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Clay and returning guest Dallas Owen conspire and drop a monster rock hit on Michael. Dallas blesses Clay and Mikey with a far lesser known song that we just cannot get enough of.Audio Clips:More Than A Feeling - BostonForeplay/Long Time - BostonPeace of Mind - BostonSmokin' - BostonWillin' - Commander Cody & His Lost Planet AirmenHot Rod Lincoln - Commander Cody & His Lost Planet Airmen
The Grateful Dead Hour with Leo Schumaker April 14, 2025. Here is the music of The Grateful Dead and other bands of that era. Included are The Dead, Spirit, Joan Baez, Commander Cody and His Lost Planet Airmen and more. Also a short speech by Martin Luther King "We Shall Overcome". Just click on the link/picture and enjoy. Send me any requests for next Monday's show on KMRE 88.3 FM 7-8 PM. Not Fade Away.
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164 - Ray Benson (Asleep At the Wheel) In episode 164 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and bandleader Ray Benson from Asleep At the Wheel. In their conversation Ray discusses his current tour schedule, his stage gear and his custom jackets he wears on stage. Ray describes the importance of the San Francisco early in the band's career with contemporaries like Dan Hicks, Huey Lewis and Clover and Commander Cody. Ray tells us about his upbringing outside of Philadelphia, PA and how he discovered Western swing music. Ray describes his guitar and steel collection in great detail as well as amps and recording gear he's collected over the years. Ray talks his about his friendships with the Vaughan brothers, Willie Nelson, Huey Lewis and many more. Ray discusses the early days of TNN and his work with Budweiser and his tv show on RFD. Ray tells us about his lack of plans for retirement. To find out more about Ray and Asleep At the Wheel you can go to their website: asleepatthewheel.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #RayBenson #AsleepAtTheWheel #CollingsGuitars #MartinGuitars #FenderGuitars #FenderAmps #SamickGuitars #GibsonGuitar #theDeadlies #haveguitarwilltravelpodcast #HGWT . . . Please like, comment, and share this podcast! Download Link
Dennis Hulbert has had a very successful career for 39 years with the U.S.D.A Forest Service as the Region 5 Aviation Officer representing California and Pacific Islands. After retiring he began to focus on his lifelong passion as a musician and his work with the music group that he founded 33 years ago, Machaira. Working with such notable musicians as John McFee from Doobie Brothers, Billy Kirchen from Commander Cody, Dennis is looking to take his band to a new level. This current journey is allowing Dennis the opportunity to work/record with many great players: Marc Russo- from Doobie Brothers, Mic Gillette from Tower Of Power, Michael Hossack- from Doobie Brothers, Brent Bourgeois from Bourgeois Tagg, Scott Joss from Merle Haggard, and Keith Edwards from Ricky Skaggs, to name a few. Dennis is devoting his time to developing and managing the Machaira band and the Go Girls of Machaira. Along with co-managing Machaira Entertainment, a multi facet entertainment endeavor. Dennis was our guest on Episode 154 of the Agents of Innovation podcast. Learn more about him and his band Machaira at: https://www.coopdeville.com and their YouTube page at: https://www.youtube.com/channel/UC_2eojoSgKJKcF_FzMd-iTg You can watch this full episode on YouTube podcast: https://youtu.be/O2IJrOYxJs8 Follow the Agents of Innovation podcast on: Instagram: https://www.instagram.com/innovationradio/ Twitter: https://twitter.com/agentinnovation Facebook: https://www.facebook.com/AgentsOfInnovationPodcast You can support this podcast and our Fearless Journeys community on our Patreon account: www.patreon.com/fearlessjourneys You can also learn more about how to join our network through the Fearless Journeys community at: https://www.fearlessjourneys.org/ 0:00 Episode Intro 2:46 Introducing Dennis Hulbert 3:16 Work for the U.S. Forest Service 4:58 Innovating in the fire retardant space 7:43 Be a good team leader 8:22 The inspiration to go into the U.S. Forestry Service 9:12 Aviation Officer in California and Pacific Islands 11:24 Early days learning music 13:02 Faith music, tours of Russia, American diplomacy 14:00 Surround yourself with good people 14:14 Over 40 people have been in the band, world tours, top guest artists 14:35 Nonprofit band, have never charged a penny 15:25 Taking band to the next level 16:10 11-person band, seasoned professionals, and a movie 18:09 A future reality TV show? 19:03 California, Montana, and tours 19:46 New album: Life is a Rock and Roll Circus 21:51 The business of music 26:25 Profiles of other band members 30:52 The origin of the band name, "Machaira" 32:30 New album releases March 2025 and live shows 34:45 Cover of Elvis Presley "Saved" 35:15 Agent of Innovation Matt Stone as Elvis 37:00 Learn by doing, never miss a gig, and practice 39:50 Keys to success
The Ryloth story arc from season one of The Clone Wars continues with Obi-Wan and a squad of clones working to liberate Twi'leks and destroy Separatist cannons. In this fully armed and operational episode of Podcast Stardust, we discuss: Our overall thoughts on “Innocents of Ryloth,” Why this episode stands out and the themes of the episode, Obi-Wan Kenobi and Commander Cody's orders to the clones, Two specific clones, Waxer and Boil, and their relationship to Numa, a young Twi'lek child, The gutkurrs, giant alien insects, and how the Separatist manipulate them, The tactical droids, and Some Easter Eggs found throughout the episode. For more The Clone Wars discussion, check out episode 843. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts. Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Join us for real time discussion on the RetroZap Discord Server here: RetroZap Discord. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.
By the time you hear this we will have elected a new President....jk, this will drag on for months, but what better way to waste your time than with a review of Resistance S2 E3 'Live Fire' Also: The boys talk election, side with the squirrel guy, play the hardest Christian pop song of all time etc. • Reach out to us at clonecastpod@gmail.com • Follow us on Instagram/twitter/TikTok @clonecastpod • Leave a 5 star review on Apple Podcasts or your podcast platform of choice! • Join us on the Discord! DM us on Twitter for an invite • You have your mission, CloneCastanovas!
We had the pleasure of sitting down with two legendary roots musicians, Robbie Fulks and Bill Kirchen, ahead of their electrifying joint performance at Outpost in the Burbs in April 2024. Robbie, a celebrated indie-country songwriter, and Bill, the iconic guitarist known for his work with Commander Cody and as a standout solo performer, share captivating stories from their storied careers. This episode also features exclusive live recordings from the concert, including Robbie's heartfelt ‘That's Where I'm From' and Bill's rollicking ‘Semi Truck.' Join us for an unforgettable conversation and performance, filled with wit, stellar musicianship, and the undeniable chemistry of two masters at work.
The clones take center stage when the Separatists attack a Republic listening post manned only by rookie clone troopers. Never fear, Captain Rex and Commander Cody arrive to save the day. In this fully armed and operational episode of Podcast Stardust, we discuss: How this episode is a foundational episode for so many other episodes of Star Wars: The Clone Wars, The first appearance of the commando droids and why they are rare, The introduction of Echo and how he changes so much later, Captain Rex and Commander Cody making their debuts in The Clone Wars, and Some trivia elements of this episode of The Clone Wars. For more discussion of The Clone Wars, check out episode 776. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts. Get your Ultimate Lightsaber 2.0 from SaberMasters and use our referral code (STARDUST) at checkout for $10 off. Head to www.sabermasters.com/discount/stardust Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Join us for real time discussion on the RetroZap Discord Server here: RetroZap Discord. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.
The clones take center stage when the Separatists attack a Republic listening post manned only by rookie clone troopers. Never fear, Captain Rex and Commander Cody arrive to save the day.
