.de/ - https://www.sepulkralmuseum.de/ - https://www2.landesarchiv-bw.de/ofs21/bild_zoom/zoom.php - https://www.nzz.ch/zuerich/tod-in-zuerich-grosses-totenfest-fuer-einen-arbeiterkaiser-ld.1310405 - https://fof-ohlsdorf.de/133s07_fischer Für Themenvorschläge oder Feedback: terrax-online@zdf.de „Terra-X-Geschichte – der Podcast“ findet ihr jeden zweiten Freitag auf www.terra-x.zdf.de und überall, wo es Podcasts gibt. - Moderation: Mirko Drotschmann - Sprecher:innen: Sebastian Blum, Inga Haupt, Andrea Kath, Felix Leibelt - Redaktion objektiv media GmbH: Janine Funke und Andrea Kath - Technik: Moritz Raestrup - Musik: Extreme Music - Autor:innen: Janine Funke, Andrea Kath und Daniela Ssymank - Produktion: objektiv media GmbH im Auftrag des ZDF - Redaktion ZDF: Katharina Kolvenbach
In this episode, we're joined by Michael A. Meyer to talk about Rabbi Leo Baeck and his legacy, as a window into twentieth-century German Jewish history, both before the Holocaust and also in the shadow of that tremendous tragedy. Listen in as we discuss his new book, Rabbi Leo Baeck: Living a Religious Imperative in Troubled Times, and think about the big picture lessons we can take away from Baeck's life and his legacy. Read an excerpt from Rabbi Leo BaeckPurchase Rabbi Leo Baeck on Amazon Michael A. Meyer is the Adolph S. Ochs Professor Emeritus of Jewish History at Hebrew Union College. He is a distinguished scholar in the fields of modern Jewish history, German Jewish history, and beyond. Among his books, notable ones include: The Origins of the Modern Jew: Jewish Identity and European Culture in Germany, 1749-1824, which was published in 1967, and Response to Modernity: A History of the Reform Movement in Judaism (1988). He also edited Ideas of Jewish History (1974), and the four-volume German-Jewish History in Modern Times, which was published in four volumes from 1996 to 1998. More recently, he has written Rabbi Leo Baeck: Living a Religious Imperative in Troubled Times, which was published by the University of Pennsylvania Press in 2020, and is the focus of our conversation in this episode. Rabbi Leo Baeck is a stirring biography of one of the most prominent rabbis of the last century. Born in 1873, Leo Baeck became a spiritual leader of German Jewry in the first decades of the twentieth century, as a rabbi in Silesia and later in Berlin, where he was the chief rabbi from 1912 to 1942, when he was deported to the Theresienstadt concentration camp. There, Baeck played an important role in the attempt to develop Jewish cultural activities in the most adverse of circumstances. After the war, Baeck settled in London, where he continued to play a leading role in the rebuilding of German Jewish cultural life in its diaspora; he passed away in 1956, but his legacy lives on in many ways, among them the many synagogues that bear his name and also the Leo Baeck Institute, the research institute on German Jewry which was established in 1954 with branches in London, New York, Jerusalem, and today also in Berlin. Rabbi Leo Baeck is a biography that tells us the life story of one man, Leo Baeck; and like much of Michael Meyer's excellent scholarship it offers cogent and coherent insight into his religious ideas within the context of the broader intellectual history that shaped his lifetime. But the book also does something bigger, by offering us a very personal window into the world of German Jewry in the early twentieth century, in the Nazi era, and also the story of its postwar legacy.
In this podcast episode of #ObehiPodcast, we talked about British and European colonialism in Africa. Selena Carty is a Global Historian with a special interest in Africans, African Americans, African Canadians, Black British, Black Europeans, Caribbean, West Indian, Pacific Islands & Indigenous Nations in Global wars on all sides. _____________________________ ♥ Thank you for listening to Obehi Podcast. Share also with your friends who might need it. ♥Join our eLearning Community --- Send in a voice message: https://anchor.fm/obehi-podcast/message
European cover up.... Why ??? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/phaze5/message Support this podcast: https://anchor.fm/phaze5/support
In this episode of Sacred Tension, I speak with Satanic sociologist Zee Kay about the little-known history of the Werewolf Trials and what they tell us about human nature. Suggested reading from Zee: Jay M Smith - Monsters of the Gevaudan: The Making of a Beast: https://www.goodreads.com/en/book/show/9564342 Rolf Schulte - Man as Wolf: Male Witches in Central Europe: https://www.goodreads.com/book/show/5419619-man-as-witch Matthew Beresford - The White Devil: The Werewolf in European Culture: https://www.goodreads.com/book/show/17674076-the-white-devil Willem de Blecourt - Werewolf Histories: https://www.goodreads.com/book/show/25667610-werewolf-historiesj And of course the obligatory scholarly articles: De Blécourt, W. (2007). “I would have eaten you too”: Werewolf Legends in the Flemish, Dutch and German Area. Folklore, 118(1), 23-43. De Blecourt, W. (2007). A journey to hell: reconsidering the Livonian" werewolf". Magic, Ritual, and Witchcraft, 2(1), 49-67. Metzger, N. (2013). Battling demons with medical authority: werewolves, physicians and rationalization. History of psychiatry, 24(3), 341-355. Become a patron so I can continue my crippling content creation addiction: https://www.patreon.com/StephenBradfordLong Join my Discord server: https://discord.gg/PrDU4zx My work is sponsored by The Satanic Temple TV: a streaming platform featuring documentaries, live streams, conversations, rituals, and more. Use my code SACREDTENSION at checkout to get one month free. https://thesatanictemple.tv/
