Podcasts about hairy

Fred from the SubArctic Alaska Sasquatch YouTube channel is back with two chilling sibling-reported encounters from remote Alaska, and both stories escalate far beyond a simple glimpse in the woods.The first account comes from Gabe and Rhonda, lifelong berry pickers in their 60s who were gathering berries in Alaska's interior when Gabe dozed off while keeping watch for bears. He woke to something far more unsettling—a large, dark, hairy figure moving along the treeline. What began as a distant sighting quickly turned into a tense retreat as the group raced back on four-wheelers and became convinced the figure was shadowing them, circling through the surrounding woods and staying just out of clear view.Near the parking area, Rhonda fired a pistol shot as the encounter intensified. Then came one of the strangest moments of the night: from the nearby trees, something appeared to mimic a grunt Gabe had made earlier. An older relative with the group offered advice that was simple, eerie, and deeply rooted in experience—ignore it, stay calm, and “sing happy songs.”Fred's second story comes from Tatiana and Nikolai near Yakutat, where the activity was even more aggressive. It began with marble-sized rocks seemingly thrown from the woods, striking Robert and Nikolai. Soon afterward came a shrill sound, a dark figure appearing at a window, and the inexplicable disappearance of a generator. When the generator suddenly came flying back toward Nikolai, the situation took a much more dangerous turn.The encounters continued with a close sighting from the deck of a wrinkled, broad-nosed, hair-covered face staring back at them. Their dog, Roscoe, briefly disappeared. Their skiff was later found overturned. Even after leaving the property, the strange activity wasn't finished. When they eventually returned with a friend, he too was struck by a thrown rock.That was enough. They ultimately sold the property, making sure the new owner knew exactly what had happened there.wo remote locations. Two families. And a series of encounters involving stalking behavior, vocal mimicry, thrown objects, close-range sightings, and something in the Alaskan wilderness that seemed determined to make its presence known.SubArctic Alaska Sasquatch YouTube ChannelEmail BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: A poem about a map opens north and south, the first collection of the great 20th century poet Elizabeth Bishop. And since maps have been associated with her poetic vision, at once telescoping and binocular, and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also handheld, man made intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative and personal. Over the next few episodes, we'll be reading a selection of some of Bishop's most anthologized poems, starting with the moose as expressions of, among other things, her map, like imagination. This is Erin O'Luanaigh. And this is Wes Alwan, and you're listening to Subtext. Wes, have you ever seen a moose in the wild? 1:12 Wes: I have not, but I have seen Instagram videos of them and people getting too close, and I've heard that they actually are quite dangerous. 1:23 Erin: Oh, perfectly harmless. 1:24 Wes: As cute as they look. So not safe as houses. Which is a very surprising line, unless you think that houses maybe aren't as safe as they seem or ought to be. But that's something we'll talk about later. How about you? 1:38 Erin: I have not. And I actually, it's become a running joke among certain friends of mine that I haven't seen a moose because I long to see a moose in the wild. This is my dearest wish. 1:52 Wes: Is that the first time anyone said that in history? I long to see. 1:56 Erin: I don't know. 1:57 Wes: It's a good first line for a poem, actually. Why do you long. Long to see a moose in the wild? 2:03 Erin: Really? Maybe because of the poem. I don't know. I just really want to, but I. Maybe this will become significant without getting too personal or maybe with getting too personal. With apologies to the listeners. Ten years ago now, when my grandfather passed that summer, my grandmother wanted to go up to Maine and revisit certain places that she had been with him. And we ended up going to Acadia. And I was so excited to see. Am just. I got it into my head that I had to go to Acadia and see a moose. And I even bought a sweatshirt. I'm not wearing it right now. I looked down to see if I was wearing it. It's the same size and shape as this one. This is a Yankees, 1996 World Series sweatshirt. 2:42 Wes: It's not a Rocky and Bullwinkle sweatshirt, is it? 2:45 Erin: No, no, no. It's an acadia and it has a. It has a mousse on it. And so I bought it the first day that I was there and I was like, this is my sweatshirt and it has a moose on it. And I'm gonna. I'm gonna see a moose. And I did not see a moose. And then I. I bought a moose sweatshirt in, I think Grand Teton, and I was like, I'm gonna see a moose. And I did not see a moose. And then I lived obviously many years in Utah, and things would happen. Everybody knew I wanted to see a moose. And I would go to these trails where you could see moose. And I would like be going up a trail and someone would be coming down saying, there are moose up there. We just saw a moose. You just saw baby moose. I'd get all upsided and I would. I would run up and it was gone and people would taunt me. 3:32 Wes: So you don't want to see like a magic white heart or something like that? 3:38 Erin: No, no, I just want to see him. Even the garden variety moose? No, no. Just a humble moose will hide itself from me when. When it knows that I am after it. 3:49 Wes: Because they are a goofy, right? Are they majestic? Are they goofy looking? Are they both? 3:55 Erin: I think they're both. And I think that kind of qual quality is really well captured in the poem. No, I mean that quality of if not being then looking safe as houses or being a gargantuan size, and yet having. I know this is a female moose, which I believe is called a cow, as opposed to a bull. Right. But the bulls, even their horns have that hand like quality to them. You know, it looks kind of like an outstretched hand. 4:22 Wes: Interesting. 4:24 Erin: Yeah. They're not majestic. 4:25 Wes: Yeah, I think that's important to the poem. It's not some obviously majestic creature, although it is large and there is majesty in it in the poem, but it's not the typical majesty that you can just get from, oh, look at this beautiful animal. 4:41 Erin: Yeah. And this is kind of why I brought up my grandfather. There was some connection for me as I think there is something quite personal going on with the moose at the end, other than the shared experience of everybody in the bus, all of that. Like there's something bigger than us, more than us, and yet familiar in a way. And it's magical in a sense, because to see it is kind of a rare thing. Yet it also comes out of the landscape that she's that she's grown up in and that she's part of. I think there's a. Yeah. A lot of interesting dualities going on. 5:17 Wes: Okay. So maybe you can read the whole thing and then you could give a little bit. Or we could give a little bit of the biographical background because this is a bus trip she actually took. Right. 5:26 Erin: Yeah. 5:27 Wes: The significance of Nova Scotia, which is where she's departing from in the poem and all of that stuff. But. Yeah. Do you want to start by reading? 5:35 Erin: Sure. The moose from narrow provinces of fish and bread and tea, home of the long tides, where the bay leaves the sea twice a day and takes the herrings long rides where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home, where silted red sometimes the sun sets facing a red sea and others veins the flats. Lavender rich mud and burning rivulets. On red gravelly roads, down rows of sugar maples, past clapboard farmhouses and neat clapboard churches, bleached ridged as clam shells, past twin silver birches through late afternoon a bus journeys west, the windshield flashing pink, pink glancing off of metal, brushing the dented flank of blue beat up enamel, down hollows, uprises and waits patient, while a lone traveler gives kisses and embraces to seven relatives and the collie supervises goodbye to the elms, to the farm, to the dog. The bus starts. The light grows richer. The fog shifting, salty, thin, comes closing in. Its cold round crystals form and slide and settle in the white hen's feathers in gray glazed cabbages on the cabbage roses and lupins like apostles. The sweet peas cling to their wet white string on the whitewashed fences. Bumblebees creep inside the foxgloves and evening commences. One stop at Bass river, then the economies, lower middle, upper five islands. Five houses where a woman shakes a tablecloth out after supper. A pale flickering gone the Tantramar marshes and the smell of salt hay. An iron bridge trembles and a loose plank rattles but doesn't give way. On the left a red light swims through the dark. A ship's port lantern. Two rubber boots show illuminated, solemn. A dog gives one bark. A woman climbs in with two market bags. Brisk, freckled, elderly. A grand night. Yes, sir. All the way to Boston. She regards us amicably. Moonlight as we enter the New Brunswick woods. Hairy, scratchy, splintery moonlight and mist caught in them like lamb's wool. On bushes in a pasture the passengers lie back, snores some long sighs. A dreamy divagation begins in the night, a gentle auditory slow hallucination in the creakings and noises, an old conversation not concerning us but recognizable somewhere back in the bus, grandparents, voices uninterruptedly talking in eternity, names being mentioned. Things cleared up finally. What he said, what she said, who got pensioned. Deaths, deaths and sicknesses. The year he remarried, the year something happened, she died in childbirth. That was the son lost when the schooner foundered. He took to drink. Yes, she went to the bad when Amos began to pray, even in the store and finally the family had to put him away. Yes, that peculiar affirmative. Yes, a sharp indrawn breath, half grown, half acceptance. That means life's like that, we know it. Also death talking the way they talked in the old featherbed, peacefully on and on, dim lamplight in the hall, down in the kitchen, the dog tucked in her shawl. Now it's all right now, even to fall asleep, just as on all those nights. Suddenly the bus driver stops with a jolt, turns off his lights. A moose has come out of the impenetrable wood and stands there, looms rather in the middle of the road. It approaches, it sniffs at the bus's hot hood, towering antlerless, high as a church, homely as a house or safe as houses, a man's voice assures us, perfectly harmless. Some of the passengers exclaim in whispers, childishly, softly, sure are big creatures. It's awful plain. Look, it's a she. Taking her time. She looks the bus over, grand, otherworldly. Why. Why do we feel. We all feel the sweet sensation of joy? Curious creatures, says our quiet driver, rolling his Rs. Look at that, would you? Then he shifts gears for a moment longer by craning backward. The moose can be seen on the moonlit McAdam. Then there's a dim smell of moose, an acrid smell of gasoline. 11:05 Wes: Thank you. Very nice. It's really great to hear it spoken out loud. Spoken is the wrong word. It's the word read, performed. Do you want to say anything about the form of the poem before I ask you about some of the autobiographical background? 11:22 Erin: Yeah. Short lines, six line stanzas, 20, I believe. 