Podcasts about great peacock

Ryan Anderson gallops into The Marinade. Ryan is the lead singer and principal songwriter for the band Bendigo Fletcher, whose latest record Fits of Laughter is one of our favorites of the year.  This episode is the third in our Americanafest 2021 series. I was fortunate to travel to Nashville, TN, for a weekend in September. I got to spend time with wonderful creatives and saw outstanding sets from AHI, Aaron Lee Tasjan, Van Plating, Tre Burt, Great Peacock, Matthew Fowler, and several more. If you ever have the chance to go to Americanafest, do it. The folks whose music you love are not only playing sets all over town but also just mingling in the crowd. And, to a person the folks I got to meet and hang out with was a pure delight. This conversation with Ryan got real deep real fast and we are so excited to bring it your way. 

Having All The Pieces of the Puzzle is what makes us successful in the music business. But you don't know what you don't know. It takes years of experience, contacts, and resources to get ahead of the game. On top of that, in today's Current Music Climate, We need to be current in Social Media Version 2.0 to rise above the rest of the noise out there. Having a comprehensive marketing and publicity plan goes beyond just recording and releasing your project. It can make or break the success and press of your record. Rachel Hurley and Frank Keith, who make up Sweetheart Publicity, have ideas and concepts to help get today's independent recording artist there. Launching Sweetheart PR in January 2020, started the quarantine mode of the pandemic out of their respective houses (one in Memphis, TN and the other in Atlanta, GA). Rachel Hurley grew up in the birthplace of rock and roll, Memphis, TN. After moving to New York in 1999 to work in television production at a fledgling cable station called MTV, she returned to Memphis in 2003 and created one of the earliest music blogs, the award-winning Scenesters. It's been written about in Spin, The Wall Street Journal, and Rolling Stone. This led to a weekly column in The Commerical Appeal called On the Record and then to a position at legendary Ardent Studios as the queen of all things social media related. A native of Atlanta, Frank Keith started in the publicity world with Baby Robot Media in 2017 after nearly a decade of recording & touring as a bassist with Great Peacock, Faye Webster, T. Hardy Morris, Ruby the Rabbitfoot, and more. Frank earned his bachelor's degree in Journalism and a certification in Music Business from the University of Georgia, graduating in 2013 while maintaining a busy schedule as a working musician immersed in the legendary Athens, Ga. music scene. www.sweetheartpub.com The Business Side of Music ™ © 2021 Lotta Dogs Productions LLC Co-Produced and Hosted (by the guy who has a face for podcasting):  Bob Bender Co-Producer, Creator, and Technical Advisor (the man behind the curtain):  Tom Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Audio/Video Editor Mark Sabella Midnight Express Studio  Olian, NY Marketing and Social Media: Kaitlin Fritts Executive Assistant to Bob and Tom (the one who keeps us on track and our schedules straight) Tammy Kowalski All Around Problem Solver: Connie Ribas Recorded inside an old Airstream Trailer on Music Row in Nashville, TN (cause that's about all that's left these days) Mixed and Mastered at Music Dog Studios in Donelson, TN Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original “Business Side of Music” podcast and trusting us to carry on their legacy. Website: Sponsorship information   Interview submission  #thebusinesssideofmusicpodcast#muiscbusiness#podcast The music provided for this episode is from: Artist: Great Peacock Single: “All I Ever Do” Album: Forever Worse Better Composer: Andrew Nelson Website: https://greatpeacock.com/

Episode 166: Still waters run deep with Nashville's Mando Saenz. He's cool and contemplative in conversation, while songwriters tell you he's a fountain of ideas in the writing studio, where he spends most of his time. The Texas native got his start in Houston and early tours with Hayes Carll. Fate brought him to Nashville where he's written and recorded since the mid 2000s for the innovative Carnival Music. He's especially close to Jim Lauderdale and Kim Richey and his songs have been recorded by Miranda Lambert and Lee Ann Womack, Midland and many more. His fourth album for the label and his most musically adventurous is All My Shame. Also a fun chat with Andrew Nelson and Blount Floyd, founders and co-leaders of the roots rock band Great Peacock. 