Ep.38 - #StarWars El Futuro de Commander Cody luego de The Bad Batch. Clone CC-2224, mejor conocido como el Comandante Cody en Clone Wars. Vimos al comandante por 1ra vez en live action en "La Venganza de los Sith" y posteriormente en las series animadas, The Clone Wars y The Bad Batch. Pero, ¿Donde está? ¿Qué pasó con Él? Acompáñanos en este episodio a descubrir el futuro del Comandante Cody en la saga de Star Wars invitado: Richard Patrick Ramirez Heaven Troopers --- Support this podcast: https://podcasters.spotify.com/pod/show/rocktheforce/support
#elviscostello #lindaronstadt #bozscaggs #bonnieraitt #nicklowe Austin de Lone is an American keyboardist who records and tours with his own bands as well as with other artists, such as Bill Kirchen, Elvis Costello, Bonnie Raitt, Boz Scaggs, Nick Lowe, Commander Cody, and Loudon Wainwright. De Lone grew up in suburban Philadelphia, taking piano lessons at age 12. His early influences included Ray Charles and George Shearing. After stints as a student at the New England Conservatory of Music, Harvard University, and University of California, Berkeley, he moved to Greenwich Village.[3] While at Harvard, de Lone composed the song "One for One," which was the first single released by Linda Ronstadt and the Stone Poneys. Eggs over Easy In 1969, de Lone formed the band Eggs over Easy with Jack O'Hara and Brien Hopkins.[4] In 1970, Chas Chandler persuaded the band to record in London, but those recordings were not released. A four-night-a-week residency at a pub called the Tally-Ho in Kentish Town lasted more than a year. Eggs over Easy played a blend of blues, country, and rock that became known as pub rock. Regular attendees of their shows included members of Brinsley Schwarz and BBC disc jockey John Peel. In 1972, they returned to California and released their first album Good 'N' Cheap produced by Link Wray. The Moonlighters De Lone moved to Marin, California in 1972, where he met Bill Kirchen, who had been performing with Commander Cody and His Lost Planet Airmen. In the late 70s, de Lone joined Kirchen's side-project band, the Moonlighters. Their 1983 album Rush Hour was produced by Nick Lowe. Both de Lone and Kirchen later worked with Lowe and Elvis Costello. De Lone and Kirchen still record and perform together. In 2016, they released their duet album Transatlantica. The Christmas Jug Band De Lone is a member of the Christmas Jug Band, a collection of musicians who have been touring locally each holiday season since 1976, and releasing albums since 1987. The band has included musicians such as Dan Hicks, Tim Eschliman, Jim Rothermel, Lance Dickerson, Brien Hopkins, and Norton Buffalo. Richard de Lone Special Housing Project De Lone coordinates an annual fundraiser for eventual construction of the Richard de Lone Special Housing Project, a residential facility for people with Prader-Willi Syndrome, which de Lone's son Richard is afflicted with. As part of the 2007 event, Elvis Costello reunited with Clover, the band who backed him on his first album My Aim is True.
The boys wrap up the premier episode of Resistance with part 2 of 'The Recruit' Short Cody immediately goes scorched earth on Minneapolis sports talk personalities (Don't fuck with his Timberwolves and this may not be the episode to recommend to Star Wars friends as it takes him 7 minutes to stop), the Resistance freak show continues to deliver, but it derails the boys time and again. Send in your Sega Bass Fishing SFX numbers on the SBF channel in the Discord. The list has been updated and posted! Check out The Bondsman's Store: https://irmasfinlandhouse.com/ and use the promo code "clonecast" at checkout for 10% off Please share the show with anyone that you think will dig the pod! Each download is one validation star given to our psyche. Reach out to us at clonecastpod@gmail.com Follow us on Instagram/twitter/TikTok @clonecastpod Leave a 5 star review on Apple Podcasts or your podcast platform of choice! Join us on the Discord! DM us on Twitter for an invite Check out our Podcast network @podawans on twitter You have your mission, CloneCastanovas!
"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries. Larry's Notes Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station. Also the voice of Pearl Jam Radio. And, most importantly for today's episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album. Today, featuring recently released NRPS live album, “Hempsteader” from the band's performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (Dawson having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey.Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter. The group came to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.In 1969, Nelson contributed to the Dead's Aoxomoxoa album in 1969. During this period Nelson and Garcia played intermittently in an early iteration of High Country, a traditional bluegrass ensemble formed by the remnants of the Peninsula folk scene.By early 1969, Dawson had returned to Los Altos Hills and also contributed to Aoxomoxoa. After a mescaline experience at Pinnacles National Park with Torbert and Matthew Kelly, he began to compose songs on a regular basis working in a psychedelic country fusion genre not unlike Gram Parsons' Flying Burrito Brothers.Dawson's vision was prescient, as 1969 marked the emergence of country rock via Bob Dylan, The Band, The Flying Burrito Brothers, Poco, the Dillard & Clark Band, and the Clarence White-era Byrds. Around this time, Garcia was similarly inspired to take up the pedal steel guitar, and an informal line-up including Dawson, Garcia, and Peninsula folk veteran Peter Grant (on banjo) began playing coffeehouse and hofbrau concerts together when the Grateful Dead were not touring. Their repertoire included country standards, traditional bluegrass, Dawson originals, and a few Dylan covers ("Lay Lady Lay", "You Ain't Goin' Nowhere", "Mighty Quinn"). By the summer of 1969 it was decided that a full band would be formed and David Nelson was recruited to play lead guitar.In addition to Nelson, Dawson (on acoustic guitar), and Garcia (continuing to play pedal steel), the original line-up of the band that came to be known as the New Riders of the Purple Sage (a nod to the Foy Willing-led Western swing combo from the 1940s, Riders of the Purple Sage, which borrowed its name from the Zane Grey novel) consisted of Alembic Studio engineer Bob Matthews on electric bass and Mickey Hart of the Grateful Dead on drums; bassist Phil Lesh also played sporadically with the ensemble in lieu of Matthews through the end of the year, as documented by the late 1969 demos later included on the Before Time Began archival release. Lyricist Robert Hunter briefly rehearsed with the band on bass in early 1970 before the permanent hiring of Torbert in April of that year.[8] The most commercially successful configuration of the New Riders would come to encompass Dawson, Nelson, Torbert, Spencer Dryden (of Jefferson Airplane fame), and Buddy Cage.After a few warmup gigs throughout the Bay Area in 1969, Dawson, Nelson, and Torbert began to tour in May 1970 as part of a tripartite bill advertised as "An Evening with the Grateful Dead". An acoustic Grateful Dead set that often included contributions from Dawson and Nelson would then segue into New Riders and electric Dead sets, obviating the need to hire external opening acts. With the New Riders desiring to become more of a self-sufficient group and Garcia needing to focus on his other responsibilities, the musician parted ways with the group in November 1971. Seasoned pedal steel player Buddy Cage was recruited from Ian and Sylvia's Great Speckled Bird to replace Garcia. In 1977 and 1978, NRPS did open several Dead and JGB shows, including the final concert preceding the closure of Winterland on December 31, 1978.In 1974, Torbert left NRPS; he and Matthew Kelly co-founded the band Kingfish (best known for Bob Weir's membership during the Grateful Dead's late-1974 to mid-1976 touring hiatus) the year before. In 1997, the New Riders of the Purple Sage split up. Dawson retired from music and moved to Mexico to become an English teacher. By this time, Nelson had started his own David Nelson Band. There was a reunion performance in 2001. In 2002, the New Riders accepted a Lifetime Achievement Award from High Times magazine. Allen Kemp died on June 25, 2009.[13][14] John "Marmaduke" Dawson died in Mexico on July 21, 2009, at the age of 64.[15][16]Pedal steel guitarist Buddy Cage died on February 5, 2020, at age 73. (Rob – this is mostly notes for me today so I can sound like I know what I'm talking about. I'll go through some of it to set some background for the band, but feel free to take the lead on talking about those aspects of the band, and its musicians, that you enjoy most or find most interesting – keeping in mind that our target audience presumably are fans of marijuana and the Dead.) INTRO: Panama Red Track #1 Start – 1:49 Written by Peter Rowan “Panama Red” is well known in the jam-grass scene, but it's perhaps not as widely known that Peter Rowan wrote the song.It was originally a 1973 hit for the New Riders of the Purple Sage, and the first popular version with Rowan singing and playing it came when the supergroup Old & In the Way, released their eponymous album in 1975, two years after their seminal time, in 1973, and a year after they disbanded. Jerry Garcia was the connective tissue between the two projects, playing pedal steel in the early New Riders and banjo in Old & In the Way. “I wrote ‘Panama Red' after leaving my first project with David Grisman, Earth Opera, around the summer of the Woodstock music festival [1969],” Rowan explains. “It's a fun song because it captures the vibe of the time. I was from the East Coast, but I found there to be more creativity on the West Coast during that time period.