Podcast appearances and mentions of Karl Freund

The Halloweenies continue their Universal Monsters coverage with Karl Freund's 1932 classic The Mummy starring Boris Karloff.

Mit „Der letzte Mann“ gelang dem Regisseur Friedrich Wilhelm Murnau, dem Autor Carl Mayer und dem Kameramann Karl Freund ein besonderer Stummfilm, der bis heute als Meisterwerk gilt. Das Skript und damit der Film kamen gänzlich ohne Zwischentitel aus, so dass sich die gesamte Geschichte rein über das Schauspiel und die Bildebene erzählt. Die „entfesselte Kamera“ des Films war für die damalige Zeit experimentell und muss die Zuschauer*innen schwer beeindruckt haben. Sie fährt nicht nur durch die Lobby eines Hotels, sondern folgt auch einem Trompetenton über einen Innenhof bis zum Ohr einer Hörenden. In den Zwanzigern kämpfte die verhältnismäßig junge Filmkunst noch um Anerkennung und so stürzten sich sie Filmkritiker auf den Film und erhoben ihn zum Beispiel dessen, was der Film als eigenständige Kunstform erreichen kann. Das äußert sich auch in der Filmkritik anlässlich der Premiere in Hamburg, die ca. zwei Monate nach der deutschen Premiere vom 23. Dezember 1924 in Berlin stattfand, aus dem Hamburgischen Correspondenten vom 21. Februar 1925. Lediglich das durch den einzigen Zwischentitel herbeigeführte Happy-Ende des Films erregte Kritik. In der Tat hatten es weder Murnau noch Mayer gewollt, sie wurden aber von der UFA gezwungen es anzufügen, und taten dies, indem sie sich ironisch davon distanzierten. Der Star-Kult der Zeit lässt sich daran ablesen, dass in der ganzen Kritik die Namen des Autors und des Regisseurs nicht vorkommen, lediglich der Hauptdarsteller Emil Jannings wird genannt. Wir nennen Rosa Leu als diejenige, die für uns heute liest.

An encore presentation of Peter Lorre's dive into the horrors of silent cinema! Revisit the unforgettable moments of this legendary actor's fight for eternal peace after Matthew and Vincent force him into a devil's bargain to review silent movies for a return to the afterlife! You'll relive all your favorite moments - Pierre the wily rodent! The beloved bucket of fish heads! The inexorable descent into madness!Marvel at Mr. Lorre's reviews of the following classics: The Phantom of the Opera (1925); The Mystic (1925, dir. Tod Browning); The Unknown (1927, dir. Tod Browning feat. Lon Chaney, Joan Crawford); He Who Gets Slapped (1921, dir. Victor Sjöström feat. Lon Chaney, Norma Shearer, John Gilbert); The Man Who Laughs (1928, feat. Conrad Veidt); The Golem: How He Came Into the World (1920, photography of Karl Freund); The Cabinet of Dr. Caligari (1920) feat. Conrad Veidt); Metropolis (1927, dir. Fritz Lang); Faust (1926, dir. F.W. Murnau); Dr. Jekyll and Mr. Hyde (1920, feat. John Barrymore); The Hunchback of Notre Dame (1923, feat. Lon Chaney); The Unholy Three (1925, dir. Tod Browning feat. Lon Chaney); The Lost World (1925, feat. Wallace Beery).Thrill in the audio glow of Mr. Lorre's famous filmography, with trailers for Mad Love; Casablanca; The Maltese Falcon; Invisible Agent; Trilogy of Terror; 20,000 Leagues Under the Sea; The Comedy of Terrors; The Raven (1963); and The Beast With Five Fingers.Thanks for joining us friends in this celebration of silent horror and the immortal Peter Lorre. We'll see you next time for the movie that inspired Gojira - The Beast from 20,000 Fathoms (1953) with special effects by Ray Harryhausen!If you enjoy the podcast, please leave a rating and review. Or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.Camp Kaiju: Monster Movie Podcast. Silent But Deadly: Monster Movies from the Silent Era (2024). Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced, written, and performed by Vincent S. Hannam. Additional performance by Joshua English Scrimshaw. © 2024 Vincent S. Hannam, All Rights Reserved.

La Momie Quand les héros de la pop culture nous donnent des leçons dʹHistoire. Dans cette série originale proposée par Anne Laure Gannac, lʹhistorien et journaliste Nicolas Méra, auteur de La vraie histoire des icones de la pop culture aux Editions First, nous raconte les origines mais aussi un peu de la grande Histoire qui se cache derrière des figures majeures de la pop culture. Aujourdʹhui focus sur La Momie, surgie pour la première fois dans un film de Karl Freund, en 1932.

For our 2024 Halloween Special Subject we watched two films in the German Expressionist tradition starring one of the greatest actors to be relegated to Hollywood character actor status, Peter Lorre: Fritz Lang's masterpiece M (1931), through which Lorre came to international recognition playing a child murderer, and Lorre's first Hollywood film, Karl Freund's Mad Love (1935), to which he also brought his special blend of pathos and perversion. We discuss serial killers, scapegoats, sadism, cyberpunk zombies, love, sex, and other topics certain to terrify.  Time Codes: 0h 00m 25s:      M (1931) [dir. Fritz Lang] 0h 32m 07s:      MAD LOVE (1935) [dir. Karl Freund] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

HALLOWEEN HUMPFEST HAS RETURNED! That means a horror movie discussion every weekday all October long and we often like to do classic film selections on Mondays. For Halloween this month, each weekday has a particular theme and every Monday is UNIVERSAL MONSTER MONDAYS! The iconic Universal Monster characters that have been the face of a studio for generations. Today we hit the strange romantic horror of the 1932 film “THE MUMMY” directed by Karl Freund and starring the legendary Boris Karloff and Zita Johann. Some thieves from the British Museum are excavating in Egypt when they happen upon a scroll that resurrects an ancient sorcerer named Imhotep who was wrapped and buried alive over three thousand years ago. Ten years later Imhotep is a dusty player in the ancient artifacts business and there's a slinky, half Egyptian hottie with uneven plucked eyebrows walking around that really reminds him of his old girlfriend. Will love conquer across time or will the British Empire cockblock what is fated to be? Who knew Egyptians were such mystical people? This is a very informative documentary. Here's a link: https://vimeo.com/660594850 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Josh returns! This week he and Drusilla go way, way back for the 1935 classic  Mad Love. From wiki: “Mad Love (also released as The Hands of Orlac) is a 1935 American body horror film, an adaptation of Maurice Renard's novel The Hands of Orlac. It was directed by German-émigré film maker Karl Freund, and stars Peter Lorre as Dr. Gogol, Frances Drake as Yvonne Orlac and Colin Clive as Stephen Orlac. The plot revolves around Doctor Gogol's obsession with actress Yvonne Orlac. When Stephen Orlac's hands are destroyed in a train accident, Yvonne brings them to Gogol, who claims to be able to repair them. As Gogol becomes obsessed to the point that he will do anything to have Yvonne, Stephen finds that his new hands have made him into an expert knife thrower.”Also discussed: The Feather Weight (2023), The Virgin Suicides, Picnic at Hanging Rock, Kirsten Dunst's Architectural Digest tour, farmhouse nightmares, Looney Tunes, Arsenic and Old Lace, Steve Buscemi, Body Parts, Drusilla's Peter Lorre impression, Lana Del Rey's alligator wrestler, Key Luke, and more! NEXT WEEK: The Substance (2024)    Follow them across the internet: Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

In this week's FilmBabble, the gents tackle the still-reigning sci-fi behemoth, Metropolis. Nearly 100 years later, Fritz Lang's awe-inspiring feat of cinema continues to challenge and excite conversation, even without much of the original footage. Does its reputation and towering legacy prove worthy, or has the last century ushered in enough new marvels for us to consider it eclipsed?Intro/outro music: Main theme from 'Mildred Pierce', composed by Max SteinerMETROPOLIS (1927), Weimar Republic, written by Thea von Harbou, directed by Fritz Lang, cinematography by Karl Freund and Günther Rittau, featuring Alfred Abel, Brigitte Helm, Gustav Fröhlich, and Rudolf Klein-Rogge

Un front protubérant, des boulons enfoncés dans le cou et une couleur de peau verdâtre : c'est ainsi que nous nous figurons le plus souvent le monstre créé par le savant Henry Frankenstein, dans le célèbre roman de Mary Shelley. C'est comme cela, en tous cas, qu'il apparaît, sous les traits de Boris Karloff, dans le film fameux de James Whale, "Frankenstein", produit en 1931 par la Universal. Mais cette apparence ne correspond pas du tout à la manière dont la créature est décrite, en 1818, par Mary Shelley. En effet, la romancière lui donne une peau jaune, un visage ridé, des dents très blanches et une abondante chevelure noire. Autre différence notable : le monstre de Frankenstein est assez disert chez Mary Shelley, alors qu'au cinéma il est incapable de parler, ne proférant que des sons inarticulés. Le chef-d'œuvre d'un grand maquilleur Mais, quelques années après la parution du roman, l'aspect physique du monstre s'est déjà modifié. En effet, dans la première adaptation théâtrale de l'œuvre de Mary Shelley, due à l'auteur dramatique Richard Brinsley Peake, en 1823, l'épiderme de la créature prend une coloration tirant sur le bleu et le gris. Et, par ailleurs, c'est le premier auteur à rendre le monstre muet. Au fil des représentations du monstre de Frankenstein, la peau du personnage prend des teintes diverses, dont le vert. Mais si cette dernière couleur s'est définitivement imposée dans l'imagination populaire, c'est grâce au film de James Whale, qui aura plusieurs suites. L'inoubliable maquillage de la créature, et la couleur verte de sa peau, sont dus au talent d'un maquilleur de génie, Jack Pierce. On lui doit bien d'autres remarquables maquillages, comme celui du grand prêtre égyptien, toujours incarné par Boris Karloff, dans "La momie" (1932), de Karl Freund, ou celui du loup-garou, interprété par Lon Chaney Jr, dans le film homonyme, réalisé en 1941 par George Waggner. Si ce choix a été fait, c'est que ce maquillage vert donnait au monstre, dans le noir et blanc de l'époque, la pâleur cadavérique recherchée. Learn more about your ad choices. Visit megaphone.fm/adchoices