hair (n) any of the fine threadlike strands growing from the skin of humans, mammals, and some other animals. beauty standard (construct) 1. Beauty is the state or quality of being beautiful 2. A standard is a level of quality or achievement, especially a level that is thought to be acceptable Hair - we all have it in some shape or form. Perhaps it's something you haven't given much thought to - perhaps it's something that has shaped your life in profound ways. In this episode, Carol unpacks some thoughts and stories about hair and the way that hair shapes our experiences and the experiences of those around us. What's considered acceptable and what's not? We need to be aware of the beauty standards we consciously or subconsciously subscribe to. Links to resources used: http://www.fashionencyclopedia.com/fashion_costume_culture/European-Culture-18th-Century/Lice-Hunger-and-Hair.html#ixzz78UGE2RNd https://mg.co.za/opinion/2020-09-09-the-pencil-test-still-colours-the-rainbow-nation-illusion/ Music featured in this episode: The Swing - The Forrester Now that we're far - The Prams The Lively Garden - Morris All used with permission through audiio.com You can find The Forester on Apple Music and Spotify and Carol Joy Williams on SoundCloud. This podcast is the original material of Carol Joy Williams, recorded and produced by Carol Joy Williams. Sound mixing and mastering by Jason Skippers. IG: @caroljoywilliams FB: @caroljoywilliams W: www.caroljoywilliams.com
hair (n) any of the fine threadlike strands growing from the skin of humans, mammals, and some other animals. beauty standard (construct) 1. Beauty is the state or quality of being beautiful 2. A standard is a level of quality or achievement, especially a level that is thought to be acceptable Hair - we all have it in some shape or form. Perhaps it's something you haven't given much thought to - perhaps it's something that has shaped your life in profound ways. In this episode, Carol unpacks some thoughts and stories about hair and the way that hair shapes our experiences and the experiences of those around us. What's considered acceptable and what's not? We need to be aware of the beauty standards we consciously or subconsciously subscribe to. Links to resources used: http://www.fashionencyclopedia.com/fashion_costume_culture/European-Culture-18th-Century/Lice-Hunger-and-Hair.html#ixzz78UGE2RNd https://mg.co.za/opinion/2020-09-09-the-pencil-test-still-colours-the-rainbow-nation-illusion/ Music featured in this episode: The Swing - The Forrester Now that we're far - The Prams The Lively Garden - Morris All used with permission through audiio.com You can find The Forester on Apple Music and Spotify and Carol Joy Williams on SoundCloud. This podcast is the original material of Carol Joy Williams, recorded and produced by Carol Joy Williams. Sound mixing and mastering by Jason Skippers. IG: @caroljoywilliams FB: @caroljoywilliams W: www.caroljoywilliams.com
Here's Part 2! What's going on, guys? Here's another set of these hilarious questions on Reddit! Redditers are being candid on what they think is okay (or acceptable) in their country but completely weird in another. Let's see if Aussies have things in common with people in other countries! Are there any normal things you people do that people from other countries find unusual, like these? Chuck them down in the comments below, and I'll tell you if we got those here in Australia, too! Improve your listening skills today – listen, play, & pause this episode – and start speaking like a native English speaker!
Hilda explains how to work out and stay fit. She also explains how European culture is different from American. A lot of things are discussed regarding health and fitness. Hilda's Instagram Profile: https://www.instagram.com/hilda.laura.amaral/ Book my consultation: https://calendly.com/anujvohra_investing/ Listen to the podcast till the end. Follow me: Instagram: @anujv21 Fiverr: @anujvohra Consultation: anujvohra.investing@gmail.com
An Irish twist on an Espresso Martini that had us up all night...just like the subject of our show this week: werewolves! Brew Moon, get it? Yea, we can't stop singing the song either !We turned our attention to one of this island's longest standing lupine cryptids, focusing on everything from saints' curses to what exactly is a viral werewolf we found that the folklore is older than we ever thought...even within popular culture!A staple of any horror podcast we knew we were in for the long 'howl' (so, so, sorry but I'm too caffeinated to make better puns) and that Ireland was going to offer some serious stories of wolfish shenanigans - despite the fact we haven't had wolves (were or otherwise) for over 200 years. We tackled gender, puberty & good old fashioned folklore in all it's 'lycanthropic' glory thanks to Alex's 'Brew Moon' - swapping vodka for poitín and trying the Jameson Cold Brew, the full recipe can be found on our Instagram at: @irishspiritspodcastOur apologies if we were speaking too fast!The sources that kept us wired to the moon were: dúchas.ie, Tarquin Blake's Haunted Ireland, 'How a tale of cursed werewolves in Ireland finds its way to 13th century Norway' by Minjie Su on medievalists.net, John Carey's ‘Werewolves in Medieval Ireland', Brereton's Phantasmagoria, Werewolves: A Hunter's Guide by Graeme Davis, Matthew Beresford's The White Devil: The Werewolf in European Culture, David Wyatt's Slaves and Warriors in Medieval Britain and Ireland, Leslie Sconduto's ‘Metamorphoses of the Werewolf: A Literary Study from Antiquity through the Renaissance, Catherine Karkov's. "Tales of the Ancients: Colonial Werewolves and the Mapping of Post-Colonial Ireland, The Cursed and the Committed: A Study in Literary Representations of ‘Involuntary' Shapeshifting in Early Medieval Irish and Old Norse Narrative Tradition by Camilla Pedersen With, https://www.celticwhiskeyshop.com/blog/Poitin,%20Ireland,%20history, https://punchdrink.com/recipes/stefano-dorsognas-espresso-martini/, https://punchdrink.com/articles/ultimate-best-espresso-martini-cocktail-recipe/, https://digitalcommons.pace.edu/cgi/viewcontent.cgi?article=1066&context=honorscollege_theses, https://www.hindustantimes.com/entertainment/vatican-slams-twilight-series/story-iklbHYQ6i1pjmQsYCU6cgI.html & https://www.ancient-origins.net/unexplained-phenomena/witches-vampires-and-werewolves-10-ghoulish-archaeological-discoveries-004402 As ever you can find the recipes for any of our Instagram @irishspiritspodcast You can follow us on Twitter @irishspiritspod or email us at: irishspiritspodcast@gmail.comSupport the show (https://www.buymeacoffee.com/irishspirits)