Today we welcome members of the Nashville-based band, Great Peacock. Great Peacock's latest album 'Forever Worse Better' stayed on the Americana Albums Chart for over four months. As their 3rd full-length release, it's hailed as their defining album, a record about the three-way intersection between drive, desperation, and determination. It's a wonderful record and we're happy to have caught up with the guys to discuss it. So thanks for listening, and now, please enjoy the conversation with Great Peacock. See omnystudio.com/listener for privacy information.

The guys welcome Andrew Leahey of Andrew Leahey & The Homestead and Andrew Nelson of Great Peacock to talk about Tom Petty and the Heartbreakers’ last studio record “Hypnotic Eye.” Plenty of other discussion including discussion about recent music from the guests, having two Andrews on the same episode, Dad Rock, classic rock and discovering new music, what is a single really, joining Elizabeth Cook’s band, Jeff’s mancrush on Benmont, and Andrew Nelson’s conspiracy theories about Hypnotic Eye lyrics. Check out at: https://andrewleaheymusic.com/ Check out at: https://www.greatpeacock.com/home Check out Tom Petty at: https://www.tompetty.com Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/

An announcement about the upcoming weeks of Wrassleboys Content. --- Send in a voice message: https://anchor.fm/wrassleboys/message Support this podcast: https://anchor.fm/wrassleboys/support

Andrew Nelson and Alan talk shop on songwriting and process. Andrew shares about his path into music, and how life led right to it.Support this podcast at — https://redcircle.com/porch-talk/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

...(con toques de soul) como los The Redhill Valleys, de Canada, también en el asunto de la roots music. Anda que la banda canadiense de once miembros de Toronto, Canadá, Samantha Martin & Delta Sugar, se las trae con su combinación de blues, soul, gospel y rock y voces excepcionales. Y qué decir del rockero aussie David Schaak o los Great Peacock, buen rock de ahora mismico. Pero no olvidamos a los Tennesee Champagne ni a la potente Jessie Wagner a la que se le caen los zapatos (y a nosotros la mandíbula escuchándola). Finalizamos con los estupendos Reckless Kelly, que los teníamos olvidados, hombre ya! Y de bonus, los 49 Winchester, ¡qué vergüenza!⦁ Whiskeyways, Juanita's⦁ The Whiskey Treaty Roadshow, Rose On the Vine ⦁ The Whiskey Treaty Roadshow, Rock & Roll Deja Vu⦁ The Redhill Valleys, If I Didn't Know You ⦁ Samantha Martin & Delta Sugar, I've Got A Feeling⦁ David Schaak, Honey Pot⦁ David Schaak, Lost, Alone and Lonesome ⦁ Great Peacock, Strange Position⦁ Great Peacock, High Wind⦁ Tennessee Champagne, Wicked⦁ Tennessee Champagne, Shake It⦁ Jessie Wagner, Shoes Droppin⦁ Keith Richards, I Wanna Be Your Man⦁ Reckless Kelly, Fightin' For⦁ 49 Winchester, It's A Shame

We wrap up the October new music series with two listeners calls. Walt Falconer picks Great Peacock, Starbenders, Screaming Jets and Bootsy Collins. And Vasant Ramamurthy goes with Death Valley Girls, Kevin Morby and Squirrel Flower. Episode editor: Mary Edelberg Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod (http://patreon.com/suburbspod) Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Play, SoundCloud, Stitcher and TuneIn. Or listen at SuburbsPod.com (http://suburbspod.com/) . Please rate/review the show on Apple Podcasts/iTunes and share it with your friends. Visit our website at SuburbsPod.com (http://suburbspod.com/) Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music by Quartjar. Visit quartjar42.com (http://quartjar42.com/) (c) Artie S. Industries LLC