28 stanzas in all. Irregularly rhymed, should we say? Kind of like a lot of bishop, you know, we get A, B, C. Then sometimes not rhymed where you might expect. So the rhymes peek their heads out and then. And then recede. Chatty a little bit in places, lots of repetitions of words. But that. That's something we could talk about More. But, yeah, kind of. Kind of mysterious form. One of the best things I've ever heard or read, I guess, about Bishop was by Michael Hoffman, who wrote quite a bit about her. And he said that it seems as though every time Bishop is writing, whether in form or in a kind of nonce form that she's creating, that she seems to be just inventing every form, like from scratch. You know, there's no blueprint. She doesn't have a familiar style in which she writes or particular kind of verse form that she seems to gravitate to. And when she writes, you know, a sistina or a villanelle or a sonnet or something like that, it seems like she's almost inventing the form as she goes along. And in this instance, there's a real. I keep wanting to say homemade after Crusoe in England. But, yeah, I think that's maybe what he was trying to get at, that homemade quality, that sort of bespoke kind of quality. And in the places where the rhyme goes in and out, I think that's really exemplified. 12:53 Wes: Well, it better be bespoke. She took forever to write it. 12:55 Erin: Yeah, that's right. She started this in, I think, 1946. 13:01 Wes: And then she finished it when this 13:04 Erin: was published in Geography 3. So she finished it in the 70s. 13:07 Wes: Okay. 13:08 Erin: Geography 3 came out in 1977. And this must have been published before then, individually, perhaps in the New Yorker, I think. Oh, geography three is 76. I would say maybe 72 is the date that comes to mind. Don't quote me on that. 13:24 Wes: Do we know why it took her so long? Obviously, she put it down for a couple days here and there. 13:29 Erin: It was the July 15th issue, 1972. So close to the day that we're recording. Why did it take her so long? She just worked on things forever and ever and ever. You see it, if you read. I highly recommend to listeners that they Get Words in Air. A very, very thick book of all the letters between Bishop and her friend Robert Lowell. You see her bringing up things or even mentioning in a description that she's writing to Lowell in a letter, a line that will later show up in a poem. Yeah. Low rate of productivity is great to. 14:08 Wes: You know, I can relate to that. 14:11 Erin: I take it as my model, honestly. Like, you know, live. Live Large and die with a slim Collected is kind of a. 14:19 Wes: Kind of a great Monroe Doctrine. But call it. What's another name? Bishpro. 14:28 Erin: That's right. 14:29 Wes: Is it right that she was forced to complete it because she agreed to read it this is something for deadlines. Right. At Harvard's Phi Beta Kappa ceremony. 14:38 Erin: I didn't know that. I know she read it at that ceremony, but I didn't know that that's what. The impetus for completing it. But that doesn't surprise me. 14:45 Wes: Yeah. So deadlines help every once in a while. 14:47 Erin: Absolutely, absolutely. 14:49 Wes: And then biographically. Right. This is based on a trip that she actually took, and she. She'd been to visit relatives in Nova Scotia and then came back on this bus trip. And the. There really was a moose. There really was a collie. Seven relatives for the rest of it. Yeah, yeah. Seven else. 15:11 Erin: Yeah, yeah. The specificity and all of it's. You know, there is a kind of like a photo realism, not just in the style, but in the. You know, we could sort of be certain that these things happened the way that she is recording them somehow, and yet she's spinning it into something more than just reportage. 15:30 Wes: So she was raised partly by her grandparents in Great Village, Nova Scotia. Right. Her. Her father had died in infancy and her mother was institutionalized. 15:41 Erin: That's right, yeah. 15:41 Wes: She aged at. When she was 5. 15:43 Erin: That's right. 15:44 Wes: So it's important just because. Yeah. The bus is leaving Nova Scotia, but go. Go ahead. 15:48 Erin: Yeah, it is important. She was born in 1911 in Worcester, Massachusetts, and she's buried there. I've seen her grave up there. It has a line or two lines from the bite on her tombstone. All the untidy activity continues. Awful but cheerful. Yeah. So she was born in 1911. Her father died, I think, of Bright's disease when she was 8 months old. And then her mother was institutionalized when she was 5, and she never saw her again. She didn't die until the 30s, I think, while Bishop was at Vassar. 16:23 Wes: Do we know what she was institutionalized for? Mental illness in general? 16:28 Erin: Yes. I don't know exactly what. In a short story of Bishop's, she describes as her. A scream coming from her mother. And whatever was wrong was exacerbated by her husband's death. And so then Elizabeth was left to be raised by her grandparents in Nova Scotia who were quite poor. And I guess she was kind of running around barefoot on the farm and stuff like that. And her father's family were very wealthy, and so when they came up to visit Elizabeth, they were, I guess, horrified by the fact that she was just like, you know, running around, hanging out with farm animals. And they took her to. Back with him to Worcester, and she was very unhappy there. Very ill child. She had asthma and eczema. And really, like, I think almost died of both at one time or other, very unhappy. And then eventually she moved to an aunt's house in, I want to say, in Revere, Massachusetts, and she was a little happier there. And then she went to Vassar, and I've been to the Vassar campus to see various buildings associated with Bishop and also to see. They did a really fabulous exhibition of her postcards at the Vassar Library a couple of years ago, which I really loved, seeing her hand and her little. In jokes and asides and really amazing to see. Anyway, at Vassar, the librarian there set up a meeting between Bishop and Marianne Moore, who became a mentor to her. They were very close. And then also over the course of her life, she was very close with and had an important friendship with Lowell. Hence the enormous book of letters. I have it here. It's so heavy I could barely pick it up. But this is a great book. It's kind of like an epistolary novel. Yeah. And she was. I think it's important to say, too, that she was a lesbian who had a very long relationship with a Brazilian architect named Lota de Mecedo Soares, who was her partner in Brazil for 15 years. She lived down there, known for travel. A lot of her collections, whether it's Geography three, which is the most obvious one, or north and south, have. There are a lot of Brazilian pumps. There are a lot of geographical poems. The first poem in her first collection, north and south, was the Map, which is often read as a kind of ars poetica. She's known for these types of, you know, sweeping landscapes that the moose begins with, and an interest in landscape and in this kind of bird's eye view. But then also you get these telescoping details, like a cinematic close up interspersed. Much is made of that in Bishop, of that kind of vision of hers, and specifically of, I don't know, the idea that she creates these. These beautiful miniatures, which is true, but maybe sometimes can be a little. I mean, she's revered, as she should be, and she's one of the most popular poets and she also has a great ear and she has so many other great things going on. So I don't want to exclusively focus on that kind of visual element, though it's there and it's very rich. 19:43 Wes: So from narrow provinces of fish and bread and tea. That's a very good opener. Why are they narrow provinces? And what is the. What are the fish and bread and tea doing? Fish and bread sounds vaguely like it could be a biblical reference, but maybe it's not. But you add tea. Right. There's something mundane here and perhaps restricted, provincial. And that's what she's going to be departing from. I mean, well, begins with the tides, but. 20:12 Erin: Yeah, right. Yeah, that's right. Narrow in a few kinds of ways. Because there's a strange. Because of the Bay of Fundy, there's almost that like U shaped corridor of land around it. So Nova Scotia is kind of narrow. And then up into. Then there's the narrow isthmus. I don't know, I don't know if I'm using that word correctly. Up into New Brunswick. Yeah, so there's something maybe a little, I don't want to say spiritually narrow, maybe somewhat limited or like practical. Practical and, you know, just the necessities and a place we learn that that is. That maybe has to be stalwart in response to the vagaries of the water around it. The Bay of Fundy, I was reading online, the tide, over the course of just one tide, can rise and fall 50ft because the bay is like a giant funnel. When it goes out, it just leaves this vast, open, muddy plain basically behind it. 21:16 Wes: She portrays this very beautifully. We get the image of the tide retreating and then the flats that are being illuminated by the setting sun as burning rivulets. And then there's almost a transition into the bus ride when she says on red gravelly roads, eventually the subject of that is going to be the bus. Although in the beginning, before we get to the bus, it looks like the rivulets have almost become roads. So you almost get the sense like the tides come in and it's going to go further inward, it's going to go all the way to Boston, but it's going to become the inhabitants of the bus who are much like the herrings. Right. In the first stanza. The herrings on the tides take herrings on long rides. So it's almost as if as the tide comes in, she is caught in the tide and brought along with it towards her destination. 22:08 Erin: That's right, yeah. And the bay itself, the water itself is also like a traveler, you know, you might go to visit it and find it's not at home, it's gone out for on a trip or something. So there's also that connection as well. Whereas the roads are part of this more solid and dependable and the water being fickle and not always depended on to be there. 22:31 Wes: Well, I was going to say there's something very poignant about the way she describes the tides and whether they're in or out. And I can't put my finger on it exactly. It's almost. It's this idea of. Right. Where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home. If the tide is in or coming in the river clashes with it in a wall of brown foam. Is that the idea now? And what's the image there? Is it always a wall of brown foam? Well, either way, I just. Something about this idea of. It depends on whether the bay is at home or something like that. It's a poignant image. 23:12 Erin: It is. It's that sense of just. Of disappointment or just missing someone, like a missed opportunity. Seems kind of surprisingly emotionally resonant, considering that she's talking about a tide. 23:25 Wes: And we. You know, it introduces the idea of home and. Which I think will be significant. And later on we'll talk about whether the moose is safe as houses and the reflections of the elderly and all that stuff. But. 23:40 Erin: And boundaries, too, right. You have very slippery boundary between the bay and the. And the sea, between the rivers and the bay that feeds them. And I think that boundary very much plays into the idea of home. And you could say that the bus seems to be a part of that too. Right. Like the bus becomes the home. So there's a little bit of the slippery idea of this transposition of home life into the bus, or the people on the bus all becoming the. We like a family within it. The way that it can literally cross national boundaries. It's going to Boston across the border. 24:18 Wes: Yeah. And then they'll be observing provincial life, I guess, from within the bus. And. And, you know, a woman shaking out an apron, for instance, or home life. But, yeah, I had the same thought to you. The bus. The interior of the bus becomes its own kind of mobile home, I guess. I guess the wall brown foam part. There's that push and pull, or it's a matter of who's doing the pushing. Right. In one case, the brown foam. The wall of brown foam is caused as. As the river pushes on the retreating tide. And the other case, it's the tide pushing back against the river as it comes in. But in either case, there's a clash there. 