“Nobody wanted to do ‘Panama Red' on the East Coast. I took it to Seatrain [the roots fusion band in which Rowan played from 1969 to 1972], and when it eventually became a hit, the manager of Seatrain claimed it. I never saw any money, even though it became the title of an album for the New Riders of the Purple Sage [1973's The Adventures of Panama Red]. “The subject was "taboo" in those days. You did jail time for pot. So that might have scared commercial interests. But Garcia was a green light all the way! "Oh sure" was his motto, both ironically and straight but always with a twinkle in his eye! After Seatrain management kept all the money, Jerry suggested I bring the song to Marmaduke and Nelson!" “When David Grisman and I got back together for Old & In the Way in 1973 with Jerry Garcia, Vassar Clements and John Khan, we started playing it.”From the NRPS album “The Adventures of Panama Red”, their fourth country rock album released in October 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts.The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks. SHOW No. 1: Fifteen Days Under The Hood Track #41:55 – 3:13 Written by Jack Tempchin and Warren Hughey. Jack Tempchin is an American musician and singer-songwriter who wrote the Eagles song "Peaceful Easy Feeling"[1] and co-wrote "Already Gone",[2] "The Girl from Yesterday",[3]"Somebody"[4]and "It's Your World Now".[5] Released as the opening song on the NRPS album, “New Riders”, their seventh studio album, released in 1976 SHOW No. 2: Henry Track #6 1:19 – 3:05 "Henry", written by John Dawson, a traditional shuffle with contemporary lyrics about marijuana smuggling. From the band's debut album, “New Riders of the Purple Sage”, released by Columbia Records in August, 1971. New Riders of the Purple Sage is the only studio album by the New Riders to feature co-founder Jerry Garcia of the Grateful Dead on pedal steel guitar. He is also featured on the live albums Vintage NRPS and Bear's Sonic Journals: Dawn of the New Riders of the Purple Sage.Mickey Hart and Commander Cody play drums and piano, respectively, on two tracks—"Dirty Business" and "Last Lonely Eagle".Then, there's a swerving left turn away from romance tunes on this album with ‘Henry‘, whose titular hero has stepped right out of a Gilbert Shelton underground comic. At a frenetic pace the story of Henry's run to Mexico to fetch twenty kilos of (Acapulco?) gold unravels, with Henry driving home after sampling the wares “Henry tasted, he got wasted couldn't even see – how he's going to drive like that is not too clear to me.” It's a joke, but a joke that sounds pretty good even after repeat listens.SHOW No. 3: Portland Woman Track #9 :34 – 2:00 Another Marmaduke tune from the NRPS album released in August, 1971.A bittersweet love song progressing from touring boredom to be relieved by a casual hook-up with the pay-off with the realization that the Portland Woman who “treats you right” has actually made a deeper connection “I'm going back to my Portland woman, I don't want to be alone tonight.” SHOW No. 4: You Never Can Tell Track #15 :51 – 2:26 You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act.[2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972. Berry's recording features an iconic piano hook played by Johnnie Johnson. The piano melody was influenced by Mitchell Torok's 1953 hit "Caribbean". The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, and Buster Shuffle. JGB performed it almost 40 times in the early ‘90's. The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film). The music added an evocative element of sound to the narrative and Tarantino said that the song's lyrics of "Pierre" and "Mademoiselle" gave the scene a "uniquely '50s French New Wave dance sequence feel". OUTRO: Glendale Train Track #17 1:30 – 3:14 Still another Marmaduke tune from the “New Riders of the Purple Sage” album released in late summer 1971. MJ News:Just one MJ News story today important enough to take a few minutes to talk MJ: DEA's agreement to reschedule MJ to Schedule 3 from Schedule 1.DEA Agrees To Reschedule Marijuana Under Federal Law In Historic Move Following Biden-Directed Health Agency's Recommendation - Marijuana Moment Benefits: banking services, no 280(e) restrictions on what expenses retailers can deduct and allows for full medical research of MJ. Negatives: Still illegal, all drugs on Schedules I, II and III must be prescribed by a licensed health care provider with prescription privileges and can only be dispenses by licensed pharmacists. Music News:A few quick hits re Music (no real need to get into any of these but I like to see what's going on so I don't miss anything interesting, these are the first things that get cut when we decide we want to keep talking): Jaimoe makes rare public concert appearance with Friends of the Brothers in Fairfield CN, plays ABB hitsJaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics (relix.com) Mike Gordon sits in at the Dodd's Dead Residency at Nectar's in Burlingtron, VT as part of “Grateful Dead Tuesday”. Plays He's Gone and Scarlet (we have some Phish fans as listeners so try to toss a few bones to them)Listen: Mike Gordon Offers Grateful Dead Classics at Nectar's (A Gallery + Recap) (relix.com) David Gilmour may be planning first tour since 2016, won't play any Pink Floyd songs from the ‘70's – like the old Doonesbury strip where Elvis comes back from the Dead, Trump hires him to play in one of his casinos and at the start of the show, Elvis announces that he is only playing the songs of the late great John Denver.David Gilmour Plots First Tour Since 2016 (relix.com) Roy Carter, founder of High Sierra Music Festival passes away.Roy Carter, High Sierra Music Festival Founder, Passes Away at 68 (relix.com) .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Nicholas grew up in Rhode Island, United States, where he formed his first band, The Vikings. The band performed cover versions of popular rhythm and blues hits of the time, along with songs by the Rolling Stones. In the mid-1960s, he formed the Black Cat Blues Band with Duke Robillard, Fran Christina and Steve Nardella. Around 1970, he formed the Boogie Brothers with Nardella. After attending the Ann Arbor Blues Festival in 1970, the band eventually moved on to San Francisco, California in 1972 per-request of Commander Cody and His Lost Planet Airmen. By 1974, Nicholas had moved to Chicago, Illinois and began playing with Big Walter Horton. During his time in Chicago, he would record music with Horton, Boogie Woogie Red and Robert Lockwood, Jr. In 1974, he created his own single, "Too Many Bad Habits" for Blind Pig Records. Moving to Providence, Rhode Island, he formed his own band, Johnny Nicholas and the Rhythm Rockers, which included Kaz Kazanoff on saxophone, Terry Bingham on drums, Sarah Brown on bass guitar and Ronnie Earl on electric guitar. Nicholas began his stint with Asleep at the Wheel in 1978, when the band asked him to perform with them. During his off time, he would travel to various cities for solo shows, but would often visit Louisiana to play with Link Davis and Cajun accordion player Nathan Abshire. By 1980, however, Nicholas decided to take time off from music in order to raise a family. in 1991 Nicholas returned to recording blues music with Johnny Shines and Snooky Pryor on the album Back to the Country. After returning to music, Johnny has released one studio album and three live albums on Topcat Records while also returning to regular live shows.
In 1969, Kirchen took Commander Cody and the Lost Planet Airmen to California and they developed a reputation as musical "outlaws" that were praised by other outlaw musicians and bands like Willie Nelson, Waylon Jennings, The Grateful Dead and the Allman Brothers Band.Kirchen's band "played a collection of rock 'n' roll, hard-core country, boogie and rockabilly sounds produced in a "high-octane mix" that made them a "happening" group in the San Francisco Bay area. Kirchen began to develop as guitarist, vocalist, songwriter and performer. He became known for his vocal and guitar work on such songs as "Mama Hated Diesels", "Down to Seeds and Stems Again Blues" from the band's albums, Hot Licks, Cold Steel & Truckers' Favorites and Lost in the Ozone. His live performance work was captured on the 1973 album Live From Deep in the Heart of Texas, recorded at the Armadillo World Headquarters in 1973.Kirchen's Commander Cody band broke apart in 1976 and he formed a "swing orchestra" called the Moonlighters and began a decades-long collaboration with British musician Nick Lowe. Lowe produced the Moonlighters' second album Rush Hour, and Kirchen toured with Lowe and joined him in the studio from time to time. During this period Kirchen also worked on albums with Elvis Costello, Gene Vincent, and Link Wray. Kirchen was one of the musicians that pioneered the Americana movement in the 1980s, and also with being a founding father of "twangcore," along with Dave Alvin, Wilco and Big Sandy & His Fly-Rite Boys. Kirchen's signature sound has been dubbed "dieselbilly" and incorporates elements of country, blues, rockabilly, Western swing and boogie-woogie, laced with themes of American truck driving music. Kirchen's work in the early 1970s with Commander Cody and the Lost Planet Airmen helped set the stage for the singers like Waylon Jennings and Willie Nelson and other outlaw country bands with his recordings of songs like "Seeds And Stems."Kirchen is said to have "one of the most distinctive, pure-Fender Telecaster tone guitar sounds in modern music". Kirchen was named "The Titan of The Telecaster" by Guitar Player magazinefor his musical prowess on the Fender Telecaster guitar. He played a 1959 model with a maple fretboard and sunburst finish that he calls the "coal burner" and acquired in 1967 when he exchanged his Gibson SG with a stranger on a bus.He retired that guitar in the early 2010s in favor of a Telecaster with a wider neck.