On Episode 140, I'm joined by Andrew Nelson, vocalist/guitarist of Great Peacock, and Sadler Vaden, singer-songwriter and guitarist of Jason Isbell & The 400 Unit. This episode is more of a roundtable conversation where Nelson, Vaden, and I discuss Heartland Rock, Americana, genre labels as a whole, Spotify playlists, pushing artist narratives more than albums, and what all that has to do with being heard in 2020. While we only touch briefly on the new albums by Great Peacock and Sadler Vaden, I'd be remiss to not mention them here. Listen to the excellent new albums Anybody out There? by Sadler Vaden and Forever Worse Better by Great Peacock. This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here. Follow Tom Mooney's Cup of Coffee here and The Neon Eon here.Support the show (https://www.patreon.com/thomasdmooney)

Join Host Will Payne Harrison as he speaks to AMA Charting act Great Peacock about their newest album Forever Worse Better, touring with the likes of Wynona Judd, The Revivalists, Infamous Stringdusters and Yoder Mountain String Band, and aquiring the talents of Sadler Vaden (Jason Isbell and the 400 Unit, Drivin N Cryin) and Adam Kurtz (Sarah Shook, American Aquarium) amongst others for this record. Oh, you thought that was all? Their new album has also been widely praised by the likes of Rolling Stone, American Songwriter, No Depression and Wide Open Country.    Follow, Rate & Review. Help us spread the word about your new favorite podcast, Americana Station.   Twitter Facebook Instagram Stream Great Peacock on Spotify

"Beyond excited to feature tracks from Dougie Poole, Pearl Charles, Josiah Johnson (formerly of The Head and the Heart) and more incredible new tunes on the show today. The mix starts (and ends) with Dougie Poole and music from his album, Freelancer's Blues which was released in June on Wharf Cat Records. Head over to Dougie's bandcamp and grab this album up because it's definitely in my top five for the year. The track "Los Angeles" which starts off the show is damn near perfect and the video that accompanies (created by Allison Grosso) is quite possibly the highlight of 2020.  Next up on the show, the first single from Pearl Charles' forthcoming album, Magic Mirror. The album drops on Kanine Records on January 21, 2021. It's nice to see that there is an end to 2020 and we'll be off to a seemingly wonderful start with the release of this record. OTHER EPISODE HIGHLIGHTS: Josiah Johnson (The Head and The Heart) has dropped his debut solo effort, Every Feeling On A Loop. It's out now on ANTI- and you'll hear the track "Nobody Knows." Great Peacock are in the mix with a track from their album Forever Worse Better which drops in just a couple weeks on October 9th. Get your pre-order in now! Alison Langerak & Wyatt Tuzo are also in the mix with their track "Crossing Nebraska" which is part of 'The Subtle Incline: A Collaborative Songwriting Experiment' organized by Stereoactive Media. Each artist in the collab was given the same set of lyrics and then created a song around it. The album is available on the Stereoactive Media bandcamp and "100% of proceeds from this release will support The Beat Shop, a music production program at Workshop Houston, which serves youths in and around Houston’s Third Ward neighborhood." 00:00 - Emily (Los Angeles by Dougie Poole) 03:10 - Los Angeles - Dougie Poole 07:20 - Emily (Los Angeles by Dougie Poole) 08:46 - What I Need - Pearl Charles 11:47 - Pour Another Round - Dent May 16:14 - First Man - H. Kink 18:59 - Buddhist For A Couple of Days - Dougie Poole 23:04 - Emily (Los Angeles by Dougie Poole) 24:37 - Nobody Knows - Josiah Johnson 28:22 - Another Song - Bill Callahan 31:20 - Baskets - Jaye Bartell 35:28 - Love is Not Enough - Lydia Loveless 38:42 - Heavy Load - Great Peacock 41:18 - Emily 41:52 - Guess I Would - Jonas Carping 44:43 - High Horse - Samantha Crain 48:50 - Sweet Caroline - Slight Of 52:07 - Nebraska - Alison Langerak & Wyatt Tuzo 57:10 - Emily (Los Angeles by Dougie Poole) 58:35 - Vaping On the Job - Dougie Poole 63:58 - Finish "

