Podcasts about rehearsals

Tech week. Rehearsals. Hospice volunteer training. Transcript

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance The post “Rehearsals for a Revolution”, interview with director Pegah Ahangarani appeared first on Fred Film Radio.

Soul Mate ( Tour Rehearsals ) by Bill Bennett

Thirst Trap ( Tour Rehearsals ) by Bill Bennett

Sexting ( Tour Rehearsals ) by Bill Bennett

Don't Call Me Daddy ( Tour Rehearsals ) by Bill Bennett

Drowning / Round I Go ( Tour Rehearsals ) by Bill Bennett

Nothing Was Wrong With Me ( Tour Rehearsals ) by Bill Bennett

What We Were ( Tour Rehearsals ) by Bill Bennett

Holding Water ( Tour Rehearsals ) by Bill Bennett

Thd Guy That Loves You...( Tour Rehearsals ) by Bill Bennett

Upside Down World ( Tour Rehearsals ) by Bill Bennett

Strung Out ( Tour Rehearsals ) by Bill Bennett

Send Steve a Text MessageShowing up to a gig with “the right notes” is not the same as showing up ready to perform. We walk through a real, working guitarist's gig preparation process using Jesus Christ Superstar as the backdrop and it applies just as well to musical theater guitar, church gigs, and any band where the arrangement changes based on who's on stage.We start with the listening-first approach: learning the shape of the music before obsessing over chords, scales, and licks. You'll hear how repeated listening builds a mental map of the song form, the intensity curve, and the moments where guitar should lead, support, or disappear completely. From there we get practical about rehearsal strategy: how to decide what part you should play when there are two guitars, when there is only one guitar, or when important horn and keyboard lines are missing.We also dig into chart reading in the real world: creating simple cheat sheets, marking your book for dynamics and page flips, checking keys and chords against recordings, and preparing multiple options so you can adapt fast once the band finally rehearses. The bigger takeaway is musicianship: technique matters, but the performance lives in feel, space, and choices that serve the song.If you want a smarter guitar practice plan and a clearer path from charts to confident playing, listen through, then subscribe, share this with a gigging friend, and leave a review with your biggest gig-prep challenge.Thanks for being here!! I will continue to do my best to bring you the best, most informative guitar discussions to help you along your guitar journey! The more you share this podcast with others, the more I can continue to grow this channel and offer the best information and advice I can to you.Thank you!SteveLinks:Check out the GuitarZoom Academy:https://academy.guitarzoom.com/Steve's Channel → https://www.youtube.com/user/stinemus... GuitarZoom Channel → https://www.youtube.com/user/guitarz0... Songs Channel → https://www.youtube.com/user/GuitarSo... . 

⁠Submit Your Ten Minute Tip Here⁠⁠Support the Show Here⁠To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of⁠ thegrowingbanddirector.com⁠Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:⁠Podcast website : Thegrowingbanddirector.com⁠⁠On Youtube The Growing Band Director⁠ ⁠Facebook-The Growing Band Director Podcast Group⁠⁠Instagram @thegrowingbanddirector⁠⁠Tik Tok @thegrowingbanddirector⁠If you like what you hear please:Leave a Five Star Review and Share us with another band director!

Lessons Come Around ( Tour Rehearsals ) by Bill Bennett

Chrysalis ( Tour Rehearsals ) by Bill Bennett

Im Not That Man Anymore ( Tour Rehearsals ) by Bill Bennett

After Sach Oliver got the defense verdict, he also got the worried calls. “Oh! Oh! Oh!” His response? “I'd go do it again.” The case is under appeal, but in this conversation with host Dan Ambrose, Sach offers a deep dive into the psychology of loss as well as the way to move forward. He and Dan also preview TLU Beach, coming up from June 3 to 6 in Huntington Beach. In addition to presenting two workshops, Sach will provide 500 pounds of beef for a “Wild West” dinner on Friday night.Train and Connect with the Titans☑️ Sach Oliver | LinkedIn☑️ Oliver Law Firm | LinkedIn | Instagram | Facebook | X | YouTube☑️ Trial Lawyers University☑️ TLU On Demand Instant access to live lectures, case analysis, and skills training videos☑️ TLU on X | Facebook | Instagram | LinkedIn☑️ Subscribe Apple Podcasts | Spotify | YouTube2026 Programming☑️ TLU Beach, June 3-6, Huntington Beach, CAEpisode SnapshotSach describes his team's use of “dress rehearsals” for jury selection. “We bring in, I think, about 36 people on day one, and we do a full jury selection process,” he says.Sach previews his two presentations at the upcoming TLU Beach: one with Joe Fried about common tractor trailer cases and the other on training witnesses to get the video clip – including through an innovative use of horse training techniques.Sach explains how his team evaluates the business side of a case along with other considerations. Even with that evaluation after the defense verdict in the 2025 case against the construction zone company, “I would make the same decision going forward,” he says.When Sach's Missouri ranch is ready, he'll host a future “Depositions Are Trial” program. He gives Dan an update on the progress of the ranch.Dan previews for the two-day Witness Preparation & Direct Examination in May and TLU Beach in June.Produced and Powered by LawPods