"Well, they'll stone you when you're walkin' down the streetAnd they'll stone you when you're tryin' to find your seatHey, I've seen people stoned when they're walkin' through the door, hey, I've seen 'em stoned, and they'll come back for moreBut I would not feel so all aloneNot tonight, 'cause everybody must get stoned"Yes, today is 420 Day or "Stoners Holiday". What is signifigance of 420? The genesis has many myths but we'll explore the musical side on the Saturday Edition of Whole 'Nuther Thing. Joining us for some Musical Herb are Cheech & Chong, The Byrds, Beatles, Rolling Stones, Chicago, Earth Wind & Fire, Crosby Stills Nash & Young, Steppenwolf, The Tradewinds, Commander Cody & His Lost Planet Airmen, Earth Wind & Fire, Hall & Oates, Allman Bros band, David Bowie, Ian Hunter, The Amboy Dukes, U2, Les Dudek, REM, Peter Frampton, Wishbone Ash, Dickey Betts, Quicksilver Messenger Service, The Conception Corporation, Fraternity Of Man, Harold Melvin & The Blue Notes and Bob Dylan...
Thank you for listening to today's episode. I hope you have a great day, and I'll see you in the next one! May the force be with you, ALWAYS! Learn more about your ad choices. Visit megaphone.fm/adchoices
Su cuy'gar shinies and regs! Giovanni, and Joaquin break down the 9th episode of The Bad Batch season 3 where they discuss Fallen Order references, Fennec Shand, next week's cameo potential, Commander Cody, Crosshair's pain and more! Check out our list of essential “Bad Batch” episodes from the Clone Wars! Follow the hosts and let us know what you thought of today's episode! Giovanni Delgadillo: @GioDelNope Joaquin Fernandez: @FernaJustoo Check out Boardwalk Times, the Destination for True Disney Parks Fans Plus Everything Else. Website: https://boardwalktimes.net/ Twitter: https://twitter.com/boardwalktimes Instagram: https://www.instagram.com/boardwalktimes Credits: Edited by Giovanni Delgadillo Music: "Future Gladiator" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ --- Support this podcast: https://podcasters.spotify.com/pod/show/boardwalktimes/support
The Pittsburgh Steelers and the Houston Oilers (and later the Tennessee Titans) had a fierce rivalry. The years of them being the two best teams in the NFL, the briefcase gift, the Commander Cody game, the fights and ejections - these two teams really did not like each other! While this is one of those teams we miss having on our schedule every year, we can still look back on the memorable moments that made this rivalry so much fun.Find Pittsburgh sports gear and support the show at Fanatics!Connect with the show:Visit us on the webFollow us on TwitterFollow us on Facebook
"Birthdays, Breakouts, and Psychedelic Jams: The Legendary Grateful Dead Concert of '77"Today's show comes from February 26, 1977 at the Swing Auditorium. The show not only opens the fabulous '77 campaign and contains the first live versions of two of the truly great Dead tunes – Terrapin Station and Estimated Prophet – but it throws smoke and spits flames. The concert marked the debut of songs like "Terrapin Station" and "Estimated Prophet." Larry Mishkin delves into the significance of these songs in the Dead's repertoire, their musical and lyrical qualities, and the overall atmosphere of the concert. They also provide insights into the venue's history and its importance in rock and roll culture.Additionally, the conversation touches on other topics, such as the Fish concert series in Cancun, Mexico, and the significance of certain Grateful Dead songs like "The Wheel" and "Slipknot." Larry share personal anecdotes related to the music, including experiences at concerts and the culture surrounding marijuana use, inspired by a Commander Cody song. INTRO: Terrapin Station Track # 1 5:51 – 7:27 Garcia and Hunter Probably that point right where Deadheads think they've seen it all. The psychedelic rock, Pig's blues, Americana, Wake of the Flood, Mars Hotel and Blues For Allah. So if you had tickets for this show, you had no idea what you were in for, where the Dead were about to take you, a completely different direction, as close as the Dead would ever come to a rock-opera number. And there was no waiting, lights went out and . . . . . . . . . . . . . TURTLE MUSIC!! Clocking in just shy of 11 minutes, it's not quite the masterpiece it would become, but pretty amazing none the less. Nothing else existed at that time quite like it. But from the opening notes you know it is a winner, destined for greatness in the pantheon of great Dead tunes. One that you could hear every show and never grow tired of or bored with it. The title track from the album released on July 27, 1977, five months after this show. First studio album since they had returned to touring. Terrapin Station is the ninth studio album (fourteenth overall) by the Grateful Dead, It was the first Grateful Dead album on Arista Records The cover artwork was produced by Kelley/Mouse Studios, who had created several previous works for the band. Though a terrapin appears in the lyrics only as a place name, dancing terrapins feature prominently in the artwork and afterward became part of the large iconography associated with the Grateful Dead. The front cover image takes the idea of a "terrapin station" literally. The back cover features a stylized, one-eyed skull with a crossed bone, feathers and roses, in keeping with the imagery that had evolved around the Dead. This clip is the famous and beloved transition form Lady With A Fan into Terrapin Station, the first two parts of the seven part suite clocking in at 16:23. The other five parts are: Terrapin; Terrapin Transit; At A Siding; Terrapin Flyer and Refrain.The Grateful Dead only performed the Lady With A Fan and Terrapin Station. Dead and Co. have played the entire suite. Fun to hear, but not the same as if Jerry was playing it. Too bad he never did. Played 303 times First: This version right here that we just played for you Last: July 8, 1995 SHOW No. 1: Estimated Prophet Track #4 1:54 – 3;26 Bob and John Barlow "Estimated Prophet" was written in septuple time. Bobby's lyrics for the song (finished with writing partner John Barlow) examine a character's delusions of grandeur and California's propensity for false prophets. The song also quotes "Ezekiel Saw the Wheel".[13][14] Drummer Bill Kreutzmann said "It's a great song but when [Weir] brought it to us, something was off. It needed a groove. It was in quick4 but it didn't swing. Yet. For my homework that night, I combined two fast sevens and played half-time over it. The two sevens brought the time around to an even number – the phrasing is in two bars of seven, so technically the time signature is in. But that's getting technical. In layman's terms, 'Estimated Prophet' suddenly grooved." Released on Terrapin Station, this was its debut performance and it was well received. A fan favorite and regular part of the Band's playlist for the rest of their careers. 