24:58 Erin: Then there are places, though, where there's blurring of boundaries. Like one of my favorite lines in the whole poem, the idea of the churches as ridged as clamshells. She always takes that. This is much remarked upon among scholars of Bishop. Where you get the thing that's. That's really big, suddenly reduced in size to the handheld, but coming out of the same idiom. You know, both the clamshell and this clapboard church are in a way equally native to Nova Scotia. The brilliance of connecting those two things and fishing being an industry in the area, you know, sort of springing out of the fishing industry. 25:42 Wes: Yeah. And shells are what's left as the tide retreats. Right. As it's as if the houses are just the natural residue of a retreating tide. 25:52 Erin: That's great. 25:52 Wes: From the beginning of the poem, there's a sense of momentum, and almost like you, at least in my case, I felt like I'm on a camera moving over the landscape, and it starts with the tide, and then it moves to the burning rivulets. Right. So now we're hovering over. I don't know what you would call it, a. A tidal plane. Anyway, she calls it the flats. Right. So all the silt, and we're moving along there, and then suddenly we're on a gravelly road. So the sun takes over from the sea. The redness of the sun. And then the bus takes over from the sun. But that's the momentum of the poem is from sea to sun to bus. 26:37 Erin: Yeah. The bus flashes pink. We get lots of pairs of the same word, creating a kind of chime with each other. So we get the windshield flashing pink. Pink glancing off of metal. And we wonder, I suppose, because part of the reason why the roads are red is because of the clay content. Right. Of the road itself. So we get that combination of, like, something red in the road or in the composition of the soil and rock of the area. 27:07 Wes: Laterite, I think, which I only know because of Graham Green, who I've been reading. Oh, and what heart of the matter. He's talking about laterite houses, like. So from the red clay, you can make, you know, homes from as well, and common in Sierra Leone. So he used the word like a hundred times before he finally looked it up. All right. There must be something that's going to not know what he's talking about. I'm like, oh, okay, now I get it. Yeah. 27:41 Erin: So that's the mineral, the. 27:44 Wes: It's reddish. Yeah. Reddish clay type of soil, topsoil or something like that. I should know more about this because I used to write about this, too, when I was writing about transportation and engineering. 27:56 Erin: Right. 27:57 Wes: It's important what kind of soil you're building on. But anyway, I remember nothing about that. But, yeah. So it could be the right word. Who knows? But. But, yeah. So you're getting at the. Yeah. The way the redness of the sun is interacting with the. 28:12 Erin: Yes, it's coming. 28:13 Wes: The redness of the soil. 28:14 Erin: Yeah. And that kind of redness coming from below and above to glint off of the bus. The windshield is flashing pink from the sun and the metal is flashing pink from the road. They're both brushing the dented flank of the blue beat up enamel from one direction or the other, it seems. Yeah. Sort of tunnel of red in which the. In which the bus is traveling. 28:41 Wes: Such a vivid image that she gives us. It made me think, you know, sometimes it's almost better than film. It's more vibrant or more. Don't know how to say it, but I was thinking about this because in some of the philosophy podcasts we do, there are philosophers who deny that we have imagery in our head. Exactly. Or we can never. Which seems true. Right. We can't imagine anything with the vividness that we would have if we actually saw it. But it makes me think when I read a poem like this, but also. And also reading some of the novels I've been reading. Well, there's a special kind of vividness to figurative language that perception can't capture. In some ways it's more. More vivid, definitely. 29:26 Erin: I think the sonic quality of the word, the repeated. Right. It's on the one hand a repeated image, but then it also creates that kind of just the soundscape, makes them feel somehow more synesthetic to say, but somehow more picturable or more tangible or more. I don't know, the pink glancing off metal, the dented flank beat up enamel. You know, there's just. It's like. I think that's contributing to it, to the vividness of the image. And yeah, you talked about momentum, too. I mean, this entire. This whole first sentence is six stanzas long. It ends with. And Akali supervises. So there's also that kind of. Yeah. Locomotive propulsion of the camera work, so to speak, Zooming in and then following the road into the bus. And then the bus arrives to sort of catch again, quite cinematically the scene that's actually happening or the place where the eye, if there is an eye in the poem, actually is the lone traveler embracing these relatives with the collie watching on. So there's a sense in which the I eye of the poem doesn't actually catch up with the speaker until stanza six and the end of this first sentence until we get goodbye to the elms, to the farm, to the dogs. So there's kind of lamination at that moment of the I eye and the capital I. 30:49 Wes: We seem to be gradually getting more of a point of view. Right. It's very omniscient in the beginning, hovering over the landscape. And I think gradually we're going to be getting a her point of view in the bus and then a we. But also just to note, this is one. I think this is the first of three pauses. Right. There's gonna. It's gonna pause here, the bus. The momentum is gonna stop as the bus lets on the lone traveler, which I presume is her. Right. Her saying goodbye. And then there'll be a pause when the amicable freckled woman gets on. She's there because we need everything to be in threes. And then we. Then we're gonna pause for the moose in the very end. I didn't miss anything. Right. There's not other places where we stop? 31:32 Erin: No. I mean, there are, of course, stanzas that end some more definitively than others and stopped with a period. There's a stop at Bass River. Right. So there is a little bit of that kind of start. Stop syntactically. But I think you're right that those are the stops where there's content. 31:49 Wes: Content goes. 31:50 Erin: Yes. And where there's a very particular. Yeah, the content of the bus, except for the moose obviously doesn't get on the bus. But there's a stop that's motivated, let's say, rather than just being described as various stops along the way where we don't know who got on and who got off or whatever. Certainly there's also a movement toward that more personal experience of the speaker. But then there are also things that the speaker couldn't possibly know or you know, because once she's said goodbye to everyone and gets on the bus, then we also get the sort of nature show close ups. The crystals of fog, the lupins like apostles, the sweet peasants clinging. One of my favorite parts, clinging to their wet white string on the whitewashed fences. Again, we get two uses of white right next to each other. Bumblebees creeping in the foxgloves. All things you really can't see from certainly from a moving bus. 32:43 Wes: Yeah, the point of view gets focused very, very gradually, maybe through the whole palm. Maybe it's not fully focused until the very end, but. Yeah. So you're pointing out something important which is at the sort of omniscient point of view is still here in these very. What do you call it when you take a close up with your phone? Macro, ironically. Yeah. These very close up pictures of flora and fauna and very Beautiful. 33:12 Erin: Yeah. They compound and then they get more and more loaded and mysterious. And just when we're about to maybe go over the edge, we get recalled back a little bit. That's at least how I'm reading, for instance, stanza 12, about the ship's port lantern and the boot and the bark of the dog. And then suddenly a woman climbs on the bus. And so we're sort of stopped from going off into some sort of train of thought that you could follow there down a rabbit hole. But I love that stanza on red light swimming through the dark. It reminds me of the last stanza of disillusionment, of 10 o'. Clock. Do you know the old sailor, drunk and asleep in his boots, catches tigers in red weather? I think that's how it goes, the Stevens bomb, because we get the boots and the red light in the ship, so they're probably. No. No real connection there. 34:07 Wes: So all of these little intricate descriptions that she's giving, right. It begins with the light growing richer, which I take it mean, means we're approaching dusk and evening, or we're in dusk and it's evening is approaching and a kind of mini winter, Right. Something. It's a diurnal cycle, but there's a bit of a parallel to something seasonal. Right. So we get crystals forming and the images like sweet peas clinging and the bumblebees inside foxgloves. As evening commences, it's almost like. I don't know if this is true, but it's almost as if we're getting the response of the animals and flora and fauna to the commencement of evening. That's our first indication of it. So I was surprised to see, okay, it's still light out enough for us to see a woman shaking a tablecloth out after supper. And that is beautifully described as a pale flickering. Right. Almost as if that's something like the light reflecting off the enamel bus, or not pink anymore, but just a flickering of pale light and then gone, I suppose. Does that mean that we're now without light? Is that sort of the way nighttime is ushered in by the end of the next stanza? And it's in the next stanza that we see a red light in the dark. Now we have a ship in the dark. So it's almost as if. Yeah, the shaking of the tablecloth is like a magician. Abracadabra. Now it's nighttime, Right? 35:39 Erin: Yeah. I love that. Yeah. You're making me realize how many connections there are to Keats in this poem. Right. There's something Keatsian about it, very. To Autumn, you get the sweet peas clinging on the fence. You get that image of fecundity things on top of other things. You know, the mossed cottage trees and the late flowers for the bees. And then the shaking out of the tablecloth is like the hair lifted by the winnowing wind. Right. Because there's. There's wind, there are flowers and bees. And then there's also, of course, redness and that image of, you know, like the evening. Autumn. Evening redness. And maybe this is. Yeah. Rows of sugar maples. Those could be red as well. If we're in an autumnal landscape, can't be too late because everything is, you know, it's got to be like August, maybe because we have this. Or. No, I guess maybe not. Gray glazed cabbages. I don't know enough about cabbages to know at what point in their development. 36:40 Wes: Yeah. Whatever season it is. I just think that the evening is almost like a mini winter. It gets colder and we see the. 36:46 Erin: Definitely. 36:47 Wes: We see the effects of it. But, yeah, maybe autumn is probably the logical season for. 36:53 Erin: Right. Yeah. And that point. Or that point in the transition from summer to autumn where, I mean, even on a summer night in Nova Scotia, the evening temperature is quite autumnal regardless. And so when the woman climbs on with the market bags, we get. 37:09 Wes: Shall we take a. Shall we? 37:12 Erin: Oh, yes. 37:13 Wes: Let's let the freckled amicable woman on in part two. 37:17 Erin: She'll have to wait. 37:18 Wes: Let's not let her on the bus yet. 37:20 Erin: You have to wait for everyone else to get off before you can get on. It's one of the cardinal rules of public transportation. Okay, we will continue in part two. Thank you. 37:29 Wes: Thank you.

