Podcast appearances and mentions of michael j fox

Diane and Sean discuss the very likable second one...Back to the Future Part II. Episode music is, "I'm Back/To Be Concluded", composed by Alan Silvestri, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Podcast Show Notes: David Goldberg - The Masterclass on Sound and Speaking (5-Part Series)

In this exclusive 5-part mini-series on the Podfather Podcast, we sit down with David Goldberg, CEO of Edge Studio in New York City. David has worked with over 10,000 speakers, including CEOs, politicians, and celebrities like Snoop Dogg and Michael J. Fox. This series is a deep dive into the technical and psychological elements that make a podcast sound professional, build trust, and keep listeners engaged.    

In celebration of the June 9th birthday of the incomparable Michael J. Fox, your fearless hosts Karen and Greg travel back to 1996 to dissect Peter Jackson's supernatural cult classic, The Frighteners. That's right—ghosts, grim reapers, and paranormal chaos are converging in one electrifying episode! But hold onto your temporal displacement device—this isn't just a movie review. Oh no! While unraveling the eerie mysteries and dark humor of The Frighteners, Karen and Greg concoct a delightfully deadly, themed cocktail: the “Grim Reaper.” A perfectly spirited companion as they explore psychic abilities, spectral con artists, and the thin line between the living and the dead. Whether you’re a longtime fan of Michael J. Fox, a lover of 90s horror films, or fascinated by supernatural thrillers and cult classics, this episode is guaranteed to generate 1.21 gigawatts of spooky entertainment! So don't be a slacker—tune in, pour yourself a drink, and join us as we venture into the ghostly unknown! Grim Reaper Margarita • 4 oz gold tequila• 2 oz raspberry liqueur• 2 oz sweet and sour mix• 2 oz grenadine• 2 tsp gold luster dust• 4 oz Sprint• 2 fresh pineapple wedges• 2 maraschino cherries• fresh pineapple leaves Instructions: Add the gold tequila, raspberry liqueur, sweet and sour mix, grenadine, and gold luster dust into a cocktail shaker filled with ice. Shake well for 15-30 seconds to combine. Strain into two 8-oz glasses filled with ice. Top up with Sprite and gently stir. Garnish each glass with a wedge of pineapple, a couple of pineapple leaves, and a maraschino cherry Source: thepurplepumpkinblog.co.uk A Brief Synopsis: Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his “special” gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent. Some of the topics discussed and highlights of this episode include: We learn about the French beret. Lots of information about hypothermia and frostbite Dr. Karen also tells us about the difference between cryogenics and cryonics. Our rating of the film: This movie was OK. It took us 3 cocktails to get through it. Take our online survey! We want to know more about you! Please take our survey. All questions are optional and you can remain completely anonymous if you prefer. Tell us what you like or would like to hear more of! All music on the Scary Spirits Podcast is provided by the band “Verse 13”. Please check them out. You can listen to all their music on their Bandcamp page. Get social with us! Connect with us on Facebook and Instagram Subscribe on YouTube to watch Greg attempt to make all the featured cocktails Follow @ScarySpiritsPod Questions, comments or suggestions? Shoot us an email at info@scaryspirits.com As an Amazon Associate, we may earn a small percentage of qualifying purchases through our links.

Degens Andy S and Brandon Bombay head to the clock tower to catch lightning in a bottle as they discuss the 1985 classic, 'Back to the Future.' Andy kicks off the podcast by telling a story when he overdid with partying at a fair and wound up at a crazy car dealership that specializes in Deloreans. Then the guys give this family movie the Degen treatment. There's a lot of discussion about how Robert Zemeckis captured the '80s wonderment, and was helped by Alan Silvestri's occasionally gripping score. In addition to the technical aspect, the hosts devote a lot of time to whether or not Lea Thompson was a smokeshow back in the day, and the icky logistics of going back in time just to have the opportunity to hook up with the teenage version of your own mother. Michael J. Fox was famously the second choice to star in the franchise, but it's Christopher Lloyd's cartoonish depiction of Doc Brown that sells the essence of a film with a mostly bonkers premise. So order a Pepsi Free or a Tab from the milkshake counter and settle in for a surprisingly unhinged episode. 