390 times total First: This is it right here. Last: June 28, 1995 at the Palace of Auburn Hills outside of Detroit SWING AUDITORIUM Built in 1949, the Swing Auditorium had a maximum capacity of around 10,000, but it probably sold out at only around 6000 for this Dead show. The venue's ascent into rock and roll fame began in 1962 when a man named Bob Lewis started promoting concerts there. In the ensuing decades, Lewis brought all the legends into the Swing, including Jimi Hendrix, Elvis Presley, Michael Jackson, and, of course, the Grateful Dead. But what really solidified the Swing's place amongst the hallowed venues was the American debut of the Rolling Stones there in 1964. With a mere ten-song set, the Stones stoked the hall into a fervor. The band had to drop their instruments and run for the exits before the crowd rushed the stage. For their part, the Dead played the Swing only four times before it was razed after a small plane crashed into the building on September 11, 1981. SHOW No. 2: The Wheel Track #9 :30 – 2:09 Released on January 20, 1972 as the final track on side 2 of Jerry's firs solo album, “Garcia”. The psychedelic closer it exhibits Garcia's short-lived infatuation with pedal steel guitar. great to hear in concert, although relatively short in length. Almost always a second set song and, it is high energy and always a great way for the band to transition out of Space. Played 259 times First: June 3, 1976 at the Paramount Theater in Portland Oregon Last: May 25, 1995 at Memorial Stadium in Seattle SHOW No. 3: Slipknot Track #14 11:30 – 13:10 Released on Blues For Allah in 1975 Plays a key role in a key suite and is often overlooked. The bridge between Help On The Way and Franklin's Tower it often gets lost in the jam out of Help and then into Franklin's. But it is almost always there and always a great piece of improvisational music that rarely sounds exactly the same, except for the distinctive intro/outro. Similar to I Am Hydrogen in Phish's Mike's Groove run of songs Played 114 times (Help = 111 times; Franklin's = 222 times) First: October 20, 1974 at Winterland in San Francisco Last: June 22, 1995 at the Knickerbocker Arena in Albany, NY SHOW No. 4: Eyes Of The World Track #17 5:35 – 7:07 Released on Wake of the Flood on October 15, 1973 Many a Deadheads “secret” favorite tune. It's that good. Played fast, played slow, almost always in the second set and often times as a companion piece with Estimated Prophet, the coveted “Estimated Eyes” jam. In the first part of the 1980's second sets often opened with Scarlet>Fire Estimated>Eyes OR Help>Slip>Frank Estimated>Eyes Played 382 timesFirst: February 9, 1973 at Maples Pavilion at Stanford in Palo AltoLast: July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO, just outside of St. Louis OUTRO: Dancin' In The Streets Track #18 7:40 – 9:13 “Dancin' in the Streets" is a cover of Martha & the Vandellas' "Dancing in the Street" from the early days of the band, given a new arrangement that prominently features singer Donna Godchaux. For the studio version, a funk-influenced guitar figure was added to a four-on-the-floor disco beat and polished with a commercial production contemporary to the era. Released by the Dead as the second song on Terrapin Station. Played 131 timesFirst: July 3, 1966 at the Fillmore in San FranciscoLast: April 6, 1987 at Brendan Byrne Arena in New Jersey Dead would play this tune in spurts: 28 times in 1970 27 times in 1976 14 times in 1977 and 1978 A bit of a comeback in 1984 and 1985 – 6 times each year, b Once in 1987 Gone Mishkin Law, LLC500 Skokie Blvd.Suite 325Northbrook, IL 60062Cell: (847) 812-1298Office Direct: (847) 504-1480lmishkin@mishkin.law .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"I've seen all the movie starsIn their fancy cars and their limousinesBeen high in the Rockies under the evergreensBut I know what I'm needingAnd I don't want to waste more timeI'm in a New York state of mind"As are most ex NYers no matter where they live. Please join me on this afternoon's musical journey on the Planetary Jam at Morning Breeze.org. Accompanying us are The Blue Dolphins, Mr. Mister, Joni Mitchell, The Rembrandts, Frank Zappa, Phil Collins, The Style Council, Mose Allison, Little Feat, Free, Stevie Ray Vaughn, Van Morrison, The Jayhawks, Commander Cody & The Lost Planet Airmen, The Police, Marshall Tucker Band, Rolling Stones, Tom Petty & The Heartbreaakers, The Cars, Ozark Mountain Daredevils, Joe Jackson, Lou Reed, Creedence Clearwater Revival, Humble Pie, Jimi Hendrix Experience and Billy Joel.
Commander Cody & His Lost Planet Airmen - Smoke Smoke SmokeThe Renegades - If That Ain't Country Hoss, I'll Buy The DrinksWayne Caddell - Country FriedCurly Seckler & The Nashville Grass - Take A Little TimeRay Hoskins & The Cody Mtn Boys - Foggy Mountain TopBill Monroe - Lonesome Truck Drivers BluesJimmy Martin - I Can't Give My Heart AgainBuddy Pruitt & The Roughnecks - Country GirlLefty Frizzell - I Want To Be With You AlwaysThe Carter Family - Fair And Tender LadiesLeon Payne - LumberjackBilly Joe Shaver - Lately I Been Leanin' T'ward The BluesWaylon Jennings - Medley Of HitsBlaze Foley - If I Could Only Fly
We kick off the new year with a foundational song by a tragic but influential artist, check out a cover by a band that learned all the right lessons, and listen to a version that only exists because network TV executives have no idea how to do their jobs. Twenty Flight Rock, originally by Eddie Cochran, covered by Commander Cody and His Lost Planet Airmen, and by Conan O'Brien, featuring Jack White. Outro music is 25 Minutes to Go, by Shel Silverstein.
On this episode Jay is joined by Isaac Pendley and they discuss playing clones, the NY local scene and more! Patreon: patreon.com/thefifthtrooper
"They sat on the stoney ground, and he took a cigarette outAnd everyone else came down to listenHe said in winter 1963, it felt like the world would freezeWith John F. Kennedy and The Beatles.Yeah, yeah, ah hey ma ma mommy doo-din-nie-yaAh hey ma ma ma hey-y-yah, Life in a northern town"We thawed out and a Kennedy and a couple of Beatles are still in the news 60 years later. Please join me on the Saturday Edition of Whole 'Nuther Thing on KXFM 104.7. Joining us are NRBQ, The Verve, Orleans, The Beatles, Roxy Music, The Byrds, Carole King, ELO, The Moody Blues, The Ronettes, Bruce Hornsby, The Korgis, XTC, Dee Clark, Joe Farrell Quartet, Stevie Wonder, Hot Tuna, The Hooters, The Move, Commander Cody and His Lost Planet Airmen, The Cascades, Chuck Berry, Neil Young, Moby Grape, Quicksilver Messenger Service and The Dream Academy...