Join Randy and the Calgary Crue (Jon Garner / Jamie Landry / Dany Bee) as they pick a ‘6-PACK' of their favourite 'NO SOPHOMORE SLUMP (Greatest Second Albums)'. Check it out!Defining the sophomore slump—the immense pressure on artists to follow a successful debut when they have "20 years to write the first album but only six months to write the second". They highlight artists that avoided the "sophomore slump" and how the greatest second albums don't just replicate the debut but often surpass it, cementing the artist's legacy in rock history. Welcome to the 'Beer Rum & Rock N Roll' podcast. A rock music podcast hosted by Randy Legault. Saving rock - one conversation at a time.Click this link to access your format of choice. https://linktr.ee/beerrumrocknrollIt's happy hour! Subscribe now and join us.*BR&RNR theme music courtesy of Reed Shimozawa.Randy Legault is a serious motherfucker when it comes to rock music, owns a video editing company 'Legault Post' and enjoys beer and rum. He's a good boy, crazy 'bout Elvis. Loves Kiss and his lovely wife too. A true defender of the faith with a serious arsenal of knowledge that is fun tapping into.https://twitter.com/BEERRUMROCKROLLhttps://www.facebook.com/BEERRUMROCKNROLLhttps://www.instagram.com/beerrumrocknrollhttps://linktr.ee/beerrumrocknroll #musicpodcast #nosophomoreslump #6packLinks to Check Out:Alice in Chains with James Hetfield - Would Live 2006 HDhttps://www.youtube.com/watch?v=KXSquY3bPNoSchmitts Gay - SNLhttps://www.youtube.com/watch?v=hCOSejS1SSYSkid Row - New York City 02.11.1991 Rehearsals for "SNL"https://www.youtube.com/watch?v=6nq7Fs5PTe4Skid Row - “Get the fuck out” live in Wembley 1991 . DISCURSO EN ESPAÑOL https://www.youtube.com/watch?v=FV88qqdn_Gw

In a week where:CNN founder Ted Turner dies aged 87.UK staff of Google DeepMind vote to Unionize over military AI deals.Superdry co-founder James Holder jailed for eight years for raping a woman.Trump announces a three-day Russia-Ukraine ceasefire and prisoner swap.English Council, Mayoral; Welsh & Scottish Parliament elections come & go.In Society: (11:14) The antisemitism panic in the UK has been at a fever pitch in recent weeks in light of the Golders Green stabbing. But on top of a captive politics & media distorting the context of the event, they also made effort not to mention that there was a Muslim victim in the event. (Article By Ismail Patel)In Environment: (25:22) Whilst its not the full-on futureproofing effort I'm looking for from cities & nations, some are at least preparing for the future deadly heatwaves. Will this preparation do anything to at least neutralise our impending doom? (Article By Natalie Donback)In Politics: (40:25) Over in the US, the Voting Right Act - the landmark act centred by the Civil Rights Movement - was gutted by the US Supreme Court. And like flies to shit, Southern states are rushing to redraw maps back to Jim Crow levels of voter suppression. (Article By Ari Berman)Lastly, In Photography: (50:14) A name I discovered in recent years during my Photography journey is Dorothea Lange who was a key member in documenting the US from The Great Depression to Post-War reconstruction. Well, a nearly forgotten project of hers from the 50s have been put online for free. (Article By Tom May)Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

Bob and Ray | Rehearsals 487, 531, 538, 539, 540 | Summer 1957Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians. [Wikipedia]: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES.Subscribing is free and you'll receive new post notifications.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#comedyclassics #oldtimeradio #otr #radioclassics #jackbenny #fibbermcgeemolly #bobhope #lucilleball #martinandlewis #grouchomarx #abbottandcostello #miltonberle #oldtimeradioclassics #classicradio #duaneotr::

Your All-Access Pass to the Marching Arts.Legacy Drum & Bugle Corps is stepping into its first DCI SoundSport season, and this Quick Sip introduces the first leaders on the podium: Kamryn Burns and Corbin Weiss.Trish O'Shea sits down with Kamryn Burns, Corbin Weiss, and Legacy/Dream Performing Arts Executive Director Tom Maiello to talk about building a drum corps from the beginning, what it means to be the first drum majors, how recruiting and travel are shaping the season, and what Legacy is preparing for its 2026 debut.In this episode:00:00 – Quick Sip Intro00:21 – Meet Legacy's First Drum Majors00:52 – 32 Count Life Stories03:04 – Joining Legacy and Starting Something New04:33 – Rehearsals, Camps, and Move-In Plans07:41 – Recruiting, Travel, and First-Year Logistics09:20 – Legacy's 2026 Program Sneak Peek11:58 – What Kamryn and Corbin Are Most Excited About13:42 – Biggest Challenges for a First-Year Corps15:38 – How to March with LegacyFeatured in this Quick Sip:Trish O'Shea — @trishdish1102Kamryn Burns — Head Drum Major, Legacy Drum & Bugle CorpsCorbin Weiss — Assistant Drum Major, Legacy Drum & Bugle CorpsTom Maiello — Executive Director, Dream Performing Arts / Legacy Drum & Bugle CorpsFollow Legacy / Dream Performing Arts:LegacyDBC.orgLegacy InstagramLegacy FacebookDream Performing ArtsDream InstagramSponsored by:Guard Closet — @guardclosetFind On A Water Break:WebsiteLinktreeSpotifyApple PodcastsYouTubeKeywords: DCI SoundSport, Legacy Drum and Bugle Corps, drum corps, drum major, marching band, marching arts, Open Class drum corps, Drum Corps International, 2026 DCI season.