Un front protubérant, des boulons enfoncés dans le cou et une couleur de peau verdâtre : c'est ainsi que nous nous figurons le plus souvent le monstre créé par le savant Henry Frankenstein, dans le célèbre roman de Mary Shelley.C'est comme cela, en tous cas, qu'il apparaît, sous les traits de Boris Karloff, dans le film fameux de James Whale, "Frankenstein", produit en 1931 par la Universal.Mais cette apparence ne correspond pas du tout à la manière dont la créature est décrite, en 1818, par Mary Shelley. En effet, la romancière lui donne une peau jaune, un visage ridé, des dents très blanches et une abondante chevelure noire.Autre différence notable : le monstre de Frankenstein est assez disert chez Mary Shelley, alors qu'au cinéma il est incapable de parler, ne proférant que des sons inarticulés.Le chef-d'œuvre d'un grand maquilleurMais, quelques années après la parution du roman, l'aspect physique du monstre s'est déjà modifié. En effet, dans la première adaptation théâtrale de l'œuvre de Mary Shelley, due à l'auteur dramatique Richard Brinsley Peake, en 1823, l'épiderme de la créature prend une coloration tirant sur le bleu et le gris.Et, par ailleurs, c'est le premier auteur à rendre le monstre muet. Au fil des représentations du monstre de Frankenstein, la peau du personnage prend des teintes diverses, dont le vert.Mais si cette dernière couleur s'est définitivement imposée dans l'imagination populaire, c'est grâce au film de James Whale, qui aura plusieurs suites. L'inoubliable maquillage de la créature, et la couleur verte de sa peau, sont dus au talent d'un maquilleur de génie, Jack Pierce.On lui doit bien d'autres remarquables maquillages, comme celui du grand prêtre égyptien, toujours incarné par Boris Karloff, dans "La momie" (1932), de Karl Freund, ou celui du loup-garou, interprété par Lon Chaney Jr, dans le film homonyme, réalisé en 1941 par George Waggner.Si ce choix a été fait, c'est que ce maquillage vert donnait au monstre, dans le noir et blanc de l'époque, la pâleur cadavérique recherchée. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Listen to us… the podcast of the night… what beautiful nonsense we make!! That's right, we're sinking our teeth into the movie that we can honestly say started it all - the 1931 Universal Studios classic, DRACULA!! Along the way, we stake our claim on uneven Bela Lugosi impersonations, connect the dots with the Brides and an infamous Ghostbusters BJ, unpack Bram Stoker's repressed personal history for juicy clues, and Patrick offloads every weird piece of history he learned as a Universal Studios Backlot tour guide about this film!! All that, plus the Van Helsing and Van Halen crossover you've always wanted, we expose the beta duck that is Jonathan Harker and play the immortal game: Choose Your Own Deathventure!! We never drink… wine, but you'll want to guzzle down every drop of this week's Kill By Kill!! Our TeePublic shop for killer merch is right here: https://www.teepublic.com/stores/kill-by-kill-podcast?utm_campaign=18042&utm_medium=affiliate&utm_source=Kill%2BBy%2BKill%2Bpodcast%2B Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast Check out the films we've covered & what might come soon on Letterboxd! Get even more episodes exclusively on Patreon!   Follow our station on vurbl: https://vurbl.com/station/2bdTISeI3X/ Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!

Karl Freund, founder and principal analyst at Cambrian-AI Research joins us to discuss the, well, "Cambrian explosion" that we are witnessing in AI chips, the general state of the AI semiconductor market, and the competitive landscape in deep learning, inference, and software infrastructure in support of AI. [audio mp3="https://orionx.net/wp-content/uploads/2023/11/074@HPCpodcast_Karl-Freund_AI-Chips_20231107.mp3"][/audio] The post @HPCpodcast-74: Karl Freund, AI Chips appeared first on OrionX.net.

This is a REPLAY podcast, where we revisit some of our early hidden gems, compilations, and most popular episodes.  Episode specific description:Classic horror expert Tom Weaver joins the podcast for a fun-filled look at some of his favorite Universal Classic Monster films.  Rather than detailing all four of the new to 4K films in the Universal Classic Monsters: Icons of Horror Volume 2 release, Tom picks a favorite scene from each movie and a “why'd they do that” moment.  We start with 1931's classic “The Mummy” starring Boris Karloff and Zita Johann and directed by Karl Freund.  Next, we talk about the 1935 science fiction horror classic “The Bride of Frankenstein," starring Boris Karloff, Elsa Lanchester Colin Clive, and Ernest Thesiger and directed by James Whale.  This sequel to the 1931 “Frankenstein” broke new ground with a monster that could talk and that ultimately wanted a wife.  Next, we discuss the 1943 romantic horror film “Phantom of the Opera” starring Claude Rains and Susanna Foster and directed by Arthur Rubin.  The fourth film we review is the 1954 3D film “Creature from the Black Lagoon” starring Richard Carlson and Julie Adams and directed by Jack Arnold.  And we wrap up the discussion with a fun-filled rapid-fire segment about all eight of the films in both volumes 1 and 2.Purchase on Amazon:Universal Classic Monsters: Icons of Horror Vol. 2 4KUniversal Classic Monsters: Icons of Horror Vol. 1 4K The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

What if you could unearth the secrets to success through an entrepreneur's journey, rich with insights on mindset, health, and the real estate industry? Brace yourself for a riveting conversation with Karl Freund, an entrepreneur who has weathered the storm of a heart attack that has an 88% death rate, and emerged with a renewed purpose and passion for life, helping others in business, and real estate. This episode is a deep dive into his life, exploring the correlation between mindset and success, the importance of maintaining good health, and the significance of setting high standards. Blake and Karl navigate the complex landscape of entrepreneurship; unpacking the pressing issues of today's political landscape, taxes, and their impact on small businesses. They also dissect education, contrasting traditional learning methods against the transformative power of mentorship. Venturing into the real estate realm, Blake and Karl sift through industry issues, discuss the role of competition, and delve into the vibrant culture within the sector, drawing from their personal experiences and knowledge. Karl's journey is a testament to the rewards of resilience, the power of passion, and the value of mentorship. They wrap up by advocating for the importance of sharing inspiring stories, reinforcing how they can ignite ambition and help others reach their potential. So, tune in and let Karl's inspiring journey fuel your own path to success.Follow Karl:Instagram: https://www.instagram.com/karl_freundFacebook: https://www.facebook.com/karlfreundmentor/Real Estate: https://www.kennethjamesrealty.com/agents/karlfreund/LINKS:Join Blake's Limitless Mindset coaching community today: https://www.blakeclark.com/Follow Blake on Instagram: https://www.instagram.com/blake_sells_az/Follow Blake on Facebook: https://www.facebook.com/blakesellsazWhat is your home worth? https://blake.eastvalleyazhomesforsale.com/sell/sellerGet a cash offer on your house: https://www.tradeyourhouseforcash.com/our-company/Limitless Real Estate: https://soldbylimitless.com

Meet Karl Freund, a Real Estate Entrepreneur who has sold almost 1 Billion Dollars of Real Estate in his Career. Karl is unstoppable; He recently found his "true purpose" in Life after surviving a recent widow maker heart attack. With a 12 percent survival rate, experiencing a widow maker heart attack can be horrifying but in Karl's life, its been transformative! Now he lives FULL OUT after being too close to death and has since reevaluated his life to make sure he lives intenionally. With only a few years left to live, he has decided to live legendary.. balancing his life with his family time and still managing his Brokerage as Founder and CEO of Kenneth James Realty. Other Social Media channels: Subscribe to my main channel "Austin Zaback" https://www.youtube.com/c/AustinZabackSubscribe to my Podcast Channel "The Austin Zaback Show" https://www.youtube.com/c/TheAustinZabackShowFollow me on Social Media:https://www.instagram.com/austinzaback/https://www.tiktok.com/@austinzaback

You will not remember what I show you now, and yet, I shall awaken memories of love and crime and death! Join Reneé, John Paul, and Travis as they discuss Karl Freund's 1932 horror classic "The Mummy."   Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem   Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh   What would you rate The Mummy and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter. https://youtube.com/travismwh

January 19, 2023 44 year old Karl Freund is at the height of his career with a publicly traded real estate company with offices across the country, married to his twin flame and just settled into their new home ready to buy more. When WHAM a widow maker or STEMI heart attack his out of the blue. Karl who found out he had type 2 diabetes just a handful of years before took very good care of himself with the best trainers, doctors and practices. When he found himself at home thinking he was having a panic attack he hesitated almost 4 hours in which he lost almost his life. They were able to put a stint in the left where his resending artery was completely blocked and he found himself with a renewed vigor to see his legacy through even with just 31% of his heart left. Here he addresses his company and his plans to change the face of real estate as we know it --- Support this podcast: https://podcasters.spotify.com/pod/show/tenacioust/support

We appreciate all the requests!  We recorded this episode back in 2021 and it remains our most listened to episode of our catalog.This week Kenny and Del re-release Dracula (1931)Join Kenny and Del as they pay homage to the Dracula that set the standard for the Dracula persona we know today.  An innovator of its day, this film set many firsts for Universal Studios, cinema, and pop culture.  In many ways, those involved in this project, most notably Karl Freund, Bela Lugosi, and Dwight Frye, set standards that have are utilized ever since in film, animation, comics, etc. In this show, the guys will cover history, cast and crew, trivia, and Dracula's impact over the course of 91 years.  The research involved for this Podcast resulted in an overwhelming amount of fantastic information.  We tried to get as much as we could into this podcast, but ultimately what you hear is a condensed version for a recording session that could have lasted for hours.   Our goal is to inform and entertain you, and as an added bonus, if our discussion peak your interest on Dracula (1931), we consider our job done.  Dracula (1931) Universal Studio Documentary - https://youtu.be/jzBAjR3dPQYThe Road To Dracula - https://youtu.be/EXv4Lu0xe5sThanks for listening, and feel free to hit us up on any of our social media platforms!     https://linktr.ee/BiAPodcastTheme song "Loli'ana" was written and performed by award-winning musician Kamuela Kahoano.   Listen to more of Kamuela's music on iTunes and https://kamuelamusic.com/.  Also, "Loli'ana" performed live at The Ko'olau Banquet Hall can be seen here https://youtu.be/YDJ1NNJgEiA  Thanks for listening!  And please subscribe and review!ws episodes!  And please subscribe and review!