"Sounds of '91: Jerry Garcia Band Live and Marijuana News Unveiled"Larry Mishkin focuses on Jerry Garcia music and breaking stories related to marijuana. He introduces a Jerry Garcia Band performance from November 15, 1991, at Madison Square Garden and delves into the details of the songs performed, particularly highlighting "How Sweet It Is To Be Loved By You" and a cover of Bob Dylan's "Simple Twist of Fate." Amidst the music commentary, Larry also addresses significant marijuana-related news, emphasizing recent studies suggesting a potential connection between marijuana use and heart issues. He, however, points out limitations in the studies and emphasizes the need for a more comprehensive examination of the subject..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Jerry Garcia BandNovember 15, 1991MSGNY, NYJerry Garcia Band 1991-11-15 FOB Schoeps Brotman Metchick Anon Noel t-flac1648 : Joe Noel : Free Download, Borrow, and Streaming : Internet Archive INTRO: How Sweet It Is To Be Loved By You Track No. 2 0:00 – 1:30 How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!" Released on Nov. 4, 1964 with Forever on the B-side. Cash Box described it as "a medium-paced, rollicking chorus-backed ode about a fella who's on top of the world since he met up with Miss Right."[4]AllMusic critic Jason Ankeny described the song as a "radiant pop confection," noting that it was unusual for Gaye in being a "straightforward love song" that doesn't reflect Gaye's usual demons.[5] Ankeny commented on the soulfulness of the song, and particularly noted the piano riff. James Taylor released his version of "How Sweet It Is (To Be Loved by You)" as the lead single from his album Gorilla (1975).[11]Taylor's 1975 single has been the most successful remake of the song to date, hitting number one on the Easy Listening chart and number five on the US Billboard Hot 100 chart. Long a staple of the JGB's set lists, First played on September 18, 1975 a Sophie's in Palo AltoLast played on April 23, 1995 at the Warfield Theater in S.F.Total played 373 times, by far the JGB's most played tune (Midnight Moonlight is 2d at 344) Usually a show opener. There are three Dead shows on Nov. 13 and six JGB shows. Of those six, none are available on Archivd.org. So I am dong a JGB show two days later on Nov. 15, 1991 from MSG. The standard JGB lineup for that time: Jerry Garcia; guitar, vocals- John Kahn; bass- Melvin Seals; keyboards- David Kemper; drums- Jaclyn LaBranch; backing vocals- Gloria Jones; backing vocals Great musicians, great vocals, its 1991, but Jerry is rocking. A fun night with Blues Traveler as the opening act. This show was released as Garcia Live Vol. 16 SHOW #1: Simple Twist of Fate Track No. 5 3:00 – 4:40 In 1975, Bob Dylan released his album Blood on the Tracks, which included the song “Simple Twist of Fate.” The song is a haunting ballad about a failed relationship, and many fans have speculated about who Dylan wrote it about. While Dylan has never confirmed the identity of the song's subject, many believe that he wrote it about his former girlfriend, Joan Baez. Bob Dylan's message is one of hope and change. He speaks of a world that is better than the one we currently live in and urges people to work together to make it a reality. He also advocates for peace and love, and has said that these are the only things that can truly change the world. Always a big fan of Dylan, Garcia played this song 217 times, the first on July 4, 1976 at the Great American Music Hall in S.F. and the last on April 23, 1995 at the Warfield in S.F. If you are wondering why that April 23, 1995 dates keeps popping up, that was the last JGB show. SHOW #2: Lay Down Sally Track No. 6 1:40 – 3:15 "Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the BillboardHot 100 chart. It was released as a single with Cocaine on the B-side, quite the heavy hitting release. It was the song of the summer of 1978 and always one of Slow Hand's favorite songs. "Lay Down Sally" is a country blues song performed in the style of J. J. Cale. Clapton explained, "It's as close as I can get, being English, but the band being a Tulsa band, they play like that naturally. You couldn't get them to do an English rock sound, no way. Their idea of a driving beat isn't being loud or anything. It's subtle."Billboard magazine described Clapton's vocal as "low key but earthy" and also praised Marcy Levy's backing vocals.[5]Cash Box praised Clapton's "guitar finesse."JGB covered the tune 54 timesFirst: November 20, 1990 Warfield, SFLast: March 4, 1995 Warfield, SF Gets a great crowd reaction and Jerry loves jamming on Clapton tunes. Link to picture of Garcia and Clapton from back in the day: Jerry Garcia & Eric Clapton Pose | Grateful Dead Clapton interviewed on the Dead in 1968:Have you heard the Grateful Dead record?A: “Yeah, it's great.” Peter Townshend said he saw the Dead at the Pop Festival, and called them “one of the original ropeys.” A: “Ropey! That means a drag. I don't think the quality of their music is as high as a lot of other good recording bands. People are more concerned with live music, maybe, than with recording. I'm not sure of that. I'm guessing. If the Grateful Dead are one of the best, they're not doing a very good job on record.”What do you think of the guitar playing? Jerry Garcia's synthesis of blues, jazz and country and western, with a little jug band thrown in?A: “It's very good, and very tight, but it's not really my bag.” SHOW #3: Deal Track No. 9 2:46 – 4:15 Finally, a Garcia tune! And one of his best.One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel”. It's also worth noting that the classic folk song, “Don't Let Your Deal Go Down”, first recorded in 1925 by Charlie Poole and the North Carolina Ramblers contains many similarities to the Grateful Dead song. Hunter was known to pull references from a wide variety of sources in his songwriting, and it is highly likely he was familiar with the tune. JGB played it 291 times in concert. First on March 4, 1978 at the Keystone in Palo Alto, CALast time on April 23, 1995 at the Warfield Grateful Dead played it 422 timesFirst on Feb. 19, 1971 at the Capitol Theater in Port Chester, NYLast on June 18, 1995 at Giant's Stadium in East Rutherford, NJ.Longest absence from the rotation was 29 shows from Oct. 2, 1988 at Shoreline in lovely Mountain View, CA and then not again until April 11, 1989 at the Rosemont Horizon in Rosemont, IL You had to be trying really hard, or just be really unlucky to never catch this tune during those days. I still say it is the best Garcia tune, great music, great tempo, Jerry loved to jam on this tune and his voice really made the song. Almost always a first set closer. SHOW #4: Ain't No Bread In The Breadbox Track No. 14 1:22 – 3:02 Written by Phillip Jackson (September 28, 1951[1] – October 30, 2009),[2] best known as Norton Buffalo, was an American singer-songwriter, countryand blues harmonica player, record producer, bandleader and recording artist who was a versatile proponent of the harmonica, including chromatic[3] and diatonic. In early 1976 Buffalo joined the "farewell" European tour of Commander Cody and His Lost Planet Airmen, and was recorded on the band's final live album We've Got a Live One Here!,[5] which included Buffalo's song "Eighteen Wheels." After the tour, Buffalo returned to California, briefly played with a number of local bands, and later in 1976 he joined the Steve Miller Band's Fly Like an Eagle Tour. He also played harmonica on the band's hit follow-up album Book of Dreams, released in May 1977. Buffalo appeared on the tracks "Winter Time" and "The Stake." By the late 1970s Buffalo had formed his own band, The Stampede, and recorded two Capitol Records albums: Lovin' in the Valley of the Moon and Desert Horizon. In 1977 his harmonica work appeared on Bonnie Raitt's Sweet Forgiveness and The Doobie Brothers' Livin' on the Fault Line albums. He was a member of the Mickey Hart band High Noon in the late 70s and early 80s with Merl Saunders, Mike Hinton, Jim McPhearson, Vicki Randle, and Bobby Vega, and played with Saunders on the Rainforest Band album It's in the Air in 1993. Ain't No Bread In The Breadbox was performed 65 times by the Jerry Garcia Band.First time on Nov. 6, 1991at the Cap Center in Landover, MD (just 9 days earlier but this was already the band's 7th performance of the tune. Jerry really liked it. The song was played by Phil Lesh with Norton Buffalo, Boz Scaggs and others in 2004. The song was also played by Billy & The Kids in 2021. OUTRO: What A Wonderful World Track No. 19 1:55 – 3:37 "What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. In April 1968, it topped the pop chart in the United Kingdom,[2] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100.[3] Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. JGB played the song 12 times in concertFirst was on Nov. 6. 1991 at the Cap Centre in Maryland (again, just 9 days before this show, this was the band's 4th performance of the tuneLast Oct. 31, 1992 at Oakland Alameda County Colisium.Just in the rotation for one year.But who can't love Jerry channeling his inner Louis Armstrong and harmonizing the Jackie and Gloria. A great way to end a show and send everyone home with a smile and warm fuzzy feeling.A perfect night with Jerry. Mishkin Law, LLC500 Skokie Blvd.Suite 325Northbrook, IL 60062Cell: (847) 812-1298Office Direct: (847) 504-1480lmishkin@mishkin.law
It's the 124th installment of the Truth About Vintage Amps with Skip Simmons: Conductive paints, speaker impedance mismatches, pizza hacks and lots of dad jokes! Want to be a part of our show? Just email us a question or voice memo to podcast@fretboardjournal.com. Our sponsors are Emerald City Guitars, Amplified Parts, Stringjoy Strings, and Grez Guitars. Some of the topics discussed this week: :57 Skip works on a Jim Kelley Amp 6:30 Rancho Gordo beans, redux 7:49 Converting a SF Champ to the Princeton schematic and recommended plate voltages; Skip makes a tweed Harvard out of a Champ; pilot light washers from Daniel Petrzelka (Instagram: @dpetrzelka) 13:39 The 1970s Whole Earth Catalogs are now online (link) 15:21 What makes a great A/B box? 17:24 A '55 Tweed Bassman with a replaced output transformer and 7025s; Skip finishes the Tweed Deluxe overhaul 25:41 Impedance mismatches in 1950s Fender amps, using the external speaker output 31:26 Did David Lindley play on the Rockford Files theme song? Toots Thielemans 33:43 Eminence, Kentucky and Colonel Sanders 35:07 Can anything other than tubes be microphonic; the one-wire mod to have the reverb and tremolo on both channels on a Fender 37:12 Fuse-eating rectifier tubes on a Victoria Bandmaster clone; 5U4 vs GZ34 tubes 39:38 Converting a '50s Philco record player console for guitar use; Commander Cody; the Louvin Brothers' 'Satan Is Real' 43:26 Bringing up an old amp on a Variac 48:49 Experiments with conductive paints 52:36 Very loud noise floor in a low-wattage amp 56:21 A tube amp setup to compliment the Fender Tonemaster Pro 1:00:00 Biasing an old record player amp 1:05:22 Homemade pizza hacks, pizza stones, buying dough, Don Pepino, Rainier beer Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. Love the show? We have a Patreon where you can support it and get exclusive bonus content and surprises: https://www.patreon.com/vintageamps
How many Clone Troopers did Palpatine and the Republic in general, have ordered? This episode will cover all possible answers, including legends as well. Who is your favourite clone? Commander Cody? Rex? How did Anakin's march at the Jedi Temple during Order 66 impact how you felt about the Clones? Learn more about your ad choices. Visit megaphone.fm/adchoices
Commander Cody & His Lost Planet Airmen: 20 Flight RockGirl Gang: Blue Stained LipsThe Beths and Pickle Darling: Brand New ColonyAl Stewart: Time PassagesNeil Young: Lotta LoveKing Gizzard and The Lizard Wizard: Hate Dancin'J.J. Cale: Hard TimesWilco: LeveeThem: Go On HomeVan Morrison: ProblemsThe Rolling Stones: All Down The LineThe Bones of J R Jones: AnimalsDwight Yoakam: Little SisterJanis Joplin: Kosmic Blues
Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box features Rainbow, Aerosmith, The Animals, Commander Cody, Wilson Pickett, Sammy Hagar, Willie Nelson, Phish, Jefferson Airplane, Supertramp, Robert Plant, Alannah Myles and UFO.