Michael J. Fox 65 éves: 5 szerep, ami legendává tette Kapibarakölykök születtek Debrecenben, már látogathatók is Palvin Barbara kisbabájáról beszél egész Hollywood – a leendő nagybácsi is nyilatkozott Hatalmas a felháborodás Fenyő Miklós szobra körül: a rajongók szerint méltatlan az emlékéhez Vákuumcsomagolt latexben jelent meg Kanye West felesége a rapper szülinapján Sean Penn elárulta, miért nem vette át az Oscar-díját az idei gálán Na végre! Katy Perry és Justin Trudeau a vörös szőnyegen is debütáltak, le sem tudták venni egymásról a kezüket Krasznahorkai László: Erősen gondolkodom a kiszálláson Ganxsta Zolee ebbe a nőbe fülig szerelmes Megvan, mikor pótolják az Elefánt rosszullét miatt elmaradt koncertjét Stohl András után jött az igazi? Vica új párja mellett szárnyal A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Michael J. Fox 65 éves: 5 szerep, ami legendává tette Kapibarakölykök születtek Debrecenben, már látogathatók is Palvin Barbara kisbabájáról beszél egész Hollywood – a leendő nagybácsi is nyilatkozott Hatalmas a felháborodás Fenyő Miklós szobra körül: a rajongók szerint méltatlan az emlékéhez Vákuumcsomagolt latexben jelent meg Kanye West felesége a rapper szülinapján Sean Penn elárulta, miért nem vette át az Oscar-díját az idei gálán Na végre! Katy Perry és Justin Trudeau a vörös szőnyegen is debütáltak, le sem tudták venni egymásról a kezüket Krasznahorkai László: Erősen gondolkodom a kiszálláson Ganxsta Zolee ebbe a nőbe fülig szerelmes Megvan, mikor pótolják az Elefánt rosszullét miatt elmaradt koncertjét Stohl András után jött az igazi? Vica új párja mellett szárnyal A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's questions are all about the birthday boy, Michael J. Fox!See omnystudio.com/listener for privacy information.

It was likely this week in 1752 that Benjamin Franklin famously flew a kite in a thunderstorm. The story of this experiment has been changed and twisted over time, so we'll sort out facts from myth, and figure out why and how Franklin was doing what he was doing. Plus: today in 1961, the birthday of Michael J. Fox, whose acting career took off like lightning despite the best efforts of one of his early bosses. Benjamin Franklin flies kite during thunderstorm (History.com)Michael J Fox nearly lost a TV series because of a producer's strange belief (Virgin Radio)Our Patreon backers are key to our success

National Donald Duck day, Entertainment from 1984. 1st person deported from US, 1st transpacific flight, Income tax withholding act enacted. Todays birthdays - Les Paul, Jackie Wilson, Michael J. Fox, Johnny Depp, Wes Scantlin, Matt Bellamy, Natalie Portman. Charles Dickens died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Donald duck theme songTime after time - Cyndi LauperSomeday when things are good - Merle HaggardBirthdays - In da club - 50 Cent        http://50cent.com/Tiger Rag - Les PaulLonely Teardrops - Jackie WilsonBlurry - Puddle of MuddUprising - MuseExit - Summer Fall - Lee Sims         https://www.leesims.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Send us Fan MailThis week on the show!The More you look the more you find and you're not supposed to be here in: BackroomsOnly one can have the power in:Masters of the UniverseIn the hours before D-Day with the decision that changed the world. Based on the untold true story comes:Pressureand finally Humans for the most part are dull and blundering but occasionally, can be remarkably bright creatures in the Netflix exclusive:Remarkably Bright Creaturesready for my verdict? Let's get into it. *Support the show by leaving a review on Apple podcast or Spotify! *You can now listen to The Movie Wire on YouTube! Listen and subscribe here!If you haven't followed, or subscribed to The Cultworthy Cinema Podcast and The Movie Wire's crossover show Back 2 the Balcony, now is your time, because this week, we cover the 1993 Michael J. Fox film Life with Mikey!Watch HereSupport the show