It's all led this: Chapter 10, prepping the first ‘I Love Lucy' episode.  And we begin with another perfect storm, this time of logistics.  Where will they shoot in L.A., and HOW with multi-cam on 35mm film, in front of a live audience?  Not to mention in front of the camera had its own issues.  Remember the Pilot didn't have the Mertzes;  and now they needed to find them.  Rehearsals got under way in the same space construction crews were still building sets.  And Lucille herself?  Coddling her pregnancy (understandably;  after all, it was ten years in the making).  Then we'll close-out the season, our story, on Saturday, September 8th, 1951;  the first official ‘I Love Lucy' shoot day.  Would it be a hit?  Maybe.  The conservative estimates in their favor?  Rooting FOR them?  They had a fifty-fifty shot.  Please chime in here with your questions & comments, or just sharing your love of Lucille Ball and her road to ‘I Love Lucy!'  Thanks for listening ...

Don't forget to rehearse the best case scenario for every worst case scenario rehearsal. S - Stop! - Freeze! Your emotions may try to make you act without thinking. Stay in control! T - Take a step back! - Take a break. Let go. Take a breath. Reevaluate. O - Observe! - Notice what is going on inside and outside. What is the situation? What are your thoughts and feelings? What are others saying or doing?P - Proceed mindfully! - Act with awareness. Consider your thoughts and feelings, the situation, and other people's thoughts and feelings. Think about your values and goals. Ask Wise Mind: Which actions will make it better or worse?Today's resource is accessible here. Read Julie's Medium Blog.Support JULIE (and the show!)Support + get some bonus stuff over on PATREON.Get an occasional personal email from me: www.makeyourdamnbedpodcast.comTune in on INSTAGRAM AND YOUTUBE or TIKTOK.Info on War Tax Resistance.Donate to the Palestinian Children's Relief Fund and the Sudan Relief FundThe opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Support this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

The Joint Readiness Training Center is pleased to present the one-hundredth-and-forty-second episode to air on ‘The Crucible - The JRTC Experience.' Hosted by MAJ David Pfaltzgraff, the BDE Executive Officer Observer-Coach-Trainer and MAJ Marc Howle, the Brigade Senior Engineer / Protection OCT for Brigade Command & Control (BDE HQ), on behalf of the Commander of Ops Group (COG). Today's guests are experts across JRTC: MSG Jared Cawthon as the BDE Fires Support NCOIC, MSG Randell Conway as the BDE Intelligence NCOIC OCT, both from BC2 (BDE HQ), and MAJ Lorenzo Evans is the Support Operations Plans Officer OCT for TF Sustainment (DSSB / LSB). This episode emphasizes the critical role of rehearsals within the MDMP and broader operations process, framing them as the bridge between planning and execution where units transform concepts into synchronized action. The discussion highlights that rehearsals are often the first thing sacrificed when time is constrained, yet they are the very mechanism that prevents plans from failing under the friction of combat. A full “rehearsal suite”—including combined arms, intelligence and fires, sustainment, and other functional rehearsals—serves to validate plans, confirm triggers, align resources, and ensure each warfighting function is nested in time and space. When executed properly, rehearsals expose gaps in planning, refine synchronization, and build the shared understanding necessary for units to mass effects in a complex, multi-domain fight. The conversation also highlights common challenges and best practices associated with rehearsals, emphasizing that they must be interactive, friction-focused events rather than scripted performances or “dog and pony shows.” Success depends on having the right participants—not just attendees—who can make decisions, contribute to problem-solving, and adapt the plan in real time. Leaders stress the importance of using proper fighting products, detailed terrain models, and enforcing simultaneity to identify conflicts that would otherwise go unnoticed. Ultimately, rehearsals are described as a forcing function that reveals weak planning, validates feasibility, and ensures that every echelon—from brigade to last-mile logistics—can execute with confidence when the operation begins.   Part of S13 “Hip Pocket Training” series.   For additional information and insights from this episode, please check-out our Instagram page @the_jrtc_crucible_podcast   Be sure to follow us on social media to keep up with the latest warfighting TTPs learned through the crucible that is the Joint Readiness Training Center.   Follow us by going to: https://linktr.ee/jrtc and then selecting your preferred podcast format.   Again, we'd like to thank our guests for participating. Don't forget to like, subscribe, and review us wherever you listen or watch your podcasts — and be sure to stay tuned for more in the near future.   “The Crucible – The JRTC Experience” is a product of the Joint Readiness Training Center.