Glen Matlock tiene nuevo álbum. Excusa perfecta para picotear en el legado del bajista fundador de Sex Pistols tras su breve andadura con la legendaria banda del punk británico. En el Proyecto Sonny Vincent and Spite coincidió con Steve Mackay. Este saxofonista, recordado especialmente por su aportación al álbum “Fun house” de The Stooges, es el segundo protagonista del episodio de hoy. Playlist; (sintonía) SEX PISTOLS “No feelings” (instrumental, 1976) SEX PISTOLS “Pretty vacant” (Nevermind the bollocks, 1977) RICH KIDS “Bullet proof lovers” (Ghosts of Princes in Towers, 1978) IGGY POP “Ambition” (Soldier, 1980) GLEN MATLOCK “Apparently” (Who's He Think He Is When He's At Home?, 1996) GLEN MATLOCK “Head on a stick” (Consequences Coming', 2023) SONNY VINCENT and SPITE “Wait” (Spiteful, 2014) SONNY VINCENT and SPITE “Disinterested” (Spiteful, 2014) THE STOOGES “Fun House” (Fun House, 1970) COMMANDER CODY featuring STEVE MACKAY “Go to hell” (Lose It Tonight, 1980) VIOLENT FEMMES featuring STEVE MACKAY “I held her in my arms” (The Blind Leading The Naked, 1986) ANDRE WILLIAMS “Shake a tailfeather” (The black godfather, 2000) BLUE PROSTITUTES and STEVE MACKAY “Song for Bagdhad” (The Blue Prostitutes with Steve Mackay, 2013) SPEEDBALL JR featuring STEVE MACKAY “Loose” (7’’, 2014) Escuchar audio
This week we complete our two-part feature focusing on honky tonk music. We'll hear from Asleep at the Wheel, Connie Smith, The Flying Burrito Brothers, Adolph Hofner, The Amazing Rhythm Aces, Commander Cody, JJ Cale and lots more. Guitars, Cadillacs and walkin' after midnight… this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysAsleep at the Wheel / “The Wheel Boogie” / Half a Hundred Years / BismeauxConnie Smith / “Look Out Heart” / The Cry of The Heart / Fat PossumThe Flying Burrito Brothers / “Sin City” / The Gilded Palace of Sin / A+MThe Western Swing Authority / “Miss Molly” / Now Playing / CurveDwight Yoakam / “Guitars, Cadillacs” / Swimmin' Pools, Movie Stars... / Sugar HillLoretta Lynn / “I'm a Honky Tonk Girl” / Essential Honky Tonk / Not NowAdolph Hofner & his Texans / “South Texas Swing” / South Texas Swing / ArhooliePatsy Cline / “Walkin' After Midnight” / Essential Honky Tonk / Not NowThe Amazing Rhythm Aces / “Third Rate Romance” / Stacked Deck / ABCAsleep at the Wheel / “Spanish Two-Step” / Half a Hundred Years / BismeauxErwin Helfer / “Stop Time Boogie” / 8 Hands on 88 Keys / The SirensJohnny Horton / “Honky Tonk Man” / Essential Honky Tonk / Not NowCommander Cody and the Lost Planet Airmen / “Hot Rod Lincoln” / True Adventures / Fuel 2000Delbert McClinton / “The Real Thing” / I'm With You / CurbJ.J. Cale / “Call Me the Breeze” / Naturally / ShelterElvis Presley / “Don't Be Cruel” / Elvis 56 / RCARodney Crowell / “She's Crazy for Leaving” / Diamonds & Dirt / Columbia LegacyPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways
COMMANDER CODY WAS SUPPOSED TO HAVE A GOOD ROLE IN THE OBI-WAN KENOBI SHOW!! I really don't know why they would cut this. Learn more about your ad choices. Visit megaphone.fm/adchoices
Your phone calls, a Powerball update, Happy Birthday to Brian May of Queen, AI audio clips, Happy Birthday to Commander Cody, reptilian on a plane! Delta passengers fall sick while waiting on the Las Vegas tarmac in triple-digit temperatures and Carl's Jr. brought back the El Diablo Burger for $6.66 ...
Hello There! In this box review, we breakdown General Obi-Wan Kenobi, Clone Commander Cody, and 212th Clone Troopers. Join us as we cover all these characters in Star Wars lore, analyze their unit and stance cards, discuss how to get the most out of them on the battlefield. We also cover how to effectively play Obi-Wan and how to best use hunker in your Republic teams alongside clone synergies in Star Wars Shatterpoint. Hello There! is a podcast about the tabletop game Star Wars Shatterpoint and the Star Wars Universe. ___________________________________ We're doing a Star Wars Shatterpoint Core Set giveaway - and anyone can enter to win. All you have to do is click the link below and also follow us on our any of our social media: Twitter, Facebook, and Instagram @HelloThereCast. Each follow of one of our social media pages will add additional entries. Additionally, all patrons will get bonus entries innately depending on their patron level. The more people that click on the link below and follow our pages - the higher the potential of AMG to providing us with more giveaway items in the future. https://bit.ly/SWP-HelloThere ___________________________________ Hello There! is supported by our wonderful patrons on Patreon. If you would like to help the show, and join our discord community, go to patreon.com/hellotherecast and pledge your support. Hello There! Patrons directly support the show and its growth by helping pay our monthly and annual fees, while contributing to future projects and endeavors. ___________________________________ Twitch I HelloThereCast Twitter I @HelloThereCast Instagram I @HelloThereCast Facebook I HelloThereCast YouTube I HelloThereCast Apple Podcasts l Spotify l Google Podcasts __________________________________ Hello There! is hosted by Jesse Eakin and Aman Khusro.
Star Wars: In a Galaxy – Watching all the Star Wars we can get our hands on.