This week we cover the Michael J Fox comedy - LIFE WITH MIKEY. He's a talent agent. She's a thief. Looks like they've already got something in common. Michael Chapman, a former child TV star, runs a struggling talent agency specilizing in child acts. When a young girl off the street puts on a real performance after he catches her picking his pocket, he may have just found the next big thing. SUBSCRIBE TODAY!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalconyHear our take on the film and on the critique of SISKEL AND EBERT!

Skateboardpodden kidnappade Per Welinder i en vit bil och pratade: Om att skata freestyle på tunnelbanestationen Stadion på det sena 70-talet och om discoduck-damen som alltid ringer snuten. Om att vara sponsrad av GB-glass. Om när Stacy Peralta kommer till Sverige och får se svenska åkare och blir imponerad. Om att komma till USA för första gången och tävla i Oasis-skateparken och det går sådär. Om att Stacy Peralta helst inte ville ha slashasar när han plockade ihop Powell-teamet. Om Future Primitive och Ban This. Om att skriva brev på sin Commodore 64 och skicka det till USA-chefen för Swatch så att Swatch ger sig in i skateboardvärlden. Om att vara stuntdubbel till Michael J Fox i Tillbaka till framtiden. Om att vara den enda som vunnit över Rodney Mullen i en tävling. Om att spela sig själv i Thrashin'. ”Helt otroligt man!” Om att starta Birdhouse tillsammans med Tony Hawk och The Firm med Lance Mountain. Om att vara med och skapa Tony Hawk's Pro Skater till Playstation. Om att starta Go Skateboarding Day. Om att freestyle försvann men nördarna tog revansch genom att ta över branschen. Och om mycket annat. Namn som nämndes: Bob Skoldberg, Tony Magnusson, Tony Alva, Hazze Lindgren, Martin Willners, Carsten Mortensen, Patrik Sjöberg, Ants, Mark Baker, Stacy Peralta, Per Viking, Göran Hammargren, Alan Gelfand, Stefan Spång, Steve Rocco, Rodney Mullen, Paul Schmitt, Jay Smith, Mike McGill, Tony Hawk, Frank och Nancy Hawk, Steve Caballero, Ray ”Bones” Rodriguez, Bob Schmelzer, Pierre André Senizergues, Kevin Harris, Courtlandt Johnson, Jeremy Klein, Danny Way, Hosoi, Tommy Guerrero, Primo och Diane Desiderio, Bob Gale, Robert Zemeckis, Steven Spielberg, Michael J Fox, Eric Stoltz, Robert Kittilä, Josh Brolin, Mike Vallely, Lance Mountain, Willy Santos, Ocean Howell, Andrew Reynolds, Dave Carney, Bucky Lasek, Micke Larsson, Lynn Cooper, Lillis, Reggie Barnes, Jean Marc Vaisette, Per Holknekt, Don Brown, Rune Glifberg, Ali Boulala, Oski, Rayssa Leal. Foto: Martin Willners, 1981 Linköping ————————————————— Om du gillar det vi gör så Swisha valfritt antal kronor till: 0735-102810
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Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. This week with this year's summer blockbuster season now under way, we are featuring summer blockbusters from years past. On today's episode, Steve Riddle is reviewing “Back To The Future” from 1985 starring Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover & Thomas F. Wilson.