In this episode, Duncan teaches us the importance of being respectful in graveyards and why a little research before picking a hotel goes a long way.Plus RPS might have a new rockin' theme song! Also have you heard? RPS made it into the list of ⁠⁠100 Best Singapore Podcasts⁠⁠ !The RPS team is made up of Tim, E.T and Shyam.If you have submissions to share, reach out to us on ⁠⁠⁠⁠⁠facebook ⁠⁠⁠⁠⁠ or via email - radioparanormalsingapore@gmail.com.This podcast is produced by Singapore Radio Personality Tim Oh.

Lucy Porter talks all things current-ish with Finlay Christie, Amy Annette and Christopher Macarthur-Boyd. Today - heatwaves, hosepipe bans, and a very hairy pizza.Hosted by Lucy Porter Written by Lucy Porter, Ruth Husko and Katie SayerProducer - Katie Sayer Assistant producer - Molly Punshon Executive producer - Victoria LloydA Mighty Bunny production for BBC Radio 4

Can you dig it, beer hearts? Shayne and Jay crack open a cold one and travel back to the groovy days of the 1960s to debate which old-school slang should make a comeback and which ones should stay buried. Spoiler: Shayne went in completely blind, Jay had a list, and somehow it all worked out beautifully.**Round 322**Check out "30 Old-School Sayings That Deserve a Comeback" by DeVonne Goode:https://www.aol.com/lifestyle/30-old-school-sayings-deserve-212431194.htmlTopics include:Whether "Bogart" belongs in modern vocabularyWhy "Cat" is still cool (and why Monty Warden is a man born out of time)"Hacked," "Hairy," and the case for replacing "pissed""Out of sight," "Dig it," and the John Cena connection nobody saw comingWords that should never return (looking at you, "Shine it on”)~~~~~~~**Support Beer Thursday on Patreon:**The next 17 Patrons who jump in at the $10 level get access to the exclusive Beer Thursday Facebook group. That is a tuff deal, and you can dig it.Join us: https://www.patreon.com/beerthursday~~~~~~~**Jay's Beertography on Instagram:**Jay photographs drinks and cigars the way the universe intended. Sharp, beautiful, and completely out of sight. Follow along at @BeerThursdayShow and see what a real cat with a camera can do.https://www.instagram.com/beerthursdayshow/~~~~~~~**Subscribe, Rate, and Review:**If Beer Thursday is your kind of scene, hit that subscribe button, drop us a 5-star review, and tell a friend. It helps more than you know, and we dig every single one.~~~~~~~Here's what our house elf, Artie (not Archie), says about this round:**60s Slang Is Back, Baby. Or Is It?**Shayne and Jay tackle 30 old-school sayings from the 1960s that someone thinks deserve a comeback. Shayne went in blind. Jay had the list. The results were outta sight.**What They Dug:**"Cat" got two thumbs up. "Dig it" is basically still in rotation. "Out of sight" rolls off the tongue and JJ from Good Times would approve. "Tuff" (yes, spelled T-U-F-F) already made its comeback thanks to Gen Alpha, and honestly it earned it.**What Got the Boot:**"Bogart" got a polite pass. "Shine it on" offended Jay personally. "Peel out" led to a replacement suggestion that we cannot repeat here but that had the boys in stitches.**The Wild Card:**“Heat” as slang for the cops sparked a full debate, a public service announcement, and a reference to the Val Kilmer and Robert De Niro movie. Jay prefers "popo." This is canon now.The toast? Pure Jay chaos under pressure. The ending? Pure Shayne chaos under pressure. It all came together like a hairy situation that somehow resolved itself.Come back next round, beer hearts. You can dig it.~~~~~~~Disclosure: I don't really have a house elf. Artie is AI. Get it? Artie-ficial Intelligence!

Darkness Radio presents Supernatural News/Parashare: Heaven, Humanoids, &Hairy Hominids Edition w/Mallie Fox!This Week, A woman dies giving birth, and woke up in the afterlife, where she was given an ultimatum!  A $150,000 eerily realistic humanoid robot head is making some people really uncomfortable! A reported Bigfoot sighting in the Connecticut State Forest has been deemed credible!  AND, a paranormal investigator claims he can "smell ghosts" and that one actually unlocked his car! Would you just keep a 150K robotic head around the house that talked back to you with realistic facial features? Seems some people are downright freaked out about it!   See the video here:  https://www.odditycentral.com/technology/this-150000-eerily-realistic-humanoid-robot-head-is-making-people-uncomfortable.htmlA Nessie hunter believes he caught two creatures below the surface of the loch!  We have the pics for you to look a and help us determins what they are!  Take a look here:  https://bit.ly/4w62sakRemember that delicious recipe Mallie was talking about?  Get it here:  https://www.paranormalgirl.com/blogFollow Paranormal Girl on Instagram:  https://www.instagram.com/paranormalgirlllc/?hl=enMallie has been expanding her reach, featured as a researcher and talking head on Strange Evidence on the Science Channel!  You can stream it on demand on Discovery + or on Max!  Get Max here:   https://bit.ly/469lcZHDarkness Radio Hoodies! Fleece Pants! Bucket Hats! Mugs! Glasses! and MORE!There are new and different (and really cool) items all the time in the Darkness Radio Online store on our website!  Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/#paranormal  #supernatural #paranormalpodcasts #darknessradio #timdennis #malliefox #paranormalgirl #strangeevidence #supernaturalnews #parashare  #ghosts  #spirits   #hauntings #hauntedhouses #haunteddolls #demons #supernaturalsex #deliverances #exorcisms #paranormalinvestigation #ghosthunters  #Psychics  #tarot  #ouija    #Aliens  #UFO #UAP #Extraterrestrials #alienhumanhybrid #alienabduction #alienimplant #Alienspaceships  #disclosure #shadowpeople #AATIP #DIA #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti  #abominablesnowman #ogopogo #lochnessmonster #chupacabra #beastofbrayroad #mothman  #artificialintelligence #AI  #NASA  #CIA #FBI #conspiracytheory #neardeatheexperience 

Darkness Radio presents Supernatural News/Parashare: Heaven, Humanoids, &Hairy Hominids Edition w/Mallie Fox!This Week, A woman dies giving birth, and woke up in the afterlife, where she was given an ultimatum!  A $150,000 eerily realistic humanoid robot head is making some people really uncomfortable! A reported Bigfoot sighting in the Connecticut State Forest has been deemed credible!  AND, a paranormal investigator claims he can "smell ghosts" and that one actually unlocked his car! Would you just keep a 150K robotic head around the house that talked back to you with realistic facial features? Seems some people are downright freaked out about it!   See the video here:  https://www.odditycentral.com/technology/this-150000-eerily-realistic-humanoid-robot-head-is-making-people-uncomfortable.htmlA Nessie hunter believes he caught two creatures below the surface of the loch!  We have the pics for you to look a and help us determins what they are!  Take a look here:  https://bit.ly/4w62sakRemember that delicious recipe Mallie was talking about?  Get it here:  https://www.paranormalgirl.com/blogFollow Paranormal Girl on Instagram:  https://www.instagram.com/paranormalgirlllc/?hl=enMallie has been expanding her reach, featured as a researcher and talking head on Strange Evidence on the Science Channel!  You can stream it on demand on Discovery + or on Max!  Get Max here:   https://bit.ly/469lcZHDarkness Radio Hoodies! Fleece Pants! Bucket Hats! Mugs! Glasses! and MORE!There are new and different (and really cool) items all the time in the Darkness Radio Online store on our website!  Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/#paranormal  #supernatural #paranormalpodcasts #darknessradio #timdennis #malliefox #paranormalgirl #strangeevidence #supernaturalnews #parashare  #ghosts  #spirits   #hauntings #hauntedhouses #haunteddolls #demons #supernaturalsex #deliverances #exorcisms #paranormalinvestigation #ghosthunters  #Psychics  #tarot  #ouija    #Aliens  #UFO #UAP #Extraterrestrials #alienhumanhybrid #alienabduction #alienimplant #Alienspaceships  #disclosure #shadowpeople #AATIP #DIA #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti  #abominablesnowman #ogopogo #lochnessmonster #chupacabra #beastofbrayroad #mothman  #artificialintelligence #AI  #NASA  #CIA #FBI #conspiracytheory #neardeatheexperience 

Click Here to Text us. Yes really, you totally can.Mike is off on a road trip to see family, so Zack roped Tim from Against All Oddities and Erik from The Nerdeagram into joining him for an episode.Guess WhatDon't eat diarrhea lettuce as a weight loss programGrok is gonna make a better OdysseyKeep cool in your own human refrigeratorGet ready for SummerweenEven WeirderHave we been Banned from the DMT Realm?Swamp Thing meets Jesus?Giant '?' in spaaaaace!Gemini 7 astronauts witness the unexplainableMore declassified UFO photosBeyond The PaleZack, (because he's pathetic and bald), talks about people he envies...The Hairy Men.Whatcha Wanna Talk About?Erik and Tim go head-to-head in Fact or Crap.Check Out Our Website!Join our Discord!Check out our Merch Store HERE!Follow us @theneatcast on TikTok!Follow us @neatcastpod on BlueskyFollow us @neatcastpod on Twitter!Follow us @neatcastpod on Instagram!Follow us @theneatcast on Facebook!