In the first episode of Season 13 of Star Wars: In a Galaxy, Eli and Jacob finally start to cover The Bad Batch Season 2, discussing the first three episodes of the season ("Spoils of War", "Ruins of War", and "The Solitary Clone"). Among their discussion: – Space crabs! – Echo and Hunter's clashing ideologies. – Space U-HAULs, apparently. – The haunting nature of Castle Serenno. – The tragically ironic legacy of Count Dooku. – Romar Adell being a painfully obvious idea that no one had thought about before this. – A shit ton of Indiana Jones references. – Tech's injury. – Crosshair being Crosshair. – The Darth Plagueis effect. – Eli adores "The Solitary Clone". – The return of Commander Cody. The next episode of Star Wars: In a Galaxy will release on June 16, 2023. Follow us on Twitter and Hive: @InaGalaxyPod Follow our spinoff trivia show on Twitter: @inagalaxytrivia Follow us on Instagram: @starwarsinagalaxy Follow Eli on Twitter, TikTok, and Hive: @OchiFan327 Leave us a 5-star rating and review on Apple and Spotify! It really helps! You can email us at swinagalaxy@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/inagalaxy/message
We're finally joined by Todd!!! The Generals talk about Commander Cody the good, the bad, and the ugly. We also talk about the repair/treat keyword and some weird interactions. We are a competitive Star Wars: Legion Tactics Podcast. Join Matt and Seth as they dive into playstyles, list-building techniques, and meta-analysis.Write into the podcast here: BombadPodcast@gmail.comFind Matt (Zeusjus) and Seth (Degree) on the Legion Discord: https://discord.gg/uX9BXCAUgN Hosted on Acast. See acast.com/privacy for more information.
“The Solitary Clone” and “Faster” (The Bad Batch S2, Ep. 3–4) are such beautiful love letters to the prequel era that we forgot we weren't watching The Clone Wars for a second. In our recap, we talk about the many blasts from the past we get in these episodes: podracing (!!!!), callbacks to the Funding the War Arc with Mina Bonteri, hanging out with Commander Cody, more emotional trauma in front of the clone trooper memorial on Coruscant, and allllll the Separatist battle tech. On the less fun side, we also get a callback to the unfortunate prequel-era habit of killing off Star Wars' coolest and most powerful women (more on that during Bae Watch). To skip to your favorite segments, check out the timestamps below. And join us next week to recap “Entombed” and “Tribe” (Bad Batch Season 2, Episodes 4–5). 00:00:00 Plot Overview 00:13:53 “The Solitary Clone” Discussion 00:22:17 Calling Back to “Heroes on Both Sides” 00:26:25 How Strong Is The Empire Anyway? 00:31:07 The Bad Batch As a Samurai Story 00:38:35 “Faster” Discussion 00:50:36 Bae Watch 01:00:54 End Credits --- Send in a voice message: https://podcasters.spotify.com/pod/show/growingupskywalker/message
Benn, Grandt and Atum chat about the exhilarating third episode of The Bad Batch, the fate of the clones and the possibility of Commander Cody and Obi-Wan reuniting on a future episode of the hit series.
The Geek Buddies with John Rocha, Michael Vogel and Shannon McClung
STAR WARS THE BAD BATCH SEASON 2 is here from Lucasfilm and Disney+! On this SPOILER REVIEW from THE GEEK BUDDIES, John Rocha, Shannon McClung and special guest LAURA KELLY review Season 2 Episode 3 "The Solitary Clone". Crosshair and Commander Cody fight a Separatist hold out on Derix that leads to some questions about their commitment to the Empire and the beginning of the possible redemption of Crosshair.Chapters:0:00 Intro and Overall Thoughts on The Solitary Clone8:35 Introduction of Desix, Tawni Ames and Crosshair is Living the Solo Life17:16 Crosshair and Cody Win the Battle on Desix28:16 Crosshair Kills Tawni Ames is Killed, Cody Goes AWOL, Crosshair is Alone42:28 Final Thoughts on The Solitary CloneTo become a Patron of John Rocha and The Outlaw Nation, please go to https://www.patreon.com/johnrocha FOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSaysFollow Michael Vogel: https://twitter.com/mktoonFollow Shannon McClung: https://twitter.com/Shannon_McClung
Darth Amin and producer Darth Cornpuzzle are deployed to Desix to smooth things over with a rebellious governor. This episode focuses on the loneliness of Crosshair, and features the return of the beloved Commander Cody at a moral crossroads in his service career. Learn more about your ad choices. Visit megaphone.fm/adchoices
Darth Amin and producer Darth Cornpuzzle are deployed to Desix to smooth things over with a rebellious governor. This episode focuses on the loneliness of Crosshair, and features the return of the beloved Commander Cody at a moral crossroads in his service career. Learn more about your ad choices. Visit megaphone.fm/adchoices
[SPOILERS] Crosshair wakes up in his cell on what looks like Coruscant, as Rampart gives him a new mission. To go to Desix and free the governor being held captive. Rampart removes Crosshair of his commander title, and says he's not fit to lead any squad. But rather he has a new commander, who of course is Commander Cody. Now Commander Cody was Obi-Wan Kenobi's right hand man in the clone wars as far as clones on the battlefield go. He was leader of the 212th battalion and led the onslaught against General Grievous on Utapau. He was the first one to execute order 66 on obi-wan Kenobi, betraying him. I find it really interesting that he's gone awol at the end of this episode, but more on that later. Learn more about your ad choices. Visit megaphone.fm/adchoices
Crosshair is assigned to Commander Cody on a mission to the former Separatist planet Desix to undertake a rescue mission after Imperial governor Grotton is captured and taken hostage. After a successful assault, they meet Desix's governor Tawni Ames, who defends her world's uprising after the Republic had rejected her suggestions for peace during the Clone Wars. Cody argues for a peaceful resolution, but Crosshair kills Ames on Grotton's orders and Desix is brought under Imperial control. Returning to Coruscant, Cody questions whether the Empire is really doing good around the galaxy, and deserts soon after.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
On this episode, Hannah, Chris and Ben have an overwhelming amount of breaking Star Wars news to cover! First off, they give their initial impressions on the new trailer for Star Wars Jedi: Survivor that was released just moments before they're recording. Then later they're joined by Jordan from Beyond The Galaxy and Chad from Convor Call for a full on frame-by-frame break down of the brand new trailer for The Bad Batch season two! They discuss the incredible visuals, new characters, Commander Cody, Gungi, Trandoshans, Bail Organa, Palpatine, and more! And they top it all off by analyzing the newly revealed photos from the set of The Acolyte. Plus, we try out lots of new impressions, Dominic drops in briefly to share his thoughts on The Bad Batch trailers, and who the heck is Pabu?! Tune in for all of that and more! Join the Star Wars Underworld Network Discord Website: www.starwarsunderworld.com Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Subscribe and Review on Apple PodcastsEmail: swunderworld@gmail.com
Since we were just talking about Obi-Wan Kenobi, I thought we should circle back and finish the conversations we were having about his backstory, prior to the release of the Disney+ series. Today, a story about Obi and Commander Cody from the early days of the Clone Wars... Punch it! ~*~*~*~*~*~ Be sure to subscribe/follow the show on your favorite podcast app! If you have an extra minute, a rating or review on Apple or Spotify would be super helpful, too. :-) Like YouTube? Subscribe here: https://youtube.com/sw7x7?sub_confirmation=1 Wanna leave me a tip? Thank you in advance! https://venmo.com/sw7x7 Join the SW7x7 community: https://Patreon.com/sw7x7 ~*~*~*~*~*~ Follow the Show: Twitter: http://twitter.com/sw7x7podcast TikTok: https://tiktok.com/@sw7x7 Instagram: https://instagram.com/sw7x7 Facebook: https://facebook.com/sw7x7 Star Wars 7x7. It's destiny unleashed! #sw7x7
Before OBI-WAN KENOBI was a streaming series, it was conceived as a feature film. Reporter Nathan Johnson from TheDirect.com joins us this week to talk about his exclusive interview with the screenwriter behind the KENOBI film, Stuart Beattie. We reveal how Beattie convinced Lucasfilm to make the film, the initial plans for a trilogy, original ideas for Reva, a role for Commander Cody, and a different version of the Vader/Kenobi duel. Kyle Newman's new film 1UP is here, and we welcome Kyle to The Cantina to talk about the making of the movie and its STAR WARS references, along with his review of OBI-WAN KENOBI. Plus, Marcia Lucas talks about killing off old Ben in A NEW HOPE, Gina Carano reveals info about the now-scrapped RANGERS OF THE NEW REPUBLIC and more!
COMMANDER CODY WAS SUPPOSED TO HAVE A GOOD ROLE IN THE OBI-WAN KENOBI SHOW!! I really don't know why they would cut this. Learn more about your ad choices. Visit megaphone.fm/adchoices
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