The Mummy (1932) ​ The Mummy is a 1932 pre-code American supernatural horror film directed by Karl Freund and stars Boris Karloff.  In the film, Karloff stars as an ancient Egyptian mummy named Imhotep, who is discovered by a team of archaeologists and inadvertently brought back to life by a magic scroll being read aloud. Disguised as a modern Egyptian named Ardeth Bey, Imhotep searches for his lost love, who he believes has been reincarnated as a modern girl.  In recent times, the film has drawn criticisms for orientalism and the “othering” of Egyptian culture.   The Mummy (1999)   The Mummy, the 1999 American fantasy action-adventure film is a remake of the 1932 film starring Brendan Fraser, Rachel Weisz, John Hannah and  Kevin J O'Connor.  he film follows adventurer Rick O'Connell as he travels to Hamunaptra, the City of the Dead, with a librarian and her older brother, where they accidentally awaken Imhotep, a cursed high priest with supernatural powers.  The film would spawn three sequels and be a box office success making over $416.4million worldwide.    Opening Credits; Introduction (1.05); Background History (20.03); The Mummy (1932) Film Trailer (21.44); The Original (23.18); Amazing Design Advertisement (52.37); Introducing a Remake (53.49); The Mummy (1999) Film Trailer (55.36); The Remake (57.43); How Many Stars (2.05.29); End Credits (2:20.01); Closing Credits (2:21.37)   Opening Credits– Epidemic Sound – copyright 2021. All rights reserved   Closing Credits:  The Mummy Song (Egyptian Trilogy 1) by Colin Buchanan.  Taken from the album I Want My Mummy.  Copyright 1993 Wanaaring Road Music..  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used with Kind Permission.   All songs available through Amazon Music.

Classic horror expert Tom Weaver joins the podcast for a fun-filled look at some of his favorite Universal Classic Monster films.  Rather than detailing all four of the new to 4K films in the Universal Classic Monsters: Icons of Horror Volume 2 release, Tom picks a favorite scene from each movie and a “why'd they do that” moment.  We start with 1931's classic “The Mummy” starring Boris Karloff and Zita Johann and directed by Karl Freund.  Next, we talk about the 1935 science fiction horror classic “The Bride of Frankenstein, starring Boris Karloff, Elsa Lanchester Colin Clive, and Ernest Thesiger and directed by James Whale.  This sequel to the 1931 “Frankenstein” broke new ground with a monster that could talk and that ultimately wanted a wife.  Next, we discuss the 1943 romantic horror film “Phantom of the Opera” starring Claude Rains and Susanna Foster and directed by Arthur Rubin.  The fourth film we review is the 1954 3D film “Creature from the Black Lagoon” starring Richard Carlson and Julie Adams and directed by Jack Arnold.  And we wrap up the discussion with a fun-filled rapid-fire segment about all eight of the films in both volumes 1 and 2.Join with other Monster and Sci-fi fans at  the Classic Horror Film BoardPurchase on Amazon:Universal Classic Monsters: Icons of Horror Vol. 2 4KUniversal Classic Monsters: Icons of Horror Vol. 1 4K The Extras Facebook pageThe Extras Twitter Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

Impact Real Estate is so honored to have Karl Freund, owner of the Kenneth James Brokerage, on their podcast. Karl is a big thinker, someone who is fearless, isn't afraid to speak their mind just like Impact Real Estate. There are so many take aways on mindset in this episode, and just like  Impact Real Estate Law #2, Karl Freund shows what it means to be 100% responsible for our own Security.    Follow Karl Freund on IG: https://www.instagram.com/karl_freund/   Follow Jeremy Fuhst on IG: https://www.instagram.com/jeremyfuhst/   Follow Matt Chick on IG: https://www.instagram.com/iammattchick/   If you want more Impact Real Estate subscribe to our YouTube Channel: https://www.youtube.com/c/ImpactRealEstateTV

Die Reise durch den deutschen Film führt Max und Gast Daniel Zander dieses Mal zu Der letzte Mann, wo Emil Jannings einen alterschwächelnden Portier gibt, der degradiert und später verachtet wird. Doch der Film hält einen wahrhaft überraschenden Schluss parat. Unser Gespräch kreist um die Entfesselte Kamera von Karl Freund, wir diskutieren über Kapitalismuskritik und mögliche Ab- und Ebenbilder des letzten Mannes. Und sebstverständlich sprechen wir über den Epilog. Ob wir mit der Kontrastierung bzw. Karikatur etwas anfangen können, erfahrt ihr in dieser Folge. Wir nehmen Bezug auf die Besprechung von Daniel vom Spätfilm bei letterboxd. Daniel zitiert aus: Karl Prümms "Das Schwebende Auge. Zur Genese Der Bewegten Kamera", Karl Prümm: »Stilbildende Aspekte der Kameraarbeit. Umrisse einer fotografischen Filmanalyse« In: Karl Prümm/Silke Bierhoff/Matthias Körnich (Hg.): Kamera-Stile im aktuellen Film. Berichte und Analysen. Marburg 2002 (3. Aufl.). S. 15 – 50.

Welcome to Little Bracket of Horrors. The pod that puts the fight in fright!In this episode we unwrap the  1932 Universal Monster classic, The Mummy. Staring Boris Karloff (The Uncanny!) and also providing Karl Freund, legendary cinematographer, with his United States directorial debut...much to the chagrin of Zita Johann, who played the damsel in distress Helen Grosvenor.Join the LBOH crew as they dig into the behind the scene drama and attempt to figure out what exactly is going on with Imhotep's hot tub time machine. Just remember the stern warning of the Scroll of Thoth box,  "Death...eternal punishment...for anyone who opens this...".       

En 1932 la Universal lanzó uno de los clásicos del cinde de terror, La momia, de Karl Freund. La película fue protagonizada por el actor inglés Boris Karloff. Hoy, 90 años después, recuperamos el icono del cine y su reflejo en una sociedad marcada por la egiptomanía y, sobre todo, el descubrimiento de la tumba de Tutankhamón diez años antes, cuyo hito en la historia de la arqueología se ve perfectamente reflejado en cada una de las secuencias de la película.

Links www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/mrparka http://shutupbrandon.podbean.com/ https://www.facebook.com/screamingpotty/ https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2 https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast https://letterboxd.com/mrparka/ https://www.patreon.com/mrparka      Time Stamps 0:00 “Shawscope: Volume One (King Boxer, The Boxer from Shantung, Five Shaolin Masters, Shaolin Temple)” Review – 0:30/ 5:40/ 9:30/ 11:05 “Blood Red Sky” Review– 15:07 “Bloody Hell” Review– 19:09 “‎Bloodthirsty” Review– 21:19 “Jakob's Wife” Review – 22:56 “Slaxx” Review – 25:38 “The Vigil” Review – 28:16 “The Scary of Sixty-First” Review  – 30:53 “Kano Vision” Review – 33:18 1994 “Possessed by the Night” Review  – 37:15 1994 “Darkest Soul” Review– 42:52 1994 “Twisted Tales” Review –47:06 1994 “Devil of Love” Review–  50:12 1994 “Hello, who is it? Review– 52:50 1994 “Alone in the Night” Review – 56:39 Patreon Pick “The King of Comedy” Review – 59:03 Blindspot “Mad Love” Review with Jeremy – 1:05:32 Questions/Answers/ Question of the Week, “If you had to watch 100 horror movies from a certain year which would it be?” – 1:16:49 Update – 1:30:25 22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Video Version – https://youtu.be/VzXv6Z9hFyE Podcast Under the Stairs – https://tputscast.com/podcast   Links of Interest More Info – https://www.screamingtoilet.com/video/mrparkas-video-reviews-for-the-week-of-january-1st-episode-242 Arrow Video – https://www.arrowfilms.com/ “Shawscope: Volume One” Blu-Ray – https://mvdshop.com/products/shawscope-volume-one-limited-edition-box-blu-ray “Blood Red Sky” Netflix – https://www.netflix.com/title/80198645 “Bloody Hell” Amazon Rental – https://www.amazon.com/Bloody-Hell-Ben-OToole/dp/B08NSV6FYD “Bloodthirsty” Shudder – https://www.shudder.com/movies/watch/bloodthirsty/2c4815510121631e “Jakob's Wife” Blu-Ray – https://www.amazon.com/Jakobs-Wife-Blu-ray-Barbara-Crampton/dp/B092KWSTX5 “Slaxx” Shudder – https://www.shudder.com/movies/watch/slaxx/f984f71b796ef435 “The Vigil” Hulu – https://www.hulu.com/profiles?next=/movie/the-vigil-aa430fce-bc99-4ecf-992b-36b133d71d55 “The Scary Sixty-First” Apple TV – https://tv.apple.com/us/movie/the-scary-of-sixty-first/umc.cmc.4ou82nap4wd3j09q0jw6epl22 “Kano Vision” Amazon Rental – https://www.amazon.com/Kano-Vision-Unavailable/dp/B00SFQL8Q6  “Possessed by the Night” VHS – https://www.amazon.com/Possessed-Night-VHS-Alan-Amiel/dp/6303073298/ “Scary Tales” Blu-Ray (Includes Darkest Soul) – https://vinegarsyndrome.com/products/scary-tales-agfa “Twisted Tales” VHS – https://www.amazon.com/Twisted-Tales-VHS/dp/B00005YNND/ “Devil of Love” TMdb – https://www.themoviedb.org/movie/360228-devil-of-love  “Hello, who is it?” Imdb – https://www.imdb.com/title/tt0111679/ “Alone in the Night” Imdb – https://www.imdb.com/title/tt0107686/ “The King of Comedy” Blu-Ray – https://www.amazon.com/King-Comedy-Blu-ray-Robert-Niro/dp/B00I4X8KU2/ “Mad Love” Blu-Ray – https://www.amazon.com/Mad-Love-blu-ray-Peter-Lorre/dp/B09G4SHT2Q/   Update 4K Inglorious Bastards Blu-Ray In Between Loves Wicked City (Live Action) Evil Instinct Hansel and Gretel (Asian) Blood Shadow Angel Blade Maltese Falcon Savage Harvest Rebels of the Neon God Detention Being Natural Arrebato Vampire Lovers Trog No Way to Treat a Lady Time of the Wolf Tower of Screaming Virgins DVDS That Little Monster Issei Sagawa DVD Trilogy 01: I Want to Eat You Issei Sagawa DVD Trilogy 02: How Does it Feel? / Sagawa Olympics Issei Sagawa DVD Trilogy 03: Love Ritual Film Notes King Boxer – 1972 – Jeong Chang-Hwa The Boxer from Shantung – 1972 – Chang Cheh/Pao Hsueh-Li Five Shaolin Masters – 1974 – Chang Cheh Shaolin Temple – 1976 – Chang Cheh Blood Red Sky – 2021 – Peter Thorwarth Bloody Hell – 2020 – Alister Grierson Bloodthirsty – 2020 – Amelia Moses Jakob's Wife – 2021 – Travis Stevens Slaxx – 2020 – Elza Kephart The Vigil – 2019 – Keith Thomas The Scary of Sixty-First – 2021 – Dasha Nekrasova Kano Vision – 2012 – Bill Cate Possessed by the Night – 1994 – Fred Olen Ray Darkest Soul – 1994 – Doug Ulrich Twisted Tales – 1994 – Kevin J. Lindenmuth/Mick McCleery/Rita Klus Devil of Love – 1994 – Lau Siu-Kwan Hello, who is it? – 1994 – Jamie Luk Kim-Ming Alone in the Night – 1994 – Takashi Ishii The King of Comedy – 1982 – Martin Scorsese Mad Love – 1935 – Karl Freund  