On the morning of December 20, 1879, a Cree trapper named Swift Runner stood on a scaffold in Alberta and waited in the cold, because the hangman had forgotten the straps and had to go back for them. He had already confessed. He had already walked the police out to a clearing in the bush and shown them what was left of his family, and his explanation never changed across four months in custody. Something came into him that winter, and it made him hungry in a way that food could not answer. The men who tried him did not believe in that thing and the men who guarded him did, and both groups agreed on the physical facts, which were a camp 25 miles from a post that was issuing rations, a cooking pot, bones cracked open at the ends, and one man who walked out of those woods in the spring heavier than he went in.The road trip turns north in January, and this stop is different from the others.The wendigo is not a cryptid with a gift shop. It comes out of the traditions of living Algonquian-speaking peoples, and in northern Minnesota that means the Anishinaabe, whose seven nations in this state are governments with citizens, not historical footnotes. So we spend a few honest minutes on what the old accounts actually describe before we go anywhere near a sighting, and it turns out to be almost the opposite of what has been sold to you.There are no antlers. The deer skull came out of concept art in the last 20 years. What the tradition describes is something starving, with the skin drawn tight over the bones and the eyes sunk back in the sockets, that grows in exact proportion to whatever it eats so that the arithmetic never breaks in its favor and it is never one bite closer to full than it was when it started. And it is not only something out in the timber.It is something a person can become.Then we go into the woods, and we stay there. Ray heard his own name spoken through the spruce four miles from the nearest road on a trapline nobody ran but him, and he answered out loud and was walking toward it before he had decided to. Marlys followed a child crying in a tamarack swamp and covered 60 yards without the sound ever coming one foot closer. Dale and Ron met in the middle of the timber a quarter mile apart, each one having heard the other call his name, and looked down at four inches of fresh snow holding nothing but their own two trails. Faye was 11 years old when her mother's voice started calling her in from the yard of a cabin on the Bigfork River, and the fear did not arrive until about 30 years later. Wayne opened the door of a fish house on the ice at two in the morning after somebody outside politely said come here, and found open snow under a moon in every direction. Lonnie lay in a wheelhouse north of Deer River and counted the footsteps of whatever walked past him at 40 feet, and walked the interval out himself at first light.Delores was taught as a small child on the Red Lake reservation not to look at the treeline, not to run, to hold her pace, and to say out loud to an adult what had happened, and the same instruction turns up from Manitoba to Michigan in communities that never compared notes. Gordon watched something stand past his woodpile at 35 yards in the gray before deer season light, went in for a rifle, and signed his share of that hunting camp over to his brother's boys without ever explaining why.Kenny came through the door eight seconds behind his brother into an empty yard with fresh snow and no track under the window, and they sold the shack four years later. Verna gave up a bedroom after three February nights of something dragging along the outside wall at waist height, 20 seconds down and 20 seconds back, with a full minute of pause in between. Orval watched something cross a burn scar for two minutes through binoculars from a staffed fire tower in the Superior, called it in on the radio, and would not answer when the man on the other end asked him what it was.Sam and Wes heard a scream in the Boundary Waters at two in the morning that ran longer than a lung should allow and never broke for breath, and then heard it again from a different position. Andrea's whole body turned before her mind did on a February trail outside Ely, and she still snowshoes and no longer does that trail alone.Tara has worked out how fast something would have to move to cover the ground it covered in 90 seconds, and she does not say the number out loud.The turn to sasquatch is a real one and the episode explains it rather than assuming it, because Anishinaabe tradition carries a separate word for the hairy man of the woods and he is not made by cannibalism and does not eat anybody. That opens up a Minnesota record almost nobody outside the state discusses. Remer in Cass County, where the town's founder described tracks much bigger than a man's and sunk deep into the earth, where the old accounts talk about whole families of them and a stretch of Big Sand Lake that people left alone out of courtesy, and where a trail camera caught something in October 2009. The Vergas Trails in Otter Tail County and the Hairy Man, running since the late 1960s, including two 12-year-old cousins on a snowmobile in 1972.A researcher out of Moorhead who found nine published Minnesota sightings when he started looking and spent his life demonstrating how badly incomplete that number was. Tracks crossing a frozen lake in a single line with a stride over four feet. A bear bait barrel worked 40 yards off its tree with the chain still whole. A deer wedged nine feet up a maple with no claw marks on the bark and no blood in the leaves underneath.And the report this state produces more than any other, which is not a monster standing in a road at all, but a line of tracks that came out of the treeline, crossed a yard, stopped 10 feet from the back window, and turned around, left for a woman who had been standing at that sink in the night with the kitchen light on.Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteHave you experienced a Bigfoot sighting, Sasquatch encounter, Dogman experience, UFO sighting, or any unexplained cryptid or paranormal event deep in the woods? We want to hear your story.Email your encounter to brian@paranormalworldproductions.com for a chance to be featured on a future episode of Backwoods Bigfoot Stories.Backwoods Bigfoot Stories is a paranormal storytelling podcast featuring real Bigfoot encounters, Sasquatch sightings, Dogman reports, cryptid experiences, and true scary stories from the backwoods.Follow the show and turn on automatic downloads so you never miss a chilling encounter from the forest. Listen with the lights off… if you dare.

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Welcome to Our Sinclair, a show were two big fat hairy guys look at Garfield's Big Fat Hairy Deal for the ZX Spectrum! I HATE Mondays, but I LOVE Garfield, and we'll be talking about his ZX Spectrum debut game. If you enjoy Our Sinclair content, make sure to hit LIKE

Written by AlexCome and follow more adventures on our animated TV show on Youtube!

Fred from the Subarctic Alaska Sasquatch YouTube channel is back with three unsettling reports from remote Alaska. The first two occurred independently on the Fourth of July along the same long stretch of road on the Kenai Peninsula near Soldotna.Traveling from opposite directions, Leslie and Rusty each reported seeing a large figure step into the roadway. Rusty, who was towing a trailer, claimed he watched the figure strike a spruce grouse onto the pavement, retrieve the bird, glance toward the approaching traffic, and disappear into the timber.Fred then shares a far more aggressive encounter from the winter of 1987. John Sr. and John Jr. were traveling by snowmachine to a relative's isolated cabin near the Mulchatna caribou herd when they noticed a massive, humanlike figure covered in hair. The creature reportedly threw objects, watched the hunters through a cabin window, damaged the generator shed, and destroyed an exterior light. After darkness fell, something began pounding against the cabin walls.At first light, the two men abandoned the cabin and headed for home.The figure allegedly followed them near the trail, forcing the hunters to fire warning shots as they escaped across the snow. When they later told their relatives what had happened, the damage around the cabin offered physical support for at least part of their story.Fred also explores why reports of the “hairy man” are often treated very differently in isolated Alaskan communities, where encounters with unknown figures in the wilderness may be accepted as part of life rather than dismissed as folklore.Subarctic Alaska Sasquatch YouTube Channel Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Brandon & Boomer discuss the ensemble-cast boarding school comedy The Hairy Bird (1998), a.k.a. All I Wanna Do, a.k.a. Strike! https://swampflix.com/ 00:00 Christopher Nolan 14:00 The Odyssey (2026) 33:00 War and Peace (1965-1967) 37:48 Conan the Destroyer (1984) 40:40 Red Sonja (1985) 46:30 The NeverEnding Story (1984) 53:20 Her Private Hell (2026) 1:00:11 The Taste of Tea (2004) 1:04:55 Millennium Actress (2001) 1:10:46 The Invite (2026) 1:20:12 After Hours (1985) 1:27:20 The Hairy Bird (1998)

Garfield is a cat after my own heart! He's lazy, he's hungry, and he's a smart aleck! I don't think there are two men on earth more suitable to review this game than Amigo Aaron and the Brent!

Happy Hairy Bagpipes Day

Evan used Canty's fancy bottle of wine for his dinner party. Then, ESPN NFL Analyst Kevin Clark joins the show to talk about what the fair expectations are for Mahomes & the Chiefs, and much more. Plus, I'm Over It! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Evan used Canty's fancy bottle of wine for his dinner party. Then, ESPN NFL Analyst Kevin Clark joins the show to talk about what the fair expectations are for Mahomes & the Chiefs, and much more. Plus, I'm Over It! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on The Agenda, ACC Head G Lane and Matt Heath are joined by special guest Grant Elliot aka The Hairy Jav to discuss the latest in the whirlwind world of Ryan Fox and his domination of the world's media (00:00)! They also cover the disgraced Davy Dumb Dumb and his drunk driving charge (03:45), before the Jav reveals an incredible gift for the guys and the ACC XI (14:15)... Plus Matt Heath's F1 Corner makes its return (25:00)! Finally, it's your hot and lukewarm takes with a round of 'Yours Please' (35:50)... Did you know that we've launched a new Facebook Group called 'The Caravan' JOIN HERE! Brought to you by Export Ultra! Follow The ACC on Instagram or Facebook or TikTok Subscribe to The Agenda Podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! iHeartRadio Apple Spotify YouTube THANKS MATE! See omnystudio.com/listener for privacy information.