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.   AT A GLANCE - ON THE SHOW THIS WEEK  Melodifestivalen 2026 - Interview with Sanna Nielsen (at Media Conference) Melodifestivalen 2026 - Interview with Meira Omar after first Dress Rehearsal Melodifestivalen 2026 - Interview with Smash Into Pieces (at Artist Hotel) Melodifestivalen 2026 - Interview with Timo Räisänen (at Artist Hotel) Eurovision Spotlight: Eurovision 2026 National Finals with Ross Bennett (Final in the current series) Eurovision News with Johannes Vitt courtesy of www.escXtra.com Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal  New Music Releases by Eurovision Artists  Your music requests        Melodfestivalen 2026 - We have a Winner:  The Grand Final of Melodifestivalen 2026 took place on Saturday 07 Mar 2026 in the Strawberry (Friends) Arena in Solna near Stockholm. Radio International was on location and conducted interviews with the participating acts. Visit the photo album to see great pictures and video clips from the Interviews, Rehearsals,  the Live Show and the Aftershow Party.    Congratulations to Felicia    for winning Melodifestivalen 2026 out of 3888 entered songs into the competiton with the song "My System". With this Felicia will represent Sweden at the Eurovision Song Contest 2026 in Semi Final 1 in the First Half.   Melodifestivalen 2026 - The results For the Photo Album of Melodifestivalen 2026 please - click here.   Sanna Nielsen (Melodifestivalen 2026) Interview with Sanna Nielsen (Melodifestivalen 2026:  It is Sanna's eights participation in Melodifestivalen having won it once in 204 with the song "Undo" which came 3rd at the Eurovision Song Contest from Copenhagen's Shipyard. In the meantime Sanna Nielsen has become mother but also has been hosting a number of years Sweden's most popular Summer Sing-a-long shows "Allsang pa Skansen". 2026 marks Sanna's 30 years in the show business in Sweden and to celebrate that she entered Melodiestivalen 2026 with the song "Waste your love" which came 10th in the Grand Final of the Swedish National Final.        Smash Into Pieces (Melodifestivalen 2026)   Interview with Smash Into Pieces (Melodifestivalen 2026):  It was the group's third participation in Melodifestivalen 2026 with the song "Hollow" which came 4th in the competition compared to their previous two entries where they came third on both occasions with "Six Feet Under" in 2023 and in 2024 it was with "Heroes are calling". In 2026, Smash into Pieces participated in Heat 4 and made it to the Grand Final of Melodifestivalen. Radio International had the pleasure to meet the Group at their hotel for an interview which you can hear on the show this week.      Meira Omar with JP (after the Melodifestivalen 2026 Grand Final)   Interview with Meira Omar (Melodifestivalen 2026): One of the nicest performances in the Grand Final of Melodifestivalen 2026 is the one from Meira Omar and her dancers in the song "Dooset Daram" which came 9th in the competition. Meira already took part in Melodifestivalen 2025 with the song "Hush Hush" coming 10th and returned to the competition in 2026 into Heat 4 via the FinalKval into the Grand Final of Melodifestivalen 2026. The Team of Radio International had the pleasure to meet and interview Meira at the Media Conference which you can hear on the show this week.    Timo Räisänen (Melodifestivalen 2026 - Heat 4)     Interview with Timo Räisänen (Melodifestivalen 2026, Heat 4):  Debuting at Melodifestivalen 2026 was Timo Räisänen with the song "Ingenting är efter oss" which ended up 4th in Heat 4. JP from Radio International had the pleasure to meet the singer together with colleague Tanja from ESCPanelen for an indepth interview in the Artist Hotel in Malmö. Find out more about Timo and his career in the interview on the show this week.      The Eurovision Spotlight - The Eurovision National Final Season:  The New Eurovision Year 2026 has started and with that also the National Final Season for the Eurovision Song Contest 2026 is in full swing with countries selecting their entry to the Eurovision Song Contest. JJ won Eurovision 2025 and with that Austria will host the Eurovision Song Contest 2026 in the Wiener Stadthalle on 12 and 14 May 2026 for the two Semi Finals and the Grand Finale to take place on Saturday, 16 May 2026. Until the end of March 2026 the National Final Season for Eurovision 2026 is on and Radio International's team members will be highlighting the best picks of the national finals. Ross Bennett wil be closing out the current series with taking a look at last bunch of  Eurovision 2026 entries that have been released over the past seven days.  In the new series of the Eurovision Spotlight as from next week the Radio International Team will be taking a look at the Eurovisionk 2026 countries in geographical reasons as tradition continues.    Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar: Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Javier stands in for Nick and will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and lots more. For full details of this week's Show Content and Play List - click here

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.     AT A GLANCE - ON THE SHOW THIS WEEK  Melodifestivalen 2026 - Winner's Interview with Felicia (Sweden 2026) Melodifestivalen 2026 - Grand Final Interviews with: Greczula, Medina, Smash Into Pieces, Brandsta City Släckers, Cimberly, A*Teens, Little Al Fadji, Meira Omar, Sanna Nielsen, Robin Bengtsson and Saga Ludvigsson Melodifestivalen 2026 - Interview with the Hosts Gina Dirawi and Hampus Nessvold Eurovision Spotlight: Eurovision 2026 National Finals with Eurovision Lordship Marcus Keppel-Palmer Eurovision News with Nick van Lith from www.escXtra.com  Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal  New Music Releases by Eurovision Artists  Your music requests  Melodifestivalen 2026 Grand Final Allstarz Melodfestivalen 2026 - We have a Winner:  The Grand Final of Melodifestivalen 2026 took place on Saturday 07 Mar 2026 in the Strawberry (Friends) Arena in Solna near Stockholm. Radio International was on location and conducted interviews with the participating acts. Visit the photo album to see great pictures and video clips from the Interviews, Rehearsals,  the Live Show and the Aftershow Party.    For the Photo Album of Melodifestivalen 2026 please click the link. Congratulations to Felicia    for winning Melodifestivalen 2026 out of 3888 entered songs into the competiton with the song "My System". With this Felicia will represent Sweden at the Eurovision Song Contest 2026 in Semi Final 1 in the First Half.     Melodifestivalen 2026 - The results On the show this week Radio International will broadcast interview clips with all the 12 Grand Finalist Felicia, Greczula, Medina, Smash Into Pieces, Brandsta City Släckers, Cimberly, A*Teens, Little Al Fadji, Meira Omar, Sanna Nielsen, Robin Bengtsson and Saga Ludvigsson.       The Eurovision Spotlight - The Eurovision National Final Season:  The New Eurovision Year 2026 has started and with that also the National Final Season for the Eurovision Song Contest 2026 is in full swing with countries selecting their entry to the Eurovision Song Contest. JJ won Eurovision 2025 and with that Austria will host the Eurovision Song Contest 2026 in the Wiener Stadthalle on 12 and 14 May 2026 for the two Semi Finals and the Grand Finale to take place on Saturday, 16 May 2026. Until the end of March 2026 the National Final Season for Eurovision 2026 is on and Radio International's team members will be highlighting the best picks of the national finals. Eurovision Lordship Marcus Keppel-Palmer continues the series with taking a look at National Finals of the last seven days.     Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar: Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Javier stands in for Nick and will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and lots more.       Eurovision 2 Album: The Eurovision 2 Album is now available on powerworldmusic.bandcamp.com, and CDs are also available by messaging Tony Power on Facebook to order copies.  https://powerworldmusic.bandcamp.com/album/eurovision-connects-2   powerworldmusic.bandcamp.com For full details of this week's Show Content and Play List - click here