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women's political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women's political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The following is a link to the Mosse Art Restitution Project. To view rewards for supporting the podcast, please visit Warfare's Patreon page.Show Notes:9:30 - Berlin art dealer Karl Haberstock11:30 - Lepke and Union auctions13:30 - Berliner Tageblatt23:50 - Washington Principles27:30 - Three Dancing Maidens fountain, Berg Schlitz51:00 - German museums, Museum Island1:02:00 - http://www.lostart.de1:06:00 - https://www.mari-portal.de1:11:00 - restitution of Winter or Skaters from Arkell Museum1:15:00 - restitution efforts within Poland1:17:00 - restitution efforts within Israel1:21:00 - Germany's holding of Karl Blechen's Scholastica 1:25:00 - restitution efforts within Russia 1:31:00 - restitution efforts within Israel1:40:00 - restitution efforts within the NetherlandsTo leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]
In 2017, Brenton Tarrant went into a mosque in New Zealand and opened fire killing many and injuring many more. Why did he do it? What were his beliefs? What did he believe about European Culture? What did he believe about Islam? Why was his action morally wrong? Find out this episode.
Please visit the websites of the Max Stern Art Restitution Project and the Stern Cooperation Project to learn more.To view rewards for supporting the podcast, please visit Warfare's Patreon page.Show Notes:3:30 Dr. Korte's initial inquiries in Düsseldorf4:00 Galerie Stern dealt in Old Masters and 19th / early 20th Century artists4:30 Dr. Korte's research of Nazi records and post-war restitution claims5:50 Stern inventory sold in November 1937 at Lempertz auction house in Cologne, Germany7:00 Stern's 1933-1938 inventory 9:30 post-war restitution proceeding confirmed the 1937 auction was a sale under duress11:30 Stern's art pursued as stolen property12:50 Max Stern Art Restitution Project is the only project of its kind on behalf of a foundation only13:30 Girl from the Sabiner Mountains sold at the 1937 Lempertz Auction; surfaced in Rhode Island auction house 14:50 Civil litigation over Sabiner Mountains focused on 1937 Auction as a sale of stolen propertyPhases I – III Approach of Restitution:16:20 Phase I: Stern team prevailed in Sabiner Mountains case with argument that sales under duress are the same as seizures and confiscations, and Stern's 228 paintings were sold as stolen property17:30 Stern approached Customs Service at U.S. Attorney's Office in S.D.N.Y. to have remaining 227 paintings reported to Interpol as stolen property19:50 August 1935 Order from Nazis required Stern to shut gallery, creating period of persecution that ran until 1937 auction21:25 Phase II: Italian gallery that held painting sold in 1935-1937 period in its collection ignored requests from project that painting be returned; painting then seized while it was in New York; stipulation signed confirmed work sold in 1936 was sold under duress23:10 Phase III: 2019 German Advisory Commission recommended return of painting sold by Stern in 1936, “Uhlans on the March”, and concluded Stern was under duress as of spring/summer 193325:00 Project will now pursue hundreds of paintings sold as of mid-193327:00 Private collectors in Europe are not held to German Advisory Commission's recommendations or Washington Principles; German private collector of Sicilian landscape by Andreas Achenbach sold by Stern in 1937 has refused to return it and initiated litigation, alleging painting was wrongfully listed as stolen with Interpol.35:00 Dynamic within Germany's Commission changed after appointment of two Jewish members.36:45 Paintings sought are mostly on German art market with some Dutch Old Masters expected to appear on European/ U.S. markets.43:20 Bruegel painting returned by the Dutch Government.44:30 Dutch museum refused to return another painting; recent criticism of Dutch commission for its handling of claims may be invitation to again request return of work from Dutch Museum.47:00 Dutch government may have thought these claims were only P.R. problem.48:00 Jewish gallery owners are challenging group seeking restitution. 52:45 Dr. Korte discusses how justice is part of the Project's work and losses that have occurred thus far.58:00 Stern Cooperation Project is a German-Canadian-Israeli scholarly research project focused on the Stern family.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]
The 20th and 21st centuries have been a period of extreme progress in matters of human development. Technologically, we have advanced more in a century than in the previous millennia. Over the last 40 years the distances between nations have become negligible, and democratically rooted systems have taken hold of a majority of the world, where even until the 1950s, only a minority of nations had successfully implemented them for extended periods of time. Superstitions were receding at a commendable rate until the first decade of the 2000s, but the last 10 years have seen a strange regression in the perception of people regarding said progresses. The data clearly tells us one story, one of progress and improvement in nearly every facet of global wellbeing, and yet, the public intuition fueled by unhinged news sources and social media's reactionary bias, feeds a more tragic outlook. The disparity between perceived reality, and a factual progressive world has led to many moments of unbearable stupidity, which are often