“Cowpoke” es una de las tonadas clásicas de vaqueros de Stan Jones, el actor y compositor de Arizona al que le debemos canciones como "Ghost Riders in the Sky". Jones murió de cáncer en 1963 pero su legado en la iconografía de los cowboys no se ha borrado. Colter Wall ha recuperado “Cowpoke” para adjuntarla a su último álbum, Western Swing & Waltzes and Other Punchy Songs, que debutó la semana pasada en el octavo puesto de las listas de country y el tercero de las de Folk/Americana, pero que resultó ser el que más vendió en soportes físicos con un amplio margen. Este nativo de Saskatchewan, en Canadá, de 25 años, ha elegido en su tercer álbum ser más severo al revitalizar la tradición del Western y homenajear a los cowboys. Su voz inimitable hace que, al escucharla, te detengas y le prestes toda la atención. La actualidad de la Americana está impregnada de tradición seminal y de un cierto universo cinematográfico que representa fielmente Charley Crockett en su último álbum, Welcome To Hard Times, y especialmente en canciones como “Fool Somebody Else”. Esta vez es una mezcla de influencias siempre equilibrada por la predominancia del Western como eje central. Aunque la letra pueda hacernos pensar que trata sobre una relación amorosa, la realidad es que Charley Crockett vuelve a referirse a sus problemas de salud que le obligaron a operarse a corazón abierto a comienzos del pasado año. Kalen Nash compuso “Loving You Still”, uno de los momentos mágicos de Back Of Our Minds, el debut de Kalen & Aslyn, el dúo que forma el matrimonio de Athens, en Georgia. En realidad parece que estuviéramos ante un diario sonoro en el que se han reflejado sus experiencias de la última década. Tras distintas vivencias individuales, la pareja decidió resumir una relación desordenada, imperfecta y claramente honesta como la suya a modo de capítulos de una novela. El resultado final es una fusión natural de los sonidos cálidos de los últimos 60 y primeros 70 en el sur de California. Kalen & Aslyn, que también han producido el proyecto, dejan canciones seductoras del estilo de “Loving You Still”, combinando sus armonías a la perfección. “Grit and Grace” habla de superación, determinación y fe en poder tener un final feliz. Es una canción basada en la historia real de un prisionero de guerra que la madre del vocalista Buddy Melton escribió junto a Milan Miller y Beth Husband. Da nombre genérico al nuevo álbum de Balsam Range, la banda de Haywood County, en Carolina del Norte, que mantiene el arraigo como fundamento de su carrera, que ha obtenido el amplio reconocimiento de la escena del bluegrass manteniendo su genuina dedicación a las historias sobre personas reales. Regresan a nuestro tiempo de radio Steep Canyon Rangers, con un nuevo trabajo como Arm in Arm, que ya anticipamos hace un par de meses. Se trata del primer disco de la banda grabado fuera de su estado natal en sus 20 años de historia. Esta vez se han acercado a los estudios Southern Ground de Nashville para seguir rindiendo homenaje a las tradiciones más vitales del bluegrass, aun cuando siguen explorando nuevas rutas sonoras. “Honey On My Tongue” pudiera sonar como un tema de ruptura, pero en realidad trata sobre las dificultades de la paternidad. Hace un año este “Bad Guy” formó parte del álbum One Light Town de Casey Donahew y en estas fechas se ha convertido en una de las canciones favoritas de las emisoras tejanas. Trata sobre un tipo egoista que reconoce no ser perfecto. El músico de Burleson ha conseguido gracias a una ejemplar constancia en sus 18 años de carrera ser uno de los artistas más considerados de la escena independiente del Lone Star State donde ha publicado nueve álbumes. Once Upon A River es una película que cuenta la odisea de Margo Crane, una joven nativa americana que viaja a lo largo del río Stark, en busca de su madre, de la que fue separada. Con tintes de Huckleberry Finn, la novela de Bonnie Jo Campbell ha pasado al cine gracias a Haroula Rose, artista musical y cineasta de Chicago con ascendencia griega que vivió durante una temporada en Madrid, algo que nunca ha olvidado y que presentó internacionalmente la cinta en el Festival de Mallorca. El próximo 2 de octubre será la fecha de su estreno definitivo. Además de la partitura de Zac Rae, músicos como J.D. Souther o