Originally released as Episode 537 of Bigfoot Society on 9/24/24.Join Jeremiah from Bigfoot Society as he delves into an extraordinary conversation with Arla Collett Williams, a woman who has had profound experiences with Bigfoot for nearly 70 years. In this episode, Arla shares captivating stories from her childhood encounters to recent interactions, highlighting how she was taught to respect and understand these elusive beings. Listen as she describes her first sighting of a 'hairy kid,' the teachings of her grandmother, and how she navigates the balance between their mysterious and flesh-and-blood nature. Arla also offers invaluable advice on how to foster respectful interactions with Bigfoot, making this episode a must-listen for Bigfoot enthusiasts and skeptics alike. Don't miss her insights into the paranormal abilities of Bigfoot and her experiences with telepathic communication, which will leave you questioning the boundaries of the natural world. Tune in for an episode filled with wisdom, intriguing encounters, and a unique perspective on one of the world's most enigmatic creatures.Resources:Arla's Youtube channel - https://www.youtube.com/@arlawilliams8266My Life with the Hairy People - https://amzn.to/4eo2RfR (Amazon Affiliate Link)Respecting the Water - https://amzn.to/4d3oK2Y (Amazon Affiliate Link)Contact Arla on Facebook - https://www.facebook.com/arla3

The BOB & TOM Show – July 16, 20266:00 Hour 6:00 Shirtless girl 6:00 Kristi out; Pat out 6:05 Jeff's beard discussion 6:09 Letter: "I have a shirt that says I can drive a stick." Husband says every man sees it as sexual. 6:25 Letter: You guys had not gone to the third string until yesterday. 6:27 Letter: Guy caught a 27-inch golden walleye. 6:29 Discovery of a new monkey in the Congo. 6:30 Tom is a big fan of school uniforms. 6:32 Tom said his urine once looked like mustard. 6:34 Letter: Goal to read 100 books. 6:38 Girl killed by an alligator in Florida. 6:48 Letter: Found chicken feathers in my full beard. 6:50 Josh says getting urine on your feet is better than getting it on your shoes. 6:52 Tom is not a fan of suede. 6:53 Tom bought no-show socks. 7:04 Walking dogs: A woman slammed on her brakes and yelled at Tom. 7:10 Sports. 7:13 Largest group of trombone players: 600. 7:15 Jess would wear python. 7:24 Chick's "Super Toe" toy. 7:31 Jess: "What's left of her tattoos." 7:35 Josh line. 7:49 Escaped alligator found in Indiana after being missing for a month. 7:50 Josh has touched an alligator. 7:50 Tom swam with stingrays in the Bahamas and was terrified. 7:52 Barracuda and copyright discussion. 8:07 Urinal splash: Men will aim for a spider on the porcelain. 8:09 Tom says Josh has to clean his ankles after urinating. 8:10 Giant cockroach found on a urinal hook being used by a woman's husband. 8:10 Woman received a personalized license plate that read "SQUZ AIS." 8:21 Willie in studio. 8:24 Phone interview with Dusty Crum, pizza, pasta, and python shop owner. 8:24 Dusty recycles python skin. 8:25 Dusty holds giant snakes. 8:27 Dusty is the fastest snake skinner in the South. 8:28 Python popsicles. 8:35 Hairy croissants. 8:46 Today in History. 9:10 Lucas Waterfill in studio. 9:11 Lucas discusses having cerebral palsy. 9:12 Lucas discusses a traffic accident that was his fault. 9:24 Lucas as a pilot. 9:28 Clifford is Lucas's dog. 9:28 Lucas has been sober for a while. 9:33 Lucas discusses using a wheelchair and Medicaid approval. 9:45 Lucas talks about quitting drinking. 9:45 Lucas smokes cigars. 9:48 Lucas discusses getting tattoos and "Stop!" 7:00 Hour8:00 Hour9:00 Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fred from The Subarctic Alaska Sasquatch YouTube channel is back, and you can see more of Fred's stuff by clicking the link below. In this episode, Fred shares two unsettling accounts of suspected “hairy man” encounters from the remote Alaskan wilderness.The first involves Don and Tina, a couple hired to operate a gold mine along the Koyukuk River. During a stretch of heavy rain, large rocks began slamming into their loud mining equipment from somewhere beyond the tree line. Don briefly chased a dark figure into the woods, while Tina later witnessed an enormous humanoid silhouette moving nearby.The situation escalated the following morning when the figure appeared dangerously close to their camp. Tina fired a shotgun into the air, and the couple retreated to their cabin before seeking help from a neighboring miner. He revealed that he had experienced similar harassment in the area. Despite the mine producing good gold, Don and Tina decided the money was not worth the risk and quit. Fortunately, the owner treated them fairly and paid them for their work.Fred then rshares Daniel's experience while trout fishing along the Tickchik River roughly twenty-five years ago. While waiting near a thick stand of willows, Daniel became overwhelmed by the feeling that something was watching him. After firing warning shots, he spotted a tall, black humanoid silhouette standing near the brush. Moments later, the figure crashed through the vegetation and disappeared. Subarctic Alaska Sasquatch YouTube Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Stupid News 8am 7-15-2026 …She left her Dead Ex Husband in the Freezer …It was just too much paperwork …Who would like a Hairy Croissant?

Do you have hairy arms call 844-665-6548 See omnystudio.com/listener for privacy information.

In a bizarre twist on the usual way government decisions are made, a Colorado agency is considering a ban on the commercial sale of fur from animals like beavers, coyotes, and bobcats. But here's the thing: the agency's own director says there's no scientific evidence that the current hunting practices are causing a population decline. So why are they pushing for the ban? And what's really behind this decision?This episode delves into the world of wildlife management in Colorado, where a proposed rule change has sparked controversy. The speaker takes a closer look at the facts and figures behind the ban, and what's really driving the decision-making process. From the agency's own data to the public's response, this episode explores the complexities of regulating wildlife in the state.The Colorado Parks and Wildlife Commission is set to consider two proposals to restrict the commercial sale of fur, but the agency's own director has recommended denying the ban. The speaker argues that the decision is not based on science, but rather on perceptions and politics. The episode also touches on the economic impact of the ban, which could affect rural communities that rely on fur harvesting as a source of income.If you're interested in learning more about this fascinating story and the behind-the-scenes politics of wildlife management in Colorado, tune in to this episode to hear the speaker's take on the issue.See omnystudio.com/listener for privacy information.

On a moonlit dirt road in rural Florida, the summer air is hot and humid. Suddenly, you hear mumbling from the black water of a cypress pond. Something huge moves through the gator-infested waters without a splash... no legs visible. Then it stands. Tall. Hairy. Carrying a flickering lantern through the trees. Is it a man? A monster? Or Florida's own nightmare from the swamps? Today, Gary & GoldieAnn dive Within the Mists of Florida and the true tale of the Bardin Booger – the shaggy terror of Putnam County that's been spooking locals since the 1940s. Stick around... if you dare.Facebook Fan Group: https://www.facebook.com/groups/544933724571696Instagram: https://www.instagram.com/withinthemistpodcast/Youtube: https://www.youtube.com/@withinthemistpodcast1977 Hosted on Acast. See acast.com/privacy for more information.

On a moonlit dirt road in rural Florida, the summer air is hot and humid. Suddenly, you hear mumbling from the black water of a cypress pond. Something huge moves through the gator-infested waters without a splash... no legs visible. Then it stands. Tall. Hairy. Carrying a flickering lantern through the trees. Is it a man? A monster? Or Florida's own nightmare from the swamps? Today, Gary & GoldieAnn dive Within the Mists of Florida and the true tale of the Bardin Booger – the shaggy terror of Putnam County that's been spooking locals since the 1940s. Stick around... if you dare.Facebook Fan Group: https://www.facebook.com/groups/544933724571696Instagram: https://www.instagram.com/withinthemistpodcast/Youtube: https://www.youtube.com/@withinthemistpodcast1977 Hosted on Acast. See acast.com/privacy for more information.

During this message, we looked at Exodus chapters 5&6 to see God's response to a difficult situation. When life got difficult... Pharaoh said: work harder but God said: watch me work. This weekend, Pastor Mark Pope guided us through these two important points as we continued our Exodus summer series. This week be encouraged to be prayerful and patient.

UNCUT #404 - Bottle Rock. The Matrix. Trench coat mafia. Contact in the Desert. RFR ratings. Choosing to leave. So hairy. Blading off. Instagram violence.

The Alan Cox ShowSee omnystudio.com/listener for privacy information.

The Alan Cox Show

Fred from The Subarctic Alaska Sasquatch YouTube channel is back with a disturbing collection of Alaska “Hairy Man” encounters and a message for anyone carrying a story they have been afraid to tell. He urges people to love their families, check on their people, and stop suffering in silence, especially when fear of ridicule keeps them from talking about something they cannot explain. Fred makes it clear that witnesses can reach out anonymously, without judgment, and that sometimes simply being heard is the first step toward making sense of what happened.The episode begins with Kathy's unsettling account from the Kenai Peninsula in the 1990s.What started as a strange disturbance near a neighbor's home turned into something far more disturbing when the neighbor found his rabbits headless and neatly lined up with no visible blood. His chickens were gone, firewood had been thrown impossible distances, and a nailed board had been ripped loose and dragged away with enough force to leave him convinced that something powerful had come through the property.The neighbor did not call it an animal. He called it a monster.Fred then shares a more recent report from Walter, Bernice, and their adult son Michael, who were traveling near the Taylor Highway close to Mosquito Fork when they encountered three enormous beings, each estimated around nine feet tall, with what appeared to be tails. As the family tried to document what they were seeing, their cameras and phones reportedly died without warning. Moments later, rocks began striking their toy hauler, and the situation escalated until Michael fired a shot so they could get away.The episode also includes another chilling encounter from the Matanuska River area, where a camping trip was interrupted by screams, a foul odor, strange guttural chatter, and the sight of a large upright figure moving near camp. The experience was so frightening that the witness stopped camping altogether afterward.Through each account, Fred returns to the same point: Alaska is full of stories people have kept quiet for too long, and those witnesses deserve a place to speak without being mocked, dismissed, or ignored.Subarctic Alaska Sasquatch Youtube ChannelEmail BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

"He's Not Hairy - He's Our BROTHER!" True Tales of Appalachian Bigfoot - Steve welcomes bigfoot/sasquatch/Sabe experiencer Brother Littlefoot from the hills of Western North Carolina. Find Brother Littlefoot on YouTube: https://www.youtube.com/@brotherlittlefoot2216/videosfor recordings of Sasquatch to human communication. You can also find his book “HE'S NOT HAIRY; HE'S OUR BROTHER!” featuring True Stories of communication with an entire Tribe of Sasquatch People, as well as a Field Guide to Sasquatch signs, sounds, and how to communicate on Amazon: https://amzn.to/3W2UvV1Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

In this episode, Carol cleans her filter, Nick has some parking fine news and they help with being unsociable and with a friend's intolerance.

We're busily reading the Hugo voter packet, so it's summer movie season on the podcast! This month we watched Attack the Block, a 2011 horror scifi adventure starring John Boyega and Jodie Whittaker. Thanks to Ed for choosing this movie! Music by Pets of Belonging Join us on Discord! If you can't get in, please send us an email at hugogirlpodcast at gmail dot com.  