shrugged off as “mere overcorrections.” One should not be so blasé about this, as any good doctor will tell you, overcorrections have dire results, and are no mere detail. When an immune system overcorrects it can often have calamitous consequences for a person. An over-zealous response can lead to death, and when not to death to something often more dire than the disease itself. It has been a strange decade leading up to the moment we're in, and It seems nobody is safe from the tribunals of public opinion. One by one, we have seen important advances brought into question, civil liberties and freedoms decline, as these overcorrections move unopposed. Most people find these easy to ignore, and applaud them as signs of progress they claim to not understand themselves, until the inquisitors arrive at their doorsteps to threaten things they hold dear. --- Support this podcast: https://anchor.fm/artssalon/support
This week, the game that unites this continent. We're talking to Eniola Aluko, former England and Juventus striker, about her experience as a black woman in European football. We're also talking about what it's like to recover from a Russian Novichok poisoning; Europe's latest refugee plan; and clever puffins. Thanks for listening! If you'd like to help us keep making The Europeans, you can chip in a couple of euros/dollars/pounds a month to our Patreon fund: patreon.com/europeanspodcast. You can watch Eni speaking at the Forum on European Culture here, and check out her book here. This week's Isolation Inspiration: Hanna, The Vampire Ship, and the latest issue of Are We Europe. Twitter | Instagram | Facebook | hello@europeanspodcast.com
Could Europe do with a 19th-century reboot? This week we're talking to Simon Strauss, millennial star of the German literary world, about why he thinks Romanticism is the future. We also hear about a lovely project he's launched to collect the stories of ageing Europeans. Plus: Ursula's big day, eco-burials, and what Tchaikovsky got in the post. Simon's smash-hit novel, Seven Nights, is now available in English: https://rare-bird-books.myshopify.com/products/seven-nights Read his 2018 keynote from the Forum on European Culture: https://cultureforum.eu/report2018/wp-content/uploads/Day-3_keynote-simon-strauss.pdf And check out the European Archive of Voices: https://usefenut.myhostpoint.ch/european-archive-of-voices/ This week's Isolation Inspiration: Why Did You Betray Me? https://www.decomposedshow.org/episode/2019/04/30/why-did-you-betray-me-tchaikovsky La Haine https://www.rottentomatoes.com/m/la_haine Thanks for listening. If you like our show and would like to help us keep making it, we'd be really grateful if you could chip in a few dollars a month at https://patreon.com/europeanspodcast. Twitter | Instagram | Facebook | hello@europeanspodcast.com
Women are kicking ass in Belarus right now, and this week we're catching up with the journalist Hanna Liubakova about why — and where the protest movement is going. We're also talking about the fire at Greece's Moria refugee camp and the mess that is Europe's refugee policy. Plus: greener energy choices in Portugal and the French film behind the #CancelNetflix hashtag. Follow Hanna on Twitter for essential updates on Belarus: https://twitter.com/HannaLiubakova The Forum on European Culture runs in Amsterdam/online from September 17-20. Check out the line-up here: https://cultureforum.eu Thanks for listening! If you'd like to help us keep making this show, please consider chipping in a couple of dollars or euros a month at https://patreon.com/europeanspodcast. Twitter | Instagram | Facebook | hello@europeanspodcast.com
We're back from our summer break and here to bring you all the European Things that have been missing from your life. This week, the Italian novelist Francesca Melandri on what happened when her beautiful Letter From The Future went viral; we also chat about how Italy deals (or doesn't) with the past. Also this week: theatrical freedom in Hungary, extremely slow music, and a fly-swatting disaster. Francesca is speaking at the Forum on European Culture next week. Get the full programme here: https://cultureforum.eu Thanks for listening! If you like our show and want to help us keep running, you can donate a couple of euros/dollars a month at patreon.com/europeanspodcast. Twitter | Instagram | Facebook | hello@europeanspodcast.com
According to activist Wong Yik Mo, Europe’s response to the Chinese interference in Hong Kong isn't effective. In this episode our program editor Zara Toksöz speaks with Mo, not from Hong Kong but from exile in Taiwan. How should Europe and the European people deal with the developments in Hong Kong? And what does Mo hope to achieve for Hong Kong from a distance?Power to the People https://cultureforum.eu/event/power-to-the-people/The Many Faces of Modern China https://debalie.nl/programma/the-many-faces-of-modern-china-2-22-09-2020/Forum on European Culture www.cultureforum.eu
Episode Notes Patti and Jonathan discuss the need for swords, the need for Crocs, and the importance of Parks and Recreation. Patti explains European Culture as Jonathan explains sucking thumbs. What is a nightmare bubble? Who eats the dead bodies on Krakoa? Find out on this episode of Mutant Musings! Show Notes New Mutants #11 X-Factor #1 Marauders #11
Eric Kaufmann joined host Ben Domenech to discuss his work within fields of research related to populism across the world and specifically in the United States. Kaufmann is a professor of politics at Birkbeck College at the University of London and is the author of “Whiteshift: Populism, Immigration, and the Future of White Majorities.” Kaufmann […]Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/federalist-radio-hour/eric-kaufmann-on-the-effect-of-left-wing-populism-on-american-and-european-culture/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Federalist Radio Hour in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.