Will Oldham han incorporado temas propios. Rodney Crowell compuso una nueva canción para su banda sonora. Es “The Damage”, lo primero que nos ha regalado el artista tejano tras su imponente álbum Texas de hace un año. Crecido en Greenville, Mississippi, y fascinado por el blues más tradicional y el jazz, Steve Azar estuvo de gira con Bob Seger hace años, olvidó su paso por la escena de Nashville en la segunda mitad de los 90 y se ha dedicado a concentrarse en la composición y el reencuentro con sus raíces. Su último álbum, My Mississippi Reunion,se publicará a finales de octubre cuenta con invitados como el batería, guitarrista, cantante y compositor de blues Cedric Burnside en "Coldwater". Nació en Memphis, Tennessee, es hijo del también batería de blues Calvin Jackson y nieto del guitarrista R. L. Burnside. The Waiting es un EP monumental, fruto de la incontinencia artística de un trovador tejano como Wade Bowen, uno de los sustentos esenciales de la Red Dirt Music. Después de regalarnos el segundo volumen de Hold My Beer, un disco indispensable junto a Randy Rogers, ha publicado por sorpresa seis canciones que parecen ser una primera entrega de todo lo que ha estado grabando durante los últimos meses de aislamiento. The Waiting lo componen cuatro de sus canciones aparecidas en sus álbumes en vivo que nunca había grabado en el estudio, una composición que escribió hace tiempo junto a su amigo Brent Cobb y una versión de “I Wish It Would Rain Down”, su canción favorita de Phil Collins. “Get Away” la habíamos escuchado en su segundo álbum, The Blue Light Live, grabado en directo en 2003 en la popular sala de Lubbock. Ahora, Wade Bowen y su banda la grabaron juntos en New Braunfels, Texas, y posteriormente músicos de Austin y Nashville agregaron steel, coros y teclados, enviando sus partes por correo electrónico. También llegará en octubre Forever Better Worse, la nueva apuesta de Great Peacock, el trío de Nashville que parece buscar una versión sureña del clásico Heartland rock. Se fueron a los estudios Sound Emporium de Music Row para grabar las bases fundamentales del trabajo y se recluyeron posteriormente en casa de Blount Floyd, el segundo guitarrista del grupo, para culminar con un tinte mucho más personal que en sus discos precedentes. Incluso han contado con invitados amigos como Adam Kurtz, antiguo miembro de American Aquarium, y Sadler Vaden de la 400 Unit de Jason Isbell. “Heavy Load” se nos antoja una canción expresiva del momento presente en el que la interiorización personal ha tomado el protagonismo. Es un tema de amor irrenunciable a pesar de sus dificultades. Capitalizar la herencia recibida no es una labor sencilla. Esa parece ser la tarea que se han impuesto Devon Allman y Duane Betts hijos respectivos de Gregg Allman y Dickey Betts con la Allman Betts Band, a la que también se ha unido el bajista Berry Oakley Jr. — hijo de Berry Oakley, el que fuera también miembro de The Allman Brothers Band. El año pasado debutaron con Down to the River y ahora han publicado su segundo álbum, Bless Your Heart, manteniendo evidentes guiños a ciertos acordes siempre recordados de las guitarras de la mítica banda de southern rock. Ese es el corsé que se sigue evidenciando en sus grabaciones, el estar demasiado responsabilizados por sus apellidos. El famoso “peso de la púrpura”. Y posiblemente sea ese peso el que les impide explorar con más intensidad su propia personalidad. “Rivers Run” juguetea con acordes fácilmente reconocibles y deja un regusto enternecedor, pero posiblemente el septeto tenga que aventurarse por descubrir su propio camino. La despedida del programa nos lleva de nuevo al Forum de Inglewood, cuando los Eagles, ya sin Glenn Frey actuaron durante tres días, a mediados de septiembre de 2018. Ahora se ha resumido en Live From The Forum MMXVIII que se editará el 16 de octubre en varios formatos. Al trío superviviente de la banda californiana se añadieron Deacon Frey, hijo de Glenn y Vince Gill, un músico que por sí mismo ha tejido un tapiz imponente dentro de la country music durante décadas. Y para interpretar “Lyin’ Eyes”, un tema mítico de One Of These Nights siempre ligado a Frey, que solía dedicárselo a su ex-mujer, fue Vince Gill quien se hizo cargo de la voz solista con una solvencia absoluta. Escuchar audio