Welcome to Monsters by the Minute! For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners. As we end the myth of Setna and the Book of Thoth, the prince has learned the error of his ways, and the previous owner and his family can finally rest in peace. In biography section, we finally come to the star of the movie, Boris Karloff. Quiet, polite, professional, unassuming, a sudden star due to his portrayal of the monster of Frankenstein. It is Karloff's sublime menace that runs through the film from start to finish and made The Mummy the classic that it is today. Then, finally, we take a look a minutes 64 through the end of the movie. It is the end game - Helen has returned to Ardeth Bey and he must kill her to possess her. The love of Frank Whemple against the evil of the undead priest. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Voici la troisième et ultime de l'épisode de « **Tu L'As Vu ?** » consacré aux films des années 1930, avec au menu non pas un mais deux films, à savoir le film choisi par Casa « **M le Maudit** » de Fritz Lang ( 1931 ) ; https://www.allocine.fr/film/fichefilm_gen_cfilm=418.html ) ainsi que celui d'un de nos auditeurs, Simon, qui nous parlera de « **Furie** » ( Vers 44 minutes d'épisode ; toujours de Fritz Lang ; 1936 ; https://www.allocine.fr/film/fichefilm_gen_cfilm=31179.html ). Nous vous souhaitons une bonne écoute sur deux films majeurs dans la carrière de leur réalisateur mais aussi dans l'histoire du cinéma. Films évoqués durant l'épisode : « Metropolis** » de Fritz Lang ( 1927 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=240.html « La femme sur la Lune** » ( 1929 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3667.html « Du rififi chez les hommes** » de Jules Dassin ( 1955 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3682.html « Le Trou** » de Jacques Becker ( 1960 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1101.html « Le Cercle Rouge** » de Jean-Pierre Melville ( 1970 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2358.html « The Chaser** » de Na Hong-Jin ( 2008 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=134711.html « La Tendresse des Loups** » d'Ulli Lommel ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=32355.html « L'Homme qui en savait trop** » d'Alfred Hitchcock ( 1934 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=6812.html « Agent Secret (Sabotage)** » d'Alfred Hitchcock ( 1936 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=108775.html “Le Faucon Maltais**” de John Huston ( 1941 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1809.html « Casablanca** » de Michael Curtiz ( 1942 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2645.html « Arsenic et vieilles dentelles** » de Frank Capra ( 1944 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1343.html « 20.000 lieues sous les mers** » de Richard Fleischer ( 1954 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5040.html « Les mains d'Orlac** » de Robert Wiene ( 1924 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=175762.html « Les mains d'Orlac** » de Karl Freund ( 1935 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=125154.html « La Poursuite Impitoyable** » d'Arthur Penn ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=407.html « Gone Girl** » de David Fincher ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=217882.html “L'Étrange Incident**” de William A.Wellman ( 1943 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3947.html Mini-série « M le Maudit** » d'Evi Romen et de David Schalko ( 2019 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=23044.html « M » de Joseph Losey ( 1951 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=10354.html “Monsieur Klein**” de Joseph Losey ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=68249.html « The Servant** » de Joseph Losey ( 1963 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=619.html “La Servante**” de Kim Ki-Young ( 1960 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8615.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) Claude Samard « Desert Tension » / « Dark Side » Éric Volpatti « Blunted Scalpel » Oded Fried-Gaon « Stumbling In The Heat » Thomas Richard Balmforth & Sam Taylor : “Prime Suspect” / “Tough Choice” / “Crack The Code” Bob Bradley & Philip Guyler “Moments Remain” Aurélien Riviere : “Nothing to Lose” / “Deep Questionning” Marc Aaron Jacobs “Finding Your Way” J.C. Lemay “Storm Chasers” Eric Heber Suffrin : “Investigative Office” / “Truth Hunter” Thomas Richard Balmforth & Bob Bradley : “Steady Movement” / “City Atmosphere” Arnaud Gauthier “Fake News” David Bagatelle, Charles Breteville & Jean Villa “Time Stood Still” Franz Waxman ( B.O. de « Dcteur Jekyll et Mister Hyde », 1941 ) : « Main Title » / « First Experiment/First Failure/In The Laboratory » / “Ivy's Room” / “Work Montage/Albert Hall/Mr. Higgins Died” / “Hyde's Escape/Trapped” / “The Museum” / “Piano Improvisation” Michel Michelet “Humouresque, Op.6” Jon Brooks “Dijon” Merci à Chris du podcast “Keski D'Vient**” ( https://www.podcastics.com/podcast/keski-dvient-le-podcast/ ) pour son autorisation à inclure l'extrait de l'émission sur James Cameron avec Casa en bonus :https://www.podcastics.com/podcast/episode/on-vous-parle-de-james-cameron-106750/ Liens :Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Welcome to Monsters by the Minute! For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners. In this episode, Setna, humbled by the power and corrupting influence of The Scroll of Thoth, begins to make amends for his greed. In the biography section, we look at the fascinating life of Zita Johann, the woman starring in the dual role of socialite Helen Grosvenor and the reincarnated Princess Ank-sen-amon. Then, finally, we take a look a minutes 57 through 63 of the movie. Helen is home, back from her meeting with Ardeth Bey, and begins to take a turn for the worse due to the constant psychic battle to return to him. For good. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Welcome to Monsters by the Minute! For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners. In this episode, Setna, who now possesses the Book of Thoth has met someone. A beautiful someone. For this episode, we begin by looking at the life of the actor who plays the love interest for Helen Grosvenor, Frank Whemple. His name was David Manners, and he was a beloved leading man in the 1930's, with striking eyes and a strong, gentle face, but as we shall see, has depth and layers behind that handsome face. Then, finally, we take a look a minutes 48 through 56 of the movie. Helen, disobeying Mueller's warning has fallen under the spell of Ardeth Bey and has joined him in his hidden resting place. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

We were joined by Stephen Trumble from the 50 Uses For the Word, Love podcast to talk about: Mad Love (1935). Directed by Karl Freund and starring Peter Lorre, Frances Drake and Colin Clive. In the Mood For Love (2000). Directed by Wong Kar-wai and starring Maggie Cheung and Tony Leung. Punch Drunk Love (2002). Directed by Paul Thomas Anderson and starring Adam Sandler, Emily Watson, Philip Seymour Hoffman and Luis Guzmán. You can find Stephen on Twitter (@StephenTrumble) and his podcast (@50Uses). Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!

Welcome to Monsters by the Minute! For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners. In this episode, Setna and Nefrekeptah prepare to play a game of checkers with immense consequences. Then, we go behind the camera and behind the scenes one last time and talk about the man who created The Mummy - literally - the man who gave us the signature looks of the Frankenstein monster, the Wolf Man, and our boy Imhotep, Jack Pierce. Then, finally, we take a look a minutes 41 through 48 of the movie, when Ardeth Bey makes moves on a chess board of his own, and begins his seduction of Helen Grosvenor, whom he believes to be the reincarnation of Princess Ank-Sen-Amon. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter! Almost there. Please add below text in one of your recent shownotes, wait some minutes and do the same command to check. CLAIM=1e4ccbed7994264ec64919e70e7b5e3e6b0e49bf=CLAIM

Welcome to Monsters by the Minute!   For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners.   In this episode, we learn the power of the Book of Thoth.   Next, we take a look at the life of Freund, the German born director of “The Mummy”. A ground breaking cinematographer before getting into the director's chair for the first time officially with this film, he brought his decades of experience with German Expressionist cinema to Hollywood and films never looked the same.   Then, finally, we take a look a minutes 32 through 40 of the movie, Sir Joseph Whemple, his son Frank, and the specialist in Egyptian Occult matters, Doctor Mueller, begin to put the pieces of the Princess Ank-Sen-Amon puzzle together. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Welcome to Monsters by the Minute!   For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners.   We are nearing the halfway point of this season, and in this, episode four, we delve deeper into the myth of the Book of Thoth. In our biography section, we take a look at the second scribe mentioned in the last episode, John Balderston, who took the treatment for Calgliostro, and turned it into the story of Imhotep, The Mummy. Then, finally, we take a look a minutes twenty four through thirty two of the movie. Ardeth Bey, in the closed museum, whispers a chant from the Book of Thoth, and a beautiful young socialite, Helen Grosvenor, hears the psychic call. She calls a cab and is heading toward the museum. Toward Ardeth Bey. Toward her fate. But first, we travel to ancient Egypt… MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Welcome to Monsters by the Minute!   For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners.   We have reached out third episode and we continue to learn the myth of the Book of Thoth. In our biography section, we remain behind the camera, and learn about the life of the woman who wrote the initial treatment for the story that would eventually become The Mummy, a true individual for her day, Nina Wilcox Putnam. Then, finally, we take a look a minutes 17 through 23of the movie. The burial place of her royal highness, Princess Ank-Sen-Amon has been discovered, unearthed and brought to Cairo. We also meet another woman, an exotic socialite in a noisy Cairo nightclub, who yearns for a simpler time, a different Egypt. One perhaps millennia in the past. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Welcome to Monsters by the Minute!   For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners.   In this episode we continue to learn the myth of the Book of Thoth. Then we delve into the life of the head of production of Universal Pictures at the time of the making of The Mummy and so many other classic horror films, Carl Laemmle, Junior. Then, finally, we take a look a minutes nine through sixteen of the movie itself, where we find a young archaeologist, an ancient scroll displayed before him, walking the tightrope between temptation and ruin. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

Welcome to Monsters by the Minute!   For this, the first season of the show, we are taking a look at Universal Pictures 1932 classic, The Mummy, directed by Karl Freund and starring Boris Karloff, Zita Johann and David Manners.   This episode we begin to learn of the story of the Book of Thoth, an ancient Egyptian myth that fuels the film.   Then we learn about Howard Carter, a ground breaking Egyptologist who discovered the tomb of King Tut and started the craze that informed the film, and finally, we take a look at minutes one through nine of the film itself, which begins with an archaeological discovery that endangers the lives of the men who found it. MBTM Season One: "The Mummy" Website Bill Makes Podcasts Facebook Group Become a Patron! Buy The Blu-Ray and Support the Show! Buy The Shirt and Support the Show! Join the Gentle Listener Newsletter!