Jüri is one of my best friends. We met in Poland in 2013 and although living 2 worlds apart - and growing up 2 worlds apart - we hit it off instantly and are still in contact regularly. This podcast is dedicated to Estonians.
Led Zeppelin, J.R.R. Tolkien, Ramble on.
Dr. Martin Sand works at the Department of Values, Technology and Innovation at TU Delft as a Marie Skłodowska-Curie-Fellow with a project on “Moral Luck in Science and Innovation”. He studied „European Culture and History of Ideas” at the Karlsruhe Institute of Technology (KIT) focusing on philosophy and ethics of technology. Sand obtained his PhD in 2018 with the thesis „Futures, Visions, and Responsibility-An Ethics of Innovation“, which was completed at the Institute of Technology Assessment and Systems Analysis (ITAS).The thesis was supervised by Prof. dr. Armin Grunwald (KIT) and Prof. dr. Ibo van de Poel (TU Delft). Sand is a member of the editorial board of the Springer journal Philosophy of Management and a member of the Serendipity Society. During his PhD, he taught business ethics and engineering ethics at the Technical University Kaiserslautern and Baden-Württemberg Cooperative State University Karlsruhe.https://www.tudelft.nl/tbm/over-de-faculteit/afdelingen/values-technology-and-innovation/people/postdocs/dr-m-martin-sand/
Dr. Martin Sand works at the Department of Values, Technology and Innovation at TU Delft as a Marie Skłodowska-Curie-Fellow with a project on “Moral Luck in Science and Innovation”. He studied „European Culture and History of Ideas” at the Karlsruhe Institute of Technology (KIT) focusing on philosophy and ethics of technology. Sand obtained his PhD in 2018 with the thesis „Futures, Visions, and Responsibility-An Ethics of Innovation“, which was completed at the Institute of Technology Assessment and Systems Analysis (ITAS).The thesis was supervised by Prof. dr. Armin Grunwald (KIT) and Prof. dr. Ibo van de Poel (TU Delft). Sand is a member of the editorial board of the Springer journal Philosophy of Management and a member of the Serendipity Society. During his PhD, he taught business ethics and engineering ethics at the Technical University Kaiserslautern and Baden-Württemberg Cooperative State University Karlsruhe.https://www.tudelft.nl/tbm/over-de-faculteit/afdelingen/values-technology-and-innovation/people/postdocs/dr-m-martin-sand/
In this episode we talk to Dilip. Dilip is originally from India and left Indian for the fist time when he was 28 for a business trip to Germany. Since the Dilip has lived in Germany and The Netherlands in Eindhoven. In this episode we talk about aspects of the Indian culture, culture shock and aspects of the European society that took him by surprise especially Christmas Market and Mulled wine. Here is an outline of the topics discussed: From Indian Anupur Bangalore Inndian Bangalore is Expensive Small Facility Selling Insurance in India 03:00 Options in India - 05:20 Doctors inn India and Barter Repayment 06:50 Art in India 07:45 Art and importance 09:47 Control of artist by the system First Trip out of India 11:50 News from Germany 13:20 - Smiling First Winter In Germany 15:07 Similarities between Romania and Indian 16:40 The Experience Economy 19:00 Indian Water and Tissue Difference 21:50 ++++ Shock was using Toillet Light vs Dark Shock - 22;50 Christmas Markets 23:00 +++ Indian Markets 24:45 Gulled wine wonder 25:15 German Food 26:33 Horse Milk and Horse Cheese 28:00 Interactions with German Colleague and Expertise 29:45 The Option of Moving To Indian 32:00 Staying in Tübingen 33:00 Finding Accommodation in Germany 34:00 Challenges of Finding an apartment - worse than India 37:00 Making Romanian Friends 38:00 Positive Experience 39:00 Deciding not to go back to India 40:00 Working Across Continents 41:00 Work Life Balance Culture 41:30 Finding Another Job in Europe 42:00 Transition in Eindhoven 44:00 Eindhoven - Accommodation Issues 45:00 Eindhoven - Tech Parks 46:00 Other Options in Europe 51:00
Read his transcript here: https://www.westminster-institute.org/events/laszlo-szabo/
Season 4 Episode 174 "A Celebration of European Culture" by EverydayMedia
The concept of cultural diversity lies at the heart of the European project. Recent years have seen renewed interest in the sector's potential for promoting social cohesion, unity and tolerance, on the one hand, with continued recognition of its valuable economic role, on the other. There is a strong commitment at the EU level to ensure that culture is mainstreamed in all policy areas, with a special focus on the protection of cultural heritage and cultural diversity, which are key elements in cultural identity and expression. From the economic point of view, the cultural and creative sector, which employs 8.4 million people in the European Union, is dynamic and has a large potential for growth due to its diversity and scope for individual creative freedom. Yet the development of this potential is hampered by barriers, notably linguistic diversity, fragmentation and different financial mechanisms across the EU. The EU's cultural and creative industry also faces challenge from digital technologies and global competition, particularly from the United States' (US) audiovisual industry, and from US and Chinese diplomatic efforts to promote their cultural output. Under the Treaty on the Functioning of the European Union, the EU's role in the context of cultural policy is a supportive and complementary one, direct responsibility in the area being largely a matter for the individual Member States. Nevertheless, since 2014, these challenges have been addressed at the EU level, inter alia via the strengthening of the digital single market, which is essential for access to culture, the circulation of European cultural works, the fair remuneration