"When 'and more' means new Bill Callahan and throwback Silver Jews, you know it's gonna be a good show. We're all about supporting artists... especially during the pandemic. Find an album in the mix today you love and add it to your collection! 00:00 - Emily (Daisy by Anna St. Louis) 01:21 - Welcome - Allegra Krieger 04:41 - Dear - Jaye Bartell 07:36 - DJ Emily 08:57 - Pigeons - Bill Callahan 13:56 - New Memory Box - Bonnie "Prince" Billy 16:53 - She's Making Friends and I'm Turning Stranger - Purple Mountains 21:09 - Smith & Jones Forever - Silver Jews 24:08 - DJ Emily 26:07 - High Wind - Great Peacock 29:39 - When The Time Comes - E.B. The Younger 35:28 - Understand - Anna St. Louis 39:57 - Deep Feels - Tall Tall Trees 44:24 - Midwest Sky - AP Simpson 49:16 - An Echo - Samantha Crain 52:57 - DJ Emily 55:02 - Git Er Done - Secret Emchy Society 59:06 - The Right Moment (feat. Crow) - DeLila Black 62:29 - Men - H. Kink 64:55 - Finish "

...como los rockers Ted Russell Kamp o Lee Gallagher, desde California, o Great Peacock o Palm Ghost desde Nashville con sus ambientes a lo U2 o al sonido Manchester. Rememoramos a los grandes Split Enz, desde Down Under, el comienzo de los hermanos Finn (Crowded House) con su reedición de True Colors o a los Replacements de Minneapolis, estandartes del pop de los 80 y la última de los Rolling Stones con Jimmy Page. Tres reediciones de lujo. Más rock, esta vez con un toque más country o sureño con Eric Johanson y Anthony Gomes (nombres raros para este tipo de rock, ¿no?), el anuncio del disco en directo del guitarrista Nils Lofgren, con un blues en directo. Y acabamos con una pequeña pieza de Ben Harper con Rhiannon Giddens y dos maravillas del “master of the Telecaster” Bill Kirchen y su recopilación, The Proper Years. El ex-Lost Planet Airmen, guitarrista de Commander Cody, con el pianista Austin de Lone en una pieza estilo pop de los 50 y con el gran Elvis Costello que, en palabras de Kirchen, canta con las venas del cuello hinchadas en su “Hombre En El Fondo Del Pozo”. Soberbio.⦁ Ted Russell Kamp (w Shooter Jennings), Home Sweet Hollywood⦁ Lee Gallagher & the Hallelujah, Highway 10⦁ Lee Gallagher & the Hallelujah, Goodnight Sweet Maria⦁ Great Peacock, All I Ever Do⦁ Palm Ghost, Press Animal⦁ The Danberrys, Holding the Bag⦁ Split Enz, I Got You⦁ The Rolling Stones (ft. Jimmy Page), Scarlet ⦁ The Replacements, Can't Hardly Wait.⦁ Eric Johanson, Down to the Bottom⦁ Anthony Gomes, Your Mama Wants To Do Me (And Your Daddy Wants To Do Me In) ⦁ Nils Lofgren, Too Many Miles⦁ Ben Harper & Rhiannon Giddens, Black Eyed Dog⦁ Bill Kirchen (w Austin de Lone), Think It Over.⦁ Bill Kirchen (w Elvis Costello), Man in the Bottom of the Well

Spitting stories of love, loss and pain, Nashville's Great Peacock⎯⎯ comprised of lead singer and guitarist Andrew Nelson, guitarist Blount Floyd, drummer Nick Recio and bass player Frank Keith IV ⎯⎯ challenge the very notion of genre, dismantling tradition and blurring the lines between rock ‘n roll, conventional folk music and true Americana. Having earned praise from Paste, the Nashville Scene, American Songwriter, No Depression, Relix and PopMatters, the band ignites a kind of unapologetic spark. As fixtures on the Southern festival circuit including Shakey Knees, they've shared stages with an abundance of equally-minded noise-makers, including Susto, Hurray for the Riff Raff, Dr. Dog, American Aquarium, Margo Price and Jonathan Tyler. Recorded April 2019 See omnystudio.com/listener for privacy information.