The Cinematography Podcast Episode 345: Sean Bobbitt In the landscape of post-apocalyptic cinema, few franchises carry as much visual baggage as the 28 Days Later franchise. Known for pioneering the "fast zombie" and the gritty, digital lo-fi aesthetic of the early 2000s, the series has always found a novel visual approach for every entry. For the latest installment, 28 Years Later: The Bone Temple, cinematographer Sean Bobbitt, BSC, faced a unique challenge: honoring the jagged zombie movement of the franchise while carving out a look that feels entirely new. While 28 Years Later was shot on iPhones and set its own tone, Bobbitt was determined to make The Bone Temple stand apart. The goal was to capture a duality within the setting. Dr. Kelson (Ralph Fiennes) has created a special space within The Bone Temple, where the chaos parts around him. Bobbitt explains, “We just wanted to highlight the fact that this was a place of peace and tranquility, and acceptance, but also bonkers madness by using much more traditional cinematic techniques and a much slower camera.” However, the film doesn't sacrifice the kinetic energy the series is known for. To capture the fights between the infected and a group known as the "Jimmies," Bobbitt used the ARRI Trinity camera system. By using a gyro-stabilized remote head mounted on a Steadicam rig, they created a fluid, immersive way for the camera to navigate the chaos with 360-degree movement. The trademark jagged movement and speed of the infected is created by using a narrower shutter angle. A typical shutter angle is 180 degrees for natural motion blur, while the 28 franchise uses a narrower 90-degree, or even 45-degree shutter angle. Bobbitt expanded the signature shutter settings to apply to the Jimmies, a visual way to represent the thin, blurring line between the humans and the zombies. “There are all sorts of statements being made about humankind,” in The Bone Temple, says Bobbitt. “There's a lot of humanity and humor in the script which drew me to it.” Director Nia DaCosta and Bobbitt have a history that dates back several years. They first met on a Steve McQueen film set where DaCosta was a production assistant whose job was driving Bobbitt to and from work. Bobbitt enjoyed her first feature, Little Woods, and went on to DP both The Marvels and Hedda with her. “She's a great writer, a great director and the epitome of collaboration,” he says. Their process involves a meticulous long prep, with extensive shot-listing and storyboarding. Bobbitt prefers the intimacy of a single-camera setup, which he usually operates himself, even on large films. On the Yorkshire set, he pre-lit the entire space, enabling the actors to have the freedom to move without being tethered to specific marks. "The lighting informs actors," Bobbitt explains. "I try to light it as it should be, based upon my understanding of the emotion of the scene and discussions with the director." Rehearsals are key for Bobbitt to make lighting adjustments for close-ups, while the actors feel comfortable and immersed in the world of the story. Interestingly, The Bone Temple is Bobbitt's first foray into the horror genre. As a former documentary and news cameraman, he says, “Horror to me is a real thing. It is actual dead bodies, and the horror of what humanity can do to each other. That is embedded in my soul forever, what I've witnessed.” Bobbitt found a deep connection to the script's humanity and humor. The appeal of the 28 franchise for him is that it isn't just about monsters; it's a human story about the horrors people inflict on one another. By bringing a documentary-trained eye to a fictional apocalypse, Bobbitt has crafted a film that respects the technical demands of the genre while never losing sight of the human pulse at its center. See 28 Years Later: The Bone Temple streaming on digital soon. Hear our previous interview with Sean Bobbitt: https://www.camnoir.com/ep114/ Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

We return to CinemaTyler to go over the 70s classic, Network. As well as some in depth thoughts on the Mirage Scene in the seminal classic, Lawrence of Arabia.Engage!

Rehearsals continue for Lovers' Vows! The cast starts in-fighting, but Fanny enjoys watching rehearsals...until she ends up in the middle of one.Topics discussed include anonymous valentines, justice for Julia, Henry Crawford as Molly's type, morally grey characters, ASMs, lazy insults, and SIR THOMAS'S RETURN!Patron Study Questions this week come from Flying Cupcake, Marija, Avi, Spring, and Angelika. Topics discussed include Fanny's fun side, why Mary is a better friend to Fanny than her cousins, Fanny's refusal to act, everyone's moral compromises, morality vs. indulgence, and why Mary actually sought Fanny out to rehearse.Becca's Study Questions: Topics discussed include Henry as the best actor of the group, where we've been and what we've learned so far, and where we stand on the characters at the end of this volume.Funniest Quote: "It is about Lovers' Vows!"Questions moving forward: What is Sir Thomas going to do when he sees the house? Does Rushworth understand that Maria is into Henry?Who wins the chapters? Fanny!Glossary of Terms and Phrases:behind hand (adj.): late or slow in doing somethingcipher (n): a person or thing of no importance, especially a person who does the bidding of others and seems to have no will of their own.festoon (n): a chain or garland of flowers, leaves, or ribbons, hung in a curve as a decorationGlossary of People, Places, and Things: Gaia Music Collective, Kenter Davies, Sex and the City, Alanis Morissette, Much Ado About Nothing, A Midsummer Night's Dream, Waiting for Godot, Lizzie McGuireNext Episode: Mansfield Park Volume II Chapters 1-2Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Most bands treat gigs like tech rehearsals—and that's backwards. In this episode, Adam and Dan break down five practical strategies (plus a bonus) to run tech rehearsals that actually improve your show instead of wasting time. From planning and setup to testing, automation, and contingency planning, this is a blueprint for smoother gigs and less stress.Topics Covered: - What tech rehearsals really are (and aren't) - Why most bands skip them—and pay for it later - How to structure a productive tech rehearsal - Gain staging, monitors, and signal-chain fixes - Transitions, tracks, and automation - Practicing worst-case scenarios