of creators and fair competition. Since the economic crisis, additional funding has also been made available for the sector via the European Fund for Strategic Investment introduced by the Juncker Commission in 2015. As indicated in a 2017 European Commission communication on the role of culture and education, the synergies between the socio-economic aspects are to be enhanced. The European Year of Cultural Heritage in 2018 is to feed into a reflection and actions related to shared culture and history. These issues are addressed in the New European Agenda for Culture, while the new multiannual financial framework for 2021-2027 envisages increased funding for culture. This will also support efforts to combine artistic and technological skills, which are a prerequisite for artistic expression in the new digital environment.https://www.europarl.europa.eu/thinktank/en/document.html?reference=EPRS_BRI(2018)623555 Source: © European Union - EP
The concept of cultural diversity lies at the heart of the European project. Recent years have seen renewed interest in the sector's potential for promoting social cohesion, unity and tolerance, on the one hand, with continued recognition of its valuable economic role, on the other. There is a strong commitment at the EU level to ensure that culture is mainstreamed in all policy areas, with a special focus on the protection of cultural heritage and cultural diversity, which are key elements in cultural identity and expression. From the economic point of view, the cultural and creative sector, which employs 8.4 million people in the European Union, is dynamic and has a large potential for growth due to its diversity and scope for individual creative freedom. Yet the development of this potential is hampered by barriers, notably linguistic diversity, fragmentation and different financial mechanisms across the EU. The EU's cultural and creative industry also faces challenge from digital technologies and global competition, particularly from the United States' (US) audiovisual industry, and from US and Chinese diplomatic efforts to promote their cultural output. Under the Treaty on the Functioning of the European Union, the EU's role in the context of cultural policy is a supportive and complementary one, direct responsibility in the area being largely a matter for the individual Member States. Nevertheless, since 2014, these challenges have been addressed at the EU level, inter alia via the strengthening of the digital single market, which is essential for access to culture, the circulation of European cultural works, the fair remuneration of creators and fair competition. Since the economic crisis, additional funding has also been made available for the sector via the European Fund for Strategic Investment introduced by the Juncker Commission in 2015. As indicated in a 2017 European Commission communication on the role of culture and education, the synergies between the socio-economic aspects are to be enhanced. The European Year of Cultural Heritage in 2018 is to feed into a reflection and actions related to shared culture and history. These issues are addressed in the New European Agenda for Culture, while the new multiannual financial framework for 2021-2027 envisages increased funding for culture. This will also support efforts to combine artistic and technological skills, which are a prerequisite for artistic expression in the new digital environment.http://www.europarl.europa.eu/thinktank/en/document.html?reference=EPRS_BRI(2018)623555 Source: © European Union - EP
Articles by Kristin Raeesi:Common Myths About The Romani People (that you probably believe)Romani, Domani, and Lom People: What Belly Dancers Who Want to do 'Gypsy' Dance Need to KnowRomani Reading resources (Suggested by Kristin)Books/article:"We are the Romani People" (book) Ian Hancock"Romani Routes" (book) Carol Silverman"Gypsy Music in European Culture" (book) Anna Piotrowska"On Romani Origins and Identity" (article) by Ian HancockWebsites:Rom Archive: https://blog.romarchive.eu/Mundi Romani YouTube channel (features 42 part series on Romani lives/perspectives in several countries): https://www.youtube.com/playlist?list=PLLoTPR8wANp1V0S2yF02gOJcJrfpp-_nHThe Patrin Web Journal: Romani Culture and History: http://www.oocities.org/~patrin/Rombase: http://rombase.uni-graz.at//Rroma Foundation: http://rroma.org/en/home/Romedia Foundation: http://en.romediafoundation.org/Dom Research Center: http://www.domresearchcenter.com/index.htmlUS based teachers for various Domari/Romani dance styles:KawliyaMohanned Hawaz, US workshops (based in Sweden)Sara Al Hadithi, CaliforniaGhawazeeAisha Ali, CaliforniaEva Cernik, ColoradoTurkish RomaniJessaiah Zure (also teaches Macedonian style Romani dances), OregonRabia Gultekin, West VirginiaArtemis Mourat, Washington D.C.Balkan RomaniŠani Rifati, US workshops (based in Germany)Carol Silverman, OregonAlexander Markovic, IllinoisRussian RomaniVadim and Marina Kolpakov, North CarolinaHungarian RomaniRichard Balazs, PennsylvaniaFlamencoRené Heredia, Colorado————————————————————-Find Kristin Raeesi on Instagram and FB.Find Iana on Instagram, FB, Youtube, websitePodcast: www.ianadance.com/podcastBellydance Evolution: bellydanceevolution.com