I used to do a podcast called The Hart of Americana. Those episodes are no longer available, so I am putting them up here. This episode was from June 22nd, 2017.   Great Peacock is a band from the Nashville area. They are country, folk, full of harmonies, and rocking guitars. I had the pleasure of sitting down with the guys after a show at Sam's Burger Joint, while they were passing through San Antonio. Great group of guys, great band, great sound, great music... Great Peacock. Enjoy moderndayjesters@gmail.com - Email me with any questions, or random thoughts. shawnhartmusic.com - For all your shawnhartmusic needs.

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It’s our very first year-end list! We start with number 10 - 6 and we’ll hit you next week with our top five! But first -- our respective rashes of bad luck, including wet paint hands and Sonic Drive-In bank fraud. Stay tuned next week for our expose into velvet Elvis paintings! Music in this episode: Nathaniel Rateliff & The Nightsweats - “Coolin’ Out” AND “Hey Mama” (Tearing At The Seams) Austin Lucas - “My Mother and the Devil” AND “Goat and Goose” (Immortal Americans) Lucero - “Cover Me” AND “Bottom Of The Sea” (Among The Ghosts) Erin Rae - “Can’t Cut Loose” AND “Like the First Time” (Putting on Airs) Laura Jane Grace & The Devouring Mothers - “The Airplane Song” AND “Reality Bites” (Bought To Rot) Hawks and Doves - “Bulletproof Hearts (For Laura Jane)” AND “Geek Love” (From a White Hotel) Will Hoge - “Stupid Kids” AND “Still A Southern Man” (My American Dream) Courtney Marie Andrews - “Two Cold Nights in Buffalo” AND “Lift the Lonely From My Heart” (May Your Kindness Remain) Great Peacock - “Heartbreak Comin’ Down” AND “Take Me Down” (Gran Pavo Real) Kacey Musgraves - “Happy and Sad” AND “Velvet Elvis” (Golden Hour)   Rachel wrote a comic! Check it out here! Send us music via SubmitHub. Send us money via Ko-fi or Patreon. Contact Von via linktr.ee/vonreviews and say hi to Rachel on Twitter @adobeteardrops

Seth and Rob had one night together before they won’t see each other for several weeks, so they fired up this spontaneous episode. After a nod to Ben and Jerry’s new “It’s Ice…..Cream” flavor, Polay and Clark, Osiris and the Alternate Routes podcast, the hosts announce that friends of the show Great Peacock and Infamous Stringdusters will be doing four dates together March 27-30. The hosts talk about Great Peacock and play their recent track “Rattlesnake,” which features Tom Blankenship of My Morning Jacket on bass. Upcoming show events are discussed including Atlanta’s Holiday Hootenanny which will take place at The Variety Playhouse on December 20, and features Peter Rowan, Larry Keel, Jeff Mosier and others. Then the guys talk about the coming Umphrey’s McGee New Year’s run, and in particular the December 29th show. Tauk have agreed to divert their routing so that they can open that show, and late-night reignite the ferocious hybrid Tauking McGee. The guys talk about Tauk’s 2018 Shapeshifter II release and they end the episode by playing, “”Recreational Outrage” from that cd. See acast.com/privacy for privacy and opt-out information.