This episode is a summary and review of the 1931 motion picture of Dracula.  The episode talks about some of the dynamics and film history surrounding the filming, and offers some opinion from a current viewpoint. The episode ends with a section from Bram Stoker's book - pointing out that Stoker (like Poe) could create vivid images in your mind - images that would be all but impossible for a film to convey.What two actors seem to “steal the show?”What effect did the Depression have on the filming of “Dracula?”Who was the first choice for Dracula?What does a cinematographer do?What is the  Dracula connection to I Love Lucy and Friends?How did Alice Cooper play tribute to Dracula?What changes does the movie make to the Renfield character?What changes does the movie make to the three sinister women?00:00 Intro04:16 A debanoir Dracula?07:04 Movie premiere10:42 Director Todd Browning12:46 Karl Freund as cinematographer16:04 Bela Lugosi and Dwight Frye19:12 Conveying images verus language30:46 Summary34:07 Sources34:50 Future episodes36:07 Outro 

Retrouvez XP, Rémi et Steve de Comixity dans quatre émissions effrayantes pour vous parler des Monstres des Universal Studios. Quatre Monstres sacrés du cinéma à la base des films d'horreur contemporains !Aujourd'hui : La Momie de Karl Freund de 1932

Director:  Fritz Lang Producer:  Erich Pommer Screenplay:  Thea von Harbou, Fritz Lang Photography:  Karl Freund, Gunther Rittau, Walter Ruttmann Music:  Gottfried Huppertz Cast:  Brigitte Helm, Alfred Abel, Gustav Frohlich, Rudolf Klein-Rogge, Fritz Rasp Rotten Tomatoes:  Critics: 97%/Audience: 92%

How to Survive is now on Patreon! Support us at Patreon.com/HowtoSurvivePod It's episode 242...and it could be another Jigsaw copycat. Spiral: From the Book of Saw (2021) tells the story of Ezekial 'Zeke' Banks, a hard-boiled detective in an unnamed city, hunting down a mysterious serial killer of corrupt Police officers in a manner not unlike everyone's favourite DIY enthusiast John Kramer, aka The Jigsaw Killer. We wonder if the Chris Rock-ification of the Saw franchise was something anybody needed and where we go from here, discuss a surprisingly gore-lite torture porn film, question the timing of a 'Cops as victims' plot in 2021 and ask why our mysterious killer would bother with the traps in the first place instead of, say, using a gun. All of which leads to one important question: How would you survive? Whatever happens, one thing's for sure: John Kramer Was Right. The Spiral: A Symbol Of Change, Evolution, Progress. Next time, it's the first of a triple-bill of Mummies, starting with Karl Freund's The Mummy (1932). Get in touch! HowtoSurviveShow@gmail.com Follow us on Twitter! @HowToSurvivePod

Director:  Fritz Lang Producer:  Erich Pommer Screenplay:  Thea von Harbou, Fritz Lang Photography:  Karl Freund, Gunther Rittau, Walter Ruttmann Music:  Gottfried Huppertz Cast:  Brigitte Helm, Alfred Abel, Gustav Frohlich, Rudolf Klein-Rogge, Fritz Rasp Rotten Tomatoes:  Critics: 97%/Audience: 92%

Today's show is to celebrate the 90th Anniversary of DRACULA (1931). Join Kenny and Del as they pay homage to the Dracula that set the standard for the Dracula persona we know today.  An innovator of its day, this film set many firsts for Universal Studios, cinema, and pop culture.  In many ways, those involved in this project, most notably Karl Freund, Bela Lugosi, and Dwight Frye, set standards that have are utilized ever since in film, animation, comics, etc.  In this show, the guys will cover history, cast and crew, trivia, and Dracula's impact over the course of 90 years.  The research involved for this Podcast resulted in an overwhelming amount of fantastic information.  We tried to get as much as we could into this podcast, but ultimately what you hear is a condensed version for a recording session that could have lasted for hours.    Our goal is to inform and entertain you, and as an added bonus, if our discussion peaks your interest on Dracula (1931), we consider our job done.  Thanks for listening and be sure to subscribe to get instant notifications of our next show!If you enjoyed our program, keep in mind that we have other shows for you to enjoy:Our Flagship Show that we drop Bi-Weekly without fail!Our News Show where we cover major movie and pop culture News.Our Request Line Show, where we review a film by request from a listener.Our Specials, that pay tribute to special occasions.Our Series, themed shows that run for several episodes; like the one on Breaking Bad (currently available!).Email us at: BrothersinArmchairsPodcast@gmail.com  Get our latest news on movies and pop culture by joining our social media: Twitter at: @BroArmchairs  Facebook group at: https://www.facebook.com/groups/217059166060270  Instagram at: https://www.instagram.com/brothersinarmchairspodcast/  And finally, all of our Pods are available https://BrothersinArmchairs.buzzsprout.com   Theme song "Loli'ana" written and performed by award winning musician Kamuela Kahoano.   Listen to more of Kamuela's music on iTunes and https://kamuelamusic.com/.  Also, "Loli'ana" performed live at The Ko'olau Banquet Hall can bee see here https://youtu.be/YDJ1NNJgEiA  Thanks for listening!  Don't forget our next bi-weekly Pod and keep an eye out for our specials, series, request line, and news episodes!  And please subscribe and review!

It comes to life!The Mummy is a 1932 American horror film directed by Karl Freund. The screenplay by John L. Balderston was from a story by Nina Wilcox Putnam and Richard Schayer. Released by Universal Studios, the film stars Boris Karloff, Zita Johann, David Manners, Edward Van Sloan and Arthur Byron.In the film, an ancient Egyptian mummy named Imhotep is discovered by a team of archaeologists and inadvertently brought back to life through a magic scroll. Disguised as a modern Egyptian named Ardeth Bay, Imhotep searches for his lost love, whom he believes has been reincarnated into a modern girl.Podcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/hawkandcleaver​​​Facebook - https://www.facebook.com/hawkandcleav...​Twitter - https://twitter.com/hawkandcleaver​​​Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Luke - https://twitter.com/LukeofKondor​​​Andy -

Your hosts Stephen N and Stephen E discuss The Mummy. Starting with Karl Freund’s 1932 classic starring Boris Karloff all the way through Alex Kurtzmans’ 2017 version starring Tom Cruise. We also discuss the relevance of Bram Stoker’s, The Jewel of Seven Stars. Movies “The Mummy” (1932)Dir: Karl FreundBoris KarloffSpawned four sequelsKilled by Abbott and Costello in 1955 “The Mummy’s Hand” (1940)Dir: Christy CarbanneDick Foran, Peggy Moran, George Zucco “The Mummy” (1959)Dir: Terence FisherPeter Cushing, Christopher LeeSpawned three additional Hammer Mummy filmsFirst Mummy film in color “Blood from the Mummy’s Tomb” (1971)Dir: Seth HoltValerie LeonFirst adaptation of “The Jewel of Seven Stars” “The Awakening” (1980)Dir:Read More →

This week we wrap up a series of 1930s horror films with Mad Love, directed by Karl Freund and starring Peter Lorre, Frances Drake, and Colin Clive, and directed by Karl Freund in 1935. This is mainline Episode 317.

This week Lee and Daniel check out Peter Lorre's intro into Hollywood with Karl Freund's "Mad Love" (1935). Topics brought up include some notable cast members other than Lorre; the differences between doctors and surgeons; transplantation of limbs, and where the science was in 1935 as compared to more recent years; and pondering why this is a bit of a lost film. Also brought up: listener comments and what Daniel has watched as of late. "Mad Love" IMDB  Daniel's recent podcast appearances: Embrace the Void The Jacked-Up Review Show  Featured Music: "Head Cut Off" by Beck & "She Drives Me Crazy" by Fine Young Cannibals.

Karl Freund is the broker/owner of Kenneth James Realty that operates in Arizona, Colorado, and Florida. He was nominated 'Top 40 Under 40' 2 years in a row! As an avid car guy, he is the proud owner of a Ferrari.

In this week's edition of The Studios Year-by-Year, it's Universal 1932, and we have two horror movies with wildly divergent styles. First, it's Robert Florey's Murders in the Rue Morgue, perhaps the sickest and most sadistic of the 30s Universal horror classics (surpassing even The Black Cat) and a probable influence on RKO's King Kong. Then it's John Stahl's Back Street (also shot by Karl Freund), based on the novel by noted feminist author and friend of the podcast Fannie Hurst, which we consider as a kind of Handmaid's Tale cautionary tale in the mode of so op instead of sci fi, but with plenty of saving ambiguity. Both shot by Karl Freund, they couldn't be further apart in style or their approach to melodrama. A great double feature! Time Codes: 0h 01m 00s:          Murders in the Rue Morgue (dir: Robert Florey) 0h 48m 51s:          Back Street (dir: John M. Stahl)   +++ * Check out our Complete Upcoming Episode Schedule * Catch up with Dave’s fledgling Précis du cinema efforts on the Anagramsci Blog or on Letterboxd * Find Elise’s latest film piece on Depression era film romance *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

Dans les sous-sols de lʹégyptomanie Jean Paul II: la cote remonte Photo: affiche du film "La Momie (The Mummy" réalisé par Karl Freund, Universal 1932.