Art is hairy, art is context, art is beauty and ..... art is big butts!?In this episode, I dive into 'Get the Picture' by Bianca Bosker, a 2024 book that explores the contemporary art world from the inside. Bosker approaches it through immersive journalism, working as a gallery assistant, art fair staffer, studio helper, museum guard and briefly as an artist herself. What I found most compelling was how the book uses those experiences to wrestle with the big questions: what counts as art, whether art is about beauty or context and how much of the industry is driven by genuine appreciation versus status, money and insider games. I talk through the parts of the book that felt especially grotesque to me — the pretension, the coded language, the collector ego, and the sense that access and reputation often matter more than the work itself.Thankfully, the book also shows a far more meaningful side of art. I discuss the sections that felt uplifting and enlightening, especially Bosker's time with artists, collectors and museum guards who engage deeply with artworks and encourage slow, personal looking rather than outsourced interpretation. That side of the book helped me understand why art still matters and why people are drawn to it so powerfully. Overall, I came away feeling that the art world isn't inherently broken so much as structurally lopsided, with highly passionate creators often vulnerable to exploitation. I really enjoyed Bosker's writing, admired the depth of her reporting and would recommend to give it a read. If you got value from the podcast please provide support back in any way you best see fit!Timeline: (00:00:00) Intro(00:02:10) Bianca Bosker's immersive tour of the art world(00:04:45) The pretence, power and status games of art(00:08:51) Shock art and the question of what counts as art(00:13:07) A more meaningful and uplifting side of art(00:16:16) Is the art world inherently broken?(00:21:20) Bianca Bosker's journalism(00:25:02) Final Verdict(00:27:20) Short hiatus and podcast closing notes Connect with Mere Mortals:Website: https://www.meremortalspodcasts.com/Discord: https://discord.gg/Xs9DjsurFqTwitter/X: https://twitter.com/meremortalspodsInstagram: https://www.instagram.com/meremortalspodcasts/TikTok: https://www.tiktok.com/@meremortalspodcastsValue 4 Value Support:Website: https://www.meremortalspodcasts.com/supportPaypal: https://www.paypal.com/paypalme/meremortalspodcast

Today, we tackle a reoccuring question from lots of people in a feminization journey or sissy training program. It's about body hair. There are various ways to say it but this seems to sum it up: “Mistress, can I be a genuine sissy girl if I'm hairy?”Mistress Erika noticed something online that inspired the episode. Several of our girls posted photos in pantyhose. They looked stunning. Then they apologized for their hairy legs. That sparked a conversation in our adult social networking site, Enchantrix Empire.We knew we had to go deeper because many of our listeners were feeling the same conflict.Some of the topics include:Does a sissy always need to be smooth?Will a Femdom Mistress want every feminization journey to include shaving all body hair?What does shaving represent to you? Could this be a feminization ritual that helps to switch from male to female?What do we recommend if you have a partner who discovers your crossdressing secret and forbids the razor?What if you want to be femme but you love your beard?We use comments from ladies we know who share their thoughts, experiences, and worries about body hair. While we preach self acceptance, we know that can be difficult with pop culture and porn stereotypes about beauty standards. Our friend Genie delivers the truth: “Nothing on the outside changes the inside. You do not feel like a woman until you accept it internally.”Remember, we are available for personalized sessions on sissy training, feminization wisdom, and distance domination dynamics. Let's explore your transformation together!DISCORD:  LDWErika and LDWOliviaOlivia@EnchantrixEmpire.com  Ms Olivia's blog: Experienced MistressErika@EnchantrixEmpire.com  Ms Erika's blog: Intelligent Phone Fantasy

Episode 329 of the Chasing Giants Podcast is all about preparation for velvet season. Don Higgins and Terry Peer discuss: • Why July 1st is the most important date of the summer • When mature bucks start revealing themselves • Trail camera deployment strategy • Food plot updates and spraying schedules • Rope scrapes and Scrape Magnet tips • Managing cedar thickets for better habitat • Hairy vetch questions answered • Don's thoughts on woodsmanship, technology, and reconnecting with nature Plus, Don announces the official release date for the highly anticipated Doubting Thomas film. #WhitetailDeer #DeerHunting #DonHiggins #ChasingGiants #TrailCameras #FoodPlots #habitatmanagement Podcast Sponsors Asio Gear Real World Wildlife Products Hawke Optics Novix Outdoors Midwest Land Group 360 Hunting Blinds Mike's Mighty Micros Gingerich Tree Farms TagOut Technique Grubb Implement Vortex Optics Brenton USA Mathews Archery Victory Auto Group Wildlife Farming WiseEye Technologies © 2026 Chasing Giants Podcast. All rights reserved. This content, including audio, video, graphics, logos, and written material, may not be copied, reproduced, redistributed, or republished in whole or in part without expressed written permission from Chasing Giants Podcast. Unauthorized use of this content is strictly prohibited.

In this episode, we review the high-yield topic of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hairy Cell Leukemia (HCL)⁠⁠ ⁠⁠from the Oncology section.Follow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Medbullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on social media:Facebook: www.facebook.com/medbulletsInstagram: www.instagram.com/medbulletsofficialTwitter: www.twitter.com/medbullets

Fred from the Subarctic Alaska Sasquatch YouTube channel is back, and this time he brings two encounters rooted deep in the Copper River Valley and the gold country of Alaska's interior. The first comes from a man we'll call Travis, an Ahtna man with family ties down the Copper River Valley who saved for years to carve out a small homestead on a five-acre piece of native allotment land.Three years ago, on the third morning of an early trip with his wife, the couple's coffee was interrupted by a grunt and then a growl that seemed to come from every direction. What Travis first took for a bear turned out to be something far stranger, peering over ten-foot alders from twenty-five yards out. His wife saw it clearly first, describing a caveman-like figure with dark grayish-black skin, black eyes, a broad flat nose with downward-facing nostrils, and a strange blondish-red coat of hair.What followed was a two-day siege, with multiple creatures circling the cabin, jiggling the door handle, throwing rocks onto the roof, and fixating on Travis's wife, who reported hearing one of them telling her to come over in her own head. Rifle shots, a near-decision to burn the tree line, a sleepless night, and a tense armed extraction with friends the next morning all play out before they finally reach their ATVs and escape. Travis has returned since, learning from the previous owners that activity reliably picked up twice a year, every spring and fall.The second story reaches back to the spring of 1946 and comes from an Ahtna elder we'll call Tyler, passed down across a lifetime from his father, Tyler Senior. Set in the gold country near what would later become the Taylor Highway at Mosquito Creek, in an area then known as Forty Mile, the account follows Tyler Senior and two cousins working a small claim. After days with no wildlife stirring, the harassment began with strange whoops, whistles, and pigeon-like cooing from the tree line, then escalated to rocks thrown with painful accuracy, a wrung-off caribou head and a stripped hindquarter lobbed into camp, and a black silhouette swaying at the edge of the firelight. Heavily armed with old-school large-bore rifles, the men fired volley after volley at a creature that ran through their fire, scattered the embers, and seemed to vanish each time they shot. By the time multiple siren-like screams answered one another up and down the valley before dawn, the men packed up and abandoned the operation for good.The lesson Tyler Senior carried and passed down was simple and consistent: you never engage the bushman, you leave, because if you don't, it doesn't stop.Visit Subarctic Alaska Sasquatch YouTube ChannelEmail BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Layla thinks her man is cheating because she found another girl's hair in her hairbrush. Follow us on socials! @themorningmess