Director Nia DaCosta (Candyman, The Marvels) joins Giles Alderson and Dom Lenoir to discuss directing the massive horror sequel, 28 Years Later: The Bone Temple. In this deep-dive interview, Nia breaks down the incredible pressure and privilege of taking the baton from Danny Boyle for Part 2 of the new trilogy. She reveals her journey from the Sundance Labs with Little Woods to managing massive VFX budgets, and now returning to practical, visceral horror. We discuss working with legends like Cillian Murphy and Ralph Fiennes, the "social thriller" genre. Topics discussed: Directing 28 Years Later: Part 2 immediately after Danny Boyle. Scripting and outlining. What she does when she gets stuck on a script or as a director. Advice for directors on handling "imposter syndrome" on big sets. Dealing with disappointment and feeling like a failure. Rehearsals and locations and why all directors are different. For more interviews and filmmaking chat head to www.thefilmmakerspodcast.com where our main podcast chats are. 28 Years Later: The Bone Temple is OUT NOW Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Rehearsals are underway for the new prologue company of Cabaret and Brian shares his thoughts on the process so far…

Choice Classic Radio presents Lux Radio Theater which aired from 1934 to 1955. Today we bring to you the episode titled "Home in Indiana.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

In this episode Kyle meets with Laura Estes to learn some keys to crafting rehearsals to help your student succeed, and they have a conversation about Laura's switch to being a composer, and finally - feature two amazing compositions of hers - Cook Strait Crossing-Grade 1 (Recorded at Midwest 2022-William Mason HS, Ed Protzman, conductor) and Sinterklaas's Rooftop Ride - a hilarious Grade 2.5 Dutch holiday piece! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

"Singing in a choir, you're trying to about five things at the same time, and sometimes you're not even doing it in the language you have spoken your entire life. Sometimes I had to just start with rhythm on one pitch and then build that step by step by step. In the process, I was always trying to teach voice. If the voice mechanism shuts down, that's where you get into problems and they stop engaging. You have to let people in rehearsals make mistakes, especially early on. It's so important. If you think rhythm, tone, rhythm-tone-text, rhythm-tone-dynamics, rhythm-tone-articulation, rhythm-tone-expression, that's six times I should have gone through that section. Then I saw that these kids were actually digging it, getting into it, and they felt that they were learning something."For the past 40 years, Richard Zielinski has taught at five universities, worked as a music director in numerous churches, and has conducted orchestras, choruses and stage productions throughout Europe, Asia, and North America. Zielinski recently retired as the Director of Choral Activities, Chair of Graduate Choral Studies at the University of Oklahoma and as Director of Music Ministries at McFarlin Memorial United Methodist Church in Norman, Oklahoma.  Prior to his appointment at the University of Oklahoma, Richard directed choral programs at University of South Florida (Tampa), Indiana State University (Terre Haute), Mercer University, (Macon, Georgia), State University of New York at Plattsburgh. He has also served as Music Director for the Master Chorale of Tampa Bay, Elgin Choral Union (IL), Vermilion Festival Chorus (IL), and Terre Haute Masterworks Chorale (IN).  In 2005, Richard founded and serves as conductor of the Zielinski Singers. This 40-voice professional chorus combines the talents of the finest choral singers in the United States producing performances, tours and recordings of choral works by American composers.Richard currently serves as Artistic Director and Principal Conductor of the 51st Classical Music Festival and Orchestra located at the Esterhazy Palace in Eisenstadt, Austria.  He is also a recipient of the Gold Medal of Achievement for his artistic achievements and musical contributions in Eisenstadt, Austria as principal conductor and artistic director of the Classical Music Festival.  In 2025 Zielinski was awarded the honorary badge “Meritorious for Polish Culture” from the Minister of Culture and National Heritage of the Republic of Poland for his 32 years of artistic work in Poland.  In 2012, Zielinski and members of the city of Norman, Oklahoma, founded a professional orchestra, The Norman PHILharmonic.  The PHIL's mission is four-fold: to be an innovative and standard-setting orchestra, to commission new works from American composers, to collaborate with area arts programs, and to excite the youth of America about symphonic music.  Throughout his career Zielinski has collaborated with composers Norman Dello Joio, Libby Larsen, John Mackey, Michael Daugherty, Samuel Adler, Eleanor Daley, Marek Jasinski, Rosephanye Powell, Jerod Impichchaachaaha' Tate, James Oliverio, Stephen Paulus, Krzysztof Penderecki and has commissioned numerous works from many of these composers.To get in touch with Rick, you can find him on Facebook (@richard.zielinski.77) or visit richardzielinski.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Send us a textIn episode #164 we discussed some important science around heat and performance with Dr. Melani Kelly:The differences between heat exhaustion, heat injury, and heat stroke, and the role hydration and nutrition play in preventing them.How certain medications can increase the risk of exertional heat illness, and how they can alter our physiological responsesPractical advice and strategies for athletes on preparing for and managing heat exposure during training and competition.Melani Kelly is an Assistant Professor at Utah Valley University, where she teaches and mentors students in the Department of Exercise Science and Outdoor Recreation. She holds a PhD in Exercise Physiology from the University of Kansas, a MS in Sport and Exercise Sciences from West Texas A&M, and a BS in Athletic Training from Eastern Washington University. Dr. Kelly's current research focuses on identifying exertional heat illness (EHI) risk factors and assessing kidney damage in 100-mile ultramarathon runners. Her work has highlighted various risk factors, including how mental health medications may increase EHI risk, and individualized gastrointestinal responses to limit damage and perceived symptoms experienced with physical activityPlease note that this podcast is created strictly for educational purposes and should never be used for medical diagnosis or treatment.Follow Dr. Melani Kelly: Google Scholar: scholar.google.com/citations?user=vBhJYmsAAAAJ&hl=enSelf Reported Exertional Heat Illness and Risk Factors among Collegiate Marching Band ArtistsCore Body Temperature in Collegiate Marching Band Artists During Rehearsals and PerformancesCollegiate Marching Band Artists Experience High Core Body Temperature during Rehearsals and PerformancesMentioned:Drugs.com: https://www.drugs.com/PubMed: https://pubmed.ncbi.nlm.nih.gov/NIH Stat Pearls: https://www.ncbi.nlm.nih.gov/books/NBK430685/MORE NR New customers save 10% off all products on our website with the code NEWPOD10 If you would like to work with our practitioners, click here: https://nutritional-revolution.com/work-with-us/ Save 50% off your 1st Trifecta Nutrition order with code NR50: https://trifectanutrition.llbyf9.net/qnNk05 Save 20% on all supplements at our trusted online source: https://us.fullscript.com/welcome/kchannell Join Nutritional Revolution's The Feed Club to get $20 off right away with an additional $20 Feed credit drop every 90 days.: https://thefeed.com/teams/nutritional-revolution If you're interested in sponsoring Nutritional Revolution Podcast, shoot us an email at nutritionalrev@gmail.com.