Why to apply for European Capital of Culture? The 2024 Capital of Culture can again be from Estonia and interest in this title has been shown by Narva, Tartu, Pärnu and Kuressaare. What is the benefit for the local community of being a Culture Capital? What about artists and authors or culture managers? What is the impact of this title before and after the Capital of Culture year? How to involve the community and have good cooperation between authorities as well as at the grass-roots level? What is the impact of the title of the Culture Capital on the region's and state's image in the long term? The earlier experience of being a European Capital of Culture can be shared both by Estonia and the Nordic countries, and we will hear it in the debate. Arutelu keel: Inglise Arutelu juht: Laur Kaunissaare (Tallinn 2011 Program Coordinator, Theatre No99, Dramaturg, Estonia) Osalejad: Suvi Innilä (Turu 2011 European Culture Capital Program Leader, Finland) Ib Christensen (Aarhus 2017, Head of Municipality Cultural Department, Denmark) Helen Sildna (Shiftworks, Narva 2024 initiative, Team Member, Estonia) Berk Vaher (Tartu 2024 European Capital of Culture candidate city, Bidbook Editor, Estonia) Korraldaja: Nordic Council of Ministers’ Office in Estonia / Põhjamaade Ministrite Nõukogu esindus Eestis Arutelu leidis aset 11. augustil 2018 Paides. Vabas õhus tehtud salvestusele lisavad värvi tuule puhumine, lehtede kahin ja vihma krabin. :)
Can art serve as an ideological weapon? Lara Staal, program maker and artist thinks it can and should. In this podcast host Tim Wagemakers and co-host Luuk van Middelaar examine if artistic freedom is under pressure in Europe and how art can give meaning to developments around us. A conversation with renowned film director Julian Rosefelt (Manifesto), Lara Staal (artist) and Marek Šindelka (author).Four podcasts, live from the Forum on European Culture that took place from May 31st until June 3rd. This year’s edition was called Act for Democracy and artists and thinkers took the stage to explore and recreate Europe through arts & culture. In these 4 podcasts we explored 4 main themes of the Forum that show what’s at stake at Europe and how we can.. Act for democracy.
Ulrike Guerot, founder of the European democracy lab wrote The Manifesto fort he Foundation of an European republic. Is this a good idea? And who really runs Europe, or how should it be runned? We’ll discuss it with Ulrike Guero tand Luuk van Middelaar, historian and political philosopher. And we’re joined by Kyrill Hartog, a young journalist telling the story of the younger generation. Four podcasts, live from the Forum on European Culture that took place from May 31st until June 3rd. This year’s edition was called Act for Democracy and artists and thinkers took the stage to explore and recreate Europe through arts & culture. In these 4 podcasts we explored 4 main themes of the Forum that show what’s at stake at Europe and how we can... Act for democracy.
How can artists take a position, when freedom is under pressure? In the last session host Tim Wagemakers and co-host Yoeri Albrecht talk to German star actor Lars Eidinger, conceptual and visual artist Barbara Visser and the Polish sociologist Jan Sowa. Each of them struggle to give meaning to their position as an artist in European topics. But acts for democracy can be found in many places, says Lars Eidinger, and sometimes you fail to take a position. For example when his theatre company decided not to go to Istanbul…Four podcasts, live from the Forum on European Culture that took place from May 31st until June 3rd. This year’s edition was called Act for Democracy and artists and thinkers took the stage to explore and recreate Europe through arts & culture. In these 4 podcasts we explored 4 main themes of the Forum that show what’s at stake at Europe and how we can.. Act for democracy.
What does it mean to have Europe as a home? How inclusive is Europe? In this hour host Tim Wagemakers and co-host Yoeri Albrecht talk with Seyran Ates, a German lawyer and Muslim feminist. We’ll talk with poet, spoken word artist and teacher Jacob Sam-La Rose, born in the UK, but with Guyanese roots. And we’ll talk with Betul Ellialtiogly, a photographer, graphic designer and architect from Turkey, who moved to the Netherlands in 2012. “This was supposed to be a love letter”, writes Jacob in one of his poems, “but it’s hard to love a place that could never take my true name in it’s mouth, a place I was born but always wondered whether I truly belonged.”Four podcasts, live from the Forum on European Culture that took place from May 31st until June 3rd. This year’s edition was called Act for Democracy and artists and thinkers took the stage to explore and recreate Europe through arts & culture. In these 4 podcasts we explored 4 main themes of the Forum that show what’s at stake at Europe and how we can... Act for democracy.
The Thirty Years War was primarily fought within or around The Holy Roman Empire. This entity, for no other word adequately describes it, was at the center of European Culture, Trade, Learning, and Geography. Its unique position and history made it the battleground for one of the most destructive and devastating conflicts in world history.Website: conflictspodcast.comContact: conflictspodcast@gmail.comSHOWNOTES:TTYW TimelineFrankish Expansion (481-814)The Crowning of CharlemagneCharlemagne AscendantTreaty of Verdun (855)Imperial and Electoral CrestsImperial Circles (1512)
What is the real definition of Conservatism? Hodges and Vowell continue their analysis of the Paris Statement, addressing the question of whether or not the public square can be "naked" as Richard John Neuhaus wrote. Is there anyone who isn't conservative in some ways? What do the authors mean when they suggest that Europe should secularize the public arena? What is a working definition of sacred and secular?
Europe has divided, just as the US has become divided. A group of Conservatives from many different countries in Europe have put together a statement that defines the two approaches, and advocates for a "Europe We Can Believe In." Center Director John Hodges and Podcast Host Jack Vowell discuss a few of the points in the document, mainly that deal with economics: Marxism, Socialism, Capitalism, and promise to look into other key elements in future podcasts.