Momies, pharaons et divinités égyptiennes peuplent les BD et occupent les écrans depuis des générations. Dʹoù vient la fascination pour cet univers antique disparu? Comment lʹOccident a-t-il redécouvert une culture et un pays quʹil avait oubliés? Fabien Hünenberger fait le point avec Cathie Spieser, égyptologue, et Michel Viegnes, spécialiste de littérature comparée, co-organisateurs du colloque "Ton rêve est une Egypte" qui sʹest tenu début mars 2020 à lʹUniversité de Fribourg. Photo: affiche du film "La Momie (The Mummy)" réalisé par Karl Freund, Universal 1932.

Getting to know the back story of this incredibly successful Entrepreneur, I immediately think "Scapper". With the spirit of the street kids in New York in the 1920s, Karl Freund could very well be...a GREAT leader of tomorrow. Those leading in LOVE today, WILL be the leaders of tomorrow. Survivor of Cancer, Diabetes and most recently COVID-19

Programa conducido por Darío Lavia y Chucho Fernández especial Momias Acto I: "La maldición de Tutankhamón" (Kurt Singer) 0:00:02 Acto II: Recomendaciones de Chucho Fernández 0:12:41 "Ruflas" #8 0:18:08 Acto III: "La momia" de Karl Freund 0:24:34 Acto IV: "La maldición de la momia" (John Burke) 0:33:39 "La maldición de la momia" de Michael Carreras 0:36:31 Acto V: "Un visitante de Egipto" (Frank Belknap Long) 0:43:33 Entrevista a Miguel Ángel Plana 0:49:09 Acto VI: Momia Universal vs. Hammer 0:59:14 "Huesos" (Donald Wollheim) 1:02:57 "Hombre mortal mis padres me engendraron" (Lope de Vega) 1:07:25 Applehead Team https://appleheadteam.com/ Fan Page de Cineficción https://www.facebook.com/revista.cineficcion/ Cineficción http://www.cinefania.com/cineficcion/ IMDB https://www.imdb.com/title/tt12573124/

As "Universal Monsters" season continues we're opening the tomb of THE MUMMY (1932) starring Boris Karloff and Zita Johann. We'll discuss how the Howard Carter dig and Tut-mania lead to the first Universal Horror property not specifically based off a literary work, how this is the film that cements Karloff's legacy as the new "man of 1000 faces" as he endures another torturous yet masterful makeup design from Jack Pierce, we'll discuss the contentious relationship between Johann and director Karl Freund, and the vast legacy this film has left behind. Also, for a film as famous as this one is, we talk about how it is kind of surprising that it is often not the one people remember when discussing what they think is the original "mummy". 

Capítulo 250 - ¡Momias! Conducción: Diego Cirulo, Fabio Villalba Invitada: Luciana Eyras Ya que cumplimos 250 capítulos (y nos sentimos antiguos) decidimos apostar por los egipcios más famosos: las momias. Hemos charlado en infinidad de oportunidades sobre los monstruos clásicos que aún hoy viven en las diversas ramas del arte: Frankenstein, Drácula, el hombre lobo, etcétera. Por eso, ahora es tiempo de poner en su justo lugar a "les amigues" que vuelven luego de miles de años, acarreando vendajes y maldiciones. Nuestra egiptóloga, Luciana Eyras, nos trae un informe completísimo que tiene como pilares a las siguientes películas: "The mummy" (Karl Freund, 1932), "The mummy's hand" (Christy Cabanne, 1940), "The mummy" (Terence Fisher, 1959), "Blood from the mummy's tomb" (Seth Holt, 1971) y "The mummy" (Stephen Sommers, 1999). Acompañanos en un capítulo super divertido y... momificado. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca Webmaster: Andrés Cirulo

Capítulo 250 - ¡Momias! Conducción: Diego Cirulo, Fabio Villalba Invitada: Luciana Eyras Ya que cumplimos 250 capítulos (y nos sentimos antiguos) decidimos apostar por los egipcios más famosos: las momias. Hemos charlado en infinidad de oportunidades sobre los monstruos clásicos que aún hoy viven en las diversas ramas del arte: Frankenstein, Drácula, el hombre lobo, etcétera. Por eso, ahora es tiempo de poner en su justo lugar a "les amigues" que vuelven luego de miles de años, acarreando vendajes y maldiciones. Nuestra egiptóloga, Luciana Eyras, nos trae un informe completísimo que tiene como pilares a las siguientes películas: "The mummy" (Karl Freund, 1932), "The mummy's hand" (Christy Cabanne, 1940), "The mummy" (Terence Fisher, 1959), "Blood from the mummy's tomb" (Seth Holt, 1971) y "The mummy" (Stephen Sommers, 1999). Acompañanos en un capítulo super divertido y... momificado. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca Webmaster: Andrés Cirulo

Cine mudo: Cine social (I). Presentación de "El último" (1924) de F. W. Murnau. Manuel Hidalgo. El último ("Der Letzte Mann", 1924, Alemania) de F. W. Murnau, con Emil Jannings (90') Presentación: Manuel Hidalgo Un viejo portero de hotel pierde su respetado empleo para verse relegado a encargado de lavabos. Incapaz de confesar en su vecindario su nueva condición, roba su antiguo uniforme e inicia un arriesgado juego de apariencias. "De Murnau aprendí a contar una historia sin palabras", afirmó Alfred Hitchcock, y El último es quizá la prueba más patente del talento narrativo del cineasta alemán. Apoyado en los claroscuros de la fotografía de Karl Freund y en la poderosa interpretación de Emil Jannings, Murnau plasma un relato puramente visual donde los intertítulos solo aparecen para hacer patente, con cierta ironía cruel, la presencia del narrador como demiurgo que maneja o reinventa los destinos de sus personajes. El sábado se proyecta el vídeo de la presentación del día anterior. Explore en www.march.es/conferencias/anteriores el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

October is here, fall is in the air, and Halloween is just around the corner. It's also Wednesday and that means it is time to talk about horror movies! The LATE NIGHT FRIGHT is going to be showcasing classic Universal horror films this October and we are starting off with one of the best in the entire canon, 1932's THE MUMMY directed by Karl Freund and starring the incomparable and uncanny Boris Karloff as Imhotep, the undead fiend who dared to defy the gods! Fresh off of the double successes of 1931's DRACULA and FRANKENSTEIN, Universal Pictures cast their newly minted horror star Karloff in the Egyptian themed chiller that features amazing makeup courtesy of the legendary Jack Pierce, beautiful production design, and a wonderful adversary for Karloff's Imhotep in the form of Edward Van Sloan's Dr. Muller. Thrills! Chills! Lost love and reincarnation! This one has it all! Pour yourself a cup of coffee, put your feet up, tune in and get ready to howl at the moon! It's time for the LATE NIGHT FRIGHT!

This week… Artificial intelligence is a vastly complex market. There’s a fierce competition among hardware vendors to be the best platform for AI applications. But first, you have to know what it means to be “the best.” This week, analyst Karl Freund from Moor Insights talks to us about the latest AI benchmarks. Researchers are re-imagining what – fundamentally – a vehicle is. One company just put everything other than the chassis – literally everything – entirely inside the wheels. We’ll explore that and other proposals. And it’s the 50th anniversary of the Apollo 11 space mission – the first time people set foot on the moon. This week we look back – and also look forward to going back to the moon.

The next film in our vampire sub-season is the first talkie: 1931's DRACULA. We do some reviewing, some not-always-favourable comparison with NOSFERATU, and then talk about late-Victorian culture, temporal distance, and the fact that there are two very different sorts of vampire film. Next Time Our next film is another Bela Lugosi vehicle, from later in his career: THE RETURN OF THE VAMPIRE (1943). Recent Media GHOSTS (2019): Tom Kingsley, Lolly Adefope, Matthew Baynton VERONICA MARS (2004–06): Rob Thomas, Kristin Bell, Percy Daggs III Recommendations FREAKS (1932): Tod Browning, Wallace Ford, Leila Hyams WHITE ZOMBIE (1932): Victor Halperin, Bela Lugosi, Madge Bellamy THE MUMMY (1932): Karl Freund, Boris Karloff, Zita Johann Footnotes Firstly, here's a reminder of the 1897 source material for both this week's film and last week's: www.en.wikipedia.org/wiki/Dracula. After our discussion of some of the brilliant camerawork in this film, here's some more on this: www.tasteofcinema.com/2015/30-movies-with-the-most-brilliant-camera-work and www.slideshare.net/joebsmedia/camerawork-and-cinematography-in-thriller-movies. For more on Jack the Ripper, there's so much to read out there; this www.historic-uk.com/HistoryUK/HistoryofEngland/Jack-the-Ripper and this www.bbc.co.uk/history/historic_figures/ripper_jack_the.shtml are good places to start. Finally, this is a pre-Code film; for more on what this means, as we've mentioned before, see here: www.en.wikipedia.org/wiki/Pre-Code_Hollywood.

On this episode of Talking Terror, The Mad Monkey takes the crew back to 1935 for his film selection. Up for discussion is Mad Love directed by Karl Freund and starring character actor Peter Lorre. The film centers around an obsessed fan. An actress at the center of his mad obsession and her boyfriend played by Colin Clive; Dr. Frankenstein himself! It's been a long time since Talking Terror has covered a silver age horror picture. Will it be a hit or a miss? There's only one way to find out! Tune in and prepare for the scare!