Cassius Marcellus Coolidge’s most well-known art is the Dogs Playing Poker series. He was a true Renaissance man, and even patented a style of kitsch art. Research: Arn, Jackson. “Why This Painting of Dogs Playing Poker Has Endured for over 100 Years.” Artsy. June 6, 2018. https://www.artsy.net/article/artsy-editorial-painting-dogs-playing-poker-endured-100-years Barry, Dan. “Artist’s Fame Is Fleeting, But Dog Poker Is Forever.” New York Times. June 14, 2002. https://www.nytimes.com/2002/06/14/nyregion/artist-s-fame-is-fleeting-but-dog-poker-is-forever.html “The bicycling fraternity …” The Evening World. Oct. 17, 1892. https://www.newspapers.com/image-view/50674735/?match=1&terms=%22cassius%20coolidge%22 Coolidge, Asenath Carver. “The Independence Day Horror at Killsbury.” Hungerford-Holbrook Company. 1905. https://books.google.com/books?id=-04LAAAAIAAJ&dq=%22cassius+coolidge%22&source=gbs_navlinks_s Coolidge, Cassius M. (as Kash). “The Accomodating Lender.” The Cosmopolitan. Volume 2. Schlicht & Field, 1887. P. 120. https://books.google.com/books?id=P5rNAAAAMAAJ&source=gbs_navlinks_s Coolidge, Cassius M. “Improvement in the processes of taking photographic pictures.” U.S. Patent Office. April 14, 1874. https://patents.google.com/patent/US149724 “Dog Poker Art Fetches Big Bucks.” CBS News. Feb. 16, 2005. https://www.cbsnews.com/news/dog-poker-art-fetches-big-bucks/ Edwards, Phil. “Ever stick your face in a cutout? Meet the kitsch genius who invented them.” Vox. May 29, 2015. https://www.vox.com/2015/5/29/8682601/carnival-cutouts-inventor “The exciting road race …” The Evening World. Sept. 26, 1892. https://www.newspapers.com/image-view/163980688/?match=1&terms=%22cassius%20coolidge%22 “Gallinipper Mosquitos & Other Insects.” Nebraska Extension Disaster Education. https://disaster.unl.edu/gallinipper-mosquitos-other-insects/ “George A. Banker received this week …” Pittsburg Dispatch. Aug. 16, 1892. https://www.newspapers.com/image-view/76578744/?match=1&terms=%22cassius%20coolidge%22 Haddock, John A. “The Growth of a Century: as Illustrated in the History of Jefferson County, New York, from 1793 to 1894.” Sherman and Company, 1894. https://books.google.com/books?id=KyUVAAAAYAAJ&dq=antwerp+cassius+coolidge+bank&source=gbs_navlinks_s “King Gallinipper.” New York Times. April 28, 1892. https://timesmachine.nytimes.com/timesmachine/1892/04/28/104126214.pdf?pdf_redirect=true&ip=0 Lewis, Joel. “Boat Unloading: Cassius Marcellus Coolidge,” Rutherford Red Wheelbarrow 7. Issue 7, part 2014. https://books.google.com/books?id=Zu__BgAAQBAJ&lpg=PA205&dq=coolidge%20%22september%2018%2C%201844%22&pg=PA205#v=onepage&q&f=false McManus, James. “Play It Close to the Muzzel and Cards on the Table.” New York Times. Dec. 3, 2005. https://www.nytimes.com/2005/12/03/sports/othersports/play-it-close-to-the-muzzle-and-paws-on-the-table.html Martinovic, Jelena. “Beloved By All But The Art World - The Dogs Playing Poker Painting by Cassius Marcellus Coolidge.” Artsper. Feb. 27, 2025. https://blog.artsper.com/en/a-closer-look/dogs-playing-poker-painting/ “Mr. Cassius M. Coolidge, the New York artist and playwright …” Sun-Journal. Oct. 3, 1892. https://www.newspapers.com/image-view/828104988/?match=1&terms=%22cassius%20coolidge%22 “A Notable Game of Poker.” The Sun. Sept. 17, 1893. https://www.loc.gov/resource/sn83030272/1893-09-17/ed-1/?sp=7&st=pdf&r=0.147%2C0.847%2C0.213%2C0.088%2C0 “Rehearsals for ‘King Gallinipper,’ …” The Evening World. April 20, 1892. https://www.newspapers.com/image-view/50663243/?match=1&terms=%22cassius%20coolidge%22 “Reviewed Work(s): A Prophet of Peace by Asenath Carver Coolidge and Cassius M. Coolidge.”The Advocate of Peace (1894-1920), Vol. 70, No. 5 (MAY, 1908), p. 117. https://www.jstor.org/stable/20665503 “Teachers’ Institute.” Democrat and Chronicle. June 9, 1876. https://www.newspapers.com/image-view/135109029/?match=1&terms=%22cassius%20coolidge%22 “The wheelmen of the Manhattan Atheltic Club …” The Evning World. Sept. 23, 1892. https://www.newspapers.com/image-view/163977579/?match=1&terms=%22cassius%20coolidge%22 See omnystudio.com/listener for privacy information.