In the footsteps of groups like The Band or The Flying Burrito Brothers, who still exude country rock coolness 50 years on, comes Nashville's Great Peacock. Since their 2015 debut, they've been hailed by publications like No Depression, American Songwriter and Paste for their powerful, poignant mixture of folk, rock, blues and Americana, while sharing stages with Margo Price, Dr. Dog, Colter Wall and Hurray for the Riff Raff. Andrew Nelson and Blount Floyd -- guitarists and co-songwriters/vocalists for the quartet -- sit down backstage at hometown venue 3rd & Lindsley to discuss their connections to vinyl, their favorite music documentaries, whether an artist's name on the front of their records takes away from the album's visual art, how My Morning Jacket's Tom Blankenship and Carl Broemel ended up contributing to Great Peacock's terrific new album Gran Pavo Real and more! On September 13th, they'll perform at Musicians Corner at Centennial Park in Nashville as part of Americanafest 2018, and you can visit GreatPeacock.com for further tour dates, their social media, etc.

This episode features Rob Turner and Seth Weiner each giving their review of the 2017 Shaky Knees Festival in Atlanta, Georgia. The hosts discuss the festival and the performances of acts like LCD Soundsystem, Sylvan Esso, Great Peacock, Saint Motel, Hamilton Leithauser, J. Roddy Walston and The Business, Warpaint, Bleachers, Phoenix, Ryan Adams and more. Then we hear an interview Weiner and Turner conducted the same weekend with the three core members of Zipper Club. We hear how the band’s debut tour was with Tears For Fears. Mason James relates how important his years with Cerebral Ballsy were, and the significance of having a punk ethos in general - whether it means expressing yourself fully, or pissing people off or both. Lissie Trullie explains how her Emory professor father’s record collection initially turned her onto music, and how she has been inspired going from writing alone in her own band to collaborating in this one. Drummer Damar Davis chimes in at well, discussing his early days as a musician, and bringing forth effusive love of Led Zeppelin and a stylin’ diversion to a question about the mysterious origins of the band’s name. Among the many other topics are the band’s songwriting plans moving forward, their interest in improvisation, working with Smashing Pumpkins guitarist James Iha and the band’s, apparently very serious problem with parking tickets wTnS is Produced by Rob Turner and Engineered by Josh Thane of Wonder Dog Sounds (wonderdogsounds.com) Inside Out w/ Turner and Seth: insideoutwtns.com Twitter: @InsideoutWTNS Instagram: www.instagram.com/insideoutwtns Facebook: www.facebook.com/insideoutwTnS See acast.com/privacy for privacy and opt-out information.

Seth and Rob sit down with Andrew Nelson and Blount Floyd shortly after their band Great Peacock played a fiery afternoon set at the nearby Candler Park Festival. They dive into their songwriting process, including how addiction, characters met on the road and relationships inspire songs. Also discussed are future guest Kevn Kinney, the Old 280 Boogie, watermelon beer, the current state of country music, Nashville bars, publishing theft, the importance of country bumpkin charm, backwoods country parties, random interactions with members of Led Zeppelin, the festival that Blount will curate and the ponchos he wears and how despite the success of their debut cd, Making Ghosts (the band still considered its reception as a disappointment). The episode closes with new music from their forthcoming cd. See acast.com/privacy for privacy and opt-out information.

Download all songs in this podcast on iTunes. Search for "Bands Under the Radar". Bands Under the Radar, Vol. 7: Americana for Hipsters I 1. Romance Fantasy – Whiskey and Wine 2. John Fullbright – Jericho 3. David Ramirez – The Bad Days 4. Sam Sliva – Excuse Me While I Break My Own Heart Tonight (feat. Jason Isbell) 5. Sam Doores + Riley Downing and The Tumbleweeds – This Morning’ I Was Born Again 6. Ocean Carolina – Maybe 7. Kingsley Flood – Waiting On the River to Rise 8. Andrew Duhon – Evelyn 9. Great Peacock – Take Me to the Mountain 10. Jamestown Revival – The Revival 11. Leroy Powell and The Messengers – Satan Put It on My Tab 12. William Clark Green – Dead or In Jail 13. Angel Snow – Coals and Water 14. Tom McBride – Morning in Glen Burnie 15. Smooth Hound Smith – Crazy Over You