Peter Lorre steals the show as Dr Gogol in MAD LOVE, directed by Karl Freund! You'll go-go for Gogol in this 1935 adaptation of Maurice Renard's novel Les Mains d'Orlac. Hear how this film compares to others on the list in episode 52 of Scream Scene. Context setting 00:00; Synopsis 28:57; Discussion 39:26; Ranking 1:03:40

This episode’s lineup: 1. The Tingler (1959) directed by William Castle 2. 10 Cloverfield Lane (2016) directed by Dan Trachtenberg 3. Slumber Party Massacre II (1987) directed by Deborah Brock 4. Slumber Party Massacre III (1990) directed by Sally Mattison 5. The Mummy (1932) directed by Karl Freund 6. Dracula (1931) directed by Tod Browning […] The post 10 – Body Bugs, Confined Spaces, and Slumber Parties appeared first on Sticker Fridge Studios.

Our deadicated hosts review Karl Freund's directorial debut, 1932's THE MUMMY, starring Boris Karloff! We give historical context to both Ancient Egyptian burial practices and the film itself, while discussing the film's tepid middle-of-the-road nature and relationship with racism & colonialism. Context setting 00:00; plot summary 39:32; discussion 47:36; ranking 1:23:52

Shocktober 2017 kicks off with Karl Freund's final film as a director and Peter Lorre's film film in America, Mad Love (1935). Based upon Maurice Renard 's The Hands of Orlac, the film shifts focus from the titular Orlac to Dr. Gogol, a cunning physician who specializes in some questionable procedures. He's fascinated by the actress Yvonne Orlac (Frances Drake) and, rebuffed in his advances, manages to enter her life after he backhandedly helps her husband, concert pianist Stephen Orlac (Colin Clive), by giving him a new pair of hands after his have been crushed in an accident. But what kind of gift are the hands of a murderer on a master musician?Samm Deighan joins Mike to discuss the unusual American debut from Peter Lorre along with special guests Gregory W. Mank (Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age) and Stephen D. Youngkin (The Lost One: A Life of Peter Lorre).Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guests: Gregory W. Mank, Stephen D. YoungkinGuest Co-Host: Samm DeighanShocktober 2017 kicks off with Karl Freund's final film as a director and Peter Lorre's film film in America, Mad Love (1935). Based upon Maurice Renard 's The Hands of Orlac, the film shifts focus from the titular Orlac to Dr. Gogol, a cunning physician who specializes in some questionable procedures. He’s fascinated by the actress Yvonne Orlac (Frances Drake) and, rebuffed in his advances, manages to enter her life after he backhandedly helps her husband, concert pianist Stephen Orlac (Colin Clive), by giving him a new pair of hands after his have been crushed in an accident. But what kind of gift are the hands of a murderer on a master musician?Samm Deighan joins Mike to discuss the unusual American debut from Peter Lorre along with special guests Gregory W. Mank (Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age) and Stephen D. Youngkin (The Lost One: A Life of Peter Lorre).

In this episode of the horror review/discussion show 'Screams After Midnight,' the guys look at the classic Universal Monster movie 'The Mummy' just in time before the Tom Cruise reboot starts the Dark Universe. The film is Directed by Karl Freund and stars Boris Karloff. patreon: https://www.patreon.com/mildfuzztvtwitter: https://twitter.com/Mild_Fuzzfacebook: https://www.facebook.com/mildfuzznetwork

Universal Pictures released The Mummy to theaters on December 22, 1932 on a budget of $196,000. Karl Freund directed the horror classic which starred Boris Karloff, Zita Johann, and David Manners. The post The Mummy (1932) appeared first on Movie House Memories.

Voltando aos anos 1930, uma época diferente no cinema, mas que teve uma grande importância para os filmes de terror. Pois mesmo 75 anos esses personagens ainda fazem a cabeça das pessoas. Hoje é dia de visitar a tumba de Imhotep na sua busca pela sua amada Anck-Su-Namun em A MÚMIA (The Mummy) do diretor Karl Freund com o grande Boris Karloff no elenco, contando ainda com Zita Johann, David Manners, Arthur Byron e Edward Van Sloan Nesse podcast Tiago Lira (@tiagoplira), Alex Gonçalves (@agmcinefilo) e Cliff falam da filmografia de 1932, do que acontecia nessa época pré-código Hays, por onde o elenco andou antes e depois desse filme, e a origem do diretor Freund na cinematografia e sua contribuição na área da fotografia e lembramos também da fascinação sobre a egiptologia. Discutimos o ritmo do filme, seus acertos e erros nesse filme que sofreu muito com o baixo orçamento e teve que se virar apenas com o clima e a atmosfera.

Voltando aos anos 1930, uma época diferente no cinema, mas que teve uma grande importância para os filmes de terror. Pois mesmo 75 anos esses personagens ainda fazem a cabeça das pessoas. Hoje é dia de visitar a tumba de Imhotep na sua busca pela sua amada Anck-Su-Namun em A MÚMIA (The Mummy) do diretor Karl Freund com o grande Boris Karloff no elenco, contando ainda com Zita Johann, David Manners, Arthur Byron e Edward Van Sloan Nesse podcast Tiago Lira (@tiagoplira), Alex Gonçalves (@agmcinefilo) e Cliff falam da filmografia de 1932, do que acontecia nessa época pré-código Hays, por onde o elenco andou antes e depois desse filme, e a origem do diretor Freund na cinematografia e sua contribuição na área da fotografia e lembramos também da fascinação sobre a egiptologia. Discutimos o ritmo do filme, seus acertos e erros nesse filme que sofreu muito com o baixo orçamento e teve que se virar apenas com o clima e a atmosfera.

In this episode, Reed and Nathan discuss Karl Freund's THE MUMMY.

This week we're coming at you with two tales of really really weird science stuff from 1935. First up we've got Bride of Frankenstein (dir. James Whale) widely considered one of the best horror films of the golden age of Hollywood. Then we discuss Peter Lorre's star turn as a weird stalker in Mad Love (dir. Karl Freund). Also: the Hayes code, furries, and hair strangling. Tune in next week for 1936 with Dracula's Daughter and The Devil Doll. ***Correction - At 3:13 Thad says that Lionel Atwill appeared in Mark of the Vampire. Lionel Barrymore was the actual actor. He cared enough about this to make me issue a correction. -Barnes If you like our podcast and you want to help us say more weird jokes about horror movies, consider becoming a patron! www.patreon.com/spookorama

This week complete our Universal Horror movie monster trifecta with 1932's The Mummy (dir. Karl Freund). We follow it up with White Zombie (dir. Victor Halperin), the campy schlock film starring Bela Lugosi as an evil shaman who is probably a meninist. Also: one cat's rise to stardom, aggressive Hollywood racism, and terrible mummy puns. Tune in next week for our Halloween special where we discuss some of our favorite horror movies of the past and present. Saturday Night Spook-O-Rama is now on Patreon! Support us at https://www.patreon.com/spookorama

Kat and Samm return for episode 12 of Daughters of Darkness, where they discuss mad science in general and transplant-themed horror in particular. They begin with an analysis of the origins of mad science fiction in Gothic literature — partly a reaction to the European Enlightenment — through the fiction and nonfiction work of writers like Coleridge and Goethe, culminating in Mary Shelley’s seminal Frankenstein. The episode moves on to explore adaptations of Maurice Renard’s novel, Les Mains d’Orlac (1920), in which a pianist’s hands are damaged in an accident and replaced in an experimental procedure; but he’s convinced that his new hands belonged to a murderer and are possessing him to commit horrible acts. Beginning with Robert Wiene’s forerunner German expressionist film Orlacs Hände (1924), with Conrad Veidt, Renard’s loose plot thread moves through Maurice Tourneur’s similarly-themed, neglected La main du diable (1943) — a surreal, blackly comic work made during the Nazi occupation of France — to Karl Freund’s Mad Love (1935). Starring Peter Lorre as a crazed surgeon, the focus of this film is not on Orlac, the piano player, but on the demented Dr. Gogol, who is obsessed with Orlac’s wife, an actress in the Grand Guignol. Also discussed is Georges Franju’s groundbreaking Les yeux sans visage (1960), about a surgeon attempting to replace his daughter’s ruined face through nefarious means, and offshoots like Jess Franco’s Gritos en la noche aka The Awful Dr. Orloff (1962), as well as one of Michael Pataki’s few directorial efforts, Mansion of the Doomed (1976). The majestic Richard Basehart stars as a well-meaning but misguided doctor trying desperately to replace his daughter’s eyes.

Episode 9! This month we're discussing women in showbusiness, focusing on two stars who started out their film careers pounding the stage circuit hoping to make it big. Ginger Rogers and Joan Blondell. He’s a Keeper this month is the wonderful Peter Lorre. In the 1930’s, Hollywood became expert at creating fantasies for its audiences. Beautiful girls in skimpy costumes. in Busby Berkley designed spectacles singing ‘We’re in the money, we’re in the money' gave audiences a momentary escape from the greyness and worry of reality. The Great Depression affected all Americans and led to thousands of movie theaters closing and ticket sales plummeted, in saying that Hollywood was still in the business of entertaining people. In 1933 60 million people still went to the movies. Life on the stage was very tough with thousands of girls audtioning and only a handful making it in the pick. Backstage there would be 25 girls to one dressing room, bad lighting, everyone stealing each others make-up, in-fighting and holding off advances from creepy stage managers. Ginger and Joan came up the hard way and by 1933 were two of biggest stars at the time. Curtain everyone! Sources: 42 nd Street (1933) Dir. Lloyd Bacon. [DVD] Warner Bros. Bawden, J and Miller, R. (2016) ‘Interview with Joan Blondell’ in Conversations with Classic Film Stars: Interviews from Hollywood’s Golden Era. Lexington: University Press of Kentucky. Blondell, J. (1972) Center Door Fancy. New York: Delacorte Press. Broadway Bad (1933) Dir. Sidney Lanfield. [YouTube] Warner Bros. Dames (1934) Dir. Ray Enright & Busby Berkeley. [DVD] Warner Bros. Der Verlorene ‘The Lost One’ (1951) Dir. Peter Lorre [YouTube] National-Filmverleih. Gold Diggers of 1933 (1933) Dir. Mervyn LeRoy [DVD] Warner Bros. Havana Widows (1933) Dir. Ray Enright [DVD] Warner Bros. Kennedy, M. (2007) Joan Blondell: A Life Between Takes. Jackson: University Press of Mississippi. M (1931) Dir. Fritz Lang [YouTube] Vereinigte Star-Film. Mad Love (1935) Dir. Karl Freund. [DVD] Metro-Goldwyn- Mayer Studios. Maltese Falcon (1941) Dir. John Huston [DVD] Warner Bros. Nightmare Alley (1947) Dir. Edmund Goulding [DVD] 20 th Century Fox. Professional Sweetheart (1933) Dir. Wiliam A. Seiter [YouTube] RKO. Stage Door (1937) Dir. Gregory La Cava. [DVD] RKO Swing Time (1936) Dir. George Stevens [DVD] RKO. Rogers, G. Ginger: My Story. New York: It Books. Youngkin, S.D. (2005) The Lost One: A Life of Peter Lorre. Lexington: University Press of Kentucky. Gourley, Catherine. (2008) Rosie and Mrs America: Perceptions of Women in the 1930's and 1940's. Twenty First Century Books. http://glamourdaze.com/2013/01/inside-a-1920s-chorus-girls-dressing-room.html Music excerpt from 42nd St (1933), music and lyrics by Al Dublin and Harry Warren. Music excerpt from Gold Diggers of 1933 (1933), music and lyrics by Al Dublin and Harry Warren.