Sony had allowed Kratos some well-deserved rest from his series of games until 2018 when a new one came out for the PS4. But this time they went from the legends of Greece, to the tales from Norse mythology. NEON looks at the evolution of the games as well as the evolution of the legends they are inspired by. Jem also points out the fact that a video game character was able to switch from one mythology to another tells us something else, the similarity of beliefs and storytelling from around the world.Written & Presented by Jem DuducuProduced by Dan MorelleMusic: Run the Jewels - Legend Has ItBe awesome, support us on PatreonSubscribe to the podcast on iTunes and follow us on Twitter. See acast.com/privacy for privacy and opt-out information.
In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity. Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018.
In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity. Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity. Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity. Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity. Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural... Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_
Benjamin Martin's The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany's initiatives in music, film, and literature appealed to the cultural sensibilities of Europe's conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany's attack on modernism created friction between its ally fascist Italy. Mussolini's government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices
Adam is nineteen years old and lives in Exeter, England. He hails from a working-class family based in London and has been hosting amateur podcasts on politics, culture and traditionalism since August 2014 as a way of making use of the anger and confusion he has felt with the world since secondary school. He began writing for West Coast Reactionaries, an amateur blog, since June 2015. Adam describes him self as essentially a disillusioned millennial navigating his way through the perils of modernity. After our very own THAist David Parry recently shared the mic with Adam live on youtube, we are very excited about having him on THA Talks, a voice from the youth of a growing movement in Europe and the West. Related links: www.westcoastrxers.com
Marcel is a digital epidemiologist working at the interface of population biology, computational sciences, and the social sciences. He obtained his PhD at ETH Zurich and spent two years as a postdoc in Stanford before joining the faculty at Penn State in 2010. In 2014, he spent half a year at Stanford as visiting assistant professor. In the summer of 2015, Marcel became an Associate Professor at EPFL where he heads the Digital Epidemiology Lab at the new Campus Biotech.He has published papers in a variety of fields and recently wrote a book called "Nature, in Code". He led the development of the MOOC “Epidemics - The Dynamics of Infectious Disease”, a popular large-scale online course and co-founded PlantVillage, a knowledge exchange platform for growers of all kinds of plants. He also is deputy editor of PLOS Computational Biology.Marcel has spend a few years in the tech industry as a web app developer. He was part of the renowned Y Combinator startup accelerator’s class of 2014.
with Didem Havlioğlu hosted by Chris Gratien and Emrah Safa Gürkan This episode is part of a series on Women, Gender, and Sex in Ottoman historyDownload the seriesPodcast Feed | iTunes | SoundcloudWhile almost all of the well-known authors of the Ottoman period are men, women also participated in Ottoman intellectual circles as authors and artists. In this podcast, Didem Havlioğlu describes the world of early modern Ottoman intellectuals and discusses how we can study the cultural of production of women within this context. Didem Havlioğlu is an Assistant Professor of Turkish Literature at Istanbul Şehir University (see academia.edu)Emrah Safa Gürkan is a recent Ph.D. from the department of history at Georgetown University specializing in the early modern Mediterranean and Ottoman Empire (see academia.edu)Chris Gratien is a PhD candidate studying the history of the modern Middle East at Georgetown University (see academia.edu)Episode No. 71Release date: 24 September 2012Location: Istanbul Şehir UniversityEditing and Production by Chris GratienCitation: "Women Literati and Ottoman Intellectual Culture," Didem Havlioğlu, Chris Gratien and Emrah Safa Gürkan, Ottoman History Podcast, No. 71 (September 24, 2012) http://www.ottomanhistorypodcast.com/2012/09/women-literati-and-ottoman-intellectual.htmlImage: Osman Hamdi Bey, "Mihrap"Select BibliographyHavlioğlu, Didem. "On the margins and between the lines: Ottoman women poets from the fifteenth to the twentieth centuries," Turkish Historical Review, 1 (2010) 25-54.Andrews, Walter G. and Mehmet Kalpaklı, The Age of Beloveds: Love and the Beloved in Early-Modern Ottoman and European Culture and Society (Durham: Duke University Press, 2005).Behar, Cem. Aşk olmayınca meşk olmaz: geleneksel Osmanlı/Türk müziğinde öğretim ve intikal. İstanbul: Yapı Kredi Yayınları, 1998.Tys-Şenocak, L. Ottoman Women Builders: The Architectural Patronage of Hadice Turhan Sultan (Burlington: Ashgate, 2006). Kızıltan, Mübeccel, “Divan Edebiyatı Özelliklerine Uyarak Șiir Yazan Kadın Şairler” (1994).
Dr. Mwalimu K. Baruti makes his second appearance on the Context of White Supremacy. We will explore Dr. Baruti's standout text, Excuses, Excuses: The Politics of Interracial Coupling in European Culture; this book examines the pathetic and pitiful justifications given for engaging in sexual intercourse with White people. Dr. Baruti concludes that non-white people who pursue sexual intercourse with White people under conditions dominated by the System of White Supremacy, are suffering from severe Mentacide/psychosis. INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p
We're currently publishing a 10 episode series on the "Aeneid" by Virgil (from 29-19 BC) on the subscription podcast for the Ancient World, and its influence and connections with Dante's Divine Comedy. ($2/mnth: https://patreon.com/ancientworld)This episode is a brief summary of some of the highlights, and excerpts from Virgil's Epic - which was massively influential on the Roman and European Culture in the Ancient and Medieval Times.Enjoy! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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