Klemt mellom splatterkaoset i Braindead og Bad Taste og den kommende Ringenes Herre-suksessen finner vi Peter Jacksons herlige 90-tallsmareritt The Frighteners – filmen hvor Michael J. Fox svindler folk med spøkelser mens Jeffrey Combs går fullstendig av hengslene i bakgrunnen. Fox spiller Frank Bannister – en småsvindler som bruker spøkelser til å tjene penger, helt til en mystisk og dødelig skikkelse begynner å herje i byen. Resultatet er en herlig miks av horror, komedie, serial killer-thriller og ren tegnefilmenergi. I denne episoden tar Attack of the Killer Kast turen tilbake til 1996 for å snakke om spøkelser, seriemordere, tidlig CGI-kaos og hvorfor The Frighteners gikk fra kinoflopp til kultklassiker. Vi er også innom Jake Busey, R. Lee Ermey, videobutikk-nostalgi og hvorfor dette føles som en film ingen egentlig hadde fått lov til å lage i dag. Med: Chris og KurtVignett fremført av: Filmjunkiene v/Ivar Nikolai Fallet og Aleksander U. Serigstad

Actor Stephen Baldwin joins Bill to discuss his famous family, politics, and fame.  Baldwin talks about his famous brothers, his faith, and navigating Hollywood. 0:00 — Intro 1:20 — The Baldwin family (Alec, Bill, and Daniel) and politics 8:10 — Born again 10:30 — Entering into politics 12:03 — Casualties of War, Sean Penn, Michael J. Fox, Brian DePalma, John C. Reilly, Clint Eastwood, and Jack Nicholson 18:45 — One Bad Movie podcast, Brian Austin Green, Hollywood 21:33 — Usual Suspects, Benicio Del Toro 23:13 — Baldwin's acting family 24:20 — Hailey Bieber, fatherhood 30:30 — Baldwin personalities and Jerry Seinfeld 33:40 — Rumer Willis, Bruce Willis, and Moonlighting 35:35 — Movies, Transformers, and James Bond 39:40 — Movie roles, Christianity, and Mel Gibson Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Matt Adler from Teen Wolf!Matt discusses working with Michael J Fox on Teen Wolf, making Dream a Little Dream with the Coreys, starring in the surf Drama North Shore, appearing in the sci/fi classic Flight of the Navigator, & much more!Support the show

Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Matt Adler from Teen Wolf!Matt discusses working with Michael J Fox on Teen Wolf, making Dream a Little Dream with the Coreys, starring in the surf Drama North Shore, appearing in the sci/fi classic Flight of the Navigator, & much more!Support the show

I Mouth The Words Our guest this week is voice actor Joe Sanfelippo. Joe is an exceptional voice actor and book narrator. You've heard him on shows and movies like Aquaman, Spiderman: Into the Spider-Verse, Hotel Transylvania 2 and 3, Orange is the New Black, Grownish, The Morning Show, and many more. If you have listened to the audible reading of Gyro and the Argonauts by Joshua Pruett, then you have heard him as both the book's narrator and its lead character - Gyro! And honestly, Joe CRUSHES it with this reading. Totally worth getting the audio to hear his narration and, as you will hear him call it, his version of a squeaky Michael J. Fox for Gyro. In our chat, we will discuss his origin story, the process of bringing his characters to life, and what the future holds for Joe. For more information about Joe Sanfelippo, please visit the following - Website - www.josephsanfelippo.com Instagram - @joesanfelippo IMDb page - https://www.imdb.com/name/nm1581621 Pop Culture Addicts Theme song "Racing in Darkness" by Nautilus '54 - https://nautilus54.bandcamp.com/album/the-fell-star-2 For more on our show partners - Level Up Sabers - https://bit.ly/LevelUpFSF Once Upon a Tee - https://www.onceuponatee.net/?ref=pcapod Sign Up for Free Loot here - www.pcapod.com/contact For more on our Show - Join our Patreon: https://www.patreon.com/c/popcultureaddicts Join our Discord! https://discord.gg/cpry4fCDTq Visit our website: https://www.pcapod.com PCA on Instagram, and Threads - @pcapodshow This podcast is powered by Pinecast.