The early 1930s laid the groundwork for monster moviedom. Vampires, mad scientists, patchwork monsters . . . and mummies. 1932's The Mummy (dir. Karl Freund) put Boris Karloff in the bandages for a movie whose influence can still be felt today. Author joins Derek this week on Monster Kid Radio to talk about this seminal film. Also, we have some listener feedback. And don't forget - it's ! Voicemail: 503-479-5MKR (503-479-5657)Email: (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Cushing Horrors - Hail to the King: 60 Years of Destruction - The opening and closing song "Sand Dune" (Freshwater Freakout) appears by permission of Thee Sturgeons - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC. Next week on Monster Kid Radio:Artist Tadd Galusha and The Phantom from 10,000 Leagues (dir. Dan Milner)

Filmmaker and monster kid joins Derek this week to talk about one his favorite movies - 1964's The Gorgon (dir. Terence Fisher). Not only do the two talk about this underrated Hammer classic, Joshua also lets slip who his favorite director is (not that it would be hard to guess!). The Gorgon is such a favorite of Josh's that it inspired his upcoming movie The Night of Medusa (dir. Joshua Kennedy), which will be coming to DVD players near you soon! Also, Derek just found out (courtesy of ) that the Northwest Film Center is showing a double feature this weekend. You know where Derek will be Saturday night! And don't forget - it's ! Voicemail: 503-479-5MKR (503-479-5657)Email: (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Joshua Kennedy, Man of the Arts - Le Hammer Serenade - "Come Prima" Music Video - The opening and closing song "Knife Bumps" (Knife Bump demos) appears by permission of The Jagaloons - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC. Next week on Monster Kid Radio:Author Stephen D. Sullivan and The Mummy (dir. Karl Freund)

The horror! The horror! This week Kyle and Matthew sit down with Radtober favorites Chris Korn and Lawrence Mercado to creep through the history of horror movies. Where does horror come from? They start with German Expressionism and dive into the Universal movie monsters, the era of teenage delinquency and monster movies, the '70s film school generation, the slasher films and anthology series of the '80s, '90s found footage films and Japanese horror, the 2000s' obsession with zombies, torture porn and Paranormal Activity, up to the spooktacular indie films of today. Holy hell, this episode ended up being 3 hours long. One of us, one of us...   Weekly Rads: Dave & Buster's, Season 2 of Last of Man on Earth   Raddendums: The Strain, Guillermo del Toro Cabinet of Curiosities, Bundle of Nerves on YouTube, Edgar Allen Poe, Mary Shelley, HP Lovecraft, Bram Stoker, Call of Cthulhu, Fear of the Unknown: Lovecraft Documentary, The Tiger Lillies and Alex Hackes - The Mountains of Madness, Faust (1926), Nosferatu, Häxan: Witchcraft Through the Ages (1922), German Expressionism, The Cabinet of Caligari, The Golem (1920), Metropolis (1927) and Karl Freund, Tod Browning's Freaks (1932), Spanish Drácula (1931), The Bride of Frankenstein, Night of the Hunter, Abbott and Costello Meet Frankenstein, Boris Karloff's Thriller, Creature from the Black Lagoon, Batman trailer from the '30s, Cat People, William Castle's The Tingler, House on Haunted Hill (1959), Teenagers from Outer Space, Ed Wood, Alfred Hitchcock's Psycho and Spellbound, Deviant: True Story of Ed Gein, Hammer Horror Films, Jason Zinoman's Shock Value, Richard Corman's A Bucket of Blood, George A. Romero's Night of the Living Dead, Dario Argento, Suspiria, Lucio Fulci, John Carpenter & Dan O'Bannon, The Texas Chainsaw Massacre, Alien, John Carpenter's Halloween, Wes Craven's Last House on the Left and The Hills Have Eyes, The Return of the Living Dead, Re-Animator, Hellraiser, Sam Raimi's Evil Dead, Tom Savini, Rick Baker, Rob Bottin, Never Sleep Again: The Elm Street Legacy, Silence of the Lambs, Scream, Behind the Mask: The Rise of Leslie Vernon, Ringu, Audition, Masters of Horror & Takashi Miike's Imprint, Mick Garris, Eli Roth & Hostel, House of 1000 Corpses, The Devil's Rejects, Shaun of the Dead, Saw, Hostel, Final Destination, Dick Smith, Let the Right One In, It Follows, The Babadook, James Wan

This week, Andrew and Matt talk about the Boris Karloff 1932 horror classic The Mummy. Also starring Zita Johann, along with mainstays Edward Van Sloan and David Manners, The Mummy was directed by German director Karl Freund, he of Mad Love, Metropolis, and I Love Lucy fame. Boris Karloff Zita Johann And You Call Yourself […]

In this week’s episode, Andrew and Matt watch the 1935 horror film Mad Love starring Peter Lorre and directed by Karl Freund. A true horror classic, Mad Love mixes expressionism with Grand Guignol scares. Show Notes GoldenAgeHorror.com: Mad Love Les Mains d’OrlacPeter LorreKarl Freund (he did photograph Metropolis)Colin CliveFritz LangThe Mummy (1932)The Mummy (1999)Boris Karloff […]

On this week's Bodacious Horror Podcast, your hieroglyphic hosts Gill & Roscoe "wrap" their first 100 hours of programming by discussing 2 movies involving terrors from Ancient Egypt. First up is the cult smash hit "Bubba Ho-Tep" from 2002, starring Bruce Campbell as the King of Rock 'n' Roll himself, Elvis Presley, in a residential home face-off with the living dead. Following on from this, we discuss 1932's "The Mummy", directed by Karl Freund and starring the immortal Boris Karloff, with a particular focus on the supplemental and supplementary features on the Universal Monsters Blu-Ray boxed set. Along the way, your ambling ankh-ors discuss "Gravity", "Paranormal Activity", Alvin Stardust and much, much more. We also launch our very own app. Website: www.bodacioushorror.co.uk Twitter: @BodaciousHorror and @GillRockatansky Email: feedback@BodaciousHorror.co.uk Facebook: www.facebook.com/BodaciousHorror Gill & Roscoe are proud members of the League of Extraordinary Podcasts (http://loepodcasts.blogspot.com).

Last month, Scott and Tracey Morris left for a monster-filled weekend at the in Franklin, Indiana. The event? Monster Mania. The movies? The Invisible Man (dir. James Whale), The Mummy (dir. Karl Freund), Frankenstein (dir. James Whale), and Creature from the Black Lagoon (dir. Jack Arnold). The host of this podcast? EXTREMELY jealous. Most of these movies were movies neither Scott nor Tracey had seen before seeing them at the Artcraft, and in Part Two of their Monster Mania debrief, they'll share their first time thoughts about these films and they even put up with Derek gushing about Creature...! Also, Derek reminds listeners how they can enter the drawing for the original sculpt of the Island of Terror silicates created and donated by previous Monster Kid Radio guest Tom Biegler. (And don't forget our 50-Review Challenge!) Voicemail: 503-479-5MKR Email: monsterkidradio@gmail.com The Historic Artcraft Theatre - 1951 Down Place: Episode #021 - The Mummy - 1951 Down Place: Episode #022 - The Men of Sherwood of Forest (Scott's The Mummy thoughts) - The opening and closing song "Welcome To Nuclear City" (from the album Radioactive Kids) appears by permission of Radioactive Kids - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC.

Large William reviews Mad Love (1935) directed by Karl Freund!!! Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

On my Get the FUNK Out show tomorrow at 9am on KUCI 88.9fm, special guest Jimmy Steinfeldt! During his 30 years in the photography business, Jimmy Steinfeldt has worked with everyone from Miles Davis to the Ramones. Born in Minneapolis, Jimmy first focused and clicked at age 14. Cars (not the band), were among his first photographic subjects. Jimmy moved to California to study at San Diego State University where he graduated with a Bachelor's in Business Management. After college he shot his way through many long road-trips and rock concerts armed with his first real camera. A one-hundred dollar Minolta! Jimmy is a self-taught photographer who has only to squint through the lens for inspiration. Jimmy cites photographer Richard Avedon and cinematographer Karl Freund among his strongest influences. Jimmy's unique photographic style conveys the personality of his artist-musician subjects while conveying the story of their music. As a live action photographer, Jimmy was first published in 1985 in SPIN magazine. In that same year Rolling Stone published one of his photographs of Madonna, which he credits as a major boost to his career. In 1986 his dreams as a music fan and photographer came true when Rolling Stone published his photo of Bob Dylan. CD covers followed from this exposure: Miles Davis, Willie Nelson, John Denver, Dee Dee Ramone and many others. Jimmy's Elusive Studios, in the canyons of Hollywood, is his base of operations and has become a haven for music, film and television artists. In 1998 and again in 2007, industry players recognized his work and named him Photographer of the Year at the Los Angeles Music Awards. Jimmy's advice to aspiring photographers? "Try something new on every shoot - experiment with lighting, film, filters and gels. As for your camera, never leave home without it!"

Peter Lorre's Hollywood debut is one of the weirder pix ever to come from MGM, or maybe anywhere else. One of ace cinematographer Karl Freund's rare forays into directing, and his last. Gregg Toland photographed it, and years later Pauline Kael would claim he stole a lot of shots from this to use in Citizen Kane!