Today we're diving into something we use every day - our voice. Most of us are walking around with an unconscious default voice that's been patched together from old stories, childhood wounds, cultural expectations, and whatever got us through the day. But what if that voice isn't really you?Meet Barbara McAfee - voice whisperer, author, singer, and playful catalyst for authentic expression. For more than three decades, Barbara has helped people shed vocal habits shaped by old stories and step into voices that feel truly like home. Through sound, story, character work, and her Five Elements system, she makes voice liberation both profound and ridiculously fun. She's a master voice coach, bestselling author of Full Voice and Vocal Intelligence, and dynamic speaker whose two TEDx talks - including the widely viewed “Bringing Your Full Voice to Life” - have inspired hundreds of thousands of people worldwide. Her work has reached leaders, organizations, international educators, community singing movements, and countless individuals through keynotes, retreats, coach trainings, and her beloved Morning Star Singers hospice choir.Barbara, in so many ways, graces us with her presence on The Junkyard Love Podcast to remind us that our voice is the primary way we shape our world.Your voice is the instrument that shapes your expression on the way out. What we really 'mean' is upstream of the voice, and how we express what we really mean is changed by the voice - our life is lived downstream of our ability to express ourselves. Our expressions are interpreted by one another through an infinite number of micro movements, frequencies, rhythms, pheromones, sensory perceptions, biological responses, and so many more - but our voices carry truths even our own conscious perception can't filter out. Barbara shares that our voices are often shaped by past traumas, survival strategies, cultural pressure, and old stuck identities - and she teaches us how to release those unconscious holds in our physical body, allowing the voice to open and flow without restraint. In this back-and-forth conversation, we cover how most of us are unconsciously wearing what Barbara calls a “vocal girdle” - that invisible tightness and restriction we build over years from old wounds, family expectations, and cultural pressure that keeps our voice smaller and safer than it wants to be. She shares how we can gently loosen and remove it through her joyful Five Elements framework (Earth, Fire, Water, Metal, and Air), by playing with characters and archetypes, and through simple, everyday practices like laughing through the different sounds, voicing your yawns, and reading children's books out loud. We also explore the magic of group singing, the power of pretending to be someone else, code-switching with awareness, and why freeing your voice changes so much more than just how you sound - it changes how you show up in every part of your life.If you've ever felt like your voice doesn't quite match who you really are inside, this conversation is full of heart, laughter, insight, and practical tools you can start using right away - to start speaking with your real voice.Key Topics Covered:Unconscious vocal habits and the “vocal girdle” most of us wearHow childhood experiences and trauma shape our voiceThe Five Elements Framework for vocal freedomPlaying characters and archetypes to access hidden parts of yourselfThe power of group singing and collective connectionPractical daily tools to open and strengthen your voiceCode switching, ego, and authentic flexibilityVoice work for leaders, creatives, and everyday lifeChapter Timestamps (YouTube & Podcast Platforms)00:00 – Why Most People Are Stuck in an Unconscious “Default” Voice00:58 – The “Vocal Girdle”: How Old Wounds and Expectations Restrict Us02:13 – How Childhood Trauma and Family Secrets Shape Your Voice Long-Term04:10 – The Five Elements Framework (Earth, Fire, Water, Metal, Air) Explained05:40 – Barbara's Personal Story: Overcoming Fear of Singing Solo08:32 – The Secret Power of Playing Characters and Archetypes13:38 – Ego, “Brain Rats,” and Gently Expanding Beyond Your Comfort Zone22:55 – Practical Voice Tools for Leaders, Presentations, and Difficult Conversations30:29 – The Magic of Group Singing and Deep Human Connection34:05 – Jacob's Wild DJ Story: Unifying Experiences and Collective Flow40:06 – Laugh, Yawn & Read Children's Books: Easy Daily Practices to Open Your Voice46:26 – Code Switching: Shifting Voices Authentically Across Situations55:12 – Why Humans Crave Collective Ecstasy and Group Singing01:01:40 – Barbara's Books, Music, and Life's Work01:12:45 – Current Retreats, Courses, and What's Next for Barbara01:17:01 – Final Wisdom and Closing ReflectionsLearn practical voice exercises and how to speak with more confidence and authenticity.Key Quotes from Barbara“Most of us are using our kind of unconscious default voice that we think is us, but it's not. It's cobbled together with duct tape and popsicle sticks and trauma…”“We're all kind of wearing a vocal girdle.”“Pretending to be somebody else is kind of the secret sauce.”“The parts of my voice I hate the most have the greatest gifts for me.”“Our voice is the primary way we shape our world.”“Singing is like the mycelial connections between trees.”“Laughing is a great way to just open up the different sounds.”Resources & LinksOfficial Website: https://www.barbaramcafee.com/TEDx Talk (Full Voice): https://www.youtube.com/watch?v=Ze763kgrWGg & https://www.audible.com/pd/Vocal-Intelligence-Audiobook/B0GJ6S1JS3?clientContext=133-8676392-2129631&loginAttempt=true&noChallengeShown=true&srsltid=AfmBOorP30WNp0kMoRLLeUmuQ5u-QS5iM86MSz-MzEmJclaZfpu6Na-h&showMosaicSSOView=true&showAmznLopSignalBanner=trueBooks (on audible, physical copy, or Kindle!): Full Voice: The Art and Practice of Vocal Presence and Vocal Intelligence - https://a.co/d/0hOIWVoz // https://www.audible.com/pd/Vocal-Intelligence-Audiobook/B0GJ6S1JS3?clientContext=133-8676392-2129631&loginAttempt=true&noChallengeShown=true&srsltid=AfmBOorP30WNp0kMoRLLeUmuQ5u-QS5iM86MSz-MzEmJclaZfpu6Na-h&showMosaicSSOView=true&showAmznLopSignalBanner=trueMusic: https://barbaramcafee.bandcamp.com/Instagram: https://www.instagram.com/barbaramcafeesings/For the most up-to-date Junkyard Love Podcast news, clips, and details: @Jacobfromtheinternet on InstagramPlease subscribe, follow, and like if you enjoyed the show!

This week's episode features thoughts on PlayStation's State of Play, Sledding Game, Slots & Daggers, SummerHouse, Middle Evil: The Priest, Adorable Adventures, ZPF, Nullstar: Solus, MonsterBlast Infinity, Midnight Swamp, Tale of Dark Lands, and Formula Legends: Formula E - Electric Evolution.

Fred from the Subarctic Alaska Sasquatch YouTube Channel returns to the show with two chilling reported encounters from the Alaskan wilderness, each involving a large, aggressive, humanlike creature and witnesses forced to flee under terrifying circumstances.In the first account, Timothy, an aspiring bush pilot, flies from Anchorage to Big Lake in June before continuing by floatplane to a remote pond near a friend's cabin. While hiking a ridge late in the evening — despite the lingering daylight near 11 p.m. — Timothy is overcome by an intense feeling of unease. Moments later, he sees trees violently shaking, hears guttural clicks and eerie cackling sounds, and spots a massive dark figure he estimates to be 13 to 14 feet tall.The encounter escalates when the creature appears to throw the top half of a spruce tree in his direction. Timothy fires his shotgun, then empties his .44 Magnum at what he describes as a crouched, spider-crawling mass. The figure suddenly rises to its full height, lets out a horrifying scream, and Timothy makes a desperate escape back to his floatplane.The second account comes from brothers Derek and James, who describe a frightening 1979 trip along Alaska's Snake River. While traveling through dense fog, they hear a powerful whoop and soon see a dark shape rise up into a massive bipedal form. The encounter intensifies as rocks are thrown and the creature begins making strange, motor-like imitation sounds, forcing the brothers to flee. Family members later refer to the being as a “hairy man.”.Be sure to check out Fred's incredible work on the Subarctic Alaska Sasquatch YouTube Channel by clicking the link below and exploring more of his videos.Subarctic Alaska Sasquatch YouTubeEmail BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Thanks For Listening - Say Something Nice about someone or something good going on in your life - Click the little mic on the iHeartRadio App and send us a talkback messageSee omnystudio.com/listener for privacy information.

Tim Conway Jr Show Hour 3 (5.20) At a wedding in La Jolla, the bride and her dad enjoyed a father-daughter dance, during which the dad played audio of what the bride told him at age four about her future wedding. Anyone got a tissue? And let’s not discuss the woman in New York City who plunged to her death when she stepped out of her car and fell down a manhole. It's the 30th anniversary of the EDC! What is that? It’s the Electric Daisy Carnival in Las Vegas. Will you be rolling on molly with Timmy? Nikki sure will! SpaceX is going public! You better jump on those shares if you want to make some moolah a la Elon Musk. LA County is about to slap us with an Olympics 2028 tax. Let’s blame it on LA City Councilmember Monica Rodriguez, who’s the one who’s bringing it. Be careful of tanning beds — they can give you a ringworm! Comedian Dustin Nickerson was going to play “Looney Tunes” for his kids for the first time — only to find it didn’t age well. See omnystudio.com/listener for privacy information.

In this episode, Fred from the Subarctic Alaska Sasquatch YouTube Channel speaks by phone with Patquah, an Inupiaq man originally from Utqiagvik who has spent years living in the Noatak River Valley.Their conversation explores subsistence living in Arctic Alaska, the nomadic history of the Inupiaq people, and the oral traditions passed down through generations to help hunters, travelers, and families understand the dangers of the land.Patquah shares accounts of strange lights, unexplained wilderness phenomena, and traditional warnings about “little people” said to inhabit remote areas of Alaska.These stories include descriptions of foot-tall mountain beings with red eyes and unusual strength, as well as child-sized figures wearing pointed hoods. Rather than framing these traditions as simple folklore or superstition, Patquah explains how elders used these stories as practical survival knowledge, teaching younger generations to respect the land, pay attention to signs, and avoid becoming careless in dangerous country.The conversation then turns to a recent and unsettling experience from April 21, 2026, during a snowmachine hunting trip near the Noatak–Kivalina trail in Northwest Alaska.While traveling through the area, Patquah heard a powerful, echoing scream that seemed to carry across the landscape and left him with the strong feeling that he was being watched. The following day, as weather conditions worsened and he and two companions briefly became disoriented, they spotted a large, dark, hairy figure sitting on a ridge. After viewing it through binoculars, the group chose to leave the area rather than approach.Patquah later learned that relatives and other hunters had reported similar screams and sightings in the region, adding another layer to an already compelling account.This episode blends Inupiaq oral tradition, Alaska Native cultural history, remote wilderness survival, and a modern hairy man encounter from the Mulgrave Hills and Noatak River Valley region.Click the link below to visit Fred's Subarctic Alaska Sasquatch YouTube Channel for more incredible encounter stories, traditional accounts, and unexplained experiences from the wilds of Alaska.Subarctic Alaska Sasquatch YouTube ChannelEmail BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

Fred from the Subarctic Alaska Sasquatch YouTube channel is back with more amazing encounters, and this time he brings us deep into the wild, unforgiving landscape of Alaska. Be sure to check out his channel using the link below.In this episode, Fred shares Ralph's chilling early-1980s encounter on the Willow side of Hatcher Pass, where what began as a routine trip to set up a travel trailer on soft breakup ground quickly turned into something far more terrifying. Ralph first believed he had spotted a bear near the treeline, but the massive figure he saw soon revealed itself to be something far more humanlike, standing an estimated nine-and-a-half to ten feet tall.Over the following days and nights, the activity around the trailer intensified with guttural growls, strange clicking sounds, older tracks, and what appeared to be a worn path leading dangerously close to the trailer window.The encounter escalated when the trailer was violently tipped onto its side during a night of terrifying growls.Ralph fired at the figure in the darkness and later discovered broken windows that had to be patched. On another night, he woke to see a large hand reaching through one of those broken windows, fired again, and then heard heavy movement across the roof.After finding stacked lumber shoved deep into the ground, Ralph finally left the property and never returned. His brother would later abandon the land as well after experiencing similar unexplained events.Fred also shares a haunting 1990s report from near the Kvichak River, where a wolf's howl was followed by the appearance of twenty to thirty wolves and a strange “Jeremiah Johnson”-looking figure. Local elders warned people not to go out alone and spoke of “hairy men” connected to wolves, adding another eerie layer to Alaska's long history of wild, remote, and unsettling Sasquatch encounters.Subarctic Alaska Sasquatch YouTube ChannelEmail BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.