I Mouth The Words Our guest this week is voice actor Joe Sanfelippo. Joe is an exceptional voice actor and book narrator. You've heard him on shows and movies like Aquaman, Spiderman: Into the Spider-Verse, Hotel Transylvania 2 and 3, Orange is the New Black, Grownish, The Morning Show, and many more. If you have listened to the audible reading of Gyro and the Argonauts by Joshua Pruett, then you have heard him as both the book's narrator and its lead character - Gyro! And honestly, Joe CRUSHES it with this reading. Totally worth getting the audio to hear his narration and, as you will hear him call it, his version of a squeaky Michael J. Fox for Gyro. In our chat, we will discuss his origin story, the process of bringing his characters to life, and what the future holds for Joe. For more information about Joe Sanfelippo, please visit the following - Website - www.josephsanfelippo.com Instagram - @joesanfelippo IMDb page - https://www.imdb.com/name/nm1581621 Pop Culture Addicts Theme song "Racing in Darkness" by Nautilus '54 - https://nautilus54.bandcamp.com/album/the-fell-star-2 For more on our show partners - Level Up Sabers - https://bit.ly/LevelUpFSF Once Upon a Tee - https://www.onceuponatee.net/?ref=pcapod Sign Up for Free Loot here - www.pcapod.com/contact For more on our Show - Join our Patreon: https://www.patreon.com/c/popcultureaddicts Join our Discord! https://discord.gg/cpry4fCDTq Visit our website: https://www.pcapod.com PCA on Instagram, and Threads - @pcapodshow This podcast is powered by Pinecast.

Robocop 3 (1993)Directed by Fred DekkerStarring: Robert John Burke, Nancy Allen, Rip Torn, Bradley WhitfordThey PG-13'd a franchise built on ultraviolence, gave Robocop a jetpack, and somehow thought a ninja robot was the answer. Welcome to Robocop 3.This is the movie that killed Fred Dekker's career, broke Frank Miller's spirit, and somehow still made money. John and Sean strap in for one of the most gloriously misguided entries in the history of cult classics — a kids' movie with a body count, a legacy character dispatched in the laziest standoff ever committed to film, and a half-man, half-robot hero who shows up 20 minutes late to his own movie.In this episode, we discuss:The Great Downgrade — Peter Weller's out, Robert John Burke is crammed into a suit that doesn't fit, and the result is exactly as uncomfortable as it sounds. We debate who's really at fault: the actor, the suit, or the whole cursed production.PG-13: The Franchise Killer — How stripping Robocop of everything that made him terrifying, visceral, and satirically brilliant in favor of toy-friendly family entertainment is the original sin this movie never recovers from.Too Many Factions, Zero Payoff — Splatter punks, Rehab mercenaries, a Japanese corporate ninja, a child hacker, the resistance, the cops — this movie stuffs more into a paper bag than the bag can hold, and then the bag explodes.The Jetpack Scene — No further comment necessary. You'll know it when you see it. It looks exactly as bad as you're imagining.We Also Talked About:Remake, Remix, Rip-Off (Youtube) (2014, dir. Cem Kaya) — A documentary on Turkish pop cinema where three screenwriters ran an entire film industry, stunt safety was a suggestion, and they painted the film stock purple when they ran out of color.Neighbors - Episode 6 - "Yellow Thong Bikini" (Amazon) - Sean wraps up his coverage of the series with episode 6, "Yellow Thong Bikini" — the one he definitely couldn't watch with his kid. A 70-something man exercises around his California neighborhood in nothing but a yellow thong bikini, gets run out of town by disapproving neighbors, relocates to a Florida nudist colony, and somehow ends up entangled with a college student making hip-hop videos. It's exactly what it sounds like, and Sean recommends it with very specific caveats.Psycho Ape (Youtube) (2020) — John's new obsession: a Nike-wearing killer gorilla loose in Detroit, shot on a home camera. Also available via Found Footage Fest on Kindie.tv.High School U.S.A. (Youtube) (1983) — A made-for-TV fever dream starring Michael J. Fox, Crispin Glover, Anthony Edwards, and Todd Bridges.Mallrats (Youtube)(1995, dir. Kevin Smith) — John revisits Kevin Smith and remembers a better time. The specter of an upcoming Kevin Smith episode looms large.Anaconda (Amazon)(2025, dir. Brad Peyton, starring Jack Black & Paul Rudd) — Streaming on Netflix.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network.