Matthew Arau is the founder of ⁠Upbeat Global ⁠and shares many ways to maximize your student engagement during rehearsal. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott's San Francisco hula school was Nā Lei Hulu I Ka Wēkiu. They celebrated their 40th anniversary in 2025. Scott's teacher and friend, Kumu Patrick Makuakāne is in the 2023 cohort of MacArthur Fellows. His recent work includes Māhū, a work by and with trans hula performers.   On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott's San Francisco hula school was Nā Lei Hulu I Ka Wēkiu. They celebrated their 40th anniversary in 2025. Scott's teacher and friend, Kumu Patrick Makuakāne is in the 2023 cohort of MacArthur Fellows. His recent work includes Māhū, a work by and with trans hula performers.   On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott was a member of Hālau Nā Kamalei o Līlīlehua (here's a recent video) under the direction of Kumu Hula Robert Uluwehi Cazimero. When he moved to San Francisco, Scott supported his hula brother, Patrick Makuakāne's hula school Nā Lei Hulu I Ka Wēkiu. Patrick's recent work includes Māhū, a production by and with trans hula performers.  On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

As you near the end of your triathlon stamina build and approach race day, it's time for one of the most important parts of your training: the race rehearsal. This workout isn't just a test of your fitness, it's a full practice run for race day, from your gear and nutrition to your pacing and mindset. In this episode, Coach Elizabeth James joins host Vanessa Ronksley to break down the purpose and structure of each discipline's race rehearsal workout. Elizabeth explains what each session targets, how it benefits your body, and the best ways to execute them for maximum race-day readiness. Whether you're training for a sprint or an IRONMAN, this episode will guide you through the most anticipated workouts of your training block: the final step before your taper and your best race yet.

Hello friends and fans! Lowri here – you may know me as the voice of Celia. I hope you have been enjoying The Magnus Protocol! Episode 50 marks the end of Act 2 of season 2 and, as with season one, we now have a pre-planned break in the show's release schedule. 2025 has been an incredible year at Rusty Quill, and the rest of the year has even more packed into it. This means that the breaks between acts are longer than previously, as we balance the workloads of our small team. That said, we have some very exciting things to share with you before Act 3, including a brand-new official 6-episode spin-off of The Magnus Protocol: Sheeple Chase, which you can listen to right here on the Magnus feed. Sheeple Chase, written by Sasha Sienna and directed by April Sumner, was a stretch goal unlocked during the Kickstarter campaign that funded Protocol – thank you to everyone who donated and made this possible! This fictional podcast, set prior to the events of The Magnus Protocol, is hosted by conspiracy enthusiast Georgie Barker and faux-sceptic Celia Ripley. In each episode, one of the hosts will present a conspiracy theory, before discussing the “evidence” for and against. However, will Celia's ulterior motives and Georgie's growing paranoia put the podcast in jeopardy? Not only that, but we are hard at work behind the scenes developing Magnus Live: The Hilltop – a fully-staged, two-act play debuting in London this October. The Hilltop, which is written and directed by Alexander J Newall, will feature fan-favourite characters from The Magnus Archives and The Magnus Protocol. Rehearsals are underway and everything from costumes to set design and backdrops are being worked on by members of the RQ team. While tickets for the show are sold out, we have secured a professional videographer team to film and produce a recording of the play. We'll share more information on the distribution of this at a later date. As we're getting towards the end of the year and ever closer to the holiday season, you may be on the lookout for gifts for your loved ones, or maybe just for yourself! There's plenty of amazing official Magnus merchandise available, including handcrafted wooden dice trays, dice towers and more from Harps Corp, bespoke “Jon & Martin” and “Ex Altiora” perfume scents from Sucreabeille, and even a limited-edition Magnus microphone from Sontronics – perfect for your first foray into podcasting. Find all these and more by visiting our website: rustyquill.com/support Thank you so much for being here and listening to our shows – your enthusiasm for everything we create means the world to us. An extra super special thank you to our paid subscribers on Patreon whose donations go directly back into creating Rusty Quill Original podcasts. The Magnus Protocol will return in 2026. Thanks for listening. Hosted on Acast. See acast.com/privacy for more information.