Michael J. Fox said: “I am careful not to confuse excellence with perfection. Excellence I […]

As seen on Gutfeld!, CNN issues an apology for mistakenly reporting Michael J. Fox's death.  Meanwhile, 'Project Hail Mary' movie comes out on top at the box office, and Greg offers an analysis you won't want to miss! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Boatman on Spin City, Hollywood Survival & UFO Encounters In this engaging episode of Reza Rifts, Keith Reza sits down with actor and writer Michael Boatman for a wide-ranging conversation about creativity, career longevity, and the mysteries that keep life interesting. From his memorable work on Spin City, Arli$$, China Beach, and The Good Fight to his life as a novelist and storyteller, Michael reflects on the unpredictable path of building a lasting career in entertainment. The conversation explores his writing process, fascinating Hollywood encounters, the realities of working in television and film, and his longtime curiosity about space, UFOs, and the unknown. Funny, insightful, and surprisingly moving, this episode is packed with stories about resilience, identity, reinvention, and what it means to keep evolving as an artist in an industry that never stops changing. Guest Bio Michael Boatman is an American actor and writer best known for his roles as Carter Heywood on Spin City, Samuel Beckett on China Beach, Stanley Babson on Arli$$, Motown in Hamburger Hill, and Julius Cain on The Good Wife and The Good Fight. He has also built a respected career as a fiction writer, with books including God Laughs When You Die and The Revenant Road. Follow Michael Boatman Instagram: https://www.instagram.com/michaelboatman64/ IMDb: https://www.imdb.com/name/nm0090225/ Chapters 00:00 Introduction and Comedy Special Announcement 02:04 Guest Introduction: Michael Boatman 11:18 The Journey of Writing Books 17:40 Experiences with Aliens and UFOs 24:20 Acting Career and Breakthrough Roles 32:28 Contrasting Styles: Spin City vs. Arli$$ 37:02 Breaking Boundaries in Television 40:01 The Impact of Celebrity on TV 43:01 Michael J. Fox's Journey with Parkinson's 48:08 The Resilience of the Human Spirit 52:02 Navigating the Transition from TV to Film 55:04 The Evolution of the Entertainment Industry 01:00:57 The Challenges of Being an Actor Today 01:05:47 The Fear of Impermanence in Acting 01:11:59 A Sweet Reflection on Identity   Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   Up Next on Reza Rifts Stay tuned for more candid, funny, and deeply human conversations with actors, comedians, writers, and entertainers from across the Hollywood universe. On Reza Rifts, every episode brings you closer to the people behind the performances and the stories you never saw coming.   #RezaRifts #KeithReza #MichaelBoatman #SpinCity #Arli$$ #ChinaBeach #TheGoodFight #Hollywood #Acting #Writing #Storytelling #UFOs #SpaceMysteries #EntertainmentPodcast #ComedyPodcast  

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

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Full show - Thursday | GMD - He isn't being a good dad | News or Nope - Diddy, Michael J. Fox, purple stuff, and the Nuggets | Words you can't say around your dog | Found it | Erica's wedding nerves | Slacker's got a dating dilemma | Slacker might be a sucker | What's up with milk these days? | Stupid stories www.instagram.com/theslackershow www.instagram.com/ericasheaaa www.instagram.com/thackiswack www.instagram.com/radioerin

Jeff and Jenn: The Full Episode... Good Morning and E News: Diddy has a new defense, Taylor and Travis getting married in NYC?, Taylor Momsen got bit by a spider, Michael J. Fox, Fake or For Real, Jeff Italian Word of the Day, News That Didn't Make the News: Should we trust A.I.?, Bachelor degree programs are now three years?, TikTok mashup, Second Date Update: Once a cheater... Always a cheater… 1K Letter of the Day, and More… See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Good Morning and E News: Diddy has a new defense, Taylor and Travis getting married in NYC?, Taylor Momsen got bit by a spider, Michael J. Fox, and more. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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On the Iran front, Donald Trump is telling reporters that Iranian leaders are reasonable and peace is within reach, while the new Supreme Leader Moshtaba Khamenei is publicly vowing revenge against the United States. Iran has taken control of the Strait of Hormuz, a move Trump was warned about before hostilities began. Meanwhile, the so-called ceasefire never stopped Israel from launching major strikes into Lebanon, with nearly 1,000 casualties reported in a single wave of attacks. US troops stationed in Kuwait who survived a deadly Iranian drone strike are now contradicting Pete Hegseth's public account of the attack. Soldiers say the position was not fortified, that they were knowingly placed near a known Iranian target list, and that Hegseth's "anomalous squirter" framing is flatly false. Six service members died. To close out, CNN published a tribute video and article for Michael J. Fox, who is very much alive. His representatives confirmed it. Fox confirmed it. CNN apologized. SUPPORT & CONNECT WITH HAWK- Support on Patreon: https://www.patreon.com/mdg650hawk - Hawk's Merch Store: https://hawkmerchstore.com - Connect on TikTok: https://www.tiktok.com/@mdg650hawk7thacct - Connect on TikTok: https://www.tiktok.com/@hawkeyewhackamole - Connect on BlueSky: https://bsky.app/profile/mdg650hawk.bsky.social - Connect on Substack: https://mdg650hawk.substack.com - Connect on Facebook: https://www.facebook.com/hawkpodcasts - Connect on Instagram: https://www.instagram.com/mdg650hawk - Connect on Twitch: https://www.twitch.tv/mdg650hawk ALL HAWK PODCASTS INFO- Additional Content Available Here: https://www.hawkpodcasts.comhttps://www.youtube.com/@hawkpodcasts- Listen to Hawk Podcasts On Your Favorite Platform:Spotify: https://spoti.fi/3RWeJfyApple Podcasts: https://apple.co/422GDuLYouTube: https://youtube.com/@hawkpodcastsiHeartRadio: https://ihr.fm/47vVBdPPandora: https://bit.ly/48COaTB

In this edition of Trend & Stimpy, Jack and special guest co-host Pallavi Gunalan discuss Michael J. Fox NOT being dead, Amazon bricking old Kindles, who's really getting arrested by ICE, RIP Forestry Service and much more!See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Michael J. Fox is alive To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The show opens with the Mets' defensive woes and David Peterson's struggles, leading Boomer to roast cold-weather ski masks and Evan Roberts to fume over wasted free tickets. As Boomer's comments on Dianna Russini go viral, the guys tackle everything from a WFAN "fat guy" Mount Rushmore and Grok's take on audio porn to the best NFL uniforms and the Yankees' slump. Between Masters previews and Jayson Tatum's Garden return, the crew covers John Harbaugh's move to the Giants and the White Sox's "Pope hat" giveaway. Finally, Boomer battles a clueless ChatGPT, questions the Savannah Bananas at Yankee Stadium, and corrects a Michael J. Fox death hoax to close out the morning.

Boomer spars with a clueless ChatGPT over the Pope's identity and questions the Savannah Bananas' fit at Yankee Stadium. Jerry leads a rating of Peter Schwartz's latest play-by-play, Kirk Cousins analyzes Fernando Mendoza's throws, and Kyle Hamilton reflects on John Harbaugh's move to the Giants. Following a recap of the Mets' loss to the Diamondbacks, "audio porn" claims Moment of the Day honors before the show clarifies a misleading CNN report on Michael J. Fox.

Lori is here for myTalk Classic Week! Throwback breakfasts and negotiation tips from Lori, Michelin stars come to Minneapolis (but not Saint Paul) and jury duty hot tips, BOOB TUBE: "Real Housewives of Rhode Island," and Michael J. Fox is still alive See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Ketamine Queen has been sentenced. Hers was not a light sentence. Somehow this segued into Parkinson's and Michael J Fox, who's had the disease for over 35 years now. And speaking of things that lasted forever, Tom's 40th anniversary of the KQ morning show is later this month. What a perfect opportunity to reminisce.Topics:Minnesota's Trapp familyKetamine Queen sentencingPPP loan abuseMichael J Fox false death announcementCar chasesTwins are getting betterBob interviews TomSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We open on the dark path, a man burns a warehouse to the ground, the Hookers in Hope Town update, Michael J Fox fights back, hey dogman get your dogs, the cringe CEO eating controversy is back, Fritz on the Street gets heated, Shawn makes a peacock bargain, trouble in the neighborhood and so much more!

We open on the dark path, a man burns a warehouse to the ground, the Hookers in Hope Town update, Michael J Fox fights back, hey dogman get your dogs, the cringe CEO eating controversy is back, Fritz on the Street gets heated, Shawn makes a peacock bargain, trouble in the neighborhood and so much more!See omnystudio.com/listener for privacy information.

These are the headlines you NEED to know about!

This morning on the Billy and Lisa Show, Mikey V fills in for Billy Costa, who's celebrating his wife's birthday in Paris. The guys dive into the latest news, including the upcoming Coachella festival, where Justin Bieber is set to perform. They also discuss the final season of Saturday Night Live, with Olivia Rodrigo hosting and performing on May 2nd, and Matt Damon and Noah Kahan teaming up on May 9th. Plus, they chat about the Masters golf tournament and the latest celebrity news, including Michael J. Fox's recent health scare and the Michael Jackson biopic.See omnystudio.com/listener for privacy information.

Small Batch Creamery appearanceA principal tackled a gunmanMorons in the newsWhat was stolen from Wawa?Meme shows Buc-ees coming to downtown TampaChick-fil-A video got 8 employees firedUSPS commercial... (MJ still holds a grudge)Cash reward for identifying fan from Rays' game who lost pantsDear Flabby... Edger blade damaged neighbor's truckArsonist at TP warehouse identifiedDon't yell 'fire' in a movie theatre like this YouTuber doesWhat could ruin a massageKetamine Queen sentencedExtra airline feesTiger Woods may face prosecutionTaylor Swift affectCNN website error reported Michael J. Fox had diedWhy didn't Fester's kids go to Small Batch Creamery?TPD responds to a report of a pressure cookerDrunk held at gunpoint on I-275Hillsborough County deputy investigated for DV"Euphoria" reviewHeadline says walls are closing around Guthrie kidnapperDon't try this hemerrhoid treatmentMoon landing conspiracy3 foods linked to longer lifeMichael Jackson biopic ending changedLimited iPhone with piece of Steve Jobs' turtleneck for just $10,000?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Good Morning and E News: Is Michael J Fox dead?, The Ketamine Queen is in jail, Zendaya and Sydney Sweeney avoid each other, Nikki Glaser loves this, and Could you be an on screen lover for someone?, See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CNN accidently published an article announcing Michael J. Fox passed away, Jenna Ortega says she almost quit acting and Eva Longoria has become a vacuum connoisseur.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trump can't do anything right. CNN announces the death Michael J Fox, when he's still alive. People who think they're smarter than their parents. Suspension of the gas tax, and the quality of our roads. Do Men or Women's farts smell worse?See omnystudio.com/listener for privacy information.

Bradley tells the tale of CNN accidentally publishes a story implying Michael J. Fox was dead. The blinds are full of hot gossip, including but not limited to some red carpet drama at the premiere of Euphoria. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

DeHuff had an embarrassing camel toe / moose knuckle moment. Cowboy DeHuff lends his support.Kyle Clark of 9news in Denver (KUSA) is a straight shooter, and he offended someone named Debbie by saying “nut cuttin' time”.CNN accidentally said Michael J. Fox was dead - and he responded. DeHuff explains how TV networks have tributes built for when big name celebrities pass away. So naturally, DeHuff had to give you a sneak peak into what his tribute would have in it.A 300-million-year-old tentacled sea creature has lost its crown as the world's oldest octopus, after scientists found evidence that it's not an octopus at all. Too bad Connery messed up this story.If you live in New York, you could get a job sniffing dogs' breath, and documenting it.